Obviously, adding a third dimension makes things a bit more complex.
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Is there a third dimension in which only celebs can interact?
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When Hap comes to in the third dimension, his ears ring again.
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The third dimension, and most significant catalyst of this renaissance, is autonomous driving.
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Someday, perhaps, the images will win, and the third dimension will become unnecessary.
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"The edge of a sheet of paper is really a third dimension," he said.
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Once you go in the third dimension, all these tools start to make sense.
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Wolstenholme explained Madefire's approach to VR as adding a third dimension to the experience.
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NASA said the mission will add a "third dimension" to its study of Earth.
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Keep peering at your screen, reading and staring, snubbing life's third dimension and natural hues.
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You lose this third dimension and the sensuality of the materials, the smell and everything.
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Just work in a third dimension, and you got yourself a QUALITY giant bird sculpture!
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The length of the bracket (and thus the third dimension of these works) is seven inches.
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Conventionally, transistors have been flat, but in 203 Intel added a third dimension to its products.
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In many cases, in can give you a third dimension you probably didn't know you were missing.
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And then there is a third dimension – the media, who have their own interests in being sensational.
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And starting next year, "we want to take the transportation grid into the third dimension," he said.
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It has to get people interested who weren't even born when Mario bounded into the third dimension.
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Her work, inspired by architectural design and clothing construction, is basically drawing brought into the third dimension.
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On the other side of the rose window, he sees into another dimension (the third dimension), and finds Michelle.
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It joins Penn Hill Group, Third Dimension Strategies and Cornerstone Government Affairs in representing the coalition on Capitol Hill.
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The eccentric miscellany of materials share one important quality: they are tactile, textured, and exist in the third dimension.
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Later, with the increasingly Baroque metal reliefs, Stella would need to bring the viewer back into the third dimension.
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Though, I'd say the cherry on top is 3D printing support, so your creations can actually reach the third dimension.
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Clever mechanics like 3D world flipping and paths that point Yoshi down roads in a third dimension keep gameplay interesting.
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Bumblebee's mission is to create "a new way to live by unlocking the third dimension," according to the company's website.
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Magic is that access point where human consciousness leaves behind the third dimension, allowing us to unite with the infinite.
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The stick figures also take on a third dimension as little puppets with cardboard bodies and heads made of clay.
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Although several works of photography and video appear in Vancouver Special, most included installation elements that extended into the third dimension.
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Rather than just being a novelty, the HoloFlex uses bending to let people interact with what's on screen in a third dimension.
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For decades, musicians, including luminaries like Lou Reed, Pearl Jam, and Radiohead, have dabbled with adding a third dimension to their recordings.
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Jeffress's comments reveal a third dimension: a corrupted theology that could supply a misguided moral thrust to the president's potential course of action.
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And the third is just like residential has gone three-dimensional skyscrapers and commercial's gone three dimensions, you're gonna have to build a third dimension in terms of transportation, and Elevate for us is the third dimension that we're taking a big bet on, but it's a long-term bet and we're doing it with a number of partners out there.
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What they're doing here is more like cornering their own king in a game of chess to gain advantage on an imaginary third dimension.
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Is she going to retain what she saw and learned from this third dimension, and is it possible she'll be able to help Karim out?
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When people visited, he would invite them to stand in front of the prints, adjust their eyes and wait for a third dimension to emerge.
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Following the 33 million sales of the DS range before Nintendo's twin-screen system took on the (autostereoscopic) third dimension, the 3DS's market dominance is absolute.
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It is, on some level, about the idea that time will always end up being something of a god to we creatures trapped in the third dimension.
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Add a third dimension, and you've got depth—things take on visible forms and can move around one another, becoming the rich world we live in today.
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The planned observation will take five years, focusing on a third of the sky with data capable of bringing a third dimension to standard 2D sky maps.
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Hinge Pictures: Eight Women Occupy the Third Dimension is on view at the Contemporary Arts Center, New Orleans (900 Camp Street, New Orleans, LA) through June 16.
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I think of theater as making live events, and this is really a live event that depends on the third dimension — it's not immediately transparent on the page.
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Virtual reality is able to slow down its storytelling because it has a third dimension, space, which can be used to reveal new information in an engaging way.
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That is why, when OA newbie and detective Karim Washington (Kingsley Ben-Adir), reaches the window and looks through, he glimpses OA and Hap traveling to a third dimension.
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Hap had intentionally brought OA to this third dimension, knowing it would force her into a space where she no longer believed that her story and abilities were real.
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But Steve (and likely her other friends) are in the third dimension too, and it will be up to them to try to save OA from Hap once again.
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And the future of gaming would be revolutionized through adding a third dimension of touch — not just looking for clues to a puzzle, but feeling for them, as well.
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The Dark Souls video in particular evokes the clunky controls and clumsy combat of a time when the industry was still getting a grip on the third dimension in video games.
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"After years of grappling with the absence of a third dimension, building depth through the use of form and layers, I find myself doing the opposite, trying to eliminate," he said.
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Generally, it's not that difficult to make two-dimensional networks, but adding the third dimension is much harder; with this approach, we can make our system as three-dimensional as we like.
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Click here to view original GIF3D TVs may have gone the way of the Dodo, but as the Oculus Rift has proven, a third dimension can make video games far more immersive.
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If you trust the folks with their eyes tilted upward and their hands waving in the air, flying taxis could be a traffic panacea, leveraging the third dimension to make room for everyone.
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The paradoxical arrangement of New York-based artist Daniel Firman's hyperrealistic cast sculptures puts the viewer in a sensory limbo that brings the flat surrealism of film and literature into the third dimension.
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So it's not amazed by it, but when you can start multiplying that by, say 2,000 pixels and stretching it out into the third dimension, your brain starts doing the magic for you.
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Advertise on Hyperallergic with Nectar Ads It's not unusual for dedicated painters and other makers of flat pictures, at some points in their creative lives, to shift their attention to the third dimension.
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As Ian Alexander, an actor on "The OA," explained in an interview with INSIDER, this is a third dimension that isn't meant to literally be a fourth-wall break into the real world (our world).
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Because this is a multidimensional scaling technique, the algorithms can say how much of voting is explained by one dimension, and then how much adding a second and a third dimension, and so on, adds.
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The third dimension is important because various studies have found that the gap between how good someone thinks they are at counting heartbeats, for example, and how good they actually are predicts their levels of anxiety.
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He and his colleagues think they can shrink a modern supercomputer of the sort that occupies a warehouse into a volume about the size of a cardboard box—by making better use of the third dimension.
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It wasn't a clean, direct shot, but Desharnais took his stick to the third dimension and it was enough to confuse not only the protective reach of the Boston Bruins goalie, but a defender as well.
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It solves the problem of wrist alignment and finger positioning with its curved design, cushioned palm rest, and wave-like vertical shape, but the Sculpt adds a third dimension that many other ergonomic keyboards lack: wrist rotation.
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Unlike playing live, in this studio collaboration, we thought about creating something like a third dimension of sound that is brought forth from actually being juxtaposed side-by-side, rather than just mixing each other's sounds together.
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In the next room, Füsun Onur's "Third Dimension in Painting – Come in" (103–2014), however uncanny, was a rather revolutionary work of art when it was first shown, at a time when her work was poorly understood.
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"Adding the third dimension to seamless multi-modal transportation networks will, without a doubt, improve the way we live, and how we get from A to B," said Mathias Thomsen, general manager for urban air mobility at Airbus.
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And finally, the third dimension is that there are some big concepts which you need in order to know where you're going and to know which kinds of questions to ask when you're looking at a new problem.
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In February, Kamionkowski and collaborators reported detailed information about primordial particles that is encoded in the geometry of four-point correlations, which "get interesting," he said, because four points can lie flat or sweep into the third dimension.
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The question comes up during the final scene of season 2 (spoilers ahead), when Isaacs's character, Dr. Hunter Aloysius Percy, aka Hap, makes a jump to a third dimension with OA aka Original Angel aka Prairie aka Nina Azarova (Brit Marling).
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"Stacking the type of systems we have into the third dimension, you might have all kinds of interesting physics similar to what we've seen but one dimension higher," Sebastian Huber, professor in Condensed Matter and metamaterials from ETH Zurich, told Gizmodo.
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"Woman Reclining in a Yellow Robe" (1997), based on a 1937 Matisse, is more successful in its use of the third dimension, as the flat color and hard outlines of the original translate better into semi-abstract and sculptural elements.
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Hinge Pictures: Eight Women Artists Occupy the Third Dimension is now on view at the Contemporary Art Center in New Orleans, and its accompanying artist book, co-produced by the art center and Siglio Press, was made available on April 23.
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Karim finally reaches the rose, stained-glass window and on the other side of it sees a new third dimension: a sound stage where the crew is filming a scene that looks startlingly like the location we just left on Treasure Island.
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Prairie (or is it now Brit?) is injured in the new third dimension, and as she's being driven away in the ambulance, Steve runs as fast as he possibly can to catch up to it and join her inside, much to Hap's displeasure.
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What they're missing through this outdated worldview is a third dimension, in which a global cultural and political fault line is cutting through the US, Russia, and most of the EU — with Trump and Putin on the same side of the divide.
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Note the vintage chronograph pushers, the syringe hands, the three-tier Art Deco lugs and — seen in a third dimension — the sapphire crystal "box" glass, a visual throwback to the plexiglass crystals of old, recently adopted by a raft of watch brands.
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There is an extreme precision here, as there is in this show's most surprising inclusions: rare stereographs from 1974, seen in a special viewer, that inject a spectral third dimension to a bathroom sink or a mother and daughter on the street.
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Sure, they're chuckle-inducing, but my favorite part is how they reveal the fluidity of filmmaking, how they show, in their small and comical way, the many unknown routes a film can take once it moves off the page and into the third dimension.
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As time passes, both mobile and desktop interfaces enter the third dimension and become embeddable in the human brain, the shifting nature of agriculture leads to the evolution of synthetic food and beverages, and even the ways people lay their loved ones to rest starts to change.
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On a remix of Curtis Mayfield's "Here but I'm Gone" for The Mod Squad soundtrack, which came out seven months after Miseducation's release, Hill raps, "It's either ascension or descension / No third dimension," but her debut, and her occupying of that same middle ground, would prove the exact opposite.
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However, to be honest, Super Mario Maker never got its hooks into me because as much as I love those classic 2D Mario games, ever since Mario took his first step in the third dimension in Super Mario 64, I've been way more interested in 3D Mario games.
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"But it is a dimension in which they are creating the show called 'The OA.'"Read more: 'The OA' star Ian Alexander helps explain the confounding final scene of 'Part II': 'It's very meta'When OA jumps into this "Brit Marling" body in the third dimension, she falls and hits her head.
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Cars today are forced to move on a two-dimensional plane (ramps, clover intersections and tunnels set aside), and while self-driving cars would make it easier for cars to talk to each other and move more efficiently, adding a third dimension to travel would make a lot of sense coming next.
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It's perfectly amusing to observe these eccentric alterna-heroes banter amongst themselves about how they got there (the effect is not unlike watching Homer Simpson adapt to being computer-animated in the "Treehouse of Horror" episode where he steps into the third dimension), but it's not quite as fun watching a squad of mismatched Spideys take on a supercollider full of goons.
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Once depth is understood in this way, we can no longer call it a third dimension … Depth thus understood is, rather, the experience of the reversibility of dimensions, of a global "locality" in which everything is in the same place at the same time, a locality from which height, width, and depth are abstracted, a voluminosity we express in a word when we say that a thing is there.
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Reviewers found the game's foray into the third dimension well-intended but poorly executed.
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Haidt asserts that individuals can vary along a third dimension, which he calls "elevation versus degradation" or "purity versus pollution." This vertical dimension refers to the fact that individuals vary in their state and trait levels of spiritual purity. When individuals feel disgust toward certain behaviors, this emotion informs them that someone else is moving down on the third dimension. Haidt defines elevation as the opposite of disgust, because witnessing others rise on the third dimension causes the viewer to also feel higher on this dimension.
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Multi-dimensional panel data sets contain observations across time, cross-sectionally, and across some third dimension. For example, the Survey of Professional Forecasters contains forecasts for many forecasters (cross-sectional observations), at many points in time (time series observations), and at multiple forecast horizons (a third dimension).Davies, A., 2006. A framework for decomposing shocks and measuring volatilities derived from multi-dimensional panel data of survey forecasts.
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The intensities of the peaks in the spectrum can be represented using a third dimension. More commonly, intensity is indicated using contour lines or different colors.
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Figure 1. The membership function of a general type-2 fuzzy set is three-dimensional. A cross-section of one slice of the third dimension is shown.
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The third dimension, the arrangement of points, is irrelevant to the discrimination task. Target items require to press the key "1" and non-target items require the key "0".
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This cross-section, as well as all others, sits on the FOU. Only the boundary of the cross-section is used to describe the membership function of a general type-2 fuzzy set. It is shown filled-in for artistic purposes. The membership function of a general type-2 fuzzy set, Ã, is three- dimensional (Fig. 1), where the third dimension is the value of the membership function at each point on its two-dimensional domain that is called its "footprint of uncertainty"(FOU). For an interval type-2 fuzzy set that third- dimension value is the same (e.g., 1) everywhere, which means that no new information is contained in the third dimension of an interval type-2 fuzzy set. So, for such a set, the third dimension is ignored, and only the FOU is used to describe it. It is for this reason that an interval type-2 fuzzy set is sometimes called a first-order uncertainty fuzzy set model, whereas a general type-2 fuzzy set (with its useful third-dimension) is sometimes referred to as a second-order uncertainty fuzzy set model. Figure 2. FOU for an interval type-2 fuzzy set. Many other shapes are possible for the FOU.
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Vision Systems.Spare, James (August, 2004). “Machine vision: Adding the Third Dimension. Electronic perception technology is a new way to make direct, rather than derived, depth measurements of target objects” . Sensors.
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21386 (2007).Boudreau, N. & Weaver, V. Forcing the Third Dimension. Cell125, 429-431 (2006).Griffith, L. G. & Swartz, M. A. Capturing complex 3D tissue physiology in vitro. Nat. Rev. Mol.
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In Countdown to Final Crisis, the modern Mxyzptlk claims to have always felt the need for a "public" in the third dimension, and that Superman was not his first victim.
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Acta Crystallograph. B49, 28-56 The infinite sheet structures that campigliaite has are characterized by strongly bonded polyhedral sheets, which are linked in the third dimension by weaker hydrogen bonds.
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Cukierman, E., Pankov, R., Stevens, D. R. & Yamada, K. M. Taking Cell-Matrix Adhesions to the Third Dimension. Science294, 1708-1712 (2001).Abbott, A. Biology's new dimension. Nature424, 870-872 (2003).
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Exclusive to Voltron: The Third Dimension, evil counterparts to the lions based on dragons, the Dragons lived in an alternate dimension, but were so ferocious and destructive that they left it a desolate wasteland, forcing them to travel to other dimensions to steal food as well as structures within which to protect their eggs from their atmosphere. The most powerful Dragon is Black Draco, the black dragon. Five Dragons can merge to form Dracotron, an evil incarnation of Voltron with a superblast attack so strong, as indirectly stated in Third Dimension, that two blasts can destroy Voltron. In Third Dimension, the Dragons and Dracotron make multiple appearances and are destroyed each time, indicating that possibly any five Dragons can merge into a Dracotron.
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The movie includes stock footage of Cape Kennedy. It was the first movie to be made at Miami's Studio City Complex. Also released in the UK as Murder in the Third Dimension.
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The interaction-associated information - tags - is taken as a third dimension (in addition to user and item) in advanced collaborative filtering to construct a 3-dimensional tensor structure for exploration of recommendation.
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A 3d pie chart, or perspective pie chart, is used to give the chart a 3D look. Often used for aesthetic reasons, the third dimension does not improve the reading of the data; on the contrary, these plots are difficult to interpret because of the distorted effect of perspective associated with the third dimension. The use of superfluous dimensions not used to display the data of interest is discouraged for charts in general, not only for pie charts.Good and Hardin, chapter 8.
