90 Sentences With "padrone" | Random Sentence Generator

Like a proud padrone, Mr Renzi may demand respect for Italy's position.

As in "Padre Padrone," there is a scene in which a crowd's unspoken thoughts function like a chorus.

Midway through, they enjoyed a relatively brief period in the international spotlight, following the success of "Padre Padrone" ("My Father, My Boss").

"Padre Padrone" not only received the Palme d'Or but, in a rare confluence of opinion, also the International Federation of Film Critics prize.

They were expected to offer the padrone a "tribute" to thank him for the work — crops, or if they had it, meat they butchered themselves.

Vittorio Taviani, who with his brother Paolo directed films acclaimed in Italy and beyond, including "Padre Padrone," which won the top prize at the Cannes Film Festival in 1984, died on Sunday in Rome.

The pair worked together for more than half a century producing some of the most famous films of post-War Italian cinema, including "Padre Padrone", which took top honors at the 1977 Cannes film festival.

The story of a brutalized Sardinian shepherd boy who breaks free of his father's authoritarian control to become a scholarly linguist, "Padre Padrone" — a 21987-millimeter made-for-TV movie — was the surprise winner of the Palme d'Or at the 231 Cannes Film Festival.

Il padrone del vapore is a 1951 Italian comedy film directed by Mario Mattoli and starring Carlo Campanini.

In 2014 Fabi started together with Daniele Silvestri and Max Gazzè the musical project Fabi-Silvestri-Gazzè. The trio released a studio album (Il padrone della festa), a live album (l padrone della festa – Live) and made an extensive tour in Italy and Europe. In April 2016 Fabi released his eighth studio album, Una somma di piccole cose. The album peaked at the first place on the Italian hit parade.

The title of the album references the Italian offshoot of the HMV record label – La voce del padrone. "Summer On A Solitary Beach" was released as a single.

Il padrone sono me is a 1955 Italian comedy-drama film. It marked the directorial debut of Franco Brusati. The film premiered at the 16th Venice International Film Festival.

They now continue their journey to Paris. Vitalis decides to leave Rémi with another "padrone" for the winter, while he trains new animals with the proceeds. This "padrone" is a man who keeps a group of boys, sold by their poverty-stricken parents, working for him (also see the English story “Oliver Twist” by Charles Dickens). Garofoli isn't home, and Vitalis tells Rémi to wait there, and that he will be back soon.

Gavino Ledda (; born 30 December 1938) is an author and a scholar of the Italian language and of Sardinian. He is best known for his autobiographical work Padre Padrone (1975).

In addition he had at his disposal a boat (felucca) with twelve boatsmen (caiccheri) and a rowed frigate with a captain (padrone), two steersmen (timonieri), two artillerymen (bombardieri) and 18 rowers (galeotti).

Image of a 78rpm of an aria from Giuseppe Verdi's Ernani, recorded by Grammofono/La voce del padrone La voce del padrone was the Italian label for the His Master's Voice recording house. The house belonged to The Gramophone Company Ltd., of Hayes (Middlesex, United Kingdom) which owned several labels in Italy, like Columbia, Marconiphone, Angel Records and Grammofono. From 1904, Gramophone Company records were published and distributed in Italy by Saif (Società Anonima Italiana di Fonotopia), a company based in Milan.

Le braghe del padrone is a 1978 Italian comedy film directed by Flavio Mogherini and starring Enrico Montesano. It is based on the novel with the same name written by Italo Terzoli and Enrico Vaime.

Paul V issued a motu proprio on April 30, 1618, formally bestowing on his cardinal-nephew the same authority Pope Clement VIII had given to Pietro Aldobrandini, beginning what historian Laurain-Portemer calls "l'age classique'" of nepotism.Signorotto and Visceglia, 2002, p. 144–145. Pope Gregory XV with his Cardinal Nephew of unprecedented income and authority, Ludovico Ludovisi, known as il cardinale padrone. Pope Gregory XV's (1621–1623) cardinal-nephew, Ludovico Ludovisi, the first cardinal-nephew known as il cardinale padrone ("the Cardinal boss")Williams, 2004, p. 103.

Before L'era del cinghiale bianco Battiato had begun to collaborate with violinist and composer Giusto Pio. In La voce del padrone Battiato could rely on Pio's collaboration too, even if violin was never used in the scores.

91–92 L'operaio conosce 300 parole, il padrone 1,000: per questo lui è il padrone (The Worker Knows 300 Words, the Boss Knows 1000, That's Why He's the Boss), Legami pure che tanto io spacco tutto lo stesso (Chain Me Up and I'll Still Smash Everything) and Mistero Buffo (Comical Mystery Play), also date from this time.Mitchell 1999, pp. 93–94 Though Fo himself had never been a Communist Party member, his open criticism of PCI methods and policies on the stage led to conflict with the Party.

Gunther Peck, Reinventing Free Labor: Padrones and Immigrant Workers in the North American West, 1880-1930, (Cambridge University Press, 2000), 34-47. Pozetta shows that in Florida, railroads allowed padrones to run the commissaries at job sites, and there were complaints that they charged a 50 to 100% markup. However, he concludes, the padrone system, with its faults, on the whole was a success. Pozetta says: :The padrone served the needs of American employers such as the Florida East Coast Railway and immigrant newcomers by acting as a middle man.

