A revival this impeccably revivified will be hard to beat this Broadway season.
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Liberal court-watchers already fear the lasting political damage a revivified conservative court might cause.
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In the 1960s he helped set up a new organisation to take on the revivified far right.
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As a result, not only the structures, but also the vibrant color of the ancient world have been revivified.
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By ousting Kemp, Abrams would be setting herself up—again—as the model for a revivified Democratic Party going forward.
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To quote Neander Wallace's assistant, Luv, the world of Replicants and their hunters—still reeling from some environmental Armageddon—has been revivified.
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Ms. Block doing "I'm Breaking Down," in that revivified "Falsettos" revival that I saw on Broadway last winter, is one of those numbers.
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This illusion can be dispelled only if we Make the Left Great Again — though what exactly a revivified left will do remains a mystery.
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In June 2015 he and his colleagues showed that their acetylated trehalose could allow frozen rat cells to be revivified, just as they had hoped.
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Stanley Houghton's "Hindle Wakes," an obscure British play from 1912 that's been dusted off and revivified by the Mint Theater Company, begins with a storm.
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Louis barely remembers Alexandre, but, nearing retirement, divorced and in a slump, he is revivified by the attention, and spurred to reconsider his past life.
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Breaking me out takes several minutes leaves us both tousle-haired, red faced, breathless and exhausted though I'm revivified by a sense of body freedom.
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Social media, with its aura of unmediated authenticity, has revivified that myth — even, importantly, for the stars who don't use social media — in the 21st century.
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Mr. Mabern worked mostly as a side musician in the 1970s and '80s, but a record deal with the Japanese label DIW in 1989 revivified his bandleading career.
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Brie Larson wore Gucci, the label revivified by Alessandro Michele: a billowy, bold, blue ruffled frock whose lightness was bisected and somewhat weighed down by a large jeweled belt.
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But with Elaine's gone and the idea of a convivial lunch in New York increasingly old-fashioned, the regulars at the revivified Odeon seem merely grateful it's still here.
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And one of the things that happens, and this is not within lots of social movements, that sort of get pushback in a backlash and then get revivified by another generation.
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On the same night that Hendricks won the title, former Bellator middleweight champion Hector Lombard revivified his career by dropping to welterweight and scoring a dominant win over the ever-dangerous Jake Shields.
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This lavishly illustrated catalog is a fitting companion to the permanent exhibition of the same name that opened in 2016 at the revivified Museum of the City of New York on Fifth Avenue.
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But the real implications are longer-term: A collapse of the German center right would set off a rapid political realignment that could well lead to a revivified center left — and an empowered and dangerous far right.
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"Fractured Continent" doesn't tell us whether these arrangements can be revivified and what Europe's fate will be if they aren't, but it does remind us that the challenges faced by Europe and the West right now are seriously daunting.
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The death tax, created to pay for the Civil War (on both sides) lived 10 years after Appomattox but was put to sleep in 1875 and revivified to pay for World War One which ended in 1918, will finally be put to death.
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The result could be a zombie realignment in American politics, propping up the revivified corpse of Joe Biden's approach to policy and politics in a move that will be as big a disaster for the planet as it is for the Democratic Party.
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Therein lies the rationale for what seems to be the most egregious example of networks excavating, with almost ghoulish determination, the resting places of their oldies but goodies in search of anything that, once revivified, might still pull in the semblance of a crowd.
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But a revivified Division of Economic Research could function in a way that's similar to the Department of Labor's Bureau of Labor Statistics, by grounding the agency's policies and labor law decisions on data and analysis that would be part of the public record.
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China will undoubtedly seek to extract maximum advantage from its participation in the global economy but the logic of totalitarianism under an absolute dictator and supposedly revivified party enforcing ideological and economic control betokens return to the past of Maoism and its Stalinist Soviet cognate.
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SCOTT It turns out that when "diversity" means something more than pandering or tokenism — when, as in the case of "Black Panther," an African-American filmmaker can claim the freedom to explore the cultural and political valences of an African superhero — a worked-over franchise can be revivified.