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Til Bikram Nembang Limbu, popularly known as Bairagi Kainla or Bairagi Kaila (); is a senior litterateur of Nepal. He has served as Chancellor of the Nepal Academy from 2066 BS to 2070 BS.Biodata of Bairagi Kaila Nepal Academy Part of his significant literary struggle was the Tesro Aayam (Third Dimension) movement. During the early 1960s, he with Ishwor Ballav and Indra Bahadur Rai searched unexplored realms of Nepali literature. They added a new dimension – the third dimension – to Nepalese literature.gorkhapedia.wikidot.
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She speculates that inhabiting a home built by a sculptor gave her the urge to work in a third dimension in a studio surrounded by forest and large enough to accommodate multiple projects at once.
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"Ways to Use the Internet." The Third Dimension [Texas Society of Sculptors, Austin, TX] Jan.- March 2009: 7. Print. Baron began sculpting in 1979 and eventually created more than 300 narrative bronze and cast stone figures.
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There was a third dimension to the conflict within the Corbet family, as Sir Richard Peshale's brother and henchman Hamon Peshale was married to Alicia Harley,Roskell et al. Members. PESHALE, Hamon (d.c.1398), of Salop.
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An expansion on Robert Dahl's two dimensions by adding a possible third dimension: institutions The more insidious cause of participation inequality stems from a third dimension that has been recently added to Dahl’s two-dimensional evaluation of political systems: institutions. In this framework, institutions implement political rights and procedures guaranteed by the state. Institutional causes for participation inequality can include literacy tests, extensive citizenship requirements, sparse voting booths in rural or poor areas, and a lack of public transportation. These all affect the ability of citizens to properly exercise guaranteed rights like voting.
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Superpose them and glue corresponding points on their boundaries. Again one may think of the third dimension as temperature. Likewise, we may inflate the 2-sphere, moving the pair of disks to become the northern and southern hemispheres.
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3D tactics is defined "as tactics in the third dimension which is the space above and below ground level in land and urban operations".Flaherty, C. (2010) Command, Influence and Information in 3D Tactics. Journal of Information Warfare. (9)1: 18-31.
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Because our retinas are fundamentally flat surfaces, our neurons must infer the third dimension from cues such as shadows, perspective lines or the relative sizes of objects—both in paintings and in everyday perception. Meade’s artful application of paint disrupts this brain process.” Scientific American: Illusion Chasers.
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Both techniques have undergone significant technical developments, in particular allowing multicolor imaging and the extension to three dimensions, with the best current axial resolution of 10 nm in the third dimension obtained using an interferometric approach with two opposing objectives collecting the fluorescence from the sample.
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Caedmon Audio and HarperCollins Audio are record label imprints of HarperCollins Publishers specialising in audiobooks and other literary content. Formerly Caedmon Records, its marketing tag-line was Caedmon: a Third Dimension for the Printed Page. The name changed when the label switched to CD-only production.
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They will also be working in two dimensions. From ages 14–18 the adolescence will begin to have a deepening consciousness and emotions will be expressed more. They will also be very self-critical of themselves. During this time they will become aware of the third dimension.
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Richard Polfreman[R. Polfreman. Frameworks 3d: composition in the third dimension. pages 226–229, Pittsburgh, USA, Carnegie Mellon University, 2009.] made a 3D virtual environment for musical composition with visual representations of musical and sound data similar to 2D composition environments but placed in a 3D space.
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The museum and cultural center published a book of the exhibited works, entitled Paintings of the Red Road by Arthur Johnsen. Some of Johnsen's paintings have been held by Cedar Street Gallery in Honolulu. Some of his paintings are currently held at Third Dimension Gallery in Kamuela.
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David Weber's Honorverse novels present a view of space warfare that simply transplants the naval warfare of Horatio Nelson and Horatio Hornblower into space. The space navy battle tactics in the Honorverse are much like those of Nelson, with the simple addition of a third dimension.
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Including a third dimension to surface computing presents both benefits and challenges. One of these benefits is an extra dimension of interaction. Unlike flat surfaces, three dimensional surfaces allow for a sense of depth and are thus classified as "depth-aware" surfaces. This allows for more diverse gestural interactions.
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"Ursula Meyer, Euclidean Geometries: 1960s Sculpture and Drawings", The Art Gallery of The Graduate Center The City University of New York, July 13, 2005. Meyer's sculpture has been described as focused on the interplay of transiency and stability,Willard, Charlotte. "The Third Dimension." New York Post 13 January 1968.
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Tales of the Third Dimension is a 1984 3D comedy horror anthology film starring Robert Bloodworth, Kevin Campbell and William T. Hicks. It comprises three tales directed by Worth Keeter, Thom McIntyre, and Todd Durham. They are introduced by skeleton host 'Igor' in wraparound sequences directed by Earl Owensby.
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One of Cogliatti′s artistic goals, among others, was to use painterly means to give the impression of a third dimension. She therefore gave her work the name Trompe-l’œil, which means "eye delusion"; for this, the dominance of the window hatches in the wall had to be broken.
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Joseph Csaky 1920, multidimensional relief, limestone, polychrome, 80 cm, Kröller-Müller Museum Multidimensional art is art that cannot be represented on a two dimensional flat canvas. Artists create a third dimension with paper or another medium. In multidimensional art an artist can make use of virtually any items (mediums).
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A dilation constant of one means that there is no perspective. High dilation constants can cause a "fish-eye" effect in which image distortion begins to occur. Orthographic projection is used mainly in CAD or CAM applications where scientific modeling requires precise measurements and preservation of the third dimension.
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Early iron structures using a Town-type lattice replicated this appearance, leading to the instantly recognisable lattice-work shown in the bridges in Part A of this list. However, design considerations required that an iron (as opposed to a wooden) structure required many of the latticed bars to be stiffened in the third dimension. Thus, on closer examination, the delicate appearance of these early iron lattices is belied by this much more complex stiffening in the thickness or third dimension. This complex stiffening is itself also sometimes described as a ‘lattice girder’, being composed of (typically) two or four parallel flat or angled steel bars, closely spaced but linked by lattice work.
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The p factor model supports the internalizing- externalizing distinction, but also supports the formation of a third dimension of thought disorders such as schizophrenia. Biological evidence also supports the validity of the internalizing-externalizing structure of mental disorders, with twin and adoption studies supporting heritable factors for externalizing and internalizing disorders.
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They were also more clearly contrasted against the black backgrounds. It was now possible to depict humans not only in profile, but also in frontal, rear, or three-quarter perspectives. The red-figure technique also permitted the indication of a third dimension on the figures. However, it also had disadvantages.
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Bonin, John A., MAJ, USA. Towards the Third Dimension in Combined Arms: The Evolution of Armed Helicopters into Air Maneuver Units in Vietnam, p. 33. Fort Leavenworth, Kansas: US Army Command and General Staff College, 22 April 1986. The Cheyenne program was canceled by the Army on 9 August 1972.
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Von Mises yield criterion in 2D (planar) loading conditions: if stress in the third dimension is zero (\sigma_3 = 0), no yielding is predicted to occur for stress coordinates \sigma_1,\sigma_2 within the red area. Because Tresca's criterion for yielding is within the red area, Von Mises' criterion is more lax.
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In his book Douhet argued that air power was revolutionary because it operated in the third dimension. Aircraft could fly over surface forces, relegating them to secondary importance. The vastness of the sky made defense almost impossible, so the essence of air power was the offensive. The only defense was a good offense.
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The original DOS, FM Towns and PC-98 versions of the game feature erotic scenes. Banpresto removed these aspects before re- publishing the game for the SNES, PC-FX and PlayStation platforms. A third remake brought the game into the third dimension and brought back the erotic scenes.Seid, Kurtis (2009-02-14).
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Tritiyo Matra discusses the important issues of politics. In each episode there are two guests, who argue for themselves. While the third dimension is primarily a politics-based discussion, it discusses every issue, including society, economics, science, literature, and humanities. On various important days in Bangladesh, the program also discussed outside politics.
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Starting with the Apple Watch, Force Touch has been incorporated into many products within Apple's lineup. This notably includes MacBooks and the Magic Trackpad 2. The technology is known as 3D Touch on the iPhone models. The technology brings usability enhancements to the software by offering a third dimension to accept input.
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Bulk micromachining is the oldest paradigm of silicon-based MEMS. The whole thickness of a silicon wafer is used for building the micro-mechanical structures. Silicon is machined using various etching processes. Anodic bonding of glass plates or additional silicon wafers is used for adding features in the third dimension and for hermetic encapsulation.
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Width or breadth usually refer to a shorter dimension when length is the longest one. Depth is used for the third dimension of a three dimensional object. Length is the measure of one spatial dimension, whereas area is a measure of two dimensions (length squared) and volume is a measure of three dimensions (length cubed).
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Robotech 3000 was Harmony Gold's attempt to revive the Robotech franchise before the turn of the millennium. After the relative success of Voltron: The Third Dimension and Roughnecks: Starship Troopers Chronicles, a new Robotech sequel was proposed that would use 3D CG visuals, with producer Jason Netter and writer Carl Macek at the helm.
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The sword stands for strike capability and penetration depth. The red arrow illustrates the third dimension, the depth of space and the dynamics of the division. The framing silver cord shows the status as a division. The maroon coloured seam corresponds with the traditional beret colour of the Army Aviation Corps and airborne forces.
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Tesro Aayam तेस्रो आयाम (translation: Third Dimension) is a literary movement founded by Ishwor Ballav, Bairagi Kainla and Indra Bahadur Rai in 1960 which triggered a new stir in Nepalese and Indian literature. This movement is considered a significant milestone in the history of Nepalese and Indian literature which signalled the beginning of Postmodernism.
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In the "Treehouse of Horror IV" episode, the famous Dogs Playing Poker painting appears above the sofa. In "Treehouse of Horror VI", there is a portal behind the bookcase in the sitting room that leads to the third dimension, a reference to The Twilight Zone episode "Little Girl Lost". However, Treehouse of Horror episodes are not canonical.
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The trompe-l'œil technique used in the murals gives the illusion of a third dimension. The building is also an outstanding example of an Italianate villa of its place and time, and at the time of its building was a tribute to the reputation of its owner as the so- called 'Flax and Oil King of Canada'.
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Block's editions are small, seldom more that a dozen prints per edition. Often however, each print required a dozen or more printings to layer the colors one upon the other, finally realizing the image Amanda required. Her washes are finely controlled and the juxtaposition between wash and line builds a tension that adds a third dimension to the effect.
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In his distinctly human functions, he is made to feel like an animal. The third dimension of alienation that Marx discusses is man's alienation from his species. Marx here uses Feuerbachian terminology to describe man as a "species-being". Man is a self-conscious creature who can appropriate for his own use the whole realm of inorganic nature.
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In 1997, along with his father and brother, he founded Ambroziak Third Dimension Technologies, Inc. with the purpose of developing geospatial visualization software. Ambroziak co-invented the "Ambroziak Infinite Perspective Projection" (AIPP), a map projection method used for three-dimensional stereo visualization of geographic data.U.S. Patent No. 6,489,962, "Analglyphic representations of image and elevation data," issued December 3, 2002.
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According to Fechner, this "shadow-man" would conceive of the third dimension as being one of time. The story bears a strong similarity to the "Allegory of the Cave" presented in Plato's The Republic (c. 380 BC). Simon Newcomb wrote an article for the Bulletin of the American Mathematical Society in 1898 entitled "The Philosophy of Hyperspace".
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In Europe specifically, the Kao the Kangaroo and Hugo series achieved popularity and sold well. Raymans popularity continued, though the franchise's third game was not as well received as the first two. Oddworld: Munch's Oddysee brought the popular Oddworld franchise into the third dimension, but future sequels to this game did not opt for the 3D platform genre.
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A remake of Archon: The Light and the Dark, Archon Ultra adds updated graphics and sound. New features include secondary weapons that give all units two unique abilities, and the battle sequences are shown from a diagonal overhead point of view to simulate a third dimension in the battles. The game also has a multiplayer mode via modem.
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Solid state batteries employ geometry most similar to traditional thin-film batteries. Three-dimensional thin-films use the third dimension to increase the electrochemically active area. Thin film two dimensional batteries are restricted to between 2-5 micrometres, limiting areal capacity to significantly less than that of three-dimensional geometries. Dimensionality is increased by using a perforated substrate.
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The most important properties of the eigenvalues and eigenfunctions are that they are isometry invariants. In other words, if the shape is not stretched (e.g. a sheet of paper bent into the third dimension), the spectral values will not change. Bendable objects, like animals, plants and humans, can move into different body postures with only minimal stretching at the joints.
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Bughouse chess, for example, is played by four players disputing two simultaneous matches in separate boards. Alice Chess is a popular variant which, although can be played in a single chessboard, is usually played in two to facilitate the movement of pieces between the boards.Hooper & Whyld 1992, p. 11. Other variants such as Raumschach utilise extra boards to simulate the third dimension.
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Motion compensation is utilized in Stereoscopic Video Coding In video, time is often considered as the third dimension. Still image coding techniques can be expanded to an extra dimension. JPEG 2000 uses wavelets, and these can also be used to encode motion without gaps between blocks in an adaptive way. Fractional pixel affine transformations lead to bleeding between adjacent pixels.
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Additionally, there is a separation of power between legislative and executive. The third dimension is the distinction between individual and organized pluralismcf. Hallin & Mancini (2004), p. 53-55. resp. liberalism and corporatism. Individual pluralism is defined as the organization of the political representation “in terms of the relation between governing institutions and individual citizens, along with a multiplicity of competing ‘special interests’”.
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Computations underlying the measurement of visual motion. Artificial Intelligence, 23(3), 309–354. Practical applications have included representing the third dimension in computer displays,Hubona, G. S., Wheeler, P. N., Shirah, G. W., & Brandt, M. (1999). The relative contributions of stereo, lighting, and background scenes in promoting 3D depth visualization. ACM Transactions on Computer-Human Interaction (TOCHI), 6(3), 214–242.
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The intensity or speckle of an OCT signal is the random interference pattern produced by backscattered light from a random medium. OCT captures cross-sectional images, known as B-scans. In SV-OCT, multiple B-scans are captured at the same location, creating a 3D data set, with time as the third dimension. The pixel-wise variance is computed between consecutive B-scan frames.
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Since 2019, Rudess' live setup includes the ContinuuMini, a smaller version of the Continuum. Another advocate is Sarth Calhoun, who uses it in his work with Lucibel Crater and whilst he was working with Lou Reed. In the Metal Machine Trio both Calhoun and Reed used Continuum Fingerboards on stage. Indian composer A.R. Rahman's 2007 Third Dimension tour of North America featured the Continuum.
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Ishwar Ballav (, 11 July 1937 - 22 March 2008) is one of the most influential Nepali poets. He is also a poet of a new dimension–the third dimension–meaning Tesro Ayam in the history of Nepalese literature. He, along with his contemporaries Bairagi Kaila and Indra Bahadur Rai, formed a trio in 1963 in Darjeeling to rethink and evaluate the development of Nepalese literature.
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Their construction differs from that at Khirokitia in that most appear partially buried and make provision for a dromos entry. The inclusion of domes, however, represents a wider sense of the word vault. The distinction between the two is that a vault is essentially an arch which is extruded into the third dimension, whereas a dome is an arch revolved around its vertical axis.
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Gerstein sought to "expand the borders of painting" to the domain of the third-dimension. Dissatisfied with his few sculpting experiments, the artist discovered that he could cut and assemble the elements into a type of sculpture in space. The idea came to him during reserve duty while dismantling cardboard boxes containing cartridges. He painted on the inner partition of a box and then reassembled it.
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He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber-Arp, and other artists. He also attended the City College of New York.Philips, Lisa. The Third Dimension: Sculpture of the New York School. Whitney Museum of American Art, 1984, p. 76. Influenced by his study of art history and readings in European art magazines, Lassaw began to make sculpture in the late 1920s.
