Many of these arise from a pattern of familial typecasting.
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Bennett was black, but he defied the music industry's racial typecasting.
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Ossoff avoids ideological typecasting in his public appearances and media interviews.
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As someone who works in Hollywood, do you ever experience typecasting?
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Is it typecasting at this point to feature Tennant as a demon?
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Typecasting aspirations of wealth has not helped diversify the three-comma club.
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Without feeling like typecasting, they've put together love stories from around the world.
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But the congressman has strained to avoid such typecasting as a liberal shill.
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But from the beginning, she seemed to appreciate the value of that typecasting.
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"Asian Americans already face many issues in Hollywood, including typecasting and whitewashing," Meng said.
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And a disproportionate number of successful female Democrats may result in typecasting female politicians as Democrats.
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She worked through rejection, labels and typecasting in order to pursue the work she found meaningful.
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This typecasting may close the career door to more conservative-leaning women looking to get politically active.
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Queen Latifah got big applause for talking about typecasting and the struggles she's endured to get roles.
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The typecasting took only partial hold, as Mr. Bologna made a film career in varied comedy roles.
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These days, Ringwald often faces typecasting of a different sort in TV and film: as a mom.
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Diaz does some of her best work as the awkward and inadequate Natalie, playing against her sexy typecasting.
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Tackling typecast Others point out that typecasting in children's novels isn't an issue exclusive to the black community.
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Although his iconic turn as Batman trapped him in typecasting for years, eventually he began to embrace it.
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The all-star cast includes John Cena (as Ferdinand — typecasting much?!), Kate McKinnon, Gina Rodriguez, Anthony Anderson and more.
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"You hear about typecasting in front of the camera, but it also happens on the other side," Mr. Levine said.
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In the Allure interview, she also touched on the typecasting women with curly hair often have to deal with today.
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Among the basic tenets of rape culture is the typecasting of the rapist as an aberrant monster and an outlier.
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Hollywood's apparent preference for black actors in gang-related roles is a signifier that the industry's casting directors engage in typecasting.
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I had little idea then about ableism, the marginalization, typecasting and dismissal of disabled people, how unknowingly it's learned and internalized.
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Kal Penn's old audition scripts highlight Hollywood typecasting "In the beginning, it was kind of more of a dating show," Yang said.
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In March 2018, we sent out our first Craigslist ad: a simple casting call for minority actors who had experienced cultural typecasting.
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But the stagecraft and typecasting of their appointments are definitely what you might call tokenism, writ large and on full, public display.
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Kal Penn is opening up about his experiences with what he deemed offensive typecasting in Hollywood — and he's using Twitter to do it.
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And that's not to say it should—typecasting gay men and expecting they conform to certain stereotypes is itself a form of homophobia.
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Carrigan has spoken publicly about the villain typecasting that has come with his alopecia and expressed his excitement to explore more nuanced characters.
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Unlike so many blockbusters, it's actually diverse, and the way the female con artists are deployed even suggests a critique of Hollywood's ethnic typecasting.
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Bright gave me acute typecasting déjà vu, but Will Smith isn't the only actor who's found a schtick that works and is eminently replicable.
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After playing vampire Edward Cullen in five "Twilight" movies, Pattinson stepped away from big studio films and avoided typecasting by seeking out unique roles.
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Many Latino artists have looked to the domestic space to answer such typecasting, offering a rebuke to a cliché with something specific and intimate.
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"Actors with disabilities face typecasting and a lack of auditioning opportunities, but I don't let [it] define me," he says in this week's issue of PEOPLE.
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DUBAI (Reuters) - "Lion" star Dev Patel talked to Reuters this week about his views on politics, typecasting in the film industry and his next film project.
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A foreign-ministry spokeswoman accused Mr Carter of being stuck in "the cold-war era", and implied his officials were typecasting China as a Hollywood villain.
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Holden wanted nothing to do with the role, having seen what the original film did to Lugosi's career, essentially typecasting him for the remainder of it.
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But then Ms. Gummer — who studied art history at Vassar College, interned for the designer Zac Posen and mostly acts as her own stylist — resists fashion typecasting.
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Even today, when a film like "Moonlight" wins the Oscar for best picture, typecasting is still woefully commonplace, and black actors are still forced into one-dimensional roles.
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The Scandal actress and producer opened up about typecasting in a conversation with Aziz Ansari for a Variety Studio: Actors on Actors segment set to air later this month.
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But having read Flynn's explanation of the effort to locate a better image, I'm also sympathetic with the photo editor and glad concerns about typecasting are front of mind.
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But, at least for now, the rules have changed; Donald Trump doesn't seem even vaguely concerned about being accused of nepotism or typecasting his administration by race, gender, and ethnicity.
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If typecasting through ethnicity holds artists back from making the kind of work they want, narrowing the market — and collections and exhibitions — to a few names is even more restrictive.
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We had some reluctance that it might be typecasting for Dennis, but ultimately we wanted him very badly and we needed Hemdale to come up with a little extra money for him.
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I don't really care about the individual moments, I just need to know the typecasting—who has lost a family member, who is a single parent, who has been left at the altar.
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In South Korea, where Bong said women regard Yeun as a sex symbol, the actor still thinks typecasting based on his personality or his status as a foreigner or expat may be inescapable.
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The great irony that I was born into this hyper-feminine body has always cracked me up, and certainly they did typecasting and all that stuff, but I fit into Vikki's clothes very well.
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But Moore was much more than her most famous roles, which usually highlighted her characters' sunny dispositions and can-do optimism (a typecasting Moore attempted to escape in the second half of her career).
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He was picking up on the typecasting that some of his most impassioned detractors had done — a bit of bigotry on their part, and a tactical error — and converting it into a weapon of his own.
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The ad comes at a time when more people in Hollywood are using their fame to as a platform to speak out about gender issues -- from equal pay to sexual harassment and typecasting, to name a few.
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Moore's attempts in the 1980s to escape her typecasting as a bright, cheery sunbeam were probably spurred by the success she found when director Robert Redford cast her as an emotionally frigid mother in his eventual Best Picture winner.
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From the 2000s onward he seemed to enjoy playing up to the typecasting that arguably limited his career, cropping up in a heroic total of 37 movies this century, mostly in comic works like the Dukes of Hazzard remake.
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It's a quote filled with the hilarious betrayal of someone who doesn't feel like they were given adequate warning about which racial stereotype they should attempt to overlay onto Deng — the Dragon Lady, the Tiger Mom (Deng, indifferent to typecasting, has of course befriended Amy Chua).
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To get some insight into how the show came together, I recently spoke to Slate about her interest in stretching her boundaries through projects like Earth Break, her resistance to typecasting, and getting over the embarrassment of acting out fights against unseen aliens during the recording process.
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With two period pieces coming out this year, Pride and Prejudice and Zombies and War & Peace, a starring role playing Cinderella and a breakout turn as cousin Rose on Downton Abbey, it appears as though Lily James might be experiencing a bit of turn-of-the-century typecasting.
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We spoke to the prolific composer—who admits he still gets stage fright—over the phone a few days after the first Coachella weekend to find out the secrets to his creative process, what it's like to hear 30,000 people singing along to "Circle of Life," how he's avoided Hollywood typecasting, and more.
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Choosing to celebrate women artists separately is all well and good, but the fact that traditional academic painters and Impressionists, artists with completely different styles, are all jumbled together under thematic categories — portraits, everyday life, la toilette (ugh!), childhood, landscape, history, and jeunes filles — reeks of exactly the same "feminine" typecasting and dismissal that Cassatt, Morisot, and Bracquemond fought against through their refusal to participate in any group shows or associations specific to female artists.
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A typecast (blogging) (a.k.a. typecasting or typecasting blog) is a form of blogging by media type and publishing in the format of a blog, but differentiated by the predominant use of and focus on text created with a typewriter and then scanned rather than text entered directly into a computer. Typecasting (the action of posting scanned typewritten images to a typecasting blog) is still a relatively rare form of a media type blog similar to vblog and photoblogs.
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When asked about typecasting and breaking the stereotype, Anumol says typecasting is not actor's fault. "I don't have a dream character. Life hasn't happened the way I imagined. I am afraid to dream" Anu says.
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He was active in the 1990s, typecasted in supporting comedy roles. In 2017, he appeared in Thondimuthalum Driksakshiyum in a serious role, which helped to break his typecasting.
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Typecasting also occurs in other performing arts. An opera singer who has a great deal of success in one role, such as Denyce Graves as Carmen, may become typecast in that role.
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Orchard, Pride and Prodigies 27 The further away from Anglo-Saxon England, the stranger these creatures become, reflecting Anglo-Saxon construction of the East through cultural and racial typecasting according to Edward Said.
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However, Bergman, tired of playing saintly characters and fearing typecasting, pleaded with Victor Fleming that she and Turner switch roles. After a screen test, Fleming allowed Bergman to play a grittier role for the first time.
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Theo Rehak, the current owner of much ATF typecasting equipment, and author of the definitive treatise Practical Typecasting, explains that the Bentons demanded that any deviation in machining or casting be within two ten-thousandths of an inch. Most modern machine shops are equipped to measure down to one thousandth of an inch. As an advertising device, in 1922 ATF manufactured a piece of type eight points tall (0.11 inch) containing the entire Lord's Prayer in 13 lines of text, using a cutting tool roughly equivalent to a 2000-dpi printer.
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There are several reasons to create typecasting blogs. For writers who prefer the use of typewriters to write text manually it remains the best way to post electronic copies of their original text. These texts or portions of texts may include unedited text, handwritten edits, notes or signs of proofreading that allow the reader to see the raw text complete with typos, errors and corrections. Typecasting may appeal to fans of or collectors of typewriters and some typecasters employ the use of several different machines or styles of machines to create their posts.
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In 2000 the hot-metal typecasting and letterpress printing operation was designated by the National Trust for Historic Preservation as part of "the nation's irreplaceable historical and cultural legacy" under its Save America's Treasures program."Mission & Goals", Grabhorn Institute.
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The foundry was started 1855 by John Huffam King. It was sold 1857 and renamed Patent Type-Founding Company. The foundry purchased a Johnson automatic typecasting machine in 1873. Known as P.M. Shanks & Co. from 1881 and finally as P.M. Shanks and Sons, Ltd.
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Igor Drljaca (born 1983) is a Bosnian Canadian film writer, producer and director."TIFF spotlight: Igor Drljaca and 'The Waiting Room'". Canadian Press, September 17, 2015. A graduate of York University,"Immigration, accents and typecasting: The Waiting Room actor Jasmin Geljo & director Igor Drljaca".
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In studying Collette's typecasting as mothers, Kingston wrote, "[Collette] selectively chooses roles of women and mothers which she can portray in ways that are multidimensional and different from another." She also wrote that Collette makes conscious efforts to break from the typecasting, with leading roles in films like Miss You Already and Lucky Them. At the end of her analysis, Kingston concluded, "Collette truly is a chameleon in both the versatility of her acting style and in the kind of roles she is willing to approach with a physicality-based method." Collette is particularly known for her expressive and highly malleable face, distinctive versatility, physical transformations and accents.