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Combine them with the ready or nearly-ready players already in the system like catcher Gary Sanchez, outfielder Aaron Judge, and the revivified Tyler Austin, and the Yankees have a surfeit of young talent that tops anything the Yankees have possessed since, and this is not a joke, the 1950s.
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The new European identity politics — like those of the revivified white supremacism here at home — are as ignorant as they are xenophobic, and the ignorance is part of the appeal: In this sense, the American "Know Nothing" party of the 1850s really is one of the great forerunners of present-day reaction.
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We're currently drowning in the return of the return of the gay past: this show; a mostly galvanic "Angels in America"; last year's electric "Falsettos" revival; "Pose" on FX, which is set in the ball scene of the late 1980s; "Torch Song Trilogy"; the return of "Buddies," Arthur J. Bressan Jr.'s talky, mostly forgotten AIDS friendship dramedy from 1985; and whatever this revivified "Will & Grace" is supposed to be.
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Way Off Beat, another suburban comedy like Semi-Detached, was transmitted as part of The Wednesday Play anthology series in June 1966. Critic John Russell Taylor thought Turner had "revivified the Jonsonian [Ben Jonson's] comedy of humours".John Russell Taylor The Second Wave: British Drama of the Sixties, London: Methuen, 1978, p.
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M. Hardt/K. Weeks, The Jameson Reader (2000) p. 265 Its twin answers were either a religion revivified by the experience of anomie (as with Martin Buber), or an individualistic existentialism based on facing directly the absurd contingency of human fate within a meaningless and alien universe, as with Sartre and Camus.J. Childers/G.
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William Warde Fowler took Carna to be an archaic goddess whose cult had not been revivified by religious innovation or reform and thus had lapsed into obscurity by the end of the Republic.Fowler, Festivals, p. 130. Auguste Bouché-Leclercq considered Carna a goddess of health.Auguste Bouché-Leclercq, Histoire de la divination dans l'antiquité (Jérôme Millon, 2003, originally published 1879–82), p. 741.
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The campaign to favour frozen pork over fresh pork was revivified in February 2008 and subsumed under the Frozen Meat Public Education Programme, or "Eat Well For Less, Choose Frozen Meat", an effort by the Agri- Food and Veterinary Authority of Singapore (AVA) to raise awareness on frozen meats in general. Since the retooled campaign's introduction, frozen pork sales at various supermarkets have increased significantly and as of September 2013, national frozen pork consumption has risen by approximately .
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Originally, Warner Music Group was reported to be considering hosting its content on the service after it launched, but formed an alliance with rival MTV Networks (now ViacomCBS Domestic Media Networks).MTV Overtakes Vevo as Top Online Music Destination - Wall Street Journal, September 8, 2010 In August 2015, Vevo expressed renewed interest in licensing music from WMGFlanagan, Andrew (August 13, 2015). "Vevo, Revivified, Looking to Strike a Deal with Warner Music Group", Billboard. Retrieved September 13, 2015.
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29 In 1911, S. M. Ellis claims that "Windsor Castle was thus a great success; and it is still very popular. This is not to be wondered at, for, despite some faults in construction, it is one of Ainsworth's most fascinating works [...] More powerfully still did he interpret the mystery of trees in this romance [...] Most skilfully, too, he adapted and revivified for the purposes of his woodland romance the ancient and weirdly picturesque legend of Herne the Hunter".Ellis 1979 pp.
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When Ulysses Wiggins moved to Camden in 1928, he began working for Cooper Hospital, setting up a private practice which was affiliated with the hospital. He also became very involved as a member of the community in Camden fighting for civil rights. In 1941, he co-founded and revivified the Camden chapter of the NAACP, along with Walter K. Gordon, Marvel Dansbury, and Edward Grayson. He served as president of the Camden NAACP from 1941 until his death in 1966.
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Soon after this discovery, they came together to try to find their purpose in the universe. As they look for their calling in life, an evil force, the "Gray Man", emerges, setting the stage for a battle later on in the novel between good and evil. The Gray Man is Horace LaFontaine, a character in the novel who was struck by the light at the moment of his death. He was revivified as a demon sent to kill all of the "blues".
