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"singing the blues" Definitions
  1. feeling sad and discouraged
"singing the blues" Synonyms
bemoaning lamenting deploring bewailing mourning regretting ruing rueing repenting complaining grumbling moaning grieving for grieving over complaining about expressing regret about crying over moaning over sighing over sorrowing for agonising(UK) agonizing(US) worrying fretting stressing brooding stewing fearing fussing obsessing sweating laboring(US) labouring(UK) feeling uneasy upsetting oneself exercising oneself wrestling with oneself carrying on stewing over downcast despondent sad dejected crestfallen depressed disconsolate discouraged disheartened miserable dispirited down downhearted low low-spirited gloomy glum cast down doleful melancholy More
"singing the blues" Antonyms
lighthearted cheerful happy lively merry gay jolly cheery joyful sunny spirited vivacious jovial buoyant sprightly bright frolicsome gleeful effervescent playful

80 Sentences With "singing the blues"

How to use singing the blues in a sentence? Find typical usage patterns (collocations)/phrases/context for "singing the blues" and check conjugation/comparative form for "singing the blues". Mastering all the usages of "singing the blues" from sentence examples published by news publications.

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The great and the awful all end up singing the blues.
They were godly; they were happy; no one was singing the blues.
Jorja lets her heart bleed on "Let Me Down," singing the blues about two people on different pages in their relationship.
Speaking of, try as I did to ration its episodes, I'm done with "S-Town" and am now singing the blues.
Clinton's first 100 days President Bill Clinton's supporters were likewise singing the blues when his inaugural 100 days came to an end.
He took up the saxophone in the 211s and started leading bands as a teenager, singing the blues in a succession of unsuccessful groups and singles.
Several times he ordered his band to proceed behind him at very low volume or cut out completely, and he played delicately, singing the blues in a hurt falsetto.
What about Duck Dynasty's Phil Robertson, who compared gay sex to bestiality and said pre-Civil Rights-era black people "were godly; they were happy; no one was singing the blues"?
Not only did singing the blues help distract my daughter from her freezing toes, it helped her to learn a new musical form, to express her emotions creatively — and, perhaps most importantly, it entertained me.
"Though the film's portrait of Western decadence is laid on with a trowel, it's also pretty funny," Vincent Canby wrote when "Fatherland," then titled "Singing the Blues in Red," opened in New York in 1988.
With Jackson having disappeared into the James L. Dolan witness protection program, we consulted Dave Checketts, the former Knicks and Garden president, who presided over the franchise's last sustained period of success, across the 1990s, or before Dolan took over the big boy seat and many people working in the building began singing the blues.
Tim KaineTimothy (Tim) Michael KaineA lesson of the Trump, Tlaib, Omar, Netanyahu affair Warren's pledge to avoid first nuclear strike sparks intense pushback Almost three-quarters say minimum age to buy tobacco should be 21: Gallup MORE (D-Va.) singing the blues when one of the former vice presidential nominee's harmonicas set off an airport metal detector.
Emotional intelligence: The benefits of singing the blues Jones said he and his fellow researchers knew the importance of social and emotional competency in a child's development but didn't quite expect to find as strong a correlation between those skills and a child's long-term well-being, even with other variables factored out, such as a family's socioeconomic status and the child's academic ability.
"Singing the Blues" is a popular song written by Melvin Endsley and published in 1956. The song was first recorded and released by Marty Robbins in 1956.Singing the Blues. Second Hand Songs.
Ipswich Town fans also use the song and the club recorded their own version of it, with the chorus being "I've never felt more like singing the Blues, When Ipswich win and Norwich lose, Oh Ipswich you've got me singing the blues".
Endsley wrote "Singing the Blues" in 1954. The following year, he took the song to Nashville's Grand Ole Opry to pitch it backstage. In 1956, Marty Robbins recorded the song, which is credited with putting Robbins on the map. Endsley's writing talents were in high demand, after Robbins's success with "Singing the Blues".
Singing the Blues (also Singin' the Blues) is a 1956 song written by Melvin Endsley and recorded by Marty Robbins.
It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
The album included one other cover song, "Singing the Blues", along with the track "Somewhere in My Broken Heart", co-written and later recorded by Billy Dean.
In a game against the Cincinnati Bengals during the 1985 season, Simms passed for 513 yards—the fifth most passing yards in a single game in NFL history.Weir, Tom. Palmer, Johnson have Saints singing the blues, usatoday.
