Elegance and rusticity may be a singular characteristic of Etna.
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Their house, Skyfall, clearly departs from classic Sea Ranch rusticity.
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"Rusticity is not always the most pleasant thing in Champagne," Victoria said.
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The serene rusticity of the valley has the feeling of a place rather than a playground.
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"This is a place where it's possible to have a balance between elegance and rusticity," Mr. Graci said.
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Yet I find Mr. Graci's wines leaning more to the side of finesse and elegance than to rusticity.
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Now tequila companies are looking for mezcal and emphasizing the simplicity and rusticity of their product whenever possible.
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But even earlier in the program, their marriage of smoothness and rusticity was effective in short works by Dvorak and Josef Suk.
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Barbecued lamb heart with harissa was succulent, while black rice from the Camargue garnished with grilled squid, chorizo and turnips satisfied with locavore rusticity.
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It, too, was medium-bodied, and its grippy tannins gave it a sense of refined rusticity similar to that I found in the Fay.
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Noting the unaffected rusticity of the scene, Obama was reminded of a memorable meal that he had eaten as a child, in the mountains outside Jakarta.
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Painter and sculptor Jaime Molina has not only crafted a perfectly realized aesthetic, one of endlessly endearing folk art rusticity, but he's created a whole world of his own.
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Bertoldo's "Orpheus," for all its antique inspiration, is a work of a new, or newly revived, engineering process, whose glitchy rusticity has both a human and a technological derivation.
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Last June, the newly renovated inn reopened under its latest owner, the Massachusetts-based Lark Hotels, which transformed it into a cool, midcentury-modern homage to cozy New England rusticity.
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"It gives a sense of rus in urbe, which means rusticity in town," mused Alex Perkins, a Cambridge University librarian, as a dark red steer meandered across his evening commute.
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A 225-minute drive across the Alpilles from Saint-Rémy, this little bistro has been a cult destination since the '2011s, attracting a quietly glamorous crowd — despite, or perhaps because of, its homespun rusticity.
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The mattresses are handmade, the blankets handwoven, the benches handcarved and the ceramic cups and pitcher handbuilt, but the tubs and sink are minimalist modern by Philippe Starck, offering a rusticity that is appealing to those used to comfort.
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A few years ago, I bought a few bottles of this Chinon from Alain and Jérôme Lenoir and fell in love with its pure, old-school rusticity, a combination of rough, complex flavors of red fruit, earth and a touch of green.
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As recently as 2014, Jerome Charyn tried to avoid adding to the sonorous Lincolns of fiction and film with a novel, "I Am Abraham," that sometimes lurches into an overcompensating rusticity and doubles down vocally by presenting all four hundred and forty-nine pages in the first person.
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The urban sophistication of Hazare, compared to Ramdev's rusticity, attracted high- profile support for the campaign from Bollywood stars, the internet-savvy, and mainstream English-language news media.
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Also, the album goes beyond the genres mentioned before. The next to-be-released vinyl edition of “Silent Howl” incorporates the song “Pulsion”, which serves as Volkova’s second video clip. Pulsion transmits certain landscape’s rusticity and apathy, a metaphor of the different moods we sometimes succumb to.
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Dreyfus later sold most of the land, excluding the residence, to the U.S. Forest Service—Humboldt- Toiyabe National Forest and Nevada State Parks—Lake Tahoe – Nevada State Park.Extravagant Rusticity: A rich man's folly has become on of Tahoe's treasured historical estates San Francisco Chronicle July 21, 2007.
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The M'Par is a small horse or pony. It is generally of poor conformation, heavy-headed, too long in the back, thin-legged, flat-chested and often with defective conformation of the legs. In compensation for these defects, it has exceptional qualities of endurance and rusticity.
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The Campiero Bulldog stands out for its loyalty towards its owner, ease of adaptation, and mainly for being affectionate towards children. Their rusticity and courage make them excellent guard dogs. This breed can be a bit jealous. Suspicious of strangers and quiet, the Campiero Bulldog is known for not barking unnecessarily.
