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"plaster cast" Definitions
  1. (also cast) a case made of plaster of Paris that covers a broken bone and protects it
  2. a copy of something, made from plaster of Paris

391 Sentences With "plaster cast"

How to use plaster cast in a sentence? Find typical usage patterns (collocations)/phrases/context for "plaster cast" and check conjugation/comparative form for "plaster cast". Mastering all the usages of "plaster cast" from sentence examples published by news publications.

" - Chelsea, 32 "Plaster cast of an ex-boyfriend's hand.
It is an original plaster work, not a plaster cast.
In May, researchers completed a plaster cast of the first horse found at the site.
Mr Kramer is production manager at the Gipsformerei, the plaster-cast manufactury of Berlin State Museums.
Then they made a plaster cast and used digital imaging to scale it up to six meters.
SCA agreed in December to buy German bandage and plaster cast maker BSN Medical for 2.74 billion euros.
LaKela Brown's plaster-cast sculptures represent the common trappings and symbols of her 1990s hip hop-flavored upbringing.
The image shows a plaster cast of part of a human body that was a site of personal trauma.
We decided to launch by putting a plaster cast of my pre-surgery bust up for sale on eBay.
The standout artifact in this room is a plaster cast of George Washington's face created by a French sculptor.
But teachers at Wellesley and Harvard had to make do, for the most part, with plaster-cast reproductions and lantern slides.
Plaster cast of a Tanis deposit fossil showing a freshwater fish (dark brown) next to a marine ammonite (iridescence at top left).
There's also a plaster cast of the Siamese twins Chang and Eng Bunker that was taken upon their death in the 1800s.
I think the plaster-cast chicken foot wall elements that I made a couple years ago, and then there's a cast cake.
Jessica Simpson is known for designing chic bags, but her son is currently rocking a different kind of stylish arm accessory: a plaster cast!
Born to a family of artists, and growing up amid sacks of plaster cast and paint, Jansson felt that art was her birth right.
The resulting four statues, made up of two same-sex couples, were done in his traditional, solemn style of white plaster cast in bronze.
The temporal separation from the trauma is conspicuous: this is an image of a plaster cast of a body part that was once visited by pain.
Inside was a selection of her work to date, including a plaster cast of her hand and an Ikea mug with her name written on it.
The plaster cast of the face in "Target with Four Faces" mirrors and preserves the features of the subject's face as a facsimile of the actual thing.
The pictures, of the plaster cast and a cast bronze sculpture, are by Joseph Coscia Jr., not Joseph P. Coscia Jr./Metropolitan Museum of Art, New York.
To prepare Sunday's hand, he took measurements, made a plaster cast and mixed paints on a palette, as any artist would, searching for the right skin tone.
OLNICK This piece by Giulio Paolini is a plaster cast of an ancient sculpture excavated in the 16th century of two athletic wrestlers entwined with each other.
ST) is nearing a deal to buy German bandage and plaster cast maker BSN Medical for 2.7 billion euros ($2.82 billion), the Financial Times reported, citing sources.
Someone has even manhandled over from the Royal Academy an 18th-century plaster cast of a nude portrait of Cincinnatus fiddling with his sandal that Blake drew from.
LONDON (Reuters) - Bankers are preparing around €1.4bn of debt financing to back a potential sale of German bandage and plaster cast maker BSN medical, banking sources said on Monday.
After two weeks, a doctor, without anesthesia, tried to set his right arm, broken in three places, but gave up in frustration and encased it in a plaster cast.
A man in a Hawaiian shirt needed his hair slicked down; a woman in workout clothes needed tan lines; someone was given a plaster cast to wear on one arm.
She is, as always, a bit more of a question mark, bearing a mysterious plaster cast and nursing the hurt of losing her baby Lily (how, we still don't know).
The Vatican museums have loaned the Gallery a 1975 plaster cast of Michelangelo's "Pietà" of 1497–1500, shown opposite del Piombo's Pietà, or "Lamentation over the Dead Christ" (c. 1514–16).
"Those guys are gangsters," said one of the injured workers, 21-year-old Thae Nu Khaing, as trickles of blood ran down her forehead, one leg bandaged in a plaster cast.
Rather, Reed provided a welcoming, rather utopian space, in which the meticulously executed plaster-cast objects that filled the bar appeared as if they were made out of marzipan or bubblegum.
A plaster cast of a chicken lies casually on the floor; another articulated fowl leg extends itself suggestively from a window frame, like a can-can girl or sultry inter-dimensional hitchhiker.
Both versions of the statue will be exhibited at the National Gallery (the Minerva one in a plaster cast), so that they can be studied side-by-side for the first time.
Much of the pipeline could launch in the fourth quarter for companies including German building materials maker Xella, German bandage and plaster cast maker BSN Medical and German web hosting provider Host Europe.
For Johns, factual certainties, such as the American flag or a plaster cast of a body part, enable him to dwell in "uncertainties, Mysteries, doubts," and not reach after "fact," which would be redundant.
The collection has tremendous range, with antique cars, early engines and scientific instruments, and elements used in the construction of the Statue of Liberty, including an early plaster cast of the sculpture at human scale.
This exhibition's earliest work is from 21988, a beautifully rendered charcoal drawing of a quintessentially academic subject: a plaster cast of "Boy with a Goose," an ancient Greek statue known only from a Roman copy.
Tip open the covers of two works by Megan Heeres to find plaster-cast rectangles in the place of pages, each embedded with a tiny collection of ephemeral objects, like flax seeds and cut paper.
Graz is a suitable host for such a juxtaposition of pleasure and politics, long considered the "pleasure capital" of Austria, and full of grand hotels and baroque interiors of gold painted ceilings and plaster-cast frescoes.
It originally had colored paint on its surface, but after it arrived in London, in the eighteen-fifties, British curators made a plaster cast of it, and the color was peeled off in the molding process.
"If I had been in hospital with a broken leg, or a physical problem, no doubt I would have been sharing amusing photos of my drip stand, the signed plaster cast and the hospital food," she wrote.
In James Joyce's Ulysses' (1922) Laestrygonians episode (Episode 8), the protagonist of the tome, Bloom, is curious to know whether the plaster cast sculptures of Greek goddesses in the National Museum of Ireland in Dublin have anuses.
Some of the works generated a successful rapport with the space, such as "Emma (Icon)," by Yves Scherer, a gold-leafed plaster cast of a female form, tucked away into a vestibule like a forgotten piece of statuary.
He was chosen because no one else had the skill to make a bronze statue out of a plaster cast made by Thomas Crawford, who had been commissioned to make the statue, but was in France at the time.
Well, they're going to need a system in place before speaking with Jerome Brudos, another real-life serial killer, who is obsessed with keeping souvenirs from his victims, including plaster-cast amputated breasts, which were used as paperweights before his capture.
The piece that opens the exhibition "To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972," Hauser & Wirth's thorough and enthralling first show of the artist's work since beginning to represent her estate last year, is an untitled plaster cast of her mouth.
FRANKFURT, Oct 14 (Reuters) - German bandage and plaster cast maker BSN Medical has attracted interest from a number of peers and buyout groups in a deal potentially worth about 3 billion euros ($3.4 billion), several people close to the matter said.
"The Flesh is Yours, The Bones Are Ours" (2015) was made for the 2015 Istanbul Biennial, which also happened to be the centenary of the Armenian Genocide,  and consists of plaster cast replicas of Istanbul's Art Nouveau buildings, cast from real animal bones.
The exhibition includes a 1975 plaster cast of Michelangelo's Pietà (which will never leave St Peters Basilica in Rome) to demonstrate a cross-pollination of visual motifs: most specifically, the adaptation of the Pietà's pose by Sebastiano in his nearby "Lamentation" (1516).
CreditCreditNicholas Calcott Walk into the artist Peter Halley's sprawling West Chelsea studio and the first thing you'll notice is a massive plaster cast replica of an ancient bronze sculpture of Poseidon, procured from the Athens archaeological museum a decade and a half ago.
Then, Kate joined the museum's director Sir Michael Dixon to cut a celebratory cake to mark the send off for the plaster cast Diplodocus, which is set to be taken around the country in a tour to educate and inspire millions of other people.
You couldn't help but wonder who would actually want to buy all the bizarre memorabilia he offered up to the public—from this plaster cast of Muhammad Ali's face to a life-size prop horse from Gladiator—but, apparently, the sale was a big success.
BRUSSELS, Feb 14 (Reuters) - The following are mergers under review by the European Commission and a brief guide to the EU merger process: — Swedish hygiene products and forestry group SCA to acquire German bandage and plaster cast maker BSN from private equity firm EQT (approved Feb.
For the purposes of this review, when I say "white bodies," I am denoting not only the palette of the plaster-cast figures that populate the sculpture court which serves as the staging ground for the show, but also that these figures suggest historically European bodies.
Mr. Lamb is represented at the exhibition by a bench made from a plaster cast of an architectural detail; and Mr. Cocksedge by a hanging globe light made of Styrofoam coffee cups and by his curved, rolled-steel Poised table, which balances improbably on one corner.
Why Muhammad Ali ever made a plaster cast of his face and how the hell Russell Crowe ended up with it I am powerless to explain, but I can tell you this: Crowe got really into boxing after Cinderella Man, and started buying all kinds of weird shit.
"The Lobster (Still life with Lobster and Plaster Cast)" (1922), for example, shows the lobster and four fish — familiar still life objects — on a cloth set before a plaster bust of a head; in the background, there is a window, or a painting, presenting a small sailing boat.
The second niche is empty, and an unidentifiable animal bone has been placed in the ninth, while the other seven contain a plaster cast of a body part (a foot's instep and toes, a hand, an eyeless face, plus a penis, an ear, a male nipple, and an undifferentiated lump of flesh).
After a day of New York City grime — the puffs of exhaust, the drips of untraceable moisture — has piled up on top of my skin and my makeup has dried into a plaster cast, there is no greater gift I give myself than melting it all off my face with a cleansing balm.
" In a statement emailed to THUMP, he describes the project existing somewhere between the image of a guy tinkering alone in a bedroom and a traditional band environment, or as he puts it: "if having a band is like a marriage, then Plaster Cast is an open relationship, or an orgy with friends.
Like a giant plaster cast turned inside out, the interior of the bar is emblazoned with hundreds of hand-scrawled notes and drawings from touring bands that have stopped by for the beer, the blast beats, or both—as well as tags from brewers at craft beer empires like Ballast Point and Coronado.
Comparatively small at 36 ½ inches long, the two-part "Salt Fish" is a clever example of the sculptural possibilities of rope and plaster: For the "body," lengths of honey-colored rope are loosely braided and lightly coated with off-white plaster; the "skin" is a flat plaster cast imprinted with the pattern of the braid.
Whatever the source – a plaster cast of a woman's face, Matthias Grünewald's depiction of a fevered, boil-ridden creature, a crumpled photograph of Lucian Freud sitting on a bed, or a magazine photograph of an American helicopter crewman taken during the Vietnam War – Johns's motifs refers to a preexisting, concrete thing that can be defined as a shared experience rather than a private one.
It usually takes four to six meetings until a portrait is finished. If Rolf Brem is close the final result, he makes a plaster cast to save his work. Afterwards it is easier to work bravely. Once he finishes forming the portrait and makes a plaster cast, he takes the plaster cast to Mendrisio to cast it into bronze.
From the Art Academy's Plaster Cast Collection (1843) In 1844 he exhibited his first painting "Fra Kunstakademiets figursal" ("From the Art Academy's Plaster Cast Collection") painted in 1843; the painting depicts a student sketching a plaster cast of a statue in the Academy's plaster cast collection, another student in the background moves between the figures. He won the Academy's little silver medallion in 1843, and the large silver medallion in 1845. In these early years he exhibited several history paintings as well a number of portraits. One of these portraits, a portrait of his sister, won him the Academy's Neuhausens prize (Neuhausens præmie) in 1847.
Heaton exhibited a plaster cast of his feet and stick imprints, his first piece of disability art.
In summer 2014 Breil Kramer married Maria in Solrød. She was wearing a plaster cast with her wedding dress.
They responded positively to her proposals in December 1914, and in 1915 she took photographs of the work to London. By 1917 she had sent the trustees photographs of the completed plaster cast (above), and later she sent them two examples of the cast, both lost."Plaster cast of Greek chariot race, c1918 [part 1]". Ohlfsen & the commission.
Plaster cast of Antinous, from the P.P. Caproni & Brother catalog. Several Caproni casts are placed throughout the Palace. The illusion of a courtyard setting is further enhanced by the beautiful plaster cast statues that are strategically placed throughout the Palace. Almost all of these are originals produced by Pietro Caproni (1862–1928) and his firm, P.P. Caproni and Brother.
From the wax, a plaster cast is then made, and the wax is melted out. Then, molten bronze is poured into the mold, and it assumes the shape of the wax. Finally, the plaster cast is removed, leaving behind the sculpture in bronze. The wax version of this sculpture was made from one-quarter-inch wax sheets, then the final touches were added by flame polishing.
Since 1874 there has been a plaster cast of the column in the Victoria and Albert Museum in London, bought for £18 from one F. Künsthardt.
16th century plaster cast of a late Roman era Sacrifice of Isaac. The hand of God originally came down to restrain Abraham's knife (both are now missing).
The plaster cast for this sculpture, and twenty-seven casts for friezes around the building, were done by Beaumont artist Herring Coe and co-designer Raoul Josset.
In 1929, Bitter's widow and the Thomas Jefferson Memorial Foundation donated a plaster cast of the sculpture to Thomas Jefferson High School in Brooklyn.Thomas Jefferson (Brooklyn), from SIRIS.
His recovery went better than expected and he was gradually given more freedom. After 15 months in a plaster cast, Wells was discharged from the AIF in 1943.
Metal armatures inside the form provided support; these can now be seen in modern x-ray images. Master carvers then used the durable plaster cast as a measuring tool, covering the surface of the plaster cast with hundreds of pencil marks and metal pins, or points, which served as registration marks for a pointing machine. The pointing machine was moved repeatedly from the points on the plaster cast to corresponding areas on a block of marble to guide the carver's tools as he translated the composition into marble. The tool would then be moved, over and over again, hundreds of times, from the points on the plaster to the corresponding locations on the block of marble.
Clay for the model came from the insulator works in Temuka, with a plaster cast of it made and sent to London in 1966, where the statue was cast.
Antonius Mathijsen Antonius Mathijsen (November 4, 1805 – June 15, 1878) was a Dutch army surgeon who first used plaster of Paris to fixate broken bones in a plaster cast.
A plaster cast of Giovanni Pisano's pulpit from Pisa Cathedral. The plaster cast of a pulpit was constructed after the marble original which once stood in the Cathedral of Pisa. The pulpit has inscriptions running round the frieze and the base that make it clear that the sculptor was Giovanni Pisano (1250-1314) and that the work was completed by 1311. Reliefs show scenes from the life of Christ and the Last Judgment.
The Museo Canova has the plaster cast of Venus Victrix, originally used as a model for the marble, in its , the museum's plaster cast gallery. During the first Battle of Monte Grappa in 1917, a Christmas-time bombing severed the head of the plaster and damaging parts of the hands, feet, and cloth. A 2004 restoration repaired this damage. In 2020, a tourist broke some of the toes as he sat on the plaster while posing for a selfie.
Six other ancient replicasOne represented by a plaster cast of a missing original. of the same prototype, apparently a bronze, have been recorded, none of them of this quality.E. Buschor 1958:11.
Actress Annette Sinclair was asked to do the make- up on the plaster cast of her head, whose character is decapitated by an elevator, so that it matched her actual make-up.
Plaster cast from terra cotta mold c. early fourth century BCE. Hemithorakia is clearly visible on Artemis' midsection.Hemithorakion () (hemi- thorax) was an ancient Greek half-armour that covered the midriff or abdomen area.
McIntee, 38.McIntee, 18. For most of the film's scenes, the Alien was portrayed by Bolaji Badejo. A latex costume was made to fit Badejo's slender frame by taking a full-body plaster cast.
Craig A. Evans, Jesus and the ossuaries, Volume 44, Baylor University Press, 2003. pp. 45–47 Plaster-cast replicas can be found at the Archaeological Museum in Milan, Italy, and on display in Caesarea Maritima itself.
Snöklockan (snowdrop), made in Paris 1881 as plaster cast and exhibited there the same year; here a copy from 1953 cast in bronze by C & A Nicci (Rome/Italy) placed in Rottneros Park near Sunne in Värmland/Sweden.
"A Century of Chairs", Design Museum. Retrieved 6 February 2013. Panton made a series of sketches and design drawings for the Panton Chair in the 1950s. In 1960, he created his first model, a plaster-cast, in collaboration with Dansk Akrylteknik.
Nowadays the statues have been translated in the Museo dell'Opera del Duomo in Pisa, while the tomb remains in the cathedral. There is a plaster cast (1890) of the tomb in the Cast Courts of the Victoria and Albert Museum.
View of the Plaster Cast Collection at Charlottenborg Palace (1830) Frederik Hansen Sødring (1832) Christen Schiellerup Købke (26 May 1810 – 7 February 1848) was a Danish painter and one of the best known artists from the Golden Age of Danish Painting.
David was intended as a representation of Florence, as both were more powerful than they appeared, and both the shepherd boy and Florence could be viewed as rising powers. The Victoria & Albert Museum in London also owns a plaster cast of Verrocchio's David.
The head of the creature costume was sculpted in clay then covered in a plaster cast. Once the cast was removed, liquid latex was applied to create a flexible single-piece mask,Westmore; et al. (2000): p. 36 which was then painted.
The cross vault dates from the reconstruction in 1876. The pulpit is from 1863. The altarpiece from 1859 contains a plaster cast of Bertel Thorvaldsen's Christ. On the north wall of the tower room hangs a consecration cross from the Middle Ages.
The mold was then removed, creating a positive plaster cast of the framework. This cast is a replica of the clay covered framework. The lost-wax casting method was then used to create the actual bronze sculpture. This process took over five months to complete.
Jessica Sjöholm Skrubbe: Gränsfall: estetik och obcenitet i Per Hasselbergs skulpturer, in: , p.63-81, here p. 67. Farfadern (father's father = grandfather) at the National Library of Sweden in Stockholm; plaster cast 1886 in Paris; here cast in bronze 1896 by Gruet Jeune in Paris.
Around the sides are reliefs showing Belgian peasants assisting wounded British soldiers. Casts of the reliefs are held at the Imperial War Museum, London, and a plaster cast of the Belgian soldier is held in the Royal Museum of the Armed Forces in Brussels .
The plaster cast was returned to the US and donated to the Will Rogers Memorial Fund, a charity established by the movie industry as a tribute to Will Rogers, in 1936. The WRMF was an eventual replacement for the National Vaudeville Artist Fund, which operated social assistance programs and a hospital for vaudevillians suffering from tuberculosis. The hospital was in Saranac Lake, New York and often referred to as the NVA Lodge. As a result of an agreement between vaudeville producers and movie moguls, the hospital name was changed to the Will Rogers Memorial Hospital, where the plaster cast was on display until the hospital closed in 1974.
Lions from the left side (left lion is a plaster cast) The Sam'al lions are a number of lion-shaped statues from Sam'al, the modern Zincirli, which are currently located in the Vorderasiatisches Museum Berlin (Pergamon Museum), the Museum of the Ancient Orient (Istanbul) and the Louvre.
The church at Valþjófsstaður contains a modern hand-carved copy of the door. Stephens mentions a copy in the South Kensington Museum (now the Victoria and Albert Museum). A plaster cast copy also stands in the Hall of Architecture of the Carnegie Museum of Art, Pittsburgh.
