But, thus is the life of the resident sex object.
|
|
I know I'm a sex object, but I control everything.
|
|
Just feeling like you're a sex object ready to be used.
|
|
He hopes other vacationers will see him as a sex object.
|
|
I was often treated as his personal sex object and cast aside.
|
|
"Inside I'm not a cute sex object," she wrote in one comic.
|
|
Beautiful Bathsheba, a sex object in the eyes of the polygamous King David.
|
|
Anyone society has dehumanized into a sex object just doesn't fit the bill.
|
|
Because you're allowed to be a sex object, but not to have sex.
|
|
If Taylor is just a sex object, the sheep are all the viewers, another adds.
|
|
For Ms. Carson has merged Monroe with another much-maligned sex object, Helen of Troy.
|
|
Well, I suppose it's one thing being a sex object without being over-endowed with intelligence.
|
|
"I was often treated as his personal sex object and cast aside," Sampson claimed in the lawsuit.
|
|
D. filled the customary girl part, the nubile sex object who beds the star and then disappears.
|
|
Some women live at the corners of the series, solely existing to fill space as A Sex Object.
|
|
Watch: Backstage with RuPaul's Drag Race Do people you perform for ever treat you like a sex object?
|
|
He cast himself as a sex object with a voracious appetite from the start, and never apologized for it.
|
|
Women don't go to the gym to be perved on and treated as a sex object by men. pic.twitter.
|
|
As with many Asian women, this meant that I was visible as a sex object, invisible as a person.
|
|
Her newest book, "Sex Object," is a memoir of her sex life and the misogyny that she believes it demonstrates.
|
|
But right now, looking at it, I just think to him that she was a sex object and a good one.
|
|
They stood behind teammates who passed a woman around as a sex object, including players who admitted they heard her resist.
|
|
They posit women as sex object or secretary on one end of the spectrum or frigid successful bitch on the other.
|
|
It is precisely this myth—that violations buried are violations dead—that Jessica Valenti dissects with precision in her memoir Sex Object.
|
|
In The Last Seduction, Bridget calls her rube boyfriend her "designated fuck" and laughs when he says he feels like a sex object.
|
|
" Selena seems to agree with Bailey's viewpoint, saying in the episode that it's "possible to be empowered and still be a sex object.
|
|
The Narrator refers to her as the source of all his troubles; Tyler, meanwhile, seems to regard her merely as a sex object.
|
|
Recently, the popular feminist Jessica Valenti published a memoir titled "Sex Object," which focuses on the toll the "male gaze" has taken on her.
|
|
Dalla Betta wondered if they'd only been hired at Flaunt as a sex object, or if any compliments they'd received for writing were genuine.
|
|
For the most part, Felix seems to be a genuinely good guy, which only makes his secret desire for a docile sex object more unsettling.
|
|
"I think it's about the desire to be objectified to such an extent that one is playing the part of a literal sex object," Handal says.
|
|
She was packaged as a sex object, emphasis on the object, and she reacted by spiraling out of control and becoming a figure of public mockery.
|
|
With this one song, she goes from being opaque and silent to having depth, complexity, and a backstory that doesn't involve her being a sex object.
|
|
These sketch a portrait far removed from the droll, pliable sex object, touching on traumatic memories of racial violence and their lingering effects on Baker's relationships.
|
|
There's something charming about a little girl with zero tolerance for Audio Visual Club B.S. and a healthy appreciation for He-Man's potential as a sex object.
|
|
"You take a sex object and you turn her inside out and you flip the gaze on all the people who are typically consuming her," she explains.
|
|
When I tell a guy I'm interested in that I've done porn they either freak out or they tend to view me solely as a sex object.
|
|
The novel concludes, satisfyingly, with Jupiter's perspective, and readers finally get a sense of this flesh-and-blood teenager — not just a manic pixie girl sex object.
|
|
It's the ultimate sexist thing to say that's all you can see, when you think about Wonder Woman, all you can think about is a sex object.
|
|
She's been manipulated and exploited at every turn by men who don't really have her best interests at heart and primarily see her as a sex object.
|
|
"I know I'm meant to be the bigger person," she writes in "Sex Object," her latest, addressing the anonymous men who flood her inbox with threats and insults.
|
|
As it turns out, no one is merely a sex object in this tale of a romantic collision between high (really high) society and the underworld of bootleggers.
|
|
And in particular, the effort to give Vanessa humanity and not present her as just a sex object, especially since she is a sex worker, has also been praised.
|
|
It's an impersonal and cynical ending, fitting with the original script's more impersonal and cynical treatment of Michelle, as more of a bystander and sex object than a hero.
|
|
But to me, I was humiliated and it was the first time I realized that some men have no interest in me as an actress, only as a sex object.
|
|
Clinton was untruthful or inherently hard to connect with, but that these particular men hold deep biases against women who seek power instead of sticking to acquiescent sex-object status.
|
|
The feminist writer released her memoir Sex Object this year, and according to Valenti, it's a "punishing" look at what it's like to grow up in a world that hates women.