Dizionario della canzone italiana. Curcio Editore, 1990-2013. . In 1945 he entered the stage company of Erminio Macario, as the musical attraction in the revue Venticello del sud. The same year he started recording several albums for La Voce del Padrone.

Foreign Films, film review and analysis of Padre Padrone, page 135, 1989. Evanston, Illinois: Cinebooks. . The film depicts a Sardinian shepherd who is terrorized by his domineering father and tries to escape by educating himself. He eventually becomes a celebrated linguist.

He became a naturalized American citizen in 1878, and a naturalized citizen of Hawaii in 1880. Moreno spent his final years living in Washington, D. C., trying to eliminate the padrone system that created slavery conditions within the immigrant Italian labor force.

"Basta con il governo padrone, così cambierà la Tv pubblica" Retrieved on 2007-10-10" DDL Riforma Rai" Italian Ministry of Communications, Retrieved on 2007-10-10 In 1950, RAI became one of the 23 founding members of the European Broadcasting Union.

The Railway Owner (Italian title:Il padrone delle ferriere) is a 1919 Italian silent drama film directed by Eugenio Perego and starring Luigi Serventi, Maria Caserini and Amleto Novelli.Dalle Vacche p.263 It is based on Georges Ohnet's novel Le Maître de Forges.

Una Sventella (1918) was released to moderate reviews. In 1919, Menichelli starred in Il padrone delle ferriere (The boss of the ironworks) alongside Amleto Novelli, one of the most famous Italian actors of the period. The film was a huge commercial and critical success.

An editorial in the Barton County Democrat disdained the continuing padrone system, blaming the Italian government for encouraging it and stating that Fava ran interference whenever the United States immigration officials tried to intervene. Moreno had been correct in his accusations, just incorrect in how he had gone about it.

From 1931-36 Pippo focused on making recordings. He worked with the labels Fonit, Columbia, La Voce del Padrone, Odeon, Brunswick and Fonotipia. In 1934, Carisch released Pippo Barzizza, King of Italian Jazz; and then New series of Blue Star arrangements. In 1935 he was noticed for jazz recording sessions.

Algoa Bay is a bay in the Eastern Cape, South Africa. It is located in the east coast, 425 miles (683 kilometres) east of the Cape of Good Hope. Algoa Bay is bounded in the west by Cape Recife and in the east by Cape Padrone. The bay is up to deep.

Goffredo Parise photographed by Paolo Monti Goffredo Parise, 1965 Goffredo Parise (8 December 1929 in Vicenza – 31 August 1986 in Treviso) was an Italian writer, journalist, and screenwriter. He won the Viareggio Prize in 1965 for his novel Il padrone (The Boss) and the Strega Prize in 1982 for Sillabario n.2.

The padrone was paid for his services, taking money both from the immigrant and from the employer. Complaints that some took too much money led to criticism for "exploitation."Robert F. Harney, "The Padrone and the Immigrant," Canadian Review of American Studies (1974) 5#2 pp 101-118 According to historian Alfred T. Banfield: :Criticized by many as slave traders who preyed upon poor, bewildered peasants, the 'padroni' often served as travel agents, with fees reimbursed from paychecks, as landlords who rented out shacks and boxcars, and as storekeepers who extended exorbitant credit to their Italian laborer clientele. Despite such abuse, not all 'padroni' were dastardly and most Italian immigrants reached out to their 'padroni' for economic salvation, considering them either as godsends or necessary evils.

In 1966 he created for Gold Medal a series of novels starring Tim Parnell, a former CIA agent employed in Amsterdam as a private investigator specialized in cases involving aircraft. At least one of them, The Padrone, got a positive snippet review in the Chicago Tribune. Some of Smith's novels have been translated to French, Italian, Dutch, and Swedish.

Born in Rome, after his debut as a stage actor, Marconi had his breakout role in 1977 playing Gavino Ledda in the Paolo and Vittorio Taviani's drama film Padre Padrone. For his performance in that film he was nominated to a BAFTA Award and won the Nastro d'Argento for best new actor.Giorgio Dell’Arti, Massimo Parrini. Catalogo dei viventi.

La voce del padrone is an album by Italian singer-songwriter Franco Battiato, released by EMI Italiana in 1981. The album followed L'era del cinghiale bianco (1979) and Patriots (1980), which signaled a return by Battiato to a more pop-oriented style. Besides being Battiato's first pop success, it was also the first Italian LP to sell more than one million copies.

While in office he introduced legislation to regulate the loosely run "immigrant banks" which were notorious for cheating poorly educated Italian immigrants out of their savings.Puleo (2007), pp. 20-21. He also filed a bill to abolish the exploitative padrone system of employment, in which unsuspecting immigrants were charged exorbitant fees for jobs and housing and bilked out of most of their earnings.

After World War II emerged with figures such as Giuseppe Dessi, his novels including his Paese d'ombre (country of shadows). In more recent years the autobiographical novels of Gavino Ledda Padre padrone and Salvatore Satta Judgment Day had widely reported, in addition to works by Sergio Atzeni, Maria Giacobbe, Salvatore Mannuzzu, Giulio Angioni, Marcello Fois, Michela Murgia, Salvatore Niffoi, Bianca Pitzorno, Gianfranco Pintore and Flavio Soriga.

