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"white heat" Definitions
  1. the very high temperature at which metal looks white
"white heat" Synonyms
passion intensity vehemence enthusiasm fervency fire emotion warmth violence fervour(UK) fervor(US) heat ardency ardour(UK) ardor(US) fervidness intenseness passionateness extreme heat high temperature brutality savagery thuggery barbarism bloodshed bloodthirstiness cruelty disorder ferocity fierceness murderousness roughness assault attack barbarity barbarousness brutishness destructiveness savageness More
"white heat" Antonyms
impassiveness impassivity insensibility insensibleness insensitiveness insensitivity indifference coolness disregard insouciance unconcern phlegm emotionlessness aloofness dispassion stoicism coldness stolidity stolidness detachment

318 Sentences With "white heat"

How to use white heat in a sentence? Find typical usage patterns (collocations)/phrases/context for "white heat" and check conjugation/comparative form for "white heat". Mastering all the usages of "white heat" from sentence examples published by news publications.

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Watch Pete, Carl and John perform "White Light/White Heat" below:
I wrote the story in a white heat, in about four months.
One of Parker's key defenses is a white heat shield that deflects heat.
The ensemble played throughout in a white heat — with richness but without fat.
Their mutual hatred generates a white heat that could burn through your laptop screen.
I fell off the peak of my climax and felt a welling of white heat within.
The 1964 election was about 13 wasted Tory years and Harold Wilson's promised "white heat of technology".
She directed her last film, the interracial romance "White Heat," in 1934 and died five years later.
The wave of white heat rippling through me, material and intense, felt like another person in the room.
So with the second album, White Light/White Heat, the Velvets did it on their own, not with Andy.
But most of all, they come to prove they can still cut it in the white heat of the cage.
Their focus can blaze with white heat; breathing more freely, the music can take on the expansiveness of an alpine vista.
There is the photo of President Trump firing an M16 carbine into the white heat of a desert training range (Nov '17).
Even then, it would tear apart the Conservative Party and invite a white-heat campaign against the government by Britain's tabloid newspapers.
Cale made one more record as a member of the Velvet Underground: "White Light/White Heat," which was released at the beginning of 1968.
The foundation of "White Noise White Heat" is Genesis and 1970s David Bowie; it has a larger-than-life beat marching toward dire odds.
" Unlike Mr. Cagney in films like "The Public Enemy" and "White Heat," though, Mr. Edda does not play the lead role in "Narcos: Mexico.
The climax of "White Heat" has word of Ma's death relayed down a chain of prisoners in a mess hall until it reaches James Cagney.
M:FANS is arguably as good as anything he's released since leaving The Velvet Underground after the release of White Light/White Heat in 1968—maybe better.
In 1975 Chris Burden performed "White Light/White Heat", wherein he built a triangular platform ten feet above the ground and lay on it for 22 days.
This book (along with Marco Pierre's "White Heat") is one of the two books that propelled professional cooking into the pop culture phenomenon that it is today.
But that came before the white-heat of the blockchain and crypto boom, which had been bubbling under un 2016 but finally burst onto the mainstream last Spring.
Ms. Mar, like many chefs, found early artistic inspiration in Marco Pierre White's 1990 cookbook, "White Heat" but doesn't seek to emulate his famously harsh school of management.
For example, Ms. Minter said, it was often the "white heat" and praise that got her into trouble as an artist and made her complacent about pushing forward.
"Dogs at the Perimeter," first published in Canada in 2011, reads like a seed of the later novel: contrapuntal and elegiac in tone, with a white heat beneath.
The seminal Soho institution was home to all sorts of activities which straddled the seedy/glam divide with aplomb, most notably, the Tuesday night sensation that was White Heat.
"When I was a teenager, I read White Heat like so many chefs did, and thought Marco Pierre White was so cool, I wanted to come to London," Sverrisson explains.
Better, Pérez thought, for him to cut his teeth away from the white heat of the Santiago Bernabéu Stadium, given the risk the president would be taking in appointing him.
One-month euro/dollar implied volatility posted its third biggest monthly rise on record in November, only behind September and October 2008 in the white heat of the global financial crisis.
Read more " _____ • Karl Rove in The Wall Street Journal: "After this week's epic failure on health care reform, the G.O.P. looks like James Cagney in 'White Heat,' yelling 'Made it, ma.
Her newest work, "Soul at the White Heat," muses on inspiration and the writing life, but Ms. Oates will be reading fiction during this series hosted by New York University's creative writing program.
" But the songs have stood up, and Mr. Cale did rekindle some of the old Velvet Underground anarchy in a long, messy, droning, stomping finale of "Sister Ray" from "White Light/White Heat.
Even yesterday's newspaper could be pressed into service for a hasty, angry caricature of Franco when this diminutive Catalan in perpetual exile found himself rising to the white heat of his Republican detestation.
Chinese copper usage may have lost a lot of its growth momentum as the country's real estate bubble gradually deflates and the broader manufacturing sector loses its previous white heat, but it hasn't imploded.
Hard as it may be to believe in the white heat of the moment, when D.C. is consumed with the story, history suggests the greatest likelihood is that it won't have any discernable impact.
Those 10 minutes in the white heat of Anfield guaranteed that City would not end the season unbeaten, but it is not a sign that Guardiola's team is starting to bend and break with the pressure.
And, most of all, it must maintain its focus in the white heat of a title race that seemed to start almost on the first day of the season, a consequence of the standard City has set.
The bond examined by Brenda Wineapple in "White Heat" — which brims with crackling immediacy — features an even more unlikely pair: the reclusive genius Emily Dickinson and her posthumous publisher, the writer, abolitionist and Union Army colonel Thomas Wentworth Higginson.
In his cookbook White Heat, Marco Pierre White famously declared that Koffmann's pig's trotter was so pleasing to the eye that it could hang in the Tate gallery that houses the UK's national collection of British art and Dammann agrees.
And just as one starts to wonder what kind of town is one in which there are no children or families, no banks or offices, dusk starts to fall, and the tourists and the white heat of the day retreat.
It is true that City — by some estimates the most expensive club team ever built — does not plead poverty of resources especially convincingly, but that does not, in the white heat of the season, make losing key players any less damaging.
I put on a taupe grey wool coat from Theory, pastel green plaid cashmere scarf from H&M, a pair of straight grey jeans from Massimo Dutti, a white heat-tech long-sleeve shirt from Uniqlo, and black suede laced boots from Topshop.
Geographical proximity and mutual friends threw them together, and nights passed in a blur of drinks at Nambuca or White Heat, a semi-legendarily grotty bar and a longstanding indie club night respectively, before the lengthy commutes back to south-westerly Twickenham and beyond.
WATCH THIS: George Clooney Comes to Pregnant Meghan Markle's Defense, Comparing Her Plight to Princess Diana's "Like all good intentions when the white heat of outrage moves on to the hundred other reasons to be outraged, the focus dies down and slowly these hotels get back to the business of business," Clooney writes.
John performed his former band's influential debut album The Velvet Underground & Nico in its entirety, along with some tracks from their 1986 follow-up White Light/White Heat, and the show saw him invite a number of musicians on stage to join him, including Animal Collective, Mark Lanegan, Lou Doillon, Etienne Daho, Lemon Jelly's Nick Franglen and, of course, The Libertines.
The French champion's attack is fearsome — so good that it could afford to leave Edinson Cavani and Mauro Icardi on the bench at Dortmund — but it is not quite good enough to mask what is more a psychological vulnerability than anything else: invariably, P.S.G. seems to melt in the white heat of the competition it has been built to win.
Japan central bank to keep policy on hold, offer upbeat inflation view BOJ Kuroda's optimism on economy, price outlook sends yen to 4-month high Shock reaction to BOJ bond buying cut makes stimulus exit a challenge 5/BURNING HOT EARNINGS Equities markets will be entering the white heat phase of the latest earnings season next week and so far a number of things have stood out.
However, screenwriters Ivan Goff and Ben Roberts would go on to write White Heat the year after working on Backfire. Edmond O'Brien would also star in White Heat, as well as in the seminal film noir, D.O.A., in 1950.
Howard Jackson compiled the score from White Heat and four other Max Steiner scores.
White Heat is a compilation album released in August 2011 by Australian rock band Icehouse. This album was released as a two disc set (also available as a digital download) and a three disc set including a DVD of Icehouse video clips. The album peaked at number 5 on the ARIA Charts and it also charted at number 10 on Recorded Music NZ.Icehouse - White Heat: 30 Hits at Australian- Charts See White Heat: 30 Hits for a further description.
White Heat Swing Orechestra His orchestra was named "Boston's Best Dance Band" by Boston Magazine. Norah Jones used to be a regular singer with his band.New York Daily News, July 3, 2001 Ball's White Heat Swing Orchestra was chosen to play at Governor Deval Patrick's Inaugural Ball on January 6, 2011.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released in January 1968 on their second studio album, White Light/White Heat. Also in January 1968, the song was released as a single with the B-side "Here She Comes Now".
Retrieved on February 24, 2007. then returned to the studio in 1995 to record White Light, White Heat, White Trash, which was released in 1996. The album is said to have taken on a harder sound than those preceding it,"Review: White Light, White Heat, White Trash" PunkNews.org. Retrieved on February 24, 2007.
Tom Wilson continued working with the Velvet Underground, producing their 1968 album White Light/White Heat and Nico's Chelsea Girl.
Metallic tungsten may also be obtained by the reduction of tungstic acid, by means of charcoal at a white heat.
The 2008 book White Heat Cold Logic records the pioneering role of Middlesex Polytechnic in British computer art, as does the CACHe project.
He signed a distribution-production deal with the studio for the film White Heat, effectively making Cagney Productions a unit of Warner Bros.
Mayo in White Heat (1949) with James Cagney Warner Bros ended up taking over her contract from Goldwyn. They starred her in another film noir, Flaxy Martin (1949) with Zachary Scott, then she did a Western with Joel McCrea and director Raoul Walsh, Colorado Territory (1949), and a comedy with Ronald Reagan, The Girl from Jones Beach (1949). Mayo received excellent reviews in another unsympathetic role, playing Jimmy Cagney's sultry and scheming wife in the gangster classic White Heat (1949), also for Walsh. Mayo admitted she was frightened by Cagney as the psychotic gunman in White Heat because he was so realistic.
White Light, White Heat, White Trash is the fifth album by American punk rock band, Social Distortion, released on September 17, 1996, by 550 Music/Epic Records. The album was produced by Michael Beinhorn. White Light, White Heat, White Trash is the last Social Distortion studio album to feature guitarist Dennis Danell before his death on February 29, 2000."'A PHENOMENON'" SDCityBeat.com.
Mirosław Graf (born 5 June 1959) is a Polish former ski jumper, inventor of V-style.Johnson, Wayne (2007). White Heat: The Extreme Skiing Life.
Former Danzig drummer Chuck Biscuits joined the band between the recording and release of the album, and is credited in the liner notes although this album actually features one time Journey drummer Deen Castronovo."Social Distortion: White Light White Heat White Trash" SputnickMusic.com. Retrieved on February 24, 2007 White Light, White Heat, White Trash was the final Social Distortion album recorded with Dennis Danell before his death.
The album received Social Distortion's highest chart position at the time, entering the Billboard 200 album chart at #27. In the first week of its release, White Light, White Heat, White Trash sold 30,000 copies. Stylistically, the album is harder and considered a return to their punk roots. The title of the album is a play on the 1968 Velvet Underground album, White Light/White Heat.
Although known to have been played live, no other recorded versions than the demo and the White Light/White Heat studio version are known to exist.
In the film, White Heat, when Arthur "Cody" Jarrett played by James Cagney is chased by federal investigators, to lose them, he drives the car into San-Val Drive In, where Task Force is showing. Later in the movie, when Cody's mother is interrogated by the cops, she says that she was with Verna (Virginia Mayo) watching the film and that it was "exciting.""White Heat (1949)." Filmsite Movie Review.
White Heat Cold Logic (2008), edited by Paul Brown, Charlie Gere, Nicholas Lambert, and Catherine Mason, is a book about the history of British computer art during 1960–1980.
Virginia Kellogg was an American film writer whose stories were adapted into the screenplays for White Heat (1949) and Caged (1950). Kellogg was nominated for the Academy Award for Best Story for White Heat (1949) at the 22nd Academy Awards held in 1950.22nd Academy Award Winners and Nominees, Academy Awards, first published March 23, 1950. Retrieved June 11, 2019. She was nominated for the same award for Caged (1950) the following year.
The boat was called the "White Heat" and was a hydro design, meaning it had more than one wetted surface. Towards the late 1960s and early 1970s another gasoline-powered model was created and powered with a similar chainsaw engine. This boat was named "The Moppie" after its full-size counterpart. Again like the White Heat, between the costs of production, engine, and radio equipment, the project failed at market and perished.
Lift 9: White Cap - quad built by Lift Engineering in 1987 and upgraded by Poma. Lift 10: White Heat - quad built by Lift Engineering in 1988 and upgraded by Poma.
White Heat characters – Orla, BBC website. Retrieved 11 March 2012. This was followed by a lead role as Melissa Young in BBC drama What Remains.What Remains Press Pack BBC website, 2013.
The song is said to be a "sing-along act of contrition"."Rolling Stone: Social Distortion: White Light White Heat White Trash Music Review". RollingStone.com. February 2, 1998. Retrieved on February 25, 2007.
They produced White Heat the following year. In return for directing Backfire, Jack Warner permitted Vincent Sherman to direct The Hasty Heart,Shearer, p. 76. which became a major hit for the studio.
White Heat is a 1926 British drama film directed by Thomas Bentley and starring Juliette Compton, Wyndham Standing and George Bellamy.BFI.org The screenplay concerns a dancer who becomes romantically involved with a producer.
White Heat is the self titled debut album of future Switch members Gregory Williams, Bobby DeBarge and Jody Sims. The album was released in 1975 and produced by R&B; notable Barry White.
White Heat is a 1949 American film noir directed by Raoul Walsh and starring James Cagney, Virginia Mayo, Edmond O'Brien, Margaret Wycherly and Steve Cochran. Written by Ivan Goff and Ben Roberts, White Heat is based on a story by Virginia Kellogg, and is considered to be one of the best gangster movies of all time. In 2003, it was added to the National Film Registry as being "culturally, historically, or aesthetically significant" by the United States Library of Congress.
In Paul Brown et al. (editors), White Heat Cold Logic, chapter 14, pages 175–189, The MIT Press, 2008. George Mallen,George Mallen, 'Bridging Computing in the Arts and Software Development'. In Paul Brown et al. (editors), White Heat Cold Logic, chapter 15, pages 191–202, The MIT Press, 2008. and John Lansdown – had been involved with computing and its related concepts for some time. They knew Jasia Reichardt, the curator of Cybernetic Serendipity (1968) and had participated in or advised on aspects of the exhibition.
Craig Ball is an American, swing clarinet player and leader of the White Heat Swing Orchestra. He recorded the sound track for the Warner Brother’s film Dick Tracy.Boston Globe, "Hot Enough to Make Your Feet Bounce? The White Heat Swing Band Leader Hopes So", Heather MacKenzie, July 25, 1998 Ball has played in concert with Cab CallowayBoston Globe, "One Last Swing for the Roxy", Aug 14, 1992 Tony Bennett,Boston Globe, "One Last Swing for the Roxy", Aug 14, 1992 Joel Grey, and Lou Rawls.
Retrieved August 2, 2017. while, in June 2008, White Heat was voted 4th in AFI's 10 Top 10 list of gangster movies."TOP 10 GANGSTER", American Film Institute, published June 17, 2008. Retrieved August 2, 2017.
White Light/White Heat contains distorted, feedback-driven, and roughly recorded sound, which is regarded as influential. British rock band Buzzcocks were formed by Pete Shelley and Howard Devoto out of a shared interest in "Sister Ray".
Cagney as Cody Jarrett in White Heat (1949) Cagney's portrayal of Cody Jarrett in the 1949 film White Heat is one of his most memorable. Cinema had changed in the 10 years since Walsh last directed Cagney (in The Strawberry Blonde), and the actor's portrayal of gangsters had also changed. Unlike Tom Powers in The Public Enemy, Jarrett was portrayed as a raging lunatic with few if any sympathetic qualities.McGilligan, pages 112–114 In the 18 intervening years, Cagney's hair had begun to gray, and he developed a paunch for the first time.
