Its rigid, numbing cloak was his vesture for 30 years.
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To believe that this Creator took on human vesture, accepted death and mortality, was tempted, betrayed, broken, and all for love of us, defies reason.
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The publication was founded in 1945, and called Padomju Latvijas Boļševiks ('Bolshevik of Soviet Latvia') until 1952.Latvijas PSR vesture no vissenakajiem laikiem lidz musu dienam 2. Latvijas PSR Vesture. Riga: Zinatne, 1986. p.
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There hath been ever a discrepance of vesture of youth and age, men and women.
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Thou dancest in white vestures, and I God am mocked and vilipended, and in the house of Herod had received a white vesture.
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When Berrigan complained about the law regarding liturgical vesture, Day responded, "On this farm, we obey the laws of the Church." He relented and celebrated the Mass fully vested.
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The zucchetto and the biretta are scarlet, the distinctive color of cardinals' vesture. At the consistory new cardinals, with certain exceptions, are assigned titular churches in the Diocese of Rome.
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Some doctoral gowns also have black velvet chevrons and panels, and adorned with red piping. Contemporary choir robes and other expressions of lay vesture are inspired by, but remain distinct from, the Geneva gown.
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In this sense, the apparel was much more practical than a clerical cassock would be. In latter years, this vesture was more symbolic than practical, and since the mid- twentieth century it has fallen out of favor.
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The purpose of this vesture was originally practical, since archdeacons and bishops were presumed to be mobile, riding horses to various parts of a diocese or archdeaconry. In latter years, the clothing took on a more symbolic dimension..
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It was introduced to Europe in the mid-1620s, where the name cardinal flower was in use by 1629, likely due to the similarity of the flower's color to the vesture of Roman Catholic Cardinals.Donaldson, C. (1999). Cardinal Flower – Spectacular Scarlet Blossoms That Hummingbirds Adore. Plants & Gardens News 14 (3).
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The earliest extant liturgical books do not contain them, but from references in texts of the first millennium it appears that written versions existed.Catholic Encyclopedia, article cited. Full rubrics regarding matters such as vesture, appearance of the altar, timing of specific liturgies, and similar matters still may be published separately. In modern liturgical books, e. g.
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The awn is long, has no vesture, but is scaberulous. The upper glume is ovate as well but is herbaceous, 1-keeled and has veins of 5–7. Just like the lower glume, it is pubescent on the bottom but has an obtuse apex which can also be mucronate or muticous as well. Florets are 1-keeled and pubescent just like glumes but are 7-11 veined.
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God must be worshipped spiritually by prayer and the will to be good, not in outward action. The soul must be freed from its material surrounding, the "muddy vesture of decay," by an ascetic habit of life. Bodily pleasures and all sensuous impulses must be abandoned as detrimental to the spiritual purity of the soul. God is the principle of good, Matter the groundwork of Evil.
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Equally dramatic in some places has been the change in some of the Lutheran churches. The Evangelical Lutheran Church of Finland, for example, has been strongly influenced by the movement in its vesture and ritual. Black gowns have long been replaced by traditional Catholic vestments. The St. Thomas Mass returned the fuller use of ceremonial (the liturgical action, in which movement takes place during the liturgy to express its different parts).
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The nudity of the figure is true to the Gospels. Christ's clothing being removed by Roman soldiers is offered as the fulfilment of , "They part my garments among them, and cast lots upon my vesture." All of the Gospel writers suggest the nakedness, while John supplies the details: The sign attached to the cross includes Jesus' accusation inscribed in Hebrew, Greek and Latin. The wording translates "Jesus of Nazareth King of the Jews".
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In a letter to his mother, Sorge wrote, > "In the Revelation of St. John the heavenly visions are so depicted -- > golden censers are swung; people kneel and worship in solemn vesture, with > crowns on their heads, a woman clothed with the sun appears (Mary). See, all > quite Catholic, and that from St. John, a favorite disciple of the Lord. Our > earthly Church must be a copy of the heavenly.""From Nietzsche to Christ", > page 719.