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His extant writings, noted by Thomas Park in Brydges's British Bibliographer, number over a hundred.Park's biography, online textBiography by BrydgesBibliography link Wither wrote, generally, in a pure English idiom, and preferred the reputation of rusticity. According to the Dunciad "Withers, Ward, and Gildon rest" together "Safe, where no Critics damn, no duns molest".Book I, lines 295-6, e.g.
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Fengxian District, is a suburban district in the south of Shanghai with a land area of , a registered population (as of 2010) of 1,083,400, and 1.5 to 2 times more migrants. It is known for its relative rusticity, as well as its beaches and ocean resorts along the Hangzhou Bay. Lanhai Jinsha () is a common place for Shanghainese to spend their weekend.
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Articles in RFD interact with the political climate of the time. RFD advocated for rusticity in order to highlight gay men of different socioeconomic classes to change narratives surrounding normative ideologies and U.S.-based capitalism. RFD itself was known to often be under financial stress. RFD's representation of counterculture allowed for gay men to consider rustic living outside of the normative gay male culture.
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This new image disregarded the principles of symmetry and perfect proportions while focusing more on "accidental irregularity," and moving more towards a concept of individualism and rusticity. William Gilpin’s work was a direct challenge to the ideology of the well established Grand Tour, showing how an exploration of rural Britain could compete with classically-oriented tours of the Continent.Glenn Hooper (2001). "The Isles/Ireland".
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Designed in the Romanesque style, it was one of the largest buildings yet built in the city. While restoration was being planned, it was destroyed by a fire in 1975. A contemporary, but rural, example of Kent's work is the Rocky Brook Reservoir Pumping Station in Peace Dale, which still stands. In his book Buildings of Rhode Island, architectural historian William H. Jordy calls it "a picturesque attempt for industrial rusticity".
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Austin's rules for pronunciation address the issue of the provincial accent, something Austin labels "a stain of rusticity" (47). Austin encouraged his students to rid themselves of their provincial accent in favour of a courtly accent. In addition to his rules for the management of the voice, Austin also addresses issues of vocal quality including pitch, volume and variety. Austin was also concerned with the management of facial expression.
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The floor was lined with cylindrical wooden blocks that originally extended out, approximately one metre around the building. With time, the inside end grain blocks became smooth and shiny, their random pattern contributing to the overall rusticity of the grand, almost baronial, space. The outside blocks are completely rotted and gone. To the south and west, two bays of the externally exposed sloping frame were enclosed and roofed with yellow corrugated fibreglass.
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The Fila Brasileiro is described as a Brazilian Mastiff or a Brazilian Molosser. In the U.S., the OFA (Orthopedic Foundation for Animals) does a statistical registry of all Filas that were X-rayed to diagnose hip dysplasia. The Brazilian army compared this breed to Doberman Pinschers and German Shepherds in a five-year study using these dogs in the jungle under extremely hostile conditions. The following traits were observed: intelligence, aggressiveness, sensibility, temperament, energy, resistance, rusticity and strength.
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Chapel of the Savior of the World in the Church of Mercy It is characterized by the volumetric simplicity of the facade and a certain constructive rusticity. It has ground floor in single shallow ship, of proportions that tend to double squared, being this the initial part of the construction dating from the sixteenth century. It has major chapel, side chapel (Savior of the World), side altars and lateral gallery. The main facade has a Portuguese style floor.
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Some brick surfaces are made to look particularly rustic by including burnt bricks, which have a darker color or an irregular shape. Others may use antique salvage bricks, or new bricks may be artificially aged by applying various surface treatments, such as tumbling. The attempts at rusticity of the late 20th century have been carried forward by masons specializing in a free, artistic style, where the courses are intentionally not straight, instead weaving to form more organic impressions.