The Italian emanation of the HMV record label was La voce del padrone (Italian for "His masters voice"). From 1904, Gramophone Company records were published and distributed in Italy by Saif (Società Anonima Italiana di Fonotopia), a company based in Milan. When the Gramophone Company merged with Columbia in 1931 to form EMI, Saif in turn merged with Columbia's Italian arm, SNG (Società Nazionale del Grammofono).

The 30th Cannes Film Festival was held from 13 to 27 May 1977. The Palme d'Or went to the Padre Padrone by Paolo and Vittorio Taviani. A new non-competitive section, "Le Passé composé", is held at this festival only and focuses on compilations. This section, along with sections "Les Yeux fertiles" and "L'Air du temps" of the previous two years, were integrated into Un Certain Regard in 1978.

In the U.S., these 'birds of passage' were employed in growth areas nationwide where the local labor force was too small. They worked for mining and railroad companies and agribusinesses, dug canals, and raised livestock. The Padrone Act of 1874 was an attempt to ban the system. and by the late 19th century and early 20th century, both the government and the Italian immigrant community struggled to fight the system.

Labor agents [padrones] were normally foreigners themselves who had acquired some use of English and who had made connections with American contractors. As such they were in a position to act as intermediaries between the country's burgeoning economy and the immigrant masses.George E. Pozzetta, "A Padrone Looks at Florida: Labor Recruiting and the Florida East Coast Railway," The Florida Historical Quarterly (1975) 54#1 pp:74-84. Quote on page 75.

Senica participates in professional wrestling under the stage name Mike Flyte, and was trained by WWE Hall of Famer Afa, the Wild Samoan. He has also worked under the names Padrone, Masked Superstar and The Machine. Currently, he works as the manager for D-Ray 3000 in the International Wrestling Network. Mike Flyte debuted at WXW Sportsfest as the manager for Jeff "the future" Coleman back in 2004.

He has been a frequent contributor to Italian and international magazines and newspapers (Il Giornale, for example), as well as Italian and international television and radio programs. In 1988–1990, Martino was President of the Mont Pelerin Society, an international society of classical liberals, founded in 1947 by Nobel Prize Winner Friedrich A. Hayek. In the Nineties, he wrote a book in Italian language, Stato Padrone, where he explains his free-market ideas.

They provided housing, food, and transportation to the highest paying jobs available the padrone could discover. They were the spokesmen and advocates for the immigrants versus the police and local authorities and prevented them from being exploited by the company that hired them. Padrones served as the cultural link to Italy. They facilitated letters, the sending of money back to the families, and arranging transportation back when the term of employment was over.

Collecting payments for transportation was just one of the methods padrones used to augment their income. Sometimes families would contract or sell theirs sons into servitude to a padrone. The terms of the contract ranged from a sum paid to the parents to exchanging passage for labor. Immigrant workers were also charged a fee for initial job placements, and often had to pay a monthly fee in order to keep the position.

The wife of Leone, a member of the Papal Guard, believing herself to have been deserted, leaves her young son David with the Sisters of Charity and commits suicide. Little David is brought up by the sisters, and turned over to a Padrone, who takes him to London and mistreats him. David is befriended by Dr. Roselli, a political exile, and becomes the playmate of Roma, the doctor's daughter. He assumes the name of Rosa.

Padre Padrone is a 1977 Italian film directed by Paolo and Vittorio Taviani. The Tavianis used both professional and non-professional actors from the Sardinian countryside.. The title () literally means "Father Master"; it has been translated as My Father, My Master or Father and Master. The drama was originally filmed by the Taviani brothers for Italian television but won the 1977 Palme d'Or prize at the 1977 Cannes Film Festival.Curran, Daniel, ed.

Bandini, in his seventies, as well as dealing with restoration of older models, continued the study of new ones. The company in 1980 presented the 1300 with 16 valves, mechanical fuel injection, and electronic ignition; after chassis, engines and flying, now also looking alloy wheels are facts and carry the signature Bandini. Il padrone surrounded with Bandini engines. In 1975, Bandini hosted the Group Bandini, an exhibition dedicated to the marque, for drivers who had worked successfully for him.

Born in Basiliano, in the province of Udine (in the Northeastern Italian region of Friuli-Venezia Giulia), Antonutti often appeared regularly in films and theatre performances. He made his film debut in the 1966 film Pleasant Nights starring Vittorio Gassman, Gina Lollobrigida and Ugo Tognazzi. His most notable performance to date was in the Taviani brothers' acclaimed film Padre Padrone. In Spain, he worked with Víctor Erice in El Sur, and Carlos Saura in El Dorado.

Harney reexamines the negative image of the padrone system, in which immigrants are viewed practically as powerless slaves. This image relies on the assumption that the immigrants – especially men from southern Italy were too stupid to understand what was happening and too ignorant to learn from the many immigrants who had already returned to their village. In reality, Harney argues, padrones were both exploiters and helpful patrons of the immigrants. They provided jobs the immigrants would not otherwise find.