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Some actors embrace typecasting. Fans often expect a particular actor to play a "type", and roles which deviate from what is expected can be commercial failures. This beneficial typecasting is particularly common in action movies (e.g., Jackie Chan, Jet Li, Steven Seagal, Vin Diesel, Jean-Claude Van Damme, Sylvester Stallone, Arnold Schwarzenegger) and comedies (Charlie Chaplin, Adam Sandler, Chris Rock, Julia Roberts) but much less common in drama, although many B-list and C-list character actors make careers out of playing a particular dramatic type, and it is often suggested to would-be actors that they audition for roles that fit their "type".
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July 3, 2010. Accessed July 3, 2010. by WebCite July 3, 2010. In direct contrast to her cute-and-vulnerable moé typecasting, Yūko in real life is a devotee of biker culture who dresses and acts as such when not working, right down to her motorcycle.
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Zhang has said he had spent three years developing the series. Sun Weimin is known for typecasting Zhou Enlai, he cast in lead role Zhou Enlai. Most of the television series was shot on location in Rongguo House Film and Television Base, Zhengding County, north China's Hebei province.
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No kids. No kids yet!" In March 2015, Slate noted Taylor in an article discussing "Several actors who are openly gay or who have been cast in multiple straight or bisexual roles and the typecasting of gay roles". Taylor, himself, added: "I feel like the landscape has totally changed.
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Jon Hamm stated that after the success of Mad Men, he received "about 40 scripts that were all set in the 60s, or had me playing advertising guys" like his character Don Draper. Adam West as Batman in the 1966 series of the same name is another prominent example. Clayton Moore and George Reeves, who played the Lone Ranger and Superman, respectively, in the Golden Age of Television, were also victims of typecasting. Reeves' typecasting was so pervasive that an urban legend grew around his role in From Here to Eternity, which claimed that his major role was practically removed from the film after test audiences shouted "There's Superman!" whenever he appeared.
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Afterwards he would be cast almost exclusively as a Lala or a similar merchant. His role in Do Chor (1972),Zanjeer (1973) is an example of this typecasting. Little information is available about his life. The 1982 release Khud-Daar credits Randhir as "late", implying he died before its release.
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In addition to holding its collections, the archive is a working factory that manufactures matrices (moulds for typecasting) for letterpress printing. The Museum has become a valuable educational resource for many colleges, and helps to meet the demand for an educational and experimental type workshop. According to the Museum's website:The Type Archive.
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In spite of garnering critical acclaim for her performances, she did not get roles of substance in films and was a victim of typecasting. "Such a tender, sensitive actress with the potential of Nargis! She finally ran away to Shimla," noted singer and actress Ila Arun said about Kanwar. Kanwar lives in Gurgaon, near Delhi.
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The film helped to revitalise Joan Collins' career and she credits The Stud and its sequel The Bitch (1979) with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of Dynasty in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.
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Like the Java programming language, the typical Data/BASIC compiler compiles to P-code, or bytecode, and runs in a P-machine, with jBASE being a notable exception. It has as many different implementations (compilers) as there are MultiValue databases. Like PHP programming language, the Data/BASIC language does all the typecasting for the programmer.
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"Obituary: Ivan Goff", The Independent, published September 27, 1999. Retrieved July 31, 2017. For years, Cagney resisted gangster roles in an effort to avoid typecasting, but decided to return to the genre after feeling his box office power waning. Following Cagney's attachment, Warner increased the production budget to $1 million and hired Raoul Walsh to direct.
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Nobody else is as funny or brings such charm to things. She can do anything." Following the success of Election, Witherspoon struggled to find work due to typecasting. "I think because the character I played was so extreme and sort of shrewish—people thought that was who I was, rather than me going in and creating a part.
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Reed wrote a script set in New Zealand between the 1960s and the 1980s. She has said she feels more versatile than her typecasting in roles of "sexy bad girls." She has sometimes been told by producers that she is too "sexy" for a particular part. In November 2009, Reed directed a music video for her friend Sage while in London.
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He announced to the world: "I am not a Starfleet commander, ...or T.J. Hooker." The rant continues, making fun of Trekkies and his own typecasting as James T. Kirk. Weasel, the lead character of I Am Weasel, parodied the advertisement in a promotional ad for the series' home, Cartoon Network. The ad later aired on a similar Canadian outlet, Teletoon.
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In 1991, Little decided to quit the serial when his contract came up for renewal. Network Ten told TV Week that "Mark has been with the show since June 1988 and I think he feels it's time to move on. As with any ongoing drama, it's the nature of the production." Little suffered with typecasting after his departure from the show.
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She had a featured role in Paramount's People Are Funny. In May, 1949, Molieri was married to Adolph Hartman, Jr., a descendant of one of the founders of Anaheim, California. Because of typecasting, Molieri was often limited to roles where she played stereotypical parts as an exotic, foreign woman. She was often assigned bit parts, like in Valentino, with Anthony Dexter.
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John is the first among the group to be diagnosed with the new disease, contracting pneumonia. Howard is given script pages in which his character is slated to become the first openly gay character on daytime television. He is very concerned about typecasting, fearing that by playing gay he will not be offered other sorts of parts. Willy and Fuzzy move in together.
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Seemingly a victim of typecasting on TV, Lee was finally given her first leading role in the romantic comedy Why Did You Come to Our House? (also known as Wanted: Son-in-Law). More lighthearted fare followed with My Life's Golden Age (about a family of siblings), and My Love By My Side in which she played a cheerful single mother.
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Valentino in an advertisement for the film. The Married Virgin (also known as Frivolous Wives) is a 1918 American silent drama film starring Vera Sisson, Kathleen Kirkham and Rudolph Valentino (credited as Rodolfo di Valentina). During the early part of his career, Valentino was often cast as a villain or "heavy," his part in The Married Virgin reflects this typecasting.
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She was later wounded by shrapnel during the Allied liberation of the island. She came to the United States in 1948 and attended Rosemary Hall, a private school in Connecticut. She then went to New York to study dancing where she got a scholarship at the Katherine Dunham School of Dance. To avoid typecasting because of her name, she became known as Neile Adams.
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She was 5th-billed after Kirk Douglas. Despite Miller's fears of being typecast as a femme fatale, film historians tend to typecast her "as always playing the 'good girl.'"Ronald Schwartz (McFarland & Company, November 6, 2013), Houses of Noir: Dark Visions from Thirteen Film Studios, p. 137 Typecasting reflected real life as Miller's name seldom appeared in gossip columns and when it did, never involved scandal.
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He had the distinction of being the first actor to portray outlaw Butch Cassidy, in the film The Three Outlaws opposite Alan Hale Jr. as the Sundance Kid. Though not the big-budget romp that the later Paul Newman–Robert Redford film was, both Brand's Cassidy and Hale's Kid were played as likable outlaws, a rare change from Brand's typecasting as a murderous psycho.
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One of Wicksy's most prominent storylines was his adultery with Cindy Beale, and a subsequent feud with Cindy's husband, Ian Beale (Adam Woodyatt). Nick Berry quit the role in 1990, fearful of typecasting, and after five years on-screen, Wicksy departed on 27 December that year. On 13 January 2012, Simon made a one-off cameo for the funeral of his mother, Pat Evans (Pam St Clement).
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Without auditioning, Mark Ferguson was offered the role in what he saw as typecasting due to his widows peak. Ferguson appeared in a sporadic role for several years before running into a "contractual dispute" with producers. As a result of the dispute, Ferguson requested Darryl be killed off the soap. Darryl was killed off on the episode airing 21 March 1995, with his body making his final appearance several days later.
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Hollywood Walk of Fame After Star Trek, Kelley found himself a victim of the very typecasting he had so feared. In 1972, he was cast in the horror film Night of the Lepus. Kelley thereafter did a few television appearances and a few movies, but essentially went into de facto retirement other than playing McCoy. By 1978, he was earning up to $50,000 ($ today) annually from appearances at Star Trek conventions.
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In 1980, Mills landed her most prominent role — that of scheming, manipulative vixen Abby Cunningham on the long-running primetime soap opera Knots Landing. Mills portrayed Abby from 1980–1989. Prior to being cast in Knots Landing, Mills was primarily known for playing the "damsel in distress" archetype in both film and television media. The actress became somewhat famous for playing these roles, often leading to unwanted typecasting.
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The small core of actors were selected against typecasting, with Dolan and Cotillard challenged by the awkwardness in dialogue inherent in Lagarce's work. The film screened at the 2016 Cannes Film Festival, where it received divided reactions from critics. Dolan became the second Canadian director to receive the Cannes Grand Prix. It also won six Canadian Screen Awards, including Best Motion Picture, and three César Awards, including Best Director.
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Adams wanted to cast Paul Hogan as Cooley but the actor declined. Ray Barrett had played that role in London but was considered too old to do it on film, and was given the part of Mal instead. He was changed from being an ex-student to a lecturer to allow for his age. Graeme Blundell took the role of an accountant in order to escape typecasting as Alvin Purple.
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The Ludlow Typograph Company was the manufacturer of the device. It was founded in 1906 by the machine's inventor, William I. Ludlow, and machinist William A. Reade to manufacture a simpler, cheaper version of the Linotype. This, however, proved impractical, and so an even simpler typecasting system, the typograph described above, was devised. Manufacturing began in Chicago in 1912 and by 1919 Typographs were in service in over 350 printing offices.
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It's very important that > the physical appearance of the character gets decided because if I look the > character, it makes it all the more believable. Once that is achieved, I go > into the finer nuances of what the girl is like, her background. And then > from there [...] I have to get the accent right. Mukerji actively avoids typecasting, and has been credited in the media for her versatility.
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On his apparent typecasting as a director of these types of film, Francis said "Horror films have liked me more than I have liked horror films". Also in the mid 1960s, Francis began an association with Amicus Productions, another studio like Hammer which specialised in horror pictures. Most of the films Francis made for Amicus were anthologies such as Dr. Terror's House of Horrors (1965), Torture Garden (1968) and Tales from the Crypt (1972).
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Her Emmanuelle typecasting image followed her to the United States, where she played Nicole Mallow, a maid who seduces a teenaged boy in the sex comedy Private Lessons (1981). Another mainstream American film appearance was a brief comic turn in the Get Smart revival film The Nude Bomb in 1980. Although Private Lessons was one of the highest-grossing independent films of 1981 (ranking number 28 in US domestic gross),1981 Yearly Box Office Results.
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This typecasting bothered him, for even when he was cast in comedies he found he invariably played the "heavy". In 1958 he played the sergeant in the first Carry On comedy film, Carry On Sergeant. He appeared as Will Buckley, another military character, in the film The Mouse That Roared (1959), which starred Peter Sellers, and he played a town councillor in the Boulting brothers' film Heavens Above! (1963), again with Sellers.
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After it became a big hit, she could not escape typecasting, severely limiting her range throughout her career. Smitha went on to star in Tamil, Malayalam, Telugu, Kannada and a few Hindi films. Her dance numbers and bold performances in films like Moondru Mugam made her the ultimate symbol of sensuality in South Indian cinema. Her item numbers in films like Amaran, Halli Meshtru (in Kannada) were also celebrated at the box office.