He ventured into rock with songs including "Heartaches by the Number", "Rock-a-Billy", "The Same Old Me", and his biggest hit, "Singing the Blues", which was number one for 10 weeks in 1956.Obituary, The Guardian, July 5, 1999.
The song is often revived, and on three occasions new recordings of "Singing the Blues" have become UK Top 40 hits. These latter-day hit versions were by Dave Edmunds (1980), Gail Davies (1983), Daniel O'Donnell (1994), and Cliff Richard & the Shadows (2009).
The pair documented this phase of Anderson's career with a privately distributed cassette tape. He released two further albums, Carolina Bluesman (where he was joined on playing the guitar by Cool John Ferguson) in 2005, and Sittin' Here Singing the Blues, originally issued in 2006 on Music Maker.
"Art for me must develop from a necessity within my people. It must answer a question, or wake somebody up, or give a shove in the right direction — our liberation."Scarborough, Klare, "Elizabeth Catlett: Singing the Blues", The International Review of African American Art, Vol. 25, No. 4, (2015), p. 51.
He started singing the blues in 1968. He received his first music lesson on the street from Lafayette Leake while living in Toronto. When he was studying sociology at Carleton University in Ottawa, James Cotton invited him to Chicago. He was also encouraged by New Orleans musicians David Lastie and George Porter.
Vincent Canby of The New York Times wrote, "As long as Miss Streisand as Fanny is singing the blues, or singing anything else, 'Funny Lady' is superb entertainment, but the minute she stops the movie turns into a concrete soufflé. It's heavy and tasteless ... Moments meant to be dramatic are embarrassingly bad."Canby, Vincent (March 12, 1975).
O'Keefe was married to rock/blues singer Bonnie Raitt from April 27, 1991 to November 1999, when they divorced.Staff. "Left Singing the Blues" People, November 29, 1999 He holds an MFA in creative writing from Bennington College. He married actress Emily Donahoe in 2011, with whom he has one child.Becker, Alan. "The Zen of Michael O’Keefe" mmtimes.
He died in October 1974 of a heart attack, at the age of 74. He is interred at Lincoln Memorial Gardens, in Spartanburg.Dead Rock Stars website – accessed February 2008 Anderson's son, known as Little Pink Anderson (born July 13, 1954),Biography on the CD Sittin' Here Singing the Blues. is a bluesman living in Vermillion, South Dakota.
By 1915, Cox had advanced from the "pickaninny" roles of her early minstrel years to singing the blues almost exclusively. In 1920, she left the vaudeville circuit briefly to appear as a headline act at the 81 Theatre in Atlanta, with the pianist Jelly Roll Morton.Barlow, William (1989). "Looking Up at Down": The Emergence of Blues Culture.
Frank Ifield, Max Bygraves and Slim Whitman also recorded the song. "Singing the Blues" was performed live by Paul McCartney on the MTV show Unplugged in 1991 and included on the subsequent soundtrack, Unplugged (The Official Bootleg). Hank Snow did it on his 1969 album on RCA "I Went To Your Wedding". The song was also performed by Albert Lee.
She was born Valerie Eileen Hall in Chicago, Illinois. She was trained as an opera singer and graduated from the American Conservatory of Music, but in 1982 she took up singing the blues in Chicago clubs. She also worked in theater, playing roles portraying earlier blues singers, such as Ma Rainey and Bessie Smith. Her opera training enabled her to project her voice to theater audiences.
Music became his passion around this time. King would save his pocket money for train trips to London to watch My Fair Lady, The King and I, Irma la Douce, Salad Days, Damn Yankees and Kismet from the cheap seats in the balcony. He also discovered pop music and bought his first single, Guy Mitchell's "Singing the Blues" (1956).King, 65 My Life So Far, ch. 4.
That song made the Top 100 R&B; list with Cashbox magazine. She began singing the blues in the early 1980s. From 1993 to 1996, she was the lead singer for Mississippi Heat and recorded two albums with them, Learned the Hard Way and Thunder in my Heart. In 1997, she released her first solo album titled The Search is Over, on the British record label, JSP Records.
The biggest hit version was recorded by Guy Mitchell on August 24, 1959. It reached the #1 spot on the Billboard Hot 100 for the weeks of December 14 and December 21, 1959. The recording was released by Columbia Records as catalog number 41476. This would be Mitchell's second pop chart topper (after "Singing the Blues"); it was also his last top-40 single in the Billboard charts.