Arminda begs her uncle for permission to marry the Count, and Ramiro demands that the Podestà order Arminda to marry him. Don Anchise becomes confused and tells them to both do what they want, as long as they leave him alone ("Mio Padrone, io dir volevo"). After scorning Ramiro's affections yet again, Arminda leaves. Alone, Ramiro furiously swears he will never love another and that he'll die in misery, far from Arminda ("Va pure ad altri in braccio").

Albano Carrisi met Romina Power, daughter of American actor Tyrone Power, during the filming of the movie Nel sole, named after one of his songs, in 1967. He had already released a number of solo recordings and she by then had appeared in several Italian films. The two married in 1970 in Cellino San Marco. Their debut single, "Storia di due innamorati", was released the same year by the labels La voce del padrone and Odeon, and went on to become a minor hit in Italy.

His staff included a chancellor (cancelliere) or a secretary nominated by the Council of Ten, an adjutant (ammiraglio), a quartermaster (sopramasser), and a standard- bearer. For his personal service he had a head of household (maestro di casa), a steward (scalco), a cook (cuoco), a wine steward (canever), and two orderlies (fanti di pizzuol). In addition he had at his disposal a boat (felucca) with twelve boatsmen (caiccheri) and a rowed frigate with a captain (padrone), two steersmen (timonieri), two artillerymen (bombardieri) and 18 rowers (galeotti).

The Corleone crime family traces its roots to 1920, when Vito Corleone assassinated Little Italy's padrone, Don Fanucci, and took over Fanucci's territory along with fellow criminals Genco Abbandando, Peter Clemenza and Salvatore Tessio. Shortly afterward, he founded the Genco Pura Olive Oil Company as a front for his criminal activities. Around 1925, Vito formally organized the family, with Genco as his consigliere and Clemenza and Tessio as caporegimes. They became the most powerful crime family in New York City after defeating Salvatore Maranzano during the Olive Oil War in the early 1930s.

His typical mixtures of media and styles displayed a kind of applied experimentalism in which he reconciled the most ingenious sound research with the greatest evocative immediacy; he maintained the same kind of organisational rigour and expressiveness that was to be found in his concert music . His film work included the scores to Bandidos (1967), Gangsters '70 (1968), The Assassination of Trotsky (1972), Black Holiday (1973), Mr. Klein (1976), Padre Padrone (1977), Antonio Gramsci: The Days of Prison (1977), Charlotte (1981), Menuet (1982), The Malady of Love (1986), Salome (1986), and Havinck (1987).

Ludovico Ludovisi was born in Bologna, then part of the Papal States, the son of Orazio Ludovisi and Lavinia Albergati. Following in the footsteps of his uncle Alessandro Ludovisi, he was trained at the Jesuit Collegio Germanico of Rome, and went on to the University of Bologna, where he received his doctorate in canon law on 25 February 1615. Pope Gregory XV with his Cardinal-Nephew of unprecedented income and authority, Ludovico Ludovisi, known as il cardinale padrone (the Cardinal Boss). Pope Gregory XV and his nephew Cardinal Ludovico Ludovisi.

He later uses Andolini as his middle name in acknowledgement of his family heritage. Vito is taken in by the Abbandando family, who are distant relations of his, in Little Italy on New York's Lower East Side. Vito grows very close to the Abbandandos, particularly their son, Genco, who is like a brother to him. Vito earns an honest living at the Abbandandos' grocery store, but the elder Abbandando is forced to fire him when Don Fanucci, a blackhander and the local neighborhood padrone, demands that the grocery hire his nephew.

On 20 February, Cardinal Cesarini's majordomo, Bishop Antonio Bavano of Parenzo, died of the plague. The papal Master of Ceremonies, Johannes Burchard, notes in his Diary that he knew neither where nor how he was buried, since his padrone "was lacking in all goodness and humanity."Burchard, Diarium, III, p. 16: cum patronus suus careat omni bonitate et humanitate. On 26 February 1500, there was a grand reception of the Duke Valentino (Cesare Borgia) at the Porta del Popolo and a festive procession through the city to the Vatican.

In 1939, Savarone Fontini-Cristi is the padrone of an immensely wealthy and powerful Italian family. At this time, the Order of Xenope, a remote Greek monastic brotherhood, possesses ancient religious manuscripts, some of which, if authentic, are considered to be of enough significance to shatter the Christian religion. The Order of Xenope knows that the Nazis and Italian Fascists are seeking these long-rumored documents so must hide them. Because of his stature as a man of unsurpassed integrity, the Order entrusts the custody of these holiest of relics to Fontini-Cristi.

Paolo Taviani (; born 8 November 1931) and Vittorio Taviani (; 20 September 1929 – 15 April 2018), collectively referred to as the Taviani brothers, were Italian film directors and screenwriters who collaborated on film productions. At the Cannes Film Festival the Taviani brothers won the Palme d'Or and the FIPRESCI prize for Padre Padrone in 1977 and Grand Prix du Jury for La notte di San Lorenzo (The Night of the Shooting Stars, 1982). In 2012 they won the Golden Bear at the Berlin International Film Festival with Caesar Must Die. Vittorio Taviani died on 15 April 2018 at the age of 88.