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Sales of type were less than 30% of 1926 levels while purchases of Kelly presses had plummeted to a mere 6.8% of what they had been. In October 1933 Jones filed a voluntary petition for bankruptcy. ATF was placed under the control of its creditors (chiefly consisting of several banks) and drastic measures were taken. Operations were consolidated, the Jersey City plant was closed and the typecasting operations moved to the Kelly plant in Elizabeth.
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Monroe's three other films in 1952 continued with her typecasting in comic roles that focused on her sex appeal. In We're Not Married!, her role as a beauty pageant contestant was created solely to "present Marilyn in two bathing suits", according to its writer Nunnally Johnson. In Howard Hawks' Monkey Business, in which she acted opposite Cary Grant, she played a secretary who is a "dumb, childish blonde, innocently unaware of the havoc her sexiness causes around her".
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In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker's novel. He later appeared in the 1931 film Dracula directed by Tod Browning and produced by Universal Pictures. Through the 1930s, he occupied an important niche in horror films, with their East European setting, but his Hungarian accent limited his potential casting, and he unsuccessfully tried to avoid typecasting. Meanwhile, he was often paired with Boris Karloff, who was able to demand top billing.
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When Steptoe Met Son was a 2002 Channel 4 documentary about the personal lives of Wilfrid Brambell and Harry H. Corbett. It aired on 20 August 2002. The programme reveals how Brambell and Corbett were highly dissimilar to their on-screen characters. Corbett felt he had a promising career as a serious actor, but was trapped by his role as Harold and forced to keep returning to the series after typecasting limited his choice of work.
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The journalist Sanjiv Bhattacharya has identified a theme of characters who "subvert gender expectations in some way". David Ehrlich of IndieWire credits her for being the sole American actress to consistently play roles that "champion feminist ideals". She believes in extensive preparations for a role: "[I] fill myself up with as much history of the character as I can." The film critics Roger Ebert and Richard Roeper have praised Chastain's versatility, and W magazine credits her for avoiding typecasting.
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The term child actor or child actress is generally applied to a child acting on stage or in motion pictures or television, but also to an adult who began their acting career as a child. To avoid confusion, the latter is also called a former child actor. Closely associated is teenage actor or teen actor, an actor who reached popularity as a teenager. Many child actors find themselves struggling to adapt as they become adults, mainly due to typecasting.
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Janssen in October 2008 In 1995, Janssen appeared in Pierce Brosnan's first James Bond film, GoldenEye, as femme fatale Xenia Onatopp. She appeared in Lord of Illusions with Scott Bakula. In an attempt to fight against typecasting after her Bond girl performance, Janssen began seeking out more intriguing support roles, appearing in John Irvin's City of Industry, Woody Allen's Celebrity, Robert Altman's The Gingerbread Man, and Ted Demme's Monument Ave. Denis Leary, her co-star in Monument Ave.
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He wants to break with tradition and propose to the aesthetics that characterized the academic art alternatives. His work is eclectic, can not be enrolled in any 'ism'. Trujillo is affirmed by the uniqueness of his work and without typecasting himself, does not remove what is seen, lived and felt in his time."Dibujos Sergio Trujillo Magnenat in the MAMBO In the words of art critic Germán Rubiano, "within his generation, Sergio Trujillo Magnenat is an island figure.
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A special effect made her fruit-bedecked hat appear larger than possible. By then she was typecast as an exotic songstress, and under her studio contract she was obligated to make public appearances in her ever-more- outlandish film costumes. One of her records, "I Make My Money With Bananas" seemed to pay ironic tribute to her typecasting. The Gang's All Here was one of 1943's 10 highest-grossing films and Fox's most expensive production of the year.
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In 2012, Patton appeared in the short films Awake and Pharmboy, the latter of which was directed by his longtime friend Lawrence Feeney. Mark Finguerra, the director of Awake, was able to look past the potential typecasting of Patton's role in Blue's Clues to cast him in a darker role. Patton had impressed him in an audition for an earlier feature film. Finguerra called Patton a "complete professional [and a] tremendous actor", and enjoyable on set.
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The proceeds from the preface that she wrote in 1942 to a cookbook entitled New Chinese Recipes, one of the first Chinese cookbooks, were also dedicated to United China Relief.Hodges 2004, p. 203. Between 1939 and 1942, she made few films, instead engaging in events and appearances in support of the Chinese struggle against Japan. Being sick of the negative typecasting that had enveloped her throughout her American career, Wong visited Australia for more than three months in 1939.
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John Henry Diehl (born May 1, 1950) is an American character actor. Noted for his work in avant-garde theater, Diehl has performed in more than 140 films and television shows, including Land of Plenty, Stripes, Nixon, Jurassic Park III and the TV series Miami Vice, The Shield and Point Pleasant. Diehl has "largely avoided the typecasting that is an accepted part of most character actors' careers." He has been a member of The Actors Studio since 2004.
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He also represented writers including Julius J. Epstein, Ernest Lehman, Abraham Polonsky, and Budd Schulberg. Gersh helped his clients Mostel and Polonsky when they were blacklisted during the anti-Communist witch-hunts of the 1950s. Gersh was known for his brash and assertive approach on behalf of his clients, as well as his strong New York accent and signature gravelly voice. He was credited with masterminding Humphrey Bogart's move, during the 1950s, away from typecasting in gangster films to more diverse roles.
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Bacon's critical and box office success led to a period of typecasting in roles similar to the two he portrayed in Diner and Footloose, and he had difficulty shaking this on-screen image. For the next several years he chose films that cast him against either type and experienced, by his own estimation, a career slump. In 1988, he starred in John Hughes' comedy She's Having a Baby, and the following year he was in another comedy called The Big Picture.
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A catchphrase (alternatively spelled catch phrase) is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through word of mouth and a variety of mass media (such as films, internet, literature and publishing, television and radio). Some become the de facto or literal "trademark" or "signature" of the person or character with whom they originated, and can be instrumental in the typecasting of a particular actor.
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Due to her popularity, she was named one of the new Four Dan Actresses and chosen as the Golden Eagle Goddess in 2010. In 2012, Wang starred in the period war drama Detachment of Women, which broke her previous typecasting as a "pure and innocent maiden". The same year, she starred in Chen Kaige's social film Caught in the Web wherein she played an ambitious journalist. Her performance won her the Best Supporting Actress award at the 29th Golden Rooster Awards.
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Jones, Kenneth. "Stanley McDonald Jr., Father of Tony-Winner Audra McDonald, Dies in Air Crash", Playbill, April 30, 2007, retrieved February 5, 2017 McDonald is known for defying racial typecasting in her various Tony Award-winning and -nominated roles. Her performances as Carrie Pipperidge in Nicholas Hytner's 1994 revival of Carousel and Lizzie Curry in Lonny Price's 2007 revival of 110 in the Shade made her the first black woman to portray those (traditionally white) roles in a major Broadway production.
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He threatened to punch a photographer who was trying to take a photo of him getting a marriage license. He did some summer stock in 1962 with his wife. Although Byrnes was a popular celebrity, the years of unfortunate "Kookie" typecasting led him to ultimately buy out his television contract with Warner Brothers to clear his way for films—though it was accomplished too late to allow Byrnes to capitalize on feature-length cinema projects based upon his established television-series fame.
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Carl Dean Switzer (August 7, 1927 - January 21, 1959) was an American singer, child actor, dog breeder and guide. He was best known for his role as Alfalfa in the short subjects series Our Gang. Switzer began his career as a child actor in the mid-1930s appearing in the Our Gang short subjects series as "Alfalfa", one of the series' most popular and best-remembered characters. After leaving the series in 1940, Switzer struggled to find substantial roles owing to typecasting.
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She was offered the standard seven-year contract at Columbia Pictures, which she refused, afraid of Hollywood's typecasting policies for Hispanics. Instead she freelanced at Warner Bros. in Serenade (1956), directed by Anthony Mann, and at RKO in Samuel Fuller's Run of the Arrow (1957). In 1957 she returned to Spain and starred in El último cuplé (The Last Torch Song), which was filmed with a very low budget, became a worldwide megahit, and made Montiel a film and singing superstar.
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By the 1880s, the rotary press had evolved into a high speed machine and with the use of stereotyping allowed the production of large numbers daily papers. In 1876, daily newspaper circulation in Canada's nine major urban centres stood at 113,000 copies. By 1883, it had more than doubled. The introduction of typecasting machines such as the Linotype typesetting machine in the 1890s led to an expansion in size of the individual paper from 8 to 12 pages to 32 or 48 pages.
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Winslet at the alt=A casual Kate Winslet looks away from the camera. To avoid typecasting in historical dramas, Winslet sought out films set in contemporary times. She found it in the science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which she played the neurotic and impetuous Clementine, a woman who decides to erase memories of her ex-boyfriend (played by Jim Carrey). Unlike her previous assignments, the role allowed her to display the quirky side to her personality.
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The syntax for calling `clone` in Java is (assuming `obj` is a variable of a class type that has a public `clone()` method): Object copy = obj.clone(); or commonly MyClass copy = (MyClass) obj.clone(); which provides the typecasting needed to assign the general `Object` reference returned from `clone` to a reference to a `MyClass` object. One disadvantage with the design of the `clone()` method is that the return type of `clone()` is `Object`, and needs to be explicitly cast back into the appropriate type.
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The use of templates allowed for compile time typesafe verification of connections. The addition of this strict compile time checking required the addition of template typecasting adapters which convert the functor callback profile to match the required signal pattern. libsigc++ was a natural expansion of the C++ standard library functors to the tracking of objects necessary to implement the observer pattern. It inspired multiple C++ template based signal and slot implementations including the signal implementation used in the boost C++ libraries.
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Finishing the Game received mostly negative reviews from critics. On review aggregator website Rotten Tomatoes, the film has an approval rating of 34% based on 35 reviews, with an average rating of 4.8/10. The site's consensus reads, "Though Justin Lin's premise is precocious enough, the sight gags and comic timing are tired in this mockumentary about Asian typecasting in the 1970s." On Metacritic, the film has a score of 46 out of 100, based on 10 critics, indicating "mixed or average reviews".
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Being identified with Swiebertje hampered Doderer when playing serious roles after 1975, to the point where on one occasion the audience started singing the tune of Swiebertje when Doderer got on stage. In the Netherlands, this effect of typecasting became known as the Swiebertje-effect. Doderer even moved to England and for four years he performed in high-quality television dramas. In 1979, he played a South African agent in The Human Factor, by Otto Preminger, together with Richard Attenborough, Derek Jacobi and John Gielgud.
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In 1981, Alexandra starred with Bruce Boxleitner and Brian Dennehy as Mai, a Vietnamese medic in the Warner Bros. made-for-television feature film Fly Away Home. The film critically examined the entanglement of politics and human suffering on the ground during the Vietnam War. As an Asian actress breaking through racial stereotypes, Alexandra was invited to speak out on the realities of Hollywood typecasting at venues such as the Philippine Film Festival, where she appeared with Robert Duvall in the Symposium on Film Acting.
