It also invited budding Jane Austens to post their own oeuvres.
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The show features some of the remaining works of these artists' oeuvres.
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The two-volume 21918 Flammarion paperback edition of his Oeuvres complètes amounts to more than 22016 pages.
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Beltracchi considered himself a kindred soul to the early twentieth-century Expressionists, to whose oeuvres he made additions.
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The sale's top lot, Henri Michaux's "Trois Grandes Tâches, Passion Végétale [2 Oeuvres]" (1954–55), sold for €47,500 (~$55,000).
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Here we truly see Kandinsky represent the spiritual in art, a theme that runs through his visual and written oeuvres.
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Which is acceptable, because humans have long created oeuvres inspired by what has come before them, and the world around them.
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The catalogue, written by Min Khet Ye and edited by Nathalie Johnston, contextualizes and explains the trajectories of the artist's respective oeuvres.
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Artists often work quickly and anonymously, and present their oeuvres either in Reddit-like internet forums or public places with heavy foot traffic.
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La Ville va porter plainte contre ces personnes qui se font passer pour nos agents et qui décrochent des oeuvres de #streetart. pic.twitter.
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And Audiard's texts exist as islands unto themselves, devoid of the unifying aesthetic found in the oeuvres of, say, Wes Anderson or Spike Lee.
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They just wow with their low end, no matter if you're listening to Nine Inch Nails' synthetic oeuvres or Renaud Garcia-Fons strumming an actual bass.
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Many poets have in their oeuvres what they call an ars poetica to describe their philosophy of writing, inspired by a 2,000-year-old verse by Horace.
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Lucky for us, just before perishing, Lequeu donated his complete set of beguiling graphic oeuvres to the Bibliothèque nationale de France (BnF) who has helped organize this exhibition.
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A piece like "Geste: détruire mes oeuvres d'art" ("Gesture: Destroy My Artworks," 1961/1972) might suggest otherwise, but Vautier's work is not supposed to be about a return to Romantic expressionism.
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"These novels captured the culture of a particular time in postwar America," said Richard Robinson, the chief executive of Scholastic, whose book clubs had titles from the Cavanna, du Jardin and Emery oeuvres.
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If among the curator's tasks is the illumination of artworks' underlying potentialities by placing them in physical proximity, then such a pairing of oeuvres is an instance of the curatorial act at a rudimentary level.
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But within this slow evolution are faster cycles, certain artists who keep it moving so that their individual oeuvres come to constitute minihistories of photography: artists like Paul Strand, Berenice Abbott and Joel Meyerowitz. 3.
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Henri Michaux, "Trois Grandes Tâches, Passion Végétale [2 Oeuvres]" (1954-55), India ink on paper (image courtesy Sotheby's)Sotheby's Alias Daniel Cordier Paris online sale brought in a total of €554,000 (~$640,0003) from September 24–October 1.
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In doing so, they were able to present a greater selection of work by each artist, offering the opportunity to explore their oeuvres in greater depth than if only one or two works by each were on view.
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His most famous work, "Kiss," from 103, involves a man and a woman recreating iconic embraces from artworks throughout history, inspired by oeuvres as distinct as those of Auguste Rodin and Jeff Koons, on the floor of an exhibition space.
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These movies were for the most part not intended for viewing by the public, let alone alongside other works, and taken together they run the gamut from amateurism to outsider art, from arcana to valuable additions to the oeuvres of established experimental filmmakers.
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Art Review Back in the late 19813s, when ambitious painters were obliged to produce big, bold abstractions, Lucas Samaras took up pastel, a fragile, intimate medium that had not given rise to history-making oeuvres since the days of Edgar Degas and Odilon Redon.
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Gironcoli's thingness — the cold, metallic paint and aggregation of precisely defined, recombinant forms (some of which are cut out and collaged into the composition, augmenting their tactility) — is a thoroughgoing contradiction of Bacon's painterly expressionism (though both oeuvres can be seen as suffused with Sartre's Nausea).
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In New York City, the Party on Park Avenue package at the Loews Regency New York Hotel includes overnight lodging in a suite for 2650 guests plus a 22-hour cocktail party for up to 21 guests complete with open bar, a dedicated bartender, Veuve Clicquot champagne, hour oeuvres and champagne toast at midnight.
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"The interest in both of their oeuvres shows that Chinese in China are getting more and more interested in other Chinese stories of modernity — That is, stories other than the ones that happened in the P.R.C.," said Shane McCausland, a professor of art history at the School of Oriental and African Studies in London, referring to the People's Republic of China.
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If the searing emotionalism found in the work of most repeat memoirists (Angelou, Augusten Burroughs, Mary Karr, Jamaica Kincaid, Joyce Maynard, Frank McCourt, Lauren Slater) would seem to have been generated by forces other than those fueling writers who, at the end of, or well into, their careers, tack on a few autobiographical works to their oeuvres (Diana Athill, Gore Vidal), one quality unites all these writers.
