But there they are on Saturdays: pie-eyed, in jerseys, smoking or barfing on the sidewalk.
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Like a pie-eyed feline Icarus, dear Felix flew too close to the sun, and popped.
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Green Buds and Hash is the early reader; The Pie Eyed Piper is for elementary school age.
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This pie-eyed pilgrimage shrank after 2016, when a reformist government launched a series of increases in Estonia's alcohol taxes.
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I catch my mate Jamie loitering pie-eyed in the queue at the bar just as "I Am the Resurrection" comes on.
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On its face a crypto exchange and lending venture, Bitconnect was widely considered—even among the often pie eyed digital token enthusiast communities—to be a Ponzi scheme.
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"Nuts gig, but fuckin' bummed they didn't play "3's & 7's" ay," one pie-eyed straggler said while heading for the exit in a thicket of sweaty bodies and half-empty cans.
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But in both conception and conclusion, the movie takes a pie-eyed view of Leo's ostensible wildness, as if living on the streets, drug addiction and charging money for sex were just radical expressions of liberty.
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Drinking with Motörhead used to be a dangerous pursuit, as I discovered on a number of occasions during the noughties, and, as a friend of Lemmy's publicist, I got to see the band play numerous times whilst pie-eyed.
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Pie-Eyed is a 1925 American silent comedy film starring Stan Laurel.
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Time, The Weekly Newsmagazine. Time Inc. (1976). February 2, 1976, p. 55.Rich, Alan. “Theatre; Pie-Eyed Feiffer”.
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The slang expression pie- eyed, meaning drunk, dates from 1904. The expression pie in the sky, to refer to an unlikely proposal or idea, dates from a 1911 Wobbly song by Joe Hill.
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The resort also includes a snack bar with a small arcade, a free library and reading area for children, and features a nostalgic lake theme. It is generally open from mid-May to just after Labor Day. Patona Bay also provides a private swimming beach with several areas for children to play, and other amenities such as a pet walk for dogs, as well as family events during the summer holiday weekends. Pie-Eyed Petey's Restaurant and Bar EDIT: Pie-Eyed Petey’s closed unexpectedly just before Memorial Day 2018, and remains closed to date.
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The marina and gas pumps are operating on a limited basis at this time. There is a rumor the property is for sale but this cannot be positively confirmed. Please check back for updates. Pie-Eyed Petey's Restaurant and Bar, occupying the former site of Plaza Marina, is a full-service restaurant/bar, with a limited marina and fueling services.
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Am I Right is a popular music and humor website dedicated to topics as song parodies,Schofield, Jack. "Online: Web watch: Pie eyed", The Guardian, 2002-08-29, p. 6. misheard lyrics (mondegreens),Berman, A. S. "Hotfoot it to a matchless site", USA Today, 2002-06-04, p. D3.Anderson, Laurie Smith. "Mondegreens chronicled in books and Web sites", The Advocate, 2001-10-14, p. H1.
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In 1993-1994, the Disney Company began a branding campaign called "The Perils of Mickey", evoking the spirit of Gottfredson's early-30s Mickey comics. The campaign involved "remakes" of three classic Gottfredson stories in the daily newspaper strip: "Blaggard Castle" (Jan-Feb 1994), "Mickey Mouse Outwits the Phantom Blot" (March-April) and "The Mail Pilot" (June-July). All three were drawn by Rick Hoover. Merchandise for the campaign often used the "pie-eyed" Mickey design, and included keychains and storybooks published by Golden Press.
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Rock thought that her temperament was hindering Laurel's career. In 1925, she started interfering with Laurel's work, so Rock offered her a cash settlement and a one-way ticket back to her native Australia, which she accepted.Bergan 1992, p. 33. The 12 two-reel comedies were Mandarin Mix-Up (1924), Detained (1924), Monsieur Don't Care (1924), West of Hot Dog (1924), Somewhere in Wrong (1925), Twins (1925), Pie-Eyed (1925), The Snow Hawk (1925), Navy Blue Days (1925), The Sleuth (1925), Dr. Pyckle and Mr. Pryde (1925) and Half a Man (1925).
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The marina offers a limited selection of boating accessories, as well as a store with T-shirts, hand painted signs and other lake-oriented accessories. Pie- Eyed Petey's is the only full-service restaurant and bar on the lake. The menu consists of pizzas, subs, tenderloins, chicken fingers, hamburgers, etc. The decor in the bar reflects Lake Tippecanoe's heritage; from the early days of pull-start outboard motors hanging on the wall, to water skis dating from the 1960s, to the teak MasterCraft Decks from the 1990s, this eatery has a strong flair for Lake Tippecanoe nostalgia.