Sbragia's more recent film appearances have been in Ricky Tognazzi's Canone inverso (2000) Tom Tykwer's Heaven (2001) and Brian Helgeland's The Order (2003). He has also appeared frequently on television, in productions such as Damiano Damiani's landmark MOW Lenin: The Train (1990), with Ben Kingsley, and Josee Dayan's 1998 version of The Count of Monte Cristo, with Gérard Depardieu. On stage, he has had major roles in productions of The Tempest, Orestes, Faust, and The Iliad. He is also a noted theater director who has staged successful Roman productions of Madame Bovary, Padrone Del Mondo, La Poltrona, and Ore Rubate.

In 1915 he performed at the Teatro Costanzi in Rome in the world premiere of the opera Una tragedia fiorentina by Mario Mariotti. From May 1914 through September 1915, Danise sang primarily in South America, in theatres in Uruguay, Brasil, and Argentina, such as the Teatro Colón in Buenos Aires. Back in Italy, the Italian arm of the HMV record company, La Voce del Padrone, made its first complete recording of Verdi's Rigoletto in May 1916, with Danise in the title role. Due to an unfortunate incident, however, some of the matrices were damaged before they made it to the fabrication process.

First American Film for Hill Thomas, Bob. Los Angeles Times 3 Sep 1976: f16 He had support parts in Il padrone delle ferriere (1959) with Virna Lisi, Juke box - Urli d'amore (1959), and Hannibal (1959) with Victor Mature and Carlo Pedersoli, who would later become known as Bud Spencer. Girotti had the lead roles in Spavaldi e innamorati (1959) and Cerasella (1959), a teen comedy. It was back to support roles with Carthage in Flames (1960), Un militare e mezzo (1960), and The Story of Joseph and His Brethren (1961) with Geoffrey Horne and Robert Morley, directed by Irving Rapper.

In the words of Kelley, by 1959, Sinatra was "not simply the leader of the Rat Pack" but had "assumed the position of il padrone in Hollywood". He was asked by 20th Century Fox to be the master of ceremonies at a luncheon attended by Soviet Premier Nikita Khrushchev on September 19, 1959. Nice 'n' Easy, a collection of ballads, topped the Billboard chart in October 1960 and remained in the charts for 86 weeks, winning critical plaudits. Granata noted the "lifelike ambient sound" quality of Nice and Easy, the perfection in the stereo balance, and the "bold, bright and snappy" sound of the band.

He then won the five- furlong Salisbury Foal Stakes by a length and a half from Eugenia Colt, followed by the Hurst Park Foal Plate, beating twelve rivals over the same distance at Hurst Park. On 5 July he easily won the five-furlong Bibury Club Junior Home-bred Stakes at Salisbury, starting as the 12/100 favourite and beating his only rival Amphinome by two lengths. Four days later he ran in the valuable five-furlong Great Foal Stakes at Lingfield Park. Starting as the 4/9 favourite, he took the lead after the field had run one furlong and ran on to win easily by three lengths from Padrone.

Apart from working as a producer and musician on several successful albums with Battiato (including L'era del cinghiale bianco and La voce del padrone), Pio also collaborated with him as a producer for several singers such as Milva, Alice and Giuni Russo. In 1984 Pio, Battiato and lyricist Rosario "Saro" Cosentino penned the Eurovision Song Contest entry "I treni di Tozeur", performed by Battiato and Alice, which finished 5th in the contest and became a considerable commercial success in Continental Europe and Scandinavia. Pio also released two instrumental LPs (also in collaboration with Battiato) under his own name, entitled Legione straniera (1982) and Restoration (1983).

Shelton studied voice with Robert Grayson at Louisiana State University and then at Yale University on the graduate level.austin360.com, January 25, 2009 He made his professional opera debut in 1994 while still at LSU as Tamino in Wolfgang Amadeus Mozart's Die Zauberflöte with Baton Rouge Opera. That same year he played the roles of Frederic in The Pirates of Penzance, the Second Composer in The Great Waltz and the Second Waiter in Giuditta with Ohio Light Opera.Ohio Light Opera 2004 In 1995 he sang the role of Dino in the world premiere of George Chadwick's The Padrone with the Waterbury Symphony at the Thomaston Opera House.

During the following year, Giraud was working at a Capuchin monastery when he was assigned to teach Byron Italian after the latter's return to Greece. The two spent their days studying, swimming, and taking in the landscape as Byron composed poetry. In a letter to John Hobhouse, dated 23 August 1810 and written at the Capuchin monastery of Mendele near Athens where he was residing, Byron states: > But my friend, as you may easily imagine, is Nicolo who by-the-by, is my > Italian master, and we are already very philosophical. I am his "Padrone" > and his "amico", and the Lord knows what besides.

Despite her dazzling career, Ayres Borghi-Zerni made relatively few recordings. She is best known for singing the role of Gilda in one of the first complete versions of Giuseppe Verdi's Rigoletto (with Giuseppe Danise as Rigoletto and Carlo Broccardi as Duca). This notable set was recorded by La voce del padrone in 1916 in Milan with the company of La Scala under the direction of Carlo Sabajno. Apart from this recording, Borghi-Zerni is known to have made six sets for Columbia Records, which include arias from Donizetti's Lucia di Lammermoor, Rossini's Il barbiere di Siviglia and Verdi's La traviata and Rigoletto, but they are lesser-known.