|
|
They've never forced themselves onto me or made me feel like a sex object—in fact, most of them are shy at first and want to take their time with me.
|
|
Rosemonde is the first of Berger and Tanner's female outsiders, floating from job to job in rebellion against a world that only views her as a worker or a sex object.
|
|
To make being objectified more palatable, being a sex object is edified into an affirmation of attractiveness, something to covet and court, even if its price is being reduced to a thing.
|
|
The last thing Darling wants to do is undermine that effort by catering to sexist ideas about women's roles within the tech space or by presenting herself as a mindless sex object.
|
|
"Good and Mad: The Revolutionary Power of Women's Anger" by Rebecca Traister, $12.06"Sex Object" by Jessica Valenti, $10.41When it comes to feminist literature, there is a ton of it out there.
|
|
The trailer sold it as a girl power robot riot, which was novel for a series that sticks to strict formula of robots, a male protagonist, and the occasional woman-as-sex-object.
|
|
A "doll with breasts," as a gallery of horrified adults described her, Barbie proved that a grown woman could be a role model for girls, instead of a sex object unfit for innocent eyes.
|
|
But there's also the fact that, since she was a teenager, she's been under immense public scrutiny, expected to turn a huge profit in that tricky space between Disney teen dream and sex object.
|
|
He is accused of repeatedly sexually abusing a young girl, who was then a sixth-grader, for eight months — allegedly making her his "indentured sex object," prosecutors said in court on Thursday, Newsday reports.
|
|
The drip-feeding of the drug combined with the dehumanizing way they reduced him to a sex object later formed his conclusion about what was happening to him and other black and Latino youths.
|
|
With the swooning "Nu couché" ("Reclining Nude") from April 4, 1932, where the female anatomy is colorfully highlighted and paired with picked pears, he obviously paints, however nicely, the objectification of women as sex object.
|
|
But make no mistake: This is still a world where Dany, a legitimate queen, has to listen to a couple of guys talk about how she's an imbecile who's only good as a sex object.
|
|
Examples abound: Moira Weigel's debut, "Labor of Love"; Kate Bolick's dissection of singleness in her 2015 book, "Spinster"; Jessica Valenti's recent memoir, "Sex Object"; Kristin Dombek's starkly original take on threesomes in The Paris Review.
|
|
Her co-edited books include "Woman as Sex Object: Studies in Erotic Art, 21980-1970" (with Thomas B. Hess, 1972) and "The Jew in the Text: Modernity and the Construction of Identity" (with Tamar Garb, 1995).
|
|
Straying from the standard line of feminist thought, Nussbaum defends Sunstein's idea, arguing that there are circumstances in which being treated as a sex object, a "mysterious thinglike presence," can be humanizing, rather than morally harmful.
|
|
And whether in her comic book incarnation or her '70s TV persona -- played by the extremely curvy Lynda Carter -- WW has always been able to take care of herself- but also has been a major sex object.
|
|
Ms. Hudson's Shug exuded the weary, slightly resentful passivity of a sex object who knew she didn't have to work hard to reel in the suckers; it was only when she sang that she came fully alive.
|
|
" And one more fun weekend read, in case you missed it: Dan Q. Dao's brief history of the peach as a sex object with, naturally, some extremely juicy details about that scene in "Call Me by Your Name.
|
|
A year before Tomb Raider would reboot the image of Lara Croft from sex object to human being, and two years before the toxic Gamergate movement would harass critics and enthusiasts who called for diverse representation across the medium, there was Kat.
|
|
In an interview at The New York Times, Mr. Bacon, 59 — good-naturedly waving to gawkers beyond a conference room window — talked about collaborating with his wife, his latest turn as a sex object and his resurrection of a long-ago role.
|
|
Such clever delivery extends to vulgar-seeming tracks like "Gross Secret" and "Sex Object"— the latter of which which sets up sonic tension, suspense, and anticipation until the song's narrator discovers someone's sex toy (they told me the object in question was a part from an aquarium).
|
|
With its narrative details, the book manages to do something else that is shocking -- humanize Stormy Daniels, the woman who is so much more than the sex object men in her life have repeatedly tried to reduce her to, both in her personal world and as a public figure.
|
|
"If it is true that slavery and all that followed has denied the Negro male his manhood, isn't it equally true that the view of a Negro woman as a sex object or a body to be employed in domestic labor has denied her due respect?" she demanded of a reporter.
|
|
Whether it's dropping your glasses in a used toilet of stranger's pee (and picking them up) like on "Gross Secret" or finding your roommate's dildo on "Sex Object," Partner's songwriting duo Josée Caron and Lucy Niles add enough levity and '90s alt-rock-inflected power-chords to laugh any embarrassment off.
|
|
" Deborah Tolman, a psychology professor at the City University of New York who researches adolescent sexuality, said: "This is the contradiction we put in front of girls: You should be confident and do well in school and do athletics, but you're supposed to also be a good sex object at the same time.