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O'Neill came to despise the role of Monte Cristo, which he performed more than 6000 times, feeling that his typecasting had prevented him from pursuing more artistically rewarding roles. This discontent later became a plot point in Eugene O'Neill's semi-autobiographical play Long Day's Journey Into Night. The Count of Monte Cristo is a musical based on the novel, with influences from the 2002 film adaptation of the book. The music is written by Frank Wildhorn and the lyrics and book are by Jack Murphy.
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Some saw her as a quintessentially mystic poet. Vyacheslav Ivanov, speaking of Lokhvitskaya's enigma, marveled at her "almost antiquely harmonious nature." "She accepted Christianity with all the joy of unbroken soul of pagan outsider, responding to Christian demands with her wholesome, natural kindness," according to Ivanov. Typecasting her as an 'original' (as opposed to 'proto-modern') 'bacchanal character', he wrote: The modern scholar Tatyana Alexandrova (author of Mirra Lokhvitskaya: Doomed to Melt in Flight, 2008) too saw the poet more as mystic seer than 'sultry songstress.
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Despite finding Joanna unsympathetic, The Japan Times praised Knightley's ability to convey pain on screen. Filmmaker singled out Canet and Mendes for creating "original beats in their roles as possible paramours"; The Hollywood Reporter preferred their characters over Joanna and Michael. Mendes was praised as "particularly appealing" by Variety, and for "resisting the urge to overdo (and overvamp) her role the way a lesser actress would" by DVD Talk. Some critics attributed Mendes' character and performance as her way of avoiding typecasting related to her appearance.
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Lizabeth Scott in Stolen Face Scott acted in four films in 1950. In a continuing effort to escape her femme fatale typecasting, Scott played another self-sacrificing June Allyson-like character before reverting to her usual torch singer/socialite roles. In The Company She Keeps (1951), she played Joan Willburn, a probation officer who sacrifices her fiancé to a scheming convict, Diane Stuart (Jane Greer). While Greer's beautyPaul Donnelley (Omnibus Press, 3rd edition, November 1, 2005), "Jane Greer," Fade to Black: A Book of Movie Obituaries, p.
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Row of Linotype operators at the Chicago Defender newspaper, 1941 In printing and typography, hot metal typesetting (also called mechanical typesetting, hot lead typesetting, hot metal, and hot type) is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape.
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His first role came in the 1983 film Risky Business. However, he is best known for his role of Booger in Revenge of the Nerds and its sequel Revenge of the Nerds II: Nerds in Paradise. He later reprised his role as Booger in the 1992 television movie Revenge of the Nerds III: The Next Generation and the 1994 television movie Revenge of the Nerds IV: Nerds in Love. Armstrong's typecasting in the role was mocked in The Simpsons episode "E-I-E-I-(Annoyed Grunt)".
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When Laramie ended in 1963 after a 4-season run and 124 episodes, Fuller moved on to the cast of Wagon Train where he created part of a character modeled after himself, while Smith found himself a victim of typecasting as Slim Sherman. Smith also guest- starred in a few roles, most notably Emergency! with Fuller & London, and Police Woman with Angie Dickinson, but in time withdrew from acting. Second- only to Fuller, Smith was also a social butterfly, known for traveling and raising horses.
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Helfand was a Manhattan architect and urban planner who has been recognized worldwide for her innovative approach to design of institutional buildings, interiors, and college campuses. Her designs emphasize clean elemental forms, the use of natural materials and the integration of her buildings with the surrounding landscape. After working in the 1970s for Skidmore, Owings & Merrill and Marcel Breuer Associates, she opened her own firm, Helfand Architecture, in 1981. Breaking through gender typecasting which often relegates female architects to designing houses and interiors, she executed many large-scale institutional and commercial works.
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Sohn, Pow-Key, "Early Korean Printing", Journal of the American Oriental Society, Vol. 79, No. 2 (April–June 1959), pp. 96–103 (103). A potential solution to the linguistic and cultural bottleneck that held back movable type in Korea for two hundred years appeared in the early 15th century—a generation before Gutenberg would begin working on his own movable type invention in Europe—when King Sejong devised a simplified alphabet of 24 characters called Hangul for use by the common people, which could have made the typecasting and compositing process more feasible.
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Scholar Peter Geller has more recently criticized the film as depicting the Eskimo as childlike, simple, and mythic "noble savages" rather than as human beings. However, others thought it portrayed them as realistic human beings with feelings. Film historian Thomas P. Doherty concludes that the picture favors scenery and typecasting over real characters. Eskimo was not the first dramatic film to use an all-native cast for the native roles; that was the 1914 silent film In the Land of the Head Hunters and some would argue Hiawatha (1913 film).
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Sun Weimin (; born 14 July 1955) is a Chinese actor best known for typecasting Zhou Enlai in film and television. He first garnered recognition for his acting in 2013, when his performance in The Story of Zhou Enlai and earned him a Best Actor nomination at the 29th Golden Rooster Awards. In 2018, he starred in the television series My Uncle Zhou Enlai, which propelled him to become one of the most famous actors in China, and he was nominated for Outstanding Actor Award at the 31st Flying Apsaras Awards.
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Petersen gained a PhD from Columbia University in 1954. He taught in the Sociology Department at the University of California at Berkeley from 1953 to 1956 and 1959 to 1966. During his time here, he became influential in the perpetuation of the model minority myth, typecasting East Asian Americans (specifically Japanese Americans) as "successful." He attributed this "success" to Japanese Americans' obedience and their ability to overcome the "self-defeating apathy or self-hatred" that other racial minorities, specifically Black Americans, that cause them to "react negatively" to new opportunities and equal opportunities.
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The chestburster erupts through Purvis' rib cage and Wren's skull, killing them both. According to Roz Kaveney in From Alien to The Matrix: Reading Science Fiction Film, Wren is the only character to dominate Number 8. Although Johner unsuccessfully attempts to dominate her sexually, Wren dominates her with physical force and a dehumanizing attitude. In a 2013 Total Film interview, writer Joss Whedon expressed discontent with the casting of J. E. Freeman; the character was intended to have a mysterious element in his unscrupulous activities, which was overshadowed by typecasting.
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Intertype Machine Intertype Machine on display at the Historical Museum of Crete The Intertype Corporation produced the Intertype, a typecasting machine closely resembling the Linotype, and using the same matrices as the Linotype. It was founded in New York in 1911 by Hermann Ridder, of Ridder Publications, as the International Typesetting Machine Company, but purchased by a syndicate for $1,650,000 in 1916 and reorganized as the Intertype Corporation. Originally, most of their machines were rebuilt Linotypes. By 1917, however, Intertype was producing three models of its own machine.
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In a 2005 interview, Coyle stated this was to avoid typecasting: He also starred in the short-lived 2002-2003 BBC show Strange, and had roles in the films Human Traffic, Franklyn, and A Good Year. He appeared in the new special episode of Cracker: Nine Eleven in October 2006 (TV) and starred in The Whistleblowers on ITV. He also starred in the 2001 version of Othello as Michael Cassio. In 2004, Coyle played the role of Alcock, body servant to John Wilmot, 2nd Earl of Rochester, in The Libertine alongside Johnny Depp.
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Steve Dodd (1 June 1928 - 10 November 2014) was an Indigenous Australian actor, notable for playing indigenous characters across seven decades of Australian film. After beginning his working life as a stockman and rodeo rider, Dodd was given his first film roles by prominent Australian actor Chips Rafferty. His career was interrupted by six years in the Australian Army during the Korean War, and limited by typecasting. Dodd performed in several major Australian movies, including Gallipoli and The Chant of Jimmie Blacksmith, in which he played Tabidgi, the murdering uncle of the lead character.
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When Steptoe Met Son is a 2002 Channel 4 documentary about the personal lives of Wilfrid Brambell and Harry H. Corbett, the stars of the long-running BBC situation comedy, Steptoe and Son. It aired on 20 August 2002. The programme reveals how Brambell and Corbett were highly dissimilar to their on-screen characters. Corbett felt he had a promising career as a serious actor, but was trapped by his role as Harold and forced to keep returning to the series after typecasting limited his choice of work.
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Jitesh Pillai of Filmfare wrote that after gaining recognition in urban romantic roles, Kapoor defied typecasting by taking on diverse parts in crime dramas and action films. He noted that Kapoor's refusal to be "slotted under any kind of tag" led to a fluctuating career trajectory. Following the success of Jab We Met (2007) and Kaminey (2009), Kapoor's career went through a decline; he described the phase as a series of "wrong choices" and said that taking on a challenging role in Haider (2014) helped him reinvent himself.
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He appeared as the celebrity guest challenger on the June 30, 1957, episode of What's My Line?[What's My Line? - Sal Mineo; Ernie Kovacs (panel); Martin Gabel (panel) (Jun 30, 1957)] Mineo made an effort to break his typecasting. In addition to his roles as a Native American brave in Tonka (1956), and a Mexican boy in Giant (1956), he played a Jewish Holocaust survivor in Exodus (1960); for his work in Exodus, he won a Golden Globe Award and received his second Academy Award nomination for Best Supporting Actor.
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Strasberg became a mentor to the actress, helping her to move past her television image of the girl next door. During this period, Field divorced her first husband in 1975. Soon after studying with Strasberg, Field landed the title role in the 1976 television film Sybil, based on the book by Flora Rheta Schreiber. Her dramatic portrayal of a young woman afflicted with multiple personality disorder earned her a best dramatic actress Emmy Award in 1977 and enabled her to break through the typecasting of her sitcom work.
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After his Bond films, Dalton divided his work between stage, television and films, and diversified the characters he played. This helped him eliminate the 007 typecasting that followed him during the previous period. Dalton was nevertheless for a certain period considered to act in the Bond film GoldenEye. Instead, he played Nazi spy Neville Sinclair in The Rocketeer (1991), and Rhett Butler in Scarlett, the television miniseries sequel to Gone with the Wind. He also appeared as criminal informant Eddie Myers in the acclaimed British TV film Framed (1992).
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John Larroquette said that after winning four Emmy Awards in a row, "it was 10 years after Night Court ended before I got a role as a dad. Because Dan Fielding was such a bizarre character, he had made such an impression, that typecasting does happen. Every role was some sleazy lawyer or some sleazy this or some sleazy that." During his years on the comedy Married... with Children, Ed O'Neill's scenes were cut from the film drama Flight of the Intruder (1991) after a test audience laughed when he was on the screen.
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Following the cancellation of The Beverly Hillbillies in 1971, Baer made numerous guest appearances on television, but he found his TV acting career hampered by typecasting. He concentrated on feature motion pictures, especially behind the camera, writing, producing, and directing. Baer wrote and produced the drama Macon County Line (1974), in which he played Deputy Reed Morgan, the highest- grossing movie per dollar invested at the time. Made for US$110,000, it earned almost US$25 million at the box office, a record that lasted until The Blair Witch Project superseded it in 1999.
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What followed was a career during which Štimac appeared in many popular and important 1970s and 1980s Yugoslav films where he played child and adolescent characters (including the role of young Russian soldier in Sam Peckinpah's Cross of Iron). His youthful looks later plagued his career, typecasting him into adolescent roles well into his 30s. However, in 2004 he had the leading role in Emir Kusturica's Life Is a Miracle, some years after playing the role of a stutterer in the internationally acclaimed film Underground of same director Kusturica.