Ledda was born in Siligo, in the Province of Sassari, Sardinia, into a poor family of shepherds. Gavino's father made him leave school at the age of six, when he was only in the first year of his primary school education. Bursting into the classroom in the middle of a lesson, Ledda's father justified his position by saying that he needed the boy's help for his agricultural work, as Gavino was his eldest son. In scenes that feature in Padre padrone, he went on to say that school was a luxury that poor shepherds could not afford, and demanded that his son be handed over to him.

Ledda's emancipation from his "padre padrone" (the title of his biographical work has been translated into English as "My Father, My Master") began towards the end of his adolescence, when his father allowed him to take his elementary school exams as he had promised. Around the same period, his father's olive grove was destroyed by frost, and so Gavino and his brothers were denied the prospect of inheriting such valuable property. Ledda began to develop a passion for learning and a dogged determination to free himself from his life as a poor, illiterate shepherd trapped in a backward environment. First, he planned to emigrate to the Netherlands, but this plan failed.

The album, whose title translates as Stolen Jewels – Alice sings Battiato, followed the highly successful 1984 single and Eurovision Song Contest entry "I treni di Tozeur", a duet with the composer. Gioielli rubati includes songs from Battiato's pop albums L'era del cinghiale bianco (1979), Patriots (1980), La voce del padrone (1981), L'arca di Noè (1982) and Orizzonti perduti (1983). "Luna indiana" ("Indian Moon"), loosely based on Beethoven's "Moonlight Sonata" and originally largely instrumental had new lyrics penned by Francesco Messina, partly spoken and partly sung by Alice. Just like the preceding single "I treni di Tozeur", the album prominently features strings courtesy of the opera house La Scala, arranged and conducted by classical composer Roberto Cacciapaglia.

Aphrodite evokes a majestic image of the sea, and Tam O'Shanter (based on the tale by Robert Burns) is a work of musical story-telling of similar caliber as some of Richard Strauss's pieces, such as the latter's Don Quixote. Chadwick's most important stage work from this period is The Padrone, based on the realistic plight of Italian immigrants in the North End of Boston. It has a distinctive verismo style (realistic action integrated with a lyrical score). Although Chadwick considered this to be one of his finer works, it was not performed until 1995, when it was premiered by the Waterbury Symphony and conductor Leif Bjaland at the Thomaston Opera House.

Thanks to his friendship with the band Area and their singer Demetrio Stratos, in 1974 Finardi signed with the label Cramps, run by Gianni Sassi. 1975 saw the release of his first album Non Gettate Alcun Oggetto Dal Finestrino. The album was a mixture of the style of Italian singer-songwriters and Rock'n'Roll. Camerini on guitar, Lucio Fabbri on violin, Walter Calloni on drums were among the musicians who played on the record, which included a Rock version of traditional Italian protest folk-song Saluteremo Il Signor Padrone, and original songs by Finardi – one, Taking It Easy, in English – with social commentary about metropolitan alienation, against the compulsory national service in the Italian army, and political prisoners.

Olga Simzis (1887, Odessa, Russian Empire – ?) was an operatic soprano who was active in the United States, Italy and Latin America from 1906 to 1941. She created the role of Ermyntrude in Pietro Mascagni's opera Isabeau in its world premiere conducted by the composer at the Teatro Coliseo in Buenos Aires in 1911.Mallach, Alan (2002). Pietro Mascagni and His Operas, p. 293. UPNE She also sang the role of Gilda in some scenes of one of the first complete recordings of Giuseppe Verdi's Rigoletto (made in 1916–1917 by La voce del padrone with the company of La Scala under the direction of Carlo Sabajno), where she substituted the first-cast soprano Ayres Borghi-Zerni.

In some episodes, they may engage in one or more sexual encounters; in others, they may go to bed separately without doing so; occasionally, a participant may be so dissatisfied that he or she leaves the mansion early. Participants also occasionally "hook up" with the facilitators of the various activities in lieu of or in addition to their fellow residents. Notable singles from past seasons include Survivor contestant Ozzy Lusth, Big Brother 11 contestants Michele Noonan and Braden Bacha, adult actress Mika Tan, Diana Prince, Scarlett Fay, Kelly Divine, The Real World cast member Dunbar Flinn, Flavor of Love contestant Brooke "Pumkin" Thompson, I Love New York contestants Jason "Heat" Rosell and Sandro "Rico" Padrone.

Moreno stayed in Italy for a while after being removed as guardian of the three Hawaiian youths, and was a member of the Chamber of Deputies in the Kingdom of Italy until King Umberto I discharged all the deputies in 1882. He eventually returned to Washington, D. C. where he was active in the Italian community, trying to abolish the padrone system (a form of slavery) existent at that time in contract labor from Italy. In 1886, he persuaded Congressman Henry B. Lovering of Massachusetts to introduce a bill to ban importation of slave contact labor from Italy into the United States. On July 11, 1895, Moreno was indicted for libel against Italian minister to the United States, Baron Saverio Fava.