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Cites: Inquiry concerning Virtue or Merit, > Bk. II. ii. 1. This version of a golden mean doctrine that goes back to Aristotle was savaged by Mandeville, who slurred it as associated with a sheltered and comfortable life, Catholic asceticism, and modern sentimental rusticity. On the other hand, Jonathan Edwards adopted Shaftesbury's view that "all excellency is harmony, symmetry or proportion". On man as a social creature, Shaftesbury argued that the egoist and the extreme altruist are both imperfect.
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The arrival of zebu from India in the 19th and 20th century almost led to its extinction. The Caracu is the most suitable European race to tropical conditions found in Brazil. With more than four centuries of selection, Caracu today brings important qualities and increasingly sought after in the beef cattle segment, mainly for industrial crossing. The rusticity acquired over the years has resulted in a small food requirements, greater resistance to pests, and increased the longevity of cows.
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The place demonstrates rare, uncommon or endangered aspects of Queensland's cultural heritage. The place is significant also for its remnant and now uncommon indigenous vegetation mix, in a district which has been heavily farmed since the late 19th century. The place is important because of its aesthetic significance. The place has aesthetic value in its prominent skyline profile and in the rusticity of the few surviving grave sites, which contain several headstones and memorials, and grave surrounds in concrete and iron.
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The sculpture of their seals (such as the xian zhang (閑章/闲章; roughly translated as "seal of leisure"))Baidu.com Encyclopedia: 闲章 (Casual seals/seals of leisure) could be pets, landscapes, or other symbols from their daily lives or rusticity. Sometimes a seal stone had different colors on its surfaces or inside the stone and the sculptor needed to make a perfect combination of these colors with their sculpture. In ancient Chinese this is called qiao diao (巧雕; roughly, "sculpture of cleverness").
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In the area surrounding Cato's Sabine farm were the lands of Lucius Valerius Flaccus, a young nobleman of significant influence and high patrician family. Flaccus could not help remarking on Cato's energy, his military talent, his eloquence, his frugal and simple life, and his traditional principles. Flaccus himself was a member of that purist patrician faction which displayed its adherence to the stricter virtues of the Roman character. Within Roman society a transition was in progress —from Samnite rusticity to Grecian civilization and oriental luxuriance.
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In the first part of the book, Austin traces the study of the art of delivery from the classical world to the 18th century. The second part of the book is devoted to a description of the notation system Austin designed to teach students of rhetoric the management of gesture and voice. The system of notation is accompanied by a series of illustrations depicting positions of the feet, body and hands. Throughout Chironomia, Austin instructs speakers to avoid the appearance of vulgarity or rusticity.
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This evolution in the representation of the landscape reflected a shift in the clientele for art towards the urban middle-class, who regarded both the countryside and its peasants from a hierarchical distance as well as a pleasurable condescension and even humor. It also represented a philosophical move towards a humanist view of the world as reflected by the humanist philosopher Desiderius Erasmus in his work the 'Antibarbarians', which glorified the enjoyment of a 'sancta rusticitas' (holy rusticity) in the countryside as a means to cultivate true wisdom.
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Sodeisha was formed in 1948. Its principal founder was Yagi Kazuo (1918–1979). Its leaders were Yamada Hikaru (born 1924) and Suzuki Osamu (born 1926). Sodeisha was formed in opposition to the Mingei or folk-craft movement that was the dominant ceramic style and philosophy in Japan at the time, exemplified by Shoji Hamada (1894–1978), and also in reaction to the aesthetic of rusticity associated with the tea ceremony inspired Shino and Bizen ceramics of the Momoyama Revival pottery of artists such as Kaneshige Toyo and Arakawa Toyozu.
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Serbenda (; plural Serbendas, ) is a term for a Serb who is thoroughly and uncompromisingly devoted to all things Serbian. Generally considered a term of endearment by Serbs, it can sometimes contain negative connotations, referring to nationalist aggression and heightened tribalism. Serbian writer and scholar Jovan Skerlić in 1925 described the "Serbenda" as being an "autochthonous, raw Serb, without a trace of anything foreign". University of Alberta professor of Cultural Anthropology Marko Živković says the term "carries the connotations of rusticity, simplicity, and traditional patriarchal values-the opposite of high culture polish and cosmopolitan sophistication".