A plaster cast of the skull prior to its crushing was utilized for their description of the skull, but some areas, such as the palate and braincase, eluded restudy. Further study of the specimen was undertaken as part of Martin Ezcurra's 2016 study on archosauromorph systematics.
Before that the bandages were made by hand at the hospitals. As a plaster cast is applied, it expands by approximately ½ %. The less water is used, the more linear expansion occurs. Potassium sulfate can be used as an accelerator and sodium borate as a retarder to control setting time.
Liners are soft and by that, they can create a far better suction fit than hard sockets. Silicone liners can be obtained in standard sizes, mostly with a circular (round) cross section, but for any other residual limb shape, custom liners can be made. The socket is custom made to fit the residual limb and to distribute the forces of the artificial limb across the area of the residual limb (rather than just one small spot), which helps reduce wear on the residual limb. The custom socket is created by taking a plaster cast of the residual limb or, more commonly today, of the liner worn over the residual limb, and then making a mold from the plaster cast.
After publishing photographs of the statue in the American art magazine Connoisseur, İnan did a photo stitching of the bust portion and agreed with Acar that the two pieces were of the same statue. She was determined to retrieve the statue as part of Turkey's cultural heritage and made a plaster cast of the lower portion to prove that the two parts would fit together. İnan, Engin Özgen, the General Director Monuments and Museums and students went to Boston with the cast to meet with experts and lawyers, but their results were rejected. At her own expense, İnan made a second trip, with a plaster cast made by an American sculptor, which the Turkish government had hired, in 1992.
The Skookum cast is a plaster cast showing the imprint of what appears to be a large animal’s left forearm, hip, thigh and buttocks. It was discovered in a muddy wallow near Mount Adams in southern part of Washington state, US, and is argued by some to be a bigfoot.
In: Aziatische Kunst, 34-2.’ (Publisher: VVAK, Amsterdam, 2004) In the 19th century, a plaster cast and a photograph of the kris were kept in the holdings of the Bataviaasch Museum of Arts and Archaeology. In 1920, N.J. Krom dedicated a full page to the keris in Hindoe-Javaansche Kunst.
The building is covered by a red tile roof, and the tower is capped by a bronze cross. The interior of the basilica is finished in plaster cast and travertine marble. The barrel vaulted coffered ceiling covered in gold leaf rises above the floor. The main nave is flanked by side aisles.
Mariam Coffin Canaday Library, Bryn Mawr. The Great Hall was once the home of an Athena Lemnia statue (damaged in 1997) that is now located in a high alcove in the Rhys Carpenter Art and Archaeology Library. A plaster cast of that Athena now stands in her place at the Great Hall.Athena . Brynmawr.edu.
James Deville's 1823 plaster cast. H: 92mm Bacon became interested in the series after he was asked by the composer Gerard Schurmann to design the album cover for "Six Songs of William Blake"; pieces of music Schurmann had set to a number of Blake's poems.Harrison, Martin. "Out of the Black Cavern". Christies.
Plaster cast of a Battle scene by Gian Cristoforo Romano 1491-1497 (sculpted), ca. 1884 (cast) V&A; Museum no. REPRO.1884-669 Giovanni Cristoforo (or Giancristoforo) Romano (1456–1512) was an Italian Renaissance sculptor and medallist. Born in Rome to Isaia da Pisa, he was probably a pupil of Andrea Bregno.
She had to have a plaster cast, and because of swelling her wedding ring needed to be cut off. She received £4000 in damages. K (A Child) v Tesco Stores Ltd [2000] C.L.Y. 1670, in the Uxbridge Crown Court a seven-year-old won £500 damages for minor injuries at the Tesco store.
Orwell: Wintry Conscience of a Generation. W.W. Norton. 2000. , p. 214. When the original room 101 at the BBC was due to be demolished, a plaster cast of it was made by artist Rachel Whiteread and displayed in the cast courts of the Victoria and Albert Museum from November 2003 until June 2004.
Plaster cast bust of George Washington by Jean-Antoine Houdon based on a life mask cast in 1786. A plaster cast is a copy made in plaster of another 3-dimensional form. The original from which the cast is taken may be a sculpture, building, a face, a pregnant belly, a fossil or other remains such as fresh or fossilised footprints - particularly in palaeontology (a track of dinosaur footprints made in this way can be seen outside the Oxford University Museum of Natural History). Sometimes a blank block of plaster itself was carved to produce mock-ups or first drafts of sculptures (usually relief sculptures) that would ultimately be sculpted in stone, by measuring exactly from the cast, for example by using a pointing machine.
The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock on the exterior wall of Bracken House in London.
Where Riker's face emerges from the oil, it was actually a plaster cast of Frakes' face painted black. It was placed on the same grate used to lift McChesney, and filmed lifting out of the liquid. The twitching effect in Yar's death was due to a wire tied around Crosby's waist being pulled on.
Afeiche (ed.) Le Site du Nahr el-Kalb, BAAL Hors Serie 11. Beirut: Ministry of Culture, Republic of Lebanon 2009} A plaster cast of one of the Assyrian inscriptions became the first relic of the ancient Assyrian empire to be brought to the United Kingdom, having been prepared by Joseph Bonomi the Younger in 1834.
Nadia, on the brink of death, asks Hannah to take care of Lev. In an interlude, the psychedelic messenger Astron has appeared, and a drugged-out crowd hails him as a saviour. Astron dismisses this and disappears. Back in the hospital, Yuri has undergone successful surgery, and is totally encased in a plaster cast.
They therefore replicate exactly any damage borne by the original. After the plaster cast is unmoulded, it is painted and given a surface finish which matches the original. The collection has replicas of several famous pieces, such as the Rosetta Stone and the Venus de Milo. The collection features original sculpture such as the 17th century portrait of Hannibal.
In early 2015, the Smithsonian Digitization Program made a three-dimensional scan of the original plaster cast of the sculpture. This scan is now available on their website with an interactive portion, as well as a downloadable version. With this, anyone in possession of a 3D printer can now create their own replica of the piece.
Oriental Institute, Chicago, Lost Treasures from Iraq-Warka Vase, website accessed 8 June 2007. It is named after the modern village of Warka – known as Uruk to the ancient Sumerians. A plaster cast was made of the original and this reproduction stood for many decades in room 5 of the Near-Eastern Museum in Berlin (Vorderasiatisches Museum Berlin), Germany.
The plaster cast of Trajan's Column at the Victoria and Albert is discussed in the film. In 1993, Martin (Elijah Wood), a US student at the University of Oxford, wants Arthur Seldom (John Hurt) as his thesis supervisor. He idolises Seldom and has learned all about him. He takes accommodation in Oxford at the house of Mrs.
It was made separately and inserted into the main statue. The head was looted by the Russians and is now lost; a plaster cast sits in its place. Athena wears a girdled Doric peplos, which leaves her arms free and falls to her hips. Especially on the right hand side, it is characterised by elegant flowing folds.
A plaster cast of a lion, symbol of the Venetian Republic, stands in the center of the room. The first floor of the building is the Piano nobile with reception rooms for guests and delegations. There are paintings on the walls and ceilings, stucco and wooden ceilings. The rooms have an excellent view over the Grand Canal.
A prosthesis is a functional replacement for an amputated or congenitally malformed or missing limb. Prosthetists are responsible for the prescription, design, and management of a prosthetic device. In most cases, the prosthetist begins by taking a plaster cast of the patient's affected limb. Lightweight, high-strength thermoplastics are custom-formed to this model of the patient.
Page from The Anatomy of the Human Gravid Uterus Exhibited in Figures Plaster cast death mask, made several hours after his death. Hunterian Museum and Art Gallery, Glasgow, Scotland. In 1764, he became physician to Queen Charlotte. He was elected a Fellow of the Royal Society in 1767 and Professor of Anatomy to the Royal Academy in 1768.
Fischer also reports (p. 398) that M has suffered recent damage: :It is sad to have to report that between 1933, when Paul Rivet had a plaster cast (M.H. 33.79.2) of this tablet made for his Musée d'Ethnologie (now Musée de l'Homme) in Paris, and 1992, when I inspected the original in Vienna, great damage had occurred.
1, de Gruyter, Berlin 2000, , pp. 431-432 (Google Books). There is a plaster cast of the which also mentions Warpalawas and was found reused in the floor of a Byzantine church at Andaval (modern Aktaş) to the northeast of Niğde. Another stele from this period was found at Keşlik, about 30 km west of Niğde, near Altunhisar.
In 1854, the artist sold a plaster cast of the statue to Baron Bernard August von Lindenau,Royal Museums, Fabritius description; Edmond Marchal, La sculpture et les chefs-d'œuvre de l'orfèvrerie belges (Brussels, 1895), p. 684 online; Michael Palmer et al., 500 chefs-d'oeuvre de l'art belge du XVe siècle à nos jours (Éditions Racine, n.
697-698 Macmillan was badly burned in a plane crash, trying to climb back into the plane to rescue a Frenchman. He had to have a plaster cast put on his face. In his delirium he imagined himself back in a Somme casualty clearing station and asked for a message to be passed to his mother, now dead.Horne 1988, p.
Radiograph of the African Songye Power Figure at the Indianapolis Museum of Art. The plaster cast of Michelangelo’s David at the Victoria & Albert Museum was X-rayed revealing that the supports in David’s legs were positioned similarly to that of bones in a human leg. The size of this particular piece required a portable machine to complete the X-rays.Puisto, J. (2014).
Huang's last and most famous work, The Water Buffalo (水牛群像; Shuǐniú Qúnxiàng, 1930). Plaster cast, located in Taipei's Zhongshan Hall Huang was born on 3 July 1895 in Mengjia (a.k.a. Manka), Taipei City, now known as Wanhua, and his father was a rickshaw repairman. He was a student at Da Daocheng Elementary School, now called Taiping Elementary School.
One specimen, missing only its horns and fur, was taken to the Aquarium and Natural History Museum in Kraków. A plaster cast was made soon afterwards, which is now held in the Natural History Museum in London.Nowak, J., Panow, E., Tokarski, J., Szafer, W. & Stach, J. 1930. The second woolly rhinoceros (Coelodonta antiquitatis Blum.) from Starunia, Poland (Geology, Mineralogy, Flora and Fauna).
As in the previous winter, Simpson went on a skiing holiday. On 25 January he fell, breaking his right tibia, and his leg was in a plaster cast until the end of February. He missed contract races, crucial training and most of the spring classics. Simpson began riding again in March, and in late April started, but did not finish, Liège–Bastogne–Liège.
The third part of the relief consists of massive Luwian hieroglyphs. The continue the description of the queen which begins beside her head, "Daughter of the land of Kizzuwatna, beloved by the divine." Copy at the Kayseri Museum A concrete copy of the relief can be viewed at the Kayseri Museum, as well as a plaster cast in the Pergamonmuseum in Berlin.
Valenticarbo is a supposed genus of extinct bird that lived during the Late Pliocene or Early Pleistocene (c. 1.8 mya) of South Asia. It contains only the type species, V. praetermissus. Harrison (1979) erected this genus because he found himself unable to assign a 19th-century plaster cast of a broken tarsometatarsus bone originally retrieved from Siwalik Hills sediments to modern cormorants.
Melbourne sculptor John Swan Davie modelled the statue in clay, before a plaster cast was made, which was then sent to bronze founder Mr Parlanti of London. The statue weighed two tonnes, and was unveiled on 24 May 1904. In 1912 it was moved to the entrance of Eastern Park due to the construction of the Solomons Building on the same site.
While still at the Slade, Whiteread cast domestic objects and created her first sculpture, Closet. She made a plaster cast of the interior of a wooden wardrobe and covered it with black felt. It was based on comforting childhood memories of hiding in a dark closet. After she graduated she rented space for a studio using the Enterprise Allowance Scheme.
This breaks So-eun's world apart, and she runs to the hospital to see the sleeping Dong-hee with Sun-mi's name now signed on his plaster cast. She goes about in a daze, remembering Sun-mi and Dong-hee bonding while they were at the hospital, avoiding Sun-mi, who has returned to school from the hospital, and feeling a strange sense of unknown guilt as she dreams about Dong-hee. She has another conversation with Ji-in, where he talks about finding out one's true destination, and breaks up with Dong-hee the next day. Ji-in, on a visit to his parents' country home, sees pictures of his parents from school, the plaster cast his father's arm had been in once, the names signed on it and sees So-eun's name on there.
Jack wins, but is not able to kill Il Pazzo completely. After rescuing Dr. Harij, Jack is shot by Volkov and left to die. The game ends with Jack rising up and limping toward Volkov's skis. It is believed that the ending implied why Volkov is confined in a wheel chair and covered in a full-body plaster cast in No One Lives Forever 2.
Le Gros' work soon ended up in Germany where several plaster casts were made. Some time later it was purified back to Amor and Psyche but later destroyed in a fire. The most faithful impression of what it looked like is the plaster cast in Tiefurt House near Weimar.Gerhard Bissell, Haud dubiè Amoris & Psyches imagines fuerunt statuæ istæ, in: Max Kunze, Axel Rügler (ed.), Wiedererstandene Antike.
The face of Ilaria del Carretto from her tomb, sculpted by Jacopo della Quercia. Tomb and monument of Ilaria del Carretto by Jacopo della Quercia, ca. 1413 (plaster cast in Moscow) Coat of arms of the House of Del Carretto Ilaria del Carretto (1379 – 8 December 1405) was an Italian noblewoman and the second wife of Paolo Guinigi, the lord of Lucca from 1400 to 1430.
Casts of this model are found in both the collection of the Academy and the State Collection, now the Danish National Gallery. After having set up an appropriate studio, Saly carried out the work on the large model of the equestrian statue from 1761 to 1763. The plaster cast was presented to the Academy members on 3 February 1764. The king also saw this model.
He would create several sculptures based on dancing. Dancer with Hands on Hips was praised by the art community because it was not based on any specific ancient sculpture, but with a classical spin, making it a completely original sculpture. Josephine would commission Canova again for another sculpture called Paris. The work's plaster cast was completed in 1807 but the marble statue was not finished until 1812.
She wrote later: "You have not answered me as to my suggestions for the two end panels of one yard square. As I pointed out in a previous letter two large heads of Michelangelo and Leonardo da Vinci would be anachronisms as they don't belong to the Greek epoch of the panel. It is a Greek chariot race.""Plaster cast of Greek chariot race, c1918 [part 2]".
Plaster cast of Ohlfsen's life-size sculpture of her friend Colonel Duke Fulco Tosti di Valminuta (1915) During World War I (1914–1918), Ohlfsen and Kuegelgen trained as Red Cross nurses. She wrote to Gother Mann of the Art Gallery of New South Wales: In January 1915 she helped to nurse the injured during the Avezzano earthquake,"Dora Ohlfsen. The Anzac Medallions". The Sydney Morning Herald.
An acquaintance of Morrison, Dr. Benjamin Strobel, a native of Charleston, made a plaster cast of Osceola's face and upper torso. The process of "pulling" the first mold, which was soon displayed in the window of a Charleston drugstore, destroyed the original cast.Wickman 2006, p. 178 Weedon apparently preserved Osceola's head in a large jar of alcohol and took it to St. Augustine,Wickman 2006, p.
Initially it looked like a surface wound, but after being unable to move his foot he returned to hospital. He had severed a tendon and required surgery, which was his first operation, and had to be put in a plaster cast for 6 weeks. The Champions Trophy competition, held in Marseille, France, was in late May 2018, 6-7 weeks later. However, he still managed to compete.
Built for plant growing the conservatory features a glass- and-metal roof supported by brick piers.Jack Quinan, Frank Lloyd Wright's Martin House, p.13, Princeton Architectural Press; 2004 A plaster cast of the Winged Victory of Samothrace stands at the entrance and creates a vista through the pergola. The original conservatory was demolished in 1962, and rebuilt between 2004 and 2007 as part of the restoration.
Eve was born into a Jewish family. After appearing in several films in the late 1910s and early 1920s, Southern suffered an automobile accident in June 1929 that left her badly injured. It was reported in July that year that she had "been in a plaster cast for weeks." In 1932, she broke her back, after which she appeared in several roles before retiring from film.
A plaster cast of the unknown man's head and chest taken by the police in 1949 A number of possible identifications have been proposed over the years. An Adelaide newspaper, The Advertiser, on reporting the discovery of the body, gave the possible identification as "E.C. Johnson, about 45, of Arthur St, Payneham". The following day, 3 December 1948, Johnson identified himself at a police station.
In 1919 Revell became ill with a "spinal trouble"Alice Rohe, "A Message of Courage From Nellie Revell, the Invalid" Moberly Evening Democrat (December 26, 1923): 1. via Newspapers.com that kept her hospitalized in a plaster cast for several years, under the care of orthopedic surgeons Adolf LorenzWestbrook Pegler, "Crippled Girl Reporter Made Dr. Lorenz' Patient" Oregon Daily Journal (December 8, 1921): 20. via Newspapers.
Cardinal Ravasi, president of the Pontifical Council for Culture and responsible for conserving the cultural patrimony of the Holy See, visited the area to draw attention to the plight of the survivors and tweeted his prayer message accompanied by a striking photo of the serene intact faces of the Madonnina di Pieve di Cento a weakened plaster-cast effigy of the child Jesus in his mother's arms.
Tomb and monument of Ilaria del Carretto by Jacopo della Quercia, c. 1413 (plaster cast in Moscow) Putti are a classical motif found primarily on child sarcophagi of the 2nd century, where they are depicted fighting, dancing, participating in bacchic rites, playing sports, etc. Putto on the ceiling of Stirling Castle. The putto disappeared during the Middle Ages and was revived during the Quattrocento.
Limestone tablet from Kish (Sumer) with pictographic writing, 3500 BC; may be the earliest known writing. Ashmolean Museum The Kish tablet is a limestone tablet found at Tell al-Uhaymir, Babil Governorate, Iraq – the site of the ancient Sumerian city of Kish. A plaster-cast of the artifact is today in the collection of the Ashmolean Museum. The Kish tablet is inscribed with proto- cuneiform signs.
He supported the monarchy and British forces in the American Revolutionary War. Among his acquaintances were celebrated figures such as Thomas Gainsborough, the Shakespearean actor David Garrick, violin virtuoso Felice Giardini, the preacher Dr. Dodd, the renowned sculptor Joseph Nollekens, and the novelist Laurence Sterne. Nollekens gave Sancho a plaster cast of his c. 1766 marble bust of Laurence Sterne (National Portrait Gallery, London).
Beazley Archive The Ashmolean Museum in Oxford is open to the public. The wealthy landowner Thomas Legh was one of the excavators of the templeGreek architecture and its sculpture, Ian Jenkins, Harvard University Press, 2006, p.253Cooper, Madigan, Bassitas:III, p.23 and a plaster cast copy of the frieze is displayed in the Bright Gallery of Lyme Hall, Cheshire, one of his stately homes.
These drawings would guide the designers in the next stage: a full size clay model. The clay full scale motorhome was created. Once the shape was completed, the clay surface was “polished” with a sponge and cold water and finished with a silver-blue film of DI-NOC, replicating the painted surface of a vehicle. Upon completion of the full scale clay, plaster cast segments were made of it.
Ohlfsen's photograph of the plaster cast of Le septième voile ("The seventh veil", c. 1911). The work itself is lost. By 1912 Ohlfsen's work was highly regarded. In 1909 she became the first Australian to be added to the Biographical Dictionary of Medallists, and the following year she was said to be working on a medallion of Archduke Eugen of Austria after Princess Marie of Windisch-Graetz introduced them.
Elizabeth Sparhawk-Jones, The Porch, 1907 Sparhawk-Jones studied at the Pennsylvania Academy of the Fine Arts (PAFA). From about 1900, when she was 15 through about 1903, when Thomas Anshutz, Charles Sheeler, and Morton Livingston Schamberg were there. Anshutz taught sketch classes with plaster cast models and dressed models. She received letters of encouragement and critiques by William Merritt Chase, who taught a portrait and life class.