"White Light/White Heat" was recorded in the course of the recording sessions for White Light/White Heat in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord.
White Light/White Heat is the second studio album by American rock band the Velvet Underground, released in 1968 on Verve Records. It was the band's last studio recording of new material with bassist and founding member John Cale.
Roles in 2011 included a leading role in the short film Ghost in the Machine.Madwoman, Ghost in the Machine Take One, 2013. Retrieved 16 November 2012. In 2012 she played the character of Orla in the BBC television series White Heat.
As he wrote to his sister shortly after moving in, "It is such inexpressible happiness to have at last a permanent home."Brenda Wineapple. White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson. New York: Knopf, 2008: 226–227. .
When Skelmersdale began, all the eggs were put in one basket. In 1974, during "the white heat of technology," the party of the hon. Member for Dagenham set up factories in Skelmersdale. We have seen the demise of two of them.
Hackney White Heat was an English basketball team from the district of Hackney in London. The club were members of the top tier of the former National Basketball League before the competition was reformatted into the current English Basketball League.
It leads to the Mann's Chinese Theatre where the insane Eric is shot by the police on the roof of the building while reenacting Cody Jarrett's death scene in White Heat. Eric then falls off the roof to his apparent death.
Cobain said, "When I write a song the lyrics are the least important subject. I can go through two or three different subjects in a song and the title can mean absolutely nothing at all".Robb, John. "White Heat". Sounds.
White Heat is a British television miniseries, written by Paula Milne, and first broadcast on BBC Two from 8 March to 12 April 2012. The series follows seven students who first meet in a London, Tufnell ParkThe Observer, 11 March 2012, Has White Heat got the 1960s right? flatshare in 1965 and consists of six one-hour episodes, set in 1965, 1967, 1973, 1979, 1982 and 1990. The series was trailed in Radio Times with an article titled Our Friends in the South, an echo of Peter Flannery's 1996 television series Our Friends in the North.
"Here She Comes Now" was recorded during the recording sessions for White Light/White Heat in September 1967 at Scepter Studios in Manhattan. Lou Reed originally intended the song to be sung by Nico, who had sung it on a few occasions during the Exploding Plastic Inevitable events, however her collaboration with the group had ended before recording for White Light/White Heat had begun. Subsequently, Reed had decided to take over vocals for the song. The song was first demoed in two takes during the winter of 1967 by Reed, Sterling Morrison and John Cale at their Ludlow Street apartment.
"Don't Call It Love" is a song first released by American singer Kim Carnes on her 1981 album Mistaken Identity. The following year it was covered by Captain and Tennille and Dusty Springfield from their albums More Than Dancing and White Heat.
True Blue (Madonna album)#Background and development Sam Baker's "White Heat" references the plot and dialogue on his 2013 album Say Grace. The film is also alluded to in E-40's "Back in Business" on his 2010 album Revenue Retrievin': Day Shift.
It became the predominant jumping technique following the Däscher/parallel style, which was last used in the early 1990s. The originator of the V-style was Mirosław Graf, a Polish ski jumper from Szklarska Poręba.Johnson, Wayne (2007). White Heat: The Extreme Skiing Life.
The cover art references the two Velvet Underground albums on which the songs respectively appeared, with the Melvins' side resembling the cover of the band's 1967 debut The Velvet Underground & Nico, and Nirvana's side resembling the cover of their 1968 second album, White Light/White Heat.
The Velvet Underground record is known for being one of the most influential and well-known, and also one of the heaviest, records of its era, just as White Light, White Heat, White Trash for Social Distortion has a harder sound than those albums preceding it.
Reece Ritchie (born 23 July 1986) is an English actor known for his role as Moha in 10,000 BC (2008), as Bis in Prince of Persia: The Sands of Time (2010), as jay in White Heat (TV series) (2012), and as Zed the 'Blackblood' in The Outpost (2019).
Robb, John. "White Heat". Sounds. October 21, 1989 210x210pxIn April 1990, Nirvana began working on their next album with producer Butch Vig at Smart Studios in Madison, Wisconsin.Azerrad, 1994. p. 137 Cobain and Novoselic became disenchanted with Channing's drumming, and Channing expressed frustration at not being involved in songwriting.
Sex, Love and Rock 'n' Roll traces its beginnings to the White Light, White Heat, White Trash tour in 1997, where Ness began writing new material for the sixth Social Distortion album. One of the new songs, "I Won't Run No More", was first performed at a concert in Germany that year. In 1998, with Social Distortion not working, Ness launched a solo career and decided to record some of the songs for his first album, Cheating at Solitaire. In November 1999, Ness added more details to the possibility of a follow-up to White Light, White Heat, White Trash and mentioned he would "like to get one out" in fall 2000.
His creative relationship with Reed was integral to the sound of the Velvet Underground's first two albums, The Velvet Underground & Nico (recorded in 1966, released in 1967) and White Light/White Heat (recorded in 1967, released in 1968). On these albums he plays viola, bass guitar and piano, and sings occasional backing vocals. White Light/White Heat also features Cale on organ (on "Sister Ray") as well as two vocal turns: "Lady Godiva's Operation", an experimental song where he shares lead vocal duties with Reed, and "The Gift", a long spoken word piece written by Reed. Though Cale co-wrote the music to several songs, his most distinctive contribution is the electrically-amplified viola.
"I Was Wrong" is a song by the punk rock band, Social Distortion, originally released as a CD5 by Sony 550 Music in 1996."Discography" SocialDistortion.com. Retrieved on February 25, 2007. It then appeared on the studio release, White Light, White Heat, White Trash, followed by Live at the Roxy.
The band's 2004–2009 lineup, left to right: Wickersham, Harding, Quintana, and Ness Social Distortion started work on the follow-up to White Light, White Heat, White Trash in 2000, which was originally to be released in the fall of that year,SxDx.com News SxDx.com . Retrieved on February 26, 2007.
Switch is the first album by R&B; band, Switch, released in 1978. It is also their first on the Motown subsidiary Gordy. After recording as White Heat and Hot Ice, this gave them the commercial breakthrough they desired with hits like "There'll Never Be" and "I Wanna Be Closer".
Bombay Velvet is influenced by Classic Hollywood cinema including Film Noir with its stereotypical caricatures like gangsters, gun molls and femme fatales. The movie draws inspiration from gangster films of the '30s and the '40s like The Roaring Twenties and White Heat and neo-noir films like Chinatown and L.A. Confidential.
The site's consensus reads: "Raoul Walsh's crime drama goes further into the psychology of a gangster than most fear to tread and James Cagney's portrayal of the tragic anti-hero is constantly volatile"."White Heat (1949)", Rotten Tomatoes, established August 12, 1998. Date of publication unknown. Retrieved June 30, 2019.
" In 2012, he appeared as Jack in the six-episode miniseries White Heat. Later that year, he played a supporting role in the 2012 film Snow White and the Huntsman, as William, Snow White's childhood friend. He received a nomination in the 2012 Teen Choice Awards for the category "Best Movie Breakout.
On 1 August 2019 Elbow released the track "Dexter & Sinister" on their official YouTube channel. On 7 August 2019, Elbow announced their eighth studio album Giants of All Sizes for release on 11 October 2019. On 4 October 2019, Elbow released the track 'White Noise White Heat' on their official YouTube channel.
Several years later, he auditioned for a band called White Heat where Bill Leverty played. He got the job, and eventually they met C.J. Snare and Perry Richardson, forming FireHouse in 1988. He filled-in for Warrant drummer Steven Sweet from December 2012 until February 2013, as Steven suffered a neck injury.
He appeared in many films that starred Lee Tracy in the 1930s. In the 1949 crime film White Heat, he played (uncredited) a treacherous prison inmate murdered in cold blood by James Cagney's lead character. He died of a heart attack on June 27, 1961 in Hollywood. He had a son, Anthony.
In 1989, Social Distortion signed a deal with Epic Records and released three albums with that label: Social Distortion (1990), Somewhere Between Heaven and Hell (1992) and White Light, White Heat, White Trash (1996). The band left Epic Records after White Light, White Heat, White Trash (1996) and Ness formed Time Bomb Recordings, releasing Mainliner: Wreckage From the Past (a collection of old recordings and singles that were done in the early '80s), a re-issue of the long out of print Mommy's Little Monster, along with a re-issue of their second album Prison Bound, and Live at the Roxy (1998). Ness married his wife, Christine Marie, in the late 1990s and they have two sons, Julian (born in 1992) and Johnny, Mike's stepson (born 1997).
He won a scholarship and continued his studies with bass Giorgio Tozzi at the Juilliard School. While at Juilliard, he was selected by Maria Callas to participate in the master classes she gave there from 1971 to 1972.Michael White, "White Heat" (interview), 17 January 2004.Chris Routledge, "White, Willard", Contemporary Black Biography, Encyclopedia.
Mother Courage is one of nine plays that Brecht wrote in resistance to the rise of Fascism and Nazism. In response to the invasion of Poland by the German armies of Adolf Hitler in 1939, Brecht wrote Mother Courage in what writers call a "white heat"—in a little over a month.Klaus Volker. Brecht Chronicle.
Bowie also uses the "hey man!" backing vocals from the Velvet Underground's 1968 song "White Light/White Heat", a line from the 1970 song "I Found Out" by John Lennon, a Marc Bolan-esque boogie, "some Flamin' Groovies speed, some Jerry Lee Lewis swagger", and a "dose of hard rock theatrics" to finish it out.
At this point it is effective, but in a dangerous state. Any further increase in temperature to white heat will ignite the external atmosphere. A sudden draught will case a localised hot spot and the flame will pass through. At a draught of between 4 and 6 feet per second the lamp becomes unsafe.
Jessica Gunning is an English television and theatre actress. She was educated at Holmfirth High School near Huddersfield before attending Rose Bruford College, graduating in 2007.Holmfirth's Jessica Gunning has been in Doctor Who, Law & Order and now she's set to star in BBC drama White Heat, Huddersfield Daily Examiner, 29 February 2012. Retrieved 2012-03-11.
Bars, lounges, nightclubs, and gambling dens are frequently the scene of action. The climaxes of a substantial number of film noirs take place in visually complex, often industrial settings, such as refineries, factories, trainyards, power plants—most famously the explosive conclusion of White Heat, set at a chemical plant.Ballinger and Graydon (2007), pp. 217–18; Hirsch (2001), p. 64.
Issues of foreign policy were rarely salient in general elections.Dominic Sandbrook, White Heat: A History of Britain in the Swinging Sixties 1964-1970 (2009), p. 361.David Butler and Dennis Kavanagh, British General Election of October, 1974 (1975), p. 63. Wilson and Johnson also differed sharply on British economic weakness and its declining status as a world power.
The three books sthat appeared in her lifetime were all anonymously published; keeping the "white-heat" of her "spirit-living" a secret from the world, even from her beloved husband. It is only recently that her works have been published under her name, and she has yet to receive the fame due her for her prominent works.
Conceived in the late 1960s, during the Apollo space programme and Harold Wilson’s espousal of ‘white heat of technology’, the Fellowship of Engineering was born in the year of Concorde's first commercial flight.Celebrating Concorde. Britishairways.com. Retrieved on 2013-08-13. The Fellowship's first meeting, at Buckingham Palace on 11 June 1976, enrolled 126 of the UK's leading engineers.
John Lanchester, for The Observer magazine supplement Life in 2003, described the book as "gastroporn". Sue Gaisford, reviewing the book for The Independent, described it as a "Marco Pierre White fanzine-with-recipes" and an "ego-trip". In 2005 food critic Jay Rayner called White Heat "possibly the most influential recipe book of the last 20 years".
Accessed February 7, 2010. which she lost by only 0.44 second.William Oscar Johnson and Anita Verschoth, "White Heat: With the gulf war rumbling in the distance, the Austrian skiers sizzled on their home slopes and dominated the World Alpine Ski Championships," Sports Illustrated, February 11, 1991, found at Sports Illustrated Vault at CNN.com. Accessed February 7, 2010.
"Papa Don't Preach" features acoustic, electric, and rhythm guitars, keyboards, and string arrangements. A continuous percussion filled structure was used in "Open Your Heart". "White Heat" sampling of the film's quotation was included with speech and gunshots. It is an uptempo dance song with synth bass and double-tracked vocals supported by male voices in the chorus.
Schmitt grew up in New York City and lived in Brooklyn til the late 1940s. He bought his first 78 at the age of 10, Jimmie Lunceford's record "White Heat." Schmitt's favorite band was Jimmie Lunceford & His Orchestra. He had a younger sister and two younger brothers (Richy and Russ), both of who became audio engineers.
Oh yeah, it also kicks unholy ass!" David Fricke of Rolling Stone wrote of the album in a 2008 cover story, "AC/DC's early albums were perfectly frenetic, but inconsistent. Their second U.S. LP was almost all killer. Scott sings 'Bad Boy Boogie' and 'Problem Child' like he's the enfant terrible...Angus' solos are true white heat.
In 1948, O'Brien signed a long-term contract with Warner Bros., who cast him in the screen version of Lillian Hellman's Another Part of the Forest. This starred Fredric March, who also appeared with O'Brien in An Act of Murder (1948). He was then cast as the undercover police officer in White Heat (1949) opposite James Cagney.
Chicks require a warm environment. In a brooder, this warm environment is created artificially with a heat lamp. My Pet Chicken recommends a red heat lamp, because a white heat lamp can create a harsh and uncomfortable environment for the baby chicks. During the first week of the chicks' life, a temperature of 95 degrees Fahrenheit is required.
White Heat is credited as being the first chef memoir, and has been cited as influencing the future careers of Michelin starred chefs, including Sat Bains and Tom Kerridge, and celebrity chefs Curtis Stone and Jean-Christophe Novelli. The New York Times published an article on 13 May 1998 describing White's career, using a passage from White Heat to say that the chef had a "well-publicized bout with drugs and alcohol". It published an apology to the chef regarding this statement later that year on 16 September, describing the passage it had used from the book as "ambiguous". The passage described White going on a drink and drugs "bender", something that White later denied in court during the libel case, saying that he did not proofread his books as he is dyslexic.
White Heat is the twelfth studio album recorded by singer Dusty Springfield, and eleventh released. It was only released in the United States and Canada. More so than her previous two albums, It Begins Again (1978), and Living Without Your Love (1979), and the non-album single "It Goes Like It Goes" (1980), White Heat was a distinct departure from Springfield's Los Angeles- produced radio-friendly soft rock sound, being closely identified with the new wave, synthpop sounds of the early 1980s. The album arguably contains the most diverse selection of genres to be collected on any Dusty Springfield studio album, ranging from Robbie Buchanan's ballad "Time and Time Again", orchestrated by James Newton Howard, to the aggressive hard rock of "Blind Sheep", co-written by Springfield herself.
Hitchens's view is sustained, in the case of capital punishment, by the historian Dominic Sandbrook, in his history of what he calls the White Heat of the 1960s,Dominic Sandbrook, White Heat: A History of Britain in the Swinging Sixties (London: Little, Brown, 2006, ), p. 321 using contemporaneous opinion poll data. Hitchens went on to explore this issue in more detail in his book A Brief History of Crime. A chapter in The Abolition of Britain on the contrast between the public health policies on lung cancer and the public health policies on AIDS was left out of the first edition of the book, after Hitchens was advised that airing thoughts critical of homosexual acts would bring such criticism on it that it would distract attention from the book's main message.
"Dope Fiend Blues" and "I'm In Love w/My Car" were originally written/recorded in 1994 as a demo of Social Distortion's fifth album White Light, White Heat, White Trash. Social Distortion & Mike Ness Trade List . Retrieved on July 29, 2006. Ness also originally wrote some of the songs on this album around 1997 while Social Distortion was planning their sixth album.
He also appears in the BBC drama series White Heat written by Bafta winning Paula Milne. Stage work includes The Container at the Young Vic where the London Paper wrote of his work 'Abhin Galeya is a revelation.' The Evening Standard wrote 'Abhin Galeya is particularly distinguished as Jemal.' Whats on Stage wrote 'exciting young actor Abhin Galeya adds the human edge.
The main Roman method of achieving this was to repeatedly heat the wrought iron to a temperature of over 800 C (i.e. to "white heat") and hammer it in a charcoal fire, causing the iron to absorb carbon from the charcoal.Healy (1978) 231 This technique had been developed empirically, as there is no evidence that ancient iron producers understood the chemistry involved.