The New Discoveries were spared, and they remained in oblivion. Received at the Académie des inscriptions in 1712, Mandajors accessed to the rank of "associé" 9 August 1715 and on 23rd of the same month, to that of veteran. The Mémoires he left are almost all about the history of Languedoc, such as the Histoire de la Gaule narbonnaise, estimated book and several essays in the memories of the Academy; most deal with ancient geography points, such as Hannibal's camp position along the edges of the Rhone, the limits of Flanders, Gothia, etc. Mandajors also wrote a Servant of Two MastersGoldoni drew inspiration from this play for his own I Servitore di due padrone of 1745. (1718) at the Comédie Italienne and l’Impromptu de Nîmes (1714).

Although primary education had been compulsory in Italy since the Casati Act of 1859, Ledda's father accused the authorities of wanting to make school compulsory while, according to him: "la povertà, quella è obbligatoria" ("poverty, that's compulsory") (quote from Padre padrone). Having only attended school for a few weeks, Gavino could not yet read or write. His father, to all intents and purposes, had condemned him to illiteracy, in the same way that he had been treated by his own father, who had removed him from school in a similar fashion. Gavino's father promised him that he would be able to study when he was older, taking the elementary school leaving exams — usually taken at the end of five years of primary schooling — as an external candidate.

Born in Genoa to a Tuscan mother and a Sardinian father, Marisa Solinas made her film debut in 1961, but her career was launched the following year when she was chosen by Mario Monicelli to be the main actress in "Renzo e Luciana", one of the four episodes of Boccaccio '70; the same year she appeared in Bernardo Bertolucci's film debut, La commare secca and acted on stage in Fogli d'album at the Festival dei Due Mondi. Later she starred in a large number of genre films, especially spaghetti westerns, and appeared in several successful TV-series. She was also a singer, and published two albums and several singles, one of these released by La voce del padrone. She died on 12 February 2019, at the age of 79.

Advertisement for "His Master's Voice" gramophones in the Dutch East Indies, 1930s The "His Master's Voice" logo was used around the world, and the motto became well known in different languages. In Europe these include "La voix de son maître," (France), "La voz de su amo" (Spain), "A voz do dono" (Portugal), "La voce del padrone" (Italy), "Die Stimme seines Herrn" (Germany), "Husbondens Röst" (Sweden), "Głos Swego Pana" (Poland), "Sin Herres Stemme" (Norway) and "Sahibinin Sesi" (Turkey). On 1 April 2007, HMV announced that Gromit, the animated dog of Wallace and Gromit, would stand in for Nipper for a three-month period, promoting children's DVDs in its UK stores. The 1958 LP album cover of Elvis' Golden Records shows pictures of various RCA 45s with Nipper on their labels.

On the same day, his youngest brother Orazio was appointed Captain General of the Church at the head of the papal army. Pope Gregory XV with his cardinal-nephew of unprecedented income and authority, Ludovico Ludovisi, known as il cardinale padrone The future revealed that Gregory XV was not disappointed in his nephew. The Catholic Encyclopedia allows that "Ludovico, it is true, advanced the interests of his family in every possible way, but he also used his brilliant talents and his great influence for the welfare of the Church, and was sincerely devoted to the pope". Gregory secured for the Ludovisi two dukedoms, one for his brother Orazio, made a Nobile Romano and Duke of Fiano Romano, 1621, and the other, the Duchy of Zagarolo, purchased from the Colonna family by his nephew Ludovico Ludovisi in 1622.

Elizabeth Longford, in her 1976 biography, disagrees with the claims that there was a physical relationship between the two and argues, "Byron's especial favourite among the 'ragazzi' was Nicolo Giraud. He had first taken up with Nicolo while Hobhouse was away in Euboea the year before, but there is no evidence that his feelings for Nicolo were anything but romantic and protective." Jerome Christensen followed this view in 1993 and adds, "we know little more than what Byron tells us". Christensen points out that "although there is no evidence that Lord Byron, padrone and amico, was ever so vulgar as to set an exact market value on his sexual arrangements in Greece, Nicolo Giraud, Eustathius's replacement in Byron's affections, was employed as 'dragoman and Major Domo', a position that almost certainly entailed payment in love and money".

Plaque dedicated to Mascagni in the Albergo del Sole, Piazza della Rotonda, Rome In 1940, celebrations for the fiftieth anniversary of his most popular opera, Cavalleria rusticana, took place all over Italy, often with Mascagni conducting. The opera was recorded for La Voce del padrone ("His Master's Voice") at La Scala under the direction of Mascagni, who recorded a special spoken introduction. EMI later reissued the recording on LP and CD. In 1942, after an audience with Pope Pius XII, newspapers quoted Mascagni, a Roman Catholic, as saying that his tuberculosis- stricken niece was cured after receiving a rosary and silver medal blessed by the pope.Miracles and visions may make Pius XII a Saint, United Press International, UPI, 9 October 1958, In April 1943, Mascagni appeared for the last time at La Scala to conduct L'amico Fritz.