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In early Christianity the term mystikos referred to three dimensions, which soon became intertwined, namely the biblical, the liturgical and the spiritual or contemplative. The biblical dimension refers to "hidden" or allegorical interpretations of Scriptures. The liturgical dimension refers to the liturgical mystery of the Eucharist, the presence of Christ at the Eucharist. The third dimension is the contemplative or experiential knowledge of God.
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Diameters of mature hemlocks range from , with trees over in diameter being very rare. In New England, the maximum diameter is . Trunk volume is the third dimension to receive attention by ENTS. Many eastern hemlocks have been modeled to over 30 m³ trunk volume, and the largest has been calculated to be 44.8 m³, making it the largest natural evergreen conifer in the eastern United States.
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"SIM Lite Astrometric Observatory Response to the Request for Information from Astro2010", p. 8, Jet Propulsion Laboratory, April 2009. Retrieved 9 March 2010. The sophisticated guide telescope stabilizes instrument pointing in the third dimension. The spacecraft's operational limiting magnitude would have gone down to 20 at 20 millionths of an arcsecond (μas) and its planet-finding, astrometric accuracy of 1.12 µas is for single measurements.
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In 2017, James added the album to his own web store, and included not only a 26th track, but made the 19th track available in a digital format for the first time since its inclusion on an ambient music CD compilation entitled Excursions in Ambience: The Third Dimension, also released in 1994. By July 1994, it had sold over 60,000 copies outside the United States.
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Common humanity refers to one's ability to recognize that they are part of a related group of others and that suffering is part of the human condition. The third dimension is mindfulness versus over-identification. Mindfulness refers to one's awareness and acceptance of painful experiences in a balanced and non-judgmental way. Neff describes these three dimensions interacting to enhance and engender one another.
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The film immediately follows back into the third dimension with Rodo. This stands out in the film because we eventually learn at the end of the film Rodo Celso is the one to kill Don Celso (This will be explained later). The transition from first dimension to third initially was because Don Celso is asked who his favorite historical figure is. Rodo responds with Beethoven.
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Leonhard Euler extended Newton's laws of motion from particles to rigid bodies with two additional laws. Working with solid materials under forces leads to deformations that can be quantified. The idea was articulated by Euler (1727), and in 1782 Giordano Riccati began to determine elasticity of some materials, followed by Thomas Young. Simeon Poisson expanded study to the third dimension with the Poisson ratio.
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Art In America (Review Jonathan Goodman) December 2002 Artnews (Review Arlene McKanic) September 2002 ARTnews (Review Mary Schneider Enriquez) December, 2000. ARTFORUM International, May 1999, pp. 180–181. Print Magazine, 1975 March–April Northlight, 1976 March–April Graphis, No. 188, 1976–77 Communication Arts, Vol. 15, No. 3, 1973 Idea Magazine, No. 172, 1982 Illustration in the Third Dimension-Hastings House Today's Art, Vol.
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In contrast, the surface dimension is subject to subtle transformations through life experiences such as education, therapy, illness, trauma, and/or aging. So, while both the MBTI and the third dimension of PAS result from conscious choices about the identity a person wishes to project, these respective models vary as to the sources governing the decisions going into the choice of one's public persona.
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Once combined with shapes, these joints form what are known as "'bots", "robots", or "IncrediBots". One other kind of joint, thrusters, are like rocket engines. IncrediBots allows movement in a two-dimensional plane, in which the bottom of the user's screen is the gravitational 'down'. Although this lack of a third dimension can be limiting, it allows for much easier construction and faster processing speeds.
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When tested with a Weissenberg camera and single-crystal diffractometer, campigliaite is found to be twinned with the (100) as its twinning plane. Campigliaite is monoclinic with a point group of 2 and space group of C2. The infinite sheet structures that campigliaite has are characterized by strongly bonded sheets of polyhedra which are linked in the third dimension by the weaker hydrogen bonds.
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In the autumn of 1998 the group released the album Third Dimension. The single "Once Upon A Time" could tie to past successes; the probably saddest song of the group contained elements from the music by Ennio Morricone for the epic spaghetti-Western film Once Upon a Time in the West (1968). With the song "H.I.V.", one drew the attention of the dangers of the AIDS virus.
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In early Christianity the term "mystikos" referred to three dimensions, which soon became intertwined, namely the biblical, the liturgical and the spiritual or contemplative. The biblical dimension refers to "hidden" or allegorical interpretations of Scriptures. The liturgical dimension refers to the liturgical mystery of the Eucharist, the presence of Christ at the Eucharist. The third dimension is the contemplative or experiential knowledge of God.
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The result adds a third dimension to the traditional two-dimensional canvas. Zieliński entered Yale with a background in information theory and his artwork then consisted of conceptual collage grids made from cloth. Over the next few years at Yale his work transformed from orderly black and white collages into intense bright paintings of everyday objects, including laptops. These works were humorous in their presentation.
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A net of a tesseract To understand the nature of four-dimensional space, a device called dimensional analogy is commonly employed. Dimensional analogy is the study of how (n − 1) dimensions relate to n dimensions, and then inferring how n dimensions would relate to (n + 1) dimensions. Dimensional analogy was used by Edwin Abbott Abbott in the book Flatland, which narrates a story about a square that lives in a two-dimensional world, like the surface of a piece of paper. From the perspective of this square, a three-dimensional being has seemingly god-like powers, such as ability to remove objects from a safe without breaking it open (by moving them across the third dimension), to see everything that from the two-dimensional perspective is enclosed behind walls, and to remain completely invisible by standing a few inches away in the third dimension.
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Expanding the boundaries of both sculpture and painting, works such as Floral Counterpoint (1982) and Third Dimension in Painting (1982) create immersive spatial experiences. In parallel, her interest in the language of musical composition took center stage starting from Cadence (1995) and Prelude (2001) in Istanbul's Maçka Sanat Galerisi, and became a prominent feature of some of her works in the 2000s such as Opus II - Fantasia (2001, Kunsthalle Baden- Baden).
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They race back to the other community service crewmen to warn them the murals in a pedestrian subway are additional Boneless. Some crewmen are killed while Clara leads the rest through a train yard into tunnels. They are followed by the Boneless, which take the form of the people they killed to use the third dimension. The Boneless surround the others by flattening the doors into two dimensions.
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The result is a series of two-dimensional, cross-sectional images, which can be collected in real time and can show quite high in-plane resolution if detector elements are packed at high density around the image plane.A. Buehler, E. Herzog, D. Razansky, V. Ntziachristos, "Video rate optoacoustic tomography of mouse kidney perfusion", Opt. Lett. 35 (2010) 2475-2477. Translating the detector along the third dimension then allows volumetric scanning.
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Denis Wirtz is the vice provost for research and Theophilus Halley Smoot Professor of Engineering Science at Johns Hopkins University. He is an expert in the molecular and biophysical mechanisms of cell motility and adhesion and nuclear dynamics in health and disease.Keiger, Dale.“Moving cancer research out of the Petri dish and into the third dimension” Johns Hopkins Magazine, Baltimore, 1 January 2013. Retrieved on 28 March 2016.
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"Chuck Versus the Angel de la Muerte" aired on January 11, 2010. Nielsen data indicated a total of 7.3 million viewers, with a Demo of 2.6/7. This made it the highest-rated Monday episode of Chuck since "Chuck Versus the Third Dimension" in January, 2009. Additionally, the episode grew 8% in the Adults 18-49 Demo, from a 2.5 to a 2.7, during its second half-hour.
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This height information, along with the azimuth-range coordinates provided by 2-D SAR focusing, gives the third dimension, which is the elevation. The first step requires only standard processing algorithms,G. Fornaro, G. Franceschetti, "SAR Interferometry", Chapter IV in G. Franceschetti, R. Lanari, Synthetic Aperture Radar Processing, CRC-PRESS, Boca Raton, Marzo 1999. for the second step, additional pre-processing such as image co- registration and phase calibration is used.
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"Try It Again" was used in an opening scene in the Chuck episode Chuck vs. The Third Dimension. "Try It Again" was part of the promotional trailers for the USA show White Collar. In 2013, it was featured in the movies The Internship and R.I.P.D.. The song "Tick Tick Boom" was the official theme song for WWE's Survivor Series 2007 and also featured in the Madden NFL 11 soundtrack.
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The computer animation was provided by Pacific Data Images. While designing the 3D model of the character, the animators did not know how they would show Bart's hair. They realized that there were vinyl Bart dolls in production and purchased one to use as a model.Oakley, Bill; Weinstein, Josh; Johnson, Tim; Silverman, David; Mirkin, David; Cohen, David X. "Homer in the Third Dimension" (2005), in The Simpsons: The Complete Seventh Season [DVD].
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Gulgardi was described by the National Gallery of Victoria: "Kaapa's work, with its pictorial elements and seductive delicacy of detail, is cultivated to appeal to the western gaze. It also recreates the dramatic spectacle of men participating in ceremony and creates an illusion of the third dimension." Art historian Vivian Johnson considered the work typical of Kaapa's technique at the time. She wrote: The work is held by the Araluen Arts Centre in Alice Springs.
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Part of the marketing effort included a promotional/instructional video starring Vincent Price.Step into the third dimension, Nishika corporation, 1989 currently available on youtube Oddly enough, they used Macrovision on it, since it is a promotional video for a product you would think they would have encouraged people to make copies of it! Nishika also offered a companion flash, similar to the Nimslo Optilite but much bulkier and with just one contact plus ground.
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MEADS Over-the-Shoulder Launch at White Sands (MEADS International) MEADS provides ground-mobile air and missile defense with expanded coverage. The system provides enhanced force protection against a broad array of third- dimension threats. Improved interoperability, mobility, and full 360-degree defense capability against the evolving threat represent are key aspects. MEADS is the first air and missile defense (AMD) system that provides continuous on-the-move protection for maneuver forces.
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This version introduced a full third dimension, by having a four-level maze with players able to climb up and down between levels. Robots players were also implemented in the firmware. Their skill level was controlled by simply adjusting the clock rate of the system. The game was so popular that even though it had been built as a MIT 6.111/6.112 class project it was kept assembled and operational for over a year.
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Other innovations of the time were cylindrical boards for the practice of variants such as cylinder chessHooper & Whyld 1992, p. 100. and the convention that the first square of the far right column should be light-coloured, endorsed by Pedro Damiano in the end of the 15th century.Hooper & Whyld 1992, p. 47. More recently, some varieties have employed three-dimensional boards, in which the third dimension is usually another two-dimensional board.
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"Chuck Versus the Third Dimension" is the 12th episode of the second season of Chuck. It aired on February 2, 2009. This episode was originally aired in 3-D, as the name suggests, using the same ColorCode 3-D technology as some of the commercials in Super Bowl XLIII. When Chuck foils a plan to kill international rock star Tyler Martin (Dominic Monaghan), the agents kidnap the musician to find out who wants him dead.
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This necessarily involves nonlinear data reading and writing methods, in particular nonlinear optics. 3D optical data storage is related to (and competes with) holographic data storage. Traditional examples of holographic storage do not address in the third dimension, and are therefore not strictly "3D", but more recently 3D holographic storage has been realized by the use of microholograms. Layer- selection multilayer technology (where a multilayer disc has layers that can be individually activated e.g.
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In econometrics, a multidimensional panel data is data of a phenomenon observed over three or more dimensions. This comes in contrast with panel data, observed over two dimensions (typically, time and cross-sections). An example is a data set containing forecasts of one or multiple macroeconomic variables produced by multiple individuals (the first dimension), in multiple series (the second dimension) at multiple times periods (the third dimension) and for multiple horizons (the fourth dimension).
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The First edition of the Pragyan Square One (2015) was conducted in Chennai. It took place at the Sathyabama University, Chennai on 1 and 2 November 2014. Four different events were conducted during the course of the programme. This included a guest lecture, the Circuitrix event, the regional prelims of the Pragyan Open Quiz and a hovercraft workshop, conducted by the AeroSapiens, in association with the Third Dimension Aeromodeling club of NIT Trichy.
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This was "a first attempt to take the structure out of the domain of languages, and into the domain of editors. In addition to conventional editing facilities, STET gives the user a third dimension: a tree structure that may be traversed using Program Function Keys much as scrolling is normally implemented"STET - A STructured Editing Tool Version 2, Davies, S. and Cowlishaw, M. F., IBM UK Scientific Centre, 30pp, 28th Dec 1980.
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General Levy was born in Central Middlesex Hospital in Park Royal, London on 28 April 1971. Levy's formative years were spent in Harlesden and Wembley in the London Borough of Brent in northwest London. Levy's musical influence was developed in the area, collecting dancehall tapes, beginning in 1981. At the age of 12, General Levy began writing lyrics and went onto form his first sound system two years later with his friends named Third Dimension.
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Then we got rid of the third dimension altogether and got really flat (Abstract Expressionism). Then we got rid of airiness, brushstrokes, most of the paint, and the last viruses of drawing and complicated designs". After providing examples of other techniques and the schools that abandoned them, Wolfe concluded with Conceptual Art: "…there, at last, it was! No more realism, no more representation objects, no more lines, colors, forms, and contours, no more pigments, no more brushstrokes.
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The first UK tour of Starlight Express (now entitled Starlight Express: The Third Dimension) opened on 4 November 2004 in Manchester. The production was produced by David Ian Productions and directed by Mykal Rand. Originally adapted from the second U.S. tour, most of David Yazbek's contributions were removed after Andrew Lloyd Webber visited a performance. In November 2007 the first UK tour production toured Stockholm, Gothenburg, Oslo and Helsinki, using an expanded set designed for use in stadium venues.
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Playfair thought that pie charts were in need of a third dimension to add additional information.Palsky, p. 144–145 It has been said that Florence Nightingale invented the pie chart, though in fact she just popularised it and she was later assumed to have created it due to the obscurity of Playfair's creation.Dave article on this information on QI The French engineer Charles Joseph Minard was one of the first to use pie charts, in 1858.
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Executive producer Bill Oakley considers the shot to be the "money shot" and had a difficult time communicating his idea to the animators.Oakley, Bill; Weinstein, Josh; Johnson, Tim; Silverman, David; Mirkin, David; Cohen, David X. "Homer in the Third Dimension" (2005), in The Simpsons: The Complete Seventh Season [DVD]. 20th Century Fox. An edited version of Homer3 would appear alongside several other shorts in the 2000 American 3-D animated anthology film, CyberWorld shown in IMAX and IMAX 3D.
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In an early working phase, Hortensia put a special focus to the transition from the second into the third dimension. "With sculptures done from images of Piero della Francesca, Francisco de Goya, Albrecht Dürer or Jan Vermeer, she has been going along this path of "spatialization" in the early 1980s",Ass-Prof. Dr. Hans-Walter Ruckenbauer, from "Static, Rhythm and Proportion", 2011. including sculptures such as "Figure after Goya," 1980; "Figure after Dürer", 1981, "Hommage a Courbet", 1988–95.
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Method dispatch in object oriented programming can be thought of as "two dimensional" in the sense that the code executed depends on both the method name and the object in question. This can be contrastedJournal of Object Technology: Context Oriented Programming with procedural programming, where a procedure name resolves directly, or one dimensionally, onto a subroutine, and also to subject oriented programming, where the sender or subject is also relevant to dispatch, constituting a third dimension.
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In 2011 Silver Sprocket published the Phenomenauts comic book Adventures in the Third Dimension!. The comic was written by Emmy winner Rich Fogel, with art by Eisner winner Erica Henderson, as well as Mitch Clem, Nation of Amanda, Nicholas Kole, Claire Hummel, Stephen R. Buell, and Chris Wisnia. The 48 page comic contains five short stories about the Phenomenauts' adventures. It also has articles such as a word search and "Get To Know Your Phenomenauts" biography.
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The spheroids are thus improved models for cell migration, differentiation, survival, and growth. Furthermore, 3D cell cultures provide more accurate depiction of cell polarization, since in 2D, the cells can only be partially polarized. Moreover, cells grown in 3D exhibit different gene expression than those grown in 2D. The third dimension of cell growth provides more contact space for mechanical inputs and for cell adhesion, which is necessary for integrin ligation, cell contraction and even intracellular signalling.