Issues of foreign policy were rarely salient in general elections.Dominic Sandbrook, White Heat: A History of Britain in the Swinging Sixties 1964-1970 (2009) p 361. Wilson and Johnson also differed sharply on British economic weakness and its declining status as a world power. Historian Jonathan Colman concludes it made for the most unsatisfactory "special" relationship in the 20th century.
Wyman was a member of New York City's Photo League. During the 1940s and '50s, she shot over 100 assignments for Life magazine. Working from the west coast, she was often assigned to photograph movie stars on set, such as James Cagney in White Heat. By 1962 Wyman had given up professional photography, taking a job at Haskins Laboratories in New York. Manhattan.
Václav Havel credited the album, which he bought while visiting the U.S., with inspiring him to become president of Czechoslovakia. By the time the band recorded White Light/White Heat, Nico had quit the band and Warhol had been fired, both against Cale's wishes. Warhol's replacement as manager was Steve Sesnick. In September 1968, Cale left the band at Reed's behest.
After the disappointing sales of the Velvet Underground's first album, The Velvet Underground & Nico (1967), their relationship with Andy Warhol deteriorated. They toured throughout most of 1967. Many of their live performances featured noisy improvisations that became key elements on White Light/White Heat. The band fired Warhol, parted ways with Nico, and recorded their second album with Tom Wilson credited as producer.
Wycherly and Vira Boarman Whitehouse Margaret De Wolfe Wycherly (born Margaret De Wolfe, 26 October 1881 – 6 June 1956) was an English stage and film actress. She spent many years in the United States and is best remembered for her Broadway roles and Hollywood character parts. On screen she played mother to Gary Cooper (Sergeant York) and James Cagney (White Heat).
The first indication that the reaction of SiX4 and Si yields a higher halide SinX2n+2 (n > 1) was in 1871 for the comproportionation reaction of SiCl4 vapor and Si at white heat to give Si2Cl6. This was discovered by the French chemists Louis Joseph Troost (1825 - 191) and Paul Hautefeuille (1836–1902).Troost and Hautefeuille, Ann. chim. phys. [5]7, 453 (1871).
Name also collaborated with Shepard Fairey with his photograph of Nico, singer with the Velvet Underground and part of the social circle of Warhol's Factory. He photographed the covers for the Velvet Underground's White Light/White Heat and their eponymous third album as well as the photographs in the gatefold sleeve for The Velvet Underground and Nico (in collaboration with fellow Warhol associate Nat Finkelstein).
In 1949 Cochran went over to Warner Bros., playing Big Ed Somers, a power-hungry henchman to James Cagney's psychotic mobster in White Heat (1949) opposite Virginia Mayo. Warner Bros. eventually took over Cochran's and Mayo's contracts from Goldwyn. Cochran supported Joan Crawford in The Damned Don't Cry (1950), after which he was given his first lead role, in Highway 301 (1950), playing a gangster.
The song was regularly performed live by David Bowie. A version he recorded in 1973 was released as a single in 1983 to promote the album Ziggy Stardust: The Motion Picture. Bowie, a long-time Velvets fan, had been performing "White Light/White Heat" since 1971. (His album of that year, Hunky Dory, features a credit to the song for having inspired Bowie's "Queen Bitch").
In 1960, he was appointed Director, Stations and Industry Division, Department of Scientific and Industrial Research. In 1965, during Harold Wilson's "white heat of technology", he became Deputy Controller (R) at the Ministry of Technology. In 1970 he was appointed Head of Research Services at the Department of Trade and Industry. From 1971 until his retirement in 1974, Lee served as Director of the Admiralty Research Laboratory.
The American Film Institute defines the genre as "centered on organized crime or maverick criminals in a twentieth century setting". The institute named it one of the 10 "classic genres" in its 10 Top 10 list, released in 2008. The list recognizes 3 films from 1931 & 1932 (Scarface, The Public Enemy & Little Caesar). Only 1 film made the list from 1933 to 1966, (White Heat (1949)).
Group show of Contemporary Italian art. Twenty-eight artists are represented in 50 pieces of sculpture and painting. Especially rewarding is the display of relatively artists: Mino Argento restrained geometry in his painting wars with the infinity of space in the gentle gradations of background color. Calcagno's 1962 painting, White Heat, presents fluid but difficult surfaces which suggest both Clyfford Still and Franz Kline.
Mizutani was known to be a fan of the Velvet Underground and took influence from their second album White Light/White Heat in order to craft his own sound for his band. In 1970, the original bass player Moriaki Wakabayashi assisted in the hijacking of Japan Airlines Flight 351 orchestrated by the Japanese Red Army. Wakabayashi has been living in North Korea since the hijacking.
Some old-school fans were upset when the first single, "I Was Wrong", was widely played on the radio as record sales equals selling out to some of the elitists; however, Social Distortion is something of a legend in the punk genre and continues to receive respect and support."Review: White Light, White Heat, White Trash". December 17, 2002. Retrieved on February 25, 2007.
Defoe joined Newcastle Eagles in 2004 from Hackney White Heat. He made his debut on 1 October 2004 against the Scottish Rocks. In his debut season of Professional Basketball, Defoe played 40 games, playing 521 minutes, while recording averages of 4.80 Points Per Game and 3.33 Rebounds Per Game. In this season Defoe picked up a BBL Trophy winners medal and a British Basketball League Play-Off winners medal.
The 1998 CD reissue of Tubeway Army included a live concert, originally a bootleg called Live at the Roxy, retitled as Living Ornaments '78 - a retrospective reference to Numan's official live albums Living Ornaments '79 (1981), 80 (1981) and 81 (1998). It included early versions of "My Shadow In Vain" and "Friends" ("Do Your Best") as well as a cover of The Velvet Underground's "White Light/White Heat".
He hoped to attract new industries in the 'white heat of technology', having opposed the Beeching cuts. During 1970s industrial decline was accompanied by a shortage of decent housing. Lord Granville-West evolved into a moderniser supporting the enfranchisement of leaseholders to allow more working-class people to aspire to own their own home. Baron Granville-West died in Pontypool aged 80, and was buried at Panteg Cemetery, Pontypool..
And certainly more hope and light than on White Light, White Heat, White Trash. You can't forever tell yourself and others that life's all bad. Apart from other things, punk rock also is about fun and loud guitars. Before doing the last album I went through a really hard time, and even if not all is great in my life, I'm much better now than at that time.
Hamerow, 1997, pp. 196-97 This reflected the church hierarchy's caution.Hamerow, 1997, p. 197 Albert Speer wrote that when Hitler was read passages from a defiant sermon or pastoral letter he became furious, and the fact that he "could not immediately retaliate raised him to a white heat".Albert Speer; Inside the Third Reich: Memoirs; Translation by Richard and Clara Winston; Macmillan Publishing Company; New York; 1970; p.
Live at the Y.M.C.A 27-10-79 is a live album by industrial/post-punk band Cabaret Voltaire, recorded in 1979 and originally released in 1980 by Rough Trade. It was re-released on CD in 1990 on Mute Records in the UK and on Restless Records in the US. The album contains an unrecognizable cover of The Velvet Underground's "Here She Comes Now" from their album White Light/White Heat.
White Heat is a cookbook by chef Marco Pierre White, published in 1990. It features black-and-white photographs by Bob Carlos Clarke. It is partially autobiographical, and is considered to be the chef's first memoir. The book is cited today as having influenced the careers of several Michelin starred and celebrity chefs, and was described by one critic as "possibly the most influential recipe book of the last 20 years".
After winning an Oscar for Yankee Doodle Dandy, Cagney left Warner Brothers in 1942 to form his own production company with his business manager and brother, William. After making four unsuccessful movies (including the well-regarded, but "financially disastrous" adaptation of William Saroyan's The Time of Your Life), Cagney returned to Warner in mid-1949.Moss, Ann Marilyn. Film Essay for White Heat, National Film Preservation Board, publishing date unknown.
"White Heat" deals with firmness and quotes Clint Eastwood's "Make my day" catchphrase. "Papa Don't Preach"'s lyrics talk about a young woman who tells her father that she is pregnant out of wedlock, but is going to keep her baby. "Live to Tell" portraits the complexity of deceit and mistrust. The song also is about childhood scars and had an extreme emotional pitch, achieving it in a divine sense.
Towne was born in Saint Paul, Minnesota. Towne appeared in dozens of roles on television, in series such as Lassie, Leave It to Beaver, Sea Hunt, Wagon Train, Maverick, The Lone Ranger, and The Donna Reed Show.Aline Towne at IMDb In 1952 she played Lara, Superman's mother in the first episode of the Adventures of Superman. She also had a small speaking role (billed as Fern Eggen) in White Heat (1949).
White produced trucks under the Autocar nameplate following its acquisition. Diamond T and REO Motor Car Company became the Diamond REO division, which was discontinued in the 1970s. A White semi performed a role in the 1949 James Cagney film White Heat. This era was probably the peak of White Motor market penetration, with the substantial gasoline engined tractors moving a large part of the tractor trailer fleet.
The ingots were shipped to rolling mills, where they were placed into furnaces and reheated to a white heat. They were then processed through roller machinery that formed steel rails long. These long rails were cut into standard lengths as the final product for constructing railroad tracks. The first Bessemer steel rails ever made in the United States came from the North Chicago Rolling Mill on May 24, 1865.
Cassell began his film career in 1942, initially working in small, uncredited roles.With regard to the year that Cassell began his film career, another source states, "He...realized a childhood ambition to become an actor with a role in Labor Pains in 1937." Mickey Rooney, with whom Cassell appears in the 1950 film noir Quicksand, is credited with suggesting the change of name to Wally Cassell.Wally Cassell, Gangster in 'White Heat,' Dies at 103, Hollywood Reporter, May 28, 2015 Rooney is also credited with helping Cassell gain a screen test and a contract with Metro-Goldwyn-Mayer. His films include The Thin Man Goes Home (1945), The Story of G.I. Joe (1945), The Clock (1945), The Postman Always Rings Twice (1946), Guilty (1947), Loves of Carmen (1948), Saigon (1948), Sands of Iwo Jima (1949), White Heat (1949),Quicksand (1950), City That Never Sleeps (1953), Island in the Sky (1953), Law and Order (1953), Princess of the Nile (1954), Until They Sail (1957), and I, Madman (1989).
Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground. Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973. He even began recording "White Light/White Heat" for inclusion on Pin Ups, but it was never completed; Ronson ended up using the backing track for his solo album Play Don't Worry in 1974. Mick Ronson (who was at the time the lead guitarist with Bowie's band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the string arrangement for "Perfect Day".
He later recalled in his book White Heat that the restaurant made him obsessed with food and he still considers the restaurant to be his spiritual home. After holding the two Michelin stars until 1988, and then losing its single star in 1991, in 1992 the restaurant went into receivership and was purchased by Helen Avis. Under chef Thierry LePratre-Granet, the restaurant was restored to a single Michelin star in 1996.
It thus needed to be carburised to at least 1.5% carbon content. The main Roman method of achieving this was to repeatedly heat the wrought iron to a temperature of over 800 C (i.e. to "white heat") and hammer it in a charcoal fire, causing the iron to absorb carbon from the charcoal.Healy (1978) 231 This technique had been developed empirically, as there is no evidence that ancient iron producers understood the chemistry involved.
Country singer Dwight Yoakam has stated that Ralph Stanley is one of his "musical heroes." Stanley's autobiography, Man of Constant Sorrow, coauthored with the music journalist Eddie Dean, was released by Gotham Books on October 15, 2009. In 2012, Stanley was featured on several tracks of the soundtrack for Nick Cave's film Lawless, with music by Cave and Warren Ellis. His solo track "White Light/White Heat" is prominent in several scenes of the movie.
Critical reaction to the film was positive, and today it is considered a classic. Bosley Crowther of The New York Times called it "the acme of the gangster-prison film" and praised its "thermal intensity". In 2005, White Heat was listed in Time magazine's top 100 films of all time. On review aggregation website Rotten Tomatoes the film has an approval rating of 97% based on 31 reviews, with a weighted average of 8.46/10.
These made it easy to construct an insulating envelope of glass, while passing connection wires through the glass to the electrodes. When a vacuum tube is overloaded or operated past its design dissipation, its anode (plate) may glow red. In consumer equipment, a glowing plate is universally a sign of an overloaded tube. However, some large transmitting tubes are designed to operate with their anodes at red, orange, or in rare cases, white heat.
Leverty was born in Richmond, Virginia. His parents gave him a guitar when he was 4 years old, but he didn't take it up seriously until he was 15 years old, and studied music theory in high school. In 1984, his band White Heat auditioned for a drummer, where he met Michael Foster and was impressed with him. Some time later, they hooked up with C.J. Snare and Perry Richardson, and formed FireHouse.
Mary Whitehouse quoted by David Stubbs "The moral minority", The Guardian, 24 May 2008 In place of this, the authors argued, the Corporation's activities should "encourage and sustain faith in God and bring Him back to the hearts of our family and national life".Quoted in Dominic Sandbrook White Heat, London: Little, Brown, 2006, p.544The full manifesto is quoted by Roy Shaw in "Television: Freedom and Responsibility", New Blackfriars, no.553, June 1966, p.
Jeff Danchie (born 19 April 1984 in Ghana) is an English professional basketball player, and currently plays for the London Mets in the English Basketball League's first division. Previously, Jeff played was a reserve player for the Plymouth Raiders in the British Basketball League. The 5ft10 Guard attended the UK's student basketball powerhouse, Marjon's College, whilst also playing with the Plymouth Raiders from 2004, having been signed from Hackney White Heat. Daniche holds dual British and Ghanaian citizenship.
Though Hoover received a $5,000 salary (), conditions were harsh in the goldfields. Hoover described the Coolgardie and Murchison rangelands on the edge of the Great Victoria Desert as a land of "black flies, red dust and white heat." Hoover traveled constantly across the Outback to evaluate and manage the company's mines. He convinced Bewick, Moreing to purchase the Sons of Gwalia gold mine, which proved to be one of the most successful mines in the region.
The song was covered in an episode of Nickelodeon's show Taina by Christina Vidal. The song is used in the films At Close Range, Barcelona, Contact, Breast Men, Mystery Men, Screwed, Canvas, and The Nice Guys. Other television shows that feature the song include WKRP in Cincinnati, The King of Queens, Everybody Hates Chris, White Heat, Muppets Tonight, Pose and Scandal. It's also featured in the video games Grand Theft Auto IV: The Ballad of Gay Tony and Boogie.
The 1960s Labour government had a different emphasis from its 1940s predecessor. Harold Wilson put faith in economic planning as a way to solve Britain's economic problems. Wilson famously referred to the "white heat of technology", referring to the modernisation of British industry. This was to be achieved through the swift adoption of new technology, aided by government-funded infrastructure improvements and the creation of large high-tech public sector corporations guided by a Ministry of Technology.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968 , from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The wrought iron produced in the Greco-Roman world generally contained only minimal traces of carbon and was too soft for tools and weapons. It thus needed to be carburised to at least 1.5% carbon content. The main Roman method of achieving this was to repeatedly reheat the wrought iron to a temperature of over 800 C (i.e. to "white heat") and hammer it in a charcoal fire, causing the iron to absorb carbon from the charcoal.
Although she was mainly involved with television, Barrett's acting career began with film in the late 1940s and 1950s. At age 18, she was signed (as Imagene Williams) to a contract with Warner Bros. Her first movie appearance was in the 1949 classic film noir White Heat starring James Cagney and Virginia Mayo. The next year, she had the part of Miss Dolly Travers in MGM's The Happy Years, which starred Dean Stockwell, Darryl Hickman, and Leo G. Carroll.
Most notably, in The Public Enemy, Cagney smashed a grapefruit into Mae Clarke's face; in White Heat he kicks Virginia Mayo off a chair. In Each Dawn I Die, his character suffers the ill effects of prison; while here, his character has a breakdown in the prison mess hall. Furthermore, in The Roaring Twenties Cagney fought with rival gangsters in a similar fashion to how Cody Jarrett stalks the double-crossing "Big Ed" Somers (portrayed by Steve Cochran).
At the age of 18, he attended the Wilmorton site of Derby College, reportedly only joining the catering course because it had the most girls on it. He passed the course, earning a City & Guilds qualification. He began to work at a restaurant under Mick Murphy, who he later described as an inspiration due to the passion that Murphy had for food. He discovered the work of Marco Pierre White, and read the White Heat cookbook.
