""Not because of the sand or the sea so much as the beach side chiringuitos here — this literally magnetic island has a rebooted ruralism that's putting organic local ingredients on the plate.
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Tom Gallagher, Portugal: a Twentieth-Century Interpretation, 1983, p. 31 Drawing from traditional monarchism, Hispanidad, ruralism, Integralism, scientific racism, fascism and national syndicalism he had created a complex syncretic ideology that inevitably fissured into various factions after his death.
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Henry William Williamson (1 December 1895 – 13 August 1977) was an English author who wrote novels concerned with wildlife, English social history and Ruralism. He was awarded the Hawthornden Prize for literature in 1928 for his book Tarka the Otter.
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The Artaman League (German language: Artamanen-Gesellschaft) was a German agrarian and völkisch movement dedicated to a Blood and soil–inspired ruralism. Active during the inter-war period, the League became closely linked to, and eventually absorbed by, the Nazi Party.
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H.J. Massingham, by Elliott & Fry, 1948 Harold John Massingham (25 March 1888 – 22 August 1952)Oxford DNB entry. Accessed 8 January 2013 was a prolific British writer on ruralism, matters to do with the countryside and agriculture. He was also a published poet.
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Josef Holeček (1909 or 1910). Photo Ignác Šechtl. Josef Holeček (27 February 1853, Stožice, Strakonice District – 6 March 1929, Prague) was a Czech writer of the realism and ruralism movements who wrote about his native South Bohemian Region. He was journalist and translator as well.
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However he retained his admiration for their anti-Semitism, hierarchical society and especially the ruralism endorsed by the likes of Richard Walther Darré. It was these themes, as well as his desire for a union of Sweden and Norway as a defensive move against the Soviet Union, that dominated his writings until his death in Lidingö.
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Kaadu is regarded as one of the earliest Parallel Cinema in the Kannada film industry. Ashish Rajadhyaksha and Paul Willemen in their book, Encyclopedia of Indian Cinema, noted that Karnad's Kaadu and Benegal's Ankur placed both filmmakers "squarely within New Indian Cinema's ruralism". Kamal Haasan called it one of his favourite films and said this film served as inspiration for his film Thevar Magan (1992).
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Internationally, similar designs with the rays of the sun are frequently used as national flags and military flags.世界で広く使用されている旭日のデザイン 日本国外務省 In the eastern countries, mainly in China and the Soviet Union, it was often used as a symbol of Marxist–Leninism and socialist ruralism in posters and the like.
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In the early 1950s Voelcker was a member of Team 10, dominated by Peter and Alison Smithson, but later split with the group. In 1954 he moved to Kent where he developed a country practice creating designs for farm improvements, school and office buildings.Joshua Mardell, ‘Far From the Madding Crowd: John Voelcker and the Ruralism of Architecture’, AA Files, 66 (2013). He also worked on houses and housing schemes for local authorities and businesses.
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288 He also supported the building of traditional rural dwellings based on the use of indigenous architecture as part of his fascination with traditional ruralism.Hildor Arnold Barton, Sweden and visions of Norway, 2002, p. 143 Heavily influenced by the philosopher Vitalis Norström, he became highly pro-Germany and showed characteristics of an early form of fascism. During the 1920s and 1930s his ruralism began to develop along lines reminiscent of the blood and soil rhetoric of the Nazi Party.
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In Britain, the movement was associated with dress reform,V&A;, "Victorian Dress at the V&A;" ruralism, the garden city movementFiona MacCarthy, Anarchy and Beauty: William Morris and his Legacy 1860-1960, London: National Portrait Gallery, 2014 and the folk-song revival. All were linked, in some degree, by the ideal of "the Simple Life".Fiona McCarthy. The Simple Life, Lund Humphries, 1981 In continental Europe the movement was associated with the preservation of national traditions in building, the applied arts, domestic design and costume.