|
|
Back in 2009, she became the stereotype of an idiotic sex object who, by extension, did not deserve our sympathies or questions about whether the treatment she received was OK. Today, the public knows more about the complicated, often dangerous nexus of misogyny that young women and men looking to make it in Hollywood face.
|
|
Machismo says we must be objects of desire, not actors on it; we must give pleasure, and take pleasure from giving; Marianismo says we are good when we suffer and best when we sacrifice — a narrative that has neatly transferred itself into the white racial imaginary as the fiery Latina sex object and the hardworking, silent maid.
|
|
He's not a sex object in any rock-conventional sense — his flat nasal everyman drawl suggests an adolescent dreamer trying on different poses, moving from costume to costume, trying to emulate his favorite role models on the posters in his bedroom, which explains the confounding array of genres that the Killers have tinkered with and the unity of their overall project.
|
|
There was his 1994 quickly annulled marriage to a then 15 year-old Aaliyah (he was 27 years old at the time), as well as alleged group sex with other minors; reports of sexual harassment where an intern complained of being a "personal sex object"; and, of course, the infamous reports of a tape he made with a minor in which he relieved himself on her body during a sex act.
|
|
It took 75 years to make the first movie about the world's most famous female superhero (meanwhile we have had nine live-action feature films for Batman, and no less than seven Superman movies) and when the movie finally did get made, studio executives had to be sure she was feminine enough to be a sex object, but not so feminine that audiences feel like they're watching a "girl power" film.
|
|
In Ben Wheatley's action comedy Free Fire, his ultra-capable nice guy exterior betrays a sly psychopathy; in Tom Ford's queasy thriller Nocturnal Animals, his model-perfect alpha male husband radiates a dreaded mid-life ennui; and in Call Me by Your Name, Hammer's outwardly jock-ish Oliver is initially ogled as a sex object and treated as an airhead by Timothee Chalamet's Elio, only for the character—and the actor—to gradually reveal unknown depths.
|
|
Sex Object: A Memoir is a 2016 memoir and the sixth book written by Jessica Valenti. Valenti shares personal stories recounting her childhood and adolescence regarding her treatment as a sex object and the pernicious influence of sexism in her daily encounters. She paints an image of an adult whose identify has been shaped by these experiences. Valenti argues that most women face a similar reality of being shaped by—and making everyday decisions to minimize—male aggressions and sexual assault.
|
|
Jessica Valenti's other works include He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know, Sex Object: A Memoir, The Purity Myth, Why Have Kids?, and Believe Me: How Trusting Women Can Change the World (2020).
|
|
Valentino Tarantola treats Arabella as no more than a sex object. Having knocked her unconscious he is seen unzipping his trousers presumably as a prelude to having non-consensual sex. Valentino's brother Enrico, is similarly contemptuous to both Arabella and Felicity.
|
|
Pocahontas was viewed as a sex object by the men and held against her will. Her role early on was to bring food to the early settlers of Jamestown. She eventually became educated and was baptized into the English religion. At the time, the religion of the English Church was Protestantism.
|
|
They released one cassette album entitled Sex Object on Millennium tapes (1983). They also had their song "Power And The Glory" included on Volume II of the Crass Records Bullshit Detector compilation series.Glasper, p.160 "When the Wind Blows", from the band's final recording session, was included on the Overground compilation Anti-War, Anarcho-Punk Compilation Volume One.
|
|
Just then, the 'weekly news' from Ellna is played over the public-address system. Fabricated by Elizia, this broadcast is the only mode of information available to the prisoners. As an announcer recounts false news of friends and family, the angry prisoners attack Koenig for lying but he is saved by the guards. Elizia openly ogles Koenig like a male sex object.
|
|
Roz is quite taken with him (and he with her) at first, but she eventually catches on to his ways and rejects his advances. Simon views her as a sex object, yet always forgets her name. During the ninth-season episodes in which he appears, he constantly calls her "Rose." Roz does not care enough at that point to even correct him.
|
|
The Punk Group is an electro/synth-rock band originating from Portland, Oregon. The group began in 2002 "as a joke""Nobrainszine.com Interview", July 2005 (link) and consists of two male members, Brian Applegate and Tony Cameron; who dub themselves "The Model" and "Sex Object" after song titles by the German electronic band Kraftwerk. They record and release all their albums themselves.
|
|
Jessica Valenti (; born November 1, 1978) is an American feminist writer. She was the co-founder of the blog, Feministing, which she wrote for from 2004 to 2011. Valenti is the author of five books: Full Frontal Feminism (2007), He's a Stud, She's a Slut (2008), The Purity Myth (2009), Why Have Kids? (2012), and Sex Object: A Memoir (2016).
|
|
A nun, the only survivor of an Indian massacre of a wagon train, is taken in by a cantankerous old gunfighter who helps her to evade the marauding Indians during her attempt to reach Sante Fe. During the arduous journey they slowly develop an unlikely friendship and respect for each other despite Madron (Richard Boone) initially treating Sister Mary (Leslie Caron) very badly as merely a sex object.