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Chichele died on 12 April 1443. He is buried in Canterbury Cathedral, in a "cadaver tomb" between the upper choir and the choir ambulatory, adjacent to the north-east transept. The neighbouring gateway, from the transept into the choir, is known as the 'Chichele Gate'. His elaborate and colourful tomb, built many years before his death, depicts his naked corpse on the lower level, whilst on the upper level he is depicted resplendent in archiepiscopal vesture, his palms together in prayer.
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An escaped convict (Chaplin) dons the vesture of a clergyman and is mistakenly appointed as the new pastor of the small town of Devil's Gulch. After acquainting himself with a local mother and daughter, and subsequently moving in with them, one of his former buddies from prison arrives and steals from the two women. Charlie tries to get their money back but his former life is discovered by the sheriff who takes him to the border of Mexico; facing life as a convict if he returns.
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The first director of "Vilgāle" farm was Ilmārs Meņģis, and from 1963 to 1992 the farm was managed by Ottis Komarovskis. With good knowledge and skill in farming, being active, responsive, hospitable, Komarovsky was the only one in the Kuldiga district who worked as a farm manager for almost 30 years. During this time, a modern village was built on the shores of Lake Vilgale with multi-storey residential buildings, a government building, a kindergarten, a stage, a mechanical workshop and a sauna. Kurmāles pagasts. Vesture.
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But in addition to all the garments worn by the Stavrophore, he is given the Analavos (Church Slavonic: Analav) which is the article of monastic vesture emblematic of the Great Schema. For this reason, the analavos itself is sometimes called the "Great Schema". The analavos comes down in the front and the back, somewhat like the scapular in Western monasticism, although the two garments are probably not related. It is often intricately embroidered with the instruments of the Passion and the Trisagion (the angelic hymn).
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Up to today, the Archbishop of Salzburg has also borne the title Primas Germaniae ("First Bishop of Germany"). The powers of this title – non-jurisdictional – are limited to being the Pope's first correspondent in the German-speaking world, but had once included the right to preside over the Princes of the Holy Roman Empire. The Archbishop also has the title of Legatus Natus ("born legate") to the Pope, which, although not a cardinal, gives the Archbishop the privilege of wearing red vesture (which is much deeper than a cardinal's scarlet), even in Rome.
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From the 17th century, following the reforms of Patriarch Nikon, the upper vesture worn by monks of the Great Schema (skhimonakh) is in the form of a pointed hood with two long lappets which cover the back and breast. It is black in color, and embroidered with crosses, six-winged seraphim, and the text of the Trisagion. It is worn above the mandyas (monastic mantle), and is the same for both monks and nuns. In the context of monastic vows, it is called the koukoulion of kindliness, and the helmet of salvation.
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The term apron also refers to an item of clerical clothing, now largely obsolete, worn by Anglican bishops and archdeacons. The clerical apron resembles a short cassock reaching just above the knee, and is colored black for archdeacons and purple for bishops. The apron is worn with black breeches, reaching to just below the knee, and knee- length gaiters. The history behind the vesture is that it symbolically represents the mobility of bishops and archdeacons, who at one time would ride horses to visit various parts of a diocese or archdeaconry.
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Before departing for his new position, he was ordained to the episcopate at Boston's Cathedral of the Holy Cross on April 28, 1962, at a Divine Liturgy presided by Cardinal Cushing, garbed in Byzantine hierarchal vesture. Father John Elya, BSO (later Bishop), briefly administered the parish until appointment of Father Lucien Malouf, BSO, as its seventh pastor on November 1, 1962. Having twice previously constructed parish churches, Father Malouf was undaunted by the prospect of doing so a third time. Within weeks of taking office, he and his newly appointed assistant, Father Charles Aboody, undertook to ascertain the status of the proposed purchase.
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Her daughter, Anna Clemson, received the residence with about and her great-granddaughter, Floride Isabella Lee, received about . Thomas Green and Anna Clemson moved into Fort Hill in 1872. After Anna's death in 1875, Thomas Green Clemson inherited Fort Hill. In his 1888 will, Clemson bequeathed more than of the Fort Hill estate to the State of South Carolina for an agricultural college with a stipulation that the dwelling house "shall never be torn down or altered; but shall be kept in repair with all articles of furniture and vesture...and shall always be open for inspection of visitors."E.
