But BAM is devoting a whole series to Southern sultriness onscreen.
|
|
So when she announced that she's launching a lingerie line, there was no doubt that it would meet her standards of sultriness.
|
|
The problem with "Mamihlapinatapai" isn't its empty sultriness (yes, there's that) but that it's mainly just a long-winded excuse for heavy petting.
|
|
Their self-titled EP, released in 2013, updated the sultriness of TLC and SWV with plush synthesizers and conflicted lyrics about heartbreak and isolation.
|
|
Last month, Broadly published a story about Ophelia Chong, a photography professor working to unload weed's Instagram-filter sultriness and return it to reality.
|
|
"AGENCY" milks the sultriness of amplified strings — here the American Contemporary Music Ensemble — against an electronic backdrop that is, as in "Haunt," ominously droning and dark.
|
|
Gomez is showing off a new side of herself that is equal parts innocence and sultriness, part sunshine and rain storms, part old Gomez and new Gomez.
|
|
Combined with the tried-and-true sultriness of beginning on the supertonic (A minor), "Pound Cake" could be a slow jam if it was actually about sex.
|
|
But about halfway through, they came into their own both as a group and individuals, their personalities surfacing: Ms. Bachman's sultriness, Ms. Hashimoto's vigilance, Ms. Poletti's playfulness, Ms. Ratsifandrihana's defiance.
|
|
The sultriness of the entire performance fanned rumors of an affair between the 45-year-old then-President and the 36-year-old actress, who was tragically found dead under still-unresolved circumstances three months later.
|
|
Dion sounds confident and steady, and the production moves with a light sultriness, never taxing her but bursting with the tug-of-war between darkness and joy that suggests Dion would have made a great disco diva.
|
|
The breathless performance Monroe gave for Kennedy of the song "Happy Birthday to You" at the May 19, 1962, fundraiser for the Democratic Party 10 days before the president's actual birthday is remembered for its sultriness and because it was one of her last public appearances.
|
|
In her classic "The Web of Love" clip Lansing manages multiple costume changes despite being trapped in an enormous spider web; sultriness and entry-level BDSM do not trump the embarrassment of the jungle scene, where she is naked in a boiling cauldron and being leered at by a witch doctor.
|
|
14 May 1996. NME called it a "frenzy of techno- friendly tunefulness" and noted its "unshakeable" chorus. People Magazine stated that Gina G's adding "a dusky undercurrent and a teasing touch of sultriness" to the song. Pop Rescue said it is "incredibly catchy".
|
|
According to Adam Greenberg from AllMusic, Ecstasy "share[s] some ideation with Lady Gaga concepts, mixing sultriness with oddity and playing with the instrumentation and voicing along the way." The album's second interlude, "12:35PM", is another instrumental piece with "slow-paced" handclaps, and subtle urban undertones. Hashire! is a "distorted" midtempo dance song with influences of rock and pop music, and the EP is closed with a final instrumental interlude, "12:00AM".
|
|
" Corbin Reiff of The A.V. Club praised her "incredible, gritty sultriness [vocals] on the verses." Justin Charity of Complex was also positive with her vocals, calling it "the wildest blossom of Adele's voice." Jon Dolan of Rolling Stone labelled it a "mature [...] torchy ballad," while T. Cole Rachel of Spin defined it as "the kind of mawkish, overcooked melodrama that one imagines Adele could perform in her sleep." Chris Gerard of PopMatters was extremely positive, naming it "a bittersweet epic [song].
|
|
Seela's initial foray into recording, Probably Lucy (1994) conveyed "a spare sultriness," and was called "a languid acoustic romp through the varied terrain of the poetic heart,"" Something's Cooking, Definitely Seela," Austin Chronicle July 12, 1996. quickly selling out its first pressing. "Dark and atmospheric," her follow-up album, Something Happened (1999), received criticism for inconsistent songwriting; "the head lady has not found quite enough songs to fill 56 minutes,"Raoul Hernandez, " Something Happened review," Austin Chronicle December 3, 1999.
|
|
The drums were noted to put emphasis on its hi-hat. "Freak" contains a steady bass thump and lyrics about drugs that have been compared to the work of The Weeknd. Amy Davidson of DigitalSpy noted the song had a similar "sultriness" to that of "High by the Beach", Davidson continued to call the song a "slow motion" and compared it to a '90s R&B; song. A reviewer from The Guardian noted the song to contain trip hop beats with lyrics that celebrate California.
|
|
Her sound is no longer unique and would get lost amongst all the standard U.S. R&B; singers." Its first single, "Like It Like That" (July 2007), was nominated for best R&B; single at the Urban Music Awards. "Like It Like That", also reached No. 11 on the Hitseekers Singles Chart. Konsoulas further observed, "The sultriness that appeared on the first album has been replaced with tackiness with lyrics like 'spank my ass and pull my hair' and that's just on the first single.
|
|
I Care did not perform well enough commercially. Although, it received positive response from OPM critics. Resty Odon of Titik Pilipino gave the album four out of five stars, saying "With body proportions hewing close to Beyonce perfection, I am of the opinion that the tectonic shift to sultriness in this album is not ill-advised at all". He liked the dance numbers, calling them as "enlightened move". He praised the first single, saying "'If You Walk Away' pegs Rachelle Ann’s voice between Whitney Houston and Celine Dion".