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In lead typecasting, most font sizes commonly used in printing have conventional names that differ by country, language and the type of points used. Desktop publishing software and word processors intended for office and personal use often have a list of suggested font sizes in their user interface, but they are not named and usually an arbitrary value can be entered manually. Microsoft Word, for instance, suggests every even size between 8 and 28 points and, additionally, 9, 11, 36, 48 and 72 points, i.e. the larger sizes equal 3, 4 and 6 picas.
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Weems suffered from typecasting, in which people always identified her as "that cute girl on Captain Kangaroo", hindering her ability to get roles for movies and TV shows geared toward the adult age group. During her tenure on the show, Weems' only other role during this time was in the 1977 movie Between the Lines, where she played a small role of "Annie One". Weems is believed to have suffered from anorexia and depression, shortly before her death, Weems was admitted to a residential treatment facility (The Country Place) in Connecticut.
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On TV, he was played by Joop Doderer, who became so identified with the part that the Dutch expression for the most extreme form of typecasting, where an actor is identified with just one single character, is called the Swiebertje-effect. Oudewater has a Swiebertje statue. Doderer played Swiebertje for seventeen years and grew to dislike the character. After the show had run its course, in 1975, he was unable to find serious roles because he was so much identified with Swiebertje; he left for England, where playing roles in high-quality television drama proved a relief.
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These dramatic parts provided Harrison Ford with important opportunities to break the typecasting of his career-making roles in the Star Wars and Indiana Jones series. Both films showed off his ability to play more subtle and substantial characters and he was nominated for a Best Actor Oscar for his work in Witness, the only Academy Awards recognition in his career. The Mosquito Coast is also notable for a performance by the young River Phoenix. Weir's next film, Dead Poets Society, was a major international success, with Weir again receiving credit for expanding the acting range of its Hollywood star.
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172 Pouchée sold his typecasting machine to Mr Reed, Covent Garden printer, for £100,John Squair, Reports by the juries on the subjects in the thirty classes into which the exhibition was divided, Volume 1, 1852, p. 408 however Reed was frontman for a syndicate of type founders, who arranged to have the machine taken out to sea and dumped over board.John Southward, Progress in Printing and the Graphic Arts during the Victorian Era, 1897, p. 60 Pouchée was a Freemason (he was initiated into the Egyptian Lodge in October 1811) and owned numerous hare coursing greyhounds.
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NBC canceled the series in early 1957 after 20 of the 23 episodes produced aired. The entire series later ran on the BBC from the fall of 1960 to the summer of 1961. In its BBC rerun, The Adventures of Hiram Holliday was the first US series to be shown five days a week in the same time slot. Star Wally Cox was best known for portraying the title role in Mister Peepers, an early live NBC sitcom about a mild-mannered junior high school science teacher; it was typecasting he was never able to escape in later years.
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Like many of They Might Be Giants' early releases, Flood features a range of stylistic eclecticism. The press release for the album notes the "rock rave-up 'Twisting' ... the [country] inflected 'Lucky Ball & Chain' ... the existential oom-pah of 'Particle Man'", and "tender night-light metaphor and melody" of the lead single, "Birdhouse in Your Soul". Jon Pareles wrote for The New York Times that the album "shrug[s] off most typecasting". He added that through releases like Flood, They Might Be Giants and a new wave of alternative musicians were gainsaying the standard practice of sticking to only one genre.
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Although the popularity of Steptoe and Son made Corbett a star, it damaged his serious acting career, as he became irreversibly associated with Steptoe in the public eye. As a result, severe typecasting forced him to come back to the role of Harold Steptoe over and over. Before the series began, Corbett had played Shakespeare's Richard II to great acclaim; however, when he played Hamlet in 1970, he felt both critics and audiences alike were not taking him seriously and could only see him as Steptoe. Corbett found himself receiving offers only for bawdy comedies or loose parodies of Steptoe.
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Despite being heralded as a dignified professional, Devereaux suffered through racial tension in 1910s America. Devereaux was subject to typecasting, holding roles that often made fun of her weight, and her Native American heritage. She is often referred to as a squaw, a derogatory slur for Native Americans, both in reviews and in reference to her characters' titles within such films. Peter Milne, a film critic and eventual screenwriter, berated Deveraux for her age and appearance, calling her "ancient" in his review of Mickey; Devereaux was only 49 years old at the time of the film's release.
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Sung Dong-il (born April 27, 1964) is a South Korean actor. Sung made his acting debut in theater in 1987, then was recruited at the 1991 SBS open talent auditions. He rose to fame as the comic, Jeolla dialect-speaking character "Red Socks" in the television drama Eun-shil, though he later tried to fight typecasting by playing the son of a chaebol tycoon in Love In 3 Colors and a university professor in March. Following years of supporting roles in TV, Sung's film career was jumpstarted by hit romantic comedy 200 Pounds Beauty in 2006.
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Mad Dog's one connecting punch did no damage, but did serve to prompt Milo to realize that Glory was not worth fighting over. It was reshot to respond to an audience typecasting of De Niro, whom they saw as the Raging Bull he had played more than a decade earlier. Those who saw the test screenings could not accept the fact that De Niro's Mad Dog had done so poorly against Murray's Milo. Such a reaction was ironic because De Niro had actually been offered the Milo role, and had insisted on the Mad Dog role instead precisely because of its meekness.
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In 2010, the filmmakers of the 2011 Green Hornet film adaptation had wanted him to make a cameo appearance as a cemetery guard, but Williams turned it down. Williams stated he did not care much for acting, citing some reasons being his resentment toward the people in the industry and their unfair method of going about things. He was also wary of typecasting, pointing to examples of failures it caused in people's acting careers such as the case of George Reeves when he became too affiliated with his portrayal of Superman. This also became one of his concerns when playing The Green Hornet.
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At the end of the year, he appeared briefly as Cpt. Anuj Nayyar in J. P. Dutta's box office flop LOC Kargil. In an attempt to avoid typecasting and broaden his range as an actor, Khan starred as Karan Singh Rathod in the thriller Ek Hasina Thi (2004), a character he described as "a Charles Sobhraj- meets-James Bond kind of a guy". The film (which marked the debut of Sriram Raghavan) tells the story of a young woman (played by Urmila Matondkar) who meets with Khan's character, and is subsequently arrested for having links with the underworld.
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The fierce competition between the different mechanical typecasting systems like Linotype and Monotype has given rise to some lasting fairy tales about typemetal. Linotype users looked down on Monotype and vice versa. Monotype machines however can utilize a wide range of different alloys; maintaining a constant and a high production meant a strict standardization of the typemetal in the company, so as to reduce by all means any interruption of the production. Repeated assays were done at regular intervals to monitor the alloy used, since every time the metal is recycled, roughly half a per cent of tin content is lost through oxidation.
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His appearance as Will Chandler - 'one of the most convincing and memorable companions The Doctor never had' Doctor Who:The Television Companion – in Doctor Who serial The Awakening, led producer John Nathan-Turner to briefly consider making Keith a series regular. Typecasting (often as a yokel) persuaded Keith to study for a certificate in Finance and Investment. This coincided with a dark period his life, when his earlier health problems came back to haunt him. 'As a result of the growth hormone treatment I received as a child, I received a letter from the NHS saying I may have contracted CJD.
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In film, television, and theatre, typecasting is the process by which a particular actor becomes strongly identified with a specific character, one or more particular roles, or characters having the same traits or coming from the same social or ethnic groups. There have been instances in which an actor has been so strongly identified with a role as to make it difficult for them to find work playing other characters. Alternatively, a director may choose to cast an actor "against type" (i.e., in a role that would be unusual for that actor, to create a dramatic or comedic effect).
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It is unlikely he will sign on for any further installments in the Marvel Cinematic Universe; in an August 2011 Baltimore Sun interview, the actor confided he's weary of typecasting and of "blockbuster" films in general: "I think I've about had enough...I'm not sure how many more of them I'll make. It doesn't feel to me as though they've been the majority of my work, though that's probably the way it seems to most other people." This was confirmed in 2018, when Weaving's character, the Red Skull, appeared in Infinity War and Endgame with Ross Marquand in the role.
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Hindle remains philosophical about her character's death in Coronation Street, saying that if they had to write her out, at least they killed her, which meant she would never be tempted to return, thus risking typecasting. She appeared in two of Alan Bennett's television plays: Sunset Across the Bay (1975) and Intensive Care (1982). She worked in several productions with Ronnie Barker, playing the governor's secretary Mrs Hesketh in the BBC sitcom Porridge and made two appearances in Open All Hours, another Barker sitcom. She co-starred with Barker again in The Two Ronnies 1982 almost-silent TV film By the Sea.
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Kwan's success in her early career was not mirrored in later years, due to the cultural nature of 1960s America. Ann Lloyd and Graham Fuller wrote in their book The Illustrated Who's Who of the Cinema: "Her Eurasian beauty and impish sense of humor could not sustain her stardom". Her later films were marked by multifarious parts, comprising movie and television roles for American and European productions. Kwan discovered that she had to journey to Europe and Hong Kong to escape the ethnic typecasting in Hollywood that confined her largely to Asian roles in spite of her Eurasian appearance.
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Christopher Walken was in negotiations for Perry White, while Ratner wanted to cast Anthony Hopkins as Jor-El, and Ralph Fiennes as Lex Luthor, two of his cast members in Red Dragon. Joel Edgerton turned down a chance to audition as Superman in favor of the villain Ty-Zor, before Ratner dropped out of the project in March 2003, blaming casting delays, and aggressive feuds with producer Jon Peters. McG returned as director in 2003, while Fraser continued to express interest, but had fears of typecasting. ESC Entertainment was hired for visual effects work, with Kim Libreri as visual effects supervisor and Stan Winston designing a certain "prototype suit".
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Billboard reviewer Ken Tucker, who gave I'll Stay Me a favorable review for its "unapologetically country" sound, described the song as a "down-home romper". AllMusic critic Thom Jurek referred to it as "line- dance swagger" that was "calculating" but "execute[d] nearly flawlessly". Brady Vercher of Engine 145, however, gave the song a "thumbs down" review, describing it as "mindlessly list[ing] anything that could be superficially associated with being a country man". He also thought that the song posed a risk of typecasting Bryan as "the corporate manufactured country boy image" by following so closely on his debut single "All My Friends Say".
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The press, writes Michael Kimmelman of The New York Times, "carries on a grand legacy of San Francisco printers and bookmakers." The press was founded by Andrew Hoyem, continuing the tradition of the Grabhorn Press of Edwin and Robert Grabhorn. Hoyem had been partners for seven years with the younger Grabhorn brother, and after his death Hoyem started Arion Press, preserving the Grabhorn's historic collection of American metal type. Since 2001, Arion Press has been a cultural tenant at the Presidio, where it shares an industrial building with its typecasting division, M & H Type—the oldest and largest hot metal type foundry in the U.S. for letterpress printers.