Jack Semple is a Canadian blues singer and guitarist from Regina, Saskatchewan."Humboldt Broncos honoured at opening ceremony for Memorial Cup ". CBC News, May 17, 2018"Singing the Blues: Saskatchewan’s guitar legend Jack Semple". Global News, March 24 2019 Semple was the lead guitarist for The Lincolns for two years; he performs as a solo artist and with The Jack Semple Band, throughout Canada and in the United States.
Mary Mae found herself singing the blues again when Lois Cerullo offered her a job at her record label, L&B.; Mary Mae was a hit at Luke's club where everyone would go to listen to her beautiful voice. Mary Mae was adored by many in Port Charles. When she died in her sleep in January 1996, the whole town turned out to pay their respects to their beloved Mary Mae.
World version # Hymns of the World P.1 (Intro) (note: this is a recording of Vladimir Putin addressing the Russian Army # Querida Querida # Teclar # 2000 e Agarrum # Baghdad Blues # O Careca # O Mensageiro # Anagrama # Samba Do Fidel # Neurociência do Amor # Nada Mudou # Gopala Krishna Om # Hymns Of The World P.2 (Final) # Amortecedor (iTunes Bonus Track) # Call Me (iTunes Bonus Track) Brazilian version # Hymns of the World P.1 # Amortecedor # Querida Querida # Teclar # 2000 E Agarrum # Bagdad Blues # Zheng He # Singing The Blues # O Mensageiro # O Careca # Anagrama # Samba Do Fidel # Neurociencia Do Amor # Call Me # Hymns Of The World P.2 "Nada Mudou" and "Gopala Krishna Om" appear only on the world version. "Zheng He" and "Singing The Blues" appear only on the Brazilian version, along with two songs that are bonus tracks on the standard edition: "Amortecedor" and "Call Me". The two versions of the album comprise a total of 17 different songs.
In the 1950s and 1960s Mitchell acted in such movies as Those Redheads From Seattle (1953) and Red Garters (1954). He appeared in "Choose a Victim", a 1961 episode of Thriller. In 1990 he appeared in several episodes of the BBC drama series Your Cheatin’ Heart as the fictional country singer Jim Bob O’May, singing several standards including his own hit "Singing the Blues". His first hit was "My Heart Cries for You" (1951).
The movie opens with a man playing the harmonica and singing the blues. Pierce is then seen walking down the street when he gets called by a woman to see her sister's baby. Pierce says that he doesn't have time because he has to go to visit Soldier's mother, but goes in anyway. At the house, Pierce asks who the father is and the woman says that he could be the father if he wants.
McCoy was honored by Community Works NYC in their 2008 exhibition and concert series "Ladies Singing the Blues." McCoy received a five-minute standing ovation during the award ceremony at the Cathedral Church of St. John the Divine in New York City for her contribution to music. To the delight of the audience, "It's gonna work out fine" was played as she was escorted to the stage. In 2017, McCoy was inducted into the Arkansas Black Hall of Fame.
Twenty artists scored multiple entries in the top 10 in 1957. Andy Williams, The Everly Brothers, Little Richard, Paul Anka and Shirley Bassey were among the many artists who achieved their first UK charting top 10 single in 1957. The 1956 Christmas number-one, "Just Walking in the Rain" by Johnnie Ray, remained at number-one for the first week of 1957. The first new number-one single of the year was "Singing the Blues" by Guy Mitchell.
More than that, though, "Singin' the Blues" has been noted for the way its improvisations feel less improvised than composed, with each phrase building on the last in a logical fashion. Benny Green describes the solo's effect on practiced ears: > When a musician hears Bix's solo on 'Singing the Blues', he becomes aware > after two bars that the soloist knows exactly what he is doing and that he > has an exquisite sense of discord and resolution.
Karen Lovely, who was born in Massachusetts, United States, is the eldest of nine siblings and initially sang in the local church choir. In 1987, she relocated to London, England, where she gave her first public performance, before returning to Los Angeles six months later. Lovely started singing the blues professionally in September 2007 and released her debut album, Lucky Girl, in November 2008. Lovely and her band claimed second place in the band category, at the 2010 International Blues Challenge.
Retrieved June 5, 2014 R. Robin McDonald, "Ex-Musician No Longer Singing the Blues: Judge awards $1.5M to man who lost his estate to mortgage fraud", Daily Report, April 26, 2005. Retrieved June 5, 2014 He became a minister at a Baptist church in Atlanta. During the 1980s he returned to work in entertainment, founding Dynasty Records and hosting a weekly cable television show where he campaigned against substance abuse after one of his sons was killed in a drug-related shooting.
