It is now cited as an obvious and unrepeatable opportunity.
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" As they put it, those things are "what make you unrepeatable.
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It sorta feels like spin art, where abstract unrepeatable patterns emerge from set parameters.
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This is unprecedented and, as per the new rules, now unrepeatable for anyone else.
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"No one better at capturing small unrepeatable moments of human behavior," he said on Twitter.
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He was a master filmmaker - no one better at capturing small unrepeatable moments of human behavior.
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For B2C companies, it's OK if you acquire your first cohort of users in an unscalable/unrepeatable fashion.
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Some have been unrepeatable pièces d'occasion, some have been failures or unimportant, and some have entered the international repertory.
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That may be unrepeatable: sector valuations have risen sharply and Son will have to hunt down some pretty big targets.
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Sadly, these "white glove" losses of unrepeatable persons impact not only their immediate family, but our larger culture as well.
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When these two unique, unrepeatable gifts of human life were wasted, a part of each of us was also diminished.
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Jack Shafer argues that Trump's success so far is a "black swan" event, an unpredictable and unrepeatable concatenation of improbable circumstances.
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The Treaty of Paris was made possible by an unrepeatable, galvanising set of circumstances born of two world wars and the new Soviet threat.
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"The economic revolution of 33 to 23 was unique in human history, unrepeatable because so many of its achievements could happen only once," Gordon writes.
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With the data and training model used to create Dio's form now turned to literal dust, the sculpture exists as a unique and unrepeatable artifact.
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"[February] was unsustainably strong and unrepeatable and I think that March was payback for a robust February," Ward McCarthy, chief financial economist at Jefferies, told CNBC.
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The evening's triumph and most moving event was the wonderfully imaginative finale, Michelle Dorrance's "Ex Pluribus One," a surely unrepeatable event that combined dancers of several disciplines.
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Progress will be achieved when our laws and our culture once again value and respect each unrepeatable gift of human life, from the first moment of creation to natural death.
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But she fears that his surge of support that year may have been a one-off, unrepeatable in the midterms, especially since most voters in Westmoreland County are registered as Democrats.
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Like any improvisational work, this one was about being there then, both for the performers and the audience — about making choices in the moment and watching that process unfold, as unpredictable and unrepeatable as life.
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Fabio Pinca's stunning victory last week against Manaowan Sitsongpeenong for the prestigious Rajadamnern Stadium 903kg/147llbs title in Bangkok, Thailand, brought to mind another magical and unrepeatable East versus West contest—one from another time, another country.
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And it's being met with vocal anticipation and nervous hope, as his fans wonder whether Get Out was an unrepeatable one-off flash of genius, or just the first salvo in a long line of memorable movies to come.
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It sold 102.5 million units, vastly more than competitors like the Sega Saturn and the Nintendo 64, and until now it was the second best-selling home console of all time behind the PS2, which sold a probably unrepeatable 155 million.
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Señora Gaeta was also well liked because it was exciting to hear her talk: she swore the most powerful and unusual oaths they'd ever heard, really unrepeatable stuff , and all in a sweetly quivering voice, like the song of a harp.
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The commercial success of Barcelona in 1992, which is often held up by today's caravan of consultants as the model for host cities to emulate, was due to a combination of factors that are essentially unrepeatable, including a remarkable artistic heritage.
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As Andy LeCates, FileMaker's director of solutions consulting, told me, the focus of FileMaker remains making it easy to use and enable teams to build custom apps for the kind of unrepeatable processes for which off-the-shelf apps from the App Store aren't quite right.
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To hear Goshinski and Leonowicz speak of the festival, the very idea of a specific group of people coming together with a specific group of artists in a specific place constitutes an unrepeatable, wholly unique experience—and one to be treated with a level of seriousness.
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The alternative, more cynical, outlook sees Leicester's title-win as a delirious flash in the pan, one enabled by a perfect Premier League storm of floundering giants, a rising middle class, and one team able to surf their own tidal wave of high-spirits in unprecedented and unrepeatable fashion.
