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"peignoir" Definitions
  1. a woman's loose negligee or dressing gown

19 Sentences With "peignoir"

How to use peignoir in a sentence? Find typical usage patterns (collocations)/phrases/context for "peignoir" and check conjugation/comparative form for "peignoir". Mastering all the usages of "peignoir" from sentence examples published by news publications.

Lips scream here, hands clench, a woman in a gray peignoir walks up and down, a restive ghost.
Another, dressed in an ice-blue peignoir, petted a stuffed lap dog with one hand and preened with the other.
Carrie, who's described in the movie as "Mafia royalty," descends the stairs wearing a floor-length chiffon peignoir set with a synthetic lace bust.
The walls there were painted with Peignoir, which looks like lilac satin lingerie that has been mistakenly put through the laundry with a pair of dark-wash jeans.
Watch her pace nervously in her fishbowl of a house, dressed in a silk peignoir and clutching a drink, an irresistible target for anyone with a mind to stalk or photograph.
As he tries to undress someone keeps knocking at his door, and he believes it to be Mrs. Peignoir trying to seduce him again. However, when he realises it is actually Sybil returned early, he opens the door and unconvincingly says "Oh, what a terrible dream," trying to explain his previous whispers to Mrs. Peignoir (as he thought) to go away.
Yvonne Janette Gilan (12 October 1931 – 14 June 2018) was a Scottish actress who is best known for her portrayal of Mme. Peignoir in Fawlty Towers (episode "The Wedding Party") and minor roles in both EastEnders and French Fields. She was married to the television director Michael Gill, and was the mother of the late journalist, Adrian, known as A. A. Gill.
I am afraid that my mind escapes through the hair and onto > the fingers of my hairdresser. Hence my headache afterwards. The Empress sat > at a table which was moved to the middle of the room and covered with a > white cloth. She was shrouded in a white, laced peignoir, her hair, > unfastened and reaching to the floor, enfolded her entire body.
Meanwhile, Mrs. Peignoir, an attractive French antique dealer, seems to have taken a shine to Basil, much to Sybil's annoyance. Alan returns to the lobby and asks Basil if he knows whether any chemists are still open. Basil initially assumes he wants to buy condoms, then when Alan says he wants batteries, Basil – still assuming it must be sex-related – tells him that is "disgusting".
When Alan explains that he wanted batteries for his electric razor, Basil tries to save the situation. Later that evening, Mrs. Peignoir arrives home and drunkenly trips over Basil as he crouches on the floor picking up her purse that she has dropped, ending up sitting on him. At that moment Alan and Jean also arrive, witnessing what appears to them to be a very intimate situation.
2008 photograph of Leibovitz in front of her More Demi Moore photo The photograph was one of several taken by Leibovitz of seven-months pregnant 28-year-old Moore, then pregnant with the couple's second daughter, Scout LaRue. The photographs ranged from Moore in lacy underwear and spiked high heels, to a revealing peignoir. The final selection had Moore wearing only a diamond ring. Joanne Gair worked on make-up for the shoot.
However, the first known published image of the photograph of the beautiful young woman boldly posing for the camera wearing a sheer gauze peignoir was circulated in 1914. Labeled "Kaloma," it was originally produced as an art print. The risqué image was popular and sold well. At the bottom right of the uncropped, original image is printed, "COPYRIGHT 1914-P N CO." The image was copyrighted and circulated by the Pastime Novelty Company of 1313 Broadway, New York, New York.
"The Wedding Party" is the third episode of the BBC sitcom Fawlty Towers. In the episode, Basil is disgusted when two young lovers, Alan and Jean, begin 'hanky-pankying' under his very nose while checking in. He becomes convinced that they and two other guests (a couple called the Lloyds) are engaged in group sexual misbehaviour, somehow also involving Polly. Meanwhile, another guest, Mrs Peignoir, has become attracted to Basil, and circumstances conspire to put him in apparently compromising situations whenever any of the aforementioned are around.