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By the mid 19th century, the heavy, salt glazes used for generations by local craftsmen had gone out of fashion, not least as mass-produced ceramics undercut prices. But the Arts and Crafts Movement brought new appreciation to their work. Horace W Elliot, an English gallerist, visited the Ewenny Pottery (which dated back to the 17th century) in 1885, to both find local pieces and encourage a style compatible with the movement. The pieces he brought back to London for the next twenty years revivified interest in Welsh pottery work.
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He dedicated the last two books of his commentary on John's gospel to them both. Despite inconclusive evidence of Alcuin's personal passions, he was clear in his own writings that the men of Sodom had been punished with fire for "sinning against nature with men" – a view commonly held by the Church at the time. Such sins, argued Alcuin, were therefore more serious than lustful acts with women, for which the earth was cleansed and revivified by the water of the Flood, and merit to be "withered by flames unto eternal barrenness".
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"The Shāh Nãma, The Epic of the Kings, translated by Reuben Levy, revised by Amin Banani, Routledge & Kegan Paul, London 1985, Chapter XXXI (iii) How Borzuy brought the Kalila of Demna from Hindustan, pages 330 – 334 He did not find the herb, but was told by a wise sage of > "a different interpretation. The herb is the scientist; science is the > mountain, everlastingly out of reach of the multitude. The corpse is the man > without knowledge, for the uninstructed man is everywhere lifeless. Through > knowledge man becomes revivified.
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During the Edo period, the chōnin ("townspeople") overtook the samurai aristocracy as producers and consumers of literature. The popularity of the works of Saikaku, for example, reveals this change in readership and authorship, while Bashō revivified the poetic tradition of the Kokinshū with his haikai (haiku) and wrote the poetic travelogue Oku no Hosomichi. The Meiji era saw the decline of traditional literary forms as Japanese literature integrated Western influences. Natsume Sōseki and Mori Ōgai were the first "modern" novelists of Japan, followed by Ryūnosuke Akutagawa, Jun'ichirō Tanizaki, Yukio Mishima and, more recently, Haruki Murakami.
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Urban Dead is a free-to-play HTML/text-based massively multiplayer online role-playing game created by British developer Kevan Davis. Set in a quarantined region of the fictional city of Malton, it deals with the aftermath of a zombie outbreak. Players enter the game either as a survivor or a zombie, each with different abilities and limitations. Survivors become zombies when they are killed, while zombies can be "revivified" with appropriate technology, returning to life as a survivor – any character played for long will thus spend some time alive and some as a zombie.
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'Arts and Crafts' to Early Modernism, 1900 to 1939 Horace W. Elliot, an English gallery owner, visited the Ewenny Pottery (which dated back to the 17th century) in 1885, to both find local pieces and encourage a style compatible with the movement. The pieces he brought back to London for the next twenty years revivified interest in Welsh pottery. The heavy salt glazes used for generations by local craftsmen had gone out of fashion, but the Arts and Crafts Movement brought new appreciation to their work. A key promoter of the Arts and Crafts movement in Wales was Owen Morgan Edwards.
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The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "drop in a pit" all adherents of supposedly "heretical" pop and progressive music which have come to prominence over the years. The set begins with the organ-driven protopunk of "Stormy," by the Jesters of Newport. "The Little Streets in My Town" is by The Aztex, from Northern Indiana.
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During this time, however, Kurtag was suffering from severe depression, saying "I realized to the point of despair that nothing I had believed to constitute the world was true…". Kurtág received therapy from art psychologist Marianne Stein, who encouraged him to work from the simplest musical elements, an encounter that revivified the composer and strongly stimulated his artistic development. During this time, he also discovered the works of Anton Webern and the plays of Samuel Beckett. The string quartet he composed in 1959 after his return to Budapest marks this crucial turning point; he refers to this piece as his Opus 1.
