There are no huge machines or robots making churning or swooshing sounds.
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It even delivers soft and soothing swooshing sounds of water while rowing, too.
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And finding street parking can be harder for them than swooshing a three-pointer.
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Nothing intimidated him — except the swooshing sound of our hotel's old-fashioned revolving doors.
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A slow swooshing sounds as the cars around us shrink into the rear view mirror.
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They were in the limber sea oats and in snake tracks swooshing up a dune.
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The quiet swooshing was a peaceful reprieve from the roar of the gas-powered alternative.
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In Austria, the hills are alive ... perhaps with the sound of retiree skiers happily swooshing down Alpine slopes.
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Buy the sustainably harvested beechwood computer brush, $35, and soothe your computer by swooshing its crumby, crusty surfaces.
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For a few seconds, the arm sends the brush swooshing, paste-free, across Giertz's face while she grins.
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Ms. Prestini's music conveys the surreal visuals through gently repetitive figures, disparately overlapping lines and swooshing, sliding harmonies.
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The agent said the "swooshing" sounds of the recording were caused by having the recording device under his robes.
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These worlds are always distinctive, defined by Mr. Shen's signature swooshing style of movement, best explained as physical calligraphy.
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The swooshing, grabbing, flinging and tapping are the best leap toward natural gestures in the relationship with our networks.
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And as a result, you've seen his career," Ford makes a upward swooshing motion with his hand, "going like this.
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"I woke up Tuesday morning hearing a bunch of swooshing and water in my left ear," Torres told the outlet.
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It's dessert as your mom would make it, a quaint reprieve from the splatters and spoon swooshing of most restaurant plating.
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Footsteps There is a spare beauty to the Illinois prairie, with winds swooshing between its wide sky and paper-flat fields.
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Now, blindfolded and with Steph swooshing the toy whip on my stomach, all of a sudden, I felt my nervousness unravel.
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"He's on my socks," Mr. Schwartz said proudly, as he maneuvered his players up and down the court effortlessly, swooshing three-pointers.
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And that swooshing sound you hear in the distance is from GOP candidates across the US letting out a collective sigh of relief.
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The triangle pointing upwards towards a better tomorrow, the emblem dominating the planet, and a swooshing satellite found in some variants of Starfleet's logo.
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Both options offer a "master brand" icon — either a stylized, geometric fox head, or a more familiar swooshing flame — that all of the products will live under.
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In a "consent" section, dancers ask if we'd be willing to touch them in a favorite way: swooshing hands quickly down the body, for example, or fingers brushing collarbone.
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When I attended last year, as the panel finished its presentation, there was an audible swooshing sound as the audience began to scramble its way toward the galley table.
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Up next, Jason Momoa and Alfre Woodard asked the audience to close our eyes while sounds of swooshing water filled Steve Jobs Theater — an introduction to their new series, Sea.
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The jazz in the dance company BJM — Les Ballets Jazz de Montréal is long gone, and in its place is the leg-swishing, arm-swooshing frenetic blur of contemporary ballet.
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For the first part of the performance, the audience was invited to walk around a space ringed by the sculptures, which came alive with swooshing sounds made by unseen abrasions.
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One plays a swooshing, churning recording of the Great Pacific garbage patch, the other the raspy breath of a person with black lung disease, both echoing a human impact on the Earth.
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Kansas City resident Susie Torres said she woke up one day this week thinking that she had water in her ear, describing a "swooshing" sound in her ear, CNN reported on Friday.
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With the jetpack on, the Stormtrooper makes swooshing engine sounds when you fly him around: Mashable photographer Tyler Essary couldn't get enough of playing with the Stormtrooper: The Stormtrooper is funny, too.
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In a since-abandoned 2010 WordPress blog called "Swooshing, " a reference to Kalanick's previous company, Red Swoosh, the Uber cofounder laid out his thoughts on start-ups, technology and investing and management.
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Its reaction would be akin to that of a distant ancestor whose takeaway from his brief exposure to saber-tooth tigers was that they made a restful swooshing sound when they moved.
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They say an irrevocable wave of hypergentrification is swooshing through its neon corridors, leaving nothing but expensive shiny flats populated by expensive shiny city boys eating expensive shiny pizzas and downing expensive shiny pints of pale ale.
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Everybody has experienced working on a task, then being interrupted by the swooshing sound of the email icon popping up, only to be side-tracked by the pinging notification of a text on our smartphones, or digital watches.