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Contrary to what was stated by Duncan, he was not present at the papal see, as the grant of the pension explicitly states that it was resigned "to Pierre d'Ameil, cardinal priest of S. Marco, at the papal court by the bishop's special proxy".Burns (ed.), Papal Letters, p. 94; c/f Duncan, "Leuchars, Patrick". The pension was an annual one of 100 marks, and was to be taken from Brechin episcopal revenues; one indult allowed Patrick to continue wearing episcopal vesture, while the other was an indult for plenary remission of sins, indicating that Patrick expected death.
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Nicholson, J, 'The British Army of the Crimea', Osprey 1974 In Western culture, its use continues primarily in a religious and uniform context. It is the primary garment worn by the clergy and members of religious orders. The religious tunic reaches to the feet and was the source of the clerical cassock, as well as, in its liturgical form, the alb, after the long tunic worn by Roman citizens.Pocknee, C.E. 'Liturgical Vesture: Its Origins and Development' 1960 'Tunic' is also the name often given to the high-collar uniform coat worn by military and police personnel.
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Episcopal bishops wearing scarlet chimeres over rochets; in the background other bishops are in copes and mitres The chimere is worn by the bishops of the Anglican Communion as a component of their choir habit. It is traditionally coloured either scarlet or black, although some bishops have innovated a purple chimere. The wrist-bands of the bishop's rochet typically match the colour of the chimere. For Anglican bishops, the chimere is part of their formal vesture in choir dress — typically the chimere would be worn over a purple cassock and the rochet and would be accompanied by a black scarf known as a tippet, with an optional academic hood.
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The Great Schema worn by Orthodox monks and nuns of the most advanced degree Great Schema (, megaloschemos; Church Slavonic: Схима, Schima)—Monks whose abbots feel they have reached a high level of spiritual excellence reach the final stage, called the Great Schema. The tonsure of a Schemamonk or Schemanun follows the same format as the Stavrophore, and he makes the same vows and is tonsured in the same manner. But in addition to all the garments worn by the Stavrophore, he is given the analavos (Church Slavonic: analav), which is the article of monastic vesture emblematic of the Great Schema. The analavos itself is sometimes called the "Great Schema".
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In many species of molluscs the epidermis of the mantle secretes calcium carbonate and conchiolin, and creates a shell. In sea slugs there is a progressive loss of the shell and the mantle becomes the dorsal surface of the animal. The words mantle and pallium both originally meant cloak or cape, see mantle (vesture). This anatomical structure in molluscs often resembles a cloak because in many groups the edges of the mantle, usually referred to as the mantle margin, extend far beyond the main part of the body, forming flaps, double-layered structures which have been adapted for many different uses, including for example, the siphon.
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In 1895, The Festival of Mountain and Plain was established by Chamber of Commerce to raise peoples' spirits in a manner comparable to New Orleans' Mardi Gras. During the festival people marched “inside the block long silver serpent” that was meant to celebrate the city's silver heritage, singing, “We spring, we sprawl, We caper, we crawl, With vesture of changeable hue. We slidingly slink, as we near the brink Of our subterranean abyss.” Department stores ran sales during the festival, and festival organizers arranged for opportunities that enabled tourists to take pictures of Ute Indians for a fee and to see a Broadway show.
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José de Almeida Neto, featuring the papal tiara The See of Lisbon has been granted extraordinary ceremonial privileges. The Patriarchs of Lisbon were entitled to unique rights of vesture and ceremony that imitated the grandeur of the papal court: notably, the cassocks of his cathedral canons were scarlet (like those of cardinals), and his chapter has three orders like those of the College of Cardinals. Among the unique privileges granted to the Patriarch of Lisbon (and never withdrawn, though most have fallen into disuse) were the right to wear the fanon, subcinctorium and falda, vestments otherwise reserved for the Pope. A unique mitre, similar to the papal tiara, was conceded at the same time.