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A reviewer of the book at Feminist Science Fiction, Fantasy, & Utopia said that as "a fantasy written by a feminist", Angel Island is important, but felt that the women were too complicit in their own mistreatment. The novel's stereotypic typecasting of men (aggressive with intellectual drive) and women (vain and coy) appear "jarring and sexist to modern readers", but those were the "unstated assumptions of 19th century US", and the women on Angel Island confront and overcome them. The reviewer concluded that it is a worthwhile read because of its "subtle liberal feminist insistence that regardless of our gender, we all have a right to fulfil our potential – to fly".
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He built up an extensive list of credits, alternating between television and motion pictures. However, he was afraid of typecasting, so he broke away from villains by starring in Where Love Has Gone and a television pilot called 333 Montgomery. The pilot was written by an ex-policeman named Gene Roddenberry, and a few years later Kelley appeared in another Roddenberry pilot, Police Story (1967), that was again not developed into a series. Kelley also appeared in at least one radio drama, the 08/04/1957 episode of Suspense entitled "Flesh Peddler", where series producer William M. Robson introduced him as "a bright new luminary in the Hollywood firmament".
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Chiori was once a child actress of amazing skill. However, a very dark role as Akari in "The Scarlet Dice," combined with an on- set accident that left her scarred, typecasted her into very dark and scary roles as a young girl, which in turn made her into a depressive and internally violent character. Because of this, she left acting for a while, eventually returning to the business after shedding her childhood stage name, Tendou Akari, in an attempt to escape her dark past and the typecasting. Her first impression is one of extreme vitriol, and she's been known to scribble threats and excessive criticism of colleagues in her "poison notebooks".
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Thompson then deliberately decided to take character parts, out of a fear of typecasting and "also an understanding that unless I could get out of that target area, then I wouldn't be allowed to be seen as an actor." He guest starred in an episode of Luke's Kingdom and played the second lead in Mad Dog Morgan (1976) with Dennis Hopper. He took some time off to work on a script with his brother then had a key support role in The Chant of Jimmie Blacksmith (1978). He supported imported stars Karen Black and Keir Dullea in a TV movie shot in Australia, Because He's My Friend (1978).
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Public outcry related to typecasting and age has come from a range of sources, including celebrities. At the 2006 Venice Film Festival, actress Meryl Streep remarked, “What films have you seen lately with serious roles for 50 year old women in the lead? These are roles they write for women my age, usually they are sort of gorgons or dragons or in some way grotesque.” A study in the Journal of Management Inquiry found a correlation between age, gender, and pay. The data show that “Average earnings per film of female movie stars increase until the age of 34, but decrease rapidly after that.
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In coeducational universities in the late 19th century, the separation of spheres contributed to the emergence of home economics as a field of advanced study for the woman's sphere, and the dean of women as frequently the only high-ranking woman administrator in coeducational institutions. Although it created a space for women's academic and professional advancement, the separation of spheres also provided an excuse for keeping women out of fields not specifically marked as female. Thus many talented woman scientists were pushed into professorships in home economics rather than in their principal fields. Some women educators resisted this typecasting even while working within the framework of separation.
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In the book Everybody Wants a Hit: 10 Mantras of Success in Bollywood Cinema, author Derek Bose wrote, "The joke going around then was that Shahrukh Khan had no more than five expressions to play about with and by cleverly juggling them in film after film, made his mark as a superstar". Rival actors have been known to publicly accuse him of overacting. Khan's perceived typecasting in romantic roles has met with polarised reactions from commentators; the author Arnab Ray wrote that Khan "became trapped in the conventional romantic lover-boy image, continuing to essay, over the years, a series of roles that were mind- numbingly alike". Aseem Chhabra of Rediff.
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364: "Episode 15 'Herman's Rival'" (cast list), All in the Family, WKRP in Cincinnati (in a pig costume), and a starring role on the short-lived series Hot l Baltimore, on which he played one of TV's first gay regular characters. During the first season of Mission: Impossible, Bergere played the character of a Swiss banker in the episode entitled "The Legacy". Bergere played German Count Von Sichel on Hogan's Heroes in the 1966 episode "The Prince From the Phone Company". Bergere was known for his haughty and superior characters, a typecasting that culminated in his selection as the majordomo Joseph Anders on the prime-time soap opera Dynasty.
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The 1992 film Twin Peaks: Fire Walk with Me is a prequel to the TV series. It tells of the investigation into the murder of Teresa Banks and the last seven days in the life of Laura Palmer. Director David Lynch and most of the television cast returned for the film, with the notable exceptions of Lara Flynn Boyle, who declined to return as Laura's best friend Donna Hayward and was replaced by Moira Kelly, and Sherilyn Fenn due to scheduling conflicts. Also, Kyle MacLachlan returned reluctantly as he wanted to avoid typecasting, so his presence in the film is smaller than originally planned.
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Kintaro Hayakawa (早川 金太郎 ; June 10, 1889 – November 23, 1973), known professionally as Sessue Hayakawa (早川 雪洲), was a Japanese actor and a matinée idol. He was one of the biggest stars in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.
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Ryan Tedder co-wrote "Turning Tables" alongside Adele. In April 2009, 20-year-old Adele, who had recently embarked on her first serious relationship with a man 10 years her senior, began composing the follow-up to her 2008 debut album 19. In response to the media's typecasting her as an "old soul" due to the vintage production and sentimental nature of her songs, Adele decided on a more upbeat and contemporary second album. However, studio sessions were generally unproductive and, after two weeks, yielded only one song recorded to the singer's satisfaction—the Jim Abbiss-produced "Take It All", a lovelorn piano ballad not unlike the songs on 19.
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Bara in The She-Devil (1918) Her career suffered without Fox studio's support, and she did not make another film until The Unchastened Woman (1925) for Chadwick Pictures. Bara retired after making only one more film, the short comedy Madame Mystery (1926), made for Hal Roach and directed by Stan Laurel, in which she parodied her vamp image. At the height of her fame, Bara earned $4,000 per week (the equivalent of over $56,000 per week in 2017 adjusted dollars). Bara's better- known roles were as the "vamp", although she attempted to avoid typecasting by playing wholesome heroines in films such as Under Two Flags and Her Double Life.
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Kerr departed from typecasting with a performance that brought out her sensuality, as "Karen Holmes", the embittered military wife in Fred Zinnemann's From Here to Eternity (1953), for which she received an Oscar nomination for Best Actress. The American Film Institute acknowledged the iconic status of the scene from that film in which Burt Lancaster and she romped illicitly and passionately amidst crashing waves on a Hawaiian beach. The organisation ranked it 20th in its list of the 100 most romantic films of all time. Having established herself as a film actress in the meantime, she made her Broadway debut in 1953, appearing in Robert Anderson's Tea and Sympathy, for which she received a Tony Award nomination.
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Lynn was used extensively during the "Search for Scarlett" playing Ashley in the screen tests for many of the actresses who tried out for the part. David O. Selznick eventually cast the more experienced and popular Leslie Howard. It was during this time that he received typecasting as "the handsome romantic husband or boyfriend," "the attractive, reliable love interest of the heroine," and "the tall, stalwart hero." Warners gave him the third lead in Espionage Agent (1939) alongside Joel McCrea and Brenda Marshall, and a lead role in The Roaring Twenties (1939), a gangster film that reunited him with Four Daughters star Priscilla Lane, as well as James Cagney and Humphrey Bogart.
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Rice arrived in Santa Cruz in 1974 to study with San Francisco printer Jack Stauffacher and poet/printer William Everson at the University of California, Santa Cruz. Motivated to undertake nontraditional women’s work and gain access to the power of the press, Rice learned to handset type, run a hot lead typecasting machine, operate old style letterpresses, and began to publish books of contemporary art and literature. Since establishing Moving Parts Press in Santa Cruz, CA in 1977, Rice has collaborated with and published notable writers and artists of the late 20th and early 21st centuries. A student of the history of the book and typography, she utilizes digital technology to produce letterpress artists books and prints.
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Roger Ebert of the Chicago Sun-Times gave The 6th Day three out of four stars, remarking that it is not in the same league as Total Recall and Terminator 2: Judgment Day, but that it nevertheless qualifies as a serious science fiction film. He also found problems with the cloning as depicted in film, saying that "[his] problem with both processes is that while the resulting clone ... might know everything I know ... I myself would still be over here in the old container." Kenneth Turan of the Los Angeles Times disliked the generic appearance of the film and Schwarzenegger's typecasting as an action hero. Turan gave the film two out of five stars.
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To overcome her typecasting playing seductresses, Lisi sought new types of roles, of evil women or of a lover in relationships of disparate age for example. In those years, she participated in Italian productions, in Casanova 70 and Le bambole (1965), Arabella (1967), and Le dolci signore (1968). Lisi also starred in The Birds, the Bees and the Italians (1966) which shared the Grand Prix (then equivalent to the Palme d'Or, which was not awarded at the time) with A Man and a Woman at the Cannes Film Festival that year. In the early 1970s, she took a temporary hiatus from acting to spend more time with her husband Franco Pesci and their son, Corrado.
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She then starred as Mu Nianci in the wuxia drama The Legend of the Condor Heroes (2008), which gained her more recognition. In 2009, Liu gained popularity after appearing in the hit fantasy action drama Chinese Paladin 3; her role as Long Kui broke her previous typecasting as a "gentle, kind, and understanding maiden" and received positive reviews from critics and fans. In 2010, Liu starred in the historical drama A Weaver on the Horizon, based on the life story of Huang Daopo. Originally cast in the role of the lead female protagonist, Liu instead chose to portray the princess Zhao Jiayi, as she felt that the character's developments would challenge her acting.
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The actress described Maleficent as being the Evil Queen's "frenemy," as each has been "kind of helping [the] other and playing this chess game for years." Bauer van Straten noted the similarities between Once Upon a Time and her HBO series True Blood character Pam, and said that she enjoyed the "evil-bitch typecasting". She added that the elaborate purple costume helped her get into character, making her feel "slightly evil." "The Thing You Love Most" is the first episode to feature Mary Margaret's loft, which is filmed on a small sound stage in Vancouver; most of the first season's interior shots are also filmed in the city, while many exterior shots are of nearby Steveston, British Columbia.
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In 1988, with his contract due to expire, Barraclough decided to quit the programme, citing typecasting as a reason for his departure. His exit storyline was in early planning stages when he had a surprise change of heart, as Bill Podmore recalls: "He insisted on leaving before he became better known as Alec Gilroy than Roy Barraclough, and all my efforts to dissuade him failed. Suddenly, out of the blue, he had a change of heart and the scriptwriters were spared the task of inventing a plausible exit for Alec. Barraclough references this in a 1990 interview: "For the foreseeable future, I will continue playing Alec because I'm enjoying it, but two years ago I thought I was going to pack it all in.
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Known for little-girl type roles such as Pollyanna (one of her highest- grossing films ever) Pickford had been trying to escape typecasting since 1923 with roles such as Rosita. However these films did not do as well as her child roles (though they were still successful at the box office), and Pickford had reverted to making films like Little Annie Rooney in 1925 and Sparrows in 1926. She tried an older role with her final silent film, My Best Girl in 1927 and, following the death of her mother in 1928, cut off her world-famous curls. With the arrival of talkies Pickford immediately took to the new medium, being one of the first major stars to do so.