Reagan and MacKenzie performed duets of "I've Got a Crush on You" and "You're the Top." She also did solos of "Goody-Goody" and "Fascination." Bob Crosby appeared in the fourth episode; he and MacKenzie performed "Singing the Blues," while MacKenzie also did a solo of "Tip Toe Through the Tulips." In the fifth episode, MacKenzie and Jack Benny performed on the violin and reminisced over the days that Benny's troupe toured London and Benny and MacKenzie working together in Las Vegas, Nevada.
The song became a number one record for Marty Robbins, Guy Mitchell, and Tommy Steele on various music genre charts.Kingsbury, Paul (2004). The encyclopedia of country music, Oxford University Press US, page 165. In October 1956, Guy Mitchell released "Singing the Blues", after which it spent nine weeks at No. 1 on the U.S. Billboard chart from December 8, 1956 to February 2, 1957. Mitchell's version was also No. 1 in the U.K. for three (non-consecutive) weeks in early 1957.
"Washaway" was another Moulding song about growing up at Pen Hill and the first he wrote on a keyboard. He said: "'This is looking at people going about their business but not being where [I] should be—not being in school." "Blue Overall" saw Partridge drawing on Led Zeppelin's reconfiguration of blues music as originally played by black musicians. The lyrics are a commentary on critics who criticize "white boys" for singing the blues "and the rip-off sharks who infest music's murky waters".
Robinson was born in Detroit, Michigan. At an early age he showed unusual gifts singing the blues and accompanying himself on the piano. According to contemporary newsreels, he was self-taught and managed to use techniques including slapping the keys with elbows and fists. He won a talent show at the Paradise Theatre in Detroit at the age of three, and in 1945 played guest spots at the theatre with Lionel Hampton, who was prevented by child protection legislation from taking Robinson on tour with him.
Mary Alice asked Ursa why she didn't like her any longer and called Ursa a child for not telling her. Then, Ursa remembers how Mama did not like her singing the blues, which led her to move to the city and apply at Happy's. Ursa remembers meeting Mutt at Happy's, sitting with him after her performance and talking about the blues. After this, Ursa and Mutt began talking in Ursa's dressing room, where Ursa learned that Mutt's great-grandfather bought his and his wife's freedom.
Songs from the Grass String Ranch, the band's next album, was completed almost 18 months before its release. The band had consulted with 38 different independent labels before signing to Audium Entertainment, a branch of Koch Records (now E1 Music), which released the album in 2000. Three months before its release, Richard suffered a heart attack, from which he soon recovered. Because the "Singing the Blues" cover had been unsuccessful, the group decided to record entirely original songs for Songs from the Grass String Ranch.
"It's Just a Matter of Time" was previously a Number One hit for Brook Benton in 1959 on the R&B; charts, and for Sonny James in 1970 on the country charts. Glen Campbell also had a #7-peaking rendition of the song in 1986. The track "Somewhere in My Broken Heart" was co-written by Billy Dean, who would later cut it for his 1990 album Young Man and release it as that album's second single. Also included is a cover of "Singing the Blues", a song originally recorded by Marty Robbins.
He is about to leave for Hollywood to start a career in film, when it is at last time for the finale and the wedding. ;Act II Rogers is at the zenith of his popularity, the country's biggest and highest paid star of every medium of his time– stage, screen, radio, newspapers, and public appearances– and is even asked to run for president. This doesn't leave him much time for Betty, and she begins to feel neglected and starts singing the blues. Rogers comes home with "a treasury of precious jewels," and all is forgiven.
During the UK leg of the tour there were a number of Television and Radio Broadcasts across the UK promoting the tour and the new album (Reunited). Some of the television broadcasts included the One Show and GMTV. At the end of the UK leg Cliff and The Shadows travelled to Germany to appear on Germany's Willkommen bei Carmen Nebel Show on 31 October to promote their new album. They performed I Could Easily (Fall in Love With You), Lucky Lips and their new single Singing The Blues.
I'll Be There (1981) was her third studio album and became the most commercially successful, peaking at number twenty-seven on the Billboard Top Country Albums chart. Spawning three singles, "I'll Be There (If You Ever Want Me)", "It's a Lovely, Lovely World", and "Grandma's Song", became top-ten hits on the Hot Country Singles chart list. Her next studio album Givin' Herself Away was issued in February 1982. It included the top-ten single, "Round the Clock Lovin'" and a cover of Marty Robbins' "Singing the Blues", which reached the country top twenty.