Perry Richardson graduated Conway High School in Conway, South Carolina and went on to graduate from the University of South Carolina/Coastal Carolina in 1980 with Bachelor of Science degree in Business Management. Richardson met C. J. Snare in North Carolina and started a band called Maxx Warrior. Eventually they met with Bill Leverty and Michael Foster (who were playing with a band called White Heat). The four got together in Charlotte and started FireHouse in 1989.
"European Son" is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album The Velvet Underground & Nico. It is also the album's longest track at more than seven and a half minutes. The song could be seen as a precursor to the band's next album White Light/White Heat and certainly to the song "Sister Ray", a seventeen-minute-long rock improvisation.
Both Cale and Reed called Sesnick a "snake" in different interviews after leaving the band. In September 1967, the Velvet Underground began recording their second album, White Light/White Heat, with Tom Wilson as producer. The band performed live often, and their performances became louder and harsher and often included extended improvisations. Warhol arranged for the band to get an endorsement deal with Vox to enable them to use Vox equipment, including special effects pedals and an organ, for free.
It was produced by Those Mockingbirds, and former editor-in-chief of Revolver Magazine Tom Beaujour, and recorded at Nuthouse Studio & White Heat Studio. No Symmetry debuted at No. 1 on Amazon's Movers & Shakers chart. A video was released that indicated Those Mockingbirds kidnapped Gary Brolsma, known from the Numa Numa internet meme video, for a ransom of 50,000 downloads of their single "Honest? Honest." The music video for the song was released later that year, after it achieved 50,000 downloads.
The Research Division had an uneasy relationship with other parts of BR, and like most of the products of Harold Wilson's "white heat of technology" speech, were killed off in the early 1980s. The basis of the unease was the traditional approach of most of BR compared with theoretical and aerospace approaches adopted by the Research Division. The hiring of graduates rather than training people up internally also caused tensions. It could be somewhat tactless, or perhaps naive, at times.
Pareles of the New York Times described him as a teen idol singing David Bowie-style rock during the years he was promoted by MTV. The album spawned three Australian top 100 singles, with "Beats So Lonely" peaking at number 17. In 1987, he was an occasional opening act for David Bowie on his Glass Spider Tour. Sexton appears on the Glass Spider home video playing guitar on The Stooges' "I Wanna Be Your Dog" and the Velvet Underground's "White Light/White Heat".
We felt strongly after listening that live was > the way to go, because so much of the excitement of the music for both Josh > and I was wrapped up in the white heat of the live performance. The album contains three originals and three covers,Johnson, Martin (September 12, 2016) "'Nearness' by Brad Mehldau and Joshua Redman Review: Jazz Standards for a Modern Age". The Wall Street Journal. but none of the rock covers that they played on the tour.
In 1980, Merrill joined forces with Rick Derringer as a guitarist/vocalist in New York City. They recorded three albums, Good Dirty Fun, Live at The Ritz, Rick Derringer and Friends, and a film, The Rick Derringer Rock Spectacular. Merrill wrote three songs on the Derringer Good Dirty Fun album, "White Heat" (Alan Merrill), "Shake Me" (Alan Merrill/Jake Hooker) and "Lesson Learned" (Alan Merrill/Rick Derringer). "Shake Me" was included in the soundtrack of the film Where The Boys Are (1984).
This period coincided with a visit to Weimar by English novelist Mary Ann (Marian) Evans, better known by her pen name George Eliot. Her consort George Henry Lewes was gathering information for his biography of Goethe. During visits to Liszt's residence, the Altenburg, Lewes and Eliot had several discussions with both him and Princess Carolyne about Goethe and his place in German literature. Once Liszt began writing, it was all-consuming; the work was produced in a white heat of inspiration.
According to one interview, she said "I liked to look at the comics and the weather map in the newspaper. It was very humiliating. I could not make the leap from a printed word to the meaning of the word....I could not spell at all and phonetics didn't really make sense....It is so strange that I somehow got into publishing!" For nearly two years in the 1990s, Blakemore worked as art director for paper engineer' James Diaz's White Heat Ltd.
In 1998, Parlane and Workman founded the Sigma Editions record label, which released music by themselves, David Haines, and Vladislav Delay. The name is a reference to Alexander Trocchi's plan for a utopian artist colony. Parlane moved to London in 2000 and formed the ensemble Sakada with Mattin and Eddie Prévost. In 2004 he released Iris, which was described as "extraordinary passages of filigreed and tessellated electronic minutiae and static flutter that evoke the crystalline hissing of ice in white heat".
Archer made his film debut in 1938. He acted in films for Universal and Republic under his birth name. In a radio contest sponsored by Jesse L. Lasky on the program Gateway to Hollywood, he won the top prize, an RKO contract in the name of "John Archer." He appeared in the films: Hello, Frisco, Hello; Guadalcanal Diary; White Heat; Destination Moon; Rock Around the Clock; Ten Thousand Bedrooms; Decision at Sundown; Blue Hawaii; and How to Frame a Figg.
He attended a youth theatre for three weeks when he was spotted and cast in the 1991 Christmas special of the BBC1 television show Miss Marple: They Do It with Mirrors. A number of other small television roles followed, but at the age of eighteen he decided to pursue his love of cooking instead of an acting career. Kerridge found Marco Pierre White's White Heat cookbook inspiring, and states that it encouraged him to pursue a career as a chef by attending catering college in Cheltenham.
Relf wrote and produced songs for Jackie Lee including "The Chicken" and "African Boo-Ga- Loo". In the early 1970s Relf resumed working with Barry White helping to produce discs by Love Unlimited, Gloria Scott and White Heat. A Relf composition, "Bring Back My Yesterday", was recorded by White in 1973 on the album I've Got So Much to Give. He also co-wrote, with White, the B side, "I Should Have Known", from Love Unlimited's hit single, "Walkin' In The Rain with the One I Love".
Automatic 7's style has been compared to Social Distortion, Jawbreaker and Face to Face. John Hulett cites Jawbreaker as Automatic 7's greatest influence, and says that the band are Jawbreaker fans. Automatic 7 has one guitarist, but over the years considered adding another guitarist to the band. In 1997 Face To Face guitarist/songwriter Trever Keith joined Automatic 7 briefly (guitarist/backing vocals) and toured with the band as it did support work for Social Distortions 1997 White Light, White Heat, White Trash tour.
This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush." "White Light/White Heat" was also a staple of the Velvet Underground's live performances from 1967 on. The tune appears on numerous live bootleg albums, and the nearly nine-minute version included on the group's posthumous 1969 Live double LP is one of the album's centerpieces. Reed also recorded a live version of the song in 1974, which featured on his Rock 'n' Roll Animal and Greatest Hits albums.
In the album booklet, Bowie, writing in his own hand, describes Pinups as: The woman on the cover with Bowie is 1960s supermodel Twiggy in a photograph taken by her then-manager Justin de Villeneuve. It was shot in Paris for Vogue magazine, but at Bowie's request was used for the album instead. A version of the Velvet Underground's "White Light/White Heat" was recorded during the sessions. It was never released; Bowie donated the backing track to Mick Ronson for his 1975 album Play Don't Worry.
When the commitment was fulfilled, Richardson and his new bandmates moved to Charlotte, North Carolina and began recording demos in Leverty's bedroom. The band would record all day and play hotel shows at night to earn income. Since Leverty and Foster's band name of White Heat was trademarked, the band chose FireHouse instead. In December 1989, Michael Caplan of Epic Records flew to Charlotte, NC to see a FireHouse show, and told the band immediately following the performance that they were ready for a record deal.
All of his subsequent film efforts, as both screenwriter and producer, were in collaboration with his old friend Ivan Goff. The pair contributed to the success of such varied projects as White Heat (1949), Captain Horatio Hornblower (1951), Shake Hands with the Devil (1959) and Midnight Lace (1960); and in 1957, they shared an Academy Award nomination for their scriptwork on Man of a Thousand Faces (1957). Roberts and Ivan Goff were also executive producers for the weekly television series Mannix and Nero Wolfe.
Jean-Alain Roussel lived in Montreal at the time. Springfield lived part-time in Toronto at this stage in her life; the two met through mutual friends and ended up collaborating on most of White Heat. Written by Canadian New Wave band Rough Trade's Carole Pope and Kevan Staples, "Soft Core" describes the realities of a dysfunctional relationship. "Soft Core" was cut in a single take by sheer mistake, thanks to an engineer throwing a tape machine into 'record', with composer Kevan Staples playing a grand piano.
Published in 1903, this paper expands on the work that Gates did with Ernest Rutherford and Harriet Brooks. This paper explains in detail a series of experiments Gates performed under the direction of Rutherford examining the relationship between heat and excited radioactive particles, concluding with 4 distinct observations. # Excited radioactivity cannot be destroyed by heat. # Active particles are removed from wires (primarily platinum in the detailed experiments) at a temperature just below white heat, and are transferred unchanged to the surfaces of the cooler solids nearby.
In 1970 Archbishop Elko started anew as Auxiliary Archbishop in the Roman Catholic Archdiocese of Cincinnati (the first and only Eastern Rite Bishop to serve as Auxiliary of a Latin Rite Diocese in the U.S.). He served in this capacity for fourteen years, and upon reaching his seventy-fifth birthday, retired. He wrote an historical novel at this time, which was published posthumously in 1994. White Heat Over Red Fire features Thomas Christophe, a young Eastern Rite Catholic Bishop ministering in post-war Austria.
At room temperature, diamonds do not react with any chemical reagents including strong acids and bases. In an atmosphere of pure oxygen, diamond has an ignition point that ranges from to ; smaller crystals tend to burn more easily. It increases in temperature from red to white heat and burns with a pale blue flame, and continues to burn after the source of heat is removed. By contrast, in air the combustion will cease as soon as the heat is removed because the oxygen is diluted with nitrogen.
In The Sixties, Diski described her personal experience as a young woman starting out in life: "I lived in London during that period, regretting the Beats, buying clothes, going to movies, dropping out, reading, taking drugs, spending time in mental hospitals, demonstrating, having sex, teaching."Diski The Sixties p. 7. Aside from the mental hospitals, this could be considered a normative 1960s life-style, while her representation of the era as a sort of golden age is not atypical of her generation.Dominic Sandbrook, White Heat (2007) p.
Tommy Stevenson (21 February 1914 - October 1944) was a jazz trumpet player in the big band era. He was the first high note trumpeter to be featured on recordings. Nicknamed "Steve," Tommy joined Jimmie Lunceford's band in 1933, and recordings from that time feature him hitting notes that no trumpeter had been recorded hitting before. His solos, like those on the Lunceford recordings "White Heat" and "Rhythm Is Our Business," were later recreated note-for-note by trumpeters such as Paul Webster and Ollie Mitchell.
The band was formed in 2005 following Huxley's departure from The Eighties Matchbox B-Line Disaster. The original line-up was Huxley, James Hair ("lead bassist", formerly of Neils Children), and Rob "Bertie" Lean (drums and vocals). The debut album ...Ma, was released on 4 June 2007 on White Heat Records, and was shortly followed by the single "Slack Hands" on 18 June 2007. The album title was a dedication to longtime friend and supporter Dave Ma, who directed the video to "Slack Hands".
Their latest tour of the US in October 2012 began with a sold out show at the prestigious Troubadour venue in LA, and ended up with a sold out show in Austin, Texas. Other notable shows include; Two sold out headline shows at London's White Heat night. Supporting The Naked and Famous as part of the NME Awards in February 2011, and subsequent support on their UK and German tour. Supporting Editors on 26 March 2011 at the Royal Albert Hall in aid of the Teenage Cancer Trust.
At the time of Fallada's death in February 1947, aged 53, from a weakened heart from years of addiction to morphine, alcohol and other drugs, he had recently completed Every Man Dies Alone, an anti-fascist novel based on the true story of a German couple, Otto and Elise Hampel, who were executed for producing and distributing anti-Nazi material in Berlin during the war.Williams, 254. According to Jenny Williams, he wrote the book in a "white heat"—a mere 24 days. Fallada died just weeks before the publication of this final novel.
For the costumes, Madonna collaborated with designer Marlene Stewart. She expanded on the idea of bringing her popular video characters to life onstage, reworking scenes from "True Blue", "Open Your Heart", "Papa Don't Preach" and "La Isla Bonita". For "Open Your Heart", Madonna reused the Stewart designed black bustier worn by her in the video, complete with tassels, golden tips and ribbing with fishnets on leg. Stewart's other designs included a Flamenco style dress for "La Isla Bonita" and a gold lamé jacket for the "White Heat" sequence.
Louis F. Edelman (May 18, 1900 in New York City – January 6, 1976 in Los Angeles, California), was an American screenwriter and producer. He produced 39 films between 1935 and 1952, including the Fred Astaire musical You Were Never Lovelier (1942) and the gangster classic White Heat (1949) starring James Cagney. He was also active in television, having produced such series as ABC's The Big Valley, The Life and Legend of Wyatt Earp (1955–1961) and NBC's sitcom set in Tin Pan Alley, Love and Marriage (1959–1960). starring William Demarest and Stubby Kaye.
James Francis Cagney Jr. (; July 17, 1899March 30, 1986) was an American actor and dancer on stage and in film. Known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing, he won acclaim and major awards for a wide variety of performances. He is remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), The Roaring Twenties (1939), and White Heat (1949), finding himself typecast or limited by this reputation earlier in his career.
The hope was to improve British science teaching, and hence British industry, "by persuasion" where Russia had done so "by compulsion".Ronald W. Clark, A Biography of the Nuffield Foundation, London: Longman, 1972, , p. 171.Concern for the competitiveness of British industry was widespread at the time; in 1963 Harold Wilson made a speech urging improvements to education so that Britain would not be disadvantaged in the "white heat of the technological revolution"; cited in Alan Peacock, "The Emergence of Primary Science", in Amos and Boohan, eds., Teaching Science, pp. 71-81, p. 71\.
White's first appearance on the television show Hell's Kitchen in 2007 caused the price of second-hand copies of his old cookbooks to spike. White Heat had been seen as a collector's item, but after the television show, the price increased to as much as £250 for a signed first edition. In 2008 it was recommended by television chef Michael Symon, writing for Women's Health, despite being out of print in America at the time. Arthur Potts Dawson described it as a "rock'n'roll cookbook" in an interview with The Independent in 2012.
The history of FireHouse can be traced back to 1984, when Leverty's band White Heat needed a drummer. After over 20 auditions, current FireHouse drummer Michael Foster answered the ad and when Leverty was impressed by his skill, he quickly hired him. When the band wasn't on tour, Leverty and Foster would visit rock clubs, and it was at one of these clubs where they caught sight of a band called Maxx Warrior. Singing for the band was C. J. Snare, and the band's bassist was Perry Richardson.
She played Beth in the 2012 BBC series White Heat. She is also the lead in The Guilty in the three-part series on ITV in 2013, playing DCI Maggie Brand who investigates the death of a young child who went missing five years previously. In 2014, she played Sally in the Inside No. 9 episode "Last Gasp". In 2015 the fourth season of Episodes was aired, and in 2016 a seven- episode fifth season, still starring Greig alongside Stephen Mangan and Matt LeBlanc, was filmed in London.
In fact, it is the one poem in this group that may mean but is not [...] Like 'France' too, the poem suffers from a lack of 'heart'."Radley 1966 p. 54 George Watson declares that the poem "shows how precarious Coleridge's new achievement was. It is a shameless return to the older, effusive manner, evidently written in a white heat of patriotic indignation against the degradation of English public opinion during the French wars, and it is only by stretching charity that it can be considered a conversation poem at all.
Peter Holmström at the 2001 Frequency Festival Becoming a fan of the band after seeing them play at the Glastonbury Festival in 2000, David Bowie personally selected The Dandy Warhols to play at the 2002 Meltdown festival. Bowie and the Dandys played a rendition of The Velvet Underground's "White Light/White Heat" together as an encore to the July 29 gig, which was billed as The New Heathens Night. The band also supported Bowie on his 2003 A Reality Tour. In September 2001, the band began work on their next studio album.
