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25 Sentences With "stuntwomen"

How to use stuntwomen in a sentence? Find typical usage patterns (collocations)/phrases/context for "stuntwomen" and check conjugation/comparative form for "stuntwomen". Mastering all the usages of "stuntwomen" from sentence examples published by news publications.

These moves prove that stuntwomen are the real badasses of the entertainment industry.
A more common complaint by stuntwomen is the discrimination they face on the job or not getting jobs at all.
As the Netflix show details, the cast of wrestlers was comprised of actresses, stuntwomen, and Olympic athletes, all hoping to break into show business.
It's a sick game that comes to an end when he accidentally messes with the wrong crowd: a group of stuntwomen going on a test drive.
She was accompanied to the event by her attorney, Brenda Feigen, who&aposs trying to get more stuntwomen to come forward to file a class-action lawsuit.
While you would expect someone as talented as Duggins to rage against the Hollywood machine for failing to recognize television's hard working stuntwomen until now, she doesn't.
Melanie Wise started this event in 2015 to showcase the diverse range of women in action roles, from stuntwomen to the true stories of female airforce pilots in WW2.
Read These Stories Next:The Most Heartbreaking Movies About Motherhood Daredevils: Two Stuntwomen Reveal How They Bring Marvel Characters To Life The Cast & Crew Of Tully Get Real About Their Own Moms
Lilly was joined onstage by Ingrid Kleinig, her "Ant-Man and the Wasp" stunt double, and by three other stuntwomen, who among them have more than 75 years of stunt experience.
Right at the start of cinema at the 1890s, right up to the mid-303s, almost 1930s, women were producing movies, acting in movies, creating their own content, writing films, even being stuntwomen.
If an actress needed a double, a man would just throw on a wig and a skirt, according to "Stuntwomen: The Untold Hollywood Story," a 240 book by Mollie Gregory, a novelist and screenwriter.
Jane Austin, national secretary-treasurer of SAG-AFTRA and president of the union's local Los Angeles chapter, tells CNBC Make It that because pay is determined by a union contract, stuntwomen rarely encounter pay disparities.
"Even when a woman was hired, someone on the set would think or pretend the stunt was too hard for her, and they ought to get a man in there," Mollie Gregory, author of "Stuntwomen: The Untold Hollywood Story," said.
Related stories Evangeline Lilly, Deven MacNair Set For Panel On Discrimination Against Stuntwomen &aposAnt-Man And The Wasp&apos Trailer: Twice The Buzz In Marvel Team-Up Time&aposs Up Turns Down Deven MacNair&aposs Plea For Help In Fighting Sex Discrimination In Stunt Biz; Spokesperson Responds - Updat e
Where to Stream: Netflix Quentin Tarantino has a few good female revenge moments (see: the stuntwomen revenge flick Death Proof or Shosanna burning Nazis in a theater in Inglourious Basterds), but his best-known vengeance films would be the two volumes of Kill Bill, starring Uma Thurman as Beatrix Kiddo, a woman with a kill list.
Hoffman was the first stuntwoman elected to the Screen Actors Guild Board of Directors, where she served from 1981 to 1984. As a director, she advocated for stuntwomen and stuntpersons of color, advocating for equal work and representation in the union. She served as the Co-Chair and the Chair on the National Stunt and Safety Committee. She was the Chair of the Stuntwomen Committee under the Stunt National Stunt and Safety Committee.
Marneen Lynne Fields is an actress, musician, and former stuntwoman. She has appeared in over 150 movies and TV episodes as an actress, stuntwoman, or both.She has been noted as one of the prominent stuntwomen of the 1970s and 1980s.Stuntwomen: The Untold Hollywood Story by Mollie Gregory, The University Press of Kentucky, 2015.
The Black Stuntmen's Association was an organization that was formed in 1967 by CEO and Cofounder Eddie Smith as a result of policies that kept black stuntmen and stuntwomen from getting studio work. Members of the association include CoFounder Eddie smith, Ernie Robinson and its members Alex Brown, Willie Harris, Henry Kingi, Joe Tilque and William Upton.