Born in New York City in 1945, Rabson had been playing and singing the blues professionally since 1962. She also performed as a solo act and with various other bands. She had been nominated eight times for a Blues Music Award (formerly W.C. Handy Award) as Traditional Blues Female Artist of the Year.2000 Blues Awards Her first solo album, Music Makin' Mama, was nominated as Album of the Year in both the Traditional Blues and Acoustic Blues categories, and her composition "Elevator Man" was nominated as Song of the Year.
"A White Sport Coat" is a 1957 country and western song with words and music both written by Marty Robbins. It was recorded on January 25, 1957, and released on the Columbia Records label, over a month later, on March 4. The arranger and recording session conductor was Ray Conniff, an in-house conductor/arranger at Columbia. Robbins had demanded to have Conniff oversee the recording after his earlier hit, "Singing the Blues", had been quickly eclipsed on the charts by Guy Mitchell's cover version scored and conducted by Conniff in October 1956.
The scenes at the Shangri-La holiday camp were shot on location at Butlin's Barry Island in Wales. The soundtrack of this serial contained a numerous recognisable pop songs; all were re-recorded by "The Lorells", a fictional group created by the show's incidental music composer Keff McCulloch. The songs featured in the serial were: "Rock Around the Clock"; "Singing the Blues"; "Why Do Fools Fall in Love"; "Mr. Sandman"; "Goodnite, Sweetheart, Goodnite"; "That'll Be the Day"; "Only You"; "Lollipop"; "Who's Sorry Now?" and "Happy Days Are Here Again".
Melvin Endsley (30 January 1934 – 16 August 2004) was a musician, singer, and songwriter best known for writing the song "Singing the Blues", along with over 400 songs recorded by hundreds of artists since 1956. Some of the artists that have recorded his songs include Johnny Cash, Marty Robbins, Andy Williams, Paul McCartney, Stonewall Jackson, and Ricky Skaggs. At the beginning of his career, Endsley recorded including RCA and MGM, however, his vocal recordings were commercially unsuccessful. In 1998, he was inducted into the Arkansas Entertainers Hall of Fame.
In late 1956 and early 1957, Marty Robbins' version made it to number one on the Billboard Hot Country Songs chart for 13 weeks, peaking at No. 17 on the U.S. pop charts. Additional memorable versions of "Singing the Blues" include Bill Haley & His Comets' 1960 recording, a 1963 version by Dean Martin, and a 1971 version by Black Oak Arkansas. The song also made an appearance on an episode of I Love Lucy, when it was sung by Vivian Vance and William Frawley for a Ford Motor Company television commercial promoting the Edsel.
The entry date is when the single appeared in the top 10 for the first time (week ending, as published by the Official Charts Company, which is six days after the chart is announced). Eighty-four singles were in the top ten in 1956. Eight singles from 1955 remained in the top 10 for several weeks at the beginning of the year, while "Make It a Party" by Winifred Atwell, "Singing the Blues" by Guy Mitchell and "True Love" by Bing Crosby & Grace Kelly were all released in 1956 but did not reach their peak until 1957.
Reunited is a 2009 studio album by British pop singer Cliff Richard and his original backing band The Shadows. The album celebrates the 50th anniversary of Cliff's first recordings and performances with The Shadows, and is their first studio collaboration for forty years. It features re-recordings (not remasters) of their classic hits from the late 1950s and early 1960s, and three songs from the Rock and roll era not previously recorded by them, C'mon Everybody, Sea Cruise, and the album's only single Singing the Blues. It is Cliff Richard's 32nd studio album and 70th album release overall.
The 28 tracks recorded comprise 25 re- recordings of their earlier work, with three "new" tracks, originally from that era (and earlier), the single "Singing the Blues", along with Eddie Cochran's "C'mon Everybody" and the Frankie Ford hit "Sea Cruise". The album charted at No. 6 in the UK charts in its opening week and peaked at No. 4. The reunion tour continued into Europe in 2010. In June 2009, it was reported by Sound Kitchen Studios in Nashville that Richard was to return there shortly to record a new album of original recordings of jazz songs.
The other songs to top the chart three separate times are Frankie Laine's "I Believe", Guy Mitchell's "Singing the Blues" and Pharrell Williams' "Happy". "What Do You Mean?" was the ninth best-selling single of 2015 in the UK with combined sales of 988,000 copies. In Australia, "What Do You Mean" debuted atop the ARIA Singles Chart on September 5, becoming Bieber's first number-one single on the chart. The song spent four consecutive weeks on top of the chart, becoming the second-longest running chart-topping track for 2015 and gaining a platinum certification from the Australian Recording Industry Association.
