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19 Sentences With "steelier"

How to use steelier in a sentence? Find typical usage patterns (collocations)/phrases/context for "steelier" and check conjugation/comparative form for "steelier". Mastering all the usages of "steelier" from sentence examples published by news publications.

But who knows – maybe you're made of steelier stuff than the rest of us.
The game was a test of wills and his was always steelier than the rest.
The thoroughly decent Henman never managed to match the feat of his far steelier predecessor.
It has better writers, a steelier focus, and just stays on message better than almost anyone.
They tend to be fuller-bodied than German rieslings but are often steelier and more lively than rieslings from Alsace.
Then we can nurture resilience, and tempered (rather than blind) optimism, and the resulting self-esteem will be made of steelier stuff.
It's the sort of ear-to-ear grin you can't contain, even if you desperately want to cling to a steelier image.
Novotna fielded the inevitable queries, put up with more references to that very, very ugly word, and set about molding herself into a steelier, more decisive competitor.
Trump's enthusiasm for the deal (the destruction of which he has previously described as his "number one priority") could further diminish if the new Iranian leadership moves forward with a steelier stance.
Suddenly, the only other passenger in the cramped conveyance, an older woman with steel-gray hair and even steelier eyes whom I didn't know, poked me firmly in the ribs through my topcoat with two sharp fingers.
And now, please join us in admiring the list of Limited Series actresses nominated for their performances this year: If you need a brassy broad with nerve of steel and a steelier glare, boy do we have the category for you!
Moynihan is evidently, and understandably, enamored by the "blissful, naive optimism," that runs through new age as an idea and as a medium—optimism you can hear glimmers of in his own work, even in last year's steelier, sturdier, sadder Project Nautilus.
Showcasing Jones' finely-tuned ear for the clankier, steelier, end of the house and techno spectrum, the result is just over an hour's worth of cutting-edge club music that flits between tribal percussive workouts, spacey excursions into the deeper reaches of the deep house stratosphere, and peak-time tech-house minimalism.
In the eastern vineyards near Monteforte d'Alpone, the soils are made of decomposed volcanic rock that tends to produce what wine expert Jancis Robinson calls "steelier" wines.
Stacey Henley, in an article published by VG247 in March 2020, observed that the Mass Effect series have since moved away from an initially crude and fetishistic portrayal of the asari species in the first game and asari characters began to gain more agency and prominence as nuanced characters in more recent installments, noting that Liara's arc was no different as her "doe-eyed, schoolgirl naivety hardened into something steelier" by the events of Mass Effect 3.
Musically, "Golden Years" is a funk and disco song. As the lead single of Station to Station, the song is noted as musically different than the rest of its parent album. Station to Station is commonly regarded as the musical bridge between the funk and soul of Young Americans and the experimental sound of his Berlin Trilogy. "Golden Years" is the only song on the album to showcase the similar funk sound of the earlier Young Americans rather than–in Pegg's words–"the steelier musical landscape" of Station to Station.
Stevenson was born to a Peguis Nation family in Steelier, Manitoba, was raised in Selkirk and now lives in Winnipeg. He has extensive experience working in aboriginal youth programs. Stevenson was employed with the Department of Indian and Northern Affairs as a Communications Assistant at the time of the election, and has worked related organizations such as Shabbiest Waking Aboriginal Head Start and the Manitoba Child and Family Services. He has also been an athlete and coach in north Winnipeg, and was working toward a degree in education at the University of Winnipeg at the time of the election.
"Vincentelli, Elizabeth. "Holocaust Musical Brings Oy to the World" New York Post, April 28, 2011 The reviewer for Bloomberg wrote: > "In Donna Murphy, the creators have a shimmering star who can play a tender, > doting grandma and yet evoke Lombard, that irresistible mix of winks and > minx … Leonard Foglia’s hyperactive production is lovely, with set designer > Riccardo Hernandez taking the title at face value and offering up lots of > gilded frames to frame the action. James F. Ingalls’s lighting evokes an Old > World glow in Warsaw, steelier light in Manhattan, and Ann Hould-Ward’s > costumes also place us in those cities with subtle specificity. And the cast > couldn’t be bettered.
The song has also appeared in ads for Google's DevArt initiative and on AMC's Halt and Catch Fire The song has been met with positive critical reception. A writer for Fact magazine called the track "a twinkling slice of fairy-light house", noting it to be "delicate" while also containing a "slightly steelier edge" that deviates from his style. Jason Grishkoff from Indie Shuffle found the song "pursuing the same sound" of his previous four albums, characterizing it as "absolutely perfect" for San Francisco rain. Phillip Yung of Earmilk stated the track "immediately" gives the listener "a spacey organic feel" and found the slide bass during the middle to give it "much anticipated weight", while Amy Heaton of Kaltblut magazine wrote the song was "the perfect soundtrack" to come out of hibernation to, calling it "one big loop of elation".

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