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Each minister will kiss the cross on the back of their phelonion before putting it on. When vesting for the Divine Liturgy priests and deacons say the following vesting prayer as they put on the garments: :My soul shall rejoice in the Lord, for He hath clothed me in the garment of salvation, and with the vesture of gladness has He covered me; He hath placed a crown upon me as on a bridegroom, and He hath adorned me with comeliness. When a bishop is vesting before the Divine Liturgy the prayer above is read by the Protodeacon, as the subdeacons place the vestment upon him. Sometimes this prayer is chanted by the choir during the vesting of the bishop.
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The house was headed by a Prior, and initially contained twelve canons representing the Twelve Apostles. In 1281, in return for benefactions by a Master Simon de Eylondia, the Prior bound the priory to maintain forever a thirteenth canon, to be nominated by Master Simon and his assigns. This thirteenth canon was to celebrate divine service daily at the altar of St. Thomas in the priory church for Master Simon's soul and the souls of his parents, Robert and Cecily; this agreement was confirmed by the Bishop of London and by the dean and chapter of St Paul's Cathedral. Master Simon afterwards granted additional rents and tenements from which he assigned half a mark for the vesture of the thirteenth canon, 3s.
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In the Medieval and Renaissance church, priests were publicly defrocked or "degraded" by having their vestments ceremonially removed. The procedure was intended to evoke shame and humiliation in the subject. An description of the degradation of Archbishop Thomas Cranmer for heresy in 1556, based on eye- witness accounts, was recorded by John Foxe: > ...when they came to take off his pall, (which is a solemn vesture of an > archbishop,) then said he, "Which of you hath a pall, to take off my pall;" > which imported as much as they, being his inferiors, could not degrade him. > Whereunto one of them said, in that they were but bishops, they were his > inferiors, and not competent judges; but being the pope's delegates, they > might take his pall.
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From the mid-eighteenth century, Bishops and archdeacons traditionally wore a shortened version of the cassock, called an apron (which hung just above the knee), along with breeches and gaiters. The gaiters, buttoned up the side, would cover the trouser leg to a point just below the knee. This form of everyday vesture, common up until the 1960s, is now almost extinct. (This was appropriate for them in the time when some of their travelling would be on horseback but continued into the middle of the 20th century.) Some Anglican clergy favour a double-breasted cassock (known as a Sarum), often with an external button at chest level on which to hook an academic hood (which is worn as part of the choir habit).
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In their individual lines, the four tenors were given music specially written for their voices, Jones's plaintive timbre following the two lyric tenors and one Heldentenor with the only downbeat line in the piece ('But whilst this muddy vesture of decay/Doth grossly close it in…'). Jones appeared at English music festivals and that of the International Society of Contemporary Music (1938). In addition to opera and oratorio, his repertoire included German Lieder, French and English songs, and contemporary music: he sang in the first performances in England of Wozzeck, Gurrelieder, Doctor Faustus and Lady Macbeth of Mtsensk. He was the subject of This Is Your Life in 1957 when he was surprised by Eamonn Andrews at the King's Theatre, Hammersmith, London.
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Rebetiko is closely related with nightlife entertainment: ouzeri, taverna (Greek tavern) and night centres. Rebetiko is also sometimes related with the icon of mangas (, ), which means strong guy that "needs correction", a social group in the Belle Époque era'sThe time period in Greek history that began during the late 19th century and lasted until World War I is called Προπολεμική Εποχή "Antebellum era" in the Greek Literature and corresponds to the European Belle Époque. counterculture of Greece (especially of the great urban centers: Athens, Piraeus, and Thessaloniki). Mangas was a label for men belonging to the working class, behaving in a particularly arrogant/presumptuous way, and dressing with a very typical vesture composed of a woolen hat (kavouraki, καβουράκι), a jacket (they usually wore only one of its sleeves), a tight belt (used as a knife case), stripe pants, and pointy shoes.
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Hand of God (Mano Poderosa) oil on tin retablo by Donanciano Aguilar, 1871, 13 x 9.5 in, El Paso Museum of Art, accession 2014.17.393 Word of God Window at St. Matthew's German Evangelical Lutheran Church in Charleston, South Carolina In Christology, the Logos ()Entry at LSJ online. is a name or title of Jesus Christ, derived from the prologue to the Gospel of John (c 100) "In the beginning was the Word, and the Word was with God, and the Word was God",John 1:1 as well as in the Book of Revelation (c 85), "And he was clothed with a vesture dipped in blood: and his name is called The Word of God."Revelation 19:13 These passages have been important for establishing the doctrine of the divinity of Jesus since the earliest days of Christianity.