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But Mr. Sarno's devotion to recording the polyphonic singing and polyrhythmic drumming of the Bayaka people "is an unprecedented and unrepeatable ethnomusicological achievement," said Noel J. Lobley, a professor at the University of Virginia as well as a researcher at the Pitt Rivers Museum.. The earthy natural and man-made soundscape is mesmerizing.
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My first home-way-from-home was a room in a house with an unrepeatable nickname on West College St. in Oberlin, OH. I lived with 8 other people in a two-story, rambling warren filled with rooms and roomlets that had been created over the years to shelter increasing numbers of people in the same finite amount of space.
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Taking his work from the mid-2715s and his recent paintings as bookends, it is apparent that Reed has been exploring the brushstroke in myriad ways: as a wet-into-wet, one-shot encounter; as a viscous pool or mutable form; as spliced, coiling bodies and undulating folds; as filmic images; abstract graffiti; bravura flourishes; and stenciled signs, repeatable and unrepeatable — for more than 22017 years.
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Much of the concern of the humanities is not to be general but to be particular, to look very closely at individual human lives and forms of human life, to turn them over and pause over them, over the singular experiences of individuals at certain times and places — much like, in fact, the brief better moments in Wilson's book, when he or another naturalist (like the novelist Vladimir Nabokov, whom he initially knew "only as a lepidopterist") walks through some particular landscape and marvels over some unprecedented ant or unrepeatable butterfly.
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From Steph Curry, Klay Thompson, and Draymond Green falling where they did in the 2009, 2011, and 2012 drafts, to the front office not trading any part of this transcendent trio when presented with intriguing opportunities to do so, to Andre Iguodala saying "that sounds like a great idea!" when Steve Kerr asked him to come off the bench, to the cap spike aligning with the world's second-best player hitting free agency, to DeMarcus Cousins playing for the taxpayer mid-level exception, the path to three championships in four years is complicated, lucky, and unrepeatable in any form.
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Additionally, features that are unstable and non-reproducible should be eliminated since features with low-fidelity will likely lead to spurious findings and unrepeatable models.
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It is based on a framework of isochronal time, where each beat of time is equivalent though unrepeatable and only invested superfluously with human meaning.
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They are intimate and direct. Other Japanese artists had portrayed the timeless, fragile and unchanging aspects of human life. Hirosada celebrated the separate, unrepeatable, unique, human event.
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Carole Ann Klonarides observes in later work in her 2016 MOAH exhibition, such as And Then Some (2012) and Over and Over (Flat White) (2013), "a certain precariousness, an unrepeatable act, and a unique timeless moment" she compares to the work of Brancusi.
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Automat was the result of an unrepeatable sequence of events. The final result did not please either Musumarra and Gizzi nor the producers. They never collaborated on any other project nor had the opportunity to use the MCS70 again. Automat has only been released on CD once.
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In the Masters of the Universe Classics toyline, the spell that was used on them by Skeletor was an unrepeatable spell. Two Bad is voiced by Lou Scheimer in the 1980s series and Brian Drummond and Mark Gibbon in the 2002 series. CBR voted Two bad 12th worst He-Man toy.
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T2 also reads the original value of A, overwrites A, and commits. However, when T1 reads from A, it discovers two different versions of A, and T1 would be forced to abort, because T1 would not know what to do. This is an unrepeatable read. This could never occur in a serial schedule.
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He managed at Lazio, Roma and Triestina football clubs in the 1970s and 1980s. The greatest satisfactions came from the period spent at Lazio, when together with Tommaso Maestrelli, he managed to build an unrepeatable superb team with many unruly talents, who kept at bay but gave to the club of president Lenzini the Italian championship of 1974.
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Archaeological excavation is an unrepeatable process, since the same area of the ground cannot be excavated twice. Thus, archaeology is often known as a destructive science, where you must destroy the original evidence in order to make observations. To mitigate this, highly accurate and precise digital methods can be used to record the excavation process and its results.
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Vernacular architecture is part of the wealthy material culture and is unrepeatable historical and cultural evidence, on its highest grade of genuineness. It includes profane public buildings and traditional residential houses built by locals during different periods. The public buildings consist the castles, bridges, clock towers, fountains, old Bazaars etc. while the residential buildings consist the urban and rural houses.