Cagney's new contract with Warner enabled him to make $250,000 per film on a schedule of one film per year, plus script approval and the opportunity to develop projects for his own company. To make good on his comeback, Cagney settled on the script for White Heat; on May 6, 1949, he signed on to portray Arthur "Cody" Jarrett. Much to Jack Warner's dismay, it was writers Ivan Goff and Ben Roberts who suggested him for the lead, claiming "there's only one man who can play [Jarrett] and make the rafters rock."Vallance, Tom.
Reed provided the voice of Maltazard, the villain in the 2009 Luc Besson animated/live-action feature film Arthur and the Revenge of Maltazard and appeared as himself in Wim Wenders' 2008 film Palermo Shooting. Reed played "Sweet Jane" and "White Light/White Heat" with Metallica at Madison Square Garden during the twenty-fifth anniversary celebration of the Rock and Roll Hall of Fame on October 30, 2009. In 2010, Reed featured on the song "Some Kind of Nature" with virtual band Gorillaz, from their third studio album Plastic Beach.
Glasstress 2013: White Light/White Heat (June 1 – November 24) was a Collateral Event of the 55th Venice Biennale, curated by James Putnam and Adriano Berengo. It featured the artwork of over 66 artists, including: Tracey Emin, Tony Oursler, Jaume Plensa, Koen Vanmechelen and Ursula von Rydingsvard. The exhibition took place in three locations: Palazzo Cavalli-Franchetti / Veneto Institute of Sciences, Arts and Letters, the Berengo Center for Contemporary Art and Glass on the island of Murano, and next to the Grande Confraternity School of San Teodoro at San Marco.
The cover of White Light, White Heat, White Trash features a photograph of a ventriloquist dummy/puppet taken by Leonard Myszynski. On the back cover is another photograph by Myszynski of religious statues. The inner liner is covered with small icons of religious and Americana nature, illustrating the album's fusion of faith and punk rock with a 1950s influence. The iconography includes dice, a 1950s-style automobile in front of a motel, a pin-up girl with angel wings and a halo, a burning cross and a Sacred Heart.
The band released their debut single "Re-union"/"Much Too Much" in summer 2005 through White Heat Recordings, which received national airplay. They were also highly rated by the record store Rough Trade, who listed "Reunion"/"Much Too Much" as their fourteenth favourite single of 2005. Their second single, "How It All Went Wrong", released in March 2006, was limited to 1,500 copies and sold out on the day of its release. The low budget music video was filmed by directors Type2Error at the Tatty Bogle Club in London, where the band rehearsed.
Raoul A. Walsh (March 11, 1887December 31, 1980) was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent classic The Birth of a Nation (1915) and for directing such films as The Big Trail (1930), starring John Wayne, High Sierra (1941), starring Ida Lupino and Humphrey Bogart, and White Heat (1949), starring James Cagney and Edmond O'Brien. He directed his last film in 1964.
Robert "Bob" Carlos Clarke (24 June 1950 - 25 March 2006) was a British-Irish photographer who made erotic images of women as well as documentary, portrait and commercial photography. Carlos Clarke produced six books during his career: The Illustrated Delta of Venus (1980), Obsession (1981), The Dark Summer (1985), White Heat (1990), Shooting Sex (2002), Love Dolls Never Die (2004), and one DVD, Too Many Nights (2006). He is "often referred to as the British Helmut Newton". His work is held in the collection of the National Portrait Gallery, London.
Brainlove Records is a British independent record label with a DIY ethic, based in London, England. The label releases experimental indie, pop and electronic music. Brainlove Records has received positive press from media sources such as NME ("relentlessly brilliant"), BBC Radio 1 and BBC 6 Music. Brainlove also runs live shows, including showcases at SPOT Festival in Denmark and Iceland Airwaves in Reykjavik, as well as club nights with White Heat, Club NME at Koko and La Route Du Rock, and a two-day label music festival, held annually at the Brixton Windmill.
The band started playing in London in April 2008 at venues such as Club Mother Fucker, Dollop, YoYo, White Heat and Durr. In their early days they also made a number of festival appearances at events like Secret Garden Party, Glastonbury festival, SXSW, La Route du Rock, Rencontres Trans Musicales, Montreux Jazz Festival, CMJ, Berlin Festival and Art Basel Miami. This laid the foundations for the live following which saw the band tour solidly during 2009 and 2010. A highlight of their early live work was victory in the Glastonbury Festival emerging band competition in March 2009.
Cale has said that while the debut had some moments of fragility and beauty, White Light/White Heat was "consciously anti-beauty". The title track sets a harsh opening; bassist Cale overdubbing a piano that has been described as "a cross between Jerry Lee Lewis and Henry Cowell". Along with brash songs like "Sister Ray" and "I Heard Her Call My Name", there was the darkly comic "The Gift", a short story written by Reed and narrated by Cale in his deadpan Welsh accent. The meditative "Here She Comes Now" was later covered by Galaxie 500, Cabaret Voltaire, and Nirvana, among others.
Mason's special interest is the history of computer art and digital art, beginning in 2002 when she joined an Arts & Humanities Research Council research project, CACHe (Computer Arts, Contexts, Histories, etc.), at Birkbeck College, This resulted in a co-edited book, White Heat Cold Logic, published in 2009. Mason also assisted in the re-formation of the BCS Computer Arts Society. She also negotiated with the Victoria and Albert Museum (V&A;) in London concerning donating an American collection of international computer art, the Patric Prince archive. This helped to develop the computer art collection at the V&A.
Sex, Love and Rock 'n' Roll is the sixth album by American punk rock band Social Distortion. It is their first studio album in eight years, since the release of White Light, White Heat, White Trash in 1996, the longest gap between Social Distortion's studio albums to date. The album was originally scheduled to be released in the fall of 2000, but was not yet completed, and it was officially released on September 28, 2004. This album is Social Distortion’s first to feature guitarist Jonny Wickersham, following the death of original guitarist Dennis Danell in February 2000.
The album's opening track, "Reach for the Sky", was released in late 2004 and became one of Social Distortion's biggest hits. Social Distortion could not release a follow-up to White Light, White Heat, White Trash partly because of their various other activities, most obviously those of frontman Mike Ness. He released two solo albums in 1999, one with original material (Cheating at Solitaire) and one with song covers (Under the Influences). Touring behind these projects, and matters pertaining to Danell's death, set Sex, Love and Rock 'n' Roll aside for a number of years before finally being completed in 2004.
While compared unfavorably to White Heat by critics, it was fairly successful at the box office, with $500,000 going straight to Cagney Productions' bankers to pay off their losses.Warren, page 184 Cagney Productions was not a great success, however, and in 1953, after William Cagney produced his last film, A Lion Is in the Streets, the company came to an end. Cagney's next notable role was the 1955 film Love Me or Leave Me, his third with Day. Cagney played Martin "Moe the Gimp" Snyder, a lame Jewish- American gangster from Chicago, a part Spencer Tracy had turned down.
The Rolling Stones referenced the drug in their song "Can't You Hear Me Knocking" on the album Sticky Fingers ("Y'all got cocaine eyes / Yeah, ya got speed-freak jive now"). Lou Reed refers explicitly to the drug on his album Berlin, in the song "How Do You Think It Feels?". Reed's band The Velvet Underground, a creation of Andy Warhol's Factory Years, was fueled by amphetamines, as well as naming their second album White Light/White Heat after the drug. The Pulp song "Sorted for E's & Wizz" refers to British slang terms for ecstasy and amphetamines.
Eddie Gibson of Music Review Database praised the song as "one of the more beautiful tracks from White Light/White Heat". He described the instrumentation as "delicate and in an acoustic manor" and said "it's something spectacular because the guitar is very delirious and the sparse drumming only adds to the beautiful atmosphere". He also commented that the delayed reverb gave the song a "sweet, melancholy edge over the rest of the album". Uncut described it as "a soothing mantra that served as a brief moment of balm amongst the blistering noise, a guttering light in the churning darkness".
McClelland and Stewart, 2012. . During the recording of Rough Trade's 1982 album Shaking the Foundations, Wilkins and Berger left and were replaced by Howard Ayee (bass) and Jorn Anderson (drums) as unofficial members. (By this point, the group was explicitly identified in the album credits as simply Pope and Staples, augmented by other musicians as needed on a track-by-track basis.) Shaking the Foundations spawned a top 20 Canadian hit in "Crimes of Passion". Dusty Springfield sang backing vocals on the album, and would also cover two Rough Trade songs that same year on her album White Heat.
After the break up of White Heat, Gregory Williams remained in Akron, and sought out new musicians [including Tommy DeBarge, Phillip Ingram, Jody Sims, Eddie Fluellen, MC Clark and Arnett Hayes] to start a new band. After completing a demo tape, he took it to Motown Records; the label wanted to sign the group, who were now calling themselves Switch, because of their ability to "switch" instruments. At Williams' invitation, DeBarge, seeking a chance to find musical stardom, vowed to get clean from his heroin addiction. Motown soon signed the act, which now included Bobby's brother Tommy.
After the release of the White Light, White Heat, White Trash album, Social Distortion took another hiatus and Ness pursued a solo career and released two albums (Cheating at Solitaire and Under the Influences) in 1999. Tragedy struck on February 29, 2000 when their longtime guitarist Dennis Danell died from an apparent brain anyuerism. After debating whether to break up, or to move on with a new guitarist, Ness decided to hire a new guitarist, Jonny "2 Bags" Wickersham, who would stay with the band permanently. Also during that time, a new drummer, Charlie Quintana, was hired.
He was going to use the name "White Heat," but decided on using his given name instead. White was still hesitating up to the time the label copy was made. It eventually became White's first solo album, 1973's I've Got So Much to Give. It included the title track and his first solo chart hit, "I'm Gonna Love You Just a Little More Baby", which also rose to No. 1 on the Billboard R&B; charts as well as No. 3 on the Billboard Pop charts in 1973 and stayed in the top 40 for many weeks.
After collecting the coals of his campfire in his helmet and sticking his battle axe into it, he follows the worm's trail to a glacier cave. As the creature attempts to mesmerize him with its piping, Conan fans the coals in his helmet into white heat and then sends firstly his heated axe, and secondly the helmet with the glowing coals, into the monster's maw. Conan then runs out of the caves, barely making his escape as the Remora's death throws cause the glacier to explode in an avalanche. The story ends with Conan making his way on foot to the southern lands.
On 6 April 2011, Icehouse and Universal Music Australia publicly announced a new partnership for sales and distribution of the band's material. Accompanying this were details of the planned issue of a 30th-anniversary edition of the band's debut album Icehouse. This release marks the first time any of the band's catalogue has been available for commercial download. The album was released on 20 May 2011 digitally and as a multi-disc set. On 7 July 2011, the band issued a press release about the forthcoming release of a new greatest hits compilation, titled White Heat: 30 Hits.
Burstein has also suggested that this style of music can be composed by musicians (such as himself) "who were fired in the white heat of the atonal avant-garde and who dedicated themselves to that depth of knowledge and practise within the most highly-charged furnaces of experiment". He has cited Arvo Pärt as one of the other composers whom he believes is working in this area. Burstein’s outspoken stance has sometimes led to friction between himself and others in the contemporary classical music establishment. He has accused "moribund atonalist dogma" of having stifled musical debate in the world of contemporary classical music.
On 1 September 2006, the band announced via a bulletin and blog-post on MySpace that they were splitting up. The news came just after their V Festival performance had been aired on Channel 4's Whatever programme. After selling out London's 100 Club on 7 November 2006, they played their final gig at Acton Town Hall on 11 November 2006. In March 2007, the band released End of an Error (2004-2006), a collection of all their recorded material, on White Heat Records, including singles, b-sides, early demos, an introduction featuring David Walliams and live performances from XFM sessions.
Born in Mexico, Edward Carrere (13 October 1906 - 19 December 1984) first hit Hollywood in 1947, making his debut as an art director on "My Wild Irish Rose". He garnered his first Academy Award nomination two years later for the Errol Flynn epic "Adventures of Don Juan". Throughout the late 1940s and the 1950s he worked on such films as "White Heat" (1949), "The Fountainhead" (1949), "The Flame and the Arrow" (1950), "Dial M for Murder" (1954), "Sweet Smell of Success" (1957), "Separate Tables" (1958) and "Elmer Gantry" (1960). His second Oscar nomination was in 1960 was for the Roosevelt biopic "Sunrise at Campobello".
The group was formed in Mansfield, Ohio, in December 1976 by Gregory Williams. They recorded a demo tape in Columbus, Ohio with the financial assistance of Bernd Lichters. Switch included Gregory Williams, brothers Tommy DeBarge and Bobby DeBarge, all from Grand Rapids, Michigan, along with Akron, Ohio natives Phillip Ingram (brother of James Ingram), Eddie Fluellen, and Jody Sims (originally from Steubenville, Ohio). Williams, Bobby DeBarge, and Sims had been members of White Heat, which released a self-titled album on RCA in 1975, but the band's producer, Barry White, soon shuttered his Soul Unlimited production company and dropped all the acts on the roster.
"Lady Godiva's Operation" is a song by American avant-garde rock band the Velvet Underground, appearing on their second album, White Light/White Heat (1968). The lyrics of the first half of the song (sung by John Cale) describe Lady Godiva. The lyrics of the second half (sung by Cale alternating with Lou Reed) are full of oblique, deadpan black humor and describe a botched surgical procedure. Cale plays electric viola while lead guitarist Sterling Morrison plays bass, an instrument that he disliked, despite his competent abilities. According to the website, the quote is from John Cale’s autobiography, What’s Welsh for Zen (NY: St. Martin’s Press (2000)).
He has studied electronics engineering, history, machine intelligence, philosophy of science and physics at a number of universities including the University of Cape Town, University of Cambridge, and University College London (UCL). He holds a BSc in physics and electronics engineering, an MSc in control engineering, and a PhD in the history of computing from UCL. He has been a curator at the Science Museum in London, England,Doron Swade and the Phillip's Economic Computer, 1990s, Science Museum, London, UK.Doron Swade, 'Two Cultures: Computer Art and the Science Museum', chapter 16, pages 203–218. In Paul Brown, Charlie Gere, Nicholas Lambert, and Catherine Mason (editors), White Heat Cold Logic.
The team originally began as the "B" team of the London Towers, largely consisting of the Towers' under-23 players. The club joined NBL Division 2 in 1996, and quickly earned promotion to Division 1 in 1998 by claiming 3rd place in the league and the runner-up position in the playoffs. After a single season in Division 1, they were forced to break away from their link to the Towers, following a ruling banning 'reserve' teams from the division. The newly independent team competed for a year as the Islington White Heat, and were almost removed again when the NBL rebranded their upper rank as the NBL Conference.
Following an appeal, the team were allowed to continue in the new league, and took the name Inter- Basket London to try and appeal to a wider community. The club's time in the short-lived NBL Conference saw little return for their efforts, never finishing above the bottom three. By the time the English Basketball League was formed in 2003, the club had rebranded themselves again, becoming the Hackney White Heat. The new league saw new, tougher rules for their upper tier, leaving Hackney no choice but to drop from the new EBL Division 1 into EBL Division 2 before a single game had tipped off.
He also made a guest appearance in 1963 on CBS's Perry Mason in "The Case of the Potted Planter." His last screen appearance was in 1979 as Marshal Charlie Benton in James Arness's ABC series How the West Was Won. Most of his career was spent as a serviceable second lead or heavy, though he continued to play bit parts in larger pictures, including an uncredited part as a plain-clothes policeman in the 1949 crime drama White Heat, which starred James Cagney and Edmond O'Brien. He also had an uncredited, non-speaking role in the 1963 Stanley Kramer comedy It's a Mad, Mad, Mad, Mad World as a police dispatcher.
Born and raised in London, Mensah-Bonsu attended St. Thomas More Roman Catholic School. As a teenager, he represented the London Borough of Haringey at the London Youth Games, appearing in four of Great Britain's five games. After playing junior basketball for the Hackney White Heat of the English Basketball League, Mensah-Bonsu moved to the United States where he spent his sophomore year of high school playing at the Hun School of Princeton in Princeton, New Jersey. He then transferred to St. Augustine Preparatory School in Richland, New Jersey where as a senior in 2001–02, he averaged 15 points, 12 rebounds, and four blocks per game.
The song is based on teenage gossip Elliot heard outside his studio, which had a large front window that doubled as a mirror where schoolgirls from the North Hollywood High School in Los Angeles regularly stopped to fix their hair and chat. "Open Your Heart" was the first cut recorded for the album, as early as December 1985 and ultimately made it to the final released tracklist; it was originally intended for Cyndi Lauper. The third track "White Heat" was dedicated to actor James Cagney and named after the film of the same name from 1949. Two quotes from the original soundtrack were included in the song.