|
|
Oates explains how more and more action movies and Chick flick films create the heterosexual female gaze through showcasing male's bodies. In her article, Oates uses examples from films such as Forgetting Sarah Marshall, New Moon, and Magic Mike. In Magic Mike, for example, Mike only becomes a love interest after he quits his job as a stripper. Thus illustrating Mike as a sex object or love interest, but not both creating sex negativity.
|
|
Valenti was able to use Sex Object: A Memoir as a platform to focus on sharing experiences with readers, helping them understand how prevalent sexism is for young girls and women, and shedding light on the sheer size of this cultural problem. In addition to being an author, Valenti works professionally as a feminist writer, focusing on discussions of current events, and advocating for women's rights and transgender rights, including reproductive justice.
|
|
This surrender of control happens voluntarily and under mutual understanding and consent. The main feature of sexual bondage is that it renders the restrained person vulnerable to a variety of sex acts, including some that they may be inhibited from otherwise engaging. The restrained partner is dependent for their sexual satisfaction on the actions of their partner, who may treat the restrained partner as their sex object. There are many reasons why people allow themselves to be bound.
|
|
Ed. Women in Film Noir. London: BFI, 2012. Print. 27 In her introductory shot she is seen as a sex bomb, a desired sex object through the narrator's eyes, yet she juxtaposes this vision as a hard working woman, then a “loving playmate in an adulterous relationship; a fearful girl in need of protection, [a] victim of male power; [a] hard, ruthless murderess; [a] mother-to-be;” then following that she is a sacrifice to the judicial system.Gledhill, Christine.
|
|
Bolstering this claim is an unfinished portrait of a girl on the back of the painting's canvas, which may portray Landholdt. Anthropologist Charles Stewart characterises the sleeping woman as "voluptuous," and one scholar of the Gothic describes her as lying in a "sexually receptive position." In Woman as Sex Object (1972), Marcia Allentuck similarly argues that the painting's intent is to show female orgasm. This is supported by Fuseli's sexually overt and even pornographic private drawings (e.g.
|
|
In 2016, Valenti published Sex Object: A Memoir with the Dey Street imprint of Morrow. The book was a memoir, a departure from Valenti's prior books. Also in 2016, one of the Podesta emails mentions, alongside Valenti's name, a column she was writing for The Guardian.Sources agree the column was: Vladimirov cites Valenti's response: For background see: In 2020, Valenti was the co-editor of the anthology Believe Me: How Trusting Women Can Change the World with Jaclyn Friedman.
|
|
1980 Artwork: Davida Allen painted her sexual fantasy pictures of actor Sam Neill. While the paintings followed in the tradition of the Burt Reynolds nude centrefold in Cosmopolitan in 1972, in 1980s Australia the artist raised eyebrows for depicting a man as a sex object. 1980 Performance: Bonita Ely, Bread Line, Anzart, Christchurch, New ZealandJuliana Engberg, 'Breadline: Women and Food', ArtlinkVol19, No4, Australia. 1980 Performance: Bonita Ely, Murray River Punch, George Paton and Ewing Gallery, Melbourne University.
|
|
When Jesus permitted her to express her love and appreciation to him as she did, the host rejected it contemptuously. At a minimum, this story shows the manner of Jesus with one sinful woman. His unconditional love for both saints and sinners may have been so well known that this woman had the courage to take this great risk to publicly express her love for him for seeing her not as a sex object to be exploited, but as a person of worth.
|
|
Without consulting Hogg, all three ride away on Hawk's motorcycle to meet Big Sambo at the docks in Crawhole. Big Sambo talks down the price and pays Nigg and Hawk fifteen dollars for the narrator. Big Sambo is a large, physically-powerful tugboat operator who keeps his twelve-year-old daughter, Honey-Pie, around as a sex object for his own pleasure. The narrator goes walking around the docks at night, where he overhears a radio on the deck of a garbage scow.
|
|
Yet another of Kozinski's high-profile cases was the lawsuit filed by Mattel against MCA Records, the record label of Danish pop-dance group Aqua, for "turning Barbie into a sex object" in their 1997 song "Barbie Girl." Kozinski opened the case with: "If this were a sci-fi melodrama, it might be called Speech-Zilla meets Trademark Kong" and famously concluded his 2002 opinion with the words: "The parties are advised to chill."Mattel, Inc. v. MCA Records, Inc.
|
|
In his review for New York, John Simon described it as "above all else, embarrassing" and called the writing "uniformly feeble." He thought the interpolated songs were "not great stuff" and added, "[T]hough Miss Newman is a talented musical comedienne, she cannot make them into more than they are." He did praise "a medley of old songs glorifying woman as sex object or domestic drudge - which she renders with delightful satiric brio."New York, July 9-16, 1979, pp.