Yuen was a stuntwoman and a night club performer from the late 1960s to early 1970s. In 1974, Yuen had a small role in the international production, The Man with the Golden Gun (1974), portraying as Hip's niece Nara rescuing Roger Moore as James Bond. In 1979, Yuen was able to demonstrate her acrobatic and kicking abilities in Dragon's Claw. In 1970s, there were limited opportunities for stuntwomen.
But I still like it and it enables me to support my > mother and myself. Like other stuntwomen, Danko risked life and limb in her work. But her most serious injury came from a mountain lion off-screen while she was doubling for Patsy Kelly in a Hal Roach comedy. While she was getting used to being around the animal, it suddenly swiped at her brightly-colored moccasin.
Hooper is a 1978 American action comedy film directed by Hal Needham and stars Burt Reynolds, Sally Field, Jan-Michael Vincent, Brian Keith, Robert Klein, James Best and Adam West. The film serves as a tribute to stuntmen and stuntwomen in what was at one time an underrecognized profession. At the time of filming, Sally Field and Burt Reynolds were in a relationship, having met on the set of Smokey and the Bandit the previous year.
She also directed and shot Double Dare, which explores the lives of two Hollywood stuntwomen. Double Dare premiered at The Toronto International Film Festival and was broadcast on PBS before its theatrical release. Featuring interviews with Steven Spielberg, Quentin Tarantino, and Lynda Carter, it won numerous film festival awards. Her first film, Just for the Ride, about the cowgirls who founded the first professional sport in America, won a student Oscar and an International Documentary Association Award and premiered on the PBS series POV in 1996.
The Stuntmen's Association of Motion Pictures (SAMP) is an honorary society of motion picture stunt coordinators, stuntmen, and second unit directors. It was founded in 1961 by Loren Janes, who worked as a stunt double for Steve McQueen, and Richard Geary, who doubled for Robert Vaughn. Membership is by “invitation only” and applicants must be a member of the Screen Actors Guild. It is an exclusively male group, which has named a number of honorary stuntwomen, although they are not listed as full members on the site.
In 1998, Dorian Gregory began portraying the police officer Darryl Morris in the television series Charmed, which role he played until end of season 7, in 2005. In 2002, he replaced cosmetic surgeon Jan Adams as one of the hosts of the male-oriented daytime talk show, The Other Half, which was cancelled the following year. Gregory has hosted several events, such as the BET Anniversary and Achievement Awards with Debbie Allen and Shirley Moore, the Black Stuntwomen Beach Competition, and the Elite Lee Jeans Model Look with Roshumba Williams and Angelica Bridges. He has also hosted a radio show on black writers, supports minority filmmakers, and appeared at high school dedications to support better educational opportunities.
Billboard Magazine gave his album Our Hero (1965) a special merit review and said that it "does for the Italian-American community what Jackie Mason did for the Jewish-American community" The following year it stated that his Spaghetti Sauce and Other Delights (1966), an album which consists of one side of spoken comedy and one side of parody songs, was stronger than Our Hero. Cooper played fictional mobster Salvatore Masiello in the film Analyze This and in the sequel Analyze That, as well as playing lawyer, John Bruno in the 2003 film This Thing of Ours. He has also guest-starred on television series such as Vega$ (episode: "Deadly Blessings"), Charlie's Angels (episode: "Stuntwomen Angels"), It's a Living (episodes: "You're Not Old, You're Fired" and "Horsing Around") and L.A. Law (episode: "Foreign Co-respondent"). Cooper had a legendary appearance on the Tom Snyder "Tomorrow - Coast To Coast" Show March 6, 1981 in which he decried "headliners" in the club circuit who often worked with comics as their second act.

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