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Neither of the exhibitions feature textbook examples of the artists' oeuvres: Baby Tycoons is the name of a series of small, brightly colored sculptures welded from steel scraps, which Chamberlain began in 21967 and continued until his death in 21970; Forms Larger and Bolder is a mini-retrospective of Hesse's works on paper, from teenage juvenilia and student croquis through a working drawing she made in 21965, the year she died.
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Sigrun Richter, Les Accords Nouveaux: Pierre Gaultier – Les Oeuvres, Rom 1636, ASIN: B000024PKV.
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Jean-Joseph Vadé (17 January 1720 – 4 July 1757) was a French chansonnier and playwright of the 18th century."Avertissement : Sur la Vie et les Oeuvres postumes de M. Vadé" in Oeuvres de M. Vadé, vol. 4 (London, 1758) at Google Books.
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His works, Oeuvres complètes (4 vols. 1821), contain a notice by Villenave, who edited them.
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Chartier, Alain. Les Oeuvres de Maistre Alain Chartier. Ed. André Du Chesne. Paris: S. Thiboust, 1617.
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The first group is represented by his annotated translations of Plutarch, published partly within the well-known Collection Budé.Plutarque, Oeuvres morales Tome VIII : Traités 42-45. He also collaborated in Plutarque, Oeuvres morales Tome II : Traités 10-14. The second group is represented by his doctoral dissertation mentioned above.
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The Association of International Collective Management of Audiovisual Works (AGICOA; French: Association de Gestion Internationale Collective des Oeuvres Audiovisuelles).
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Paris: Pauvert, 1986-91 (the Dialogue is in vol. 1). and Michel Delon.de Sade, Donatien-Alphonse-François. Oeuvres. 3 vols.
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First page of Marie de Romieu's "Les Prémières Oeuvres" The first work signed by “Marie de Romieu” surfaced in Paris in 1581, titled Les Premières Oeuvres Poétiques de ma Damoiselle Marie de Romieu Vivaroise. A sort of anthology of verse, it contained occasional brief pieces flattering some authority figures in Viviers. Premières Oeuvres features de Romieu's discourse on the superiority of women as its opening piece. The entirety of the work was made up of a mixture of styles common to the Renaissance which included elegies, eclogues, odes, sonnets and hymns.
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Letter from Claude Saumaise to Ismaël Boulliau, 7 March 1638. Charles Adam and Paul Tannery. ed. (1996). Oeuvres de Descartes. Paris: Vrin, vol.
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Artistes de la Société Moderne Catalogue des Oeuvres exposées par les Artistes Membres de la Société Moderne du 6 au 25 février 1911. (Galerie DURAND-RUEL) 3ème année; Catalogue des Oeuvres exposées par les Artistes Membres de la Société Moderne du 10 février au 2 mars 1912. (Galerie DURAND-RUEL) In 1912, Henry Ottmann exhibited at the gallery Eugène Druet.
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The frank expression of female desire had previously been confined to comic genres such as fabliaux.All quotes relating to the work's reception by critics from pages 250-261, Oeuvres complètes présentation par François Rigolot, Flammarion, 2004, Paris. (1st edition 1986)Other general discussion e.g. related to feminism and the originality of the poet, see the introduction to Oeuvres poétiques / Louise Labé.
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1818), 286–7 (Nov. 1818); reprinted in H. de Senarmont, E. Verdet, and L. Fresnel (eds.), Oeuvres complètes d'Augustin Fresnel, vol.2 (1868), pp.
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Toynbee, "Songs of Berenger", 1892, p. 24. and "Mon Habit" (My Coat)Oeuvres complets, volume 1, 1847, pp. 221–2. belong to this period.
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Oeuvres de Maximilien Robespierre, Band 9 by Maximilien Robespierre,p. 263-264 The next day Louis XVI was guillotined at the Place de la Révolution.
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1755) in Oeuvres de Louis Racine (6 volumes, Paris, Le Normant, 1808), volume 6, pp. 575–582.L’Épître II sur l'homme (1747) in Oeuvres de Louis Racine, volume 2, pp. 123–134. Louis Racine was characterised by Voltaire, the leading French intellectual of his day, as le bon versificateur Racine, fils du grand Racine ("the good versifier Racine, son of the great Racine").Biographie universelle classique, p.
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In Recueil General des Oeuvres et Fantaisies de Tabarin, Tabarin was the buffoon who attracted the crowd to the booth where Mondor sold his quack medicines.
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Daskalakis, Ap. V. [Δασκαλάκης, Απ. Β.], Les oeuvres de Rhigas Velestinlis, Παρίσι 1936, και Ο Ρήγας Βελεστινλής ως διδάσκαλος του Γένους, Αθήναι ,1977, p.138-139.