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" He says, with a laugh, "For better or worse, I can relate." For all its expansion, Wander Away is, at heart, Mike Errico at his most focused and distilled. "I don't know that I've ever been prouder of anything I've ever done," he says. "The combination of my writing and the artistry that was brought to it–it's an unrepeatable moment.
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The original inhabited area initially developed on the rocky Mount Pizzuta (mali Picuta), although, a cause of the rigid temperature, the Albanian exiles moved a little further downstream, in the area of the plain below, on the slopes of the Sheshi mound. Due to its ethnic, cultural, religious, historical and environmental peculiarities it is part of the varied Sicilian landscape as a unique unrepeatable.
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Eddie Izzard started to freely talk about his transvestism in venues like Edinburgh Festival as early as 1992. His stance is that cross-dressing is neither part of his performance nor a sexual fetish. He remarks in his show Unrepeatable, "Women wear what they want and so do I." According to Izzard, "Most transvestites fancy women." He identifies as "a straight transvestite or a male lesbian".
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Internet Archive Caucasian Journey was reissued by Penguin Books in 1988 under the Penguin Travel Library imprint. Colin Thubron described the book as a classic, calling it "the record of an unrepeatable journey - adventurous, wry and robustly evocative." Farson's son, Daniel Farson, used Caucasian Journey as the inspiration and motivation for his own journey through Russia, described in A Dry Ship to the Mountains (1994).
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Ludwig von Mises in particular argued against empiricist approaches to the social sciences in general, because human events are unique and "unrepeatable," whereas scientific experiments are necessarily reproducible.Mises, Ludwig von. Human Action. However, economist Antony Davies argues that because statistical tests are predicated on the independent development of theory, some form of praxeology is essential for model selection; conversely, praxeology can illustrate surprising philosophical consequences of economic models.
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Fantastic for magnifying feature size or feature effect, realistic for their concreteness. Characteristic is the comparison, especially the lengthy comparison, often complicated with some comparisons and more in its composition, which possesses whole song lyrics. Also, the metaphors are used with originality with multiple folklore subtitles. Unrepeatable in the poem is the use of euphemisms with artistic effects, sometimes caressing, worshiping, and praising, at times suing, harsh and macabre.
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Unrepeatable is the title of a performance by British comedian Eddie Izzard. It was filmed on 14 March 1994 at the Albery Theatre, released on VHS and later DVD, and follows his first show, Live at the Ambassadors. He covers a wide range of topics, including washing routines, cats and dogs, cross dressing, horror movies such as Dracula, and star trek, which is typical of his "stream of consciousness" style of comedy.
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In 1999, "Green Onions" was given a Grammy Hall of Fame Award. It was voted number 5 in the All-Time Top 100 Singles from Colin Larkin's All Time Top 1000 Albums. Larkin states 'an incredible, unrepeatable piece of music, copied by millions but never remotely challenged'. In 2012, it was added to the National Recording Registry of the Library of Congress, a list of "culturally, historically, or aesthetically important" American sound recordings.
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Marquis' work is thus both unique and unrepeatable. Marquis developed his own theories regarding the history of the Cheyenne. One idea in particular, that many of Custer's men committed suicide when the situation became hopeless, proved to be highly controversial. This idea first surfaced in the Wooden Leg narrative, but was most fully developed in Keep the Last Bullet for Yourself, considered by Marquis to be his most important work and the culmination of his Custer research.
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"After All" is a song "full of echos and melancholy", carrying "multi-layered harmonies" from All Saints. Lyrically, it is an "unfortunate ode to the first unrepeatable love". The lyrics, "all the reasons why we said it's over doesn't seem to matter after all" could be applied to a romantic break-up and could also be seen as dealing with the band's acrimonious split. The Observers Phil Mongredien commented that "After All" recalled producer Orbit's work on "Pure Shores" (2000).