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Rolling Stone describes the sound as "an impressive mixture of rock music and Celtic ruralism..., Beatles and Donovan echoes and, of course, lots of grand guitar, fiddle, mandolin, whistle, flute and accordion playing". Traditional folk songs were recorded along with those written by Scott. "The Raggle Taggle Gypsy", a British folk ballad at least two hundred years old, was recorded on Room to Roam. It became closely associated with the band, much as the song "The Big Music" did, and also gave its name to describe the band's character.
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At the beginning of the Khmer Rouge regime in 1975, there were 425,000 ethnic Chinese in Cambodia; by the end of 1979 there were just 200,000 stuck at Thai refugee camps or Cambodia. 170,000 Chinese fled Cambodia to Vietnam while others were repatriated. Furthermore, the Chinese were predominantly city- dwellers, making them vulnerable to the Khmer Rouge's revolutionary ruralism and evacuation of city residents to farms. The government of the People's Republic of China did not protest the killings of ethnic Chinese in Cambodia as they were probably unaware of the situation.
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In 1937 Vera called for "ruralism", creation and protection of national parks and forests, which he felt was equal in importance to urbanism. In his article Nature et urbanisme, published just before World War II (1939–45) he said that it was crucially important to integrate vegetation into town plans. Vera linked man's severance from nature to a fall in physical fitness and a rise in crime and insanity. He recommended preserving sites such as Le Nôtre's terrace at Saint-Germaine-en-Laye, and recreating "incomplete landscapes" that industry had "mutilated" to make continuous green flows spanning several suburban areas.
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After World War One, Bartels' work experienced an upsurge in popularity, with his followers forming the Bartelsbund (Bartels Society) to promote his ideas; the Bartelsbund later merged with Erich Ludendorff's Tannenbergbund group. Bartels' work achieved "quasi-official" status in Nazi Germany, and Hitler personally awarded Bartels the Adlerschild medal, Nazi Germany's highest civilian honour, in 1937. Bartels died in Weimar on 7 March 1945. Bartels's further literary productions included Die Dithmarscher (1898), a historical novel based on his native region advocating ruralism, which sold over 200,000 copies by the 1920s,Richard J. Evans, The Coming of the Third Reich.
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Goodrick-Clarke, Black Sun, p. 69 The party put emphasis on the values of ruralism with Nick Griffin, who lived on a farm in Wales, running a "Smash the Cities" campaign for the ONF that has been compared by Nicholas Goodrick-Clarke to Pol Potism. Unlike the earlier NF, that had emphasised British identity, the ONF showed sympathy towards indigenous nationalisms within the United Kingdom. The ONF adopted a policy of support for Ulster nationalism, a fringe idea within Northern Ireland, and through this shift forged links with the Ulster Defence Association and in particular John McMichael who was advocating such an idea at the time.
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Curtis, A Challenge to Democracy, p. 56 He argued that ruralism would both encourage Irish autarky, which the group advocated, as well as a decent and wholesome lifestyle that would become the hallmark of Ireland internationally.Curtis, A Challenge to Democracy, p. 113 The group also became active in support of cinema censorship, issuing a statement to the Irish Times in 1935 to indicate that it was taking over leadership of the issue from the moribund Irish Vigilance Association.Curtis, A Challenge to Democracy, p. 98 As a result of their campaign the Irish government imposed heavy tariffs on the import of 35mm film and eventually helped to established, with Church support, the National Film Institute.
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In Italy, the Third Position was developed by Roberto Fiore, along with Gabriele Adinolfi and Peppe Dimitri, in the tradition of Italian neo-fascism. Third Position's ideology is characterized by a militarist formulation, a palingenetic ultranationalism looking favourably to national liberation movements, support for racial separatism and the adherence to a soldier lifestyle. In order to construct a cultural background for the ideology, Fiore looked to the ruralism of Julius Evola and sought to combine it with the desire for a cultural-spiritual revolution. He adopted some of the positions of the contemporary far-right, notably the ethnopluralism of Alain de Benoist and the Europe-wide appeal associated with such views as the Europe a Nation campaign of Oswald Mosley (amongst others).