Willie Dixon said that "There was quite a few people around singing the blues but most of them was singing all sad blues. Muddy was giving his blues a little pep." In 1946, Muddy recorded some songs for Mayo Williams at Columbia Records, with an old-fashioned combo consisting of clarinet, saxophone and piano; they were released a year later with Ivan Ballen's Philadelphia-based 20th Century label, billed as James "Sweet Lucy" Carter and his Orchestra – Muddy Waters' name was not mentioned on the label. Later that year, he began recording for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
Curran's signing proved to an inspired acquisition for Wednesday, he was the final piece of Jack Charlton's side which went on to gain promotion from Division Three in the 1979–80 season. He was an immensely popular and successful player during his time at Hillsborough, scoring 24 goals in that promotion season. Such was his popularity that he had his own fan club and recorded a song called "Singing the Blues". Curran was involved in an incident the following season in a match at Oldham on 6 September 1980 when he was sent off after a fracas with Simon Stainrod causing Wednesday fans to riot, which led to the closure of Hillsborough terraces for the next four home games.
In "Surviving the War by Singing the Blues: The Contemporary Ethos of American Indian Poetry", author and critic Rebecca Tsosie argues that the creation of American Indian political poetry in the 1890s was strongly inspired by the struggles and oppression American Indians faced. American Indian Political Poetry consists of poetry and music written by politically-motivated American Indians in order to raise awareness and call for change. Many poets, such as John Trudell and Wendy Rose, represent the hardships that American Indians face in their poetry to "ignite and create a unified, spiritual flame". In the mid to late 1980s, influential poets and musicians, such as John Trudell and Jesse Ed Davis, created musical poems about American Indian hardships.
He recorded gospel music Chess and Coral and became a DJ at radio stations in Memphis, Birmingham, and Chicago. He also became the pastor of several churches in Mississippi and Louisiana, including in later years Yazoo City, Mississippi. According to his citation on the Mississippi Blues Trail, "His elegance and exuberance enabled him to easily cross social, racial, and religious lines, and though he devoted himself to the church, community work, charities, and education, he still enjoyed singing the blues on occasion." He became an MC at both blues festivals and religious conventions, president of the Birmingham Black Barons baseball team, and a leader of the "black Elks" (Improved Benevolent and Protective Order of Elks of the World).
Eddie moved from Chicago to Los Angeles in the 1970s. From 1970 to 1975, he experimented with new instruments of his own invention (the reed trumpet was a trumpet with a saxophone mouthpiece, the was a saxophone with a trombone mouthpiece, and the guitorgan was a combination of guitar and organ), with singing the blues, with jazz-rock (he recorded an album with Steve Winwood, Jeff Beck, Albert Lee, Ric Grech, Zoot Money, Ian Paice and other rockers). He also started singing comic R&B;/blues songs, such as "That is Why You're Overweight" and "Eddie Who?". In 1975, however, he alienated some of his audience with his album The Reason Why I'm Talking S--t, which consisted mainly of comedy.
This album was also an unsuccessful venture, failing to enter the country albums charts and producing only a number 70-peaking cover of Marty Robbins' "Singing the Blues". In order to promote the album, Richard suggested that the label send free copies to smaller-market radio stations, where the band's fanbase was still strong. He also considered the album's original songs as the strongest that the band had ever written. Brian Wahlert of Country Standard Time magazine wrote that it "may be the band's best album ever;" Thom Owens gave the album two-and-a-half stars in his Allmusic review, where he wrote that the band "show[ed] a lack of imagination" and "sound[ed] considerably less energetic and exciting" than on the first two albums.
After the European Leg of the tour Cliff and The Shadows came back to the UK to make television appearances on The Paul O'Grady Show where they played Singing The Blues (Audience of 2.82 million, most watched episode all week and second most watched on channel 4 all week) and The One Show where they played their last ever performance together in the UK (audience of 5.32 million, most watched episode all week and 11th most watched on BBC 1). They played their first single together, "Move It". Both of these appearances were made on 30 November 2009. Also on this day Cliff and The Shadows took part in a DVD and Album signing at the Oxford Street branch of HMV where they signed for more than 600 fans.