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The International Tuba Euphonium Association traces its roots to meetings of tuba students with their teacher, William Bell, who played with the NBC Symphony, at McSorley's Old Ale House, in Manhattan, to discuss the tuba and the art of performance on the same over food and drinks. These informal meetings happened on an irregular schedule during the 1930s. A lighthearted, and unrepeatable name for this group was chosen by Bell that began with "The Royal Order of" for which the participants printed membership cards.
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There is evidence that this public penance was preceded by a private confession to a bishop or priest (sacerdos), and it seems that, for some sins, private penance was allowed instead. Nonetheless, penance and reconciliation was prevailingly a public rite (sometimes unrepeatable), which included absolution at its conclusion. The Irish penitential practice spread throughout the continent, where the form of public penance had fallen into disuse. Saint Columbanus was credited with introducing the medicamenta paentitentiae, the "medicines of penance", to Gaul at a time when they had come to be neglected.
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Seli, writers and translators Stojan Vujičić, Zoltan Čuka, painters Božidar Jakac, Lazar Vujaklija, Ilija Vilotić, Libero Markoni, Ištvan Tot, Andruško Karolj, woman sculptors Vida Jocić, Mira Sandić, art historian Oto Bihali Merin, and others), and the contacts with numerous artists, who wanted the portraits taken by him as an author (conductor Djura Jakšić, composer and guitar player Jovan Jovičić, violinist Branko Pajović, journalist Leon Davičo (thanks to whom Stevan came to "Politika"), and poets Dušan Radović and Oskar Davičo, all of whom created unrepeatable story about mutual support, cooperation and understanding.
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Since when the song was first played its melody has been one of the most popular themes in the Albanian music and has been considered by critique and composer Çesk Zadeja as an unrepeatable model of the Albanian lyric. The song was an extraordinary success in a 1956 Moscow concert where the trio Avni Mula-Athanas-Ibrahim Tukiqi masterly interpreted it in front of a Russian public. The success repeated itself in a Youth Festival in 1961 in Vienna The song is very often sung by Albanian-American communities in their gatherings.
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As the TDFR only lasted a month, it did not leave much of a legacy. Historians Adrian Brisku and Timothy K. Blauvelt have noted that it "seemed both to the actors at the time and to later scholars of the region to be unique, contingent, and certainly unrepeatable." Stephen F. Jones stated it was "the first and last attempt at an independent Transcaucasian union." While the three successor states would be reunited within the Soviet Union as the Transcaucasian Socialist Federative Soviet Republic, this would only exist between 1922 and 1936 before again being broken up into three union republics.
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Since 1999 she has held the Casa B studio workshop where she develops her artistic and teaching practice. The work of Alejandra González Soca has been described as "the result of a tension between the unique and unrepeatable ephemeral gesture and the apparent dispersion of the multiplied object, materialized in a polyphonic integration of elements and registers." It is built from the confluence of the fragile and delicate with a certain dirty and germinal air probing a representation of an altered and intimate memory. It uses blurry images, overlapping layers and a formal sensuality where the viewer can have an immersive experience.
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The album received several positive reviews on release. The Allmusic review by Thom Jurek awarded the album 4 stars, stating, "Hamburg '72 is not only an excellent archival recording that documents one of jazz's most capable, sophisticated trios, it is expansive, inspiring modern jazz at its best, and it continues to resonate and inspire". The Observer's Dave Gelly called it "an invaluable memento of an unrepeatable group". On All About Jazz, John Kelman noted, "Hamburg '72 is a true milestone from the first of its 56 minutes to the last—a classic once lost, but now found again and sounding better than ever".
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He was born in Pavia di Udine of Friuli origins on his father's side and Carnia origins on his mother's side. He artistically grew up in Venice. Starting from the representation of a living room world of liberty taste, also through the irony of caricature, he was sensible to the avant-garde movements of the beginning of the twentieth century, from Futurism to Expressionism, from the movement of Pont-Aven to the Secessions in Vienna and Munich. He artistically formed in the unrepeatable melting pot of styles and newness of the Barbantini's Ca' Pesaro of the 1910s.