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It's Burton's most moving film." Rafer Guzman of Newsday gave the film two and a half stars out of four, saying "It's a quintessential Burton film, but also more Disney than a lot of Disney films." Amy Biancolli of the San Francisco Chronicle gave the film four out of four stars, saying "The overall effect is great cinema, good fun, a visual feast for pie-eyed Burton fans - and a terrifically warped reminder of just how freaky a PG film can be." Elizabeth Weitzman of the New York Daily News gave the film four out of five stars, saying "Burton's extraordinary powers of imagination are in dazzling bloom, from the gorgeous stop-motion animation to the goofy, homemade horror movies the children direct.
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Moore was born in Los Angeles and is best known for being the resident specialist in the animation of Mickey Mouse. He is most notable for redesigning the character in 1938 for his landmark role in "The Sorcerer's Apprentice" in Fantasia, a look which remains Mickey's official look to this day. His animation of the earlier Mickey design was especially memorable in the 1938 short Brave Little Tailor, the last significant appearance of the "pie-eyed" Mickey. Moore's other significant work at the studio included The Three Little Pigs, on which he was the principal animator; animation supervision of the dwarfs in Snow White and the Seven Dwarfs; most of Lampwick in Pinocchio (all of the poolroom scene and until halfway through his transformation to a donkey); and Timothy the mouse in Dumbo.
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Sure, there are still pie-eyed moments ('We go together like peanuts and paydays, Marley and reggae') as Caillat keeps one foot in contemporary Disney Channel and another in vintage Laurel Canyon. Nevertheless, it's hard to not appreciate the smooth craft of the Letters to Juliet film contribution 'What If,' 'Dream Life' and the title track-and the dynamic sophistication of 'Brighter Than the Sun' and 'Favorite Song,' her collaborations with Ryan Tedder and Common, respectively. She also allows for some ambivalence in such tracks as 'Shadow' and 'Before I Let You Go.' But rest assured that in the end, Caillat manages to get her man." Stephen Thomas Erlewine writer of Allmusic gave a favorable review about the album and wrote: "she’s not just strumming, she’s swinging, sometimes urged along by handclaps" but in the end called it "easily her best record yet.
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Henry's mother, along with other female book cover characters (such as bobbysoxer versions of Little Women, Mother Goose and Whistler's Mother on the cover of "Famous Paintings"), begin swooning for "Frankie". Immediately thereafter, a jam session begins featuring Harry James, Tommy Dorsey on the cover of "Brass" (who at one point rubs his trombone slide under W.C. Fields' nose), an Indian on the cover of Drums Along the Mohawk who morphs into Gene Krupa, Benny Goodman as the "Pie-Eyed Piper" (some mice yell "Yay, Benny!"), and a green Bob Burns on the cover of the Arkansas Traveller, all performing a jazz version of "It Had to Be You". Annoyed by the revelry, Daffy Duck steps out of the cover of a Looney Tunes & Merrie Melodies comic book (in the background is a book by "Ann Anonymous" titled The Invisible Man: A Biography of Robert Clampett) and starts rifling through a trunk (Saratoga Trunk) for clothes.
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Garnett went to work for Hal Roach for whom he wrote Don't Park There (1924). He did some with Stan Laurel: A Mandarin Mixup (1924), and Detained (1924). He wrote Galloping Bungalows (1924) for Billy Bevan and Mac Sennett, Off His Trolley (1924) for Sennett, West of Hot Dog (1924) with Laurel and Hardy, and The Plumber (1924) for Sennett. Garnett directed some shorts, such as Fast Black (1924), Riders of the Kitchen Range (1925), and All Wool (1925). He wrote the comedy shorts Honeymoon Hardships (1925), Somewhere in Wrong (1925) with Laurel, Twins (1925) with Laurel, Pie-Eyed (1925) with Laurel, The Snow Hawk (1925) with Laurel, Navy Blue Days (1925) with Laurel, Hold Tight (1925), The Sleuth (1925) with Laurel, Dr. Pyckle and Mr. Pryde (1925) with Laurel, No Sleep on the Deep (1925), Three Wise Goofs, Salute (1925), On the Links (1925), Who's Your Friend (1925), The Funnymooners (1926), Puppy Lovetime (1926), Smith's Visitor (1926) and A Beauty Parlor (1926).
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