Easby Abbey, which is in ruins, was one of many dissolved by Henry VIII as part of the reformation. The important Anglo- Saxon stone Easby Cross of 800-820 is currently in the Victoria and Albert Museum in London, but the church, from whose walls three of the four fragments were recovered in 1931, displays a plaster cast. The ruins are a Grade I listed building as is the Abbey Gatehouse.
The Henry-Bonnard Bronze Company was awarded a Gold Medal for its accomplishment in casting the sculpture,Hampton L. Carson, Report and Official Opinions of the Attorney General of Pennsylvania, (Harrisburg, PA: State Printer, 1907), p. 622. but Barnard was not recognized for Pan artistic merit. The plaster cast of Pan was included in the Museum of Fine Arts, Boston's one-man exhibition of Barnard's work, November–December 1908.
Antonio would create the iconic Tiger paw logo. He modeled the new paw logo on a plaster cast of a real Bengal tiger paw, which had been sent from the Field Museum of Natural History in Chicago at Antonio's request. Antonio created the tiger paw logo during Spring 1970. Clemson University unveiled Antonio's creation at a series of press conferences held in South Carolina, Charlotte, North Carolina, and Atlanta, Georgia.
By hiding the wounds behind the mask, the young men were able to return to relationships with their families and friends. Each mask required many weeks of work on the part of Woods, and other surgeons who followed his lead. A plaster cast was taken of the subject's wounded face – but only after the wounds and subsequent surgeries had totally healed. The crude process was itself a trial.
The owners allowed graffiti to be applied as long as it was stencil art and from 2006 onwards dozens of stencil designs of all shapes and sizes were applied, and the collection grew. Artists on this wall included "KRAM", "Dam!", and "GlitaGirl". Ca. 2010 a plaster cast of a television and VCR (with the word "obsolescence" embossed on the screen) was installed on the footpath in front of the wall.
Anderson found inspiration for them in real people, representing the famous plaster cast of the "twin lovers" of Pompeii as Milo and Cassia, and finding inspiration for Atticus in the casts of the cowering man. Anderson said he received approval from every vulcanologist and historian he has shown the movie to, having received "high marks for both scientific and historical accuracy", which is what the team was striving for.
Watts, Lt Col J. C. Surgeon at War London 1955 p.18 During World War II, he helped to organize medical emergency services. His use of a new plaster cast method for the treatment of open wounds and fractures helped save a great number of lives during several wars. Trueta formed part of a group of Catalans exiled in the United Kingdom who denounced the situation of Catalonia in Francoist Spain.
In 1976 the three clasped hands were found during the excavation of Horemheb's tomb. In 2009 a plaster cast was made of the clasped hands and the cast was used to show it was a perfect match for the British Museum double statue, thereby showing the statue was associated with Horemheb's Saqqara tomb.In Horemheb's hands: The British Museum double statue EA 36 from Saqqara.nl, Rijksmuseum van Oudheden, Leiden and Universiteit Leiden.
After finishing top of the all-European group in the second round, they met Argentina in the final. Argentina protested René van de Kerkhof's forearm plaster cast. After that protest, the game went to extra time where Argentina won 3–1 after scoring two goals in extra time. The 1990 edition saw the Netherlands not win a single game throughout the tournament, scoring only two goals in the group stage.
By 1973 at the age of 25, Sato developed the details of Kaatsu as it is currently practiced. At that time, on a ski trip, he fractured his ankle and damaged the ligaments around his knee. The injuries were diagnosed and the doctors told Sato that it would take 6 months to heal. With a plaster cast on, Sato rehabilitated himself with Kaatsu Bands applied to his upper leg.
The original French name was La Perce- Neige (snow breaker) and it was first made in plaster cast for the 1881 Salon in Paris. Hasselberg’s model was 16-year-old Italian. At her feet shows a small snowdrop, and the statue was understood as a symbol of new life breaking through the snow in springtime. Snöklocka actually is not the ordinary Swedish name for the flower, which is snödroppe.
The Nelson Room, which is situated on the first floor has a large white-marble fireplace with a sleeping lion centrepiece. There is a magistrates' bench with coat of arms above. At the opposite end is the full-size plaster cast of John Edward Carew's bronze relief of The Death of Nelson. The Hartley Suite, named after the architect of the building, is located on the ground floor.
The three larger marble versions were exhibited together at the Musée d'Orsay in 1995. A fourth copy, about in height – compared to for the copy in Paris – was made after the death of Rodin by sculptor Henri-Léon Gréber for the Rodin Museum of Philadelphia. A plaster cast can be found in the Museo Nacional de Bellas Artes of Buenos Aires. A large numbers of bronze casts have been done of The Kiss.
An ornithomimid. In August 1972, J. B. Friday discovered dinosaur bones in a Sevier County gravel pit near Lockesburg. In 1973 the fossils Friday discovered were being cleaned and compared to related by dinosaurs by University of Arkansas professor James Harrison Quinn. In the course of his research, Quinn made hypothetical clay models of the missing bones in the animal's foot and duplicated the actual fossils with plaster cast in latex molds.
Two self-portraits, an etching dated on the plate 1858, and a plaster cast of a bust, incised and dated 1868, are also in the National Portrait Gallery collection. Lucas's popular wax relief Leda and the Swan was acquired by the Victoria and Albert Museum. Another copy is held in the National Gallery, Berlin. The Victoria & Albert also has a bust of the London society hostess, Catherine, Lady Stepney, posing as Cleopatra.
Plaster cast from the marble executed 1863-7. Lent by H.M. The Queen." On the plinth of Theed's original in the Royal Collection is a single line (without attribution) from the poem 'The Deserted Village' by Oliver Goldsmith (l.170): "...Thus to relieve the wretched was his pride, / And e'en his failings lean'd to Virtue's side; / But in his duty prompt at every call, / He watch'd and wept, he pray'd and felt, for all.
Raised Left Hand is a bronze sculpture by Julio González displayed in the Museu Nacional d'Art de Catalunya, created in 1942, the year of his death. This work of art was created as a plaster cast, and then later cast in bronze. It is unclear if the when or if the artist cast the final sculpture. Other sculptures created within the last months of the artist's life were cast in bronze posthumous.
So Baird used a ventriloquist's dummy, whose brightly painted face had greater contrast, and made it move and talk before the scanner. Stooky Bill and another Baird dummy, "James" have been jokingly called "the first television actors". "Stooky" or "stookie" is Scots for stucco or plaster of Paris, or for a plaster cast used to immobilise bone fractures. The term is also used someone who is slow-witted or awkward in his movements.
A whole-body plaster cast was taken of actress Brigitte Helm, and the costume was then constructed around it. A chance discovery of a sample of "plastic wood" (a pliable substance designed as wood-filler) allowed Schulze- Mittendorff to build a costume that would both appear metallic and allow a small amount of free movement. Helm sustained cuts and bruises while in character as the robot, as the costume was rigid and uncomfortable.
Lighting in the exhibition is subdued, in an effort to protect the collection from deterioration. Shoes are typically displayed on a low- rising dais, typically built from blonde maple wood. The smallest shoes typically on display in the permanent exhibition are Chinese shoes made for women who had their foot bound. The exhibition also features a plaster cast of the first known human-like footprint, made from 3.7 million years old footprints found in Tanzania.
Byrnes is commemorated by two statues, one in Centenary Place in Brisbane and the heritage-listed T J Byrnes Monument in Warwick, both funded by public subscriptions. The commissioning of the Brisbane statue encountered a series of setbacks. The sculptor Achille Simonetti was approached by the committee to create the statue. However, Simonetti had never seen Byrnes during his life and produced a plaster cast from photographs for the committee's approval before commencing the statue.
As a result of his interest in excavating previously unexplored areas of the Sutton Hoo site, a second archaeological investigation was organised. In 1965, a British Museum team began work, continuing until 1971. The ship impression was re-exposed and found to have suffered some damage, not having been back-filled after excavation in 1939. Nevertheless, it remained sufficiently intact for a plaster cast to be taken and a fiberglass shape produced.
Capitol Visitor Center in December 2008. The plaster cast model of the Statue of Freedom is in the foreground. The United States Capitol Visitor Center (CVC), located below the East Front of the Capitol and its plaza, between the Capitol building and 1st Street East, opened on December 2, 2008. The CVC provides a single security checkpoint for all visitors, including those with disabilities, and an expansion space for the US Congress.
Evidence left via impressions can generally be recovered utilizing a plaster cast. Initially the impression is isolated by framing the area with a solid boundary. Following this a plaster mix can be gently poured inside the frame; it is generally considered not best practice to pour directly onto the impression. In some cases where the surface is not ideal for casting prior techniques can be utilised to gain a better cast of the impression.
The first fossil of Haootia was discovered from lower Fermeuse Formation of Back Cove, Bonavista Peninsula in Newfoundland. It was originally unearthed by Martin D. Brasier of the University of Oxford in 2008. However, the specimen was not allowed to be removed according to provincial law in Newfoundland, so that only a plaster cast was made. The cast (plastotype) is maintained in the collections of the Oxford University Museum of Natural History.
In October, the Post Office received a plaster cast by British artist Hugh Paget. Finally, on 1 December 1936, the project was accepted by Lord Tweedsmuir, the Governor-in-Council. Two die-proofs were sent to London for the King to approve, but arrived after the abdication and were brought back to Canada. The prepared design was used with a Bertram Park portrait of King George VI; this permitted an issue on 1 April 1937.
Treatment usually includes antibiotics, and reducing the mobility of the affected region, either with a back brace or a plaster cast. Without treatment, the patient may form an abscess which may need to be surgically corrected. Due to the poor vascularity of the disc, drugs required for treatment often include potent agents such as Ciprofloxacin along with Vancomycin. Occasionally, oral drugs can be used to treat the infection but it may fail and IV drugs may be required.
Brown was injured badly in October 1962 at the rodeo in Portland, Oregon. While riding a bull name "Black Smoke" for 8 seconds, the bull flipped Brown, who fell on his head, paralyzing him. The doctor "pulled on his head and feeling returned to his right side and left foot". He was operated on and put in traction for 34 days, followed by a plaster cast "from his waist to the top of his brow for over 2 months".
Around the nave are plaster cast Stations of the Cross designed by Aloïs de Beule of Ghent. The lapidarium spanning the arch between the sanctuary and the Lady Chapel was designed by Augustus Welby Northmore Pugin and originally hung above the high altar of St Chad's Cathedral, Birmingham. The organ was built in 1915 by Sir Frederick Rothwell with a case also designed by Tapper. The organ underwent restoration by Bishop & Son organ builders in 1989.
Devin soon shows up, to reveal that the melted bucket of wax was a mold and shows them a plaster cast of Abbey's hand wearing the engagement ring Brayden placed on her finger when she died. Brayden is strapped into the gear and Devin induces general anesthesia. Louis cranks up the machine to the highest levels ever. Brayden briefly wakes up from the anesthesia and his consciousness makes a connection with the quantum realm that leads to another membrane.
Inside the church the 19th century kingpost roof is visible, but older arched braces survive above the site of the rood screen. This was one of the first Norfolk churches to replace its box pews with benches and these survive along with an elaborate font and cover dating to 1846. Also of note is the plaster cast Royal Arms of Victoria to commemorate Queen Victoria's Jubilee in 1887, which are painted and gilt and survive in fine condition.
Albritton was born in Chicago, Illinois. Shy as a young girl, Albritton sought out a way to make contact with the opposite sex. In the late 1960s she became caught up in free love and rock music. In college, when her art teacher gave the class an assignment to "plaster cast something solid that could retain its shape", she hit upon the idea of casting the temporarily- solid male genitalia, which would then soften and exit the mold.
Architecture Building Designed by Charles A. Platt, the Architecture Building is part of the College of Fine and Applied Arts' School of Architecture. The Architecture Building lies on Lorado Taft Drive and is between David Kinely Hall and Wohlers Hall. Notable features within the building includes ornamental metal works by Louis Sullivan and a cast of Gates to Paradise of the Florence Baptistry. The Temple Buell Architecture Gallery (TBAG) once housed the university-owned Gregory Plaster Cast collection.
The statue was publicly unveiled at 11:00 a.m. on May 4, 1912. In advance of the scheduled unveiling, the foundry that was casting the statue notified the university that the metalwork would not be ready in time. Not wishing to rescind invitations to dignitaries slated to speak, Georgetown went ahead with the unveiling ceremony after a brown-painted plaster cast of the statue was placed on the pedestal, unbeknownst to the several thousand ceremony attendees.
Unfinished Plaster cast of the Boston Throne exhibited in Tübingen The Boston Throne is an unusual marble sculpture, similar to the Ludovisi Throne. It probably dates from classical antiquity, and first appeared in modern times in 1894, shortly after the Ludovisi Throne was found and sold at auction. It was purchased by Edward Perry Warren for the Museum of Fine Arts, Boston in 1896. The Boston Throne is a cuboid block of marble, carved in relief on three sides.
Next to the south door of the church there is a plaster cast of the Enebakk Madonna; the original is now in the antiquities collection at the Museum of Cultural History. The statue and the crucifix over the chancel arch probably originally came from Tenor Church in Slitu in Eidsberg. This is stated by the parish priest Jacob Nicolai Wilse in a book from 1791. Tenor Church was closed before the Reformation in 1536 and deteriorated.
He created a memorial to Sacco and Vanzetti (1928), a plaster cast of which is now in the Boston Public Library. Another Borglum design is the North Carolina Monument on Seminary Ridge at the Gettysburg Battlefield in south-central Pennsylvania. The cast bronze sculpture depicts a wounded Confederate officer encouraging his men to push forward during Pickett's Charge. Borglum had also made arrangements for an airplane to fly over the monument during the dedication ceremony on July 3, 1929.
Näckrosen was first exhibited in plaster cast at the Danish art society Kunstforeningen in Copenhagen 1892 and later that year in Gothenburg/Sweden. In 1893 it was exhibited at the World's Columbian Exposition in Chicago. The statue shows a young woman lying on her back and floating on a large water lily leaf surrounded by water lilies and heads of old men symbolizing mermen. The first part of the flower's name näck in Scandinavia means water spirit.
The drum, of polychrome brick, features tripartite arched window openings on each of the eight faces. The church features polychrome brickwork patterning, including chequer pattern banding on the gables, banding on external columns, dark brick quoining and a dark brick plinth. The external walls are buttressed with shallow attached piers. The eastern elevation features an open portal, with a vaulted covering sheltered by a gabled awning, supported on coupled columns, featuring plaster cast capitals and bases.
Virginia examines Mathurin's body and discovers that a plaster cast on his arm is concealing a claw for a hand. Pulling his clothes off reveals both that he is covered in thick black hair and that he has a tail. They run out of the house in terror as the Cardinal arrives. Virginia comforts the terrified Lucy as they speed away in the car, and Lucy dreams that she is naked in the forest again, burying the beast.
The woman opened the door, whereupon she was immediately handcuffed, undressed, raped by Lemke, throttled with a shoelace, hit with a plaster cast on the head and finally killed by 91 stab wounds. On March 15, 1996, Lemke shot dead 26-year-old Martin K. at a staircase in Rhade. He was a traitor in Lemke's eyes, because he had announced that he was dropping out of the far-right scene and was going to testify against Lemke.
She carries the guilt of being the person who gave Ted's name to the Seattle authorities in 1975. Ted later proposes to Carole Ann, and they marry. Incriminating physical evidence is provided in court, including a match of a plaster cast of Ted's teeth to the impressions of bite wounds on Levy's buttocks. In under seven hours, the jury convicts Ted of the murders of Levy and Bowman, three counts of attempted first-degree murder, and two counts of burglary.
Ohlfsen's Dionysus (1930s) In 1930 Ohlfsen was invited, along with other artists, to submit sketches for sculptures for the inner shrine of Melbourne's Shrine of Remembrance. Asked to sketch Charity and Love, she was disappointed, calling the invitation "this crumb". In the end, the memorial committee chose other work and her idea didn't progress beyond a plaster cast. Robert Randolph Garran, the former Solicitor-General who became her friend and mentor, had suggested her to a group that was organizing the memorial.
He left Sparks for dead while Healy was kidnapped. As his methodology evolved Bundy became progressively more organized in his choice of victims and crime scenes. He would employ various ruses designed to lure his victim to the vicinity of his vehicle where he had pre-positioned a weapon, usually a crowbar. In many cases he wore a plaster cast on one leg or a sling on one arm, and sometimes hobbled on crutches, then requested assistance in carrying something to his vehicle.
Front (original) Plaster cast of the Sarcophagus of Junius Bassus Side view of the cast. The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359. It has been described as "probably the single most famous piece of early Christian relief sculpture."Journal of Early Christian Studies, Leonard Victor Rutgers, The Iconography of the Sarcophagus of Junius Bassus (review of Malbon book) - Volume 1, Number 1, Spring 1993, pp.
Emancipation Hall at the Capitol Visitor Center. The 1857 plaster cast of the Statue of Freedom is in the center flanked by stairs which lead to the Capitol itself. Emancipation Hall is the main hall of the CVC and measures in at . It was originally designated the Great Hall, but this was changed to Emancipation Hall when a bill cosponsored by Congressman Zach Wamp and Jesse L. Jackson, Jr. was passed by Congress and signed by President George W. Bush in January 2008.
It resembled rubber, but contained more resins. When dry it was hard and inelastic, but when warmed it became soft and malleable. In 1851 Utterhoeven, described the use of splints made from this material for the treatment of fractures. In the 1970s, the development of fibreglass casting tape made it possible to produce a cast that was lighter and more durable than the traditional plaster cast and also resistant to water (though the bandages underneath were not) helping the patient be more active.
Hallé did the modelling for a number of important awards and this included the 1890 Royal Geographical Society Medal. During the First World War Halle volunteered with the Surgical Requisites Association. The association supplied medical dressings and had been created by Queen Mary’s Needlework Guild. Anne Acheson and Halle were both sculptors and they witnessed soldiers returning from the front with broken limbs held together with only wooden splints and basic bandages, it was suggested that taking a plaster cast of the limb.
The 1936 sign next to the Utrecht stone with the original runes, transliteration and Dutch translation. Another copy of this stone was placed in 1936 on the Domplein ('Dom Square') in Utrecht, next to the Cathedral of Utrecht, on the occasion of the 300th anniversary of Utrecht University. In 1955, a plaster cast of this stone was made for a festival in London. It is now located in the grounds of the Danish Church in London, 4 St. Katherines Precinct, Regents Park, London.
Edited down to 95 minutes, the black and white film shows the Dolls in different locales, such as backstage or at an airport, and documents several of the Doll's live performances in New York City and California. Kane appears in some of the footage wearing a plaster cast on his left arm. This was the result of his volatile girlfriend Connie attempting to cut off his thumb so that he would be unable to play bass anymore.Kane; Kane. p. 210.
Saint Philomena with attributes: palm, whip, anchor and arrows. Plaster cast by Johann Dominik Mahlknecht in the Museum Gherdëina in Urtijëi, Italy Saint Philomena was a young consecrated virgin whose remains were discovered on May 24–25, 1802, in the Catacomb of Priscilla. Three tiles enclosing the tomb bore an inscription, Pax Tecum Filumena (i.e. "Peace be unto you, Philomena"), that was taken to indicate that her name (in the Latin of the inscription) was Filumena, the English form of which is Philomena.
