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"stave in" Definitions
  1. to break or damage something by pushing it or hitting it from the outside

18 Sentences With "stave in"

How to use stave in in a sentence? Find typical usage patterns (collocations)/phrases/context for "stave in" and check conjugation/comparative form for "stave in". Mastering all the usages of "stave in" from sentence examples published by news publications.

His great-grandfather, T. W. Boswell, founded Independent Stave in 1912, and Brad Boswell now runs it with his brother and sister.
Our third beer was Progenitor from Crooked Stave in Denver, tart and modestly funky, with a telltale, well-integrated aroma that comes from dry hopping.
The same note on the stave in different clefs means different pitches. The line indicating C (going from the center of a clef) is marked in orange. 1\. soprano clef 2\. mezzo-soprano clef 3\.
Staff is more common in American English, stave in British English. The plural is staves in either case. (Stave is, in fact, a back-formation from staves.) Pam Peters, The Cambridge Guide to English Usage, p. 514.
There is a photograph of a detail of the stave in Aslak Liestøl, ‘Runer frå Bryggen’, Viking: Tidsskrift for norrøn arkeologi, 27 (1964), 5–53, reproduced in Stephen A. Mitchell, ‘Anaphrodisiac Charms in the Nordic Middle Ages: Impotence, Infertility and Magic’, Norveg, 41 (1998), 19-42 (p. 29).
Its design depicts shards and a triangular cross section. The baton has a length of 400 mm, a width of 44 mm, weighs approximately 600g and made up of materials which are a stave in kempas, a tawny wood native to Southeast Asia, and a satin-finished pewter finial.
Presto volante, pp. 49-51. ::[7 single-note scale exercises on a single stave, in different keys and patterns, played by alternating hands; the 8th exercise is on two staves with scales in simultaneous octaves played with alternating hands, finishing with diverging stepwise chords in both hands] :(g) Anhang. Terzen [Appendix. Thirds], p.
Most of Gundarsson's runic magic entails being in possession of a physical entity that is engraved with any or all of the individual runes or "staves", so as to practically work with their energies. The individual runes are reddened with either blood, dyes, or paints. The act of possessing the stave in its final form serves the purpose of affecting the world of form with "the rune might" of that particular stave.
The games baton was designed by Royal Selangor which sold the baton to the public at MYR 1480 and its design was inspired by the games' theme, rising together. Its design depicts shards and a triangular cross section. The baton has a length of 400 mm, a width of 44 mm, weighs approximately 600g and made up of materials which are a stave in kempas, a tawny wood native to Southeast Asia, and a satin-finished pewter finial.
Modified Stave Notation (MSN) is an alternative way of notating music that was developed in the UK where it is widely used.Modified Stave Notation - RNIB MSN is intended to be used by people who cannot easily read ordinary musical stave notation (or staff notationStaff is more common in American English, stave in British English. The plural is staves in either case; stave is, in fact, a back-formation from staves. (Pam Peters, The Cambridge Guide to English Usage, p.
There are portals known as Side Doors which are like normal portals but are for singular trips and once you go through it you cannot go through it the way you came out. Ben and Katherine noticed other portal lights when Ben pressed a button on the stave in the Reading Room. They then asked Mrs Dawes if she knew about Side Doors but she sent them to her brother, Mr Dawes. He told them about Side Doors and the condition if you use one.
Stave Puzzles was born in 1974 when a client offered $300 for a wooden jigsaw puzzle and Richardson and Tibbetts jumped at the opportunity. Richardson and Tibbetts combined their first names to form the name ‘Stave’. In 1976 Richardson bought out Tibbetts for $1 and a jigsaw. Richardson adopted the title ‘Chief Tormentor’ in 1978 and in the following years begin to receive national attention for his innovative puzzle designs. Clients of Richardson’s designs include Bill Gates, Barbara Bush, and the Queen of England.
With UConn history instructor André Schenker, Stemmons authored Connecticut Agricultural College: A History (1931), sponsored and published by the university on the fiftieth anniversary of its founding. Historian Bruce M. Stave in 2006 described the book as "a useful and detailed account of the college's first fifty years." Stemmons struggled with the writing process, as he was uncomfortable writing about living people and felt his skills as a historian to be inadequate. He completed graduate seminars in journalism at the University of Wisconsin in 1932 and in history at Yale University in 1930.