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The fez itself, Fish described as an "ancient symbol of understanding the third dimension". Fez had three different animators through its development: Paul Robertson of Scott Pilgrim vs. the World: The Game, who did the game's animals and some of Gomez's animations, Adam Saltsman of Canabalt, and Graham Lackey, who did some character animations. The game's mechanics were inspired by the Nintendo Entertainment System games Fish played in his youth, particularly Super Mario and The Legend of Zelda.
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He adds the third dimension to his paintings by fixing protuberant forms to the underpinnings. These shapes push the canvas out from the wall and create the volume in his paintings. He then paints various planes of his work in order to create volume and to play with the eye of the viewer. He sometimes paints the reverse side of the canvas which sits off the wall, so as to produce a halo effect around his work.
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Frommer taught for several years and then moved into business, becoming a Vice President, Special Projects Coordinator, Strategic Planner, and Writer-Researcher at Bentley Industries in Los Angeles. Frommer was also a writer for the 1989 film Step Into the Third Dimension. In 1996, he returned to USC as a full professor of clinical management communication at the Marshall School of Business. In 1999, he co-authored a linguistics workbook called Looking at Languages: A Workbook in Elementary Linguistics.
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Canvasses were now inspired by architectural and ornamental structures captured in mysterious light and shadow arrangements, in shades of grey-blue and white. With the wooden reliefs and sculptures that then followed in 1995, Giuffrida transposed the notion of picture puzzles into the third dimension. He made assemblages from dismantled individual items and furniture freed from its functional context, combining them with worked wood panels. The relief-like wooden sculptures look like magnified details of the painted puzzles.
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From economics, an indifference map with three indifference curves shown. All points on a particular indifference curve have the same value of the utility function, whose values implicitly come out of the page in the unshown third dimension. In economics, contour lines can be used to describe features which vary quantitatively over space. An isochrone shows lines of equivalent drive time or travel time to a given location and is used in the generation of isochrone maps.
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The 2-dimensional Pople diagram describes the convergence of the quantum-mechanical nonrelativistic electronic energy with the size of the basis set and the level of electron correlation included in the wavefunction. In order to reproduce accurate experimental thermochemical properties, secondary energetic contributions have to be considered. The third dimension of the Pople diagram consists of such energetic contributions. These contributions may include: spin–orbit interaction, scalar relativistic, zero- point vibrational energy, and deviations from the Born–Oppenheimer approximation.
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His first book Vipana Katipaya, a collection of thirty short stories published in 1960, had a great influence on Nepali literature, especially on the genre of short stories. From 1963 onwards, he was a prominent figure in the dimensional literature movement, which is known as Aayameli Andolan in the history of Nepali literature. He, along with Ishwor Ballav and Bairagi Kainla, searched the unexplored realms of Nepali literature. They successfully added a third dimension – Tesro Aayam – to Nepali literature.
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The results of these efforts were I Do Perceive, Owen's third album. On At Home With Owen, Mike figuratively leaves the at-home bedroom that has characterized so much of Owen's past musical presence. His step away from bedroom recording allowed for an alternative approach to the songs recorded on at Home With Owen. "I've always hated how two dimensional the other Owen albums have sounded, and I think this one's finally got a third dimension," Kinsella says.
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Play in most chess variants is sufficiently similar to chess that games can be recorded with algebraic notation, although additions to this are often required. For example, the third dimension in Millennium 3D Chess means that move notation needs to include the level number, as well as the rank and file--N2g3 means a knight move to the g3 square on the second level. When fairy chess pieces are used, notation requires assigning letters for those pieces.
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The third dimension was in designing complex managerial systems that could handle far more complicated simultaneous relationships than could be dreamed of by the local factory owner who could patrol every part of his own factory in a matter of hours. Civil engineers became the senior management of railroads. The leading innovators were the Western Railroad of Massachusetts and the Baltimore and Ohio Railroad in the 1840s, the Erie in the 1850s and the Pennsylvania in the 1860s.Alfred D. Chandler and Stephen Salsbury.
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These are set at lower (more negative) potentials than the outer plane, allowing drift electrons to pass through them, inducing signals that are used for event reconstruction. The outer plane is called the collection plane because the drift electrons are collected on these wires, producing additional signals. Having multiple planes with different wire orientations permits two- dimensional event reconstruction, while the third dimension is found from electron drift times. The third part is a field cage between the cathode and anode.
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Hence, with a normal endoscope only the horizontal movements of the vocal folds are visible. Endoscopes used for the visualization of larynx is commonly known as Laryngoscope. With a specially designed 3D laryngoscope, movement of the vocal folds in the horizontal and the vertical directions can be simultaneously measured and displayed with horizontal and vertical displacements forms the two orthogonal planes while time is the third dimension. With this method, researchers were also able to measure the mucosal wave propagation.
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Negt and Kluge furthermore point out the necessity of considering a third dimension of the public spheres: The public spheres of production. The public spheres of production collect the impulses of resentment and instrumentalizes them in the productive spheres. The public spheres of production are wholly instrumental and have no critical impulse (unlike the bourgeois and proletarian spheres). The interests that are incorporated in the public sphere of production are given capitalist shape, and questions of their legitimately are thus neutralized.
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A design maneuver is a change made by the designer in the notation design, to alter its position within a particular dimension. Dimensions are created to be pairwise independent, so that the design can be altered in one dimension while keeping a second one constant. But this usually results in a trade-off between dimensions. A modification increasing the usability of the notation in one dimension (while keeping a second one constant) will typically reduce its usability in a third dimension.
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As an organ of the Supreme Leader, Setad is not overseen by the "Islamic Consultative Assembly" (Iranian Parliament). According to the Reuters, it is the third dimension in Khamenei's power, giving him financial independence from parliament and the national budget, and thus "insulating him from Iran's messy factional infighting". The "revenue stream" provided by Setad, "helps explain" why Khamenei has not only held on for 24 years, but also "in some ways has more control than even his revered predecessor", Reuters wrote.
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So far, chimpanzees are the only animal shown to exhibit conscientiousness. Chimpanzees are also the only non-human species shown to demonstrate a hierarchical structure of personality, with two dimensions of affect corresponding to negative and positive emotionality, and a third dimension of disinhibition (vs. constraint), which is thought to comprise a regulatory system that is known to play a role in the perception and interpretation of incoming stimuli. Neuroticism, agreeableness and extraversion are the most commonly found personality traits among measured animals.
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Spare, James (August, 2004). “Machine vision: Adding the Third Dimension. Electronic perception technology is a new way to make direct, rather than derived, depth measurements of target objects” . Sensors. Using Canesta technology a 3D time- of-flight camera can be constructed from a Canesta CMOS time of flight sensor, an imaging lens to focus the light from the scene onto the sensor and an LED or laser diode based light source controlled by the sensor to illuminate the scene with near infrared light.
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The third dimension was in designing complex managerial systems that could handle far more complicated simultaneous relationships that could be dreamed of by the local factory owner who could patrol every part of his own factory in a matter of hours. Civil engineers became the senior management of railroads. The leading innovators were the Western Railroad of Massachusetts and the Baltimore and Ohio Railroad in the 1840s, the Erie in the 1850s and the Pennsylvania in the 1860s.Alfred D. Chandler and Stephen Salsbury.
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Her wrists bands appear to be able to transport Stormy and others from the third dimension to the fourth dimension. In the second Uncle Sam and the Freedom Fighters series (Sep. 2007), Stormy, still in shock over her father's death, begins to take drugs and drink heavily. After she drunkenly cuts a super-powered troublemaker in half on live television, Black Condor takes her to the extra-dimensional Heartland, where Uncle Sam tells her she won't leave until her habit has been kicked.
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After her MBA degree, Sebastian worked as a management consultant for a few years. She then decided to pursue physics as a career, and joined Stanford University for doctoral studies. Suchitra Sebastian's doctoral research was into barium copper silicate's transformation from a non-magnetic into a magnetic insulator under high magnetic field and low temperature. She discovered that the point of phase transition, the quantum critical point, occurs when the electrons' behaviour becomes two- dimensional, with the third dimension having almost no effect.
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The 3D tactics cube is a visual tool used to define a tactical space. It incorporates conventional understanding of the third dimension in land combat - as the airspace above terrain - and the urban environment consisting of the three- dimensional solid forms of typical central business district (CBD) buildings and spaces formed between buildings. As well, the 3D tactics cube notionally conforms within 300m2, which gives coverage to most weapons effective ranges, and incorporates most CBD buildings.Flaherty, C. (2008) 3D Tactics and Information Deception.
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Synchronized by computer, the modules could create one large flat screen, but were also programmed to revolve in a variety of displays, combining into patterns of triangular wedges, flat panels, and black panels, all of which was precisely coordinated with the changing film images. The rippling movement of the units gave a unique "third dimension" to the projection surface. The theater accommodated 500 spectators. Due to mechanical complications, the revolving screens were not operational until 1984, two years after the park's opening.
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Therefore, the video player draws its canvas using a solid color (we'll say green), and this color becomes a makeshift third dimension. When all windows have been drawn, windows covering the video player will block out the green color. When the video stream is added to the output, the graphics card can simply scan the co-ordinates of the canvas. When it encounters green, it knows it has found a visible portion of the video window, and only draws those portions of the video.
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The first approach, suitable for four dimensions, uses four-dimensional stereography. Depth in a third dimension is represented with horizontal relative displacement, depth in a fourth dimension with vertical relative displacement between the left and right images of the stereograph. The second approach is to embed the higher- dimensional objects in three-dimensional space, using methods analogous to the ways in which three-dimensional objects are drawn on the plane. For example, the fold out nets mentioned in the previous section have higher-dimensional equivalents.
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The film Travelling Salesman, by director Timothy Lanzone, is the story of four mathematicians hired by the US government to solve the P versus NP problem. In the sixth episode of The Simpsons seventh season "Treehouse of Horror VI", the equation P=NP is seen shortly after Homer accidentally stumbles into the "third dimension". In the second episode of season 2 of Elementary, "Solve for X" revolves around Sherlock and Watson investigating the murders of mathematicians who were attempting to solve P versus NP.
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The analemma can be considered as a graph in which the Sun's declination and the equation of time are plotted against each other. In many diagrams of the analemma, a third dimension, that of time, is also included, shown by marks that represent the position of the Sun at various, fairly closely spaced, dates throughout the year. In diagrams, the analemma is drawn as it would be seen in the sky by an observer looking upward. If north is at the top, west is to the right.
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The equations show, for example, that pressure variations across the gap are small, and that those along the gap are proportional to the fluid viscosity. A more general formulation of the lubrication approximation would include a third dimension, and the resulting differential equation is known as the Reynolds equation. Further details can be found in the literatureOron, A; Davis S. H., and S. G. Bankoff, "Long-scale evolution of thin liquid films", Rev. Mod. Phys. 69, 931–980 (1997) or in the textbooks given in the bibliography.
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Between 1996 and 1998, he toured in France and Switzerland with "Third Dimension", a trio with Mal Waldron and vocalist Jeanne Lee. The group did not release any recordings. His album Passages (June 1999, distributed by Harmonia Mundi) features Rita Marcotulli, JJ Avenel, J. Allouche, plus Elise Caron (vocals) and Kevin Davy (trumpet). Gouirand has presented a number of special projects, including one based on the compositions of Nino Rota, a project built around Lapland music with singer Inga Yuuso, and various works with African musicians.
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In her 1998 exhibition at the Apocalypse Gallery, Stephanides introduced thematic elements from traditional handworks, such as tapestry and embroidery. Blurring the lines between fine art and folk art, she used motifs to represent femininity. In 2003, in an exhibit Metamorphoses, hosted at the Argo Gallery in Nicosia, she expanded on these themes, bringing in references to folklore and spirituality, though in a thoroughly modern presentation strictly balancing the organization and vertical development in vivid colors on a flat surface lacking perspective of a third dimension.
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World Events Productions settled a legal dispute with Toei Animation in 2010 over copyright infringements of a potential live-action Voltron movie. In the past, both companies disputed when Voltron: The Third Dimension was released. The previous dispute was settled in 2000, with WEP acquiring the animated properties Voltron and GoLion, as well as 'Vehicle Force Voltron' and 'Dairugger'. The most recent legal issues between the two companies focus on WEP's right to adapt the anime into live-action and possibly marketing it in Japan.
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Each screen (called a floor), has a set of dice of different colours (blue, red, magenta, green, cyan and white). The player shuffles the dice around the play area, using a frame surrounding 4 of the dice at a time. Dice within this frame can be rotated 90° around a central axis, with the ultimate aim of lining up the dice in the correct colour before the time and move limit expired. Later levels introduce a third dimension of the dice scattered between 2 and 5 floors.
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The third dimension of job embeddedness, sacrifice, is the "perceived cost of material or psychological benefits that may be forfeited from broken links [with the organization and/or community] by leaving a job". Organizational sacrifices are the loss of colleagues, worthwhile projects, job-related perks, as well as "switching costs" (e.g. the loss of job stability and/or possibility of advancement, accrued eligibility for a pension plan). Community sacrifices might be the loss of a safe, attractive home, desirable neighborhood characteristics, non-work friends, or an easy commute.
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Vogel's Tonnetz is a graphical and mathematical representation of the scale range of just intonation, introduced by German music theorist Martin Vogel 1976 in his book Die Lehre von den Tonbeziehungen (English: On the Relations of Tone, 1993). The graphical representation is based on Euler's Tonnetz, adding a third dimension for just sevenths to the two dimensions for just fifths and just thirds. It serves to illustrate and analyze chords and their relations. The four-dimensional mathematical representation including octaves allows the Evaluation of the congruency of harmonics of chords depending on the tonal material.
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With height and width, they offer a third dimension of layering or stacking screen elements over one another. This may be represented visually on screen through an illusionary transparent effect, which offers the advantage that information in background windows may still be read, if not interacted with. Or the environment may simply hide the background information, possibly making the distinction apparent by drawing a drop shadow effect over it. Some environments use the methods of 3D graphics to project virtual three- dimensional user interface objects onto the screen.
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The earliest and still most commonly used type of FITS data is an image header/data block. The term 'image' is somewhat loosely applied, as the format supports data arrays of arbitrary dimension—normal image data are usually 2-D or 3-D, with the third dimension representing for example time or the color plane. The data themselves may be in one of several integer and floating-point formats, specified in the header. FITS image headers can contain information about one or more scientific coordinate systems that are overlaid on the image itself.
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He then expanded fully into the third dimension in the mid-1980s, with the Wave relief marking his progress into three-dimensions on canvas. Sculptural works followed in the early 1990s, allowing for an interactive play of volume and void to form. His sculptures told of his meticulous slant towards precision, which were a creative engineering feat of geometrical shapes. More than 20 of his works can be seen throughout Singapore, from the Singapore Turf Club to the National Library, Ministry of Information and the Arts, and the HDB Hub.
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Kainla met Indra Bahadur Rai and Ishwor Ballav in college in Darjeeling, whose encouragement became pivotal in shaping his poet-personality. Their incessant debates on writing incited the publishing of their magazine Phool Paat Patkar with their pocket money where they published poetry, essays and short stories. Kainla formed a trio with Indra Bahadur Rai and Ishwor Ballav who came like a thunder with new literary trend and a powerful movement called Tesro Aayam (The Third Dimension). In 1963 AD, Kainla, Rai and Ballav first experimented with Tesro Aayam writing.
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Neo Contra once again brings the games back into three dimensions. However, unlike the titles developed under Appaloosa Interactive, players only need to aim in the third dimension upon rare occasions. Additionally, this title eradicates the boss-oriented gameplay of Hard Corps and the previous 32-bit titles, and seeks a balance more reminiscent of the 8-bit and SNES Contra games; long free-form shooting sections, interspliced with boss encounters. Additionally, gameplay varies depending upon the level and camera angle presented (the camera cannot be user-controlled).
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After a cone hits Homer, he throws it into the floor and accidentally pierces the fabric of the space-time continuum, causing it to collapse into a wormhole threatening to pull Homer and the rest of the dimension into a black hole. Bart takes command and enters the third dimension to save Homer. Bart is unable to help, however, and the universe collapses on itself. Bart is pulled back into the house and Marge is sad that her husband is gone; Reverend Lovejoy attempts to appease her by saying he's gone to "a better place".