But the squad still had players like Jan Jongbloed, Wim Suurbier and Ruud Krol from the previous World Cup. After finishing runner-up in Group 4 behind Peru, they recorded wins against Austria and Italy to set up a final with Argentina. After a controversial start, with Argentina questioning the plaster cast on René van de Kerkhof's wrist, the match headed to extra time where the Dutch lost 3–1 after two extra time goals from Mario Kempes and Daniel Bertoni.
In the executed design, Karl Bitter's allegorical bronze statue Pomona depicts the goddess of abundance holding a basket of fruit. The model was Doris Doscher. Because Bitter died on April 9, 1915, having just completed the plaster cast of the figure,Ferdinand Schevill, Karl Bitter, a Biography (Chicago, IL: University of Chicago Press, 1917), pages 65-67 Hastings and Bitter's widow selected Isidore Konti to complete the statue.The Sculpture of Isidore Konti, 1862-1938 (Yonkers, NY: Hudson River Museum, 1974), pages 63-64.
William Blake's image of the Minotaur to illustrate Inferno, Canto XII,12–28, The Minotaur XII "Head of William Blake" by James De Ville. Life mask taken in plaster cast in September 1823, Fitzwilliam Museum. The commission for Dante's Divine Comedy came to Blake in 1826 through Linnell, with the aim of producing a series of engravings. Blake's death in 1827 cut short the enterprise, and only a handful of watercolours were completed, with only seven of the engravings arriving at proof form.
Dippy in the Hintze Hall at the Natural History Museum in 2008 The London cast of Dippy is a plaster cast replica of the fossilised bones of a Diplodocus carnegii skeleton, the original of which – also known as Dippy – is on display at Pittsburgh's Carnegie Museum of Natural History. The long cast was displayed between 1905 and 2017 in the Natural History Museum in London, becoming an iconic representation of the museum. It began a national tour of British museums in February 2018.
The building itself is not as significant as the Depression era artwork contained within it. Christian Petersen, a Danish immigrant, designed and completed the nine bas reliefs from 1934 to 1935 as part of the Public Works of Art Project (PWPA). Two plaster-cast panels are located in the foyer. One depicts a women from biblical times churning butter in a goatskin bag hung from a tree, and the other depicts an American pioneer women using a dash churn, an early American invention.
The lion statue was discovered in 1883 by Carl Humann and Otto Puchstein on their Anatolian travels in the castle of Marʿasch (modern Kahramanmaraş). A second, uninscribed lion which was slightly larger was left in situ by one of the fortress gates, while the inscribed lion was taken to the Archaeological Museum in Istanbul.The lion sculpture in the Istanbul Museum of the Ancient Near East (1991) A plaster cast was produced for the Berlin Museums.Karl Humann, Otto Puchstein: Reisen in Kleinasien und Nordsyrien.
The joint is usually placed in a plaster cast following percutaneous pinning. For a radial fracture, it is not clear if the position that the wrist is immobilized in the cast after pinning effects the risk of reduced grip strength. For an approach in which the pins are placed under the skin, it is not clear if this technique reduces the risk of infection, however in order to remove the pins when the bone has healed an invasive technique may be required.
Elsevier Masson SAS; 2012 Aug 8:1–6. The process of creating a plaster-cast model, directly on the skin of the patient's thorax, can be used in the design of the implants. The evolution of medical imaging and CAD (computer-aided design) now allows customised 3D implants to be designed directly from the ribcage, therefore being much more precise, easier to place sub-pectorally and perfectly adapted to the shape of each patient.J-P. Chavoin, A.André, E.Bozonnet, A.Teisseyre, J..Arrue, B. Moreno, D. Glangloff, J-L.
Using this operation, it was possible to explain phase coexistence, the triple point, to identify the boundary between absolutely stable and metastable phases (e.g., superheating and supercooling), the spinodal boundary between metastable and unstable phases, and to illustrate the critical point. Maxwell drew lines of equal pressure (isopiestics) and of equal temperature (isothermals) on his plaster cast by placing it in the sunlight, and "tracing the curve when the rays just grazed the surface." He sent sketches of these lines to a number of colleagues.
On May 3, 1999, The Undertaker threw Austin off the stage, and two weeks later, the WWF Champion handcuffed his title's challenger to a crucifix, which was raised above the ring. Another feud culminating at Over the Edge involved Triple H and The Rock, who would meet each other in a match at the event. Triple H had interfered in one of The Rock's matches, and later threw him off the stage. leading The Rock to wearing his (kayfabe) injured arm in a plaster cast.
Ponseti treatment was introduced in UK in the late 1990s and widely popularized around the country by NHS physiotherapist Steve Wildon. The manipulative treatment of clubfoot deformity is based on the inherent properties of the connective tissue, cartilage, and bone, which respond to the proper mechanical stimuli created by the gradual reduction of the deformity. The ligaments, joint capsules, and tendons are stretched under gentle manipulations. A plaster cast is applied after each manipulation to retain the degree of correction and soften the ligaments.
The classical Greek cross-form interior is dominated by the central dome, which is painted with a pattern of gold stars on a dark blue background. Regularly spaced Corinthian pilasters and plaster-cast cornices line the walls of the nave and the sanctuary. The nave and transepts are lined with oak pews, and focused on the shallow chancel at the west end. This contains the high altar, behind which, in a pedimented aedicule, is a painting of the incredulity of St Thomas by François Dubois.
When the sarcophagus was unwrapped in 1975 by the Manchester Mummy team, including Dr. Rosalie David, believed they may be able to attempt a forensic facial reconstruction. Her skull was incomplete and in many pieces, in order to reconstruct, the team put the skull together, made a plaster cast, and filled the gaps with wax. To create the face, wooden pegs were drilled into the cast, at the precise depth of tissue. Then wax was added to the cast over the pegs, slightly covering them.
In the original description by Hume, where the olecranon fractures were not displaced, treatment consisted of closed reduction of the radial head dislocation under general anaesthesia by supination of the forearm. This was followed by immobilisation of the arm in a plaster cast with the elbow flexed at 90° and the forearm in supination for 6 weeks. Where the olecranon fracture is displaced, open reduction internal fixation is recommended. Once the olecranon has been repaired, closed reduction of the radial head dislocation is usually possible.
The jacket of the single remix of the song features the plaster cast of the chained dog killed in Pompeii. Pompeii is a novel written by Robert Harris (published in 2003) featuring the account of the aquarius's race to fix the broken aqueduct in the days leading up to the eruption of Vesuvius, inspired by actual events and people. "Pompeii" is a song by the British band Bastille, released 24 February 2013. The lyrics refer to the city and the eruption of Mount Vesuvius.
In 1994, Gardner appeared in the John Waters film Serial Mom as part of the fictitious band "Camel Lips". Gardner, in 2000, became the first woman to have her breasts plaster-cast by Cynthia Plaster Caster, the artist who had spent decades casting impressions of rock music's most famous phalluses. Original video and consolidated interviews with Gardner are included in the documentary L7: Pretend We're Dead, released in 2016 and directed by Sarah Price. The film was nominated for a VO5 NME Award for Best Music Film.
It was brought down in 1959 to make a plaster cast of the Coat of Arms of Singapore, which was topped off with two flagpoles with the Flag of Singapore on them. A number of significant civic as well as historical events were held on the premises. The Memorial Hall was the venue for Japanese war crimes trials from 1946 to 1947. From 1948 onward, the Hall was used during elections as the centre for the briefing of election officials and the counting of ballot papers.
Ashbel Parsons Willard is a piece of public art by American sculptor Henry Dexter, located on the second floor or third level (including the basement) of the Indiana Statehouse, located between Washington Street and Ohio Street in Indianapolis, the capital of Indiana, a U.S. state. The bust is located in a niche outside the central rotunda. It faces north and is on the eastern side of the rotunda. The sculpture is a plaster cast, which has been painted with many layers of white paint.
During a Test against Pakistan in the 1972-73 season, Lillee felt sharp pain in his back for the first time, but continued to play. On the tour of the West Indies that followed, Lillee broke down completely and was diagnosed with stress fracture in his lower vertebrae. Forced out of cricket, he spent six weeks during the winter of 1973 wearing a plaster cast that encased his entire torso. After the removal of the cast, he played club cricket for Perth as a specialist batsman.
His request received a favourable response from the First Commissioner of Works, William Cowper. Although Cowper regarded the statue as being of "little merit as a work of art", he did not "think it desirable that a statue of an illustrious sovereign should be left in a public place without a nose or right arm." The sculptor John Thomas was hired to repair it. He based the face on a "squeeze" (plaster cast) of Francis Bird's statue of Queen Anne outside St Paul's Cathedral.
Although the prism remained in Iraq until 1846, in 1835 a paper squeeze was made by the 25-year-old Henry Rawlinson, and a plaster cast was taken by Pierre-Victorien Lottin in c.1845. The original was later thought to have been lost, until it was purchased from Colonel Taylor's widow in 1855 by the British Museum. (Colonel Taylor may have been the father of John George Taylor, who, himself, became a noted Assyrian explorer and archaeologist.)Mr. Taylor in Chaldaea, E. Sollberger, Anatolian Studies, Vol.
In 1916, two plaster-cast statues of King Edward VII and King George V in coronation robes, made by Messrs R. L. Boulton & Sons of Cheltenham, were placed in alcoves on either side of the main stage. One was a gift from Mr. T. E. Whittaker and the other a gift from Messrs. Boulton themselves. The town hall organ was also a gift, from Mr and Mrs Edward J. Burrow; it was made by Rushworth and Dreaper of Liverpool and was installed in 1928.
Nita persuades Todd, over Freddie's goading, to compete in a ski jump against Freddie. Todd's jump, featuring absurdly comical special effects, forces Craig to shoot him down, resulting in a broken leg. Todd crawls through miles of deep snow, late at night, with his broken leg covered in a plaster cast, to Nita's house. Toting a bottle, he learns that Nita is not the exotic minx she pretends to be, but aspires to be treated like an "American girl", that is, with much "talk" and little "action".
A plaster cast of an ant nest. Ant hill and ant tracks, Oxley Wild Rivers National Park, New South Wales An ant colony is the basic unit around which ants organize their lifecycle. Ant colonies are eusocial, and are very much like those found in other social Hymenoptera, though the various groups of these developed sociality independently through convergent evolution. The typical colony consists of one or more egg-laying queens, numerous sterile females (workers, soldiers) and, seasonally, many winged sexual males and females.
Noteworthy casts include those of the Laocoön and His Sons, the Farnese Hercules, the Barberini Faun and Charioteer of Delphi. The Peplos Kore is perhaps the best known exhibit in the museum. It is a plaster cast of an ancient Greek statue of a young woman painted brightly as the original would have been, which was set up on the Acropolis of Athens, around 530 BCE. In 1975, the museum attempted to replicate the sculpture's original appearance by painting a cast of the figure.
For a short period the Hoofdwacht was in use as a military hospital, where Antonius Mathijsen made his discovery of the orthopedic plaster cast in 1851. The upstairs was also the place where the watchmen would stand guard near the balcony. The church opposite had a sentry lookout posted in the steeple who could signal the guards on the balcony using red flags so that the guards in the Hoofdwacht could react to fires or other unrest. This sentry position was still in use in 1919.
Relief carving of an anhydrite kiln, made from a piece of anhydrite Her giant Portland stone figures, 'Thought' and 'Action', are outside the former Atomic Energy Authority offices in Risley, Lancashire. The bronze bust Bell created of mountaineer Edmund Hillary (circa 1953) is in the Te Papa museum in Wellington, New Zealand. The plaster cast remains in Grasmere. The Catalyst Science Discovery Centre, Widnes, has a relief carving of an anhydrite kiln, made from a piece of anhydrite, for the United Sulphuric Acid Corporation.
Above all, the process had to be economical enough to make its widespread commercial use practical. Ives patented his first "Ives' process" in 1881.U.S. Patents 237,664 and 245,501, both entitled "Method of Producing Impressions in Line or Stipple from Photographic Negatives" and both issued in 1881 This early process required the creation of a photographic relief image, made by a variety of the carbon process, from which a plaster cast was made. The highest areas on the surface of the plaster corresponded with the darkest areas of the original photograph.
The Museum's pieces mainly consist of plaster cast replicas, making the collection one of a few cast collections in Canada, and the only one in Saskatchewan. The replicas in the Museum are, in general, not crafted from the same material as the original. Most are casts of plaster or resin, not marble or bronze, for reasons of expense and weight. The replicas by large workshops—such as those at the Louvre, Paris, the British Museum, London, and the Gipsformerei der Staatlichen Museen, Berlin—are created from moulds taken directly from the original pieces.
Any fracture in the elbow region or upper arm may lead to Volkmann's ischemic contracture, but it is especially associated with supracondylar fracture of the humerus. Volkmann's contracture results from acute ischaemia and necrosis of the muscle fibres of the flexor group of muscles of the forearm, especially the flexor digitorum profundus and flexor pollicis longus. The muscles become fibrotic and shortened. The condition is caused by obstruction on the brachial artery near the elbow, possibly from improper use of a tourniquet, improper use of a plaster cast, or compartment syndrome.
A plaster cast of the clay study, , is held by Tate Britain, made c.1877 and presented by Alphonse Legros 1897, and a further version in bronze is in the Ashmolean Museum, in Oxford. A marble replica was carved by Frederick Pomeroy for Carl Jacobsen's Ny Carlsberg Glyptotek in Copenhagen. Leighton counselled against the reproduction, as the marble is less able to hold its own weight, but eventually acquiesced and adapted the composition, adding supports for the legs. It was exhibited at the Royal Academy in 1891 before being transported to Denmark.
He modeled The Genius of Connecticut (1877–1878), a bronze goddess that adorned the dome of the Connecticut State Capitol in Hartford. It was damaged in a 1938 hurricane, removed, and melted down for scrap metal during World War II. A plaster cast of the statue is now exhibited within the building. In 1873 he became the first American to be elected to Italy's Accademia di San Luca, and he was knighted in 1884 by King Umberto I. Rogers suffered a stroke in 1882, and was never able to work again.
Daniel Boone statue (detail) at the foot of Eastern Parkway in Louisville Sculptures by Yandell include a nine-foot statue of Daniel Boone. The Daniel Boone sculpture was commissioned by the Filson Club of Louisville. Yandell completed a plaster cast which was shown at several exhibitions before C. C. Bickel finally arranged to have the work cast in bronze for the city of Louisville in 1906. The Daniel Boone sculpture survived the Super Outbreak of tornadoes on April 3, 1974, and is now located in Cherokee Park, Louisville, Kentucky.
Howarth & Lyons (1993) p. 9-10. But in fact the plaster cast couldn't fit Agnew's foot as he had bigger feet than Craig Charles – a close look at the episode would reveal that there are several frames in the episode where neither the Cat nor Lister (stood in by Agnew) had casts. To film Lister's drunken pilot skills on the flight back to Red Dwarf, wires were used by the model team to give the jerking motion. The one guest star was Sabra Williams who plays Lise Yates.
The Palace's basement houses the Gypsothèque de Strasbourg, also known as Musée des moulages (plaster cast museum). This classical cast collection was initiated with the founding of the Kaiser- Wilhelms-Universität in 1872 by Adolf Michaelis, a distinguished classical scholar and art history pioneer. Next to casts of works like Harmodius and Aristogeiton, Apollo Belvedere, Aphrodite of Cnidus and the metopes of the Parthenon, the museum also displays casts of works by Antoine Bourdelle. The collection is the second largest cast collection in France and the largest university cast collection of France.
Taft, an Illinois native who had been classically trained in Paris and who came increasingly under the influence of Auguste Rodin, explained the concept of the statue as follows: "The thought is the eternally present fact that however closely we may be thrown together by circumstances . . . we are unknown to each other." Two other versions are known to exist. One is a near-same-sized plaster cast, possibly as early as 1901 and probably one of the models shown in the 1911 photographs, now in the collection of American art at the Dayton Art Institute.
Loÿs Delteil, "Carpeaux", in Le Peintre Graveur Illustré (XIXe et XXe Siècles), Vol. 6 (Rude—Barye—Carpeaux—Rodin), 1910, [n. p.] The artist died a few weeks later at Bécon, "consoled by the touching care of his princely host." Controversially, Știrbei had purchased Carpeaux's drawings (including his study after the cadaver of Victor Liet)Guillot, pp. 21, 43 and his seal of authenticity, which technically allowed him to pass plaster cast as the originals; for several years, he battled in court with the Carpeaux estate over ownership of these items, ultimately relinquishing the seal.
The mandible is then reattached, again with wax, according to the alignment of teeth, or, if no teeth are present, by averaging the vertical dimensions between the mandible and maxilla. Undercuts (like the nasal openings) are filled in with modeling clay and prosthetic eyes are inserted into the orbits centered between the superior and inferior orbital rims. At this point, a plaster cast of the skull is prepared. Extensive detail of the preparation of such a cast is presented in the article from which these methods are presented.
President Roosevelt ordered trees to be cut so that the view of the memorial from the White House would be enhanced; additional tree pruning was completed to create an unobstructed view between the Jefferson Memorial and Lincoln Memorial. The Jefferson Memorial was officially dedicated by President Roosevelt on April 13, 1943, the 200th anniversary of Jefferson's birthday. At that time, Evans' statue had not yet been finished. Due to material shortages during World War II, the statue that was installed at the time was a plaster cast of Evans' work painted to look like bronze.
Popular singer Roy Orbison visited Hawkstone Park as a spectator at the 1965 500cc British Grand Prix. An avid motorcycle fan, he was offered the chance to try a lap of the circuit. Unfortunately he crashed, broke an ankle and appeared live on 'Saturday Night at the London Palladium' that evening with his foot in a plaster cast. The circuit has only suffered one fatality in its 60-year history as a motocross circuit, when 21-year-old Richard Fitch was killed whilst competing in a national championship in June 2005.
Senator-elect Joseph E. Ransdell, John G. Agar, Chief Justice Seth Shepard, and Dr. William Creighton Woodward also made statements. Afterwards, Bishop Northrop celebrated a solemn mass in Dahlgren Chapel, during which Rev. Terence J. Shealy made a speech about Carroll's influence on the Constitution's prohibition of religious tests for public office under Article VI. The festivities concluded with a reception hosted by the president of the university and the faculty. Several weeks later, the plaster cast stand-in was replaced with its bronze counterpart in the middle of the night.
Square columns are integrated with wood stud partitions and finished with plaster. Cast-iron- detailed capitals are ornamented with a simplified leaf motif derived from the Corinthian order modified to incorporate the Virginia tobacco leaf as a prominent feature. A ten-foot-wide corridor with original ceramic tile flooring begins at the main entrance and runs the entire length of the building, terminating at the main stair at the south end. The cast-iron circular stair with ornamental open risers has a wrought-iron balustrade and mahogany handrail.
The University History Museum () hosts a large number of scientific instruments, anatomical and pathological preparations and samples, historical documents and volumes which are part of the university's history. The museum collection includes Antonio Scarpa's preserved dismembered head. In addition to Scarpa's head, the museum also displays his kidneys and four of his fingers. Other anatomical samples include the aneurysm that killed mathematician Vincenzo Brunacci in 1818, the bladder of naturalist Lazzaro Spallanzani, who died of kidney cancer in 1799 as well as a plaster cast of Alessandro Volta's unusually large skull.
While there are wheel thrown vases, especially the swirl pieces, most of Rosemeade production was from plaster cast molds made from Laura's clay models. Pheasants in many variations were probably the most popular sale item. "By 1953, more than 500,000 Rosemeade pheasants in 19 different designs had been sold." (Dommel, Dakota Potteries) Some other of the many figures were Quail, various song birds, fish, coyotes, American bison, rabbits and others were produced in the form of salt and peppers, figurines of various sizes, cup sitters, pins, paper weights and used as figurines on ash trays.