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The winery has an aesthetic appeal engendered by the rusticity of the fabric, the atmospheric underground cellar, and the pleasant rural setting. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons. Assmanshausen Winery has strong social significance - it was a popular tourist attraction in its time, and the names Assmanshausen and Toolburra Vineyards are well known in Warwick history. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history.
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During Catherine's reign the leading playwrights included Denis Fonvizin, who ridiculed the rusticity of provincial gentry and their thoughtless imitation of all things French; Vladislav Ozerov, who authored a great number of Neoclassical tragedies with touches of sentimentalism; and Yakov Knyazhnin, whose drama about a popular uprising against Rurik's rule was declared Jacobin and publicly burnt in 1791. Even Catherine's favourite poet, Gavrila Derzhavin—who sought in his odes to combine amusement with instruction—would see some of his poems banned from print during the last years of her reign.
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The inscription reads: Sacred to the memory of Mr. Amon Wilds Died 12 September 1833 Aged 71 Years A remarkable incident accompanies the period at which this gentleman came to settle in Brighton. Through his abilities and taste the order of the ancient architecture of buildings in Brighton may be dated to have changed from its antiquated simplicity and rusticity and its improvements have since progressively increased. He was a man of extensive genius and talent and in his reputation for uprightness of conduct could only meet its parallel.
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In the prologue (verse 40f.) Wittenwiler explains that the red line marks "serious" material, while the green marks törpelleben (literally "village life", in the sense of "rusticity, peasantry, buffoonery"), but the actual division between "red" and "green" material is far from straightforward. The protagonists are Bertschi Triefnas and Mätzli Rüerenzumph, two peasant lovers of Lappenhausen, a fictitious village in the Black Forest. The handsome Bertschi woos the ugly Mätzli with knightly pretensions. The wedding involves a "peasant tournament" and escalates into wild brawling, leading to a war between villages and the destruction of Lappenhausen.
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His version of rusticity proved highly popular and in 1848 he was commissioned by Oscar I, King of Sweden and Norway, to paint a series of Norwegian peasant life for the royal palace of Oscarshall, near Christiania. Today Adolph Tidemand is best known for this depiction of Norwegian farm and culture and is counted among the first Norwegian historic painters. In Tidemand’s paintings of the old Norwegian farm culture, he portrayed the peasant with a new dignity, humane and culturally. The National Museum of Art, Architecture and Design (Nasjonalgalleriet) in Oslo alone owns more than 100 of his works.
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He is described in the "Fine Art Catalogue" which is copyrighted by Theodore Cooley as follows: "William Tryon is an American landscape painter whose pictures are greatly sought for their delicacy of coloring and refinement of feeling. A pupil of Daubdigny, he is, like that artist, a painter of country life - the idyllic rusticity of apple trees in bloom, of waving cornfields, of shining valleys and streams rippling gently to the sea. He is especially fine in the silvery- gray atmosphere." He went on to win the Carnegie Prize at the Carnegie Exhibition of 1908 at the Carnegie Museum of Art.
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Writing for The Arts Desk, Kieron Tyler says that "Sweet Music" is the "standout" on an album that, at the time, "realised every aspiring musician's dream". In his description, Brother "balances Harrison-esque pop with post-Band rusticity, and is an essential part of the Beatle jigsaw". Writing for the reissues website The Second Disc, Joe Marchese similarly views "Sweet Music" as the "centerpiece" and he highlights "The Sea" among the bonus tracks as a "fascinating collaboration" with Tavener. Marchese describes the reissue as long overdue and "a landmark release that fills a major gap in the always-ripe Apple catalogue".
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Hearthstone Castle is significant not only for its design, which anticipates the better-known castle built in Hadlyme by William Gillette by almost two decades, but for its fine construction and its exceptional preservation as an estate, with all of its major outbuildings intact. It reflects a nineteenth-century taste among newly rich Americans for palatial country residences, as well, as a late Romantic taste for rusticity and exoticism. The estate's grounds were left largely in their natural state, and the castle it-self is referred to in the deed from the Sanfords to the Bucks as "the Lodge." Danbury Land Records, Vol.