|
|
She played Vijayalakshmi, a single mother who has a child out of wedlock. Haydon's performance was extensively praised by critics; Devesh Sharma wrote that she "gives a class act", whilst Rajeev Masand said that she "is a complete revelation in the role of Rani's bohemian Parisian pal, investing the character with both sultriness and genuine affection." The film earned unanimous critical acclaim and was also a box office hit. Her latest release was The Shaukeens, a remake of the 1982 film Shaukeen opposite Akshay Kumar, Anupam Kher, Annu Kapoor and Piyush Mishra.
|
|
She is back and better than ever." In an interview with Norwood published July 31, 2020, Brittany Spanos for Rolling Stone referred to the album as "Brandy Norwood at her purest: an eclectic mix of modern and classic R&B; sounds strung together by her distinctive, powerful voice." Michigan Chronicle critic Ashley Stevenson wrote that "throughout the album, Brandy toys with techno undertones without losing her iconic sultriness bending her voice to each track, even doing some rapping. Although the album is met with mild moments of mediocrity, it never lacks enticement.
|
|
The Washington Post felt that Basinger "exudes a sort of chaste sultriness", in what Roger Ebert described as "one of the best films of the year". The role earned her an Academy Award for Best Supporting Actress, as well as the Golden Globe and Screen Actor's Guild Award. She holds the distinction of being the only actress who has both posed nude in Playboy and won an Academy Award. In a 2000 interview with Charlie Rose, Basinger said that L.A. Confidential and her next film, I Dreamed of Africa (2000), were the most pleasurable of her career.
|
|
During the filming of Match Point, director Woody Allen commented on her attractiveness, calling her "beautiful" and "sexually overwhelming". In 2014, The New Yorker film critic Anthony Lane wrote that "she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation." Johansson said that she disliked being sexualized, and that a preoccupation with a person's attractiveness does not last. She lost the lead role of Lisbeth Salander in The Girl with the Dragon Tattoo (2011), as the film's director, David Fincher, thought she was "too sexy" for the part.
|
|
It was during her performances in Kyoto that she also became known for her performances of (or dance) in honor of the Amida Buddha. Though this dance traces its origins to , a tenth-century evangelist of Pure Land Buddhism, by 's time it had become a largely secular folk dance, and her particular adaptation tended to be known for its sultriness and sexual innuendo. Other popular themes for 's acts included humorous skits about lover's trysts at various public establishments and meetings between men and prostitutes. Between these and other dances and acts, she garnered much attention and began to draw large crowds wherever she performed.
|
|
A remix version of the song featuring American rapper 21 Savage was released on November 4, 2019. The song received positive reviews from music critics, who went on to compliment the chemistry between the duo, as well as praising its sultriness and charm. Commercially, the song debuted on the US Billboard Hot 100 chart at number 90, becoming Keys' first single as a lead artist to debut on that chart in seven years; the last one being "Girl on Fire" (2012). It would also become her eleventh chart topper on Adult R&B; Songs, extended her record as the artist with the most number ones on the chart.
|
|
Connie Johnson from the Los Angeles Times described "Rock The boat" as being "sexily assertive" ; she also felt that this song along with "We need a resolution" were stand out songs compared to other artist material. Russell Baillie from The New Zealand Herald described the song as "boudoir-instructional" and he felt that "Aaliyah's voice weaves through the sparse but punchy arrangements with a mix of sultriness" on the song Brad Cawn from the Chicago Tribune felt that Aaliyah had matured and that she was "Growing into seductive escapades" on "Rock the Boat". Sal Cinquemani from Slant Magazine compared the song to the work of Janet Jackson and Marvin Gaye ; he ultimately[felt that Aaliyah does "80's retro" songs better than other artists.
|
|
The heat index of a given combination of (dry-bulb) temperature and humidity is defined as the dry-bulb temperature which would feel the same if the water vapor pressure were 1.6 kPa. Quoting Steadman, "Thus, for instance, an apparent temperature of refers to the same level of sultriness, and the same clothing requirements, as a dry-bulb temperature of with a vapor pressure of 1.6 kPa." This vapor pressure corresponds for example to an air temperature of and relative humidity of 40% in the sea-level psychrometric chart, and in Steadman's table at 40% RH the apparent temperature is equal to the true temperature between . At standard atmospheric pressure (101.325 kPa), this baseline also corresponds to a dew point of and a mixing ratio of 0.01 (10 g of water vapor per kilogram of dry air).
|
|
The album received largely positive reviews from critics. Mark Moody of Under the Radar called the album "truly a master class in interpretation." Hal Horowitz of American Songwriter praised "Swift’s sweet, innocent, usually mellifluous voice", and called the album "a generally successful, instantly likeable meeting of voice, production and of course songs," but also felt that none of the songs were "definitive ... Swift and Sansone’s approach to these Dylan chestnuts is more toned down than you might expect or anticipate." Joe Breen, writing in the Irish Times, noted the difficulty in finding something new in such an often-interpreted musician as Dylan, and said that "rarely has he been covered so tenderly as on this quietly impressive (and wittily titled) collection." Brittney McKenna of Nashville Scene wrote that Swift's vocals are "at once delicate and tough, recalling the sturdy sultriness of Cat Power or Jenny Lewis far more than Dylan’s own folky rasp." Greil Marcus, writing in his monthly "Real Life Rock Top 10" column, called the album an "honorable" tribute to Dylan, though not as good as Bettye LaVette’s similar 2018 album Things Have Changed.
|
|