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He apologized to the president for "the 50th time" for disparaging comments he made when Trump's candidacy was a long shot bid, and he sketched a triumphant scene with Trump as a star athlete "winner" zipping perfect spirals through tires, swooshing free throw shots, and sinking golf putts.
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"O Peixe" nonetheless presents a rich, understated soundscape: the rhythmic splashing of water against boat, the gentle swooshing of the breeze, the percussive flapping of the fish against the wooden floor of the boat, the roughness of the fishermen's fingers against the fish's scales, and, almost imperceptibly, their breath.
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She does her homework and is liked by her friends, teachers and family. A simple night of babysitting turns into something that will forever change the course of her young life. A knife swooshing through the air. Screams from afar.
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September 18, 1995. and took it from a standing start to a $450 million business, building it into the leading department store status denim brand.Cunningham, Thomas. "Swooshing On A Star; As Head Of Nike Apparel, Mindy Grossman's Challenges Start With A Familiar Customer -- Department Stores".
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Dingo on the Nullarbor Compared to most domestic dogs, the bark of a dingo is short and monosyllabic, and is rarely used. Barking was observed to make up only 5% of vocalisations. Dog barking has always been distinct from wolf barking. Australian dingoes bark mainly in swooshing noises or in a mixture of atonal and tonal sounds.
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The "Schmetterlingshaus" (eng. butterfly house) on Mainau Island is open all year round. With roughly 1,000 square meters it is the second biggest of its kind in Germany. The temperature is 26 degrees Celsius and with a humidity of 80 to 90 percent visitors can walk through a tropical surrounding with swooshing waterfalls and exotic plants and flowers.
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" Matt Stopera and Brian Galindo from BuzzFeed noted that "this song is everything great about '90s dance songs combined into one song. So good." David Balls from Digital Spy described it as "some of the finest Eurodance of the 1990s." David Browne from Entertainment Weekly said it is "a swooshing glop of diva-on-a-downer voice, Eurotrash synths, and rapping.
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Compared to most domestic dogs, the bark of a dingo is short and monosyllabic. During observations, the barking of Australian dingoes was shown to have a relatively small variability; sub- groups of bark types, common among domestic dogs, could not be found. Furthermore, only 5% of the observed vocalizations were made up of barking. Australian dingoes bark only in swooshing noises or in a mixture atonal/tonal.
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The original logo and design for the channel were devised by Dynamo. In the lead-up to the network's launch, TV3's logo was unveiled during promotion ads on RTÉ and TG4. The logo consisted of a redesigned number 3. The upper half of the 3 was separated from the lower half; the two halves came together to form two swooshing arches that would form the 3.
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Pulmonary valve stenosis is the narrowing of the pulmonary valve which leads to decreased blood flow to the pulmonary artery. Cardiac murmurs are sounds that can be heard when using a stethoscope that make a swooshing noise rather than a normal “lub-dup”. Lastly a deviated ventricular septum is when there is a hole between the ventricle walls resulting in blood between the ventricles flowing freely between each other.
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The resistor can be replaced with a FET in its ohmic mode to implement a voltage-controlled phase shifter; the voltage on the gate adjusts the phase shift. In electronic music, a phaser typically consists of two, four or six of these phase-shifting sections connected in tandem and summed with the original. A low-frequency oscillator (LFO) ramps the control voltage to produce the characteristic swooshing sound.
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Growling, making up about 65% of the vocalisations, is used in an agonistic context for dominance, and as a defensive sound. Similar to many domestic dogs, a reactive usage of defensive growling is only rarely observed. Growling very often occurs in combination with other sounds, and has been observed almost exclusively in swooshing noises (similar to barking). During observations in Germany, dingoes were heard to produce a sound that observers have called Schrappen.
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Windpants are similar to sweatpants but are lighter and shield the wearer from cold wind rather than insulate. Windpants are typically made of polyester or nylon, with a liner made of cotton or polyester. The nylon material's natural friction against both itself and human legs makes "swooshing" sounds during walking. Windpants often have zippers on each ankle, letting athletes unzip the end of each leg, allowing the pants to be pulled over their footwear.
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During the verses, Lennon's voice is accompanied by a series of rapid "swooshing" sounds; these are actually the sounds of Ringo Starr's drum and cymbal accompaniment. These patterns were carefully pre-recorded, the tape reversed and the reversed percussion effects meticulously edited into the master tape to synchronise with the music. Around the same time, Jimi Hendrix recorded a backward guitar solo for Castles Made of Sand (song) released 1967. Stephen Stills, a close friend of Jimi Hendrix, used the effect on Graham Nash's song "Pre-Road Downs" from Crosby, Stills & Nash's debut album.