The entry date is when the single appeared in the top 10 for the first time (week ending, as published by the Official Charts Company, which is six days after the chart is announced). Eighty singles were in the top ten in 1957. Eleven singles from 1956 remained in the top 10 for several weeks at the beginning of the year, while "All the Way"/"Chicago" by Frank Sinatra, "Let's Have a Ball" by Winifred Atwell, "My Special Angel" by Malcolm Vaughan and "Reet Petite (The Sweetest Girl in Town)" by Jackie Wilson were all released in 1957 but did not reach their peak until 1958. "Make It a Party" by Winifred Atwell, "Singing the Blues" by Guy Mitchell and "True Love" by Bing Crosby & Grace Kelly were the singles from 1956 to reach their peak in 1957.
At the start of the year, the number one position on all three charts was held by "Singing the Blues" by Marty Robbins, who achieved a second number one in June with "A White Sport Coat (And A Pink Carnation)", which also topped all three charts and was in the top spot on the final C&W; juke box chart published by Billboard. Robbins was the only artist with more than one chart-topper on the juke box listing, and his eleven weeks in the top spot was the most by any artist on the chart. Three other acts had more than one country number one in 1957. Bobby Helms took both "Fraulein" and "My Special Angel" to the top of both the best sellers and jockeys charts, a feat also achieved by The Everly Brothers with "Bye Bye Love" and "Wake Up Little Susie".
Two other charting versions of the song were released almost simultaneously with Mitchell's, one by the English singer Tommy Steele (with the Steelmen) and the other (recorded before Mitchell covered it) by US country singer Marty Robbins. Tommy Steele's version of "Singing the Blues" made number 1 in the UK Singles Chart for one week on 11 January 1957, sandwiched by two of the weeks that Guy Mitchell's version of the same song topped the charts. Steele's recording of the song was not a chart success in the US. The Marty Robbins version made it to number one on the Billboard C&W; Best Sellers chart for 13 weeks in late 1956 and early 1957 and peaked at number seventeen on the US pop chart. In 1983, Gail Davies recorded a cover version, taking her version into the top 20 of the Hot Country Singles chart in the spring of 1983.
His own solo LP from 1975, Subtle as a Flying Mallet, was similar in style. The Brinsley Schwarz connection brought about a collaboration with Nick Lowe starting with this album, and in 1976 they formed the group Rockpile, with Billy Bremner and Terry Williams. Because Edmunds and Lowe signed to different record labels that year, they could not record as Rockpile until 1980, but many of their solo LPs (such as Lowe's Labour of Lust and Edmunds' own Repeat When Necessary) were group recordings. Edmunds had more UK hits during this time, including Elvis Costello's "Girls Talk", Nick Lowe's "I Knew the Bride", Hank DeVito's "Queen of Hearts" (later a larger, international hit for American country-rock singer Juice Newton), Graham Parker's "Crawling from the Wreckage", and Melvin Endsley's "Singing the Blues" (originally a 1956 US Country No. 1 hit for Marty Robbins, then a US pop No. 1 cover for Guy Mitchell, and a UK No. 1 for both Mitchell and Tommy Steele).
My Pa-Pa," "Fanny"), Teresa Brewer ("Music! Music! Music!," "Till I Waltz Again With You," "Ricochet(Rick-O-Shay)"), Doris Day ("Secret Love," "Whatever Will Be Will Be (Que Sera Sera)," "Teacher's Pet"), Guy Mitchell ("My Heart Cries for You," "The Roving Kind," "Pittsburgh, Pennsylvania," "Singing the Blues"), Bing Crosby ("Play a Simple Melody with son Gary Crosby, "True Love with Grace Kelly), Dinah Shore ("Lavender Blue"), Kitty Kallen ("Little Things Mean a Lot"), Joni James ("Have You Heard," "Wishing Ring," "Your Cheatin' Heart"), Peggy Lee ("Lover," "Fever"), Julie London ("Cry Me a River"), Toni Arden ("Padre"), June Valli ("Why Don't You Believe Me"), Arthur Godfrey ("Slowpoke"), Tennessee Ernie Ford ("Sixteen Tons"), Les Paul and Mary Ford ("Vaya Con Dios," "Tiger Rag"), and vocal groups like The Mills Brothers ("Glow Worm"), The Weavers "(Goodnight Irene"), The Four Aces ("Love Is a Many-Splendored Thing", "(It's No) Sin"), The Chordettes ("Mister Sandman"), Fontane Sisters ("Hearts of Stone"), The Hilltoppers ("Trying," "P.
