For one culture's popular dish is another culture's visit to the vomitorium.
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Otherwise, he should have apologized (and still should) for turning the garden of your friends' reception into a vomitorium.
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You can go to an authentic vomitorium, for instance, or watch the Roman Senate debate a point of law—which is almost the same thing, really.
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Breslin, who now plays in the band Broken Machine and hosts the Spencer & Lara's Vomitorium podcast, tells Broadly these negative influences are all too common in Hollywood.
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And my company manufactures the historically-accurate marble for the Senate facade, and the bronze for the statues, and the the easy-wash tile for the vomitorium floor.
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You started off as the vocalist for UK-based death metal band Vomitorium in 1994, and then fronted late-'90s black thrash band, Scythe before forming avant black metal project .
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Any second now, I would be descending into the pit of my being, seeing serpents, experiencing my own death or birth—or something—and I did not necessarily want that to happen in a windowless vomitorium while a millennial in crazy pants had her first psychotic episode.
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McNerney started his musical career at the age of 12 singing in a based out of his high school band called Vomitorium. In 1993, Vomitorium released a demo titled Haurium Oscula De Te. The band changed their name to later The Tragedians, and released one demo cassette in 1995 entitled Krull.
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Vomitorium of the Amphitheatre of El Jem, Tunisia A vomitorium is a passage situated below or behind a tier of seats in an amphitheatre or a stadium, through which big crowds can exit rapidly at the end of a performance. They can also be pathways for actors to enter and leave stage. The Latin word vomitorium, plural vomitoria, derives from the verb vomō, vomere, "to spew forth". In ancient Roman architecture, vomitoria were designed to provide rapid egress for large crowds at amphitheatres and stadia, as they do in modern sports stadia and large theatres.
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Black Blood Vomitorium is the first EP by the death metal band Necrophagia. It was released on February 28, 2000 on Red Stream Records.
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Allender also has an art side project known as "Vomitorium: The Dark Art Of Cindy Frey And Paul Allender". He also produced the artwork for New Project's debut album Ultraviolent Light.
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Although not credited, he is given thanks in the liner notes. In 1997, Necrophagia frontman Killjoy reformed his band with Anselmo on guitars. Using the Anton Crowley aliases, Anselmo appeared on the 1998 Holocausto de la Morte album, the 1999 Black Blood Vomitorium EP, and finally the 2001 Cannibal Holocaust EP, which featured Opal Enthroned (then Anselmo's wife) on keyboards. Anselmo left the band in 2001.
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Killjoy befriended Pantera frontman Phil Anselmo, shortly after Necrophagia's demise. Phil wrote and shared some music with Killjoy, which persuaded him to resurrect Necrophagia in 1997. Killjoy and Anselmo (who played guitar under the pseudonym Anton Crowley) were joined by Wayne Fabra on drums and Dustin Havnen on bass guitar. Necrophagia released Holocausto de la Morte, as well as the Black Blood Vomitorium EP, with the reformed line-up.
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The Roman Amphitheatre: arena and east vomitorium. The Roman Amphitheatre of Albano Laziale is one of the most unusual monuments of the castra. For a long time it was believed to have been part of the Villa of Domitian, but the archaeologist Giuseppe Lugli dated it to the middle of the third century AD - well after the construction of the castra and even of the baths. The building, with a maximum length of 113 metres,.
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Avenches-Theatre accessed 22 January 2009 Curved shape of the seating and one vomitorium on the upper left The theatre is built in the style of a classical Roman theatre, but does have some Gallo-Roman modifications. Both the Orchestra and the Cavea (spectator seating) are nearly horseshoe shaped. The actual stage is a simple wooden platform. The scaenae frons or background wall had three doors leading to the relatively small () stage building (postscaenium) which is built projecting out behind the wall.