The album has been described as experimental rock, noise rock, proto-punk and art rock by writers and critics. The record's lyrics vary from themes of drug use and sexual references (such as fellatio and orgies), including the song "Lady Godiva's Operation", about a transsexual woman's botched lobotomy, and the title track "White Light/White Heat", which describes intravenous use of methamphetamine. "Here She Comes Now" is built around a double-entendre. On the album's last track, "Sister Ray", Lou Reed tells a tale of debauchery involving drag queens having a failed orgy, while the band plays an improvised seventeen-minute jam around three chords.
Wilson's government put faith in economic planning as a way to solve Britain's economic problems. The government's strategy involved setting up a Department of Economic Affairs (DEA) which would draw up a National Plan which was intended to promote growth and investment. Wilson believed that scientific progress was the key to economic and social advancement, as such he famously referred to the "white heat of technology", in reference to the modernisation of British industry. This was to be achieved through a new Ministry of Technology (shortened to 'Mintech') which would coordinate research and development and support the swift adoption of new technology by industry, aided by government-funded infrastructure improvements.
Quinn's work is influenced from numerous genres, including European folk and folklore, pastoral ambient, punk and post-punk, minimalism, classical, spoken-word, jazz, world and avant- garde. His 2005 composition The Burryman, which includes narration by Duncan Grahl regarding the Scottish custom of the Burryman, was featured on the Sonic Arts Network compilation, curated by comedian and writer, Stewart Lee. Quinn founded the London-based group, One More Grain, and its second album, Isle of Grain, was released on 28 January 2008 by White Heat Records. The album was received critical acclaim and was granted the Sunday Times Album of the Week feature and received airplay on BBC Radio 1.
She was nominated for the Academy Award for Best Supporting Actress for the role of Mother York, though perhaps her best remembered screen role was as Ma Jarrett, the mother of the psychopathic gangster Cody Jarrett, in White Heat (1949), which starred James Cagney. Wycherly starred in several popular Broadway plays, including Tobacco Road, Liliom, Six Characters in Search of an Author and The Thirteenth Chair (which role she reprised in the film of the same name). Her other films include Keeper of the Flame, The Yearling, Random Harvest, Forever Amber, The Man with a Cloak and Johnny Angel starring George Raft. She portrayed Mrs.
Weston was later cast in the lead role in horror film Splintered, in which she played teenager Sophie. Weston has also appeared in film Mouth to Mouth as Claire before appearing as the corpse of Carter's wife in John Carter. Weston has also appeared as Grace in Harley Street, as Sadie in Law & Order: UK, as Fleur in Off the Hook, as Kelly Robe in Wall of Silence, as Julie in Killing Time, Leah in White Heat and as Lara Stone in The Impressions Show. On 5 September 2011 it was announced that Weston had been cast in a regular role in Hollyoaks as Ash Kane.
Like most subgenres of music, the origins of stoner rock are hard to trace and pinpoint. Nevertheless, several known progenitors and signature songs are widely credited with helping to shape the genre. Blue Cheer is considered one of the pioneers of the style; as AllMusic author Greg Prato puts it, "When talks about 'stoner rock' come up, one band that tends to get overlooked is Blue Cheer." According to critic Mark Deming, Blue Cheer's first album, Vincebus Eruptum, "is a glorious celebration of rock & roll primitivism run through enough Marshall amps to deafen an army," not unlike the heaviness of MC5's Kick Out the Jams and the Velvet Underground's White Light/White Heat.
1950 Edgar Award Winners and Nominees for Best Motion Picture, Edgar Awards, published 1950. Retrieved July 31, 2017. In 2003, the United States Library of Congress selected White Heat for preservation in the National Film Registry.Cannady, Sheryl. "Librarian of Congress Adds 25 Films to National Film Registry", Library of Congress, published December 16, 2003. Retrieved August 1, 2017. On June 4, 2003, the American Film Institute named Cody Jarrett in its list of the best heroes and villains of the past 100 years. Furthermore, in June 2005, "Made it, Ma! Top of the World!" was voted 18th in AFI's 100 Years...100 Movie Quotes;"AFI'S 100 YEARS...100 MOVIE QUOTES", American Film Institute, published June 21, 2005.
Taylor left Verve in 1967 to form CTI Records. Aside from jazz, Verve's catalogue included the Righteous Brothers, the Velvet Underground, Frank Zappa & the Mothers of Invention, Rare Earth, and the Blues Project, as well as a series of "Sound Impressions of an American on Tour" records, produced in cooperation with Esquire Magazine. While the Velvet Underground's records did not sell well initially, they went on to become a major influence in independent rock music. Their debut album, The Velvet Underground & Nico, is hailed as one of the greatest records of all time while their second album, White Light/White Heat, has a major cult following for its bold, noisy sound and poetically provocative lyricism.
Play Don't Worry is the second album by English guitarist and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band the Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from Bowie's Pin Ups sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album First Starring Role in April 1974 which included Ronson on recorder and producing four tracks.
The pack provided approximately 4000 calories. The contents of the ration pack were as follows, most of which were wrapped in either cellophane or in white, heat-sealed wax paper with royal blue writing; 1 Block of dried meat (beef or lamb), 2 sweetened oatmeal blocks, Tea, Milk and sugar cubes, 10 biscuits (plain, service), 2 bars of raisin chocolate, 1 bar of vitamin enriched chocolate (vit. A, B, C, D and Calcium), 4 ounces of boiled sweets, 2 packets of peppermint chewing gum, 4 meat extract cubes, 4 cubes of sugar, Salt, 4 sheets of Latrine paper. Information taken from DSIR 26-344 ration specifications, 1944 and Supplies and Transport, 1954.
Gaitskell died in January 1963, just as the Labour Party had begun to unite and appeared to have a very good chance of winning the next election, with the Macmillan Government running into trouble. Wilson was adopted as the left-wing candidate for the leadership, defeating Brown and James Callaghan to become the Leader of the Labour Party and the Leader of the Opposition. At the Labour Party's 1963 Annual Conference, Wilson made his best-remembered speech, on the implications of scientific and technological change. He argued that "the Britain that is going to be forged in the white heat of this revolution will be no place for restrictive practices or for outdated measures on either side of industry".
"Fox, Darrin, "White Heat", Guitar Player, June 2003, p. 66 Allmusic said of the album: > Jack White's voice is a singular, evocative combination of punk, metal, > blues, and backwoods while his guitar work is grand and banging with just > enough lyrical touches of slide and subtle solo work... Meg White balances > out the fretwork and the fretting with methodical, spare, and booming > cymbal, bass drum, and snare... All D.I.Y. punk-country-blues-metal singer- > songwriting duos should sound this good. At the end of 1999, The White Stripes released "Hand Springs" as a 7" split single with fellow Detroit band the Dirtbombs on the B-side. 2,000 copies came free with the pinball fanzine Multiball.
A year later, he became a visiting artist and then a faculty member at Webster University in St. Louis, MO. In 2004 he received an award from the Gateway Foundation for his installations White Heat and Things Airborne. He has also received awards from the New York Foundation for the Arts. Of Frelin's 2006 work, The Mirroring Stone, a gravestone made of polished steel, Boston Globe Correspondent Cait McQuaid said: "Walking past, the reflection of grass and other monuments reads like a dizzying warp in your vision. Stop and focus, and you'll discover your own reflection, a chilling reminder that in the end, all that will be left of you is a marker on your grave".
This was ended by his death but has since been brought up-to-date by the CACHeComputer Arts, Contexts,Histories etcPaul Brown, Charlie Gere, Nicholas Lambert, and Catherine Mason (editors), White Heat Cold Logic: British Computer Art 1960–1980. The MIT Press, Leonardo Book Series, 2008 project in the School of Art History at Birkbeck, University of London. Lansdown's range of publications began to diversify from the early 1970s. He wrote the classic Teach Yourself Computer Graphics (Hodder and Stoughton, 1987), exhibited algorithmically generated images, animations, compositions, conversations, sword fights and choreography, such as the 18-minute dance piece A/C/S/H/O commissioned by the One Extra Dance Company and performed at the Sydney Opera House in 1990.
At the time of her death, she was credited by the media as having "demystified the art of cuisine for the home cook and inspired many of today's celebrity chefs". Such was her impact on American cuisine, her kitchen has been preserved on display at the Smithsonian Museum of American History. In recent years, gaining a Michelin star has increased chefs' profiles sufficiently for them to be featured on television and become a household name. Marco Pierre White became the youngest chef in the world to achieve three Michelin stars, which went on to make him a household name and have one of his cookbooks, White Heat, described in 2005 as "possibly the most influential recipe book of the last 20 years" by food critic Jay Rayner.
During "White Heat"—which featured dialogues from the 1949 James Cagney film of the same name—a video screen displayed a scene from the film, with Cagney saying the dialogue: "A copper ... a copper fellas". The video screen moves up and Madonna appears, wearing a lamé jacket and holding a plastic gun in her right hand. A large cut out of Cagney appears in the middle and Madonna finishes singing the song, while pointing the revolver towards her dancers and pretending to fire at them, as sounds of gunshots are heard. She followed it with "Causing a Commotion" which ended with Madonna pointing to her dancers and musicians across stage and uttering the line "He/She's got the moves baby" numerous times.
This iron had a very low carbon content, and also included up to 5% of glassy iron silicate slag in the form of numerous very fine stringers. This slag content made the iron very tough, gave it considerable resistance to rusting, and allowed it to be more easily "forge welded," a process in which the blacksmith permanently joins two pieces of iron, or a piece of iron and a piece of steel, by heating them nearly to a white heat and hammering them together. Forge welding is more difficult with modern mild steel, because it welds in a narrower temperature band. The fibrous nature of wrought iron required knowledge and skill to properly form any tool which would be subject to stress.
It is a shameless return to the older, effusive manner, evidently written in a white heat of patriotic indignation against the degradation of English public opinion during the French wars, and it is only by stretching charity that it can be considered a conversation poem at all."Watson 1966, 71 Holmes simply claims Fears in Solitude as "one of the most difficult of [Coleridge's] Conversation Poems".Holmes 1989, 194 In discussing The Nightingale, Ashton writes that, "Bantering though this is, and, however, beautiful the final lines about Hartley are, 'The Nightingale' is as a whole a less successful poem than the other conversation poems. It has rather a blank at the centre, just where the others pivot on a significant controlling idea.
Michael Slater, Dickens's biographer, describes the book as being "written at white heat"; it was completed in six weeks, the final pages being written in early December. He built much of the work in his head while taking night-time walks of around London. Dickens's sister-in-law wrote how he "wept, and laughed, and wept again, and excited himself in a most extraordinary manner, in composition". Slater says that A Christmas Carol was > intended to open its readers' hearts towards those struggling to survive on > the lower rungs of the economic ladder and to encourage practical > benevolence, but also to warn of the terrible danger to society created by > the toleration of widespread ignorance and actual want among the poor.
He displayed a special fondness for crime films, having publicly commented on three of what he considered (in addition to The Godfather trilogy) to be among the most historically crucial: Angels with Dirty Faces, The Roaring Twenties and (most significantly) White Heat. He is seen notably in features accompanying the Warner Brothers DVD releases of the classic 1941 release of "The Maltese Falcon", and in various 'signature collection' DVDs, including those of Humphrey Bogart and Errol Flynn, featuring on the commentaries alongside Martin Scorsese, Eric Lax, Michael Madsen, and Theresa Russell, among others. In 2005 he recorded the full-length audio commentary for the Warner Home Video DVD release of the 1939 classic James Cagney crime film, The Roaring Twenties, included in "The Warner Gangsters Collection".
The track "Guts" opens with the line "The bugger in the short sleeves fucked my wife". This refers to rock musician Kevin Ayers sleeping with Cale's wife before the concert that's captured on the June 1, 1974 album; John Cale related the details in his autobiography, with Victor Bockris, What's Welsh for Zen, that was published in 1998. "The Jeweler" is a spoken word piece under an instrumental backdrop that recalls, at least in its poetic and freeform structure, the track "The Gift" from the Velvet Underground's album White Light/White Heat. While Cale speaks in a calm, monotone voice, "The Jeweler" features a drone-like set of unsettling sounds that appear to build and build without reaching a conclusion.
Mortemore first worked in theatre as an acting assistant stage manager at the Queen's Theatre in Hornchurch followed by seasons at the Haymarket Theatre in Basingstoke, Watford's Palace Theatre, Bolton's Octagon Theatre and the Churchill Theatre in Bromley, London. She also toured with the David Glass Ensemble, Red Shift, Cleanbreak Theatre Company and Great Eastern Stage. Mortemore appeared as Gertrude in David Glass' production of Gormenghast in 2006/2007. Her film and television appearances include White Heat BBC2/ITV (2012), Ollie Kepler's Expanding Purple World (2010), Salt Grain (2010), Dead Gorgeous, Too Many Cooks, Harry Potter and the Chamber of Secrets as Madame Pince and Wire in the Blood and Daphne & Apollo for the BBC as directed by Clare Kilner.
Despite the economic difficulties faced by the first Wilson government, it succeeded in maintaining low levels of unemployment and inflation during its time in office. Unemployment was kept below 2.7%, and inflation for much of the 1960s remained below 4%. Living standards generally improved, while public spending on housing, social security, transport, research, education and health went up by an average of more than 6% between 1964 and 1970.White Heat: A History of Britain in the Swinging Sixties, Dominic Sandbrook. The average household grew steadily richer, with the number of cars in the United Kingdom rising from one to every 6.4 persons to one for every five persons in 1968, representing a net increase of three million cars on the road.
The widely known arrangement that appears on Transformer is more down tempo and layered, and features the characteristic bass style of Herbie Flowers, and prominent backing vocals by David Bowie. This song is a tribute to Reed's mentor and lifelong friend Andy Warhol. Warhol had extensively supported Reed's group: the Velvet Underground through financing, promotion, bookings, and designing the band's legendary debut album cover. Eventually resenting Warhol's degree of control, (Warhol had inserted Nico into the band's line-up infuriating Reed and band member John Cale), in 1967 the Velvet Underground broke with Nico, Warhol and the whole NY art scene in which they had become entrenched to pursue a rock tour and planning of their second album: White Light/White Heat.
Sun Blindness Music, the set's centerpiece, is a nearly three-quarters of an hour of a single chord, which shifts gradually between tones and timbres over the expansive time allotted to it. Cale produced the otherworldly sound with his Vox organ. Reviewer Thom Jurek notes that "Sun Blindness Music is easily the most demanding and perhaps most rewarding piece on the disc... There are times when the full-bodied chord is so complete and forceful in its presence it is nearly unbearable..." Summer Heat is an extended, distorted solo for electric guitar. It is perhaps the rawest track on the album, indicating where the more avant- garde elements of the Velvet Underground's future songs (especially on White Light/White Heat) may have originated.
Another recurring theme on the album is the divisions in societies. "Dexter & Sinister"'s title alludes to the sharp division in the UK between the voters of the Leave and Remain sides in the Brexit debate. "White Noise White Heat" expresses Garvey's anger at the neglect by the authorities that led to the Grenfell Tower fire and the lack of justice for the affected families in its aftermath, stating that it was "because they were poor". "Doldrums" describes an event in Vancouver, where Garvey was accompanying his wife Rachel Stirling while she was filming The Bletchley Circle, when he saw a well-dressed woman walk down the street past homeless men, who stepped aside to let her through, and she never acknowledged them.
The film was successful on its release, being the fifth most popular film at the British box office for 1950. According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.
A native of Los Angeles, much of Marks’ writing is inspired by the city’s history and culture. Los Angeles and Southern California is often as much a “character” in his work as the human characters. Novelist and Anthony Award finalist, S.W. Lauden has said of Marks’ work: “…[it’s] almost as if the region was one of the main characters.” His stories often deal with the changing nature of the city and the displacement it causes people. His characters are frequently people who time has passed by or who no longer fit in today’s society. Marks’ first novel, the Shamus-Award winning White Heat, takes place during the Rodney King Riots and deals with race and racism in the context of a mystery-thriller.