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Xuxinha e Guto contra os Monstros do Espaço the film is the first Brazilian animation in second and third dimension. Xuxinha e Guto contra os Monstros do Espaço had a team of 70 animators from Twister studio, it was generated in computer, totally digital technology. The film is equated with Disney animations, but it did not cost 1% of the budget for such productions. The final value reached R$6 million reais, which was hosted by TV Hots itself, which boasts of the animation hub created for this production.
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The idea of the 3D conversion occurred to Akhtar while shooting and, after conducting conversion tests in Los Angeles, the producers decided to convert the entire film. The director of photography had shot it with special lenses which made it easier to give it a third dimension. Sidhwani revealed that he had the idea of converting the film into 3D after seeing Harry Potter and the Deathly Hallows – Part 2. Chuck Comisky, a veteran S-3D innovator who supervised the 3D stereo and visual effects of Avatar and Sanctum, was roped in.
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4-D is an African American woman named Captain Lea Corben, she was given the power to change her dimensions, so that she could become four-, three-, two-, or one-dimensional at will, making her hard to capture and confine. In her own words, she also stated that she had the ability to draw power "from other dimensions and bring it into the Third Dimension" and use it to supercharge the blows she could deal out; she promptly then proved this in battle by knocking out Wonder Woman with a single blow.
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The Art of Copying from Dürer to You Tube', Staatliche Kunsthalle Karlsruhe, Germany (2012), 'Twenty', Aurel Scheibler, Berlin, Germany (2012), 'The Art of Chess', Bendigo Gallery; University of Queensland Art Museum, Australia (2012), 'Identity Theft', Mimmo scognamiglio Arte Contemporanea, Milan, Italy (2010), 'Pop Life: Art in a Material World', Tate Modern, London (2009), 'The Third Dimension, Whitechapel Art Gallery', London (2009), 'DLA Piper Series: This is Sculpture', Tate Liverpool, Liverpool (2009), Turk has also been involved in "teach-in" events such as "The Che Gavara (sic) Story" (2001).Jones, Jonathan. (22 January 2001).
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Grande Baroque was designed by William S. Warren in 1941, – in his words – “To reflect the very essence of merriment and adventure, of artistic progress.” William S. Warren spent four years developing this pattern. The Grande Baroque pattern was part four of a six-part pattern release, released from 1934 to 1950, by Wallace Silversmiths, called the “Third Dimension Beauty collection”, all of them designed by William S. Warren. These patterns are called “three Dimension” because the design of these patterns is apparent from the front, back, or profile.
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Big Foot Mama in 2009 Big Foot Mama is a rock band from Ljubljana, Slovenia. It is one of the most popular Slovenian pop rock bands of the 1990s. The group started their career in 1990. After their third album, Tretja dimenzija (The Third Dimension), they were already considered as the Slovenian pop rock band of the decade, breaking sales records in rock category and selling out some of the biggest venues in the Slovenian capital Ljubljana like Križanke and Hala Tivoli, which were previously considered as unconquerable for Slovenian rock bands.
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With the advent of the first computer-generated short films, and later full-length feature films, it has become an in-joke to hide the Utah teapot in films' scenes. For example, in the movie Toy Story, the Utah teapot appears in a short tea-party scene. The teapot also appears in The Simpsons episode "Treehouse of Horror VI" in which Homer discovers the "third dimension." In The Sims 2, a picture of the Utah teapot is one of the paintings available to buy in-game, titled "Handle and Spout".
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Despite being an International Film and Video Festival and a New York Festival Award winner,WEP - About Us the show's run on television was short-lived. In 1998, WEP revisited the Voltron franchise with an all-new TV series. Voltron: The Third Dimension was the 3-D animated sequel to the original series, featuring some of the original voice cast plus actors Clancy Brown and Tim Curry. Despite winning a Daytime Emmy Award for Outstanding Sound Editing, the series received mixed responses from critics and fans of the original series.
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Perhaps his most revolutionary concept was that the only difference between painting and sculpture was the addition of a third dimension; he declared that the sculptor's "conception is as free as a that of the painter. His wealth of response is as great as his draftsmanship."Everyday Art Quarterly 23 (1952) Smith was awarded the prestigious Guggenheim Fellowship in 1950, which was renewed the following year. Freed from financial constraints, he made more and larger pieces, and for the first time was able to afford to make whole sculptures in stainless steel.
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In some places, the charcoal drawing overlaps the large vertical pieces of wallpaper so that the viewer can’t tell what is in the foreground and what is in the background. In doing so Braque is making a pun about the way objects are contained in space. In Braque’s world, objects can float next to the table and be all in one plane and in a third dimension all at once. In reality, the individual pieces are flat and meaningless, and then are built on one another to become somewhat dimensional and visually meaningful.
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Rebati is the story of a young girl whose desire for education in the backdrop of a conservative Odia society in a backward village, which is hit by a Cholera epidemic. The story itself also opens a third dimension when it deals with a very well bonded relation between Rebati and a school teacher. By displaying a forbidden desire for learning, Rebati, the female protagonist of the story, seems to invite misfortune for herself and her community. Over time "Rebati" has become an icon and her story an allegory for female education and emancipation.
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The next step for microprocessors may be into the third dimension; and specializing to Monte Carlo, the many layers could be identical, simplifying the design and manufacture process. The cost of operating high performance supercomputers has risen, mainly due to increasing power consumption. In the mid 1990s a top 10 supercomputer required in the range of 100 kilowatt, in 2010 the top 10 supercomputers required between 1 and 2 megawatt. A 2010 study commissioned by DARPA identified power consumption as the most pervasive challenge in achieving Exascale computing.
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Lionel Kieseritzky (1806-1853) developed Kubikschach (German for Cube Chess) in 1851. He used an 8×8×8 board, labelling the third dimension with Greek letters alpha through theta. This format was later picked up by Maack in 1907 when developing Raumschach. According to David Pritchard, this format is: > the most popular 3-D board amongst inventors, and at the same time the most > mentally indigestible for the players [...] Less demanding on spatial > vision, and hence more practical, are those games confined to three 8×8 > boards and games with boards smaller than 8×8.
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By introducing the third dimension or in other terms using a multi-layer laser, the spatial configuration of an object could be mapped into the grid structure to a degree of complexity. This is achieved by transferring the measurement points into a three-dimensional grid. The grid cells which are occupied will possess a probability greater than 0.5 and the mapping would be color-coded based on the probability. The cells that are not occupied will possess a probability less than 0.5 and this area will usually be white space.
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As touched upon previously, the House series represents a late point in the progression of Lichtenstein's exploration of perspective to larger and more tangible media. In addition to advancing his medium for depicting optical illusion, Lichtenstein employed novel forms of optical illusion in House. In House, rather than create the illusions of several planes or dimensions, as he did in Man With Folded Arms (1962) and Goldfish Bowl (1977), Lichtenstein transforms the viewer perspective of an existing third dimension. Specifically, the House pieces play with the viewer's understanding of the three-dimensional directionality of the rectangular constituents of each sculpture.
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The third dimension comprises the transmission of behavioural traditions. There are for example documented cases of food preferences being passed on, by social learning, in several animal species, which remain stable from generation to generation while conditions permit. The fourth dimension is symbolic inheritance, which is unique to humans, and in which traditions are passed on “through our capacity for language, and culture, our representations of how to behave, communicated by speech and writing.” In their treatment of the higher levels, Jablonka and Lamb distinguish their approach from the banalities of evolutionary psychology, of "memes", and even from Chomskyian ideas of universal grammar.
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During the war Kaplan was at first evacuated to the Urals, but returned to Leningrad in 1944. His lithograph cycle of Landscapes of Leningrad during the Days of the Blockade (1948) was widely acclaimed in Russia and was purchased by eighteen State galleries. At one time Kaplan was supervisor of design in a glassware factory and this gave him an interest in the third dimension which was later to blossom in his ceramics and sculptures. From the 1950s onwards Kaplan's artworks concentrated on Jewish themes, despite constant and often serious opposition and obstruction from the Soviet cultural authorities.
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Maurice Benayoun (aka MoBen or 莫奔) (born 29 March 1957) is a French pioneer, contemporary new-media artist, curator and theorist based in Paris and Hong Kong.Paul Catanese, Director's Third Dimension: Fundamentals of 3d Programming in Director 8.5, Sams Publishing, 2001, p314. His work employs various media, including (and often combining) video, computer graphics, immersive virtual reality, the Internet, performance, EEG, 3D Printing, large-scale urban media art installations and interactive exhibitions. Often conceptual, Maurice Benayoun's work constitutes a critical investigation of the mutations in the contemporary society induced by the emerging or recently adopted technologies.
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Voltron Force is a pseudo-sequel to the 1980s animated series Voltron that was originally scheduled for a release in autumn of 2010. Eventually, the show premiered on June 16, 2011, exclusively on the Nicktoons television network to coincide with the premiere of the second season of Iron Man: Armored Adventures. It ended on April 25, 2012, with the episode "Black". Unlike the original Voltron series, the uniforms of the lions' pilots are of the same color scheme as their respective lions and this is the second Voltron series to do so after Voltron: The Third Dimension.
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Triple Threat is the debut album by jazz multi-instrumentalist Roland Kirk originally released on the King label in July 1957, later re-released on the Bethlehem label as Third Dimension and on the Affinity label as Early Roots.Rahsaan Roland Kirk discography accessed 6 August 2009 The original album received limited distribution and only became widely known after it was rereleased a few years prior to Kirk's death.Kruth, J. (2000) Bright Moments: The Life and Legacy of Rahsaan Roland Kirk, Welcome Rain pg. 42 It features performances by Kirk with James Madison, Carl Pruitt and Henry Duncan.
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It is characterized by an azeotrope temperature and an azeotropic composition, often expressed as a mole fraction. There can be maximum-boiling azeotropes, where the azeotrope temperature is at a maximum in the boiling curves, or minimum-boiling azeotropes, where the azeotrope temperature is at a minimum in the boiling curves. If one wants to represent a VLE data for a three-component mixture as a boiling point "diagram", a three-dimensional graph can be used. Two of the dimensions would be used to represent the composition mole fractions, and the third dimension would be the temperature.
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Jaroslav Malátek (13 March 1923 in Choceň – 12 December 2014 in Ústí nad Orlicí) was a Czech painter. He was a prominent representative of Czech painting from the turn of the century, a legacy of French cubism, reaching to the Renaissance in the 15th and 16th century, when painters attempted to capture the fascinating element of graphical representation, i.e. space, the third dimension, and depth. In his work, the three-dimensionality of objects was replaced by the non-perspective of spaciousness, containing a meaning. This led to the discovery of a new art called “Spatial Metaphors“.
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TNA AVIA 65/2037, declassified 20 Feb 2013. Documents declassified in 2013 describe in some detail the process whereby a quartz two-dimensional cloth is hand woven from quartz threads with conventional wefts and warps within a stainless steel matrix before being impregnated under pressure with a phenolic resin. A third dimension was then woven through the cavities created by removal of the stainless steel matrix before these threads were impregnated with phenolic resin inside an autoclave pressurised at up to 2000 psi. The resulting material was then lathe-turned to the ReB profile, internally and externally.
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Standard monolayer cell culturing on tissue culture plastic has notably improved our understanding of basic cell biology, but it does not replicate the complex 3D architecture of in vivo tissue, and it can significantly modify cell properties. This often compromises experiments in basic life science, leads to misleading drug- screening results on efficacy and toxicity, and produces cells that may lack the characteristics needed for developing tissue regeneration therapies.Pampaloni, F., Reynaud, E. G. & Stelzer, E. H. K. The third dimension bridges the gap between cell culture and live tissue. Nat. Rev. Mol. Cell Biol.8, 839-845 (2007).
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There are also gameplay advantages to using an isometric or pseudo-isometric perspective in video games. For instance, compared to a purely top-down game, they add a third dimension, opening up new avenues for aiming and platforming. Secondly, compared to a first- or third-person game, they allow you to more easily field and control a larger number of additional units, such as a full party of characters in a role-playing game. Further, they may alleviate situations where a player may become distracted from a game's core mechanics by having to constantly manage an unwieldy 3D camera. I.e.
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Although thought of predominantly as a painter, her body of work moves fluidly between painting, mixed-media and site-specific installation. Pieces such as Goddess of Love/Goddess of Liberty incorporate significant mixed-media elements (often antique or hand-made objects) either installed in close proximity to or mounted directly onto the piece. Liu cites her installation work as a continuation of the principles she utilizes as a muralist "an ability to work in large scale and to take the site specificity of the situation into account. Creating an installation merely required pushing the work out into the third dimension".
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A stereogram consists of a pair of two-dimensional frames, one for each eye. Common to both are the widths and heights of objects; their depth is encoded in the differences between right and left eye views. The geometric relationship between an object's third dimension and these position differences is presented below and depends on the location of the stereo-camera lenses and the observer's eyes. Other factors, however, contribute to the depth seen in a stereoscopic view and whether it corresponds to that in the actual object; the act of viewing a stereoscopic display often alters observers' three-dimensional perception.
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While Raumschach uses five boards, extending the game's third dimension through five squares, other variants may use from one to seven extra boards. Star Trek Chess uses an ingenious board with movable parts divided into seven levels. In the initial position each player occupies two of the small movable boards with four squares used for attacking. The whites start in the lower level, using attack boards connected to this level and the first two rows of the board, while the blacks start at the top, using the attack boards and first two rows of the third level.
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George B. Snow is credited as the inventor of face-bow. In his version of face-bow, he positioned the plaster cast in the articulator in respect to distance of median incisal point from the condyles and all the other points on the occlusal plane. Snow attempted to give the occlusal plane an individual position also in this third dimension : and in order to achieve this he set about as follows. He fixed his bite-fork in the upper occlusion rim in such away that the handle, when the rim was placed in the patient's mouth.
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If, as previously thought, nature simply consisted of levels of complexity, psychology would not be crisply defined in relationship to biology or the social sciences. And, indeed, it is frequently suggested that psychology exists in an amorphous space between biology and the social sciences. However, with its dimension of complexity depiction, the ToK System suggests that psychology can be crisply defined as the science of mind, which is the third dimension of complexity. Furthermore, because human behavior exists in the fourth dimension, psychology must be divided into two broad scientific domains of :(1) psychological formalism and :(2) human psychology.
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During the third chapter it is said that the Corporation is developing a mysterious "Product Z." It eventually turns out that the mysterious Product Z is actually the third dimension (Product Z is the Z axis in mathematics). This causes much commotion amongst the general population who cannot see where anything is now. World of Goo Corporation tells them to contact tech support in the information superhighway after mankind, all animal and plant life becomes rendered "incompatible with the world". In the fourth chapter the Goo Balls set out to find the mysterious "MOM" program amongst a vector style environment.
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We later learn in this sequence that Don Celso is only days away from retirement and that he is going to have a retirement party the next day. We are followed up by Don Celso in his third dimension, as a young boy who calls himself Rhododendron Celso(Santiago Figueroa) or Rodo for short. In this sequence he is interacting with famous pirate, Long John Silver (Pedro Villagara) or Captain as he asks to be called. In this interaction, we see Celso’s perspective on who he believes Long John Silver to be which clearly dates back to several centuries ago.
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The principle that is used for all these applications is the same: software that runs on a PC or an embedded system and that controls the complete process is connected with a scanner card. That card converts the received vector data to movement information which is sent to the scanhead. This scanhead consists of two mirrors that are able to deflect the laser beam in one level (X- and Y-coordinate). The third dimension is - if necessary - realized by a specific optic that is able to move the laser's focal point in the depth-direction (Z-axis).
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PSR in association with The Third Dimension, the Aeromodeling Club of the NIT Trichy organised an event to spread interest and awareness in science among school students. It was conducted at Tamil Nadu State Government Matriculation Higher Secondary School, Thiruverumbur on 6 December 2013. The event consisted of simple experiments conducted with commonly available things to help the students understand basic concepts that they study in school. Contact details were provided to the students for further assistance and also to receive study material and college books for entrance exams free of cost as a part of Pragyan Social Responsibility.