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George becomes concerned by the "swooshing" noise the suit makes when he walks, as he is wearing it to a job interview. George's prospective employer takes him to dinner. When George notices his rival for the suit surreptitiously watching him from the kitchen, he fears the food has been tampered with, so he refuses to taste the dessert in the same manner Audrey and Jerry refused their food. For this he doesn't get the job, but he nonetheless considers it a wise decision, since everyone who ate the dessert became violently ill.
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"Lazy Days", he thought, was "an engulfing pop song filled with swooshing flourishes that one-ups the hooky, wall-of-sound pull" of Enya's past singles "Orinoco Flow" and "Caribbean Blue". Tarradell finalises with the album is "quintessential Enya". Fiona Shepherd reviewed the album for The Scotsman and was more critical, writing Enya continues a "policy of releasing the same album over and over again using a different title and cover" with "drab Celtic moods". She thought the album was not on par with her "earlier epic stuff".
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D. W. Marshall, Mass Market Medieval: Essays on the Middle Ages in Popular Culture (Jefferson NC: McFarland, 2007), , p. 32. Elaborate studio effects are often used, such as backwards tapes, panning the music from one side to another of the stereo track, using the "swooshing" sound of electronic phasing, long delay loops and extreme reverb.S. Borthwick and R. Moy, Popular Music Genres: an Introduction (Edinburgh: Edinburgh University Press, 2004), , pp. 52–4. In the 1960s there was a use of electronic instruments such as early synthesizers and the theremin.
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The coda consists of two periods, the last one stretched by three bars. The first one is a restatement of the middle section's opening transposed to the tonic G major. The consequent of the second period contains a brilliantly swooshing, widely positioned arpeggio for both hands (bars 79(83) and is pianistically attractive. Its effect is based on the accent enforced by a third at the beginning of each triplet, as well as on the tenth and eleventh stretches of the left hand and the ascending bass line covering the entire range of the keyboard.
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He also did non-heavy metal album covers. When Graeme Edge left The Moody Blues he teamed up with Adrian Gurvitz to form The Graeme Edge Band. Their two releases Kick Off Your Muddy Boots released on the Decca subsidiary label Threshold released in 1975 as a gatefold depicted a rider on horseback in a desert coming across a dead man in American Western-style garb and even included a rendition of the Threshold swooshing face icon. Paradise Ballroom issued in 1977 was also illustrated by Petagno, this time depicting a dancing woman using mainly blues.
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With the rise of psychedelic music, many artists used variations on Townsend's technique to create the "flanging" effect mentioned above, adding a slightly disorienting "swooshing" quality to instruments and voices (although in practice this effect is actually more similar to what today is called "phasing" rather than "flanging"). The Beatles themselves used this effect on "Lucy in the Sky with Diamonds" and more prominently on "Blue Jay Way". A notable example of this technique is "Itchycoo Park" by the Small Faces, where the effect is prominent almost throughout the entire track, particularly on the vocals, drums and cymbals during the chorus. Hendrix also used this technique extensively.
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Robert F. Kennedy, in front of Smith Hall during Winter Carnival in the early 1940s. The college, on odd to even years, has held a Winter Carnival which comprises a themed four-day event that includes performances, dances, and games. Past Winter Carnivals have included "a Swiss Olympic skier swooshing down Mount David", faculty and student football games, faculty and administration skits, over-sized snow sculptures, "serenading of the dormitories", and an expeditions to Camden. When alumnus Edmund Muskie, Class of 1936, was a Governor of Maine, he participated in a torch relay from Augusta to Lewiston in celebration of the 1960 Winter Olympics.
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In the narrative, the devil enters a monastery posing as a man called Bruder Rausch (Broder Ruus and variants, in the English version Frier Rush; the Early Modern German ', ' is the term for a loud swooshing noisenote that English rush is of Latinate origin, but was assimilated in usage to MHG rûschen (whence also Modern German ' "noise"; Old English hrýscan) held to be "quite unconnected in origin" by the OED.). Acting as a prankster, Friar Rush causes various episodes of commotion among the monks. Working in the kitchen, Friar Rush takes to organizing women for the abbot and the other monks every night. On one occasion, he is about to be chastised by the cook for being delayed.