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century. Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36Matthew 14:46 and Luke 8:43–44,Luke 8:43–44 there is no physical description of Jesus contained in any of the canonical Gospels. In the Acts of the Apostles, Jesus is said to have manifested as a "light from heaven" that temporarily blinded the Apostle Paul, but no specific form is given.
Gysi's geometrical concept underpinned bilateral occlusion schemes for both edentulous and dentate patients. Bizarrely, the theory was based on scratch- marks created using a simulated sharks' teeth model recorded on an opposing plaster cast. Gysi utilised a simulated shark's teeth model to illustrate bilateral occlusal schemes in both edentulous and dentate patients. From the above observation, 33° 'cuspal formed' teeth were introduced such that the cuspal inclination would be parallel with the condylar angle in the sagittal/horizontal plane when set-up mid-way between the condyle and incisors.
Spinning By Firelight, 1894 Although many artists refused to accept an African-American apprentice, in 1879 Tanner enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia, becoming the only black student. His decision to attend the school came at an exciting time in the history of artistic institutional training. Art academies had long relied on tired notions of study devoted almost entirely to plaster cast studies and anatomy lectures. This changed drastically with the addition of Thomas Eakins as "Professor of Drawing and Painting" to the Pennsylvania Academy.
The original French name was L'Aiëul (The Grandfather) and it was first made in plaster cast 1886 in Paris and exhibited at the Palais de l'Industrie that year. The basic idea was to show nature’s cycle containing the poles of young and old. It had its origin during Hasselberg’s long treatment at university hospital in Gothenburg in 1885, after which he learned that he had only a few more years to live. He knew, therefore, that the planned work might be his last one and thus his artistic testament.
The stimulus of Western art forms returned sculpture to the Japanese art scene and introduced the plaster cast, outdoor heroic sculpture, and the school of Paris concept of sculpture as an "art form". Such ideas adopted in Japan during the late 19th century, together with the return of state patronage, rejuvenated sculpture. During the Meiji and Taishō eras, Japanese sculpture progressed from the production of devotional objects, to decorative objects, and eventually to fine art. International exhibitions brought Japanese cast bronze to a new foreign audience, attracting strong praise.
David has stood on display at Florence's Galleria dell'Accademia since 1873. In addition to the full-sized replica occupying the spot of the original in front of the Palazzo Vecchio, a bronze version overlooks Florence from the Piazzale Michelangelo. The plaster cast of David at the Victoria and Albert Museum has a detachable plaster fig leaf which is displayed nearby. Legend claims that the fig leaf was created in response to Queen Victoria's shock upon first viewing the statue's nudity, and was hung on the figure prior to royal visits, using two strategically placed hooks.
A plaster cast of his bust of Tennyson (1893) is in the National Portrait Gallery. He met his future wife, Elizabeth Smith, while staying in Esher and they married in 1857 In 1860, they set up a home and him a studio at Fairholme, 79, High Street, Esher,Coordinates: where he eventually died. The building (later named "The Bunch of Grapes" and now "Grapes House") is extant, and carries a blue plaque, erected by the Esher Residents Association in 2010, in commemoration of Williamson. His younger brother John Henry Williamson (born ) was a silversmith.
The design enables the saw to cut rigid materials such as plaster or fiberglass while soft tissues such as skin move back and forth with the blade, dissipating the shear forces, preventing injury. A general technique in the use of cast saw often involves a demonstration before actually cutting the cast. Modern cast saws date back to the plaster cast cutting saw which was submitted for patent on April 2, 1945 by Homer H. Stryker, an orthopaedic surgeon from Kalamazoo, Michigan. Cast removal procedures result in complications in less than 1% of patients.
Another gallery exhibits the plaster cast made in 1949 of an unknown man's head and chest from the unsolved Tamam Shud case. Others activities include maintaining a photographic and documentary archive and database, a library, conducting an annual open day, and attending community events and re-enactments in support of local police activities. Historical research on police personnel and establishments is provided on a fee for service basis. The not-for-profit organisation is self- funded, mainly through conducting police museum tours and sales of books and memorabilia.
In September and October 1903, there were multiple instances of people claiming to have seen a winged, bat-like creature in and around Van Meter. The roughly nine-foot tall being, which has since been dubbed the "Van Meter Visitor", was reported to be able to shoot light from the horn situated on its forehead, and be unaffected by bullets. Clarence Dunn, one of the witnesses, had even made a plaster cast of three-toed footprints it left behind. It was sometimes accompanied by a smaller, similar being.
While serving in the Middle East, Wells received wounds which left him paralysed. He was repatriated to Heidelberg Military Hospital, then later Ballarat. Doctors told him that he would never walk again and that he would have to remain in bed for the next five years. Determined for this not to be the case, there is an account of his time in hospital when he broke out of his plaster cast in order to go over and restart a radio, for which he was fined for going against orders.
Lewis was inspired by the lives of abolitionists and Civil War heroes. Her subjects in 1863 and 1864 included some of the most famous abolitionists of her day: John Brown and Colonel Robert Gould Shaw. When she met Union Colonel Robert Gould Shaw, the commander of an African-American Civil War regiment from Massachusetts, she was inspired to create a bust of his likeness, which impressed the Shaw family, who purchased her homage. Lewis then made plaster cast reproductions of the bust; she sold one hundred at 15 dollars apiece.
After all, it would be ridiculous to sacrifice > one's public work for a few months of profit. It would be worse if the work > was a failure, but I am working that it may not be one. You or someone else > must speak to Lord Marks about it, however, as I am right now facing this > alone. By May 1898, Van Wouw had finished three of the five planned plaster-cast models: the one of the Kruger, standing 4.5 m (14 ft 9 in), and the two modern Boer sentinels, each 2.22 m (7 ft 3½ in) high.
Parts of the body of the rider and horse were found ten years earlier in a ditch filled with statues broken during the 480 BC Persian sack of Athens. The head was not associated with the rest of the statue until 1936. The statue is displayed with a plaster cast of the head at the Acropolis Museum while the head remains at the Louvre where it is displayed with a cast of the rest of the statue. The rider has many of the features typical of an Archaic kouros, but has several asymmetrical features that break with the period's conventions.
To complement this immobilizer they use tape, foam sponges, headrests, molds, and plaster cast. Also when the treatment is in the area of the head and neck is used a thermoplastic mask. This mask is exactly molded to your shape, to later secure it on some screws that the treatment table has, which helps to better mobilize the patient. When the entire treatment plan is ready, the patient will be assigned (it will depend on his type of cancer and the stage he is in) the days he will visit the clinic to perform the treatment and monitor him.
The main collection of inscriptions has been housed in the special hall to the northeast of the main building since 1958 as has a storeroom for the sculptures, a pottery room, and a restoration workshop. A collection of inscriptions is also displayed under the portico to the south of the main building of the Epidauras Archaeological Museum. The museum has a plaster cast statue of Asklepios, with a sacred snake curling up on his stick. It is a copy of the original statue unearthed in Epidaurus and which is exhibited in the National Archaeological Museum of Athens.
When the Church of Our Lady in Copenhagen was being rebuilt after being destroyed by fire in September 1807, during the bombardment of Copenhagen by the British navy, Thorvaldsen was commissioned to sculpt statues of Jesus and the apostles as well as some other furnishings and decorative elements. A plaster cast was supplied for the cathedral's consecration, with the finished statue replacing it in 1833. The statue is 345 centimeter high. The inscription at the base of the sculpture reads "Kommer til mig" ("Come to me") with a reference to the Bible verse: Matthew 11:28.
Cornerstone, 2007 . The general form of the pillar has been related to a type described by the French architect Eugène Viollet-le-Duc as a "bunch of sausages."Finlay, Ian, Scottish Crafts, Harrap (1948), p. 23, "On en voit un (pilier) composé de gros boudins en spirale dans l'église de Sainte-Croix de Provins," Viollet-le-Duc, Dictionnaire Raisonné de l’Architecture Française du XIe au XVIe siècle/Pilier A full-size plaster cast of the Apprentice Pillar and the adjacent bay of the chapel was made in 1871, and is in the Cast Courts of the Victoria and Albert Museum in London.
3D scanners are used to capture the 3D shape of a patient in orthotics and dentistry. It gradually supplants tedious plaster cast. CAD/CAM software are then used to design and manufacture the orthosis, prosthesis or dental implants. Many Chairside dental CAD/CAM systems and Dental Laboratory CAD/CAM systems use 3D Scanner technologies to capture the 3D surface of a dental preparation (either in vivo or in vitro), in order to produce a restoration digitally using CAD software and ultimately produce the final restoration using a CAM technology (such as a CNC milling machine, or 3D printer).
Lateral curvature of the spine in a scoliosis patient The Harrington Rod, or Harrington implant, is a device for the straightening of the spine inside the body, designed by Paul Harrington. The device consists of a stainless steel rod, attached to the spine at the top and bottom of the curve with hooks. Attached ratchets are then tightened to distract or straighten the spine. Following surgery to insert the rod, the patient wears a postoperative plaster cast or brace for a few months, until vertebral fusion has occurred, after which the cast or brace is removed.
The twin gates as well as the door behind share a combination of geometric and floral details that incorporate the starburst seen in the upper patterned walls. The three other sides of the tomb house semi-circular, bronze-clad windows that mimick the arch and door details of the front. A plaster cast of the door was exhibited at the 1900 Paris Exhibition where it won Sullivan an award. Henry joined his wife in the tomb shortly after he died in Paris, France, on March 31, 1919 (date per his obituary in the Chicago Daily Tribune, published April 2, 1919).
On October 24, 2014, a five-year-old girl born without fully formed fingers on her left hand became the first child in the UK to have a prosthetic hand made with 3D printing technology. Her hand was designed by US-based e-NABLE, an open source design organisation which uses a network of volunteers to design and make prosthetics mainly for children. The prosthetic hand was based on a plaster cast made by her parents.BBC News (October 2014). "Inverness girl Hayley Fraser gets 3D-printed hand", BBC News, 2014-10-01. Retrieved 2014-10-02.
The Comanche people gathered fossils in Comanche County, near Indiahoma to be used as medicine for sprains and bone fractures. The Comanche ground up the bone into a powder known as tsoapitsitsuhni, which translates to "ghost creature bone", and mixed it with water. This mixture could be made into a sort of plaster cast if the fossils used to make the powder contained sufficient gypsum or calcium sulphate content. The local geology consist largely of Permian-aged red beds, and Comanche County's eastern side contains Richards Spur, the best source of Permian fossils in the entire state.
Emancipation Hall contains two large skylights, which each measure by and allow for a view of the Capitol dome never before seen. The skylights allow a significant amount of natural light into the hall and are surrounded by pools of water and seating on the roof deck. The Hall displays the original 1857 plaster cast of the Statue of Freedom, the bronze statue that stands atop the Capitol dome. It was moved to the Hall from the basement rotunda of the Russell Senate Office Building, across Constitution Avenue from the Capitol, where it had stood since January, 1993.
Whiteread had previously exhibited her sculpture Ghost, a plaster cast of the four living room walls inside of an abandoned Victorian townhouse, at the Chisenhale Gallery in 1990. House was conceived as a similar work on a larger scale, encompassing not just a single room but an entire house. The work was commissioned by Artangel, and sponsored by Beck's Beer and Tarmac Structural Repairs. It was intended that the selected house would have been already scheduled for demolition and that the work would be temporary, but the structure had to be free-standing so it would be visible from all sides.
The herbal treatments Devil's claw and white willow may reduce the number of individuals reporting high levels of pain; however, for those taking pain relievers, this difference is not significant. Capsicum, in the form of either a gel or a plaster cast, has been found to reduce pain and increase function. Behavioral therapy may be useful for chronic pain. There are several types available, including operant conditioning, which uses reinforcement to reduce undesirable behaviors and increase desirable behaviors; cognitive behavioral therapy, which helps people identify and correct negative thinking and behavior; and respondent conditioning, which can modify an individual's physiological response to pain.
On January 28, 1972, Trapnell, using a .45 caliber pistol he had smuggled aboard inside a plaster cast on his arm, hijacked TWA Flight #2 on a flight from Los Angeles to New York while over Chicago. Trapnell demanded $306,800 in cash (to recoup the loss of a recent court case), the release of Angela Davis (as well as that of a friend of his who was also imprisoned), and a formal pardon from President Richard Nixon. The FBI was able to retake the aircraft during a crew switch at Kennedy Airport; Trapnell was shot and wounded, no one else was hurt.
563 An array of mementos commemorating her extended family, friends and servants were laid in the coffin with her, at her request, by her doctor and dressers. One of Albert's dressing gowns was placed by her side, with a plaster cast of his hand, while a lock of John Brown's hair, along with a picture of him, was placed in her left hand concealed from the view of the family by a carefully positioned bunch of flowers.Hibbert, p. 498 Items of jewellery placed on Victoria included the wedding ring of John Brown's mother, given to her by Brown in 1883.
George B. Snow is credited as the inventor of face-bow. In his version of face-bow, he positioned the plaster cast in the articulator in respect to distance of median incisal point from the condyles and all the other points on the occlusal plane. Snow attempted to give the occlusal plane an individual position also in this third dimension : and in order to achieve this he set about as follows. He fixed his bite-fork in the upper occlusion rim in such away that the handle, when the rim was placed in the patient's mouth.
The plaster cast was used to make a squeeze of plastocene or clay. This disfigured bust was used as the foundation of all prosthetic restorative work, with the sculptor working to replace the missing components of the face with the shapes from the opposing side. The mask itself was made from a thin copper sheet – galvanized copper to facilitate painting after forming. Painting a realistic portrait onto the copper mask was as challenging as the sculpting: each was finished while the patient wore it, in order to most accurately match the tone of the flesh with the enamels.
Floyd's probable facial appearance based on a plaster cast of his skull is on display at the Sergeant Floyd Riverboat Museum in Sioux City. After Floyd's expedition journal was published in 1894, new interest was taken in him and his remains were buried again on August 20, 1895, the anniversary of his death. Sioux City residents Thomas J. Stone, John H. Charles, George D. Perkins, C. R. Marks, and G. W. Wakefield established the Floyd Association to erect a monument. It took five years to raise $20,000 and development began in May 1900 with the pouring of a concrete base.
Side view of a skull and neck A Tarbosaurus skull found in 1948 by Soviet and Mongolian scientists (PIN 553-1, originally called Gorgosaurus lancinator) included the skull cavity that held the brain. Making a plaster cast, called an endocast, of the inside of this cavity allowed Maleev to make preliminary observations about the shape of a Tarbosaurus brain. A newer polyurethane rubber cast allowed a more detailed study of Tarbosaurus brain structure and function. The endocranial structure of Tarbosaurus was similar to that of Tyrannosaurus, differing only in the positions of some cranial nerve roots, including the trigeminal and accessory nerves.
New Communist authorities took down the royal coat of arms immediately after taking over after World War II. The stone lions and the cartouche, the decorative round shield around them, were removed later and disappeared after a while. The late 2010s plans for the reconstruction include the restoration of the coat of arms, but none of the other destroyed or removed parts of the building. The coat of arms composition on the tympanum (fronton) was long and tall. It was reconstructed in 2019 and made of metal core covered with clay, which is used to make the plaster cast.
Casts of this model are found in both the collection of the Academy and the State Collection, now the Danish National Gallery. Saly also sculpted around this same time a life-size bust of the king, of which seven bronze casts were created, and a sculpture of Moltke, the head of the Asiatic Company, of which three bronze casts were created. Saly, after having set up an appropriate studio, carried out the work on the large model of the equestrian statue 1761-1763, and the plaster cast was presented to the Academy members on 3 February 1764. The king also saw this model.
Berthoud, 61–2 In 1924, Moore won a six-month travelling scholarship which he spent in Northern Italy studying the great works of Michelangelo, Giotto di Bondone, Giovanni Pisano and several other Old Masters. During this period he also visited Paris, took advantage of the timed-sketching classes at the Académie Colarossi, and viewed, in the Trocadero, a plaster cast of a Toltec-Maya sculptural form, the Chac Mool, which he had previously seen in book illustrations. The reclining figure was to have a profound effect upon Moore's work, becoming the primary motif of his sculpture.
598 She was dressed in a white dress and her wedding veil.Longford, p. 563 An array of mementos commemorating her extended family, friends and servants were laid in the coffin with her, at her request, by her doctor and dressers. A dressing gown that had belonged to her husband Albert who had died 40 years earlier, was placed by her side, along with a plaster cast of his hand, while a lock of John Brown's hair, along with a picture of him, was placed in her left hand concealed from the view of the family by a carefully positioned bunch of flowers.
During some student demonstrations, Dong-hee is injured and So-eun goes to visit him tearfully, and signs her name on the plaster cast on his arm. She also visits Sun-mi who is at the same hospital. That night, she talks to Ji-in about signing her name on Dong-hee, and how that gave her the feeling that he belongs to her. Ji-in suddenly mentions that his parents went to Silla University at the same time as her, and that she might know them, and reveals their names as Sun-mi and Dong-hee.
With help from friend and sculptor Frederick Ruckstull, Remington constructed his first armature and clay model, a "broncho buster" on a horse that was rearing on its hind legs—technically a very challenging subject. After several months, the novice sculptor overcame the difficulties and had a plaster cast made, then bronze copies, which were sold at Tiffany's. Remington was ecstatic about his new line of work, and though critical response was mixed, some labelling it negatively as "illustrated sculpture", it was a successful first effort earning him $6,000 over three years.Peggy & Harold Samuels, 1982, p. 229.
She took up sculpting after an accidental fall down the stairs at the Peabody abruptly ended her teaching career and she was confined to her bed.gallery biographical listing ("Information courtesy of MD Commission on Artistic Property, MD State Archives and the Peabody Institute of Johns Hopkins University." Her sculptures, often depicting dancers in motion, were created in bronze, plaster, and ceramics, in a broadly Art Deco style. Colburn's plaster cast of the hands of the Swiss-born American artist Adolfo Müller-Ury (1862–1947) now belongs to the Preservation Society of Newport County in Rhode Island.
125 Caracciola later recounted what happened after the impact: Caracciola was carried on a chair to the local tobacco shop, and from there he went to the hospital. He had sustained multiple fractures of his right thigh, and his doctors doubted he would race again. He transferred to a private clinic in Bologna, where his injured leg remained in a plaster cast for six months.Caracciola (1958), p. 67 Caracciola defied the predictions of his doctors and healed faster than expected, and in the winter Charlotte took her husband back to Arosa, where the altitude and fresh air would aid his recovery.
The idea became more definitive after he had seen an old man sitting with a naked sleeping boy on his knees on a boulevard in Paris. When it was finished his artist friends were enthusiastic about it, but the exhibition in Paris was no success. The original copies in plaster cast by Hasselberg are lost, but a copy in bronze was placed near the National Library of Sweden in Stockholm 1896 and a copy in marble also from 1896 is today in the Gothenburg Museum of Art. Grodan in Rottneros Park near Sunne in Värmland, cast in bronze 1957.
In December 2017, Abbott announced three "excellent" hairs "at the right development stage for extracting DNA" had been found on the plaster cast of the corpse, and had been submitted for analysis to the Australian Centre for Ancient DNA at the University of Adelaide. Processing the results could reportedly take up to a year. In February 2018, the University of Adelaide team obtained a high definition analysis of the mitochondrial DNA from the hair sample from Somerton Man. They found that he and his mother belonged to haplogroup H4a1a1a, which is possessed by only 1% of Europeans.
The final, Argentina vs Netherlands, was also controversial, as the Dutch accused the Argentines of using stalling tactics to delay the match. The host team came out late and questioned the legality of a plaster cast on René van de Kerkhof's wrist, which the Dutch claimed allowed tension to build in front of a hostile Buenos Aires crowd. Mario Kempes opened the scoring for the hosts before Dick Nanninga equalized a few minutes from the end. Rob Rensenbrink had a glorious stoppage-time opportunity to win it for the Netherlands but his effort came back off the goal post.
