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"dishabille" Definitions
  1. the state of wearing no clothes or very few clothes

11 Sentences With "dishabille"

How to use dishabille in a sentence? Find typical usage patterns (collocations)/phrases/context for "dishabille" and check conjugation/comparative form for "dishabille". Mastering all the usages of "dishabille" from sentence examples published by news publications.

He appeared before the world as if in angry comic dishabille.
The young woman in a state of dishabille soon gets her answer.
Her hair was still short then, and her arms had shivered in a bare-armed Ian Curtis dishabille.
Director Mike Nichols, late husband of Diane Sawyer, was never too far from celebrities — including, according to a new book, once watching Marilyn Monroe in dishabille during a particularly memorable moment with President John F. Kennedy.
Then there were the Regency rosebud prints of Giambattista Valli's collection, which married courtly dishabille to a Pink Ladies sentiment (think "Grease," not cocktails) so an off-the-shoulder candy floss moiré crop top with voluminous sleeves and crystal trim was paired with matching moiré cigarette pants, and minidresses in silk organza and lace were finished in long trains at the back.
Like many American films of the time, The Handy Man was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors cut, in Reel 2, girl in swing embracing man with legs, girl on man's back and subsequent scene showing wet floor, and woman coming out of roof dishabille.
He was the editor of a newspaper in some part of the state of New Hampshire, in the early part of his life. He was afterwards one of the editors and proprietors of the Boston Patriot.Kettell, Samuel, Specimens of American Poetry volume II (1829) p.113 He wrote a volume of essays in prose, entitled Common Sense in Dishabille and a work upon the Prophecies.
"pyjammas"): > Such a garment is used by various persons in India e.g. by women of various > classes, by Sikh men, and most by Mohammedans of both sexes. It was adopted > from the Mohammedans by Europeans as an article of dishabille and of night > attire, and is synonymous with Long Drawers, Shulwaurs, and Mogul-Breeches > [...] It is probable that we English took the habit like a good many others > from the Portuguese. Thus Pyrard (c.
Although the statue earned the nicknamed Kitty (the playwright was known as Kit), some objections were raised to the statue's dishabille, especially so near the Cathedral. Shrubbery, railings and four lanterns were erected around the statue in 1892. A close up of the memorial Much later, additional funds were raised to complete the vision, and a second unveiling was conducted by the novelist Hugh Walpole, who had briefly attended Marlowe's alma mater, The King's School, Canterbury. A contemporary source lists the statuettes on the plinth as Irving (Tamburlaine), Sir Johnston Forbes-Roberston as Faustus, James Keteltas Hackett as Edward II, and Edward Alleyn as The Jew of Malta.
He composed many fugitive pieces in prose and verse: his published works are anonymous. The best-known of them, a parody of Alexander Pope's Eloisa to Abelard long attributed to Richard Porson, is Eloisa en Dishabille: being a New Version of that Lady's celebrated Epistle to Abelard, done into familiar English metre by a Lounger, 1780. It was reprinted in 1801, and again in 1822, when the bookseller put on the title-page that it was ‘ascribed to Porson.’ Matthews wrote A Sketch from the Landscape: a Didactic Poem, addressed to R. Payne Knight, 1794, an attack which Richard Payne Knight, in the Advertisement to the second edition of the ‘Landscape,’ stigmatised as "a sort of doggerel ode" and "a contemptible publication".
The film, directed for the most part by Howard Hawks (Hughes got the screen credit), was promoted in a publicity campaign with posters featuring Russell posing in dishabille and her cleavage prominently displayed. Its emphasis on Jane Russell's physical attributes led to the film being dubbed the first "sex western". Although the movie was generally panned by movie critics, it was rereleased twice over the course of the next decade, grossing more than $20 million and solidifying the legend of Billy the Kid (although a distorted and unhistorical one) in the consciousness of the American filmgoing public. The film director Sam Peckinpah attempted an ambitious retelling of the legend in his last western film, Pat Garrett and Billy the Kid (1973), covering the last few months of Bonney's life, in which the violence and physical brutality of the world the protagonists inhabited is portrayed realistically.

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