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Goals on Sunday is a British football discussion television programme on Sky Sports that shows highlights and analysis of the Premier League, Scottish Premiership and Football League Championship matches. Shown every Sunday and Bank Holiday Monday (under the name Soccer Extra), the programme is fronted by Alex Scott and Chris Kamara. The show is largely popular for the guest analysts who appear on the show. These are mainly players, ex-players, managers or ex-managers, and they often exchange anecdotes and jokes with the presenters. It has been described as two hours of mostly Premier League highlights that is set apart from Sky Sports’ world of swooshing graphics by its opening titles.
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Although many devices were soon created that could produce the same effect by purely electronic means, the effect as used on "Itchycoo Park" was at that time an electro-mechanical studio process. Two synchronised tape copies of a finished recording were played simultaneously into a third master recorder, and by manually retarding the rotation of one of the two tape reels by pressing on the flanges, a skilled engineer could subtly manipulate the phase difference between the two sources, creating the lush 'swooshing' phase effect that sweeps up and down the frequency range. The original single version was mixed and mastered in mono, and the phasing effect is more pronounced in the mono mix than in the later stereo mix.
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Peripheral powers come and go: Freakazoid once developed telekinesis triggered by anger that was never mentioned again after the episode, and once crossed the globe to yell at a Tibetan monk for raking too loudly, but apologizes to him later in the same plot. He also has the ability to assume the form of electricity and cover long distances instantaneously, although he just as often simply sticks his arms forward and runs while making swooshing sounds with his mouth, pretending to fly. Dexter can change into and out of Freakazoid at will with the words "Freak out!" and "Freak in!". When not in Freakazoid mode, Dexter looks and acts completely normal, and his family is unaware that anything has happened to him.
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The music to Nemesis was the final Star Trek score and penultimate film score composed and conducted by Jerry Goldsmith before his death in 2004 (not including his music for the 2003 film Timeline, which was rejected due to a complicated post-production process). The score opens with Alexander Courage's Star Trek: The Original Series fanfare, but quickly transitions into a much darker theme to accompany the conflict between the Reman and Romulan empires. Goldsmith also composed a new 5-note theme to accompany the character Shinzon and the Scimitar, which is manipulated throughout the score to reflect the multiple dimensions of the character. Goldsmith also incorporated several zipping, swooshing synthesizers into the conventional orchestra to illustrate the suspenseful and horrific elements of the story.
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"Blue Jay Way" features extensive use of three studio techniques employed by the Beatles over 1966–67: flanging, an audio delay effect; sound-signal rotation via a Leslie speaker; and (in the stereo mix only) reversed tapes. In the case of the latter technique, a recording of the completed track was played backwards and faded in at key points during the performance, creating an effect whereby the backing vocals appear to answer each line of Harrison's lead vocal in the verses. Due to the limits of multitracking, the process of feeding in reversed sounds was carried out live during the final mixing session. A tape loop of decelerated guitar sounds was used on "The Fool on the Hill" to create a swooshing bird-like effect towards the end of that song.
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The term referred to an engineer alternately pressing and releasing his finger against the flange (rim) of the supply reel on one of two synchronized tape machines as the same audio signal was combined and transferred to a third machine, slightly slowing the machine then allowing it to come back up to speed and in sync with the other, applying a "swooshing" comb filtering effect to the combined audio signal. Alternatively, the engineer could press the flange of one supply reel then the other to achieve a fuller effect. An additional explanation for the pedigree of flanging has it named after Fred Flange, a pseudonym given to Matt Monro by Peter Sellers, who used a Monro recording to open his 1959 Sinatra parody album Songs for Swingin' Sellers. The album was produced by Martin, and presumably the connection with flanging comes from Monro's mimicking (double-tracking) Sinatra.
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This inspired Sayers and Meldrum to create an entirely new arrangement and during additional sessions they create an extended 'outro' for the song by editing various sections of the studio 'jam' together and combining them with additional voices, instruments and sound effects. The final product was a swirling psychedelic collage of music and sound effects which included deliberate edits and instrument 'dropouts' of the backing track (anticipating the Jamaican dub experiments of the 1970s) and an ominous spoken-word "buyer beware" message (suggestive of the LSD 'trip' experience) which was, in fact, Meldrum's heavily filtered voice reading aloud from the product disclaimer on an Ampex recording tape box. The final edit was further processed by applying the then-novel studio effect known as flanging, in which two identical copies of the recording were played together but slightly out-of-phase with each other, producing a rich 'swooshing' sound effect around the music. The children's choir singing toward the end was sourced from an archive recording of a WWII Hitler Youth choir singing "Die Jugend Marschiert" (Youth on the March) and the song concludes dramatically with the children's choir shouting "Sieg Heil!" immediately followed by the cataclysmic sound of an atomic bomb explosion.
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