And a poem has an unsayable center around which its body grows.
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Like Trump, he's a master of saying the unsayable to drown out the rest.
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He hits the coffin nail on the head — namely, that poetry says the unsayable.
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Nikita Khrushchev's thaw was breaking over the Soviet Union, and the previously unsayable was being said.
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So much has become unsayable, as if by not speaking of our grosser aspects we abolish them.
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For the religious, silence offers a way to ponder and listen for the divine, the unsayable and inexplicable.
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Up is down, left is right, and we are governed by a villain who persistently says the unsayable.
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The Times' willingness to say the unsayable has much to do with the unique nature of the newspaper's staff.
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Such transgressive blurring of the borders between the public and private, sayable and unsayable, can be both life-affirming and riveting.
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"They get to put things up the flagpole and test out things that are more unsayable in the mainstream," he says.
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Both films include scenes in which the mother says the unsayable: they wish their children were dead, or had not been born.
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His comment drew a mixture of condemnation for its racial charge and praise for saying what politicians and officials have sometimes considered unsayable.
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Yet there has been a tectonic shift in America: The unsayable is now regularly said, and often by the commander in chief himself.
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The first draft had one or two or three things going on (too talky) but hadn't found its organic heart, its unsayable necessity.
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What he wants to be is an erudite, sardonic breaker of false idols, the man who says the unsayable and does it with style.
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Donald Trump has smashed through hundreds of our established norms and given people permission to say things that were unsayable just a decade ago.
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But even the Democratic bastion of Silicon Valley is not immune to the Trump effect: Once unsayable things can now be said the world over.
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His willingness to go there and say the unsayable earns him horrified laughter from some, but it also brings admiration from those who dislike so-called political correctness.
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And he did so for a simple reason, which was that what he had to say was completely unsayable — he had developed a friendship with the two men.
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He won, in part, through his promise to say the unsayable: Mexicans are rapists and drug smugglers; Muslims are terrorists unless they can prove otherwise; African-Americans live in ghettos.
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Perhaps their current zeal mirrors the lack of it across the aisle: Democrats may feel that they must be less forgiving because Mr Trump has made the previously unsayable acceptable.
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" There is "diplomatic language to countenance rape, torture, assassination" and "seductive, mutant language designed to throttle women, to pack their throats like pate-producing geese with their own unsayable, transgressive words.
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Mr. Trump has said the unsayable on multiple issues, from declaring that we were deceived into war to calling for higher taxes on the wealthy (although his own plan does no such thing).
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Whereas comics have in the past told shocking jokes because they delighted in saying the unsayable or just wanted to lighten grief with humor, Shaffir seems to be aiming for something different, more nihilistic, crueler.
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Their display of Fascist allegiance will have little practical effect beyond demonstrating again that the unsayable has become legitimate discourse in the age of Trump, and that a white supremacist message has renewed global resonance.
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But Porter was the subject of two movies, including one, " Night and Day " (19533), made in his lifetime and with his reluctant collaboration, despite the unsayable but far from secret truth that he was gay.
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And this production makes you not only understand but also feel how so much of what happens in a relationship occurs in the silences between words, which crackle with things unspoken and unsayable, when any response whatsoever might follow.
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"My rapid rise in the last year … is testament to the fact that America is crying out for somebody who will say the unsayable, who will break taboos, and who will fearlessly resist those who want to clamp down on free expression," he said.
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He has posed as the person who could finally pull back the curtain on the deep-state, say the unsayable, expose the rot; and not just in some beer hall or fringe website but on the Presidential campaign stage in front of the world.
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"And," he continued, "I see my father, an intrepid documentarian of the turbulent times he was living in, stepping up to Booker Wright's courageous decision and allowing him the platform to say the unsayable — to speak to an audience that he would otherwise never have had."
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"The politics and the language of the AfD results in stuff that was unsayable years ago [becoming] sayable and perceived as normal again," König-Preuss told BuzzFeed News as she chain-smoked cigarettes at a youth center in Jena run by her father, a well-known left-wing pastor.
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Just read the prescient warning for moderates that Greenaway included in "The Id of Republican Politics," a Freudian analysis of the power of Trumpism that he posted one year ago, well before most Beltway insiders realized what was happening: [R]epressed and moderate politicians will be forced to confront the reality that there is a demographic for whom the unsayable has suddenly become something they want to hear again.
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In which her style is shown in her work The Weight of Hands in 2010. Her intended meanings behind her work are sometimes behind the philosophy of the impossible to become possible. She strives for the idea in that everything is speaking. Sometimes things can consist of sayability yet some things are to be unsayable.
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Tulloch describes the image as having the "Capability to reveal or suggest what is unsayable". Orunodoyer Ognishakhi (Pledge to a New Dawn), the first film about the war, was screened in 1972 on the first Bangladeshi Independence Day celebration. It draws on the experiences of an actor called Altaf. While trying to reach safe haven in Calcutta, he encounters women who have been raped.
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You adjust the settings. You provide statements that can never contain actual experience: experience itself remains beyond the reach of language.... and that unsayable reality appears, at best, as a tension between the statements.""Was wichtig ist: das Unsagbare, das Weiße zwischen den Worten, und immer reden diese Worte von Nebensachen, die wir eigentlich nicht meinen. Unser Anliegen, das eigentliche, läßt sich bestenfalls umschreiben, und das heißt ganz wörtlich: man schreibt darum herum.