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He started work with LA based independent animator Mike Young, producing Voltron: The Third Dimension and forming an ongoing partnership which exists today. In addition, he was contacted by Cartoon Network's Linda Simensky and asked to come to Atlanta to meet with the Network's management team, including head Betty Cohen, GM Rob Sorcher, Mike Lazzo, and Simensky. Schultz was hired to help the network set up its own Cartoon Network Studios located in Burbank, California, as well as act as the Supervising Producer for the network on its non-Hanna Barbera series, including Ed, Edd n Eddy, Courage the Cowardly Dog, and others.
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Sofu never deviated from the basic principles that distinguish Ikebana from other forms of floral art: to grasp and express the feeling of the material, to express the third dimension and asymmetrical balance. The concept that was foremost in his teaching was that the principles never change, but rather that the form is always changing. His further belief was that Ikebana should be considered art, not merely decoration and that it is for the entire world, not just Japan alone. In addition to Ikebana, he continued to create various sculptures, drawings and works of calligraphy until his death.
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Early in his career Kubíček realised that the third dimension would render his work more complex and complete. Perspex seemed to him the ideal material for this purpose. Moreover, the layering of sheets in space allowed the viewer to see through objects, and multiple layers accentuated colors, proferring tones distinct from those available through the conventional mixing of acrylic paints. "The essence of my geometric work is simplicity and comprehensiveness," said Kubíček. “When I transform my sketches into artefacts made of wood, plastic and other materials, some elements of the construction will always remain hidden from the viewer's eye.
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The structural elements can be classified as one- dimensional (ropes, struts, beams, arches), two-dimensional (membranes, plates, slab, shells, vaults), or three-dimensional (solid masses). The latter was the main option available to early structures such as Chichen Itza. A one- dimensional element has one dimension much larger than the other two, so the other dimensions can be neglected in calculations; however, the ratio of the smaller dimensions and the composition can determine the flexural and compressive stiffness of the element. Two-dimensional elements with a thin third dimension have little of either but can resist biaxial traction.
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A third dimension of visual sociology is both the use of visual media to communicate sociological understandings to professional and public audiences, and also the use of visual media within sociological research itself. In this context, visual sociology draws on the work of Edward Tufte, whose books Envisioning Information and The Visual Display of Quantitative Information address the communication of quantitative information. Qualitatively, visual sociology can be analyzed through content analysis, semiotics, and conversation analysis. Visual sociology considers the logics of presentation of sociological and anthropological documentarians and ethnographers like Robert Flaherty, Konrad Lorenz, Margaret Mead and Gregory Bateson, and Frederick Wiseman.
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Once the main characters have reached their moment of insight, "The Visitor", a man from the future, crashes the party. Although the Visitor is never named, his identity can be surmised as Elvis Presley. The Visitor adds a third dimension to Picasso's and Einstein's debate, representing the idea that genius is not always the product of academic or philosophical understanding, or as Gaston refers to it, "Brains". Martin has written: "Focusing on Einstein’s Special Theory of Relativity and Picasso’s master painting, Les Demoiselles d'Avignon, the play attempts to explain, in a light-hearted way, the similarity of the creative process involved in great leaps of imagination in art and science".
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The player-character Gomez lives peacefully on a 2D plane until he receives a red fez and witnesses the breakup of a giant, golden hexahedron that tears the fabric of spacetime and reveals a third dimension. After the game appears to glitch, reset, and reboot, the player can rotate between four 2D views of the 3D world, as four sides around a cube-like space. This rotation mechanic reveals new paths through the levels by connecting otherwise inaccessible platforms, and is the basis of Fez puzzles. For example, floating platforms become a solid road, discontinuous ladders become whole, and platforms that move along a track stay on course.
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In retirement at Burghclere he made light-trap records in his garden and entomologized the woods of West Berkshire. His work in this field saw him record 44 species of butterfly and 501 larger moths. His collection was described as "a model of good arrangement and documentation", and was presented to the Natural History Museum in London. Saundby had many hobbies, and wrote several books on differing subjects including his role in the RAF during the war (Air Bombardment, The Story of its Development, How the Bomber and the Missile Brought the Third Dimension to Warfare) and Steam Engines (Early British Steam 1825–1925: The First 100 Years).
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Odephil Editions, Prague and Prague House of Photography. 2000 Barbara Crane, Jindrich Streit, Viktor Kolar, and others, introducing an international program to post-Velvet Revolution Czechoslovakia while promoting Czech contemporary photography there and abroad.With Art Institute of Chicago, What’s New: Prague, 1992; with Museum fur Photographie, Braunschweig, Inszenierte Fotografie – Die Prager Fotoszene, 1996; with Tel Hai Museum of Photography, From Sudek to Saudek, 1999; with Karlovy Vary Film Festival, Czech avantgard, 1998; with Photo-Edition Berlin, Czech Fundamental 2013; with Museo di Roma and Centro Sperimentale di Fotografie, Czech Fundamental/Ceco Fondamentale 2015 Pastor has conducted workshops (Photography in the Third Dimension) in the Czech Republic, Slovakia, Poland, Germany, the Netherlands.
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On Christmas Eve, an amateur criminal on the run from the police crashes into the Buy More and takes Chuck Bartowski, Ellie Bartowski, Devon Woodcomb, and the Buy More employees hostage. In order to protect Chuck's cover and the safety of the other hostages, Sarah Walker and John Casey secretly go into the store to remove Chuck, but the mission quickly falls apart when Chuck refuses to leave his friends and family behind. "Chuck Versus Santa Claus" received overwhelmingly positive reviews from critics. According to the Nielsen ratings system, it drew 7.661 million viewers, making it the second most-watched episode of the season, after "Chuck Versus the Third Dimension".
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While his peers were throwing off the trappings of previous conventions, Thomas was developing a system of grids to control the interplay between the two- dimensional surface of a painting and a symbolic third dimension within. He traced the source of the concept to his early studies of Italian Renaissance painters and the architect Frank Lloyd Wright, several of whose students were close personal friends. He named his personal application of the grid to the construction of his painting "Symbolic Stereometry". All his work from the end of his first year teaching at the University of Hawaii, Hilo Campus (1966) on, come under the influence of the grid.
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Peters's fourth observation concerns the difficulty MOBA artists seem to have in successfully rendering noses: he writes that a nose will be attempted so many times that the work takes on a third dimension as paint is reapplied over and over. Fifth, bad artists favor "mixed media": if in doubt, they glue feathers, glitter, or hair to their work. Lastly, Peters suggests that artists know their work is bad, but apparently feel the piece may be saved by including a monkey or a poodle in the composition. Since late 2008, MOBA has been experimenting with allowing the public to title and caption some works.
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In this respect, British intelligence was in a very strong position since it had broken the German agent codes at a very early stage and was soon after able to intercept and read exchanges between Abwehr headquarters and their outstations. This provided a third dimension that permitted the allies to know if and when their attempts at deception had been believed. By comparison, German intelligence had no similar avenue of feedback and were never able to know if their attempts at deception had been effective. This situation was reported in detail in Hugh Trevor-Roper's Radio Intelligence Report 28, 5 June 1944 (TNA HW 19/347).
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One week after the International Olympic Committee (IOC) awarded the XVII Olympic Winter Games to Lillehammer, national, local and regional governments decided to make the Lillehammer Games a showcase for GREEN mega-events. More than 200 different projects with environmental aspects were carried out. And at IOC's 100 years celebration in Paris in 1994, environment was added as the Third Dimension to the Olympics in addition to Sport and Culture. The legacy from Lillehammer has, in a global perspective, followed two paths: \- World Conferences on sport and environment, the first in Lillehammer in 1996 \- Environmental requirements which have to be met by future bidders and organisers of Olympic Games.
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His technique, derived from his signwriting days, often used only four colours, and the colour of the canvas, which allowed him to paint relatively fast, often finishing a painting in a matter of hours. Mount Cook was a favourite subject for him, and the lounge bar and dining room at The Hermitage at that mountain still display his works. By the 1990s Greathead was also making his own sculptured frames for his works, adding a 'third dimension' to the painting itself. He also donated works to charity: 1000 limited edition prints of his "Keas at dusk" were donated to the Cancer Society in the 1980s, raising $200,000.
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A rapidly increasing list of graphene production techniques have been developed to enable graphene's use in commercial applications . Isolated 2D crystals cannot be grown via chemical synthesis beyond small sizes even in principle, because the rapid growth of phonon density with increasing lateral size forces 2D crystallites to bend into the third dimension. However, other routes to 2d materials exist: The early approaches of cleaving multi-layer graphite into single layers or growing it epitaxially by depositing a layer of carbon onto another material have been supplemented by numerous alternatives. In all cases, the graphite must bond to some substrate to retain its 2d shape.
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Players level up by completing missions and collect equipment from downed enemies to further enhance their Battleframe's attributes or to add entirely new features to their weapons and abilities. Upon fully leveling their Battleframe, the player is awarded a token that allows them to unlock an Advanced Battleframe with additional specialized weapons and abilities. Much of the combat is influenced by Tribes, a game the lead designer worked on previously, and centers around the use of jump jets. This feature adds a third dimension to combat that allows the player remain in the air for long periods of time and to quickly travel to the tops of buildings.
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The log of the fold change is used so that changes in both directions appear equidistant from the center. Plotting points in this way results in two regions of interest in the plot: those points that are found toward the top of the plot that are far to either the left- or right-hand sides. These represent values that display large magnitude fold changes (hence being left or right of center) as well as high statistical significance (hence being toward the top). Additional information can be added by coloring the points according to a third dimension of data (such as signal intensity), but this is not uniformly employed.
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PlayStation (1994). Starting in 1993 and ending in 1999, the fifth generation of video games are most widely known to be the 32/64 bit era and for being the transition period for video games to evolve into the third dimension. The Nintendo 64 (1996), PlayStation (1994), and Sega Saturn (1994) are considered to be the big three gaming systems of this generation. With the introduction of the PlayStation and Saturn, compact discs (CDs) began to replace cartridges however Nintendo continued using them with the Nintendo 64 due to the load times on CDs at the time and became one of the last cartridge based systems in mass production.
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" The Guardian gave it four stars out of five, saying, "If you've not been a fan of the series, this isn't the game that's going to change your mind. For everybody else though, Professor Layton & The Spectre's Call is several days of commute-improving, grey cell stimulation in a mostly effective package. And bravo to Nintendo for keeping this franchise on the standard DS rather than – for the time being, at least – adding that third dimension." However, The Daily Telegraph gave it two-and-a-half stars out of five, saying, "The Layton charm is undoubtedly still present, but it's not enough to carry the series by itself.
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Later she began making irregular holes in the canvases ("apertures", as she called them: the earliest example is "Winter Windows", 1966–1967), disclosing deeper layers of painted canvas underneath (so-called "double canvases" - and sometimes triple canvases), with painted-on "false shadows", etc. - increasingly invoking the third dimension, creating tactile, sculptural effects while remaining within the convention of the framed, rectangular oil painting. The apertures also suggest a view into some sort of psychological interior, as though the second canvas - seen only partially, through the hole in the forward canvas - were some half-concealed secret, perhaps even another whole painting that we will never see. Stanton (p.
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Barack and Michelle Obama, along with their party, watch the commercials during Super Bowl XLIII in the White House theatre using ColorCode 3-D. The technology premiered with a ColorCode 3-D release of nWave Pictures' Encounter in the Third Dimension, which was the first of a series of ColorCode 3-D releases distributed to IMAX theaters worldwide. In the United Kingdom, television station Channel 4 commenced broadcasting a series of programmes encoded using the system during the week of 16 November 2009. Previously the system had been used in the United States for an "all 3-D advertisement" during the 2009 Super Bowl for SoBe, the animated film Monsters vs.
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But if the cube rotates, the visual system will extract the necessary information for perception of the third dimension from the movements of the lines, and a cube is seen. This is an example of the kinetic depth effect. The effect also occurs when the rotating object is solid (rather than an outline figure), provided that the projected shadow consists of lines which have definite corners or end points, and that these lines change in both length and orientation during the rotation. ; Perspective : The property of parallel lines converging in the distance, at infinity, allows us to reconstruct the relative distance of two parts of an object, or of landscape features.
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Much of the current development effort is to achieve an interconnect, control and readout in the third dimension, with additional lithography layers. The demand of well characterised qubits is fulfilled with (a) qubit non-linearity, accessing only two of the available energy levels and (b) accessing a single qubit at a time, rather than the entire many-qubit system, by per-qubit dedicated control lines and/or frequency separation (tuning out) of the different qubits. # The ability to initialise the state of the qubits to a simple fiducial state. One simple way to initialize a qubit is to wait long enough for the qubit to relax to its energy ground state.
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In the 1990s, Karl Hurm increasingly integrated objects of everyday life into his paintings, in order to add a third dimension. Fragments of panty hoses, shoelaces, brush bristles, chain links, wire mesh, string bags, twigs and beechnuts were pasted into compositions in the collage technique. Chewing gum, pressed flat into moulds as bas-reliefs, slightly raise figures above the surface to produce sculptural effects. During that same period, Karl Hurm also experimented with different surfaces like old furnace doors, iron plates, metal sheets, or pieces of wood as base materials in order to create paintings that seem to have originated in distant prehistoric times.
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The two-and-a-half-dimensional (2.5D, alternatively three-quarter and pseudo-3D) perspective is either 2D graphical projections and similar techniques used to cause images or scenes to simulate the appearance of being three-dimensional (3D) when in fact they are not, or gameplay in an otherwise three-dimensional video game that is restricted to a two-dimensional plane with a limited access to the third dimension. By contrast, games using 3D computer graphics without such restrictions are said to use true 3D. Common in video games, these projections have also been useful in geographic visualization (GVIS) to help understand visual-cognitive spatial representations or 3D visualization.MacEachren, Alan.
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By the middle of the second season, though, he began to look forward to missions and has even been disappointed when his handlers didn't have a new assignment for him."Chuck Versus the Third Dimension" However, this was contingent upon the fact that he still had the Intersect in his head. Chuck frequently expressed a desire to return to a "normal" life, based partly on his understanding that having the Intersect in his head is a barrier to a real relationship with Sarah. He was determined to remove the Intersect from his head once he began to believe it was a possibility, and pursued that possibility even at risk to himself.
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Rose noted that the setting is fantastical but "more believable" than Castle Amber. On the downside, Rose noted that the opportunities for roleplaying are limited as many encounters are of the 'attack on sight' variety, which could cause the players to miss out on lots of cultural details the module provides. As to the dungeon, Rose praised the good effect to which the third dimension (up and down) is being used. She felt that "a fair amount of brain as well as brawn" would be needed to really enjoy this module, as its complexities could leave players with only a limited idea of what is going on.
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Anna's work in the early 2000s, were abstractions "inspired by her search for a center in a globalized world" In 2011, Chicago Art Magazine described Anna's work as having "a whimsical, illustrative quality, but with the movement and vibrancy of sound. Manipulation of the paper transforms her drawings into sculpture, books, and larger than life installations. In the third dimension she is able to play with the interconnected tensions between negative and positive spaces, light and shadow, and the fragility and durability of her material." Anna's artworks were exhibited in numerous galleries across the world: the Tarble Arts Cemter(EIU), Zg Gallery in Chicago, Akureyri Art Museum, Iceland and ASÍ Museum in Reykjavík.
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Sacrifices gameplay had its supporters; the staff at Edge, impressed with the game's controls and visual perspective, named it one of the "few titles [that took] strategy into the third dimension and convincingly used the extra plane for more than a dazzling 3D makeover". No sales figures were released for Sacrifice, but several members of the video game industry acknowledged the game did not sell well. James Bell, Infogrames's Senior Vice President of Creative Development, said that Sacrifice, although an excellent game, suffered poor sales because it was badly marketed and released at the wrong time. Another reason, offered by Gillen, for Sacrifices commercial failure was the small size of its development team.