|
|
Lovely Rivero is Gineb Macalinao (birthdate: May 15, 1969) in real life is a Filipino actress who started in the kiddie-show, "Kaluskos Musmos" in 1980 (second batch). She made a comeback in the late 80s as one of the mainstays of "Thats Entertainment" and as a teenage actress in Baby Pascual and Associate's "Chikas" (1984) with Jacklyn Jose, Karla Kalua, Rachel Anne Wolfe and Tanya Gomez. Other film credit includes "Sex Object" (1985) with Stella "Pinky" Suarez, Jr. and Julio Diaz.
|
|
Deepanjana Pal of Firstpost liked Gosh's decision to make Khan's character a sex object, feeling that he blazed a trail for other male actors in similar roles. The film was particularly well-received in the UK, the UAE, and Pakistan because of Khan's following in those countries from his television work. He received a Filmfare Award for Best Male Debut for his role in the film. Khan made a cameo appearance in Asim Raza's coming-of-age film, Ho Mann Jahaan, in January 2016.
|
|
He also co-edited the volumes Art and Sexual Politics (with Elizabeth C. Baker) and Woman as Sex Object. Studies in Erotic Art 1730-1970 (with Linda Nochlin). In the final year of his life, Hess was appointed by the director of the Metropolitan Museum of Art, Philippe de Montebello to replace Henry Geldzahler as the chief curator of 20th century art at the museum. However, on July 13 of that year Hess died of a heart attack one day short of what would have been his 58th birthday.
|
|
Engaged by a magazine to write an investigative article on publisher Hugh Hefner's nightclub chain, Ms. Steinem poses as a young girl named "Marie" and enters the Bunny training program at the New York City Playboy Club. Outfitted with phony ears, a fuzzy tail, and a revealing costume, Gloria learns the proper method of serving drinks, the "bunny dip", and how to fend off customers who ignore Hefner's "look but don't touch" policy. She also concludes that being a sex object, even a chaste one, is depressingly demeaning—an "awakening".
|
|
The four stereotypes are, iron maiden, pet, mother, and seductress/sex object. Iron maiden refers to women who are deemed to display too many masculine traits and not enough feminine traits according to her audience. This leads audiences to question the trustworthiness of an iron maiden, because she is seen as strategically playing the field to appease voters. The pet stereotype is given to women who are identified as helpmates, cheerleaders, or mascots, which then leads the audience to see these women as naive or weak and unable to lead without a man's help.
|
|
Electric Café is the ninth studio album by the electronic group Kraftwerk, originally released in 1986. In October 2009 it was re-released under its original working title, Techno Pop. The initial 1986 Electric Café came in versions sung in English and German, as well as a limited Edición Española release, featuring versions of "Techno Pop" and "Sex Object" with only Spanish lyrics. It was the first Kraftwerk LP to be created using predominantly digital musical instruments, although the finished product was still recorded onto analog master tapes.
|
|
The first side of the album is divided into three tracks, which form a suite of three variations with recurring elements. (For instance, a few bars of melody from "Musique Non-Stop" can be heard as a few bars of bass melody in "Techno Pop".) It is primarily instrumental, utilizing the track titles and other phrases in a spoken manner, as opposed to sung, narrative lyrics. The songs "Techno Pop" and "Sex Object" feature partial Spanish-language lyrics. The second side also contains three songs, following a somewhat more conventional pop format.
|
|
Much speculation has taken place over the years as to whether a lost Kraftwerk album (i.e. unreleased songs/recordings) exists from the four-year period between 1982 and 1986. Kraftwerk are notoriously secretive about their activities, but a fairly reliable and consistent picture can be gleaned from interviews given by the various band members. Bootleg recordings of the songs "Techno Pop" and "Sex Object" that claim to be demos from the early Technicolor/Techno Pop sessions have been circulated over the years, each with a noticeably different production sound from the final album.
|
|
In December 2000, Mattel, the manufacturer of the Barbie doll, sued MCA Records, Aqua's record label. Mattel claimed that "Barbie Girl" violated their trademark and turned her into a sex object, referring to her as a "Blonde Bimbo". It alleged that the song infringed its copyrights and trademarks on the Barbie doll, and that the song's lyrics had ruined the longtime popularity and reputation of their trademark and impinged on their marketing plan. Aqua and MCA Records claimed that Mattel injected their own meanings into the song's lyrics.
|
|
The child perceives that sexuality is not only encouraged but can be a means to an end. This behavior can eventually lead to premature sexual activity and can teach an unfortunate lesson that a woman's worth is determined by their status as a sex object. "When you have them looking older, for a lot of people that means looking sexier. I don't think it's a great idea for girls at that age to be focused so much on their sexuality," Syd Brown, a youth psychologist practicing in Maryland told ABC News.
|
|
A Girl Cut in Two (French: La Fille coupée en deux) is a 2007 French drama film directed by Claude Chabrol and starring Ludivine Sagnier, François Berléand, and Benoît Magimel. It tells the story of a naïve and affectionate girl who has disastrous relationships with two rich and influential men. One uses her as a sex object and abandons her, while the second marries her but proves lethally unbalanced. The film was released in France on 8 August 2007 and a limited release in the United States beginning on 15 August 2008.