Assessment of the tooth size – arch length relationship in the mixed dentition determines the presence or absence of any future or existing discrepancy, whether it is crowding or spacing. It involves the prediction of tooth size of the unerupted permanent canines and premolars. A caliper or a fine line divider is used to measure the combined width of teeth in each segment using study models. The circumferential measurement is made on the plaster cast from mesial aspect of first molar on one side to the mesial aspect of the first molar on the opposite side, and this measurement is recorded.
Lockhart, an executive at a financial services firm in New York City, is sent by the board of directors to retrieve CEO Roland Pembroke, who had abruptly decided to stay at a "wellness center" in the Swiss Alps. At the spa, Lockhart is met with resistance by the staff and Dr. Heinreich Volmer in attempting to speak with Pembroke. Lockhart leaves, but is involved in a car accident and awakens at the center – supposedly three days later – with his leg in a plaster cast. In spite of the horrendous accident, both he and the driver suffer only minor injuries.
She built a camera into an ink brush, thus showing the process of writing of the answers from above and from the perspective of the camera, and eliminating the perspective of the artist. In the white installation space the form of the dress gradually became visible as the black text spiraled outward. In 2003 Whiteness in DecayUnion-Tribune „Reaching into past for inspiration“, Robert L. Pincus, San Diego, USA, 29.05 at the San Diego Museum of Art, she asked: What feeds your soul? More than 3000 responses were projected on a canvas behind her plaster cast.
The Statue of Margaret Cruickshank is located in Seddon Square, in the small rural town of Waimate, New Zealand. It honours the life of Margaret Cruickshank, a local doctor who died in the influenza pandemic of 1918, and was the first monument erected in New Zealand to a woman other than Queen Victoria. The residents of Waimate approached sculptor William Trethewey, who had worked on a number of war memorials in Christchurch, to design the memorial statue. Trethewey worked from photographs and created a plaster cast which was displayed in a shop window in the town to enable locals to comment on it.
Although Guernsey FC came back from 3–0 down to win 4–3 in extra time, the thoughts of manager Vance were with his injured player: "It's a nasty break unfortunately, I feel devastated for the lad, he's such a cracking guy and so pivotal to us." Black opted to have a metal rod inserted into his leg, in preference to a plaster cast. He intended to come back stronger than ever but was particularly disappointed to be missing the Zico charity match. Luckily, he played the next year and scored as his team lost 7–3.
In 1946 Peggy brought Ian back to England and they stayed with her sister, Mary, a doctor in Cranham, a small village in Essex. Although he saw his father on visits, they never lived together again.Balls, Richard (2000), pp. 16–24 At the age of seven, Dury contracted polio, most likely, he believed, from a swimming pool at Southend-on-Sea during the 1949 polio epidemic. After six weeks in a full plaster cast in the Royal Cornwall Infirmary, Truro, he was moved to Black Notley Hospital, Braintree, Essex, where he spent a year and a half before going to Chailey Heritage Craft School, East Sussex, in 1951.
Poorly conducted manipulations will further complicate the clubfoot deformity. The non-operative treatment will succeed better if it is started a few days or weeks after birth and if the podiatrist understands the nature of the deformity and possesses manipulative skill and expertise in plaster-cast applications. The Ponseti's technique is painless, fast, cost-effective and successful in almost 100% of all congenital clubfoot cases. The Ponseti method is endorsed and supported by World Health Organization National Institutes of Health, American Academy of Orthopedic Surgeons, Pediatric Orthopedic Society of North America, European Pediatric Orthopedic Society, CURE International, STEPS Charity UK, STEPS Charity South Africa, and A Leg to Stand On (India).
He published this in 1933. In 1947 and 1949, two neurosurgeons working at Temple University in Philadelphia, Ernest A. Spiegel (who had fled Austria when the Nazis took over) and Henry T. Wycis, published their work on a device similar to the Horsley–Clarke apparatus in using a cartesian system; it was attached to the patient's head with a plaster cast instead of screws. Their device was the first to be used for brain surgery; they used it for psychosurgery. They also created the first atlas of the human brain, and used intracranial reference points, generated by using medical images acquired with contrast agents.
In the first match against the Nepalese Deepak Bista his right hand was fractured during the fight however he did not indicate his injury throughout the entire competition despite enormous pain until he won the final against the Italian Mauro Sarmiento. Immediately after winning the Gold medal his hand was in plaster cast. Previously he wanted to say farewell after winning in the final, but his coach Reza Mehmandoust has advised him not to do it. By winning his gold medal, Saei ensured that Iran was leaving Beijing with a better result than their poor showing at the 1948 Summer Olympics in London, where they received only one bronze medal.
Statue of Freedom's plaster model cast now resides in the Capitol Visitor Center On March 25, 1992, U. S. Senator Daniel Akaka (D - Hawaii), eulogized Simeona in the Congressional Record.Daniel Akaka He noted she had learned that the original plaster cast of the cast-iron Statue of Freedom, which stands on the top of the dome of the United States Capitol, was being kept in storage. She raised $25,000 to refurbish and restore it, and as a result it was moved and placed on display in the Russell Senate Office Building (now in the Capitol Visitor Center) where, Akaka said, it would serve as a remembrance of Simeona.
He then asked Mrs. Rogers to send him some of Rogers worn clothes, which “still contained his personality,” which she did, and they were modeled on the nude clay. When he had completed the life-sized clay model, he made a plaster cast and sent it to the Valsuani foundry in Paris, where two casts were made, one for the National Statuary Hall Collection and the other for the Will Rogers Memorial, then recently opened in Claremore, Oklahoma, near Rogers birthplace. When that statue was unveiled, president Franklin Delano Roosevelt broadcast a message live on coast-to-coast radio from his home in Hyde Park.
On 27 October 1947, a batch of troops of the Indian Army was deployed in response to the invasion by Pakistan on 22 October into the Kashmir Valley. On 31 October, D Company of 4th Battalion of Kumaon Regiment, under the command of Sharma, was airlifted to Srinagar. During this time, his left hand was in a plaster cast as a result of injuries sustained previously on the hockey field, but he insisted on being with his company in combat and was subsequently given permission to go. On 3 November, a batch of three companies was deployed to the Badgam area on patrol duties.
Plaster belly cast of pregnant torso Applying plaster for a belly cast A belly cast is a three-dimensional plaster sculpture of a woman's pregnant abdomen as a keepsake of her pregnancy. It can also be known as a belly mask, pregnancy belly cast, a pregnant plaster cast, or prenatal cast. Belly casts are most often made toward the end of the third trimester of pregnancy, though a series of casts may also be made during the pregnancy. They are made by preparing the skin with a coating of Vaseline or a similar lubricant and adding strips of wet plaster gauze over the abdomen to make the cast.
Barnard included the plaster cast of Pan in his first one- man exhibition, held in November 1898 under the glass roof of the Logerot Hotel winter garden, at Fifth Avenue and 18th Street in New York City. The bronze Pan was loaned for a year to the Metropolitan Museum of Art, beginning in spring 1899. The Great God Pan at the Exposition Universelle (1900), Paris (bottom left) Barnard exhibited Pan and Struggle of the Two Natures in Man at the Exposition Universelle in Paris from April to November 1900. The bronze Pan was installed outdoors along the Champs-Élysées, and the marble Two Natures inside the Petit Palais des Beaux-Arts.
He first exhibited in the Paris Salon of 1833, his work including a reproduction in marble of his Death of Hyacinthus, and the plaster cast of his Cain and His Race Cursed By God. Adolphe Thiers, who was at this time minister of public works, now commissioned him to execute the two groups of Peace and War, flanking the arch on the east facade of the Arc de Triomphe. This last, which established his reputation, he reproduced in marble in the Paris Salon of 1839. The French capital contains numerous examples of the sculptural works of Étex, which included mythological and religious subjects besides a great number of portraits.
A pointing 'machine' and its crosswood The pointing needle and stop Copying a plaster cast of a bust in red sandstone. Workshop of the Strasbourg cathedral router carving a sculpture from a block of marble 15th Century measuring device with plumb-bobs A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone. In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened.
Yet another distinction was a commissioned oil painting which now hangs in the National Gallery, Lisbon. A bust of Newman by his friend Dr. Alfonso Jaume, made in 1966 shortly after his death, now stands at the entrance to the Festival cloisters in Majorca. There is also a plaster cast of his hand together with a death mask on exhibition at the Festival entrance and a street near by has been named after him. Newman's last concert took place on 4 September 1966 at the festival and the last piece of music he ever played was at the request of a journalist the same evening.
At the end of each stack is a fine limewood carving by Grinling Gibbons, and above these are plaster cast busts of notable writers through the ages. Other marble busts standing on plinths depict notable members of the college and are mostly carved by Louis-François Roubiliac. A later addition is a full size statue of Lord Byron carved by Bertel Thorvaldsen, originally offered to Westminster Abbey for inclusion in Poets' Corner, but refused due to the poet's reputation for immorality.The Making of the Wren Library: Trinity College, Cambridge On the east balustrade of the library's roof are four statues by Gabriel Cibber representing Divinity, Law, Physic (medicine), and Mathematics.
Montgomery Cunningham ("Monty") Meigs was the youngest of three sons of Commander John Forsyth Meigs of the United States Navy (March 2, 1890 – January 3, 1963) and Elisabeth Hubbard Meigs (1894–1991). He was born in Weston, Massachusetts, and due to his father's naval posting, he attended 8 different schools, graduating from the Brent School in Baguio, Philippines, and attended the United States Military Academy at West Point, New York, graduating 44th in his class in 1940. During the latter part of his school career he was handicapped by a painful back injury which kept him in a plaster cast for six months and in an iron brace for a year.
The pre-Reformation font stands by the front door. Inside the church is a plaster cast of the Bullion Stone, a Pictish stone found in 1933. With its sculpture of a horseman drinking from a curved horn and riding a weary horse uphill, this may have marked the grave of a Norseman of some distinction buried on the site of a Roman camp called Cater Milly, the old name of Bullion Farm to the south-east of Liff near Invergowrie. The Liff Church bell bears this inscription round the shoulder: IAN BVRGER HVIS HEEFT MY GEGOTEN ’96, i.e. 'Jan Burgerhuis has cast me, [15]96'.
Lenin's Plan of "Monumental Propaganda" – is a strategy proposed by Vladimir Lenin of employing visual monumental art (revolutionary slogans and monumental sculpture) as an important means for propagating revolutionary and communist ideas. "The plan" had the significance of creating a large demand for monumental sculpture on a state level, and thus it stands at the origins of the Soviet school of sculpture. The "plan" consisted of two main projects: (1) – decorating buildings and other surfaces "traditionally used for banners and posters" with revolutionary slogans and memorial relief plaques; (2) – vast erection of "temporary, plaster-cast" monuments in honor of great revolutionary leaders.Lunacharskiy, A. "Lenin i iskusstvo" (Lenin and the Arts).
Plaster cast of a portrait sculpture of Enrico Scrovegni, by Marco Romano, 1317–1320, in the sacristy of the Scrovegni Chapel, Padua Enrico Scrovegni was a Paduan money-lender who lived around the time of Giotto and Dante. He was the son of Reginaldo degli Scrovegni and Capellina Malacapelli, and was married twice, first to a member of the Carrara family, then to Jacopina (Giacomina) d'Este, daughter of Francesco d'Este, Marquis of Ferrara. He may have been a member of the Cavalieri Gaudenti. Enrico is most famous as the patron of Giotto, commissioning the great painter to paint the famous Scrovegni Chapel, c.1303-5, which he also commissioned.
The House of Enlightenment, Denis Diderot or La Maison des Lumières Denis Diderot (MLDD) is a museum dedicated to Denis Diderot, the French philosopher, writer, and art critic, as well as his work, the Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers. It is housed in the Hotel du Breuil de Saint Germain, located in Langres (Champagne-Ardenne region of France), built in the sixteenth century and rebuilt in the eighteenth century. The museum was designed by Atelier à KikoThe Atelier à Kiko and the garden by landscape architect Louis Benech.The landscape architect Luis Bénech Plaster cast bust of Denis Diderot by Jean-Antoine Houdon, Paris 1780.
Arambourg let a plaster cast be made and then sent the fossil back to the phosphate mine; this last aspect was later forgotten and the bone was assumed lost. In 1975 Douglas A. Lawson, studying the related Quetzalcoatlus, concluded the bone was not a metacarpal but a cervical vertebra. Size of Arambourgiania (far right) compared to a human, Tyrannosaurus, and Balaur In the eighties, Russian paleontologist Lev Nesov was informed by an entomologist that the name Titanopteryx had already been given by Günther Enderlein to a fly from the Simulidae family in 1935. Therefore, in 1989 he renamed the genus into Arambourgiania, honoring Arambourg.
When she was shown the plaster cast bust of the dead man by Detective Sergeant Leane, Thomson said she could not identify the person depicted.Lewes, J. (1978) "30-Year-Old Death Riddle Probed In New Series", TV Times, 19–25 August 1978. According to Leane, he described her reaction upon seeing the cast as "completely taken aback, to the point of giving the appearance that she was about to faint". In an interview many years later, Paul Lawson – the technician who made the cast and was present when Thomson viewed it – noted that after looking at the bust she immediately looked away and would not look at it again.
It was > not human. I often yelled at him: “You’re not a man if you do not finish me! > ” And he answered with a sneer: “Not yet, not yet!” During these three > months, I had one goal: to kill myself, but the worst suffering, is to want > at all costs to erase oneself and to not find the means." Ighilahriz stated about Captain Jean Graziani: "Mais l’essentiel de ses tortures ne s’exerçaient pas à mains nues. Il était toujours armé d’ustensiles pour s’acharner contre mon plâtre” ("But he did not carry out most of his torture with his bare hands. He was always armed with implements to attack my plaster cast").
Years later, when asked about how he felt abandoning in the yellow jersey he replied: "Of course I felt bad about that but I believe that there are bigger things than a technical result, even one as important as winning the Tour de France." Magni at the 1956 Giro d'Italia In the 1956 Giro d’Italia, stage 12, Fiorenzo Magni famously broke his left clavicle and still managed to finish second overall. At the hospital he refused a plaster cast and refused to abandon the Giro in the year of his announced retirement. Magni continued the race with his shoulder wrapped in an elastic bandage.
Schlereth during the process of making a plaster cast of his head In 2011, Schlereth was selected to take part in the "Faces of Valor" Project of the Fort Campbell Historical Society.LTC John O’Brien, USA (Ret.), Fort Campbell Post Historian Army soldiers who had been awarded the Bronze Star with Valor were chosen to have their likeness recreated in one of the many exhibits to be featured in the upcoming Wings of Liberty Museum. Casts were made of his hands and head and incorporated into a wax figure on display as one of seven tableau depicting the rich history of the 101st Airborne Division.
Severe mistakes in brace construction are largely ruled out with the help of these systems. This technology also eliminates the need to make a plaster cast for brace construction. The measurements can be taken in any place and are simple (and not comparable to plastering). Available CAD/CAM braces include the Regnier-Chêneau brace, the Rigo-System-Chêneau-brace (RSC brace), the Silicon Valley Brace, and the Gensingen brace; braces can and should be customized to fit the individual's curve pattern and reduce the curve as much as possible as immediate in-brace correction has been shown to be associated with better treatment outcomes.
He added that "care was taken, as nearly as could be, not to add to or diminish what the work consisted of, and appear'd to have been when first erected: And really, except changing the substance of the Architraves from alabaster to Marble; nothing has been chang'd, nothing alter'd, except supplying with original material, (sav'd for that purpose,) whatsoever was by accident broken off; reviving the Old Colouring, and renewing the Gilding that was lost". John Hall, the limner from Bristol hired to do the restoration, painted a picture of the monument on pasteboard before 1748.Spielmann 24; Fox 15, 145–46. Greene also had a plaster cast of the head made before the restoration began.
Acheson's initial design were tricky Elinor Hallé CBE was also involved in the invention During the First World War she volunteered with the Surgical Requisites Association. The association supplied medical dressings and had been created by Queen Mary's Needlework Guild. Acheson and Elinor Hallé were both sculptors and they witnessed soldiers returning from the front with broken limbs held together with only wooden splints and basic bandages, Acheson suggested taking a plaster cast of the limb and when the cast had hardened, wrapping papier-mache over it, and placing it over the broken limb to support it whilst healing. This was inspired by the plaster of Paris she used in her sculptural work.
She had apparently hoped during the visit to resolve the issue of the façade commission for the Art Gallery of New South Wales. In September 1920 she told the Sydney Sunday Times that the trustees were "waiting until bronze is cheaper to have it cast". The delay was inconvenient, she said, because she had been storing the plaster cast, 8 x 2 yards, in her studio in Rome for the last three years. She considered staying in Australia—in June 1919 she had told Gother Mann that "the coming winter will be my last [in Rome]"—but having failed to reach the priorities she had set for herself, she returned to Rome,; for the quote to Mann, .
Plaster cast (Cichorius 108) of panel on Trajan's Column. The head of the defeated Dacian king Decebalus (left background) is displayed on a shield to Roman troops (AD 106). The head was then taken to Rome to form the central exhibit in the emperor Trajan's official Triumph Tiberius Claudius Maximus (died after AD 117) was a cavalryman in the Imperial Roman army who served in the Roman legions and Auxilia under the emperors Domitian and Trajan in the period AD 85–117. He is noted for presenting Trajan with the head of Dacian king Decebalus, who had committed suicide after being surrounded by Roman cavalry at the end of Dacian Wars (AD 106).
William Linnell's drawing of SmuggleriusSmugglerius is an écorché sculpture of a man posed in imitation of the ancient Roman sculpture known as the Dying Gaul. The original bronze cast was made in 1776 by Agostino Carlini for William Hunter, first Professor of Anatomy at the Royal Academy Schools, from the body of a muscular criminal, flayed after he was hanged at Tyburn. The criminal was thought to be a smuggler, and so the cast of his body was given the mocking cod Latin name "Smugglerius". The original bronze cast has been lost, but plaster cast copies made by William Pink in 1854 survive at the Royal Academy Schools in London and at Edinburgh College of Art.
Statue of Harmodius and Aristogeiton, Naples. These are Roman copies of the Athenian originals, now lost Historical plaster cast by Adolf Michaelis (Gypsothèque de Strasbourg) A sculptural pairing of the tyrannicides Harmodius and Aristogeiton () was well known in the ancient world in two major versions but survives only in Roman marble copies. The lovers Harmodius and Aristogeiton were Athenian heroes whose act of daring in 514 BC opened the way for Athenian democracy. A first version that was commissioned from the sculptor Antenor after the establishment of Athenian democracy and erected in the Agora was stolen by the Persians when they occupied Athens in 480 during the Persian Wars and removed to Susa.
Tranmere didn't offer him a contract, which forced Paul to leave the Club in order to find full-time, paid employment away from football. Paul continued to play football though, and after securing a full-time job as a labourer, he began to play for another local amateur team, Port Sunlight. Aged 18, he broke his leg in a cup semi-final while playing for Cheshire in Tiverton. After 6 weeks in a plaster cast and 6 months out of football, convinced that a career as a Professional footballer was now over, Paul made the decision to follow his eldest brother to the Netherlands where labouring jobs seemed plentiful at the time.
His family privately offered Pan to the city in November 1896, to be the centerpiece of a fountain in Central Park: > The "Pan," which was sketched in Paris, but executed in this country, the > plaster cast forming part of the exhibit at Logerot Gardens, was ordered by > Mr. Clark for the court of the Dakota flats; but convinced that this superb > work of art should belong to the public, he directed his heirs to present it > to the city, on the condition that it be placed in Central Park, the Clark > estate paying all expenses of casting and erection.Laura Carroll Dennis, "A > Great American Sculptor", The American Monthly Review of Reviews, vol. 19, > no. 1 (January 1899), p. 51.