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This Sphere visits Flatland at the turn of each millennium to introduce a new apostle to the idea of a third dimension in the hope of eventually educating the population of Flatland. From the safety of Spaceland, they are able to observe the leaders of Flatland secretly acknowledging the existence of the sphere and prescribing the silencing on. After this proclamation is made, many witnesses are massacred or imprisoned (according to caste), including the Square's brother. After the Square's mind is opened to new dimensions, he tries to convince the Sphere of the theoretical possibility of the existence of a fourth and higher spatial dimensions; but the Sphere returns his student to Flatland in disgrace.
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The Guardian. September 16, 2011 Natalie du P.C. Panno, writing for The Harvard Crimson, called Habibi "exquisite", seeing Thompson's use of Arabic calligraphy and geometric designs as a third dimension that, when added to the familiar graphic novel languages of image and text, broadened the possibilities for expression, perhaps more so for readers who do not know what it means, and must be guided in its interpretation. du P.C. Panno also praised the sensitivity with which Thompson executed his portrayal of Orientalist tropes, particular by the end of the book. Charles Hatfield of The Comics Journal conducted a round table discussion of the book featuring himself, Hayley Campbell, Chris Mautner, Tom Hart, Katie Haegele, and Joe McCulloch.
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They interact and interpenetrate to allow the viewer to make new, multiple connections and see new patterns. As in a half-tone photograph, the image appears to be more meaningful than the elements that make it up. This effect, says the critic Gloria Carnevali, can be seen as forming "a new third dimension, one that exists between the painting and the observer", even a "new pictorial space". The use in Steele's work of elements in balanced opposition, and the tilted axes arising from the diagonals, produce symmetrical wholes that are not static but dynamic, complex and full of apparent movement, especially rotational, the eye eventually returning to its starting point before beginning a new journey around the picture.
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Brian performed extensively across the world, from South America to Asia, as well as several countries in Europe and at the Emirates Towers in Dubai. He performed in various hotels and resorts, dinner theatres shows including Es Foguero as well as on cruise ships including the Grand Voyager . In 2000, he became the first illusionist to perform at the ruins of the Royal Opera House in Valletta, more than 50 years after its destruction. Another first in Malta was when Brian launched 3D Mania - Encounter in the Third Dimension, in front of a theatre-full of Sunday Times competition winners at the IMAX Vodafone Theatre at the Eden Century Cinemas in St Julian's in 2002.
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Bub and Bob, the two main characters in the series, are against an evil recording company that seeks to pollute the Rainbow Islands' atmosphere by creating constant musical noise, therefore wilting the flora and mutating the fauna. Bub and Bob use a hurdy-gurdy as a weapon to create the rainbows. The game follows the same vertical-scrolling system from the original, but it expands to a third dimension as there are platforms in the background which become accessible through the course of the game. The game was met with negative reception; stating that it had been overworked with new features, especially those that make this version of the game differ significantly from the original game.
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The Circles (who are appointed as priests/leaders of Flatland due to their many sides, or an appearance thereof) do not take A Square's revelation about a third dimension to be accurate, and A Square is ostracized by his community. Then after some time, society becomes more open to the ideas of Spaceland and, overall, to change and advancement. However, when a prominent surveyor finds a Triangle with more than 180 degrees, he is fired from his job and generally considered a crackpot, since such a construction is not possible in Euclidean geometry. He eventually makes friends with the grandson of A Square, A Hexagon, because he is a mathematician and scientist.
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Wesselmann's works in these years: Great American Nude #53, Great American Nude #57, show an accentuated, more explicit, sensuality, as though celebrating the rediscovered sexual fulfilment of his new relationship.(cf. M. Livingstone, 1996) He carried on working on his landscapes, but also made the Great American Nude #82, reworking the nude in a third dimension not defined by drawn lines but by medium: molded Plexiglas modeled on the female figure, then painted. His compositional focus also became more daring, narrowing down to isolate a single detail: the Mouth series began in 1965, his Seascapes began the following year. Two other new subjects also appeared: Bedroom Painting , and Smoker Study, the latter of which developed from observation of his model for the Mouth series.
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The Spider group offers various services such as organizing various courses (c language, web designing etc.), blog hosting, providing short message services and now even the facility to check train reservation status. The science groups include Robotics and Machine Intelligence (robotics club), The Third Dimension Aero-Modelling (mechanical and aero-modelling club), Builder's Hive (Civil Engineering Club), Nakshatra (astronomy club), Phyxion (physics education club), Maximus (mathematics education club) and Pure Science Initiative (pure science education and research club). These groups also organize competition events and workshops with the robotics club standing out as an inspiration to the others. The architecture Group includes ASA - Association of students of architecture, it is a student body which brings guest lecturers, conduct events and workshops.
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He is an avid fisherman and frequently takes breaks during work to go fishing."Chuck Versus the Gravitron""Chuck Versus the First Kill" He is demoted to a Green Shirt after Morgan and the other Buy More employees are tricked into making Emmett Milbarge look good in the eyes of corporate, but returns to being manager at the start of the third season with a new, innovative view on how to manage the company and life. Big Mike played college football as a linebacker, forming the "Defense of Death" with friend and teammate Jimmy Butterman (Jerome Bettis),"Chuck Versus Santa Claus""Chuck Versus the Third Dimension" and has inadvertently defeated two Fulcrum agents, Leader and Ned. He has an affair with Harry Tang's wife.
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He removed a modest fountain by Giacomo Della Porta, erected in 1572,Della Porta's fontana dello trullo has been cleaned and re-erected in piazza Nicosia. and demolished some insignificant buildings and haphazard high screening walls to form two semicircles, reminiscent of Bernini's plan for St. Peter's Square, replacing the original cramped trapezoidal square centred on the Via Flaminia. Valadier's Piazza del Popolo, however, incorporated the verdure of trees as an essential element; he conceived his space in a third dimension, expressed in the building of the viale that leads up to the balustraded overlook from the Pincio (above, right). An Egyptian obelisk of Sety I (later erected by Rameses II) from Heliopolis stands in the centre of the Piazza.
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However, he thought the biggest "misstep" was sidelining the Doctor and the "logically muddy" conclusion. Mark Wright of The Stage called it the "weakest of the season finales for Doctor Who to date", with much of the plot being "lazy" or not making sense and "[played] out as silly and lacks substance". While he praised Martha and the emotional climax, he found Jack "criminally underused" and criticised the representation of the aged Doctor. Stephen James Walker, in his book Third Dimension: The Unofficial and Unauthorised Guide to Doctor Who 2007, summed up the episode as "bleak and depressing", and listed the ill treatment of the Doctor, the use of a reset button and the underuse of Captain Jack as among the problems he had with the story.
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In recent years, there have been studies and experiments conducted to create a new form of visualization developed from videokymography known as depth kymography. Among the scientists whom have implemented these experiments, Dr. Harm Schutte, the Dutch scientist who co-developed videokymography is one of them. Whereas videokymography is a two-dimensional visualization of vocal-fold movement produced by an endoscope that registers only horizontal vocal-fold movement, depth kymography is a three-dimensional visualization produced by a specially designed 3D endoscope that registers movement of the vocal folds in the horizontal and the vertical directions with time being the third dimension. This brings direction and focus to the development of another detailed and analytical form of vocal fold visualization that is potentially an evolution of videokymography.
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The third dimension deals with Experiential Modality, which within the PPT framework goes from Emotional to Rational. Finally, there is Regulation Style, where light is attempted shed on the favored aspect of one's child raising behavior: the Precepts or the Context. On the basis of these four perspectives, a parenting style profile is generated. This profile may be combined with family interaction observations, thorough analysis of the reasons offered by the respondents for their selections, and the use of other tests, in order to provide the starting point for the psychologist's future sessions with the parents – and, if appropriately, at a later date also with the family's network – in order to arrive at an understanding of the most appropriate actions of everyone involved with the child.
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The soundtrack for Living Legend film was provided by another Presley friend, Roy Orbison. In an interview with Ed Bradley on CBS’s 60 Minutes, Owensby explained that E.O. Studios’ success was due to never spending more than a million dollars to make a film and never signing a distribution deal that would net them less than eight million. That proved to be a sound strategy over the course of the next decade, as E.O. continued to crank out such profitable—though under-the-radar—films as A Day of Judgment (1981), Hit the Road Running (1983), Hot Heir (1984), Tales of the Third Dimension (1984), Chain Gang (1984), The Last Game (1984), Dogs of Hell (1984), Gremloids (1984), and Damon’s Law: The Rutherford County Line (1987).
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The first sequel, also produced by Chuck Jones and with Mel Blanc reprising his roles, was titled Duck Dodgers and the Return of the 24½th Century and was released in 1980. The plot of this sequel cartoon was nearly a carbon copy of the original though this time, Marvin says he is trying to solve the Earth's energy crisis (by blowing up the Earth); Marvin succeeds in launching his missile and at the end of the cartoon reminds everyone that it's only a cartoon. The second short, titled Marvin the Martian in the Third Dimension, was a 3D cartoon released in 1996 to select venues, and had impressionist Joe Alaskey providing Duck Dodgers' voice. These included the flagship Warner Bros.
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The third dimension starts with the DSM-IV-TR diagnostic categories; moreover, beyond simply listing symptoms, the PDM "goes on to describe the affective states, cognitive processes, somatic experiences, and relational patterns most often associated clinically" with each diagnosis. In this dimension, "symptom clusters" are "useful descriptors" which presents the patient's "symptom patterns in terms of the patient's personal experience of his or her prevailing difficulties". The task force concludes, "The patient may evidence a few or many patterns, which may or may not be related, and which should be seen in the context of the person's personality and mental functioning. The multi dimensional approach... provides a systematic way to describe patients that is faithful to their complexity and helpful in planning appropriate treatments".
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"Z2" aircraft are three-channel craft which add the third dimension of controllable pitch and are intended for more experienced pilots, but can be learned by first-time pilots with the assistance of an experienced pilot. "Z3" aircraft are high-performance three- channel craft and are geared toward intermediate to advanced pilots. Most models regardless of skill level are equipped with the unique "X-Port" accessory receptacle which allows the addition of accessories such as a "bomb" drop, parachute drop, high-intensity white LED lighting for night operation, or a sonic pulse "gun" which allows for air-to-air combat with similarly equipped HobbyZone and ParkZone models. The gun emits a sonic pulse which briefly disables the stricken aircraft's drive motor.
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Doom (stylized as DooM, and later DOOM) is a video game series and media franchise created by John Carmack, John Romero, Adrian Carmack, Kevin Cloud, and Tom Hall. The series focuses on the exploits of an unnamed space marine operating under the auspices of the Union Aerospace Corporation (UAC), who fights hordes of demons and the undead. Doom is considered one of the pioneering first-person shooter games, introducing to IBM-compatible computers features such as 3D graphics, third-dimension spatiality, networked multiplayer gameplay, and support for player-created modifications with the Doom WAD format. Since its debut in 1993, over 10 million copies of games in the Doom series have been sold; the series has spawned numerous sequels, novels, comic books, board games, and film adaptations.
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The first two shows to air in it are Tom & Jerry Kids and Superman: The Animated Series (the latter is broadcast for the first time in Bulgaria). In the late 1990s the channel showed the first season of Spider-Man (later to be taken over by bTV) and cartoon series like My Little Pony. Other cartoons include Pokémon, Teenage Mutant Ninja Turtles, Winx Club, Bob the Builder, Justice League, Samurai Jack, Teen Titans, X-Men: Evolution, Firehouse Tales and Voltron: The Third Dimension (although the original series aired on Kanal 1), Beast Wars (which aired years earlier on Kanal 1 with different dub), The Spectacular Spider- Man, The Life and Times of Juniper Lee, Gerry Anderson's New Captain Scarlet and Transformers Animated (only the third season).
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Acquisition of a given PRN number can be conceptualized as searching for a signal in a bidimensional search space where the dimensions are (1) code phase, (2) frequency. In addition, a receiver may not know which PRN number to search for, and in that case a third dimension is added to the search space: (3) PRN number. ;Frequency space: The frequency range of the search space is the band where the signal may be located given the receiver knowledge. The carrier frequency varies by roughly 5 kHz due to the Doppler effect when the receiver is stationary; if the receiver moves, the variation is higher. The code frequency deviation is 1/1,540 times the carrier frequency deviation for L1 because the code frequency is 1/1,540 of the carrier frequency (see § Frequencies used by GPS).
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A retractable pair of wings further enhances the emphasis on the third-dimension as players are able to dive-bomb enemy positions or quickly escape hazardous situations. In PvE zones, the player can engage in: dynamically generated missions and events that spawn at fixed locations throughout the open world, procedurally generated encounters that spawn at the player's location, on-demand missions that the player choose when and where to spawn, and world events that bring players together either to fight off the game's antagonist or to participate in group activities. The core goal of these missions is to allow the player to level up and acquire resources and equipment. Friendly fire and PvP combat is disabled by default, but a player can declare a duel with another player and engage in PvP combat.
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In 2013 Menkov represented the Republic of Macedonia in the 7th Francophone Games which were held in Nice, France, from September 6–15. He was a member of the official Macedonian Delegation (Visual Arts, Painting) and took part in the Cultural events at the 2013 Jeux de la Francophonie. In May 2014 as a recognition for the 2013 Experimental Drawing Award, DLUM organized the Experimental Drawing-Line, Third Dimension exhibition for the recipient of the award Goran Menkov, at the DLUM gallery space, Skopje, Macedonia. Also in 2014 Menkov was nominated for the prestigious DENES Young Visual Artist Annual Award, an annual award for best young artist in the Republic of Macedonia under 35, organised by The Contemporary Art Center – Skopje, in collaboration with the Civil Society Foundation in New York.
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However, any visible shading would indicate the usage of pseudo-3D lighting and that the image uses pseudo-3D graphics. Changing the size of an image can cause the image to appear to be moving closer or further away, which could be considered simulating a third dimension. Dimensions are the variables of the data and can be mapped to specific locations in space; 2D data can be given 3D volume by adding a value to the x, y, or z plane. "Assigning height to 2D regions of a topographic map" associating every 2D location with a height/elevation value creates a 2.5D projection; this is not considered a "true 3D representation", however is used like 3D visual representation to "simplify visual processing of imagery and the resulting spatial cognition".
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The miniatures were usually not signed, perhaps because of the rejection of individualism, but also because the works were not created entirely by one person; the head painter designed the composition of the scene, and his apprentices drew the contours (which were called tahrir) with black or colored ink and then painted the miniature without creating an illusion of third dimension. The head painter, and much more often the scribe of the text, were indeed named and depicted in some of the manuscripts. The understanding of perspective was different from that of the nearby European Renaissance painting tradition, and the scene depicted often included different time periods and spaces in one picture. The miniatures followed closely the context of the book they were included in, resembling more illustrations rather than standalone works of art.
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In the upcoming years, he simplified the geometrical forms and ultimately became mere vehicles for colors and their interrelations. In about 1962 block-like forms turned into crisply demarcated color surfaces, which elevate Pfahler to being the sole representative of "Hard-Edge Painting" in Germany. He achieved his international breakthrough in exhibitions such as "Signale" 1965 in Basel, "Formen der Farbe" 1967 in Amsterdam, Stuttgart and Bern or "Painting and Sculpture from Europe" 1968 in New York City, where he presented the pictures he created in the early 1960s. Given his interest in the spatial properties of color, it is in its nature that in 1965 Pfahler should have begun to really translate his works into the third dimension in his "Farb-Raum-Objekte" (color space objects) and the 1969 "Farbräume" (color spaces).
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A common format is a graph with two geometric dimensions: one axis represents time, and the other axis represents frequency; a third dimension indicating the amplitude of a particular frequency at a particular time is represented by the intensity or color of each point in the image. There are many variations of format: sometimes the vertical and horizontal axes are switched, so time runs up and down; sometimes as a waterfall plot where the amplitude is represented by height of a 3D surface instead of color or intensity. The frequency and amplitude axes can be either linear or logarithmic, depending on what the graph is being used for. Audio would usually be represented with a logarithmic amplitude axis (probably in decibels, or dB), and frequency would be linear to emphasize harmonic relationships, or logarithmic to emphasize musical, tonal relationships.