|
|
This third perspective allows the male audience to take the female character as his own personal sex object because he can relate himself, through looking, to the male character in the film. In the paper, Mulvey calls for a destruction of modern film structure as the only way to free women from their sexual objectification in film. She argues for a removal of the voyeurism encoded into film by creating distance between the male spectator and the female character. The only way to do so, Mulvey argues, is by destroying the element of voyeurism and "the invisible guest".
|
|
The first track, "Techno Pop", would take up one side of the LP and was an original one-track mix of "Boing Boom Tschak", "Techno Pop" and "Musique Non-Stop", as they appeared on the final album. On the other side were the tracks "The Telephone Call", "Sex Object" and "Tour de France". Recordings were progressing and one song from these sessions, "Tour de France", was released as a single in 1983, achieving moderate commercial success. However, shortly after this, Ralf Hütter suffered a cycling accident on the Rhine Dam and was apparently unable to work with the band for some time.
|
|
Fetishism could result when a child is imprinted with an overly narrow or incorrect concept of a sex object. Imprinting seems to occur during the child's earliest experiences with arousal and desire, and is based on "an egocentric evaluation of salient reward- or pleasure-related characteristics that differ from one individual to another." Neurological differences may play a role in some cases. Vilayanur S. Ramachandran observed that the region processing sensory input from the feet lies immediately next to the region processing genital stimulation, and suggested an accidental link between these regions could explain the prevalence of foot fetishism.
|
|
The official music video for the song was directed by Andy Morahan. It features Michael, with noticeable stubble on his face, wearing a black leather jacket with 'Rockers Revenge' and BSA logo, Ray-Ban Aviator sunglasses and a pair of Levi's blue jeans with cowboy boots, playing a guitar near a classic- design Wurlitzer jukebox. Writers Bob Batchelor and Scott Stoddart say the music video positions him as a "masculine sex object", breaking him up into individual body parts such as "stubbled" [sic] chin and butt. The music video also features parts of two other songs by Michael.
|
|
We then return to the factory, where Geri eventually strips the oiled-up dancers down to hot pants, bunny ears and high-heeled ankle boots. Eventually they end up pole-dancing, acting as bunny boys and parodying Playboy Bunnygirls, this time with the male as the sex object. We then see Geri parading the bunny boys on a leash at the end of the video, exhorting female listeners to "Treat him like a lady" and declaring "Who's wearing the trousers now?". The video ends with a white background and Geri's symbol as the TV switches off.
|
|
However, Parkinson criticises the chapters relating to Allen's father and her inconsistency in acknowledging her privilege. Nicole Flattery of The Irish Times writes that the book is "commendable for its frankness" and praises Allen's resilience, particularly following her stillbirth, and her description of being "treated as a sex object". Flattery opines that the novel's best parts "felt like spending time with a ridiculous, outrageous friend" while the worst "was like being left stranded with a girl you just met at the campsite on the last day of a festival". In 2018, My Thoughts Exactly was nominated for the FutureBook Campaign of the Year.
|
|
On December 5th 2000, Mattel sued MCA Records, the recording company of Aqua, saying the song violated the Barbie trademark and turned Barbie into a sex object, referring to her as a "Blonde Bimbo." They alleged the song had violated their copyrights and trademarks of Barbie, and that its lyrics had tarnished the reputation of their trademark and impinged on their marketing plan. Mattel also claimed that the cover packaging of the single used "Barbie pink", a trademarked color owned by Mattel. MCA contested Mattel's claims and countersued for defamation after Mattel had likened MCA to a bank robber.
|
|
His long hair will be cut, and he will have to resort to the female slaves for sexual gratification—indicating that he is expected to transition from being a receptive sex object to one who performs penetrative sex.Richlin, "Not before Homosexuality," p. 534; Ronnie Ancona, "(Un)Constrained Male Desire: An Intertextual Reading of Horace Odes 2.8 and Catullus Poem 61," in Gendered Dynamics in Latin Love Poetry (Johns Hopkins University Press, 2005), p. 47; Mark Petrini, The Child and the Hero: Coming of Age in Catullus and Vergil (University of Michigan Press, 1997), pp. 19–20.
|
|
"Parallel Universe" (1988) shows Holly's "Holly Hop Drive" trying to get to Earth within a few seconds. Instead, however, it lands the crew in a female-oriented parallel universe with another version of Red Dwarf; its crew including a female version of Rimmer called Arlene Rimmer (played by Suzanne Bertish). Regarding Rimmer as little more than a "discardable sex object", the female Rimmer sexually harasses and gropes Rimmer and tries to hypnotise him even after Rimmer shows no interest. In "Backwards" (1989), Rimmer facilitates a driving test for the mechanoid Kryten (Robert Llewellyn), where Kryten causes the Starbug 1 shuttle to fall into a time hole.