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Roundhouse Publishing. 1999. . Similarly, in Sue Gillett's "More Than Meets The Eye: The Mediation of Affects in Jane Campion's 'Sweetie'," Campion's work is described as "perhaps the fullest and truest way of being faithful to the reality of experience"; by utilizing the "unsayable" and "unseeable," she manages to catalyze audience speculation. Campion's films tend to gravitate around themes of gender politics, such as seduction and female sexual power. This has led some to label Campion's body of work as feminist.
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Despite numerous controversies and polarizing content of his work, Baraka's literary influence is undeniable. His co-founding of the Black Arts Movement in the 1960s promoted a uniquely black nationalist perspective and influenced an entire literary generation. Critic Naila Keleta-Mae argues that Barak's legacy is one of "saying the unsayable," a course that likely damaged his own literary reputation and canonization. For example, Baraka was left out of the 2013 anthology Angles of Ascent, a collection of contemporary African American poetry published by Norton.
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One of the first compositions published by Łobodowski was the poem "Dlaczego" (Why?) which appeared in May 1928 in the bimonthly magazine W Słońce which he co-edited and which also carried in its first issue the article of a 19-year-old Łobodowski on the nature of poetry in general as the art of the unsayable, and some other of his poems.Józef Łobodowski, "Sztuka... poezja..." (On Art and Poetry), W Słońce (Lublin), vol. 1, No. 1, [1 May 1928], pp. 14\. Id., "Dlaczego" (Why?), ibid.
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In this sense, testimony coincides not with memory, as consistent with what happened, but with the immemorial, which refers to something we can neither remember nor forget completely, that is something that is neither totally speakable nor totally unspeakable.Cf. Volti della memoria, pp. 445-481 In short, a witness only speaks starting from the impossibility to speak. That the image is equivalent to testimony means, then, that the attempt to say the unsayable is an infinite task, and this is why the question of the image forms an integral part of the ethical question.
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One example of Lacan's work being practiced in the United States is found in the works of Annie G. Rogers (A Shining Affliction; The Unsayable: The Hidden Language of Trauma), which credit Lacanian theory for many therapeutic insights in successfully treating sexually abused young women.e.g.: A Shining Affliction, Lacan's work has also reached Quebec where The Interdisciplinary Freudian Group for Research and Clinical and Cultural Interventions (GIFRIC) claims that they have used a modified form of Lacanian psychoanalysis in successfully treating psychosis in many of its patients, a task once thought to be unsuited for psychoanalysis, even by psychoanalysts themselves.
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Former executive director of AIPAC, Tom Dine, was quoted as saying, "All the Jews in America, from coast to coast, gathered to oust Percy. And the American politicians - those who hold public positions now, and those who aspire - got the message".Saying the Unsayable, Andrew Stephen, The New Statesman, September 13, 2007 ;Financial figures A summary of pro-Israel campaign donations for the period of 1990–2008 collected by Center for Responsive Politics indicates current totals and a general increase in proportional donations to the US Republican party since 1996.Pro- Israel: Long-Term Contribution Trends, Center for Responsive Politics.
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The main contention of such readings is that Wittgenstein in the Tractatus does not provide a theoretical account of language that relegates ethics and philosophy to a mystical realm of the unsayable. Rather, the book has a therapeutic aim. By working through the propositions of the book the reader comes to realize that language is perfectly suited to all his needs, and that philosophy rests on a confused relation to the logic of our language. The confusion that the Tractatus seeks to dispel is not a confused theory, such that a correct theory would be a proper way to clear the confusion, rather the need of any such theory is confused.
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Among what can be said for Wittgenstein are the propositions of natural science, and to the nonsensical, or unsayable, those subjects associated with philosophy traditionally—ethics and metaphysics, for instance.TLP 6.53 Curiously, the penultimate proposition of the Tractatus, proposition 6.54, states that once one understands the propositions of the Tractatus, one will recognize that they are nonsensical (unsinnig), and that they must be thrown away.TLP 6.54 Proposition 6.54, then, presents a difficult interpretative problem. If the so-called 'picture theory' of meaning is correct, and it is impossible to represent logical form, then the theory, by trying to say something about how language and the world must be for there to be meaning, is self-undermining.
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William Franke is an American academic and philosopher, professor of Comparative Literature at Vanderbilt University (formerly and concomitantly Professor Catedrático and Head of Philosophy and Religions at the University of Macau, 2013-2016). His main exposition of his philosophical thinking is A Philosophy of the Unsayable (2014), a book which dwells on the limits of language in order to open thought to the inconceivable. On this basis, the discourses of myth, mysticism, metaphysics, and the arts take on new and previously unsuspected types of meaning. This book is the object of a Syndicate Forum and of a collective volume of essays by diverse hands in the series “Palgrave Frontiers in Philosophy of Religion”: Contemporary Debates in Negative Theology and Philosophy.
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Burstall later said of the film: > I have a special place in my heart for it, because it was my first feature > and in some ways autobiographical. But I wince when I see it, except for the > few energy points which are mainly in the flashbacks. I think of the first > ten years of my film work, up to and including 2000 Weeks as my > apprenticeship... I don't believe the acting in 2000 Weeks is bad so much as > a question of actors being asked to say unsayable things, and act unactable > things. It was too deficient in energy and too much of it was in an > intellectualised form, instead of action. David Stratton wrote of it: > 2,000 Weeks was an important film; important for what it had to say, > important in the courage it took to make it in the first place.
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