Prior to this debut, he also created the extensive lead role of John Higgs for Pacific Opera Victoria's critically acclaimed world premier of Erewhon from Canadian composer Louis Applebaum and librettist Mavor Moore. Both world premieres were recorded and broadcast nationwide on the Canadian Broadcasting Corporation. He also created lead roles in world premier operas such as Pulitzer Prize winning composer Robert Ward's Lady Kate, where he created the role of Tom Wade (leading to his first review in Opera News while still a student at Oberlin); and the role of Marco in The Padrone, a work written by Chadwick, former President of the New England Conservatory of Music in Boston. After a break of nearly three years to focus on his young family and on teaching, Howe returned to full-time performing in 2011 with a renewed passion for the stage.

Instruzione al cardinal Padrone circa il modo come si deve procurare una fazione di cardinali con tutti i requisiti che deve avere per lo stabilimento della sua grandezza ("Instructions to the chief cardinal on how to create a faction of cardinals with all the requisites for the establishment of his grandeur"), discovered in the archive of the Santa Maria de Monserrato offers advice to cardinal-nephews for consolidating power within the College of Cardinals. Another text, the Ricordi dati da Gregorio XV al cardinale Lodovisio suo nipote ("Memoir addressed by Gregory XV to his Nephew Cardinal Lodovisio") offers advice for how to rise within the Curia.Signorotto and Visceglia, 2002, p. 93. An analysis of the five papal conclaves between 1605 and 1644 shows that cardinal-nephews were generally unsuccessful in electing their chosen candidates, although the victor was usually a cardinal created by the deceased Pope.

George Scigliano, a lawyer who served on the Boston Common Council and the Massachusetts legislature at the turn of the century, worked to improve the lives of local Italians. Among other things, he called public attention to the exploitative padrone system, and worked to end it; he introduced legislation to regulate the loosely run "immigrant banks", which were notorious for cheating poorly educated workers out of their savings; he founded the Italian Protective League of Boston, a benevolent society for new immigrants; and he helped to defeat a bill that would have required workers to be naturalized. James Donnaruma, an immigrant from Salerno, founded La Gazzetta del Massachusetts, a popular Italian-language newspaper, in 1905. As editor he used his influence to help local Italians, advocating for them in his paper, writing letters to Congress, recommending people for jobs, supporting Italian political candidates, and making generous charitable donations.

1933 is the last year that Raisa performed a reasonably full schedule. Since January 1931 when she left the stage to prepare for the arrival of her daughter, having had six unsuccessful pregnancies, many things happened: the demise of the Chicago Opera, the world-wide deteriorating economic situation and a general contraction of operatic activity in the United States. But Raisa sang a run of Tosca in Genoa, created Manuela in Zandonai's one-act opera "Una Partita" at La Scala, sang Alice Ford in Falstaff with Rimini at the first Florence May Festival (Maggio Musicale Fiorentino), Tosca in the presence of Queen Mary at Covent Garden, recorded four verismo arias for Voce del Padrone in Milan, and sang five performances of Gli Ugonotti at the Arena in Verona with Giacomo Lauri-Volpi and a stellar cast. She can be seen, but not heard, in an edited version of the Act IV Love Duet with Lauri-Volpi who is thrilling as Raoul.

In 1905 he graduated in literature at the University of Pisa, discussing an experimental thesis on literary aesthetic criticism; from 1906 to 1910 he settled in Florence where, under the pseudonym A.B. Salu (in Gallurese dialect: "guess it"), he collaborated in La Voce directed by Giuseppe Prezzolini. In 1910 on the Rivista Musicale Italiana, with the presentation of Ildebrando Pizzetti, he published his first ethnomusicological work, Canti e cantadori della Gallura. in Enciclopedia Treccani online In the years between 1922 and 1925 Gabriel in Milan carried out an intense activity of popularizing the new technologies of sound reproduction, he started with the recording for La voce del padrone of the collection of traditional Sardinian songs entitled I canti di Gallura, dell'Anglona, Marghine e della Barbagia. Later he continued with a series of demonstration conferences, promoted by the Minister of Education Giovanni Gentile, which culminated in the publication of some educational manuals for the use of primary schools (among these: Il "Grammofono educativo" , Milano 1922; Programma discografico analitico per l'impiego del "Grammofono educativo" nelle scuole elementari italiane, 1924).

Two parties thus arose in the local population, the ducale, supportive of the duchy, and the comunista, supportive of an independent Commune of Bronte. Many indeed were highly sympathetic to the ideals of the French Revolution, and felt that Nelson had "smothered with bloodshed the Neapolitan Republic" and confounded their dream to live in a new society where feudalism would be extinguished. The Brontese historian Benedetto Radice wrote in 1928: "Thus Bronte, due to the fairytale of its name, got the honour of a duchy and was confirmed in the misfortune of vaselage, just like a dog on which its master places around its neck a fine collar of silver or gold",Così Bronte per la favola del nome ebbe l'onore della Ducea e confermata la sventura del vassallaggio, appunto come il cane a cui il padrone mette al collo una bella catena di argento o di oro and "The evils which afflict Bronte are twofold: Etna and the Duchy"due sono i più grandi mali che affliggono Bronte: l'Etna e la Ducea.