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Later writers praising early Rome's rusticity and spartanness claimed that its farmers would busy themselves with labor during the week and only groom and fully bathe on the nundinae. Pliny describes the superstition, "religiously believed by many", that trimming one's nails silently during the nundinae or doing so beginning with the index finger provoked bad luck for one's finances. The nundinae were not the only markets at Rome, though, as there were both daily markets (') and periodic fairs ('). Under its monarchy, Rome's nundinae were market days for the country plebeians and used as an occasion for the king to settle disputes among them.
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In 1854 it no longer belongs to the municipality of Freixo de Numão and integrates the municipality of Vila Nova de Foz Côa. For more details on the history of this land and these laborious people, nothing better than to refer our readers to the Monograph elaborated by Dr. Joaquim Castelinho. High in the category of city on July 12, 1997, visiting Vila Nova de Foz Côa is to rediscover history, is to accompany the millennial process that unveils the artistic and cultural heritage in complementarity with the rusticity and the scenic beauty that the region closes and which Deserves its fruition.
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The chief magistracies of the state had become almost hereditary for a few wealthy and upper-class families. They were popular by acts of generosity and charming manners, and they collected material wealth from their clients and followers, as well as intellectual prowess provided by their education, taste in the fine arts, and knowledge of literature. Nonetheless, the less fortunate nobles, envious of this exclusive oligarchy, and critical of the decadence and luxury, formed a party with a more conservative and ascetic ideology. In their eyes, rusticity and austerity were the marks of Sabine character, and of the old Roman inflexible integrity and love of order.
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When a traveler was lost, he was welcomed by her into the cave, and after a copious amount of meal, drinks and sexual acts so that he the victim would tire and go to sleep, he would be beheaded. Many bones could be found inside the cave. Up to here, the legend according to the version of Luis Vélez de Guevara and the romances, it historically can represent a real woman – Isabel de Carvajal. The real historical facts were probably mixed with the legends and Extremadura myths of the mountain people, for some women who lived in the mountains led a life of elemental rusticity.
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The poem opens with formulaic humility: > I Never rested on the Muses bed, > Nor dipt my Quill in the Thessalian Fountaine, > My rustick Muse was rudely fostered, > And flies too low to reach the double mountaine. (1-4) The second verse clarifies that this "rusticity" is due in large part to the particular situation of the woman writer: > Perfection in a Woman's worke is rare > From an untroubled mind should Verses flow; > My discontents makes mine too muddy show; > And hoarse encumbrances of household care > Where these remaine, the muses ne're repaire. (6-10) Despite these caveats, the poem itself is generally agreed to be an accomplished pastoral that offers insight into the coterie culture of the period.
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At monumental level, they emphasize the prehistoric rest like mámoas of Estaca de Bares and the possibly prehistoric (built in Middle Age according to other sources) port; in addition to Roman necropolis in A Ponte do Porto. Some of its parochial churches are worthy of mention considering its rusticity and integration to the surroundings. Mañón has a very particular geographical structure and the river Sor ploughs deep valleys with plenty of vegetation, which contrasts with the leafy high areas of the mountain range. The serpent shapes drawn by the Sor and its tributaries along their courses form a succession of inserted meanders, which form valleys with a lot of vegetation, where we can see rapid and beautiful waterfalls.
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However, the Fraktur script remains present in everyday life in some pub signs, beer brands and other forms of advertisement, where it is used to convey a certain sense of rusticity and oldness. However, the letterforms used in many of these more recent applications deviate from the traditional letterforms, specifically in the frequent untraditional use of the round s instead of the long s (ſ) at the beginning of a syllable, the omission of ligatures, and the use of letter- forms more similar to Antiqua for certain especially hard-to-read Fraktur letters such as k. Books wholly written in Fraktur are nowadays read mostly for particular interests. Since many people have difficulty understanding blackletter, they may have trouble accessing older editions of literary works in German.