Brody was born in New York City, and began her career as a dancer in vaudeville. After working for some time as part of a touring troupe travelling round the U.S., she moved to England in the 1920s, finding work in West End theatres. Although Brody had no previous acting experience, her vivaciousness was spotted by film director Thomas Bentley, who offered her a supporting role in his 1926 film White Heat. She then immediately landed the lead role for Maurice Elvey in Mademoiselle from Armentieres, set in France during World War I. This turned out to be a huge popular success, running in British cinemas for several months and becoming reportedly the highest-grossing British-made film of 1926.
Reed called Morrison and Tucker to a meeting at the Riviera Cafe in the West Village without Cale's knowledge, and informed them that Cale was out of the band; when Morrison objected, Reed said it was either Cale was sacked or the Velvets were dissolved. Neither Morrison nor Tucker was happy with the idea, but faced with a choice of either no Cale or no band at all, the pair reluctantly sided with Reed. It has often been reported that before Cale's departure (following White Light/White Heat) there was a struggle between his creative impulses and Reed's: Cale's experimentalist tendencies had contrasted with Reed's more conventional approach. According to Tim Mitchell, however, Morrison reported that while there was creative tension between Reed and Cale, its effects have been exaggerated over the years.
Trade papers called the film a "notable box office attraction" in British cinemas in 1950.Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939-48 2003 p212 According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.
Trade papers called the film a "notable box office attraction" in British cinemas in 1950.Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939-48 2003 p212 According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.
" Frances Dickinson of Time Out London wrote that Borden "[handles] her story with audacity and make[s] even the driest argument crackle with humour, while the more poignant moments burn with a fierce white heat." TV Guide rated it 2/4 stars and wrote, "This feminist film wins laurels for close attention to detail in a radical filmmaking effort." Greg Baise of the Metro Times called it "an early '80s landmark of indie and queer cinema". The film has had experienced somewhat of a renaissance after the 35mm restoration print premiered in 2016 at the Anthology Film Archives. Richard Brody of The New Yorker wrote, "...the free, ardent, spontaneous creativity of “Born in Flames” emerges as an indispensable mode of radical change—one that many contemporary filmmakers with political intentions have yet to assimilate.
The restraint and subtlety of the album was a significant departure from the direct abrasiveness of White Light/White Heat. Music critic Greg Kot of the Chicago Tribune characterized it as folk rock, and Rolling Stone magazine's Troy Carpenter said that it focused on mellow, melodic rock. According to music journalist Steve Taylor, The Velvet Underground is a pop album because of its more accessible songs and "has been called Lou Reed with a backing band due to the emphasis placed on songs rather than experimental sound work." Apart from the forceful rockers "What Goes On" and "Beginning to See the Light", the album contains reflective, melodic songs that are about various forms of love, such as "Pale Blue Eyes", "Some Kinda Love", "Jesus", "I'm Set Free" and "That's the Story of My Life".
While he survived a vote of no confidence in June 1963, polling indicated that the Conservatives would lose the next election heavily if Macmillan remained in power, which, along with health issues, caused Macmillan to announce his resignation in the autumn of 1963. Douglas-Home faced a difficult task in rebuilding the party's popularity with just a year elapsing between taking office and having to face a general election. Wilson had begun to try to tie the Labour Party to the growing confidence of Britain in the 1960s, asserting that the "white heat of revolution" would sweep away "restrictive practices ... on both sides of industry". The Liberal Party enjoyed a resurgence after a virtual wipeout in the 1950s, and doubled its share of the vote, primarily at the expense of the Conservatives.
Following the commercial disappointment of Berlin, Reed befriended Steve Katz of Blood, Sweat & Tears (who was the brother of his then-manager Dennis Katz), who suggested Reed put together a "great live band" and release a live album of Velvet Underground songs. Katz would come on board as producer, and the album Rock 'n' Roll Animal (February 1974) contained live performances of the Velvet Underground songs "Sweet Jane", "Heroin", "White Light/White Heat", and "Rock and Roll". Wagner's live arrangements, and Hunter's intro to "Sweet Jane" which opened the album, gave Reed's songs the live rock sound he was looking for, and the album peaked at No. 45 on the Billboard 200 for 28 weeks and soon became Reed's biggest selling album. It went gold in 1978, with 500,000 certified sales.
From 1998 to 2003, Copley played Mathews in the Meridian Television series Hornblower. He appeared in the third series of BBC One show Torchwood in 2009. The following year, he was seen in episodes of BBC One shows Casualty and Survivors. From 2011 to 2015 he appeared as Mr. Mason, father of William Mason, in 16 episodes of Downton Abbey; in 2012, he played Alan in the television series White Heat. Between 2012 and 2020 he played Harry in 5 seasons of the TV series Last Tango in Halifax. In 2014 he played the part of Malcolm Kenrich in the episode "On Harbour Street" of the TV series Vera. In 2014 he narrated the Channel 5 programme The Railway - First Great Western of which there are 12 episodes.
Edmond O'Brien (born Eamon Joseph O'Brien; September 10, 1915 – May 9, 1985) was an American actor, who appeared in more than 100 films from the 1940s to the 1970s, often playing character parts. He received the Academy Award for Best Supporting Actor and the corresponding Golden Globe for his supporting role in The Barefoot Contessa (1954), as well as a second Golden Globe and another Academy Award nomination for Seven Days in May (1964). His other notable films include The Hunchback of Notre Dame (1939), The Killers (1946), A Double Life (1947), White Heat (1949), D.O.A. (1949), The Hitch-Hiker (1953), Julius Caesar (1953), 1984 (1956), The Girl Can't Help It (1956), The Man Who Shot Liberty Valance (1961), Fantastic Voyage (1966), The Wild Bunch (1969) and The Other Side of the Wind (2018).
Trade papers called the film a "notable box office attraction" in British cinemas in 1950.Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939-48 2003 p. 212 According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.
With a rich and ringing spinto tenor voice and movie-star good looks, Corelli won a wide public following from early on his career. However, while the public was enthralled with the tenor, music critics were divided, with some complaining about what they perceived as self-indulgence of phrasing and expression. During the 1960s the anti-Corelli sentiment was epitomized by Alan Rich of The New York Herald Tribune in a 1966 article which, while acknowledged the vibrancy and white heat of his singing, considered Corelli a throwback. Rich said that Corelli is "not employed by an opera, but employs it to serve purposes it was not meant to serve." Also, many critics did not look favourably on his performances in French opera, owing to the tenor’s exotic French diction and style.
Following the success of his first great tragedy of fate, Die Ahnfrau (The Ancestress), which was written in 16 days, Franz Grillparzer wrote this second poetic drama, Sappho, also composed at white heat, and resembling Die Ahnfrau in the general character of its poetry although differing from it in form and spirit. In its conception, Sappho is half way between a tragedy of fate and a more modern tragedy of character; in its form, too, it is half way between the classical and the modern. An attempt is made to combine the passion and sentiment of modern life with the simplicity and grace of ancient masterpieces. Its classic spirit is much like that of Goethe's Torquato Tasso; Grillparzer unrolls the tragedy of poetic genius, the renunciation of earthly happiness imposed upon the poet by her higher mission.
Eric becomes more and more unhinged from reality as the film progresses. A few nights later, Eric dresses up as the cowboy Hopalong Cassidy, when he shoots and kills a boorish co-worker (Mickey Rourke) who taunted him on a regular basis. Not long after, he Eric dresses up as The Mummy and drives his mean and vindictive boss, Mr. Berger (Norman Burton), into suffering a fatal heart attack while he is working late at night at his distribution warehouse. Finally, Eric dresses up as gangster Cody Jarrett (from White Heat) and kills a sleazy filmmaker named Gary Bially (Morgan Paull), who stole his idea as his own for an upcoming feature film inspired by Ali Baba and the Forty Thieves (to be called "Alabama and the Forty Thieves") at a barber shop in broad daylight, which finally gives away his identity.
The year following Our Friends in the Norths broadcast, Tony Marchant's drama serial Holding On was promoted by the BBC as being an "Our Friends in the South," after Marchant made the comparison when discussing it with executives. The 2001 BBC Two drama serial In a Land of Plenty was previewed by The Observer newspaper as being "the most ambitious television drama since Our Friends in the North." The writer Paula Milne drew inspiration from Our Friends in the North for her own White Heat (2012); she felt that Our Friends in the North had been too centred on white, male, heterosexual characters, and she deliberately wanted to counter that focus. The original stage version of Our Friends in the North was revived in Newcastle by Northern Stage in 2007, with 14 cast members playing 40 characters.
This was closely followed by restaurants at Hoole Hall and The Cube. As more hotel owners started making enquiries about a Marco Pierre White restaurant, in 2013, White developed a master franchise with Taplin, and together launched Black And White Hospitality. The business operates a franchise model allowing property owners or investors to open one of the eight Marco Pierre White branded restaurants within their property including Marco Pierre White Steakhouse Bar & Grill, Mr White’s English Chophouse, Wheeler’s of St James’s Oyster Bar & Grill Room, Koffmann & Mr White’s , Marco’s New York Italian, Wheeler’s Fish & Chips, Bardolino Pizzeria Bellini & Espresso Bar and Marconi Coffee & Juice Bar. White has published several books, including an influential cookbook White Heat, an autobiography called White Slave (entitled The Devil in the Kitchen in North America and in the paperback version), and Wild Food from Land and Sea.
In the same year The Artist- Craftsmen Group presented an exhibition at the gallery of work "done in the white heat of experiment" and subsequently renamed themselves the "Modern Group". The gallery's immediate impact was noted in the national press in 1926: "when Birmingham seemed hopeless and the modernists felt like exiles in the desert, a miracle happened .... Mr Gibbins has almost revolutionised the artistic life of Birmingham". Away from this group more progressive figures were few and their connections with Birmingham slight: Malcolm Drummond, later a member of the Camden Town Group, was educated at The Oratory School in Edgbaston; and Henry Tonks, who became a stalwart of the New English Art Club and was to train an entire generation of English modernists at London's Slade School of Art around the start of the 20th century, was brought up in a family of Birmingham brass foundry proprietors.
Alongside art and design, Brumwell pushed for good communication between scientists, artists, and political movements. In 1944 he brought together as editor a collection of essays by famous thinkers of the day, This Changing World, which included input from Read, Waddington and others. Brumwell established in the early 1950s through informal dinner parties a "group of VIP scientists", where his friends in science like Waddington, Blackett, and Bernal met together with elites in other fields like academics like Charles Frederick Carter and C. P. Snow, and Harold Wilson and Richard Crossman in politics. Brumwell's cause notably escalated in the late 1950s, where these discussions led to a short document, A Labour Government and Science, published in 1959, which driven by Wilson became the Labour Party's basic policy science in the run up to the general election in 1964, most famously in the "white heat of technology" speech in September 1963.
Some songs (including "Heroin" and "Sister Ray") had Reed and Morrison on their usual guitars while Cale played viola and Vox Continental organ respectively, with no bass guitar. There were at least three songs where Cale played both piano and bass while Reed and Morrison played guitars and these were "I'm Waiting for the Man", "Femme Fatale" and "White Light/White Heat" and two songs where Cale played both viola and bass with Reed and Morrison on guitars: "Here She Comes Now" and "The Black Angel's Death Song", the former of which saw Cale doubling on piano. Although Morrison was a proficient bassist (as exemplified by his performances on "Sunday Morning", "Venus in Furs", "All Tomorrow's Parties" and "Lady Godiva's Operation"), he disliked playing the instrument. According to the website, the quote is from John Cale’s autobiography, What’s Welsh for Zen (NY: St. Martin’s Press (2000).
Wilson coined the term 'Selsdon Man' to refer to the anti-interventionist policies of the Conservative leader Edward Heath, developed at a policy retreat held at the Selsdon Park Hotel in early 1970. This phrase, intended to evoke the 'primitive throwback' qualities of anthropological discoveries such as Piltdown Man and Swanscombe Man, was part of a British political tradition of referring to political trends by suffixing 'man'. Other memorable phrases attributed to Wilson include "the white heat of the [technological] revolution", and "a week is a long time in politics", meaning that political fortunes can change extremely rapidly. In his broadcast after the 1967 devaluation of the pound, Wilson said: "This does not mean that the pound here in Britain—in your pocket or purse—is worth any less" and the phrase "the pound in your pocket" subsequently took on a life of its own.
Robert Osterloh (left) in the Westinghouse Desilu Playhouse debut of The Untouchables (1959) Osterloh was born in Pittsburgh, Pennsylvania, He was the son of Dr. Charles T. Osterloh and Emma Geiselhart Osterloh. As a student at Perry High School, he was president of the student council and the Dramatic Club, and he had the lead in the school's senior play. An agent discovered Osterloh while he was acting in stock theater. Director Rudolph Maté gave Osterloh his first opportunity in film in 1948, introducing him in The Dark Past, in which he had a supporting role. Osterloh continued his career for 20 years, mainly in the 1950s, playing roles in films such as Illegal Entry (1949), White Heat (1949) (as a gangster killed by gang boss James Cagney), One Minute to Zero (1952), Star in the Dust (1956) and I Bury the Living (1958).
The big-budget film featured some of the biggest names from the Warner Brothers lot at the time, including Virginia Mayo (fresh from White Heat) as the leading lady and Max Steiner (famous for Casablanca and Gone with the Wind) who was hired to compose the soundtrack. The Flame and the Arrow was released in the summer of 1950 and became one of the year's top grossers, earning two nominations at the 23rd Academy Awards ceremony in March 1951; one for Best Dramatic or Comedy Score (Max Steiner), another for Best Color Cinematography (Ernest Haller). Hecht's next production for Warner Brothers was The Crimson Pirate, another Technicolor swashbuckler starring Lancaster and Nick Cravat, a close friend since boyhood, and former acrobat who had worked with Lancaster in the circus (he had also co-starred in The Flame and the Arrow). It was directed by Robert Siodmak, written by Roland Kibbee and featured an early appearance by Christopher Lee.
The film was the third most popular film at the British box office in 1950. According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose. It led to a series of stories about POWs, including Albert R.N. (1953), The Colditz Story (1955), The One That Got Away (1957), The Camp on Blood Island (1958) and Danger Within (1959).
After On the Waterfront (1954), Steiger became somewhat typecast for playing tough characters and villains, and grew increasingly frustrated playing the "Mafia heavy or a near-psychopath" during the 1970s, roles which he could play menacingly, but provided little opportunity for him to showcase his talent. Gossip columnist Louella Parsons hailed him as "the Screen's No.1 Bad Man", while the newspaper London Evening News referred to him as "the man you would love to hate if you had the courage". A 1960 publication by Dean Jennings of The Saturday Evening Post referred to Steiger as an "angry, hot-tempered newcomer of prodigious acting talents, [who] works best only at emotional white heat", and remarked that he found it "stimulating to carry theatrical fantasy into his private life". Pauline Kael found his performances so powerful that she believed he "often seems to take over a picture even when he isn't in the lead".
An athletics academy was established in 2007. The basketball academy has grown and experienced unprecedented success on court and in developing players aged between 16 and 20 (men and women) from all over London, as well as enhancing their life chances through qualifications gained whilst studying at Hackney College. Operating in an area recognised historically as a hot-bed of basketball development and talent thanks to the work carried out by Joe White at Homerton House School and Hackney White Heat along with the success of East London Royals Basketball Club and Haringey Angels Women, HCCA coaches Tony Garbelotto (co-founder with Joe White of the London Towers Junior Programme in the 1990s), Solomon Ayinla, Andrea Norton and Sam Stiller have helped develop over 250 players since 2001. Players such as Darius Defoe, Perry Lawson, Jeff Danchie and Jean Wakanena have graduated to play professionally for Newcastle Eagles and Plymouth Raiders in the British Basketball League.
Trade papers called the film a "notable box office attraction" in British cinemas in 1950.Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939–48 2003 p213 According to one account it was one of the most popular British films of the year along with The Happiest Days of our Lives, Morning Departure, Odette and The Wooden Horse. According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.
It had featured throughout the Ziggy Stardust Tour (including a performance with Lou Reed on July 8, 1972), been recorded by Bowie for two BBC sessions, and been slated for inclusion on Pin Ups (the backing track from this session was later recorded as a solo version by Mick Ronson in 1975). Despite this, the Ziggy Stardust – The Motion Picture project would be the first time the song had been issued on a Bowie record, and as such it was released as a single. With Bowie at the peak of his global stardom thanks to Let's Dance, "White Light/White Heat" was considered an unusual turn for the pop audience he had attracted, and reached only #46 in the UK. Bowie performed the song during his 1987 Glass Spider Tour, a live version of which was released in 1988 (re- released in 2007) on Glass Spider. The song continued to feature in Bowie's live repertoire throughout his career.