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Phillips began her career as a Helena Rubinstein Fellow in the Whitney's Independent Study Program in 1976 and became a curator in 1982. During her twenty-two-years at the Whitney, she organized over thirty exhibitions, including the notable thematic exhibitions “The Third Dimension: Sculpture of the New York School” (1984); “High Styles: the History of American Design” (1985); “Image World: Art and Media Culture” (1989); “Beat Culture and the New America, 1950–1965” (1994); and “The American Century Part II: 1950–2000” (1999); midcareer surveys of works by Terry Winters (1986), Cindy Sherman (1987), Julian Schnabel (1987), and Richard Prince (1992); as well as a major retrospective of the work of Frederick Kiesler (1988). Known for championing midcareer and emerging artists, Phillips was also a curator for six Whitney Biennials (1985, 1987, 1989, 1991, 1993, and 1997).
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In Dragon's Egg, Forward describes the history and development of a life form (the Cheela) that evolves on the surface of a neutron star (a highly dense collapsed star, about 20 km in diameter). This is the "dragon's egg" of the title, so named because from Earth it is observed to be near the tail of the constellation Draco ("the dragon"). The Cheela develop sentience and intelligence, despite their relative small size (an individual Cheela has approximately the volume of a sesame seed, but the mass of a human) and an intense gravity field that restricts their movement in the third dimension. Much of the book concerns the biologic and social development of the Cheela; a subplot is the arrival of a human vessel nearby the neutron star, and the eventual contact that is made between the humans and the Cheela.
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Because the third dimension involves not only distance but cosmic time, tomographic weak lensing is sensitive not only to the matter power spectrum today, but also to its evolution over the history of the universe, and the expansion history of the universe during that time. This is a much more valuable cosmological probe, and many proposed experiments to measure the properties of dark energy and dark matter have focused on weak lensing, such as the Dark Energy Survey, Pan-STARRS, and Large Synoptic Survey Telescope. Weak lensing also has an important effect on the Cosmic Microwave Background and diffuse 21cm line radiation. Even though there are no distinct resolved sources, perturbations on the origining surface are sheared in a similar way to galaxy weak lensing, resulting in changes to the power spectrum and statistics of the observed signal.
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One prominently criticised assumption of the Bruun Rule is its postulation of the net effects of longshore transport as negligible, as the rule is by definition a two dimensional cross shore model that does not account for the longshore third dimension. These longshore effects can, however, be the major cause of sediment erosion or deposition along beaches, dominating shoreline morphology and even masking the impacts of sea level rise as described by the Bruun Model. Another criticised assumption is the existence of a 'depth of closure'. The depth of closure is considered to be the water depth beyond which there are no significant changes in bed level, and is usually taken as the boundary between the upper shoreface, characterised by breaking waves and bars, and the lower shoreface, characterised by nonbreaking waves and a lack of bars.
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In areas where a mineral was removed in a wider swath than the rest of the mine, usually towards the edge of the exploitation, miners would complement the natural mineral columns with piliers à bras, or stacks of stone creating a supporting column between floor and ceiling. Gypsum mines, the origin of the famous plaster of Paris, used this technique with an added third dimension: as some of northern Paris' gypsum deposits measured thick in some places, miners would create their tunnel grids in the top of the deposit, then begin extracting downwards. A gypsum mine in a particularly thick deposit had almost a cathedral-like air upon depletion, because of the towering columns and arches of mineral remaining. Only one example of this sort of gypsum- mining remains in Paris, in a renovated "grotto" under the Buttes-Chaumont gardens.
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Secondly, at the epigenetic level involving variation in the "meaning" of given DNA strands, in which variations in DNA translation during developmental processes are subsequently transmitted during reproduction, which can then feed back into sequence modification of DNA itself. The third dimension is one of particular interest to Jablonka, comprising the transmission of behavioural traditions. There are for example documented cases of food preferences being passed on, by social learning, in several animal species, which remain stable from generation to generation while conditions permit. The fourth dimension is symbolic inheritance, which is unique to humans, and in which traditions are passed on “through our capacity for language, and culture, our representations of how to behave, communicated by speech and writing.” In their treatment of the higher levels, Jablonka and Lamb distinguish their approach from the banalities of evolutionary psychology, of "memes", and even from Chomskian ideas of universal grammar.
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Warners' House of Wax is the post- midcentury Jazz Singer. What the freres and Al Jolson did to sound, the Warners have repeated in third dimension." Harrison's Reports called the film "a first-class thriller of its kind," and "the best 3-D picture yet made," though it felt that "the added value of depth is not significant enough to warrant the annoyance of viewing the proceedings through the polaroid glasses, and that the picture would have been as much of a chiller if shown in the standard 2-D form, and probably even a greater thriller if shown on a wide screen." The Monthly Film Bulletin wrote that as a 3-D film it was "a smoother effort than its predecessors, obviously made with more care and less tiring to the eyes," but that "[i]n all but technical respects, the film is a childish and inept piece of work.
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2, p. 3 about the influence of the fourth dimension on avant-garde painting; describing how the artists' employed "harmonic use of forms" distinguishing between the "representation or rendering of space and the designing in space": > If we still further add to design in the third dimension, a consideration of > weight, pressure, resistance, movement, as distinguished from motion, we > arrive at what may legitimately be called design in the fourth dimension, or > the harmonic use of what may arbitrarily be called volume. It is only at > this point that we can appreciate the masterly productions of such a man as > Cézanne.Jill Anderson Kyle, Cézanne and American Painting 1900 to 1920, The > University of Texas at Austin, 1995 Cézanne's explorations of geometric simplification and optical phenomena inspired the Cubists to experiment with simultaneity, complex multiple views of the same subject, as observed from differing viewpoints at the same time.
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In the United States, the National Center for History in the Schools at the University of California, Los Angeles has developed history standards that include benchmarks for both content in U.S. and world history and historical thinking skills in grades Kindergarten-4 and 5-12. In both of these age ranges, the Center defines historical thinking in five parts: # Chronological Thinking # Historical Comprehension # Historical Analysis and Interpretation # Historical Research Capabilities # Historical Issues-Analysis and Decision-Making As part of the national assessment effort called “The Nation’s Report Card, ” the United States Department of Education has also developed benchmarks for student achievement in U.S. history. Their rubric divides history learning into three basic dimensions: major historical themes, chronological periods, and ways of knowing and thinking about history. The third dimension is further divided into two parts: historical knowledge and perspective, and historical analysis and interpretation.
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Rejected world-premiered at the San Diego Comic Convention in 2000. Between hundreds of film festival appearances, Rejected also toured North American theaters in 2000, 2001, and 2002 with Spike and Mike's Sick and Twisted Festival of Animation; in 2001 and 2002 again with a retrospective touring program of Hertzfeldt's and animator Bill Plympton's films called "The Don and Bill Show"; and returned to theaters once again in 2003 and 2004 with Hertzfeldt's own the Animation Show tour. In 2003, two of the "Fluffy Guy" characters reappeared in three Hertzfeldt cartoons created to introduce and book-end the first year of the Animation Show: Welcome to the Show, Intermission in the Third Dimension, and the End of the Show. Rejected was scheduled to air on Adult Swim in 2001 but was delayed for unknown reasons—it was rescheduled to air in November 2002 "uncut and commercial free", and was heavily promoted on the network that week.
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Adams death certificate After finishing Los Asesinos (1968), produced by Luis Enrique Vergara and filmed in Mexico, Adams bought a plane ticket with his own money and flew to Rome, Italy, to co-star with Aldo Ray in a science fiction/horror movie called Murder in the Third Dimension, but when he got there, he found the project had been dropped. Susan Strasberg, who had worked with him 13 years earlier on the hit film Picnic and was living in Italy, encountered a thoroughly demoralized Adams in a Rome bar.Susan Strasberg, Bittersweet On the night of February 7, 1968, his lawyer and friend, ex-LAPD officer Ervin Roeder, drove to the actor's house at 2126 El Robles Lane in Beverly Hills to check on him after a missed dinner appointment. Seeing a light on and his car in the garage, Roeder broke through a window and discovered Adams in his upstairs bedroom, slumped dead against a wall.
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The "third dimension" therefore adds the capacity to influence expectations about social outcomes by manipulating symbols and ideology so that inequities themselves become "non-issues." Gaventa's articulation and empirical demonstration of the "three-dimensional" approach to the study of power has informed many disciplines and scholars about the nuances of social power and the processes of its legitimization, while also lending support to scholars and social change advocates who would find the sources and the solutions of social problems not in the dictates or preconceived notions held by social scientists, theologians, and philosophers, but in the narratives of the affected alienated populations. Citizen Action and National Policy Reform opens: "How can ordinary citizens - and the organizations and movements which they engage - make changes in national policies which affect their lives, and the lives of others around them?" This question, which is arguably the central question with which Gaventa is concerned, is answered through the theory Gaventa employs.
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Ibid, Meyer The invasion of the third dimension by paintings was an important development of the shaped canvas as it questioned the frontier between painting and sculpture. The apertured, superimposed, multiple canvases of Jane Frank in the 1960s and 1970s are a special case: while generally flat and rectangular, they are rendered sculptural by the presence of large, irregularly shaped holes in the forward canvas or canvases, through which one or more additional painted canvases can be seen. A student of Hans Hofmann, and sharing his concern for pictorial depth as well as his reverence for nature, she also favors colors, textures, and shapes that are complex, nuanced, and organic or earthen – giving her work a brooding or introspective quality that further sets it apart from that of many other shaped-canvas painters. In the late 1960s, Trevor Bell, a leading member of the British St. Ives group introduced dynamic shaped-canvas paintings that combined radical, angular structures with an abstract expressionist sensibility.
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Statue of Johann Nestroy near Nestroyplatz, Vienna The practice is believed to have originated in the U.S. with Texas knitters trying to find a creative way to use their leftover and unfinished knitting projects, but it has since spread worldwide. The start of this movement has been attributed to Magda Sayeg, 37, from Houston, who says she first got the idea in 2005 when she covered the door handle of her boutique with a custom-made cozy.The Wild and Woolly World of Yarn Bombing, Street Art's Soft Sensation BLOUINARTINFO.COM Moose, Museum of comic art, Frankfurt Houston artist Bill Davenport was creating and exhibiting crochet-covered objects in Houston in the 1990s, and the Houston Press stated that "Bill Davenport could be called the grand old man of Houston crocheted sculpture."Art: The Third Dimension, Houston Press, 1 June 2000 Artist Shanon Schollian was knitting stump cozies in 2002 for clear cuts in Oregon.
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Hyde was introduced to the possibilities of postage stamp design by Emanuel Hahn, who designed several Canadian coins and stamps, and whom Hyde met while making the NFB documentary, Third Dimension (1947), a survey of Canadian sculpture. He was also interested in the techniques of steel engraving (still in use for stamps at that time), and wrote about them in Canadian Art. Between 1954 and 1957 he produced eight stamps for the Post Office of Canada: 1954, a 15¢ airmail stamp depicting a gannet in flight; 1955, a 5¢ stamp commemorating the 50th anniversary of Alberta and Saskatchewan joining the Canadian Confederation; 1955, a 5¢ stamp honouring the 8th World Scout Jamboree, at Niagara-on-the-Lake, the first held outside Europe; 1957, a series of 5¢ stamps, illustrating Canadian recreational activities—fishing; swimming; hunting; skiing; and in 1957 a 5¢ stamp of the common loon, described by a reviewer as possessing "the rare combination of delicate treatment and rugged clarity that is appropriate to a stamp size picture".
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Up until the early 1950s British textiles, in particular furnishing fabrics, showed little consideration to colour, texture and modern pattern, with most relying on traditional motifs, and woven in a simple process. Inspired by the Bauhaus and his pre-war training, Reich's Deep Textures were woven in such a way as to give a third dimension to the surface pattern. This new technique brought a ‘pattern out of texture’ and opened up the possibility of exploring and freeing colour from two dimensional surfaces. Michael Farr stated in 1954 that Reich had started a ‘new phase in the development of British modern design for woven textiles.’ As Sir Terrance Conran stated in 1957 “Tibor Reich is internationally known for his woven and printed textiles. The texture and weave of the cloth to be printed on are especially considered in his designs’ Reich designed ‘Deep Textures’ for The Festival of Britain including The Southbank Festival Pavilions, Fairway Café, The Press Room, and The Royal Shakespeare Theatre, Stratford upon Avon, where he draped and upholstered the entire building.
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In elementary models of space, height may indicate the third dimension, the other two being length and width. Height is normal to the plane formed by the length and width. Height is also used as a name for some more abstract definitions. These include: #The altitude of a triangle, which is the length from a vertex of a triangle to the line formed by the opposite side; #A measurement in a circular segment of the distance from the midpoint of the arc of the circular segment to the midpoint of the line joining the endpoints of the arc (see diagram in circular segment); #In a rooted tree, the height of a vertex is the length of the longest downward path to a leaf from that vertex; #In algebraic number theory, a "height function" is a measurement related to the minimal polynomial of an algebraic number; among other uses in commutative algebra and representation theory; #In ring theory, the height of a prime ideal is the supremum of the lengths of all chains of prime ideals contained in it.
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Among the most famous visitors of the caves in the period of their launching as tourist attraction there were Luigi Einaudi (1874–1961), Aldo Moro (1916–1978), Enrico Mattei (1906–1962), Gina Lollobrigida, Silvana Pampanini, Margareth aus England (1930–2002) and Tito Schipa (1888–1965). Similarly, several film producers were fascinated by the caves and eight films were shot in the caves. They are: The Age of the Love (1953) by Michael Hamilton (but he is Lionello De Felice), Hercules in the Haunted World (1961) by Mario Bava and Franco Prosperi, Maciste in Hell (1962) by Riccardo Freda; Casanova 70 (1965) by Mario Monicelli, The King of Criminals (1968) by Paul Maxwell (but he is Paolo Bianchini); Stellar Clashes beyond the Third Dimension (1978) by Lewis Coates (but he is Luigi Cozzi); Alien 2: On Earth (1980) by Sam Cromwell (but he is Ciro Ippolito) and Biagio Proietti and an episode of the TV series Holiday Profession (1986) by Vittorio De Sisti. Additionally, two films by Antonio Leonviola shot here: TAUR IL RE DELLA FORZA BRUTA (1963), and its sequel LE GLADIATRICI (1963).
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He is a fellow of the International Design Conference at Aspen (IDCA), an honorary member of the Art Directors Club of New York and a winner of the Premio a la Excelencia en Diseno, the South America design conference. His work was featured in international literature, in design exhibitions and in leading collections around the world including: The museum of modern art (MoMA) in New York, the Victoria and Albert museum in London, the poster museum in Poland, the Aarhus poster museum in Denmark, Musee d'Art Decoratif in Paris and the Israel museum in Jerusalem. In addition, he was invited to compose the entry for "design in Israel" in international publications such as Who is Who, One by One and the introduction to Graphis millennium. He was invited to be featured in books such as A Smile in the Mind (by Phaidon Press), Graphics in the Third Dimension (by Graphic-Sha Publishing) and was chosen as one of "100 Designers of the World" by the Japanese magazine Idea.
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But, an X-Axis ship crashes into and destroys the hovercraft, and A Square ends up plunging in freefall toward Flatland and through its surface into unknown regions below, where he experiences a revelation on dimensionality and infinity. A Square finds himself in his own bed on the eve of the year 3000 and his family informs him that the government has issued orders for the arrest of anyone proclaiming the gospel of three dimensions. Undeterred, A Square hurries to see his brother in Flatland jail to discuss their new shared knowledge of the third dimension. B Square, afraid of execution, denies the experience and in a panic assaults his brother who falls temporarily into an unconscious state where he hallucinates A Sphere along with the Monarch of Pointland who curiously resembles a “glow point.” As the Monarch drones on in his monologue of “being the all in all, the one in the one,” A Sphere informs his former apostle that time is short and A Square must proclaim the gospel of the three dimensions to his fellow Flatlanders although they, like the Monarch, will probably remain trapped within their own perspectives.
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