And spy not, neither backbite one another. Would one of you like to eat the flesh of his dead brother? You would hate it (so hate backbiting)[] . And fear Allâh.
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CROP can be a living polymerization and can be terminated by nucleophilic reagents such as phenoxy anions, phosphines, or polyanions. When the amount of monomers becomes depleted, termination can occur intra or intermolecularly. The active end can "backbite" the chain, forming a macrocycle. Alkyl chain transfer is also possible, where the active end is quenched by transferring an alkyl chain to another polymer.
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An Egyptian papyrus dating to the Ramesside era called "The wise doctrine of Amenemope, son of Kanakht" (papyrus B.M. 10474) includes appeals to not treat dwarfs and other handicapped people (such as blind people, cripples and autists) badly or to backbite over them. Scholars and historians evaluate Amenemope's humane doctrines as a public appeal against upcoming moral decay within Egyptian society.
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"Dear Octopus", The Manchester Guardian, 18 September 1938, p. 13 Byam Shaw concluded his acting career in the late 1930s in roles including D'Arcy in a dramatisation of Pride and Prejudice, character parts in The Merchant of Venice and Richard II, and Sir Benjamin Backbite in The School for Scandal. After appearing in Michel Saint-Denis's short season at the Phoenix Theatre in 1938, his final role was Horatio to Gielgud's Hamlet, both in London and at Elsinore Castle. As the Second World War loomed, Byam Shaw joined the emergency reserve of officers.
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Pritchard was the son of a captain in the navy, was born, it is said, at sea, in 1799, and, adopting his father's profession, became a midshipman. After some practice as an amateur he joined a small company in Wales, and on 24 May 1820, as 'Pritchard from Cheltenham,' made his first appearance in Bath, playing Captain Absolute in the 'Rivals.' In August he played under Bunn, at the New Theatre, Birmingham, Lord Trinket, Sir Benjamin Backbite, and other parts, reappearing in Bath on 30 October as Irwin in Mrs. Inchbald's 'Every one has his Fault.
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Knight's first appearance at Covent Garden took place on 25 September 1795 as Jacob in the The Chapter of Accidents (when his wife played Bridget) and Skirmish in the 'Deserter'. Knight was seen in an endless number of parts at Covent Garden. The most important are Sim in 'Wild Oats', Hodge, Bob Acres, Slender in 'Merry Wives of Windsor', Roderigo, Gratiano, Dick Dowlas, Sir Benjamin Backbite, Tony Lumpkin, Sergeant Kite in the 'Recruiting Officer', Sir Andrew Aguecheek, Touchstone, and Lucio in 'Measure for Measure'. His original parts included Young Testy in Holman's 'Abroad and at Home', Count Cassel in Mrs.
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He played also in low comedy, sang occasionally, and for benefits took on some serious characters, appearing on one occasion as Richard III.During his first year's engagement he was seen as Jack Meggott in the The Suspicious Husband, Osric in Hamlet, Lord Trinket in The Jealous Wife, Lord Plausible in The Plain Dealer, Slender in the Merry Wives of Windsor, Sir Harry Wildair in The Constant Couple (George Farquhar), Roderigo in Othello, Alexas in All for Love, Sparkish in The Country Wife, Sir Novelty Fashion in Love's Last Shift, and Marplot in The Busybody (Susanna Centlivre), with other characters. He was especially noted as Sir Andrew Aguecheek and Abel Drugger. Among characters of which Dodd was the first exponent were Sir Benjamin Backbite in The School for Scandal, Dangle in The Critic, Lord Foppington in A Trip to Scarborough, and Adam Winterton in The Iron Chest.
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