The original photogravure of a semi-nude woman used by Glenn Boyer on the cover of I Married Wyatt Earp. He insisted it was a picture of Josephine from 1880 but could provide no proof. Boyer published I Married Wyatt Earp with a picture on the cover of a woman wearing a sheer gauze peignoir, re-touched to conceal her breasts and nipples. He insisted that the picture of the partially nude woman was Josephine when she was young, and that Johnny Behan took the photo of her in Tombstone in 1880.
He is chiefly remembered for Civilisation: A Personal View by Kenneth Clark (1969) (director and co-producer) and Alistair Cooke's America (1973) (director and producer). Although the idea for Civilisation and its presenter, Kenneth Clark, were given to Gill, 'America', and the choice of presenter were entirely Gill's idea. In total Gill made more than 150 films for television and cinema, and won more than 40 major international awards. In 1951 he married the actress Yvonne Gilan (1931–2018), best remembered for her portrayal of Mrs Peignoir in Fawlty Towers.
Vitaldi Babani was born in the Middle East, the source of some of his wares. In the beginning Babani's merchandise consisted of objets d'art in bronze and ivory, furniture, rugs, embroideries and silks imported from China, Japan, India, and Turkey, which were sold from the establishment at 98 Boulevard Haussmann and from an additional shop at no. 65, Rue d'Anjou, Paris. In the first decade of the 20th century, it became very fashionable for Western women to wear Japanese nagajubans (the robes worn underneath a traditional kimono) for a peignoir, and Babani, through a series of advertisements in Le Figaro-Madame, successfully established himself as the foremost retailer of such so-called robes japonaises.
These works were made of plastic, an important material for Smith. In 1966, she produced a room-size installation called The Wedding for her thesis show at Rutgers University. Designed as a plastic box that viewers were not permitted to enter, it contained a plastic wedding gown with a thirty-foot train. Within the next year she was to create her signature piece Steel Wool Peignoir. About the piece Smith said, “Growing up in the 1950s, I associated peignoirs [with] storybook romance… steel wool, however, was the stuff of everyday life… I felt that [the materials] combined the reality of my life with the romance of what I thought it would be”.
The only person towards whom Basil consistently exhibits tolerance and good manners is the old and senile Major Gowen, a veteran of one of the world wars (which one is never specified, though he once mentions to Mrs Peignoir that he was in France in 1918) who permanently resides at the hotel. When interacting with Manuel, Basil displays a rudimentary knowledge of Spanish (Basil states that he "learned classical Spanish, not the strange dialect he [Manuel] seems to have picked up"); this knowledge is also ridiculed, as in the first episode in which a guest, whom Basil has immediately dismissed as working-class, communicates fluently with Manuel in Spanish after Basil is unable to do so. Cleese described Basil as thinking that "he could run a first-rate hotel if he didn't have all the guests getting in the way" and as being "an absolutely awful human being" but says that in comedy if an awful person makes people laugh they unaccountably feel affectionate towards him.An Interview with John Cleese, DVD Special Programs, 2001 Indeed, he is not entirely unsympathetic.
John Cleese himself described Basil as being a man who could run a top-notch hotel if he didn't have all the guests getting in the way. He has also made the point that on account of Basil's inner need to conflict with his wife's wishes, "Basil couldn't be Basil if he didn't have Sybil". His desire to elevate his class status is exemplified in the unusual care and respect he affords upper class guests, such as Lord Melbury (who turned out to be an impostor), Mrs Peignoir (a wealthy French antique dealer) and Major Gowen, an elderly ex-soldier and recurring character – although Basil is sometimes scathing towards him, frequently alluding to his senility and his frequenting of the hotel bar ("drunken old sod"). He has particular respect for doctors, having once aspired to be one himself, and shows a reverential attitude to Dr. Abbott in "The Psychiatrist" (until he learns that Dr. Abbott is a psychiatrist), and Dr. Price in "The Kipper and the Corpse" (until Dr. Price begins to ask awkward questions about the death of Mr. Leeman, and inconveniently requests sausages for breakfast).

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