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During the 1970s, gritty detective stories and urban crime dramas began to evolve and fuse themselves with the new "action" style, leading to a string of maverick police officer films, such as Bullitt (1968), The French Connection (1971) and The Seven-Ups (1973). Dirty Harry (1971) essentially lifted its star, Clint Eastwood, out of his cowboy typecasting, and framed him as the archetypal hero of the urban action film. In many countries, restrictions on language, adult content, and violence had loosened up, and these elements became more widespread. In the 1970s, martial arts films from Hong Kong became popular with worldwide audiences, as Hong Kong action cinema had an international impact with kung fu films and most notably Bruce Lee films.
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Balfour was the most popular actress in Britain in the 1920s, and in 1927 she was named by the Daily Mirror as the country's favourite world star. Her talent was most evident in the Squibs comedy series produced by George Pearson, while in his Love, Life and Laughter (1923), rediscovered in 2014, and Reveille (1924), she demonstrated a serious side to her character. Her role as a wealthy heiress in Somebody's Darling (1925) was an attempt to break out of her previous role as Squibs, to avoid typecasting. She made her stage debut in 1913, and was appearing in Medora at the Alhambra Theatre in Leicester Square when T. A. Welsh and Pearson saw and signed her for Nothing Else Matters in 1920.
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That same year was marked by the most commercially successful film of his career, The Matrix. Later, Dodd played minor roles in an episode of television series The Alice (2006) and the movies My Country (2007) and Broken Sun (2008); by this time his career in film and television had lasted for over sixty years. In 2013, Dodd received the Jimmy Little Lifetime Achievement Award at the 19th Deadly Awards at the Sydney Opera House. Departing from tradition by presenting the award to someone who was not primarily a musician, the organisers described Dodd as "an actor that created a pathway for others across the entire arts and music sectors to follow, at a time when typecasting stereotypes and discrimination was the 'norm' in Australia's arts industry".
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Here, and subsequently in 1818, when they erected the type foundry still occupied by their successors in Chambers street, George gave his attention to the enlargement and development of the type-founding business, while David confined his labors to stereotyping. In 1822 David's health failed, and the partnership was dissolved. George soon relinquished stereotyping', and gave his whole attention to type-founding, and introduced valuable improvements into the business, cutting his own punches, making constantly new and tasteful designs, and graduating the size of the body of the type so as to give it a proper relative proportion to the size of the letter. In connection with his nephew, David Bruce Jr., he invented a typecasting machine that grew to be widely used in the industry.
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That hasn't changed." Gonet is an established actress in British television, known for her role in the 1990s BBC series The House of Eliott. Her casting as Jayne follows a trend of Holby City producers towards hiring established British actors - with Gonet joining a series 9 cast alongside former film actress Patsy Kensit as Ward Sister Faye Morton, comedian Adrian Edmondson as Consultant Surgeon Abra Durant and Jesus of Nazareth star Robert Powell as Nursing Consultant Mark Williams. Series creator Mal Young commented on the preference for established names when discussing Holby City's inception, explaining: "Soap actors are the best actors. There’s been so much snobbery before. The whole thing about typecasting was probably invented by actors who couldn’t get other work.
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Musical stars such as Fred Astaire and Ginger Rogers were among the most popular and highly respected personalities in Hollywood during the classical era; the Fred and Ginger pairing was particularly successful, resulting in a number of classic films, such as Top Hat (1935), Swing Time (1936), and Shall We Dance (1937). Many dramatic actors gladly participated in musicals as a way to break away from their typecasting. For instance, the multi-talented James Cagney had originally risen to fame as a stage singer and dancer, but his repeated casting in "tough guy" roles and mob films gave him few chances to display these talents. Cagney's Oscar-winning role in Yankee Doodle Dandy (1942) allowed him to sing and dance, and he considered it to be one of his finest moments.
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Lugosi did get a few heroic leads, as in Universal's The Black Cat after Karloff had been accorded the more colorful role of the villain, The Invisible Ray, and a romantic role in producer Sol Lesser's adventure serial The Return of Chandu (1934), but his typecasting problem appears to have been too entrenched to be alleviated by those films. With Angelo Rossitto in Scared to Death (1947) Lugosi addressed his plea to be cast in non-horror roles directly to casting directors through his listing in the 1937 Players Directory, published by the Academy of Motion Picture Arts and Sciences, in which he (or his agent) calls the idea that he is only fit for horror films "an error."Michael Mallory. Universal Studios Monsters: A Legacy of Horror, 2009, Universe, p. 63. .
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The Offer, in which they cast Corbett, is wildly successful and evolves into an uneasy, decade-long comedy partnership between Corbett and the alcoholic, self-loathing homosexual Brambell. Corbett's stage career fades quickly from typecasting, and his first marriage to comic actress Sheila Steafel suffers from his womanising, while Brambell's drinking and his relaxed approach to acting cause conflict between him and Corbett, a method actor once described as "the British Marlon Brando". Off-screen, Brambell is secretive and dislikes the trappings of fame, and his worst fears are realised when, entrapped by a policeman in a public toilet, he is prosecuted for persistently importuning for an immoral purpose, and the details of his failed marriage are published in the newspapers. The show, and the actors' careers, are milked dry.
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Verhoeven himself defended the groups' right to protest, but criticized the disruptions they caused, saying "Fascism is not in raising your voice; the fascism is in not accepting the no." Film critic Roger Ebert mentioned the controversy in his review, saying "As for the allegedly offensive homosexual characters: The movie's protesters might take note of the fact that this film's heterosexuals, starting with Douglas, are equally offensive. Still, there is a point to be made about Hollywood's unremitting insistence on typecasting homosexuals--particularly lesbians--as twisted and evil." Camille Paglia denounced gay activist and feminist protests against Basic Instinct, and called Sharon Stone's performance "one of the great performances by a woman in screen history", praising her character as "a great vamp figure, like Mona Lisa herself, like a pagan goddess".
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He is best known for his appearances, wearing his thick-rimmed round spectacles, in British comedies of the 1950s and 1960s, often as a "Man from the Ministry" or similar character. Such appearances included the St Trinian's films (The Belles of St Trinian's, Blue Murder at St Trinian's, and The Great St Trinian's Train Robbery) as Manton Bassett, a civil servant who was the Deputy Director of Schools in the Ministry of Education, where he was often seen frowning and expressing indignation at the outrageous behaviour of other characters. To American audiences, Wattis is probably best known for his performance as the British civil servant Northbrook in The Prince and the Showgirl (1957). He broke from this typecasting in his later films, such as his starring role in Games That Lovers Play.
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This tribe of ravenous cannibals bares its excellent teeth at anyone who doesn't accommodate the family's preening self-regard." Roger Ebert of the Chicago Sun-Times gave the film three stars out of four. He stated the film "is silly at times, leaning toward the screwball tradition of everyone racing around the house at the same time in a panic fueled by serial misunderstandings [but] there is also a thoughtful side, involving the long and loving marriage of Sybil and Kelly." He further added, "The Family Stone sorts out its characters admirably, depends on typecasting to help establish its characters more quickly, and finds a winding path between happy and sad secrets to that moment when we realize that the Family Stone will always think of this fateful Christmas with a smile, and a tear.
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Various threads run through Rathbone's novels over their forty-year span. Standing firmly in the 19th Century tradition with its belief in the primacy of the writer's imagination and its consequent freedom to explore human life in all its aspects, Rathbone always refused to be tied to a genre, time or place or character in undertaking this exploration. An ostensible thriller may be just as much a study of relationships, an apparently mainstream novel an investigation of crime, a work of historical fiction a meditation on contemporary issues. In blurring and blending genres in this way for three decades or more, when the book market became obsessed with the typecasting and branding of books and their authors, Rathbone can be seen as having explored and questioned the nature of genre, its scope and limitations.
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Film historians familiar with the novel usually surmised that the screenwriter, Irving Wallace, deliberately tailored the script to take advantage of Scott's noir typecasting. Scott's original character in the novel was a maternal type. This film was Hal Wallis' last attempt to pair Burt Lancaster and Scott. Patricia Neal was originally cast as Helen,Anonymous (Saturday, December 30, 1950), Screen, The Evening Sun (Hanover, Pennsylvania), p. 4 but when Scott replaced Neal, Lancaster had to be replaced by Heston. AFI (accessed May 23, 2014), Bad for Each Other Though Heston and Scott had previously worked together in Dark City, feuding was reported between the two on the set.Erskine Johnson, (Saturday, June 6, 1953), In Hollywood, Statesville Record & Landmark (Statesville, North Carolina), p. 16 The film was a box-office failure. Eight months later in February 1954, Wallis and Scott parted ways.
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In 1947 the London-based Daily Mirror Group, headed by Cecil King, bought the Dailytimes, the Gold Coast Daily Graphic, the Accra Sunday Mirror and the Sierra Leone Daily Mail. King introduced the first privately owned rotary printing press in Nigeria, plus photo-engraving, typesetting and typecasting plants. He imported skilled journalists but followed a deliberate Africanization policy. The Mirror Group introduced popular innovations such as short paragraphs and sentences, many illustrations and photos, and human interest stories. The paper's circulation rose from 25,000 daily in 1950 to 95,000 in 1959. During the 1950s the Nigerian Dailytimes played an important role in the process that led to independence in 1960. At the beginning of the 1950s, the firm hired Percy Roberts, a journalist as editorial adviser and later General Manager. Roberts produced new publications such as the Sunday Times and the Sporting Record.
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Both Shirley and Trevor tried to convince the studio that they should both play "against type", with perennial good girl Shirley cast as the femme fatale Helen, and Trevor cast as the nice girl, Ann, but their pressure did not convince the studio. Koerner was also responsible for Dick Powell's transformation from a crooner to playing hard-boiled characters. Powell had been known in the 1930s and early 1940s for light comedies and musicals, but for ten years he had been trying to break away from that typecasting, which he felt he was too old for; he had wanted to play Fred MacMurray's part in Double Indemnity. Koerner wanted Powell under contract to RKO to do musicals, but Powell would only sign if he was allowed to do other kinds of roles, so he offered Powell the opportunity he wanted.
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Cooper in 1978 In 1978, a sobered Cooper used his experience in the sanitarium as the inspiration for his semi-autobiographical album From the Inside, which he co-wrote with Bernie Taupin; it spawned yet another US Top 20 hit ballad, "How You Gonna See Me Now". The subsequent tour's stage show was based inside an asylum, and was filmed for Cooper's first home-video release, The Strange Case of Alice Cooper, in 1979. Around this time, Cooper performed "Welcome to My Nightmare", "You and Me", and "School's Out" on The Muppet Show (episode #307) on March 28, 1978 (he played one of the devil's henchmen trying to dupe Kermit, Gonzo and Miss Piggy into selling their souls). He also appeared in an against-typecasting role as a piano-playing disco waiter in Mae West's final film, Sextette, and as a villain in the film Sgt.