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Boogie Down Productions, Criminal Minded ("…boasted lyrics that were always much more conscious than those of their competitors, and the beats broke new ground") 8\. A Tribe Called Quest, Midnight Marauders ("Funky, funny, sweet but hard (where necessary) and utterly charming… There isn't a wasted note") 7\. Ultramagnetic MCs, Critical Beatdown ("The tight funk-based tracks, the thumping drums and the inspiring selection of samples are perfect") 6\. De La Soul, 3 Feet High and Rising ("…took rap somewhere it had never been before and, given the important role De La Soul's naivety played, it was probably an unrepeatable feat") 5\.
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He lucidly analyses his last sensations on earth, evoking scenes of common life, particulars of a quotidianity which are receding from him irremediably and which, for this reason, make precious the memories of even the most trivial events. In the solemnity of his solitude, he seems to have gained unexpected awarenesses of the life that is leaving him and of death. With no sense of regret or repentance, he almost seems to bitterly enjoy his unrepeatable experience marked by the echo of the end, which allows him to dedicate himself with interest to observing the anonymous life of others, in order to grasp its sense.
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Their relationship, often filled with intensity and conflict, lasted until his death in 1936.Alexandra Pontzen: Retuschen am Bild der Geliebten from literaturkritik.de, March 2006 Kraus would likely have married her, but Rilke objected to Kraus' "unrepeatable difference" (a reference to his Jewish heritage).Rainer Maria Rilke – Sidonie Nádherny von Borutin: Briefwechsel 1906–1926, ed. In 1914, Nádherná sought to make an influential marriage to a count that could have helped hinder World War I. She reconciled with Kraus in 1915, who wrote much of his drama The Last Days of Humanity at her residence, Janowitz Castle, but they separated again at the end of the war.
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He also dedicated an unrepeatable "Memory portrait" of Proust, based on interviews with former friends of the novelist who had died four decades earlier. Those involved included Céleste Albaret, Emmanuel Berl, Jean Cocteau, Armand de Gramont, Daniel Halévy, François Mauriac, Paul Morand, Jacques de Lacretelle, Philippe Soupault, Hélène Soutzo and Simone de Caillavet. The audio-visual documentary, shot in black-and-white, was prepared only shortly before the deaths through age of several of the contributors. Viewers could watch and listen to some of the people closest to Proust (who had died in 1922), several of whom imitated his voice as they quoted him. observations.
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In his 1992 preface to the Floris single volume edition (abridged and without the Gaelic original) John MacInnes of the School of Scottish Studies concludes by quoting his University of Edinburgh ethnographer colleague, Ronald Black (Raghnall MacilleDhuibh), as surmising: "Carmina Gadelica is by any standards a treasure house ... a marvellous and unrepeatable achievement. There will never be another Carmina Gadelica." Amongst other points, this explores the extent to which Carmichael might have embellished some of his material. At least the first two volumes, the original published volumes (out of an eventual four) of the Carmina are now available as online searchable scans - links can be found at Carmina Gadelica.
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Henry's drawing machines of the 1960s represented a remarkable innovation in the field of art and technology for a variety of reasons. Firstly, the bombsight analogue computer provided not only the inspiration but also the main tool for producing highly original visual effects. (O'Hanrahan 2005) Secondly, his machines' reliance on a mechanics of chance, as opposed to pre-determined computer programmes, ensured the unrepeatable and unique quality of his infinitely varied machine-generated effects or "mechanical fractals". (O'Hanrahan 2005) Thirdly, the spontaneous, interactive potential of his drawing machines' modus operandi pre-empted by some twenty years this particular aspect of later computer graphic manipulation software.
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Francesco Redi, a member of the Accademia del Cimento, published Esperienze Intorno alla Generazione degl'Insetti (Experiments on the Generation of Insects) in 1668. In this work he attempted to reproduce the experiments Kircher claimed to have undertaken in Scrutinium physico-medicum and found some to be unrepeatable - indeed, Redi questioned whether Kircher had ever even done them himself. Sprinking basil water on powdered scorpion did not generate baby scorpions as Kircher claimed, and he doubted that Kircher had ever successfully generated frogs by mixing ditch dust with water. Nevertheless Kircher's ideas were taken up by Christian Lange (1619-62), a Leipzig professor, who republished his book with his own preface.