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African churches were founded by small groups breaking off from the European denominations, especially in Yorubaland, where such independence movements started as early as the early 19th century—influenced by American and British missionaries in early 1900s and stimulated by the great revival of the 1930s. They were for the most part ritually and doctrinally identical to the parent church, although more African music, and later dance and dressage/vesture, entered and mixed with the imported church services. Notable among the new springs of 1930 were such Protestant Pentecostals as the Christ Apostolic Church—an offshoot of US-based Faith Tabernacle which swept through the Western Region and complemented by the likes of the Celestial Church and the Cherubim and Seraphim Church which were indigenous autonomous springs. A number of indigenous denominations used Biblical references to support polygamy.
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The first exhibition, of archaeological excavations of the ancient city of Nakalakevi was prepared by Megrelian prince David Dadiani and took place in 1840. Three palaces form the modern museum complex, parts of which are also Blachernae Virgin Church and Zugdidi Botanical Garden. The Dadiani Palaces History and Architecture Museum houses some exhibits of natural cultural heritage of Georgia – Tagiloni treasure materials, Mother of God holy vesture, the icon of queen Bordokhan – mother of queen Tamar of Georgia, manuscripts from 13th – 14th centuries, miniatures, memorial relics of Dadiani dynasty, and objects connected to emperor of France Napoleon Bonaparte – brought to the palace by the husband of David Dadiani's daughter, prince Achille Murat, grandson of Napoleon's sister, Caroline Bonaparte. The palace was fully transformed into a museum on May 1, 1921, at the initiative of Georgian ethnographer and geologist Akaki Chanturia.
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In arranging Shakespeare's text, Vaughan Williams followed the word order, but cut words, phrases, and whole lines, and repeated at the end eleven words from the third and fourth lines, producing the following text. The initials mark the singers' solo passages; ensemble passages are shown in italics: How sweet the moonlight sleeps upon this bank! Here will we sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches IB of sweet harmony. HN Look how the floor of heaven Is thick inlaid with patines of bright gold: FT There's not the smallest orb that thou behold'st But in his motion like an angel sings, WW Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; PJ But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
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Dubgilla, dark armour of the back Red yew, vanquisher of polished spears I will name it, a thing that filches our colour, to demand a mantle of grey. God's counsel for my guidance, in whatever hour or season I approach though there be cloaks with Cinan's son, it is not to gather them that I shall seek, But a mantle I seek that endures not folding, that neither spike of holly nor branch of tree may catch; that guards, as a brooch guards a cloak; a seemly vestment of the beetle's hue. It is worth a request at the assembly, after play of blades it was not arrogant: it is a cloak that children cannot rend birthright of a warrior in itself: The wonted vesture of a king's body, that needle or thread runs not through; a martyr's cloak, a frontlet of the temples, a cloak such as has not been cast over seers. It guards the brain-pan at all times: it hides the rows of scars beneath: though no nap clings to it, the thread-bare shall last as well as the new cloth.
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Pope Pius V extended its use to the entire Roman Rite by his Apostolic Constitution Quo primum (14 July 1570). Originally a double of the second class and a feast of precept, it was re-raised to be of precept in 1917 after having this status intermittently lost, and consequently also raised to its current rank of double of the first class (now called a solemnity), having become in the meantime the rank common to all remaining general feasts of precept. Since 1969, Episcopal Conferences may, if they wish, transfer it to a date outside Lent. Even if it occurs inside Lent on the usual date of March 19, it is still observed as a Solemnity of a Saint- this is one of the few times during Lent the Gloria may be said or sung, the vesture is changed from the purple or violet of Lent to white or gold (as it would be for such a solemnity normally), the Collect and the Eucharistic Prayer's Preface and other prayers are from the Solemnity and not Lent, the hymns are more joyful, and the Creed is said.
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