In fact, I very much wanted the people to feel natural, unposed.
|
|
His portraits, for instance, seem almost infuriatingly artless: unposed, whatever lighting, meh composition.
|
|
When I see someone post a photo that is unposed, I admire their lack of caring.
|
|
We want to have a natural, unposed, and dynamic scene represented in imagery that tells a story or process.
|
|
Some are candid and apparently unposed, while others show her acting out various personae and emotional states for the camera.
|
|
Her most sustained early subjects were herself, her mother and her grandmother: unposed photographs of the family, double portraits, interior scenes.
|
|
That casual, unposed, style is obviously very common now, but I guess no one was really doing that at the time.
|
|
The unposed portrait has been made in bright sunshine on a busy street, and we can see other people, blurred, behind him.
|
|
Technically, these pictures are groundbreaking for their clarity; Sander's subjects feel unposed and natural, as if they could step from the frame at any moment.
|
|
Unlike most photographers, Weldon focuses on the unposed, truly candid parts of a wedding, like when the bride just needs a moment to sort herself out.
|
|
Photographs from Johanne Rahaman's Black Florida series, recently profiled in The New Yorker, are intimate documentations of South Florida's black community, capturing people in natural, unposed scenarios.
|
|
Semetko specializes in candid street photography, capturing on-the-fly observations in a series called Unposed, which has been published in two books and is still ongoing.
|
|
One backdrop is a black-backed but brightly floral toile, another a washy slate gray; against them the subjects mostly stand gazing at the camera in unposed, naturalistic postures.
|
|
Known as "Finstagrams" (fake Instagram accounts), these are locked accounts where users post all of the unposed shots, the real shots, that they only want their closest friends to see.
|
|
Unposed pictures of him with both families appear like potential Christmas cards upon first viewing — but as the boys' tales unfold, those same candid moments take on a much darker nature.
|
|
Smith writes that many of us don't know what a "real unposed body" looks like and that she has worried that people would find her less attractive after "a 5 second pose switch".
|
|
"We are so blinded to what a real unposed body looks like and blinded to what beauty is that people would find me less attractive within a 5 second pose switch," she wrote.
|
|
And now, as I stood in the wind looking at the mountains ahead, I felt the stirring of the engine within, and it was as if I were drawing close to the solution of an as-yet-unposed problem.
|
|
So, right up until August of this year, Weta's animators studied Smith's emoting frame by frame, beat for beat, and then tried to manually massage and coax the same out of Junior, while striving to maintain the illusion of unposed spontaneity.
|
|
District 32 consists of part of Broward county. Incumbent Lauren Book was elected unposed both in the primary and general election.
|
|
Mitsuhashi, "Reappraisal", p. 13, quoting an interview with Hayashi published in 1983. The series of portraits that he was commissioned to take remained fresh; that of an unposed (and unsuspecting) Jun'ichirō Tanizaki is particularly famous.
|
|
Street photography is generally seen as unposed and candid, but there are a few street photographers who will interact with strangers on the streets and take their portraits. Street portraits are classified as portraits taken of strangers in the moment while out doing street photography. They are seen as posed though because there is interaction with the subject.
|
|
Craig Semetko (born Craig Joseph William Semetko, July 9, 1961) is an American street photographer and speaker based in Los Angeles. He is known for the strong sense of humor and irony that appears in his candid and spontaneous photos of everyday life. He teaches workshops around the world and his photography has been exhibited in the United States, Europe, and Asia. His series titled Unposed has been published in two books.
|
|
Car culture, plastic surgery, and energetic excess were the subjects of his book, Kustom (printed in 2000 by Greybull Press). In 2018 Nicks unearthed a forgotten box filled with thousands of Polaroids from his 1990's photo sessions. Enigmatic snapshots of woman posed and unposed, primed for the camera or caught unaware—these Polaroids reveal the comfort and ease between Nicks and his subjects. He shared them with his frequent collaborator, book designer and publisher Tom Adler.