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Felice Giani's Neoclassical depiction of Priam at the knees of Achilles, begging for the release of his son's body for burial The Carmen Priami ("Priam's Song") is a lost Latin poem known from the quotation of a single line by Varro.Varro, De lingua latina 7.28. The unknown poet, "a remarkable reactionary,"Edward Courtney, The Fragmentary Latin Poets, p. 44. rejects the Hellenizing trend in Latin poetry led by Ennius (ca. 239–169 BC) and adopts a deliberately archaic style, invoking the Camenae: The invocation of the Muse is a convention of Greco-Roman poetry, and Ennius announced his intention to leave behind the rusticity of native poetic traditions and embrace the sophistication of the Greeks with service to the Muses.
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Queer anti-urbanism manifests in practice in a variety of ways, which Herring refers to under the umbrella term of "critical rusticity." Some examples include the rural, all- female “Lesbian Separatist” communities that consciously spurned “the city” in favor of rural alternatives to a subjugated status under metronormative, white-male-centric, upper-middle-class gay culture. Such communities contradicted the gay rural-urban migration narrative, defying the values of metronormativity and replacing them with a new value system that was simultaneously rural and queer. Publications such as Rural Fairie Digest and Country Women countered rural queer erasure, provided alternatives to gay consumer culture through ‘how to’s’ on DIY ‘country skills,’ and to some extent provided a sense of rural queer community even for those who were geographically isolated.
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Detail from Patinir's St Jerome (National Gallery), between formations in the vicinity of Dinant. The treatment of landscape backgrounds in Early Netherlandish painting was greatly admired in Italy, and Flemish specialists were employed in some Italian workshops, including that of Titian. The backgrounds to many of Albrecht Dürer's early prints were appropriated by a number of Italian artists. Patinir, "emboldened by the Italian taste for Northern rusticity, began as early as the 1510s to expand the backgrounds of his paintings out of all proportion" in a way that "violently reversed the ordinary hierarchy of subject and setting".Wood, 42–45, 43 and 45 quoted in turn By 1520 he was well known for these subjects, and when Dürer visited him in Antwerp he described him in his diary as "the good painter of landscapes" (gut landschaftsmaler) in the first use of Landschaft in an artistic context.
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The inscription on which the font is based is an epigram, The Nymph of the Spring, in the grotto beside the lake where a statue of a nymph sleeps, and is in a mostly sans-serif style, one of the first such uses of the style since classical antiquity. The unusual style of the inscription came to the attention of historians, most famously James Mosley, whose work The Nymph and the Grot on early sans-serif lettering is named after it. Mosley has concluded that he cannot be certain of the source of the style and that it does not seem to have influenced successors, but that its unusual, simplified structure may be an "exercise in rusticity" related to the spirit of the construction, intended to imitate a natural cave. Unfortunately, the inscription was destroyed by mistake in 1967, and had to be replicated from Mosley's photographs.
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The feasting of the Order occurred weekly and continued throughout the winter until the last of March, only to recommence annually in the Fall. The first toast of the Order made by the Baron de Poutrincourt: Quoting Lescarbot, the French historian François-Edme Rameau de Saint-Père writes: > Poutrincourt returned from his excursion on the 14th November, 1606; > Lescarbot, who was always full of ideas, and who knew, no doubt, the useful > part to be obtained by exterior demonstrations, foresaw to prepare for his > honor a quasi- triumphal return from his voyage; Nature itself has already > furnished the principle [sic] initiative, and advantage of it had been > taken, everywhere were decorations and garlands of natural green; a > magnificent forest hid the rusticity of wooden buildings and huts; even a > theatre was built where allegoric scenes were represented; there was a > feast, a discharge of musketry, and as much noise as could be made by some > fifty men, joined by a few Indians, whose families served as spectators. In 1606, there were less than 70 men at Port-Royal. Lescarbot states that, in total, about 50 Frenchmen, joined by Indians, participated in the welcoming home of Poutrincourt and the first gathering of the Order.
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