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For Catholics, baptism is a unique, unrepeatable act; no one who has been baptized validly can receive the full pardon conferred by the sacrament a second time. (ss. 1272) Given these doctrines, it is a matter of serious concern for the Catholic Church if a believing Christian does not receive a valid baptism. The doctrine of baptism of desire seeks to address some of the implications of these teachings. It holds that those who, as adults, come to faith in Christ and become catechumens but who die before receiving baptism nevertheless are admitted to Justification even though the Church teaches that baptism is necessary for salvation.
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Fishta's poem is distinguished by its vast linguistic wealth, is a receptacle for the richness of the popular speech of the highlands, the live and infinite phraseology and the diversity of clear syntax constructions, which give vitality and strength to the poetic expression. The poetical collections Mrizi i Zanave (The Fairies' Mead) with patriotic verse and Vallja e Parrizit (Paris's Dance) with verses of a religious spirit, represent Fishta as a refined lyrical poet, while his other works Anzat e Parnasit (Parnassus' Anises) and Gomari i Babatasit (Babatas' Donkey) represent him as an unrepeatable satirical poet. In the field of drama, Juda Makabe and Ifigjenia n' Aulli may be mentioned along his tragedies with biblical and mythological themes. Migjeni.
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Kenan Thompson currently plays a range of women on Saturday Night Live. "Rudia" Giuliani and Donald Trump in 2000 Australian male comedian Barry Humphries has appeared as Dame Edna in several shows. British stand-up comedian and actor Eddie Izzard, who describes himself as an 'executive' or 'action' transvestite and regularly cross-dresses both on and off stage, has acted in several films (including most recently Valkyrie), as well as releasing his stand-up work on video and DVD (Live at the Ambassadors (1993), Unrepeatable (1994), Definite Article (1996), Glorious (1997), Dress to Kill (1999), Circle (2002), and Sexie (2003)). The Monty Python troupe have been known to cross dress for comedic purposes in their TV series and films.
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Sen no Rikyū's chashitsu is a Japanese four-character idiom (yojijukugo) that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been translated as "for this time only," and "once in a lifetime." The term reminds people to cherish any gathering that they may take part in, citing the fact that any moment in life cannot be repeated; even when the same group of people get together in the same place again, a particular gathering will never be replicated, and thus each moment is always a once-in- a-lifetime experience. The concept is most commonly associated with Japanese tea ceremonies, especially tea masters Sen no Rikyū and Ii Naosuke.
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The album was released to glowing reviews and universal acclaim. It received a rating of 97 at Metacritic, the fourth highest score ever and the second-highest for a female to date. Blender magazine called the album "Some of the most gripping singing you're going to hear all year .... A brave, unrepeatable record that speaks to her whole life." Stephen Thomas Erlewine of AllMusic said that "The brilliance of Van Lear Rose is not just how the two approaches complement each other, but how the record captures the essence of Loretta Lynn's music even as it has flourishes that are distinctly Jack." Rhapsody ranked the album No. 16 on its "Country’s Best Albums of the Decade" list.
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Castle Grayskullman was created for the Masters of the Universe Classics toyline after winning the 30th Anniversary "Create-A-Character" contest. The action figure's swords are based upon the original Castle Grayskull playset's flag symbols and his shield is based upon the emblem on the Castle's Jawbridge. During the Second Ultimate Battleground, Hordak and King Hiss' grand army pressed in against the allied heroes of Eternia. Reaching out through the Orb of Power that is hidden deep inside Castle Grayskull, He-Man and Teela (who is the new Sorceress of Castle Grayskull) used an unrepeatable spell to call upon the Powers of Grayskull and infuse life into the very walls of the castle itself.
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Poppa Dave Time Magazine. (September 11, 1972) Accessed September 27, 2007. In a retrospective five-star review, Allmusic's Lindsay Planer called the album a "perfect representation of the Dave Brubeck Quartet's pre-Time Out (1959) antics in the preferable concert performance setting", and wrote that the quartet's "support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon." Samuel Chell of All About Jazz viewed it as an "essential recording" of "Brubeck-Desmond's greatest period, before the comparatively sterile, more formulaic studio albums, including Time Out, and found the music "soulful, in the moment, unrepeatable", writing that "the swing is generated internally and, rather than the body responding with visceral approval, the mind rocks and reels.