|
|
Semetko's first book, Unposed, was published by teNeues in 2010 and contained photographs taken from 2000 to 2010. Elliott Erwitt wrote the foreword for the book, excerpted below: > Good photographs are tough enough to shoot. Really funny ones are even > harder. Good and funny photographs observed in nature not arranged or > manipulated but simply observed in real time with amazing consistency, > constitute a minor miracle now presented in Mr. Semetko's book...In my book > he is the essential photographer.
|
|
Experimenting with elements available at home, he sought to elevate his everyday life through composition. Lisa (1971) the portrait of his infant daughter behind a screen, and Kelly (1971) a portrait of his son under the window, are examples of this effort. In 1974 these photographs were published in The Snapshot, a volume edited by Jonathan Green and published by Aperture that sought to highlight artists working with unposed snapshot photography. At the same time, Albertine continued to invest in his formal education.
|
|
Refurbishment work on the chateau is in progress with the object of creating a permanent museum to display this collection to the general public.To read an article (in French; dated March 2010) published by the regional newspaper, where the current owner outlines his plans for the chateau, see here. The article contains a recent unposed photograph of the main facade of the building. Within the grounds, a deconsecrated church provides a 200-seat concert hall, and in recent years international piano competitions have been held there.
|
|
Baker started working as an industrial photographer for fabric manufacturers Courtaulds before working as freelance, as a photographer for other businesses and as a writer and photographer on various magazines, books and newspapers, including The Guardian. In 1960 she began work as a lecturer at the Salford College of Art. Whilst there, for the next fifteen years, she made candid, unposed, spontaneous photographs of people living in the area in Salford and Manchester during a time of massive slum clearance. She has said she was influenced by the work of Henri Cartier- Bresson, Robert Frank and Garry Winogrand.
|
|
He also said he preferred unposed shots and learned early on that he had to work very quickly to capture the image that he wanted. Another time he said he was not fond of nature or travel photography but loved to do stories on people. Although known for his many celebrity portraits in head-shot style, Ray was also adept at action photography. Soon after the dramatic escalation of the war in Vietnam in the early months of 1965 he photographed the big guns of an American light cruiser as they opened up on Viet Cong targets and brought his cameras into the cockpits during bombing runs by carrier-based warplanes (and once urged a pilot to fly so low that it skimmed the water).
|
|
News about Maderno's life are scarce and often contradictory. He was long supposed to have been a brother of the contemporary architect Carlo Maderno, and therefore to having been born at Capolago, in what is now Ticino: his death certificate, however, gave his place of birth as Palestrina (Donati 1945) and he signed a bas-relief in the Cappella Paolina in Santa Maria Maggiore as a Roman: STEPHANVS MADERNVS ROMANVS F ("Stefano Maderno of Rome made [this]"). He is best known for the seemingly unposed, naturalistic recumbent marble of Santa Cecilia in the Church of Santa Cecilia in Trastevere (1599–1600), which immediately established his reputation. Elected to the Accademia di San Luca in 1607, Maderno became the pre-eminent sculptor of his generation, on the cusp between Mannerism and Baroque, rivalled in his prime only by Camillo Mariani, though he was eclipsed in his later years by the rapidly rising star of Bernini.
|
|
Candid Camera, while about half the size of the 1955 Sydney exhibition, covered a significantly wider range of artists and looked not just at the foundations of Australian social documentary photography but at the era that curator Julie Robinson clearly regards as its golden age – the fifties, sixties and seventies. In line with the statements issued by the six photographers group, Candid Camera featured "images which appear unposed, spontaneous, or with their subjects captured unaware". Though the majority of the photos in the exhibition (more than 80 in total) were taken in Australia, images by Australian photographers working overseas were also included.Christopher Allen, "Unguarded Moments", The Australian, 17 July 2010Patrick Emmett, "Candid Camera", ABC Television interview, originally broadcast on Stateline, 28 May 2010 Subjects included youth subcultures, newly arrived migrants, nuns, a number of prime ministers (not all of whom were in office when photographed), musicians such as Bon Scott of AC/DC, and ordinary people in everyday settings: at work, at the beach and at bus stops.
|
|