In 1975, after teaming up with fellow Grand Rapids musician Gregory Williams, the duo began a group with several other Midwestern musicians and successfully auditioned for Barry White's background group, White Heat, helping to produce and release their debut album that year. The following year, White dropped all but one musician from the band due to tax issues. The group – which consisted of DeBarge, Williams, Phillip Ingram, Tommy DeBarge, TC Brown, Stanley Brown, Jody Sims, Arnett Hayes, Adam Frye, Darnell Wyrick, MC Clark and Stanley Hood – then recorded an album in 1976 under the name Hot Ice, entitled Pall Mall Groove, which included DeBarge's incredible singing and piano performance on his composition, "Please Don't Let Me Go," released in 1977 on Polydor/Germany, in 1979 in the USA/Canada as SMASH on Source Records/MCA, and in 2005 on Burndsman Records worldwide. That year, DeBarge returned to Grand Rapids, despondent that his career hadn't progressed; he ventured deeper into a heroin addiction.
The Education Act 1902 formalised the relationship between central government and education delivery by abolishing the 2568 school boards set up by the 1870 Act, and transferring their duties (and schools) to local government (borough and county councils) in a new guise as local education authorities. The Education Act 1944 changed the system of education in England by forming the Tripartite System wherein secondary schools were mandated in one of four forms (Grammar, Comprehensive, Secondary Modern, and Secondary Technical schools), and renamed the Board of Education to the Ministry of Education. The Department of Education and Science (DES) was created in 1964 as the merger of the Ministry of Education with that of the Ministry of Science following the Prime Minister Harold Wilson's focus on the "white heat of technology". The 1988 Act brought in the concept of external validation of teacher performance and a support framework for teachers to use as the core of their syllabus, in the form of the National Curriculum.
The newly named club's inaugural season at national level saw the Raptors claim the Division Four (North) title with a 20-2 record, setting up a run through to the final of the end-of-season playoffs where they defeated the Worcester Wolves' second team 91-87. Stepping up to Division Three for the following year, the Raptors took sixth place in their first season and followed that up in their second by winning 17 of their 20 games on the way to the Division Three (North) title. While the Hackney White Heat prevented them from repeating the playoff victory, a second promotion in three years was achieved regardless. With the goal of establishing themselves at national level complete, the club relocated to the Castle Leisure Centre in Bury and rebranded themselves as the Lancashire Spinners in 2014 to attract a wider audience and to prepare for a future push towards the professional leagues.
Techno Battle (2012) is a collaborative video by Klara Lidén and her sister and fellow artist Hanna, in which the two women — one wearing what looks like a fencing uniform, and the other in a ghoulish mask, T-shirt, and jeans — face off and hurl bits of technology at each other, like a laptop computer, which shatters, and whose broken fragments they then stuff into a bonfire. In 2005, both sisters appeared on a new version of The Velvet Underground's album White Light/White Heat, recorded by artists recruited by artists collective Bernadette Corporation, among them Brian Degraw, Lizzi Bougatsos, Rita Ackermann, Jutta Koether, and Seth Price.Holland Cotter (February 4, 2005), Art in Review; Reena Spaulings New York Times. Lidén’s photographic works also explore the urban space by placing the artist in direct contact with the fabrics of the city: she climbs down a manhole in Untitled (Down) (2011) and stands nonchalantly on a wooden post in a city port in Untitled (Pier) (2013).
In 2014, Wineapple received an Academy Award in Literature from the American Academy of Arts and Letters, and her book White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson was a finalist for a National Book Critics Circle Award. She has received a Guggenheim fellowship, a Pushcart Prize, a fellowship from the American Council of Learned Societies, and three National Endowment for the Humanities fellowships. Elected a Fellow of the Society of American Historians and the American Academy of Arts and Sciences, she is also an elected Fellow of the New York Institute for the Humanities at NYU and was the Donald C. Gallup Fellow at the Beinecke Library, Yale University, as well as a fellow of the Indiana Institute of Arts and Letters. She serves as literary advisor for the Guggenheim Foundation and the Library of America, and she is on the advisor board of Lapham's Quarterly and The American Scholar.
There are local variations on these musical associations in each dance scene, often informed by local DJs, dance teachers and bands. Modern swing dance bands active in the U.S. during the 1990s and 2000s include many contemporary jazz big bands, swing revival bands with a national presence such as Lavay Smith and Her Red Hot Skillet Lickers (based in San Francisco), and local/regional jazz bands that specialize in 1930s-1940s swing/Lindy dance music, such as The Swingout Big Band, White Heat Swing Orchestra, and Beantown Swing Orchestra (Boston), The Boilermaker Jazz Band (Pittsburgh), the Southside Aces (Minneapolis), Gordon Webster Septet (New York), Jonathan Stout and His Campus Five (Los Angeles) and The Jonathan Stout Orchestra featuring Hilary Alexander (Los Angeles), The Flat Cats (Chicago), Glenn Crytzer and his Syncopators (Seattle), the Solomon Douglas Swingtet (Seattle), The Gina Knight Orchestra (Chicago and Joliet, IL), the Solomon Douglas Swingtet and the Tom Cunningham Orchestra (Washington, D.C.), Sonoran Swing (Arizona), and The Bill Elliott Swing Orchestra (Los Angeles).
"London Status quo: Production Remains Subject of Optimism And Gloom..." New York Times, 22 October 1950: X5. According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose. State Secret was less popular in the US but Fairbanks Jr. said "I thought I did my best work ever; Sidney really kept the pot boiling."Bawden and Miller 2016, p.
The excellent facilities and organisation which earned them the promotion continued to stand them in good stead, and over the years they became firmly established in what has now been renamed EBL Division 2, and won promotion to EBL Division 1 following an excellent campaign in 2003–04. Despite finishing in second place, behind London Capital, they managed to straighten the record by beating them in the Playoff final at the National Indoor Arena, winning 95–87. The victory capped off an excellent season that saw the Wolves also lift the Patron's Cup, following a 111–100 win against Hackney White Heat in the final, which was played in front of a raucous and passionate home crowd at the University of Worcester. Worcester had a reasonably successful debut season (2004–05) in EBL Division 1, finishing above fellow promotion winners London in 4th place with 13–9 record, which earned them a place in the post season playoffs.
The meaning gradually narrowed, initially as 'psychopathic inferiors' covering all of what today might be called personality disorders and various other conditions, then intertwining with the terminology of the 'sociopath' (and eventually antisocial personality disorder), though psychopathy remained variously defined in both broad and narrow ways. Early representations of psychopaths in film were often caricatured as sadistic, unpredictable, sexually depraved, and emotionally unstable (manic) characters with a compulsion to engage in random violence and destruction, usually with a series of bizarre mannerisms such as giggling, laughing, or facial tics. Up until the late 1950s, cinematic conventions usually relegated the psychopath to roles of genre villains such as gangsters, mad scientists, supervillains, and many types of generic criminals. Examples of this type are Pinkie Brown (Richard Attenborough) in Brighton Rock, Tommy Udo (Richard Widmark) in Kiss of Death, Cody Jarrett (James Cagney) in White Heat, and Antonio 'Tony' Camonte (Paul Muni) in the 1932 version of Scarface.
Paul D. Marks is an American novelist and short story writer. His novel White Heat, a mystery-thriller set during the Rodney King riots of 1992, won the first Shamus Award for Independent Private Eye Novel from the Private Eye Writers of America. His story "Ghosts of Bunker Hill" (EQMM December 2016) was voted #1 in Ellery Queen Mystery Magazine’s 2016 Readers Choice Award and was nominated for a Macavity Award for Best Short Story. "Bunker Hill Blues" (EQMM September/October 2017) came in #6 in the 2018 Ellery Queen Mystery Magazine's poll. "Howling at the Moon" (EQMM November 2014) was short-listed for both the 2015 Anthony Award and Macavity Award for Best Short Story, and came in #7 in Ellery Queen’s Reader’s Choice Award. Marks’ story “Windward” from the Coast to Coast: Private Eyes from Sea to Shining Sea anthology has been selected for the 2018 Best American Mystery Stories (Houghton Mifflin Harcourt), edited by Louise Penny & Otto Penzler.
In his writings on computers in the early 1980s (for example "Computers", Usborne Publishing Ltd, 1981) Smith appeared to predict in some detail smart devices such as the iPad and also the idea of using software held not in a computer but remotely, in the cloud, or elsewhere on the World Wide Web. In his chapter in White Heat Cold Logic: British Computer Art 1960–1980, Smith wrote: This quotation inspired a symposium, "Ideas before their time", held at the British Computer Society in London in February 2010 at which Smith was the invited Keynote speaker. Smith's "43 Dodgy Statements on Computer Art", described by Wired as "timeless", Wired included ‘The sadness of most art is that it does not know its future. The sadness of computer art is that it does not know its past’ and ‘What would be pretentious or nonsensical if one said it oneself does not become more worthy when spoken by a computer-generated avatar’.
However, after being pitted against the hosts, Manchester Magic, in the Semi-finals, the occasion proved too much and Leopards fell to 92–76 defeat with Manchester's Stefan Gill posting a game-high 35 points, driving the hosts into the Final. Leopards couldn't capitalize on their successes of the previous season and so the 2009–10 campaign saw a disappointing 9th-place finish (out of 12 teams) with a 6–16 record, meaning that the London team didn't qualify for the post-season Play-offs for the first time since the Rebels-Leopards merger. An early exit in the Trophy in a group that contained Reading and London Mets was quickly forgotten after a promising run of results in the National Cup. Victories against Milton Keynes Lions II, Hackney White Heat, London Westside and Brixton TopCats saw Leopards earn a place in the Semi-finals for only the second time in the franchise's history, but in a repeat of Leopards' Play-off Semi-final clash last season, the London side were defeated by Manchester 69–77.
A "secret" of achievement was discussed in Think and Grow Rich, but Hill insisted readers would benefit most if they discovered it for themselves. Although he did not explicitly identify this secret in the book, he offered, 20 pages into the book: "If you truly desire money so keenly that your desire is an obsession, you will have no difficulty in convincing yourself that you will acquire it. The object is to want money, and to be so determined to have it that you convince yourself that you will have it... You may as well know, right here, that you can never have riches in great quantities unless you work yourself into a white heat of desire for money, and actually believe you will possess it." In the introduction Hill states of the "secret" that Andrew Carnegie 'carelessly tossed it into my mind', and that it also inspired Manuel L. Quezon of the Philippine Islands to 'gain freedom for his people, and went on to lead them as its first president.
The first full version (notably with the inclusion of "A Dream" in one performance) was played on November 29–30, and December 2–3 at the Next Wave Festival at the Brooklyn Academy of Music.Fear Is A Man's Best Friend fansite - John Cale setlists 1989: New York 1989-11-30 On December 4–5, 1989, a live performance—without an audience—was filmed at the Brooklyn Academy of Music, directed by Ed Lachman, and released on VHS and laserdisc formats.Fear Is A Man's Best Friend fansite - John Cale on screen: Songs for Drella video (includes link to full video online)Songs for Drella video at Internet Movie Database Over the following two months, Reed and Cale proceeded to record the material for the album, which was released in 1990 by Sire Records. The album was the pair's first full collaborative record since 1968's White Light/White Heat, and by the end of recording Cale vowed never to work with Reed again due to personal differences, hence plans to support the album with a tour were shelved.
Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the energetic movie recounts the story of Steve Brodie (Raft), supposedly the first man to jump off the Brooklyn Bridge and live to brag about it. An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights after he moved to Warner Brothers, with The Roaring Twenties (1939), featuring James Cagney and Humphrey Bogart; Dark Command (1940), with John Wayne and Roy Rogers (at Republic Pictures); They Drive By Night (1940), with George Raft, Ann Sheridan, Ida Lupino and Bogart; High Sierra (1941), with Lupino and Bogart again; They Died with Their Boots On (1941), with Errol Flynn as Custer; The Strawberry Blonde (1941), with Cagney and Olivia de Havilland; Manpower (1941), with Edward G. Robinson, Marlene Dietrich and George Raft; and White Heat (1949), with Cagney. Walsh's contract at Warners expired in 1953. He directed several films afterwards, including three with Clark Gable: The Tall Men (1955), The King and Four Queens (1956) and Band of Angels (1957).
She started performing as "Dimbleby & Capper" in 2008, under which name she performed on the BBC Introducing stage at Glastonbury Festival in 2009. It was during this period she met Radiohead producer Nigel Godrich and drummer Joey Waronker, and then went on to front their side project Ultraísta, whose debut self-titled album was released in the UK on 15 October and on 2 October in the US. In 2013 Bettinson returned to solo work under the pseudonym "FEMME", her first single release, consisting of double A side "Educated" and "Double Trouble", was released 22 July 2013 through Tape Rec. In November 2012 Vogue named her the "Artist of the Week" and in January 2013 Terra listed her as one of "the most interesting women in music right now" alongside such artists as Grimes and MIA. Her second single, also a double A side, "Fever Boy" and "Heartbeat", was released on 25 November 2013 and accompanied with a launch event at the long running White Heat club night at Madame Jojo's, in Soho, London.
The mall is divided into five zones based on the concept of the five elements of Nature, namely Metal, Wood, Water, Fire and Earth. Each zone is designed with a distinctive interior architectural theme that responds to the element, public art such as large scale sculptures are also employed to enhance the respective theme. The Wood Zone is highlighted by the sculpture/furniture "The Trails by Worms" and series of art works made of tree branches; the Water Zone is represented by the water feature "Harmony", which is a series of standalone reflective pillar measure (approximately) tall with water running down the surface, creating the illusion of a solid yet liquid fountain; the Fire Zone is symbolised by the sculpture "White Heat" and the Earth Zone is symbolised by the sculpture "1/9", which is a set of rock formation, the number 9 is associated with the land where the shopping mall is built because the word Kowloon literally means "Nine Dragons". The Metal Zone is symbolised by metal rings hanging from above, it is also where high fashion and jewellery brands can be found.
He later transferred to the United States Army and served with the Third Army in Europe until the end of the war. Clark with Gene Kelly in the Going My Way television episode, "A Matter of Principle" (1962) Among his films were Ride the Pink Horse (1948), Mr. Peabody and the Mermaid (1948), Flamingo Road (1949), White Heat (1949), Sunset Boulevard (1950), A Place in the Sun (1951), How to Marry a Millionaire (1953), The Court-Martial of Billy Mitchell (1955), How to Be Very, Very Popular (1955), Daddy Long Legs (1955), Auntie Mame (1958), and Visit to a Small Planet (1960). Although he continued making films during the 1960s (most notably a large role in Hammer Film Productions' The Curse of the Mummy's Tomb in 1964 and John Goldfarb, Please Come Home in 1965) he was more often seen on television, as a regular on The George Burns and Gracie Allen Show as neighbor Harry Morton (until 1953) and guest roles on The Twilight Zone, The Beverly Hillbillies, Going My Way, The Addams Family, and I Dream of Jeannie. In 1962, he and Bea Benaderet, another Burns and Allen veteran, played Mr. and Mrs.
Many of the unit's films celebrated the running of Britain's nationalised railway network; early titles such as Train Time,Train Time (1952) British Transport Films by Railroad Classics on YouTube Elizabethan Express and Snowdrift at Bleath Gill aimed to document and celebrate the achievements and hard work of railway staff and their machinery.BFI Screenonline Others documented a particular aspect of running a railway, for example running a station as seen in This is York and later Terminus. Somewhat paradoxically, many of the unit's films celebrated a quiet, unchanging image of rural Britain – with travelogues such as The Heart of England (1954), The Lake District (also 1954), Three Is Company (1959), Down to Sussex (1964) and Midland Country (as late as 1974) – while simultaneously invoking the "white heat of technology" in its other work, such as its Report on Modernisation series instigated in 1959 (renamed Rail Report in 1965). The unit won many awards over the years, including in 1965 an Academy Award nomination for Snow Short Film Winners: 1966 Oscars-YouTube and in 1966 its first and only win for the film Wild Wings Short Film Winners: 1967 Oscars-YouTube (the latter which had little to do with transport and concentrated on WWT Slimbridge in Gloucestershire, founded by Peter Scott (who also narrated).

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