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The opening sound of water is a recording of a small river in Glen Douglas. "The Folk Police" was written by the band's Peter Morrison during his youth, and was described as being given a "new name and a new lease of life" with its appearance on the album, whilst "Cptain Coull's Parrot" was written in honour of a parrot belonging to the band's manager's brother, a boat skipper, who taught the parrot "unrepeatable statements". The title track features briefly features a recording of birds in its intro that were recorded at Ronnie Rae Junior's house in Nice, France. The track was originally called "So You That That Was Mellow", in reference to the reaction from the band's record label Greentrax Recordings in reaction to the band's preceding album, Mellowosity.
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Jaegwon Kim theorized that events are structured. They are composed of three things: # Object(s) [x], # a property [P] and # time or a temporal interval [t]. Events are defined using the operation [x, P, t]. A unique event is defined by two principles: :a) the existence condition and :b) the identity condition. The existence condition states “[x, P, t] exists if and only if object x exemplifies the n-adic P at time t.” This means a unique event exists if the above is met. The identity condition states “[x, P, t] is [y, Q, t'] if and only if x=y, P=Q and t=t'.” Kim uses these to define events under five conditions: # One, they are unrepeatable, unchangeable particulars that include changes and the states and conditions of that event.
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Sergio Vila-Sanjuán, "Paseo por el Bucarest de Mircea Eliade" ("Passing through Mircea Eliade's Bucharest"), in La Vanguardia, May 30, 2007 ; retrieved January 16, 2008 Eliade kept a particularly fond memory of his childhood and, later in life, wrote about the impact various unusual episodes and encounters had on his mind. In one instance during the World War I Romanian Campaign, when Eliade was about ten years of age, he witnessed the bombing of Bucharest by German zeppelins and the patriotic fervor in the occupied capital at news that Romania was able to stop the Central Powers' advance into Moldavia.Ion Hadârcă, "Mircea Eliade la începuturi" ("Mircea Eliade at His Beginnings") , in Revista Sud-Est, 1/2007; retrieved January 21, 2008 He described this stage in his life as marked by an unrepeatable epiphany.
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Orders, decorations and medals of Republika Srpska are system of awards from 1993 in Republika Srpska and they are public state recognitions of Republika Srpska given to persons or institutions. In this system there are 15 orders and 7 medals and they are representing award for special merits and acts that are unrepeatable and unique or for good serving in duty or service or for participating in an event where is proved some value. Institution that discuss and decide about awarding is Office of orders of Republika Srpska (Serbian: Канцеларија ордена Републике Српске, Kancelarija ordena Republike Srpske). For every award "Statutes of orders and medals of Republika Srpska" (Статути ордена и медаља Републике Српске, Statuti ordena i medalja Republike Srpske) determines the way of awarding, propositions and other terms linked with the award and with award there is also charter.
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The acting companies functioned on a repertory system: unlike modern productions that can run for months or years on end, the troupes of this era rarely acted the same play two days in a row. Thomas Middleton's A Game at Chess ran for nine straight performances in August 1624 before it was closed by the authorities; but this was due to the political content of the play and was a unique, unprecedented, and unrepeatable phenomenon. The 1592 season of Lord Strange's Men at the Rose Theatre was far more representative: between 19 February and 23 June the company played six days a week, minus Good Friday and two other days. They performed 23 different plays, some only once, and their most popular play of the season, The First Part of Hieronimo, based on Kyd's The Spanish Tragedy, 15 times.
