You consider replying with a list of all the deeply unerotic ways in which that job, where no one ever made a pass at you, drained and demoralized you—the derisory pay you were expected to be grateful for, the obligation to exploit those paid still less, the fuzzy boundary between professional and social expectations.
|
|
Clive Davies called the film a "[p]retty terrible and unerotic 9 1/2 weeks cash-in"; however, he enjoyed it more than its big-budgeted model.
|
|
Ravi Varma's paintings of Nair women in general were seen as part of a turning point in the discourse on female sexuality within the matrilineal context. It has been described that a notable feature about Ravi Varma's paintings of such women were the passive beauty and unerotic sensuality. Of even greater significance was the image of domesticity that Ravi Varma had presented.
|
|
He also put some blame on him being male. Wesley Yin-Poole, writing for VideoGamer.com, felt that the sex scene with Alistair was short and unerotic, calling it an example of video games still needed to learn how to do sex. Walker again, this time writing for Rock, Paper, Shotgun, commented how when playing his male character his heart was always with Alistair, and felt like he was "using" Zevran when he romanced him.
|
|
The film also played at the Bijou Theatre in Chicago, the Nob Hill Theatre in San Francisco, the Sansom Cinema in Philadelphia, Gay Paree Theatre in Atlanta, Wood Six 1 Theatre in Highland Park, David Theatre in New York, and the Penthouse II Theatre in Pittsburgh. The film was virtually unknown until 1979, when it was cited in the book The Golden Turkey Awards, where it was listed as the "Most Unerotic Concept in Pornography".
|
|
They also generally liked the concept of writing for a repertory company. The opinions of the play itself, however, were more mixed. The reviews were generally favourable of the first half. John Peter, for The Sunday Times, praised the comedy scene where Sorrel tries to get Leo's attention with her unerotic gestures,The Sunday Times review, 3 June 2001, as shown on Ayckbourn site but Michael Billington saw it as "the desperate pathos of a schoolgirl seeking to vamp an older man".
|
|
Multiple reviewers have labeled Bat Pussy "anti- porn" for its "unarousing" depiction of sex and nudity. Brad Jones of The Cinema Snob called it both "anti-porn" and "anti-sexy", while AV Maniacs not only agreed with the "anti-porn" title but also contested its categorization as pornography, as "there is no discernible 'fucking' in it" and it "completely and utterly fails to elicit even the minutest amount of arousal in its viewers".Jones, Brad (2016). Audio commentary for The Cinema Snob: Unerotic Fantasies.
|
|
Voices said that the song "shows how much Timberlake can add to a track when he's in his element." August Brown of Los Angeles Times commented that the album fares better with the collaborations with artists Timbaland has worked with previously, saying that Timberlake has a "goofy good time" on "Carry Out". Will Hines of Consequence of Sound found the lyrical focus on the food metaphor for sex as "unerotic" and commented that Timberlake sounds "a little less invincible" on the track. Henry Yanney of Soul Culture labeled it a safe collaboration, noting it as a revival of Timbaland and Timberlake's "successful chemistry".
|
|
Some of Bat Pussys harshest criticisms were often focused on the unattractiveness of the film's actors, in particular Buddy and Sam, who PornParody.com wrote were "physically unappealing specimens [...] even by the looser standards of 1970s porn" and AV Maniacs bluntly described as "two white trash, out of shape, drunk on Schlitz yokels". Something Weird Video described the two actors' seemingly unscripted dialogue - consisting mostly of insults and vulgar non sequiturs such as "My horoscope says I'm going to fuck you in the nose" \- as "almost surreal", likening it to the "babbling" of "two escaped mental patients". The largest area of criticism was placed on Bat Pussys sex scenes, which have been heavily derided for their uniquely unappealing and unerotic qualities, as well as Buddy's visible impotence.
|
|
In 1972 he moved to Sydney and joined the Filmmakers Co-op, which at the time not only counted experimental film makers such as Albie Thoms, Aggy Read and Mick Glasheen as members, but also filmmakers who would become some of the most popular and commercial directors including Peter Weir, Phillip Noyce and Bruce Beresford. Fabinyi, who had shot independent works in Adelaide, received a grant from the Experimental Film Board to make The Vacuum, one of the first projects in Australia to be shot on portable videotape. A satire on the personalities behind religious cults, featuring a game show starring Johnny O'Keefe and drag act Sylvia and the Synthetics, the video premiered at the Co-op and toured universities with a live performance from the Synthetics and Fabinyi's earlier work, including the controversial TV Dinner, which polarised audiences due its uncompromising and unerotic sexual subject matter. Fabinyi, who was influenced by German artist Otto Muehl, continued to work in video and was a founding member of Bush Video, the group which wired up and broadcast on-site during the 1973 Aquarius Festival in Nimbin, an event that has become the epitome of the hippie movement.
|
|