There is nothing in Comey's record to suggest he's this kind of bootlicker.
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Mr Masisi says he was once a "bootlicker", but is now his own man.
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Which was this was, I think the word was "bootlicker" and that we were just genuflecting Trump.
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She is the author of the novelette Porngirl, The Illustrious , as well as the short story zine Bootlicker .
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Democrats, predictably, are fuming about the committee's report, because it obliterates their longstanding calumny that Trump is a Putin bootlicker.
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It's not a problem that Pence is a sycophant in chief, perhaps the greatest bootlicker to take up residence at the Naval Observatory.
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So I guess it stands to reason that in a state so hellbent on suicide, its citizens would seriously consider voting for a merciless, skinflint presidential bootlicker like Matt Rosendale.
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A 2006 reissue of the album swaps the background artwork with The Bootlicker.
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The Bootlicker is the 11th studio album by the Melvins, which was released in 1999 through Ipecac Recordings. This album is the second part of a trilogy preceded by The Maggot and followed by The Crybaby. The Trilogy was later released on vinyl by Ipecac Recordings (The Trilogy Vinyl, IPC-011, November 27, 2000).
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The Maggot is the 10th studio album by the Melvins, which was released in 1999 through Ipecac Recordings. This album is the first part of a trilogy followed by The Bootlicker and The Crybaby. The Trilogy was later released on vinyl by Ipecac Recordings (The Trilogy Vinyl, IPC-011, November 27, 2000). On the CD version all songs are split into two tracks.
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The Crybaby is the 12th studio album by the Melvins, released in 2000 through Ipecac Recordings. It is the last part of a trilogy preceded by The Maggot & The Bootlicker. The trilogy was later released on vinyl by Ipecac Recordings (The Trilogy Vinyl. IPC-011, November 27, 2000), although "Divorced" was edited down and the last four tracks were excluded.
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The Trilogy Vinyl is a compilation of three albums by American sludge metal band Melvins, The Maggot, The Bootlicker, and The Crybaby, which were released one after another in a series, within a timespan of one year, with similar album covers. It was released exactly the same day that The Crybaby was released. The compilation lists that every song from all three albums is present, though it is not.
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The album was originally intended to be the third part of the band's 1999 album trilogy (The Maggot, The Bootlicker and The Crybaby) until they came up with the guest star idea for The Crybaby. The name of the album is taken from the John Fante book The Road to Los Angeles, in which the main character, Arturo Bandini, writes a book bearing the name Colossus of Destiny.
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History (MR: Ryŏksa) was the first long North Korean work to deal with Kim Il-sung during the Anti-Japanese struggle. Yan'an faction member Yi P'il-gyu expressed harsh criticism of History, aimed at Han's close relationship with Kim Il-sung: "Han Sŏl-ya — he should be killed. He deserves it even only for just one book — History. He is a very bad and harmful man; he is Kim Il Song's sycophant, a bootlicker".
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King Hiss however does seem to take a shine to Khan and seems to be quite impressed by his loyalty. Khan's personality is largely different from his 1980s incarnation. Although he still retains a portion of his independent and scheming nature, he is presented with a more youthful personality. Khan is also rather squeamish, especially at the thought of eating victims whole like the other Snake Men, and acts like a groveling bootlicker to King Hiss, doing his best to win favor in his King's eyes and outdo his rival, General Rattlor.
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Characters such as Simon Legree sometimes disappeared, and the title was frequently changed to something more cheerful like "Happy Uncle Tom" or "Uncle Dad's Cabin". Uncle Tom himself was frequently portrayed as a harmless bootlicker to be ridiculed. Troupes known as Tommercompanies specialized in such burlesques, and theatrical Tom shows integrated elements of the minstrel show and competed with it for a time. After the Civil War, the American stage was dominated by melodramas, minstrel shows, comedies, farces, circuses, vaudevilles, burleques, operas, operettas, musicals, musical revues, medicine shows, amusement arcades, and Wild West shows.
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Prior to the 2006 NBA draft, a group of reporters was invited to a pre-draft workout the team was holding. During a portion of the workout which was closed to the media, an Oregonian reporter looked through a curtain separating the press from the workout, and observed Gonzaga University star Adam Morrison, then considered a likely draft prospect for the team, playing poorly; he wrote about this on his blog. The team was outraged, and published a scathing criticism of Jason Quick on its website, closing subsequent practices to the press altogether. John Canzano responded with outrage on this blog, called the team "paranoid", and referred to Art Sasse, the Blazers' VP of communications, as a "henchman" and "Steve Patterson's personal bootlicker".
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While the lyrics largely drew from Berdan's personal struggles, namely insomnia, anxiety and "an absence of hope for a positive future," many critics drew parallels between them and the socio- political climate in the United States amidst inauguration of Donald Trump at the time of the album's release. Berdan sought to portray "human experiences that transcend politics" and stated that "none of these songs are meant to speak to anything more than a feeling that a character is experiencing," with the exception of "The Killing of America," a song about gun violence in the United States. The tracks such as "Habit" and "Bootlicker" deal with alcoholism, while "Tabloid" relates to a person's downward spiral with negative thoughts. Both "The Light at the End" tracks are about substance abuse while "Night of Fear" deals with Berdan's insomnia.
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Characters such as Simon Legree sometimes disappeared, and the title was frequently changed to something more cheerful like "Happy Uncle Tom" or "Uncle Dad's Cabin". Uncle Tom himself was frequently portrayed as a harmless bootlicker to be ridiculed. Troupes known as Tommer companies specialized in such burlesques, and theatrical Tom shows integrated elements of the minstrel show and competed with it for a time.. Minstrelsy's racism (and sexism) could be rather vicious. There were comic songs in which blacks were "roasted, fished for, smoked like tobacco, peeled like potatoes, planted in the soil, or dried up and hung as advertisements", and there were multiple songs in which a black man accidentally put out a black woman's eyes.. On the other hand, the fact that the minstrel show broached the subjects of slavery and race at all is perhaps more significant than the racist manner in which it did so.. Despite these pro-plantation attitudes, minstrelsy was banned in many Southern cities.. Its association with the North was such that as secessionist attitudes grew stronger, minstrels on Southern tours became convenient targets of anti-Yankee sentiment.. Non-race-related humor came from lampoons of other subjects, including aristocratic whites such as politicians, doctors, and lawyers.
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