The statue was discovered in 1792 by Gavin Hamilton on the property of the Prince Borghese at Gabii, not far from RomeHaskell & Penny, p.218. It was immediately added to the prince's collections. In 1807, suffering from financial difficulties, the Prince was forced to sell the statue to Napoleon and it was on display in the Louvre from 1820. The statue became very popular in the 19th century; a plaster cast was placed in the Athenaeum Club, London, a marble copy was among the copies of ancient statues produced to decorate the Louvre's central court, and a cast iron replica decorated a fountain in the village of Grancey-le- Château-Neuvelle in the Côte-d'Or.
She moved on to a one-third scale model, Garden Sculpture (Model for Meridian) (BH 246), high, made using an armature of expanded aluminium covered with plaster, cast in an edition of 6 by Morris Singer in 1960. Finally, from 1958, she constructed a full-size armature in wood at Lanham's Sale Rooms near her Trewyn Studio in St Ives, Cornwall, which was covered with plaster by early 1959. A unique example was cast in bronze in several pieces and then assembled at the Susse Frères foundry in Paris later in 1959, and erected in London in 1960, standing in front of a curved guarding wall of Cornish granite beside the main entrance to State House.
Plaster cast of the Medici Madonna in the Pushkin Museum, Moscow The Medici Madonna is a marble sculpture carved by Italian Renaissance master Michelangelo Buonarroti that measures about 88.98 inches (226 cm) in height. Dating from 1521–1534 the sculpture is a piece of the altar decoration of the Sagrestia Nuova in the Basilica of San Lorenzo, Florence. The work, according to Michelangelo's letters and other documents, was one of the first works begun for the decoration of the Sagrestia Vecchia (Old Sacristy), as early as 1521. In 1526 it was still incomplete and in 1534, when Michelangelo moved to Rome, it was left in the current unfinished state and moved to the current location by Niccolò Tribolo.
Busts of Sir Randolph Crewe and Nathaniel Crew The long gallery, along the north side, has a chimneypiece in coloured marbles with busts by Henry Weekes depicting Sir Randolph Crewe and Nathaniel Crew, 3rd Baron Crew, Bishop of Durham. The library, above the carved parlour, contains statuettes of book lovers by Philip and a frieze of scenes from literature by J. Mabey. The drawing room has a facsimile of the Jacobean ceiling, which had been recorded by architect William Burn. Identical in pattern to one at the Reindeer Inn in Banbury, of which the Victoria and Albert Museum has a plaster cast, it was presumably originally the work of the same craftsman.
V&A; image of their plaster cast On 6 June 1371, payment was made to Peter Maceon of Nottingham, of the balance of 300 marks for a table (altar piece) of alabaster made by him and placed upon the High Altar within the free Chapel of Saint George of Windsor. The execution of this order cost £200 and required 10 carts, 80 horses, and 20 men to transport it to its destination. The journey occupied seventeen days in the autumn of 1367, and the expenses of transport amounted to £30. The church at Tong, Shropshire contains an especially fine sequence of tombs of the Vernon family spanning the 15th and 16th centuries.
She revisited the theme of the bed in 2002, with the mixed media installation, To Meet My Past (2002), another installation with a four poster bed with embroidered text such as Weird Sex and To Meet My Past hanging down alongside the mattress. She incorporated stones and rocks which had been thrown through her window in a mixed media piece in her 2005 show. The work consists of a monoprint of herself sitting on a chair with the stones lined up below the drawing in a vitrine. The Leg (2004) included a plaster cast inside a vitrine, kept by the artist after she broke her leg, exhibited alongside a C-print photograph of the artist wearing the cast.
As she flailed about with her legs, she repeatedly knocked the heavy plaster cast against her own elbow until the elbow, too, was smashed to bits. The vet who treated her said that her elbow was shattered and looked like a piece of ice after being smashed on the ground. The cast slipped, and as it became dislodged it ripped open her foreleg all over again, undoing the surgery. The medical team, knowing that Ruffian would probably not survive more extensive surgery for the repair of her leg and elbow (much less the long period of stall rest required after surgery), euthanized her shortly afterward at 2:25 am on July 7.
Bust of Isocrates; plaster cast in the Pushkin Museum of the bust formerly at Villa Albani, Rome Meanwhile, Onomarchus returned to Thessaly to try and preserve the Phocian ascendancy there, with approximately the same force as during the previous year. Furthermore, the Athenians dispatched Chares to help their Phocian allies, seeing the opportunity to strike a decisive blow against Philip. Subsequent events are unclear, but a battle was fought between the Macedonians and the Phocians, probably as Philip tried to prevent the Phocians uniting forces with the Pheraeans, and crucially, before the Athenians had arrived. According to Diodorus, the two armies met on a large plain near the sea (the 'crocus field'), probably in the vicinity of Pagasae.
MPC's most elaborate effect was the digital recreation of the original Terminator, which required 12 months for 35 shots (completed 30 minutes before the final print was submitted to the studio). Performance capture was used only for facial animation, since Schwarzenegger was scanned reading his lines. The studio's artists studied archive footage of the actor, focusing mainly on The Terminator and Pumping Iron, and were given a 1984 plaster cast of him. On set, the fight between both Terminators had Schwarzenegger and Brett Azar (a bodybuilder chosen for his resemblance to the actor in 1984) and, in more dangerous scenes, Azar and a stunt double—requiring effects artists to replace the face of Pops.
The Grave Creek Stone and a plaster cast of the stone in the collection of the Smithsonian Museum of Natural History. The Grave Creek Stone is a small sandstone disk inscribed on one side with some twenty-five characters, purportedly discovered in 1838 at Grave Creek Mound in Moundsville, West Virginia. If genuine, it could provide evidence of a primitive alphabet, but the discovery that the characters can be found in a 1752 book suggests that it is probably a fraud. The only known image of the actual stone is a photograph of items in the E.H. Davis collection (circa 1878) before the majority of the collection was sold to the Blackmore Museum (now part of the British Museum).
Before being named Secession, the band played at least one concert as the Gift, during which Jim Ross performed with one arm in a full plaster cast following an accident. After a performance at Buster Brown's nightclub in Edinburgh, the band were introduced to Hamish Brown, a local entrepreneur, who offered to manage them. This was followed by the addition of a fifth member, Alistair MacLeod (percussion and vocals), a friend of the original members who had provided the photograph for the sleeve of the band's independently released debut single "Betrayal". Shortly after recording demo material at Palladium Studios in Edinburgh, Jack Ross, disillusioned with the direction the music was taking, left the band.
Nevelson was very close to her mother, who suffered from depression, a condition believed to be brought on by the family's migration from Russia and their minority status as a Jewish family living in Maine. Minna overly compensated for this, dressing herself and the children up in clothing "regarded as sophisticated in the Old Country". Her mother wore flamboyant outfits with heavy make-up; Nevelson described her mother's "dressing up" as "art, her pride, and her job", also describing her as someone who should have lived "in a palace". Nevelson's first experience of art was at the age of nine at the Rockland Public Library, where she saw a plaster cast of Joan of Arc.
Grodan (French La Grenouille, English The Frog) was made in plaster cast for the Exposition Universelle (1889) in Paris and exhibited there. Between the knees of the girl there is a frog. Hasselberg reported that the concept of this piece had spontaneously come up when a model in his studio during a break sat on the floor in this position to rest. The French word grenouille does not only mean frog but in slang also street girl. It is unknown if Hasselberg was aware of this second meaning, but it was commented that by this statue he possibly wanted to express his time’s view of a tension between the noble and the less noble sides of youth.
Hence it was known as the 'Dying' or 'Wounded Gladiator', 'Roman Gladiator', and 'Murmillo Dying'. It has also been called the 'Dying Trumpeter' because one of the scattered objects lying beside the figure is a horn. The artistic quality and expressive pathos of the statue aroused great admiration among the educated classes in the 17th and 18th centuries and was a "must-see" sight on the Grand Tour of Europe undertaken by young men of the day. Byron was one such visitor, commemorating the statue in his poem Childe Harold's Pilgrimage: It was widely copied, with kings,A plaster cast was made for the King of Spain in 1650, and a marble copy by Michel Monnier for Louis XIV remains at Versailles (Haskell and Penny 1981:22).
The Wuorinen apartment building is a 5-storey (plus attic storey) neo-Renaissance style building taking up an entire city block, with heavily rusticated ground floor (containing shops) and heavy roof cornice; the finesse of the facades is supposedly picked out in the exposed brickwork on the upper floors and plaster-cast emblems of various forms, in particular the letter W, referring to the client of the project. By contrast, the Schalin apartment building at Kapteeninkatu 11 – Tehtaankatu 9, Helsinki (1902), is a 5-storey (plus attic storey) Jugendstil or Art Nouveau work, in unpainted rough render decorated with patterns depicting seaweed made from granite insets. The corner dome has echoes of medieval castle towers. The façade also includes seemingly randomly placed decorative balconies.
The story is about an archaeologist named Norbert Hanold who is obsessed with a woman depicted in a bas-relief that he sees in a museum in Rome. After his return to Germany, he manages to get a plaster-cast of the relief, which he hangs on a wall in his work-room and contemplates daily. He comes to feel that her calm, quiet manner does not belong in bustling, cosmopolitan Rome, but rather in some smaller city, and one day an image comes to him of the girl in the relief walking on the peculiar stepping-stones that cross the streets in Pompeii. Soon afterwards, Hanold dreams that he has been transported back in time to meet the girl whose unusual gait so captivates him.
She later moved to France, where she studied with Gabriel Fauré's pupil Joseph Morpain, whom she always credited as one of her greatest influences. The same year she entered the Conservatoire de Paris, officially to study with Alfred Cortot although most of her instruction came from Lazare Lévy and Mme Giraud- Latarse, and graduated at age 15 with a Premier Prix. Upon graduating, Haskil began to tour Europe, though her career was cut short by one of the numerous physical ailments she suffered throughout her life. In 1913 she was fitted with a plaster cast in an attempt to halt the progression of scoliosis. Frequent illnesses, combined with extreme stage fright that appeared in 1920, kept her from critical or financial success.
In 1958 she returned to Australia to take up a teaching post at the Swinburne Technical College, and became a founding member of the renowned 'Centre Five' group of sculptors in 1959, a group which expanded from the 'Group of Four' to add (among others) Lenton Parr, Vincas Jomantas and Teisutis Zikaras, who broke with the VSS and organised private exhibitions. In 1960, she was one of the artists selected for the National Gallery of Victoria’s Six Sculptors exhibition, which was the first exhibition of local modernist sculpture by the Gallery. Treasury Fountain (1969), Treasury Building, CanberraBy 1961 she had decisively turned to bronze, with Dawn figure, a plaster cast envisaged for casting which was awarded the inaugural Mildara (later Mildura) Prize for Sculpture.
Val Williams and Susan Bright, "New Freedoms in Photography". In Not only does solarisation fit the Surrealist principle of unconscious accident being integral to art, it evokes the style's appeal to the irrational or paradoxical in combining polar opposites of positive and negative; Mark Haworth-Booth describes solarisation as "a perfect Surrealist medium in which positive and negative occur simultaneously, as if in a dream". Amongst Miller's circle of friends were Pablo Picasso and fellow Surrealists Paul Éluard and Jean Cocteau, the latter of whom was so mesmerized by Miller's beauty that he coated her in butter and transformed her into a plaster cast of a classical statue for his film, The Blood of a Poet (1930).Bukhari, Nuzhat, and Amir Feshareki.
Sketches from the alt=Pencil sketch of warriors on horseback Applicants to the Royal Academy Schools were expected to pass stringent ability tests, and on his arrival in London Etty set about practicing, drawing "from prints and from nature". Aware that all successful applicants were expected to produce high quality drawings of classical sculptures, he spent much time "in a plaster-cast shop, kept by Gianelli, in that lane near to Smithfield, immortalised by Dr. Johnson's visit to see 'The Ghost' there", which he described as "My first academy". Etty obtained a letter of introduction from Member of Parliament Richard Sharp to painter John Opie. He visited Opie with this letter, and showed him a drawing he had done from a cast of Cupid and Psyche.
Bust of Isocrates; plaster cast in the Pushkin Museum of the bust formerly at Villa Albani, Rome Isocrates (; ; 436–338 BC), an ancient Greek rhetorician, was one of the ten Attic orators. Among the most influential Greek rhetoricians of his time, Isocrates made many contributions to rhetoric and education through his teaching and written works. Greek rhetoric is commonly traced to Corax of Syracuse, who first formulated a set of rhetorical rules in the fifth century BC. His pupil Tisias was influential in the development of the rhetoric of the courtroom, and by some accounts was the teacher of Isocrates. Within two generations, rhetoric had become an important art, its growth driven by social and political changes such as democracy and courts of law.
Pope Pius IX himself gave his blessing to the Broquier couple, revealing the influence of the family. The pope sent them three letters between 1874 and 1877: they detail the organization of masses, indicate what furniture to adopt and mention the possibility of hosting Dominicans. Fortuné Broquier was closely tied to this monastic order - which also guide the dedication of the chapel to Saint Catherine of Siena, as recalled on a plaster cast Masses held at La Royante experienced a real success with the locals, so much so that religious authorities worried and pope Pius IX had to reiterate his support for the Broquier family in a third and last letter. These three letters were used to date the building of the chapel in the early 1870s.
The Kibbo Kift's central activities, hiking and camping, were elevated to the level of a spiritual exercise: all marked by colourful and impressive ritual, couched in language reminiscent of Norse Sagas and rich in Saxon archaisms. Hikes could be turned into 'pilgrimages', as for example in 1924 when the Kibbo Kift made a pilgrimage to Piltdown in Sussex, in homage to 'Dawn Man', a supposed early humanoid whose skull had recently been unearthed (later found to be a hoax). At the site the Kindred performed a ceremony, complete with fire rituals, psalm singing, ritual chanting and a plaster cast replica of the skull.The skull and its carved plinth can be seen in the 2015–2016 Whitechapel Gallery exhibition, Intellectual Barbarians: The Kibbo Kift Kindred.
The council house served as the headquarters of the county borough of Walsall and, following the implementation of the Local Government Act 1972, continued to serve as the local seat of government of the enlarged Walsall Metropolitan Borough Council. Queen Elizabeth II, accompanied by the Duke of Edinburgh, visited the council house as part of her silver jubilee celebrations and signed the visitors' book on 27 July 1977. A plaster cast model of the local nurse, Sister Dora, which had been located in the foyer of the council house for many years, was moved to Walsall Manor Hospital in September 2010. Refurbishment works, including upholstery repairs on the fine furniture in the council chamber and improvements to the council house reception area, were carried out in 2019 and 2020.
Indooroopilly Bridge after the 1893 Flood, held at the John Oxley Library Brisbane As well as a sculptor, James Watts was also a noted landscape painter exhibiting at the Brisbane Art Society Exhibitions with many of his works being acquired by local residents. Many of his landscape paintings are of the Brisbane River around the district of Sherwood where he lived prior to moving to the suburb of Taringa. The John Oxley Library, which contains Queensland's most comprehensive record of documented history, has two items of Watts’, a landscape painting titled "Indooroopilly Bridge after the 1893 flood" and a framed plaster cast of Robert Dunne, Catholic Archbishop of Brisbane. The latter item was mass-produced after the death of Dunne and was recommended by the Catholic Church to its parishioners.
Early descriptions of the object appeared in contemporary editions of the scientific journals Nature and L'Astronomie, the object identified by scientists as being a fossil meteorite. It was reported that the object was discovered when a workman at the Braun iron foundry in Schöndorf, Austria, was breaking up a block of lignite that had been mined at Wolfsegg. In 1886, mining engineer Adolf Gurlt reported on the object to the Natural History Society of Bonn, noting that the object was coated with a thin layer of rust, was made of iron, and had a specific gravity of 7.75. A plaster cast was made of the object shortly before the end of the 19th century, as the original had suffered from being handled, and had had samples cut from it by researchers.
The Bunker brothers coined the term "Siamese twins", and their fame made it a synonym for conjoined twins in colloquial use, even referring to those before the Bunkers' lifetime, though modern researchers see the term as outmoded, preferring "conjoined twins". The phrase "like the Siamese twins" (or variations) had been used as early as October 1829 to describe other conjoined pairs, but decades later the use of the standalone "Siamese twins" became widespread. Chang and Eng have often been referred to retrospectively as the "original Siamese twins". Before the Bunkers' bodies were returned to North Carolina for burial (in 1917 they were moved to the cemetery at White Plains Baptist Church outside Mount Airy), doctors took photographs of the connecting tissue and hired sculptor John Casani to make a plaster cast of the twins.
He collected drawings of the author to ensure as accurate a representation as possible. Similarly, he asked Frank Jefferson, the son of Joseph Jefferson, who had become famous playing Van Winkle on stage, for photographs of his late father in the part. His decision to use Boabdil as the other character, to show the range of Irving's work, met with some controversy when he sent the memorial association a plaster cast of his work, after he had sent site architect Charles A. Platt a plan. Another of Black's wealthy local acquaintances, the publisher George H. Putnam, himself a biographer of Irving, complained that French should have chosen another local character from Irving's work, like Peter Stuyvesant and that Boabdil was not even a major character in Irving's The Alhambra.
Mary Rogers Williams was born and raised in Hartford, Connecticut, the fifth of six children of Edward Williams (1822–1871), a prosperous baker, and Mary Ann French Williams (1824-1861). Mary and her surviving sisters Lucy, Abby and Laura were all star students at Hartford Public High School, and none ever married. Mary Rogers Williams's early mentor was James Wells Champney, and she studied at the Art Students League with William Merritt Chase and at Hartford's Decorative Art Society before taking the Smith post. (A Hartford neighbor and family friend, Lindley Williams Hubbell, became a renowned poet.) Her classes at Smith included drawing, painting, sculpture, art history, "study of design with practical work" and "artistic anatomy", and she wrote a catalog of the college's plaster cast sculpture collection.
In all, the Hudson flew 36 successful sorties without loss, delivering 139 agents and extracting 221, although several early fights in early 1943 saw Pickard operating with his wrist in a plaster cast, the result of more riotous parties in the mess hall. A sortie to pick up two operatives led to Pickard's aircraft to become stuck in mud on landing. It took the three men with help from several people in a local village to free the aircraft for take off, but the mission led to Pickard being awarded a second bar to his DSO, making him the first RAF officer in the Second World War to be awarded as such.K. R. M. Short, ‘Pickard, Percy Charles (1915–1944)’, Oxford Dictionary of National Biography, Oxford University Press, September 2004; online edition, May 2008, .
74-75 It is generally assumed that all reserve heads were originally in similar positions in their respective tombs, though the large number of heads found in burial pits has led to the suggestion that they were instead originally displayed by the entrance of the tomb chamber rather than within the tomb.Capel. (1996) pp. 212 Modeled plaster cast of a face, 5th-6th Dynasty, on display at the Kunsthistorisches Museum, Vienna The timespan in which reserve heads were created was short; they were likely created by only a couple of generations of sculptors during the reigns of the pharaohs Khufu, Djedefre and Khafre. The practice of using reserve heads appears to have ended sometime during the Sixth Dynasty, replaced by the practice of covering the head or the entire body of the deceased in plaster.