|
|
She is dependent for her sexual satisfaction on the actions of her partner, who can choose the type and pace of the sexual activity and can introduce sex toys. For example, a pecker gag can be used to gag the restrained partner as well as to require her to suck during sexual activity in a similar manner to an adult pacifier. The active partner has the role of treating the restrained partner as a sex object to be used for her own sexual satisfaction. The active partner may herself derive sexual satisfaction from providing her sex partner with sexual satisfaction and bringing her to orgasm.
|
|
The study also stated that women in the United States feel that rape is "trivialized in American culture" and concluded that "media imagery that presents women as both sex object and as victims" has possibly contributed to this trivialization. A 2016 study regarding the objectification of women in the media found that men's magazines, reality television and pornography brought upon more thoughts of objectification, which in turn led to more support of violence toward women. In the study's results, it is stated "the relationship between objectifying media exposure and attitudes supportive of violence against women was fully mediated by notions of women as sex objects".
|
|
In December 2000, Mattel sued the band Aqua, saying their song "Barbie Girl" violated the Barbie trademark and turned Barbie into a sex object, referring to her as a "blonde bimbo." The lawsuit was rejected in 2002. In 2000, Mattel signed a deal with Warner Bros to become the master licensee for Harry Potter-branded toys.Mattel and Hasbro get licenses for character from Harry Potter - Lisa Bannon and John Lippman, The Wall Street Journal, 11 February 2000 In 2002, the companies extended their partnership, with Mattel becoming master licensee for Batman, Superman, Justice League and the Looney Tunes toys for all markets except Asia.
|
|
Suitsupply is known for its sexually-charged photography and ad campaigns. Carli Hermes has been shooting all the Suitsupply campaigns since 2004. Some photos from the Shameless campaign had to be removed from a London Suitsupply shop,Shameless campaign and images from the same campaign at Westfield Shopping Centre were criticised because they were displayed where they can be easily seen by children.Caroline Davies, Dutch fashion firm under fire over window display The Guardian 17 November 2010 Several photos from the Shameless campaign had to be removed from Suitsupply's website and Facebook page for portraying the woman as a sex object or as submissive to the man according to a ruling by the Belgian advertising standards authority.JEP.
|
|
Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her. The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, François Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve.
|
|
"Sexy baby voice" is controversial in discussions about gender equality and related issues. Bell and others have argued that the use of "sexy baby voice" demeans the speaker, who appears as a "submissive 12-year-old trying to be a sex object", or that its use in film and television exploits contemporary culture's "fetish for adult sexuality wrapped in adolescent packages". Others questioned the purpose of critiquing the speech pattern, asserting that "picking at the vocal quirks of your own gender is just as much of a nuisance as harping on the bodies that belong to them". Phonetician Mark Liberman wrote that it was not clear that the discussion about "sexy baby voice" referred to a specific speech style rather than just a "long list" of vocal features people objected to in female speech.
|
|
He saw the hijab as something that makes a man see a woman not as a sex object, but instead as a human being. He believes, like all of his peers in the Islamic seminary that women should cover their entire body except for their face and hands, and that they should avoid wearing excessive makeup when they go out in public. Fadlallah also issued a fatwa on the International Day for the Elimination of Violence against Women that supports the right of a woman to defend herself against any act of violence whether social or physical. The fatwa reaffirms the rights of women, both at their workplace and at home, and states that Islam forbids men from exercising any form of violence against women and forbids men from depriving women of their legal rights.
|
|
After watching a very early gig by the Sex Pistols in an empty hall on Hastings Pier, playing a set of cover songs, she was inspired to put an ad in the paper for 'young punx who want to stick it together' to form a band. So it was from that, she went as singer with X-Ray Spex, Poly Styrene, a name she chose from the 'Yellow Pages' when she was 'looking for a name of the time, something plastic.' She was described by Billboard as the "archetype for the modern-day feminist punk"; because she wore dental braces, stood against the typical sex object female of 1970s rock star, sported a gaudy Dayglo wardrobe, and was of mixed race. She was "one of the least conventional front-persons in rock history, male or female".
|
|
Changed by Ricky's "attractive, profound confidence", Lester is convinced that Angela is attainable and sees that he must question his "banal, numbingly materialist suburban existence"; he takes a job at a fast- food outlet, which allows him to regress to a point when he could "see his whole life ahead of him". When Lester is caught masturbating by Carolyn, his angry retort about their lack of intimacy is the first time he says aloud what he thinks about her. By confronting the issue and Carolyn's "superficial investments in others", Lester is trying to "regain a voice in a home that [only respects] the voices of mother and daughter". His final turning point comes when he and Angela almost have sex; after she confesses her virginity, he no longer thinks of her as a sex object, but as a daughter.