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The Complete Actors' Television Credits, 1948–1988, James Robert Parrish and Vincent Terrace In 1951, while in England to play a six- month tour of Dracula, Lugosi co-starred in a lowbrow film comedy, Mother Riley Meets the Vampire (also known as Vampire over London and My Son, the Vampire), released the following year. Following his return to the United States, he was interviewed for television, and reflected wistfully on his typecasting in horror parts: "Now I am the boogie man". In the same interview he expressed a desire to play more comedy, as he had in the Mother Riley farce. Independent producer Jack Broder took Lugosi at his word, casting him in a jungle-themed comedy, Bela Lugosi Meets a Brooklyn Gorilla (1952), co- starring nightclub comedians Duke Mitchell and Sammy Petrillo, whose act closely resembled that of Dean Martin and Jerry Lewis.
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Christian Egenolff Plate from Herbarum, arborum, fruticum, frumentorum ac leguminem device used by Christian Egenolff Title page of Herbarum, arborum, fruticum, frumentorum ac leguminem Christian Egenolff or Egenolph (26 July 1502 - 9 February 1555),The Death of History also known as Christian Egenolff, the Elder, was the first important printer and publisher operating from Frankfurt-am-Main, and best known for his Kräuterbuch Digitale Bibliothek - Münchener Digitalisierungszentrum and re-issue of books by Adam Ries, Erasmus von Rotterdam and Ulrich von Hutten. Egenolff was born in Hadamar and studied humanities at the University of Mainz from 1516, but later took up the trade of bookprinting in Strasbourg, working for Wolfgang Küpfel and marrying Margarethe Karpf. He left Strasbourg in 1530 and started business as a printer/publisher and typecasting in Frankfurt-am-Main. Here he published more than 400 books over the next 25 years.
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In contrast to the greater popularity that Upfield's character Bony had in the United States compared to Australia, the series was not shown in America. According to John McCallum, several attempts to sell the series to distributors in the United States were rejected as they could not accept that a police detective, along with most of the criminals he hunted, did not use firearms.In Search of Bony Documentary 2007 IMDb Although there was interest in producing a third series, it was James Laurenson's reluctance over typecasting issues that eventually prevented it.TV Week Interview with James Laurenson, Dec 22 1973 While some episodes are set in towns, the unique atmosphere of "Boney" lies in its use of the Outback - the best stories take place in scorched orange landscapes where the white person is an outsider, and Boney needs all his inherited skills to solve the crime.
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It has been given the unofficial title of The Jon Pertwee Recipe Book. In early 1974 Pertwee announced he would step down as the Doctor to resume his stage career in The Bedwinner, also citing potential typecasting in the role as the reason for leaving, though he later said that the catalyst for his departure was the death of his good friend and co-star Roger Delgado (The Master) and the departures of co-star Katy Manning and producer Barry Letts. His last full- time appearance in the series was in the story Planet of the Spiders in June 1974, which finished with Tom Baker replacing him in the role. Pertwee later reprised the role in the 20th anniversary story The Five Doctors and the Children in Need story Dimensions in Time, in two radio adventures and on stage in Doctor Who – The Ultimate Adventure.
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The journalist Mark Harris writes that she specialises in "unsentimentalized, restless, troubled, discontented, disconcerted, difficult women" and John Hiscock of The Daily Telegraph has identified a theme of characters who are free-spirited with a sexual edge to them. Stephen Whitty of NJ.com associates Winslet with "serious, almost despairing material", although he finds it hard to pigeonhole her as an actress. Leonardo DiCaprio, who starred with Winslet in Titanic and Revolutionary Road, considers her to be "the most prepared and well-researched actor on set", and Jude Law, her co-star in The Holiday, believes that despite her seriousness she remains "very calm and good- natured". Her Steve Jobs director Danny Boyle has identified a willingness in Winslet to avoid typecasting and has said that she takes an effort "to reposition directors' and producers' perspective on her" to allow herself to be challenged as an artist.
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After emerging as a successful regional band and eventually becoming a consistent staple of the West Coast third wave ska touring circuit, the Daddies broke into the musical mainstream with their 1997 album Zoot Suit Riot, a compilation of swing songs culled from the band's first three albums. The album sold over two million copies in the United States and helped launch the short-lived swing revival of the late 1990s, and brought the Daddies into the limelight. Nevertheless, Perry has often expressed contempt for the band's period of temporary fame, citing frustration over what he claimed was persistent and lingering media typecasting of the Daddies as a generic "retro swing band" at the expense of their dominant ska punk influences. Additionally, Perry has also talked about the socially alienating effects fame had on his personal life, claiming it to have negatively changed relationships with friends and even subjected him to occasional heckling from strangers who recognized him in public.
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The Sasquatch appears in the Italian comic series Tex (as a huge wild man with thaumaturgical powers)Tex #221, 222, 223 (March–May 1979) and Martin Mystère. In the non-canon Star Wars Tales comic "Into the Great Unknown" - in which the Millennium Falcon, after a blind hyperspace jump, crash-lands on what appears to be Endor but is in fact the Pacific Northwest around the time of Lewis and Clark, resulting in Han Solo's death at the hands of the natives and the eventual discovery of his body by Indiana Jones (who is disturbed by something "eerily familiar" about the remains) - "Sasquatch" is actually Chewbacca. One of the main characters from the Canadian Marvel Comics superhero team Alpha Flight is Sasquatch. Famed alternate history author Harry Turtledove has written stories as part of the "State of Jefferson Stories" titled "Visitor from the East" (May 2016), "Peace is Better" (May 2016), "Typecasting" (June 2016) and "Three Men and a Sasquatch" (2019) published online here where Sasquatches, Yetis and other related cryptids are real.
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In his early film roles Englund was usually typecast as a nerd or a redneck, and he first gained attention in the role of Visitor technician and resistance fighter Willie in the 1983 miniseries V, as well as the 1984 sequel V: The Final Battle, and V: The Series, in which he was a regular cast member. But after such typecasting, Englund went against type when he accepted the role of Freddy Krueger, the psychotic burn victim and child murderer in Wes Craven's hugely successful A Nightmare on Elm Street in 1984. His association with the genre led him to top-billed roles in The Phantom of the Opera (1989), The Mangler (1995) – another film directed by Tobe Hooper, and 2001 Maniacs (2005). He reprised his role as Freddy Krueger in A Nightmare on Elm Street 2: Freddy's Revenge (1985), A Nightmare on Elm Street 3: Dream Warriors (1987), A Nightmare on Elm Street 4: The Dream Master (1988), A Nightmare on Elm Street 5: The Dream Child (1989), Freddy's Dead: The Final Nightmare (1991), Wes Craven's New Nightmare (1994) and Freddy vs.
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Kelly was college-educated in metallurgy, while Bessemer in his autobiography described no education, other than a practical knowledge of typecasting and machining learned at his father's type foundry, stating in 1854, "My knowledge of iron metallurgy was at that time very limited...", but somehow he was able to build, without a long series of progressive improvements, a functioning converter to blow air into molten iron and convert it to steel. Sir Henry Bessemer, F.R.S. AN AUTOBIOGRAPHY Chapter 10 However, Bessemer was a renowned inventor of many industrial processes before he invented the Bessemer process and the potential of blowing air through iron had long been known about before either Bessemer or Kelly applied for a patent, such as in the finery process and in experiments undertaken in the 1840s by James Nasmyth. In September 1856, Bessemer's patent was reported by Scientific American. Kelly wrote a letter to the magazine in October 1856 describing his earlier experiments and asserted that the English workmen at his plant had informed Bessemer of Kelly's experiments.
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Hamill in Amsterdam in 1980 After the success of Star Wars, Hamill found that audiences identified him very closely with the role of Luke Skywalker, after which he became a teen idol and appeared on teen magazine covers such as Tiger Beat and others. He attempted to avoid typecasting by appearing in the 1978 film Corvette Summer and the better-known 1980 World War II film The Big Red One. In 1980, he also made a guest appearance on The Muppet Show, both as himself and as Luke Skywalker in The Stars of Star Wars; this episode also starred C-3PO and R2-D2 who were along with him on a search for Chewbacca. Other film appearances around this time include The Night the Lights Went Out in Georgia in 1981 and Britannia Hospital in 1982. To further distance himself from his early blockbuster role, Hamill started acting on Broadway, starring in plays such as The Elephant Man in 1979, Amadeus in 1983, Harrigan 'N Hart in 1985 (for which he received a Drama Desk Award nomination), Room Service in 1986 and The Nerd in 1987–88.
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Noting that Gerry Anderson would have preferred to make live-action productions instead of puppet series, Percy argues that his style of filming was developed to "make the puppet film as 'respectable' as possible". She also comments that APF's filming techniques "would not only result in a level of quality and sophistication not seen before in a family show, but also give birth to some of the most iconic series in the history of British children's television." Garland describes the underlying theme of Anderson's work as a "self-reflexive obsession with an aesthetic of realism (or more accurately a surface realism often associated with naturalism) borne of an unfulfilled desire to make live-action films for adults", further commenting that Anderson's typecasting as a puppet TV creator "led him on a lifelong quest to perfect a simulation of reality". He notes that Anderson's involvement with puppets began at a time when Western puppet theatre "had become increasingly marginalised to a niche, to an association with children's entertainment", and that APF's productions used an "aesthetic of incremental realism" to appeal to children and adults alike (a target audience that the Andersons referred to as "kidult").
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Stephen Chesley predicted that the A Sweeter Song's contemporary audience would react well to the film's theme of youth sexuality: "overall there is a freshness and likeability to the film", and credits the novice director for choosing "such a difficult genre" and "bringing most of it off." Chesley praised both the cinematography, editing, and the principal cast of five actors for their strong, enthusiastic acting, singling out Susan Petrie: > Susan Petrie proves herself to be one of the best actresses in Canadian film > with this role. Unlike her past typecasting as the frigid teenage tease, she > finds things in this character that aren't in the script, and it's one of > the few times we can see a contemporary young woman on the screen, > especially considering the void that now exists in roles for women. She > allows the script to overwhelm her at points too much relish in her dirty > lines that are grafted onto the dialogue, and tossing away a term such as > "meaningful relationship" by laughing at its wrenching commonness as she > proclaims it in her character - but in her crucial moments she's completely > believable, and carries her low comedy scenes with great timing.
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His career began with ten years spent acting in live theatre, playing roles drawn from works of Shakespeare, Oscar Wilde and Jean Anouilh. Aged already 30, he created the role of Thomas Becket in the 1959 world premiere of Anouilh's Becket, and held Anouilh in veneration all his life. Later Cremer played Max in a French production of Bent by Martin Sherman in 1981. He regarded his basic profession as that of a stage actor, though he gravitated firmly to films. It was in 1957 that Cremer had his first credited part in a film, Quand la femme s'en mêle (When a woman meddles), which starred Alain Delon. However, it was in 1965 that Cremer's career really began to prosper, with the film La 317e section, (The 317th Platoon), directed by Pierre Schoendoerffer and set in Indochina during the French colonial wars. From then onwards, Cremer became a popular actor and appeared in over 110 productions for cinema and television. While Cremer tried to avoid labels and typecasting, he tended to be offered tough-guy roles, often military men. Examples from various points in his career include Section spéciale (1975), La légion saute sur Kolwezi (1980) and Là-haut, un roi au-dessus des nuages (2004).
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