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Rendering of a vomitorium Smock Alley Theatre in Temple Bar Dublin has two vomitoria, one stage left and one stage right. The Oregon Shakespeare Festival, for instance, has vomitoria in two of its theatres, the outdoor Elizabethan Stage and the Angus Bowmer Theatre. The "voms", as they are called, allow actors to mount the stage from halls cut into the amphitheatre. The Guthrie Theatre in Minneapolis, Minnesota, has two permanent vomitoria, one at stage left and one at stage right, of its thrust stage.
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Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII (23) to LIIII (54) survive. Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes.
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Ezra Pound wrote "Flaubert having recorded provincial customs in Madame Bovary and city habits in the Sentimental Education, set out to complete his record of nineteenth century life by presenting all sorts of things that the average man of the period would have had in his head." Pound compared Bouvard et Pècuchet to Joyce's Ulysses (Pound/Joyce 201). Julian Barnes said that it "requires a stubborn reader, one willing to suspend normal expectations and able to confront both repetitious effects and a vomitorium of pre-digested book learning." (May 25, 2006, The New York Review of Books).
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The theatre entrance lobbies are side by side but separated by a wall. It is designed to reflect the theatres of ancient Greece and Rome and is the only Broadway theatre that has a vomitorium, which is sometimes used as an entrance and exit for the actors. The Gershwin and Circle in the Square were built in 1970 when the Uris Brothers tore down the Capitol Theatre to build the tower (with the Gershwin originally being called the Uris Theatre). Their first production on Broadway, a revival of Mourning Becomes Electra, opened on November 15, 1972.
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He was also nominated for the 2000 Young Artist Award for Best Performance in a TV Movie (Comedy or Drama); Young Actor Age 10 or Under, the 2000 YoungStar Award for Best Young Actor in a Comedy Film, the 2001 Saturn Award for Best Performance by a Younger Actor, the 2003 Young Artist Award as Best Performance in a Voice-Over Role, and the 2007 Young Artist Award for Best Performance in a Feature Film by a Young Ensemble Cast. As of 2016, Breslin was writing songs for and playing in his band Broken Machine, and co-hosting the Spencer & Lara's Vomitorium podcast.
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Roman theatre view: 1) Scaenae frons 2) Porticus post scaenam 3) Pulpitum 4) Proscaenium 5) Orchestra 6) Cavea 7) Aditus maximus 8) Vomitorium, Roman theatre of Bosra, Syria The scaenae frons is the elaborately decorated permanent architectural background of a Roman theatre stage. Normally there are three entrances to the stage (Palmyra has five) including a grand central entrance, known as the porta regia or "royal door". The form may have been intended to resemble the facades of imperial palaces.Boardman, 262-263 The scaenae frons is often two and sometimes three stories in height and was central to the theatre's visual impact for this was what was seen by a Roman audience at all times.
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The Circle in the Square Theatre, designed to reflect the theatres of ancient Greece and Rome, is the only Broadway theatre that has a vomitorium, which is still used in many of their productions as an entrance and exit for the actors. The Cockpit Theatre, built in London in the 1960s, is one of the very few purpose-built theatres in the round in London, and features four vomitoria as corner entrances between four banks of raked seating arranged in a square. The Chichester Festival Theatre, founded in 1962, was the first of its kind to be opened in the UK for 500 years, because there is no proscenium arch or wings. Instead the stage is a thrust with vomitoria or "voms" for the audience and performers to enter and exit.
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Vomitorium of the Toulouse amphitheatre The Romans began their conquest of southern Gaul (later known as the Provincia) in 125 BC. In 118 BC they founded the colony of Narbo Martius (Narbonne, the Mediterranean city nearest to inland Toulouse) and made contact with the Tolosates, noted for their wealth and the position of their capital for trade with the Atlantic. Tolosa allied with the Romans, who established a fort on the plain north of the city (a key position near the border of independent Aquitania) but otherwise left Tolosa semi-independent. In 109 BC the Germanic Cimbri tribe descended the Rhône Valley, invaded the Provincia and defeated the Romans, whose power was shaken along the recently conquered Mediterranean coast. The Tolosates rebelled against Rome, killing the Roman garrison, before Rome recovered and defeated the invaders.
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