This is correct, but caulking must be added to seal the joint so as to prevent the water from leaking. The completed tub has 43 staves, but, because the later staves were fitted in using a mallet while the earlier ones were not, the hot tub is assembled in two discontinuous portions rather than in one piece. As a result, there is enough room for all but one stave, and any attempt to jam the last stave in resulted in the stave splitting. Although they try to work around it by using the supplied metal rings to tighten the existing staves, this reduces the diameter of the tub, making it impossible to fit wooden benches meant to fit in the interior of the tub.
Encounters with Inuit occurred almost daily; on 29 August, Franklin was informed by a group of Inuit that Richardson's party had been seen clearing the Mackenzie River delta and had narrowly escaped another attempt by the Inuit to pillage their boats. He was later alarmed by a group of Inuit who rushed into the party's camp and informed them that a rival Inuit group was en route with the express intent of massacring the party and stealing their possessions. This group, termed the 'Mountain Indians' by Franklin, allegedly had planned to await their likely return to the mouth of the Mackenzie River. Under the pretense of helping the Europeans navigate the river, the Mountain Indians would then stave in their boats, making them unfit for escape to deeper waters; then a larger group would rush out of a predesignated hiding spot and attack.
Before long he became possessed of a magnificent bass, which gradually increased in volume until at the age of twenty it attained a compass of two octaves from E-flat below to E-flat above the bass stave. In 1812, when only eighteen, he was engaged at the Teatro di San Carlo, Naples, and appeared in Valentino Fioravanti's La Molinara. From 1812 to 1817 he sang at Palermo. In 1817, at La Scala in Milan, he took the part of Dandini in Rossini's La Cenerentola. The opera Elisa e Claudio was written for him in 1821 by Saverio Mercadante and his position was assured. His reputation spread throughout Europe. Giulia Grisi as Elvira and Luigi Lablache as Sir Giorgio in Bellini's I puritani at The King's Theatre in London, 1835 From Milan he went to Turin, returned to Milan in 1822, then appeared at Venice, and in 1824 at Vienna.
Notation is read from left to right, which makes setting music for right-to-left scripts difficult. A staff (or stave, in British English) of written music generally begins with a clef, which indicates the position of one particular note on the staff. The treble clef or G clef was originally a letter G and it identifies the second line up on the five line staff as the note G above middle C. The bass clef or F clef shows the position of the note F below middle C. While the treble and bass clef are the most widely used clefs, other clefs are used, such as the alto clef (used for viola and alto trombone music) and the tenor clef (used for some cello, tenor trombone, and double bass music). Notes representing a pitch outside of the scope of the five line staff can be represented using ledger lines, which provide a single note with additional lines and spaces.
After two seasons in Philadelphia Twaits moved to New York where he appeared at the Park Theatre in June 1805 as Caleb Quotem in The Wags of Windsor opposite the British-born actress Mrs. Elizabeth Ann Westray Villiers (1783-1813) as Leonora. The widow of Thomas C. Villlers, a low comedian and theatre manager for Alexander Placide at the Charleston Theatre,Richard Phillip Sodders, 'The Theatre Management of Alexandre Placide in Charleston, 1794-1812. (Volumes I and II) (South Carolina)', Louisiana State University Historical Dissertations and Theses (1983) pg. 254 and the sister-in-law of William B. Wood, in May 1808 she and Twaits were to marry. Twaits remained at the Park Theatre throughout 1805 in such roles as Megrim in Blue Devils; Dominique in Paul and Virginia; Stave in The Shipwreck; Shelty in The Highland Reel; Goldfinch in The Road to Ruin; Trudge in Inkle and Yarico; Ruttekin in Robin Hood and Dick Dsshall in The Way to Get Married. The remainder of the winter 1805-06 season was spent acting in Boston with Twaits returning to the Vauxhall Theatre in New York in the summer of 1806. Here he played Sparkish in the first American production of The Country Girl in 1806 in New York.

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