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The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV. The set begins with "My Confusion" by The Elite from Fort Worth Texas. "Do You Understand Me," was their last release by Grand Rapids, Michigan's The JuJus.
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The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV. The set begins with "My Confusion", by The Elite from Fort Worth Texas. "Do You Understand Me," was their last release by Grand Rapids, Michigan's The JuJus.
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Elizabeth Philpot (1780–1857) was an early 19th-century British fossil collector, amateur palaeontologist and artist who collected fossils from the cliffs around Lyme Regis in Dorset on the southern coast of England. She is best known today for her collaboration and friendship with the well known fossil hunter Mary Anning. She was well known in geological circles for her knowledge of fossil fish as well as her extensive collection of specimens and was consulted by leading geologists and palaeontologists of the time including William Buckland, and Louis Agassiz. When Mary Anning discovered that belemnite fossils contained ink sacks, it was Philpot who discovered that the fossilised ink could be revivified with water and used for illustrations, which became a common practice for local artists.
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"The outbreak of war revivified the vague ideas of revolution which had been floating about in the mind of young Bengal for the last ten years and the hopes of those who had throughout been waiting for the opportunity, and the possibility of a successful revolt seemed imminent," wrote Nixon. "It was probably some time in September 1914 that Jatin Mukherjee came to Calcutta in order to take such steps as England’s participation in a war with Germany seemed to call for in this direction.".Terrorism, Vol. II, p627 Judging the time ripe for them to make full preparations for a revolution, Jatin's men undertook taxi-cab robberies to provide funds for this purpose, as described in the Rowlatt Report.
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The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco. The set begins with the pounding Bo Diddley rhythms and scintillating guitar parts of "Don't Cry to Me," by Jerry & the Others, from Dayton, Ohio. Murphy & the Mob from Tyler, Texas sing the highly despondent "Born Loser," which was released on Talisman Records in 1966.
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The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "drop in a pit" all adherents of supposedly "heretical" pop and progressive music which have come to prominence over the years.
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Historians who might be grouped under this umbrella are Roger Chartier, Robert Darnton, Patrice Higonnet, Lynn Hunt, Keith Baker, Joan Landes, Mona Ozouf and Sarah Maza. Of course, these scholars all pursue fairly diverse interests, and perhaps too much emphasis has been placed on the paradigmatic nature of the new history of the French Revolution. Colin Jones, for example, is no stranger to cultural history, Habermas, or Marxism, and has persistently argued that the Marxist interpretation is not dead, but can be revivified; after all, Habermas' logic was heavily indebted to a Marxist understanding. Meanwhile, Rebecca Spang has also recently argued that for all its emphasis on difference and newness, the 'revisionist' approach retains the idea of the French Revolution as a watershed in the history of (so-called) modernity, and that the problematic notion of 'modernity' has itself attracted scant attention.
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The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco. The set begins with "Victim of Circumstances," by Roy Junior, who is none other than Roy Acuff Jr., the son of country music legend Roy Acuff.. SC 11186 - Liner notes.
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The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who, on this occasion, target none of their customary victims (aside from an occasional prong from their devils' pitchforks), but instead have turned up at the "mosh pit" at a 1990s "Lolabigloozzaz" festival, delightfully holding up "mosh pit cookbooks" (i.e. suggesting that the sixties garage bands were the precursors of all this), while hordes of Prozac-dependent "rejects" slam dance in the mud-drenched melee below. The set begins with the bongo- punctuated revved-up drive of "Alright," by the Groop, from Ohio, which was recorded at A&T; Studios in Toledo, which is followed by "Can't Tame Me," by the Benders from Michigan.
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Lanark has been compared with Franz Kafka and Nineteen Eighty-Four by George Orwell for its atmosphere of bureaucratic threat, and with Jorge Luis Borges and Italo Calvino for its fabulism. It revivified Scottish literature, inspired a new generation of Scottish writers, including Irvine Welsh, Alan Warner, A. L. Kennedy, Janice Galloway and Iain Banks, and has been called "one of the landmarks of 20th-century fiction", but it did not make Gray wealthy. His 2010 illustrated autobiography A Life in Pictures outlined the parts of Lanark he based on his own experiences: his mother died when he was young, he went to art school, suffered from chronic eczema and shyness, and found difficulty in relationships with women. His first short-story collection, Unlikely Stories, Mostly, won the Cheltenham Prize for Literature in 1983. It is a selection of Gray's short fiction from 1951–1983.