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Fascist anti-modernism is a political ideology that consists of these salient elements: ruralism, anti-urbanism, anti-intellectualism, anti-bourgeoisie, anti-feminism, and pro-natalism. The fascist regime imparted a carefully controlled, diversely dispersed propaganda which was in the name of delivering the New Italian, or the New Italy. Public media was monitored: newspapers, magazines, as well as lowbrow popular romances and biographies, were rigorously controlled by the regime because they were broadly diffused throughout society, and the implications of the public of Mussolini could be positive or negative depending on the content of such mass media. Also, overt suggestions were made as to the proper conducts of an ideal Roman citizen: exaltation of the virile, dominant, and nationalistic masculine identity.
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During the early 1980s the Political Soldier wing of the NF held sway within the party and was on good terms with chairman Andrew Brons who, although a Strasserite by conviction rather than a disciple of Julius Evola and ruralism, largely supported the young radicals and co-operated with them to remove Martin Webster, the former ally of Brons' predecessor John Tyndall, from the party in 1984.Gerry Gable, 'The Far Right in Contemporary Britain', L. Cheles, R. Ferguson, and M. Vaughan, Neo-Fascism in Europe, London: Longman, 1992, p. 252 However cracks between the two factions soon began to show and a power struggle ensued. This culminated in 1986 when the two wings of the party split, with around 3000 of the 5000 registered NF members breaking away with Brons to form a new separate group.
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Sheila Kaye-Smith, often said to be one of the rural writers parodied by Gibbons in Cold Comfort Farm, arguably gets her own back with a tongue-in-cheek reference to Cold Comfort Farm within a subplot of A Valiant Woman (1939), set in a rapidly modernising village.Pearce, H. (2008) "Sheila's Response to Cold Comfort Farm", The Gleam: Journal of the Sheila Kaye-Smith Society, No 21. The upper middle-class teenager Lucia turns from writing charming rural poems to a great Urban Proletarian Novel: "… all about people who aren't married going to bed in a Manchester slum and talking about the Means Test." Her philistine grandmother is dismayed: she prefers "cosy" rural novels, and knows Lucia is ignorant of proletarian life: Elizabeth Janeway responded to the lush ruralism of Laurie Lee's memoir Cider with Rosie by suggesting an astringent counterblast might be found by "looking for an old copy of Stella Gibbons's Cold Comfort Farm".
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Pericles Sleep Pale Sister by Joanne Harris,Sleep Pale Sister at Amazon UK. and the British hardcover edition of A. N. Wilson's Dream Children.Dream Children at Amazon UK. His work is in numerous collections, including the Victoria and Albert Museum, The Tate, and the Metropolitan Museum of Art, New York. As an authority on Victorian photography and illustration, Ovenden has edited Pre Raphaelite Photography (1972); Victorian Children (1972); Victorian Erotic Photography (1973); A Victorian Album – Julia Margaret Cameron and Her Circle (1975); Alphonse Mucha Photographs (1974); Clementina Lady Hawarden (1974); Hill & Adamson Photographs (1973); Lewis Carroll (1984); Nymphets and Fairies (1976) and Illustrators of Alice (1972). Writings by Ovenden on art and photography include Ruralism and the New Romanticism (Art & Design, 1988); On David Inshaw (Architectural Design, 1984); The Pre-Raphaelites (Architectural Design, 1984); The Black and White Art of Arthur Hughes (The Green Book, 1981); A Liddell Family Album (The Hillingdon Press, 1973); and Jane and Elizabeth, a selection of images of Jane Morris and Elizabeth Siddall (Hillingdon Press, 1972). In addition, he has curated numerous exhibitions, many featuring his extensive collection of antiquarian photographs, including the 1993/4 exhibition Recording Angels, The Work of Lewis Wickes Hine.
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