|
|
The portrayal of women in video games has been the subject of academic study and controversy since the early 1980s. Recurring themes in articles and discussions on the topic include the sexual objectification and sexualization of female characters, done to appeal to a presumed male audience, as well as the degree to which female characters are independent from their male counterparts within the same game. The sexualization of women involves the use of female bodies in a way that renders them the object of a sexual gaze or perception by others; their bodies are objectified and they are reduced to that of a sex object. Research on exposure to sexualized media representations of women in television and magazines has asked whether it reduces male compassion toward women, and reduces women's perceptions of their desire and suitability for various vocations.
|
|
Chasing a rumor that Kristen was now filming porn in Mexico, their uneasy alliance moves from Los Angeles to San Diego, gradually warming up to each other: Niki feels protected by Van Dorn because he is a man who doesn't see her as merely a sex object, and he is able to speak openly to her about his deepest feelings, such as his wife leaving him. The unlikely pair ends in San Francisco where Van Dorn finds that Kristen may be in the hands of Ratan, a very dangerous S & M porn player who deals in the world of "snuff movies". Niki, who had previously begun to think Van Dorn will help her to escape life on the streets, now finds herself fearful of being forgotten once he locates his daughter at all—alive or dead. As a result, she initially refuses to divulge the address of a porn industry player who is a link to Ratan.
|
|
Behr, 1987 p 307 On another occasion, Jin confronted Puyi with his former concubine Li in meetings in his office, where she attacked him for seeing her only as a sex object, and saying she was now pregnant by a man who loved her. On 10 March 1956, Jin confronted Puyi in a meeting in his office with his siblings, where his sisters spoke of their happiness with their new lives working as schoolteachers and seamstresses.Behr, 1987 p 308-309 Puyi was helped with his "remodeling" when the other prisoners began to blame him for everything that happened in Manchukuo, which was a debit for them as in the Chinese system one is supposed to confess to one's own guilt rather than blaming others; Puyi, by assigning all guilt to himself, won Jin's favor.Behr, 1987 p 303 In late 1956, Puyi acted in a play, The Defeat of the Aggressors, about the Suez Crisis, playing the role of a left-wing Labour MP who challenges in the House of Commons a former Manchukuo minister playing the Foreign Secretary Selwyn Lloyd.
|
|
The following track "Suga Mama" is a moderate R&B; and soul song which displays influences of the 1960s as well as 1970s funk and rock music, also containing limited elements of the 1980s go-go and sounds more closely resembling live music than Beyoncé's previous recordings. Lyrically, it features the female protagonist offering up the keys to her house and car, and her credit card just to keep her love interest and his good loving at home, presumably so that he can listen to her collection of old soul records. These interpretations are shown in the lines: "It's so good to the point that I'll do anything just to keep you home ... Tell me what you want me to buy, my accountant's waiting on the phone ..." The woman also sees the man as a sex object, asking him to sit on her lap and "take it off while I watch you perform". "Upgrade U", which features Jay-Z, follows, and speaks about a woman offering luxuries to a man, to upgrade his lifestyle and reputation, similar to the concept of "Suga Mama".
|
|
In the 1960s and 1970s, the Black Power and Black Arts Movements attacked the novel, claiming that the character of Uncle Tom engaged in "race betrayal", and that Tom made slaves out to be worse than slave owners. Among the stereotypes of blacks in Uncle Tom's Cabin are the "happy darky" (in the lazy, carefree character of Sam); the light- skinned tragic mulatto as a sex object (in the characters of Eliza, Cassy, and Emmeline); the affectionate, dark-skinned female mammy (through several characters, including Mammy, a cook at the St. Clare plantation); the pickaninny stereotype of black children (in the character of Topsy); the Uncle Tom, an African American who is too eager to please white people. Stowe intended Tom to be a "noble hero" and a Christ-like figure who, like Jesus at his crucifixion, forgives the people responsible for his death. The false stereotype of Tom as a "subservient fool who bows down to the white man", and the resulting derogatory term "Uncle Tom", resulted from staged "Tom Shows", which sometimes replaced Tom's grim death with an upbeat ending where Tom causes his oppressors to see the error of their ways, and they all reconcile happily.
|
|
Later, McLeod framed her performance her presence in the early Bronx crews of emcees as defying the norms associated with women in hip hop: > A unique aspect of the group was that Sha Rock wasn't portrayed as a sex > object but was more or less considered equal among the male members of the > group. Aside from the minor success of the all-female Sugarhill Records rap > crew Sequence, Funky 4 + 1 signified the last moderate success of a woman in > the rap industry until Roxanne Shanté and Salt-n-Pepa came along in the > mid-'80s. On February 14, 1981, The Funky 4 + 1 were introduced as New York City "street rappers" from the Bronx along with headlining musical guests Blondie with its lead singer Debbie Harry on Saturday Night Live. The Funky 4 + 1's appearance reflected a local connection that introduced the uptown musical youth of the Bronx and Harlem to the downtown Lower East Side scenes of graffiti art and music that was represented with the original hip-hop artists playing themselves in the 1983 film Wild Style by Charlie Ahearn.
|
|