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All songs written by Declan MacManus, except where noted; track timings taken from Rhino 2006 reissue. # "Deliver Us" – 0:49 # "For Other Eyes" (MacManus, Paul Cassidy, Marina Thomas) – 2:55 # "Swine" (MacManus, Cassidy) – 2:08 # "Expert Rites" – 2:23 # "Dead Letter" (Cassidy) – 2:18 # "I Almost Had a Weakness" (MacManus, Michael Thomas) – 3:53 # "Why?" (MacManus, Ian Belton) – 1:26 # "Who Do You Think You Are?" (MacManus, Ma. Thomas, Mi. Thomas) – 3:28 # "Taking My Life in Your Hands" (MacManus, Jaqueline Thomas, Ma. Thomas, Cassidy) – 3:20 # "This Offer Is Unrepeatable" (MacManus, Cassidy, Belton, J. Thomas, Mi. Thomas) – 3:12 # "Dear Sweet Filthy World" (MacManus, Belton, Ma. Thomas) – 4:17 # "The Letter Home" (MacManus, Belton, Cassidy) – 3:10 # "Jacksons, Monk and Rowe" (MacManus, J. Thomas, Mi. Thomas) – 3:43 # "This Sad Burlesque" (MacManus, Cassidy) – 2:47 # "Romeo's Seance" (MacManus, Ma. Thomas, Mi. Thomas) – 3:32 # "I Thought I'd Write to Juliet" – 4:07 # "Last Post" (Mi.
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Nobel Prize laureate Richard Feynman advocated a similar position. Felix Planer, a professor of electrical engineering, has written that if psychokinesis were real then it would be easy to demonstrate by getting subjects to depress a scale on a sensitive balance, raise the temperature of a waterbath which could be measured with an accuracy of a hundredth of a degree centigrade, or affect an element in an electrical circuit such as a resistor, which could be monitored to better than a millionth of an ampere. Planer writes that such experiments are extremely sensitive and easy to monitor but are not utilized by parapsychologists as they "do not hold out the remotest hope of demonstrating even a minute trace of PK" because the alleged phenomenon is non-existent. Planer has written that parapsychologists have to fall back on studies that involve only statistics that are unrepeatable, owing their results to poor experimental methods, recording mistakes and faulty statistical mathematics.
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The lion in Bom-Banimals, the 2016 musical Bom-Banimals, in May 2016, was an animal themed fantasia, again taking place throughout the building. An audience of six was invited to move from room to room, encountering a series of musical animals (Eliza Skelton, Foz Foster, Kate Daisy Grant, Raven Kaliana, Jo McDonagh, Sebas Contreras, Kate Vaughan, and Tom Walker). Rachel Blackman described the experience in Fringe Review: 'We barely manage to squeeze into each of the modest spaces with the performers who gradually accumulate and eventually outnumber us. In each room we meet a different animal, all of whom must sacrifice a beloved item in order to find their authentic voice....if there is a message to be had, it is a light one, but touches on the notion that if we love someone, giving a piece of ourselves is a risk, but can pay off one hundredfold....And a plea maybe for the ongoing existence of this kind of intimate, real time, unrepeatable experience, where the value to each of us is so much more rich, raw and indescribable than the price of a ticket.
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After Othello Irina Skobtseva, who remained in the audience's view primarily as a romantic heroine, turned to character acting. She played Cyrus in the film adaptation of Leonid Leonov's play The Ordinary Man (1956) and Klavdia Nikolaevna in Unrepeatable Spring (1957). Filming in Othello, where the partner of Skobtseva was actor and director Sergei Bondarchuk who in 1959 became her husband, laid the foundations for a number of their joint works in the cinema. The actress played both in the films produced by Bondarchuk himself, War and Peace (1965-1967), They Fought for Their Country (1975), Steppe (1977), Boris Godunov (1986), and in films by other directors — Splendid Days (1960), Silence of Doctor Evans (1973), Take Aim (1975), Such High Mountains (1974), Velvet Season (1978), Father Sergius (1978), The Gadfly (1980). Irina Skobtseva also performed roles in the pictures of Bondarchuk Waterloo (1970), Red Bells II (1982) and Quiet Flows the Don (1992) - the last work of Sergei Bondarchuk. In the pictures of Georgiy Daneliya Walking the Streets of Moscow (1963), Thirty Three (1965) and Hopelessly Lost (1973), Irina Skobtseva appeared as a comedic actress.
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