Royal began his career with and was mentored by the late Fatis Burrell (the son of whom's high school Royal attended), who also produced Jesse's first two releases, Singing the Blues and Long Days and Short Nights in 2010 Jesse Royal has toured extensively in Jamaica as well as Europe and the United States, before releasing his first major work produced by his friend Walshy Fire in 2014. In 2015, Vogue Magazine listed Jesse Royal as part of a greater ongoing "Reggae Revival" movement (along with other such artists as Chronixx, Jah9 and Protoje) happening in Jamaica and the rest of the world, revitalising the genre of roots reggae. In 2016 he featured on the Ragin fyah album ( Everlasting )in a song called Humble In 2017 he recorded the album Lily of da Valley, released by Easy Star Records in October.Jackson, Kevin (2017) "Jesse Royal looks to new Generation", Jamaica Observer, 21 August 2017.
Lyricist Leo Robin and composer Ralph Rainger wrote three songs for the film: "She Was a China Tea-cup and He Was Just a Mug", performed offscreen by an unidentified male vocalist; "Thank Heaven For You", sung onscreen by Rudy Vallee; and "My Bluebird's Singing the Blues", sung onscreen by Baby Rose Marie. A fourth Robin-Rainger song, "Look What I've Got", originally featured in the slightly earlier film A Bedtime Story, is heard as an instrumental, supposedly played by "Ah Phooey and His Manly Mandarins" in a broadcast from a radio station that calls itself "The Voice of Long Tung"; it provides the musical accompaniment for an otherwise silent he-and-she undressing scene. Cab Calloway and His Harlem Maniacs perform 1932's "Reefer Man", written by Andy Razaf (lyrics) and J. Russell Robinson (music). Library of Congress page on this film, which cites Jazz on the Screen by David Meeker (used with permission) as its source for musical information.
Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 The initial response of the British music industry was to attempt to produce exact copies of American records. These were often recorded with session musicians and, even if note perfect, lacked the energy and spontaneity that characterised American rock and roll. They were often fronted by teen idols co-opted in an attempt to break into the suddenly emerging youth market. More grassroots British rock and rollers soon began to appear, many of them out of the declining skiffle craze, including Wee Willie Harris (usually credited as the first) and Tommy Steele, who proved the most successful of this first wave, and one of the first to be tagged as "the British Elvis". He reached the Top 20 with "Rock with the Caveman" and number 1 with "Singing the Blues" in 1956. Another response was to treat rock and roll as a joke – "Bloodnok's Rock and Roll Call", recorded by The Goons, reached number 3 in the chart in late 1956.
In doing so, Williams became only the third artist ever to achieve this, and the first since Guy Mitchell in 1957 with "Singing the Blues". Following the single's third week at No. 1, it spent five weeks in the top three before returning to the summit, boosted by his performance at the 2014 Brit Awards. In the same week that "Happy" returned to No. 1 for the third time, it sold its millionth copy in the UK, Williams' third in under a year, having previously done so with Daft Punk's "Get Lucky" in June 2013, and Thicke's "Blurred Lines" in July 2013. This made Williams only the second artist in UK chart history (the first being The Beatles) to have three singles sell 1 million copies in under a year, as well as only the third artist ever to have three million-sellers, along with The Beatles (who have six) and Rihanna (who has four). "Happy" was the best-selling single of UK in 2014, with 1.5 million copies sold for the year, and became the most downloaded song of all time in the UK by September 2014, with over 1.62 million sold.
Patrick Verbeke has spent the past thirty-some-odd years helping to popularize the blues in France, through educational presentations at schools (illustrating his discourses on the history of the genre with pictorial displays and performances of a variety of blues songs and styles), a long and colorful career as a performer and recording artist, and as host of a popular show, Night Blues, dedicated to the blues the French radio network Europe 1. Highlights of his career include tours with French rock/pop idol Johnny Hallyday in 1976–1977; concerts with French blues harmonicist Benoît Blue Boy from 1978 to 1980; five years of performances with the legendary bluesman Luther Allison, from 1992 until the latter's unfortunate demise in 1997; performing with such artists as Sonny Fisher, Gene Summers, Sugar Blue, Freddie King, Memphis Slim, Vince Taylor and Freddie Fingers Lee while they were on tour in France; and doing session work for such artists as David McNeal, Valerie Legrange, William Sheller, Yves Montand, and many others. Verbeke also co-founded Magic Blues, a record label dedicated to French artists playing and singing the blues in French, with Hélios Vidal in the late 1990s.

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