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In contemporary newspaper articles he referred to the Spanish Republican government as a Communist front, and Franco's army as the "Anti red movement" and writing "revivified Fascist Spain in closest sympathy with Italy and Germany is one kind of disaster. A Communist Spain reaching its snaky tentacles through Portugal and France is another, and many will think the worse." He supported the Hoare-Laval Pact and continued up until 1937 to praise Benito Mussolini. In his 1937 book Great Contemporaries, Churchill expressed a hope that despite Hitler's apparent dictatorial tendencies, he would use his power to rebuild Germany into a worthy member of the world community writing > Although no subsequent political action can condone wrong deeds, history is > replete with examples of men who have risen to power by employing stern, > grim, and even frightful methods, but who, nevertheless when their life is > revealed as a whole, have been regarded as great figures whose lives have > enriched the story of mankind.
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In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging contains well-researched liner notes written by Chris Bishop of Garage Hangover.com which convey basic information about each song and group, such as origin, recording date, and biographical sketches, as well as photographs of the bands. The album cover artwork features a highly satirical cartoon by Olaf Jens depicting noticeably gleeful revivified zombies who, on this occasion, have returned from "rock and roll heaven" on "retro" flying saucers and are targeting their customary victims: followers of supposedly "heretical" genres of music which have come to prominence over the years, which in this case include heavy metal, hardcore punk (with the insinuation that it is not "true" punk), rap, and modern pop-country—all done with a noticeable disdain for iPhones, music downloads, and other popular specimens of current technology and fashion (i.e.
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The set generally excludes psychedelic, folk rock, and pop- influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who, on this occasion, with the help of Batman's sidekick, Robin, have taken the 1966 TV series Batmobile out for a "wild joyride" and are intent on causing as much mayhem as possible and "lassoing" unsuspecting bystanders—only on this outing, their "victims" are more "randomly selected" than as customarily portrayed on Back from the Grave sleeves.
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Shawn quotes with approval the statement of Dalcroze that, while the art of musical rhythm consists in differentiating and combining time durations, pauses and accents "according to physiological law", that of "plastic rhythm" (i.e. dance) "is to designate movement in space, to interpret long time-values by slow movements and short ones by quick movements, regulate pauses by their divers successions and express sound accentuations in their multiple nuances by additions of bodily weight, by means of muscular innervations". Shawn nevertheless points out that the system of musical time is a "man-made, artificial thing.... a manufactured tool, whereas rhythm is something that has always existed and depends on man not at all", being "the continuous flowing time which our human minds cut up into convenient units", suggesting that music might be revivified by a return to the values and the time-perception of dancing.Shawn, Ted, Dance We Must, 1946, Dennis Dobson Ltd.
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How Great Thou Art has been called "a new landmark in British photography. The question of life and death and the cultural responses to death through funerals in the Caribbean community has featured sporadically in various photographic oeuvres before but no one has explored this subject in such depth and in such a participatory and embedded manner as evidenced by Charlie Phillips."Paul Goodwin, "The Art of Charlie Phillips", foreword in How Great Thou Art: Fifty Years of African Caribbean Funerals in London, King/Otchere Productions, 2014. In The Spectator, Ian Thomson wrote: "In Phillips’s moving and often beautiful images, dating from 1962 to the present, the bereaved are seen to face the mystery of the end of life in stush black suits, spidery hat veils, Rastafari head-ties, spiffy trilbies and strictly-come-dancehall white socks.... Anyone feeling a bit like death in the run-up to Christmas should invest in a copy of How Great Thou Art — and feel revivified."Ian Thomson, "Death wears bling: the glory of London’s Caribbean funerals" , The Spectator, 29 November 2014.
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