The main fragment in Lyon consisting of the upper part of the kore was supplemented by casts of the fragments in the museum at Athens until 1994. These elements were removed according to "a museological principle that desired, for the sake of archaeological and scientific truth, only to display the true material of what was possessed, without use of representational devices, such as completing the sculpture with other materials, plaster in this case, as if this plaster was a precise substitute for truth" as Professor Jean-Claude Mossière, associate member for the study of ancient and contemporary Greece at the French School at Athens put it. Unlike the musée de Lyon, the Acropolis Museum has chosen to continue to present the fragments it possesses with a plaster cast of the upper portion.
Gormley and other artists were invited to admit designs on 22 May 2007, by which time the intended site (a hill outside the new High Speed 1 station at Ebbsfleet International, near Land Securities' Springhead Park residential development) had been announced. A shortlist was chosen on 28 January 2008 (comprising Mark Wallinger, Rachel Whiteread, Richard Deacon, Christopher le Brun, and Daniel Buren). The artists were given three months from then to produce their proposals, which were displayed to the public from May 2008 at Bluewater Shopping Centre. Le Brun produced a winged disc; Buren a tower of 5 cubes; Deacon a stack of 26 different steel polyhedra; Wallinger a realistic sculpture of a horse and Whiteread a plaster cast of a house's interior atop an artificially-created mountain.
De Ville's casts were distributed throughout the world and many still survive in the collection of the Edinburgh School of Anatomy. In 1840 he became a member of the Phrenological Association and resigned in 1842 upon the occasion of the great split among British phrenologists when William Collins Engledue (1813-1858),See William Collins Engledue, M.D.. in a speech before the Association, announced that phrenology and materialism were the same. Head of William Blake. Plaster cast by James De Ville Sept 1823 (Fitzwilliam Museum, Cambridge) De Ville examined an enormous number of heads including those of many well-known figures including John Elliotson, Hermann Prince of Pückler-Muskau, William de Salis, Harriet Martineau, Charles Bray, George Eliot, William Blake, Richard Dale Owen, Richard Carlile, the Duke of Wellington and Prince Albert.
The magazine is published twice a year with full colour reproductions and a commitment to no advertising. The cover design is in yellow, with the word "TURPS" and the iconic banana of Andy Warhol. In 2012, Turps Art School was founded to allow emerging and mid career painters to take a year painting intensive with other practicing painters, it has been heralded as an alternative model for arts education by Jonathan Jones for The Guardian in 2014 as "The renegade art school proving that painting is not dead."Turps Art School in The Guardian Harvey is known for his tabloid- provoking portrayal of Moors murderer Myra Hindley, created from handprints taken from a plaster cast of a child’s hand, and shown in the Sensation exhibition at the Royal Academy of Art in 1997.
Greenall was noted as something of a hardman, notably involved in a scandal with the Australians who claimed Greenall's ruthless tackling had more to do with him using a plaster cast as to his tackling itself. Regardless, Greenall proved to be a fine centre for Van Vollenhoven in his early days, ensuring that the wingman received little risky ball and that adequate defensive cover was provided when necessary. Van Vollenhoven equalled St. Helens' club record for most tries in a match with 6 against Wakefield Trinity in 1957. The crew cut wingman would prove over the years what an extraordinary talent he was, with arguably his finest moment coming in the 1958–59 Championship Final at Odsal, where his hat trick of tries helped St. Helens overcome Hunslet.
After Brazil retained the right to keep the Rimet Cup as a result of winning it for the third time at the World Cup Final in Mexico in 1970, FIFA needed to create another trophy. On 5 April 1971 at the FIFA headquarters in Zurich, a jury of experts led by the former FIFA President, Sir Stanley Rous, convened to form a special committee who received the authorisation to put out to tender the request for a creator of a new Cup. Closeted away in his studio situated in the artists quarter of Milan, near the Brera Academy and Sforzesco Castle, Gazzaniga began work immediately. Given the difficulties involved in preparing simple sketches to show the fluidity of the design, he also created a plasticine model and a plaster cast.
The first building on the site was a saxon moot hall which was destroyed during the English Civil War; this was replaced by a later building in 1656 which was demolished to make way for the current structure. The current structure, now known as the "old town hall", was designed by Bernard Hartley of Pontefract in the Classical style as a municipal building with market room and gaol on the ground floor and assembly room (now known as the "Nelson Room") on the first floor; it was completed in 1785. In 1855, Benjamin Oliveira MP, attended the town hall to donate the original plaster cast relief (i.e. the mold) from which the final bronze relief of "The Death of Nelson at Trafalgar" found on the pedestal of Nelson's Column had been made in 1849.
A bronze version (destroyed in World War II) was placed in the park at Aix-les-Bains and seen there by Paul Verlaine, who wrote a homoerotic poem about it in 1889.Dominique Fernandez, Amants d'Apollon: L'homosexualité dans la culture, Grasset 2015, "Un Ganymède aquatique" Official commissions now began to come Turcan's way, including statues of Cardinal de Richelieu (1880) and the historian Jules Michelet (1882) for the Hotel de Ville, Paris. In 1883 his best-known statue, depicting the fable of The Blind Man and the Lame, won him a first class medal at the Salon. Subsequently the French state arranged for him to work up the plaster cast in marble, a project he worked on for three years,Mémoires de l'Académie des sciences, lettres et beaux-arts de Marseille, 1917, p.
Between 1706 and 1715, the sculptor Pierre Le Gros the Younger, working in Rome, was faced with the restoration of a fragmented antique group of Amor and Psyche for the Portuguese ambassador. Thriving on invention, he turned the love story on its head and depicted the theme of Caunus and Byblis in which Caunus vehemently defends himself against the sexual advances of his sister. While Le Gros' invention ended up in Germany and was purified back to Amor and Psyche before being destroyed in a fire in 1931, it triggered a rafter of drawings, reproductions and copies by for example Pompeo Batoni, Francesco Carradori, Martin Klauer and, best known of all, two marble versions by Laurent Delvaux. The most faithful impression of what Le Gros' invention looked like is a plaster cast in Tiefurt House near Weimar.
These samples were taken from patients who died at Policlinico San Matteo at the time. Each sample represented certain diseases and helped develop our understanding of physiology, the study of the function of the human body. This section also displays two anatomical wax models, which were sculpted by Clemente Susini which was modelled after Felice Fontana's dissections, as well as a collection of skulls from people such as Giovanni Gorini (a math professor), Giuseppe Moretti (director of the botanical garden), Pasquale Massacra (painter), Antonio Bordoni (mathematician) a reproduction cast of the skulls belonging to Ugo Foscolo, Francesco Petrarca, Gian Galeazzo Visconti as well as a plaster cast of Alessandro Volta's unusually large skull.Giovani Alessandro Brambilla's surgical instruments The collection also includes Antonio Scarpa's dismembered head, both his kidneys and four of his fingers with blackened nails, all meticulously preserved.
Richard Parker Lithograph of a death mask of William Palmer Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead, or be used for creation of portraits. It is sometimes possible to identify portraits that have been painted from death masks, because of the characteristic slight distortions of the features caused by the weight of the plaster during the making of the mold. The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for sculptors in creating statues and busts of the deceased person.
Plaster cast of the Sarcophagus of Junius Bassus The Catacombs of Rome contain most of the surviving Christian art of the Early Christian period, mainly in the form of frescos and sculpted sarcophagi. They show a Christian iconography emerging, initially from Roman popular decorative art, but later borrowing from official imperial and pagan motifs. Initially, Christians avoided iconic images of religious figures, and sarcophagi were decorated with ornaments, Christian symbols like the Chi Rho monogram and, later, narrative religious scenes.Syndicus, Chapter 1; Hall, 77–82 The Early Christians' habit, after the end of their persecution, of building churches (most famously St Peter's, Rome) over the burial places of martyrs who had originally been buried discreetly or in a mass grave perhaps led to the most distinctive feature of Christian funerary art, the church monument, or tomb inside a church.
She eventually withdrew from public view completely before her death on 18 March 1746. Surgeon and historian William Wilde recollected that as a medical student at Dr Steevens' Hospital in 1832 he was shown a silver trough, alleged to have belonged to Griselda Steevens, and accounts suggest that in the early 19th century a plaster cast of a human face with a pig's snout was on display at the hospital. Although the hospital authorities later forbade the display of alleged Steevens memorabilia on pain of dismissal, in the later half of the 19th century the belief that Steevens had a pig's face remained common. In the 1860s, a Dublin woman recollected that in her youth a large silver punchbowl, embossed with a family crest of a boar's head, was shown to visitors and was claimed to have been the Pig-faced Lady's trough.
Carlos H. Reyes was an independent candidate in the 2009 presidential election in Honduras, which were held on 29 November 2009. An international human rights mission including, among others, Nora Cortiñas of Mothers of the Plaza de Mayo, reported that Carlos Humberto Reyes was injured on 30 July 2009 when "the army and the special forces of the National Police of Honduras attacked thousands of pacific demonstrators, with fire weapons, wood and rubber projectiles and as well as tear gas, thrown even from helicopters." On 9 November 2009, following a national meeting of leaders of the National Resistance Front against the coup d'état, Reyes declared the withdrawal of his candidacy, on the grounds of not legitimising the coup d'état and fraudulent elections. The Honduran newspapers El Tiempo and La Tribuna showed Reyes' right hand in a plaster cast.
The story about the ancient statue Laocoön and His Sons at Royal Swedish Academy of Arts in Stockholm.A cast (copy) of the ancient statue Laocoön and His Sons, which the Swedish King Gustav III brought to Sweden in late 18th century, is also on display at the Royal Swedish Academy of Arts in Stockholm. So, when Pehr Hörberg studied at the Royal Swedish Academy of Arts (Konstakademien) in Stockholm, the copy of the statue Laocoön and His Sons was already there, from late 18th century, and there it is still today. In Nationalmuseum in Stockholm there is another copy, a plaster cast of the statue Laocoön and His Sons (Laokoongruppen) Copy of the ancient statue Laokoön and His Sons from 50 BC. The story about Rembrandt's oil painting The Conspiracy of Claudius Civilis in Nationalmuseum in Stockholm.
Hill then devised a plan to obtain her likeness that was "literally snatched from the grave." As he wrote in Dedham Records, published in 1888 > “The morning following her funeral, a cold blustering February day, > Gariboldi, the statuary manufacturer, was summoned from Boston, and inside > the receiving tomb a plaster cast of her face was taken, and from this > alone, with the descriptions which a few friends who knew her best could > furnish, Miss Annie R. Slafter, of Dedham, made the crayon portrait which > now hangs in the place of honor over the great mantel in our Historical > Society room.” The addition of a second exhibition room and more storage space in the basement was added in 1965, permitting the original basement to become a historical and genealogical library. Today the Society keeps its documents, maps, and most fragile artifacts in a fireproof climate-controlled vault.
The Guggenheim Foundation awarded him a fellowship in 1932 which enabled him to live and work in Paris for two years; subsequently, in 1935 a second Guggenheim Fellowship enabled him to reside and work in Moscow. Statues of his were placed in the Gorky Park of Culture and Leisure in Moscow, in the Museum of Modern Western Art in Moscow and in the Pushkin Museum in Moscow, now the Pushkin State Museum of Fine Arts. "Mother and Child with Oar", a life-size marble statue of a woman holding a baby in one arm and an oar with the other arm, was commissioned for Gorky Park; versions of the same theme by other sculptors were also placed in Gorky Park (Moscow). Attempts at locating this statue have not been successful; it was probably destroyed by German shelling during World War II. A plaster cast of the baby is still extant.
The cycling world expected that Harris would take three titles in the 1948 Summer Olympics: the sprint, the tandem sprint and the kilometre time trial, but three months before the London Games, he broke two ribs in a road accident. After hospital, with a few weeks remaining to the games, training, competing and winning, he fell in a ten-mile (16 km) race at Fallowfield and fractured an elbow. Completing the rest of his preparation in a plaster cast, he had to be satisfied with two silvers, being beaten by Italy's Mario Ghella in the final of the sprint, and partnering Alan Bannister to second place in the tandem sprint (timetable constraints meant Harris's place in the kilometre was taken by another rider, Tommy Godwin, who won a bronze medal). Two weeks later, he claimed a bronze medal in the 1948 world championships sprint in Amsterdam.
One of his earliest works were the two identical life-size seated statues in white marble of John Rolle, 1st Baron Rolle (d.1842), one dated 1843 at Lupton House,Erroneously called "Mr Rowe" by Pevsner Brixham, the other dated 1844 at Bicton House, Lord Rolle's seat. Many of his life-size standing statues were made to adorn the streets of his native city of Exeter. These included Sir Thomas Dyke Acland, 10th Baronet (1862), now in Northernhay Gardens, beneath the castle walls; Hugh Fortescue, 2nd Earl Fortescue (1863), erected in the centre of the Castle Yard of Exeter Castle, since removed to the grass verge; William Courtenay, 11th Earl of Devon (1880/81) originally in Bedford Circus, since moved to Northernhay Gardens, whose deceased wife Elizabeth Fortescue he also sculpted as a recumbent effigy in Powderham parish church, with a plaster-cast in the chapel at Powderham Castle, Devon.
Discovered in 1967, the fragment on the left completed a hinge on the dexter cheek guard Numerous questions were left unanswered by the 1939 excavation at Sutton Hoo, and in 1965 a second excavation began. Among other objectives were to survey the burial mound and its surrounding environment, to relocate the ship impression (from which a plaster cast was ultimately taken) and excavate underneath, and to search the strata from the 1939 dumps for any fragments that may have been originally missed. The first excavation had effectively been a rescue dig under the threat of impending war, creating the danger that fragments of objects might have been inadvertently discarded; a gold mount from the burial was already known to have nearly met that fate. Additional fragments of the helmet could hopefully shed light on the unidentified third figural design, or buttress Maryon's belief that of the crest were missing.
Also responsible for safe transport from Van Wouw's workshop to Bruno's forge and suitable packaging for shipping to South Africa, Bruno would be guaranteed 39,500 lire (at the time around £2360), a quarter for delivering the Kruger figure itself, a quarter for that of two modern Boers, and the rest for completion and packaging of all castings. Van Wouw would be able to inspect the work at the foundry at any time. Bruno had agreed with Van Wouw on using a 92% copper, 8% tin mixture for the bronze, while Van Wouw worked on the Voortrekkers and the bas-reliefs. He had eight months to plaster-cast the Voortrekkers: one with his left elbow on his knee, his chin folded in his hands, and a gun's muzzle on the ground with its butt-stock on his right leg; the other with a long beard and a few wrinkles on his forehead, seated upright with his gun in both hands.
On 9 November 2009, following a national meeting of leaders of the National Resistance Front against the coup d'état, presidential candidate Carlos H. Reyes declared the withdrawal of his candidacy, on the grounds of not legitimising the coup d'état and fraudulent elections.Honduras: piden boicotear las elecciones At the time of Reyes' withdrawal, the Honduran newspapers El Tiempo and La Tribuna showed Reyes' right hand in a plaster cast due to an injury sustained during his 30 July beating by Honduran security forces under the control of the de facto Micheletti government. At least 30–40 candidates from various parties and independent candidates, including at least one National Party candidate, Mario Medrano in San Manuel, Cortés, also withdraw in protest. Mario Medrano stated that he withdrew his candidature in order not to legitimise the coup d'état, that this was independent of party membership, and that anyone elected could be removed [if the coup d'état remained legitimate].
His works are held in important public and private collections in the UK, Japan and India, including the Tate, Arts Council, Royal Academy, Victoria & Albert Museum, Royal College of Art in London, Hunterian Art Gallery, Glasgow the National Museum of Wales, Sculpture at Goodwood, Yorkshire Sculpture Park, in the UK and Fukuoka Asian Art Museum in Japan, University of Delhi, Lalit Kala Akademi in New Delhi and Roopankar Museum in Bhopal. The artist lives and works in Vadodara. Work Art as a means of expression and a living symbol of life inspires Dhruva Mistry as he explores drawing, painting, etching, dry point, digital works, photography, clay, plaster, cast stone, talc, chalk, wood, stone, lead, brass, bronze, aluminum, fiberglass, mild and stainless steel for three-dimensional forms in space. His art presents dialogue of an artist as a maker pursuing enigma of an omnipresent consciousness. Mistry’s work reflects individual curiosity and personal interest.
Medical teams treated him at the crash site after he swallowed his tongue, and he was taken to the circuit's medical centre before being transferred to Maggiore Hospital in Bologna by helicopter for routine tests and observation to be carried out, Barrichello suffered a sprained wrist and broken nose, he did not continue for the rest of the weekend. He returned to the race meeting the next day, although his broken nose and a plaster cast on his arm forced him to sit out the rest of the race weekend. Ten years after the incident, Damon Hill, who drove for the Williams- Renault team at the time, described the feeling after the crash: "We all brushed ourselves off and carried on qualifying, reassured that our cars were tough as tanks and we could be shaken but not hurt." Despite a spin, Senna was the fastest driver at the end of Friday's session with a time of 1:21.548, almost five-tenths of a second faster than Schumacher and Berger.
In 1968, aged seventy-six, Tolkien decided to retire from his house at 76 Sandfield Road, Headington, Oxford to a bungalow at 19 Lakeside Road, Poole, near Bournemouth.Tolkien. J. R. R.: The Letters of J. R. R. Tolkien; Allen & Unwin, 1981; pp. 390 - 396 On 17 June, while preparing for his relocation, he fell downstairs and badly injured his leg.Scull, Christina and Hammond, Wayne G.: The J. R. R. Tolkien Companion and Guide, 2nd edition; Harper Collins, 2017; Vol. 1, pp. 762 - 771 He needed surgery, a plaster cast, crutches and several weeks of recuperation in the Nuffield Orthopaedic Centre and Bournemouth's Miramar Hotel before he was well enough to resume living independently. When he finally moved into his new home on 16 August, he found that unpacking his forty-eight crates of books and papers was too much for him. He sought the help of Margaret Joy Hill, a secretary whom his publisher, Allen & Unwin, had assigned to deal with his fan mail, and whom he and his wife had come to regard almost as a second daughter.
Watching at the paintings by Bonnín, Jose Comas learned the technique of watercolour indirectly, but about the style he felt more identified with that of Antonio González: Due to the economic situation of the 1940s he could not afford a teacher, although this was not an obstacle to learn by himself, taking his first steps in the techniques of pencil, wax, sanguine, oil and watercolour. He also practiced other artistic disciplines such as carving and sculpture modelling in clay, plaster or plaster cast, although his great hobby was always drawing. During this first stage of his artistic career, he participated in several collective exhibitions, such as the Club PALA (1947) where he presented four small-format watercolours, as well as during the exposition of new painters on the occasion of the awards "Nicolas Massieu", in Las Palmas de Gran Canaria. He took part as well in the Biennial of Fine Arts of Las Palmas in 1950, 1952, 1958, 1960 and participated in the selection "Arti Grafiche Ricordi" (Milan, 1954).
After the hospital closed, a research and teaching lab was established, called the Will Rogers Institute, at Burke Rehabilitation Hospital, in White Plains, New York, where the cast was on display until it was moved to Los Angeles in 1997. The plaster cast was restored in 2004 by Irena Calinescu, Objects Conservator, and is among the secure holdings of the Will Rogers Motion Picture Pioneers Foundation, the new name of WRMF, as of 2002. The Washington, D.C. version of the statue was unveiled in 1939.Architect of the Capitol Under the Direction of the Joint Committee on the Library, Compilation of Works of Art and Other Objects in the United States Capitol, United States Government Printing Office, Washington 1965 p. 211. At that unveiling on June 6, Senator Joshua B. Lee said of Rogers' effect on the United States during the Depression, “His humor was the safety valve for American Life.”Architect of the Capitol Under the Direction of the Joint Committee on the Library, Compilation of Works of Art and Other Objects in the United States Capitol, United States Government Printing Office, Washington 1965 p. 65.

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