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London: G.W. Foote & Co. Ltd., 2001. including in scholarly editions of the works of Sade edited by Gilbert Lely,de Sade, Donatien-Alphonse-François. Oeuvres complètes.
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12 Études, op.10. Édition de travail des oeuvres de Chopin. Paris: Éditions Salabert, 1915, p. 20 Exercise for touch differentiation in the right hand (after Cortot).
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12 Études, op.10. Édition de travail des oeuvres de Chopin. Paris: Éditions Salabert, 1915. His preliminary exercises commence to address the narrow and wide positions separately.
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Jean Passerat. Recueil des oeuvres poétiques de Ian Passerat augmenté de plus de la moitié, outre les précédentes impressions. [Ed. Jean de Rougevalet.] Paris: Morel, 1606. 344-5.
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Together with François Chopart (1743-1795), he published Traité des maladies chirurgicales (1779), and Bichat published a digest of his surgical doctrines in OEuvres chirurgicales de Desault (1798-1799).
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219–21 ff. He made much of his humble origins in "Le Villain" (The Plebeian):Oeuvres complet, vol. 1, 1847, pp. 185–6.Young, 1850, p. 135–7 ff.
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Feret, p. 7. He was commanded to preach before the king at the convent of Vincennes (1585), when the success of his sermon on the love of God,Les Diverses Oeuvres de l'illustrissime cardinal Du Perron seconde edition (Paris, 1629), pp. 533-580. and of a funeral oration on the poet Ronsard (on February 24, 1586, after dinner),Les Diverses Oeuvres de l'illustrissime cardinal Du Perron seconde edition (Paris, 1629), pp. 649-676.
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Every public square should be used to produce arms and pikes. Robespierre () Oeuvres, Tome 9, p. 514-515 On 18 May Marguerite-Élie Guadet proposed to examine the "exactions" and to replace municipal authorities.
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However, the portrait remained in the artist's possession. It was in the inventory of works inherited by Manet's widow Suzanne on his death in 1883.Tabarant, Adolphe (1947). Manet et ses oeuvres, p. 365. Gallimard.
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A 19th-century painting of the Crucifixion. 54. Wooden 17th-century statue of the Virgin Mary with child. 55. A wooden 15th- century crucifix. 56. The 1560 stained glass window "Les Oeuvres de Miséricorde". 57.
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275px Robert Barto (born 1950's in San Diego) is an American lutenist specializing in the music of the Baroque and Empfindsamkeit periods, in particular the oeuvres of Sylvius Leopold Weiss and Bernhard Joachim Hagen.
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Coignard - Œuvres chrestiennes, 1900 Les oeuvres chrétiennes is a compilation of 129 individual sonnets (Les sonnets spirituels, or "Spiritual Sonnets") and 21 other poems (Les vers chrétiens, or "Christian Verses") that employ a variety of Christian themes and biblical imageries.Coignard and Gregg, 5. Although Oeuvres focuses on some secular themes, it is first and foremost a religious text, and its preface makes that abundantly clear. This introduction, written by Coignard's daughters, dedicates her work to two “devout” and “venerable” ladies that their mother greatly admired.
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Chimot died in Paris in 1959. A bibliography of Chimot’s illustrated booksJ. L. Bernard, Édouard Chimot, 1880-1959: Bibliographie des oeuvres illustrés, (J-L Bernard, 1991). was published in an edition of 200 copies in 1991.
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The Oeuvres of Rutebeuf were edited by Achille Jubinal in 1839. A more critical 1885 edition is by Adolf Kressne.Rustebuefs Gedichte; Wolfenbüttel, 1885 He was reviewed Paulin ParisHist. lit. de la France (1842), vol. xx. pp.
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Oeuvres complètes. (Paris: Seuil, 1960), p. 618 This piece is now known as the Memorial. The story of a carriage accident as having led to the experience described in the Memorial is disputed by some scholars.
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Egon Schiele: The Graphic Work (New York: Crown Publishers, 1970). He also authored catalogues raisonnés documenting the oeuvres of Grandma Moses (1973)Otto Kallir, Grandma Moses (New York: Harry N. Abrams, Inc., 1973). and Richard Gerstl (1974).
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Agathocle was first printed in volume six of the Kehl edition of Voltaire's Complete Works (Oeuvres Completes de Voltaire, Kehl, 1784, Volume 6, pp. 337-393). No contemporary printings of the play on its own are known.
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13 (1753–1754), pp. 70–72. the French poet Louis Racine (c. 1755)"Éclaircissement sur la fille sauvage dont il est parlé dans l’Épître II sur l’homme" (c. 1755) in Oeuvres de Louis Racine (6 vols, Paris, Le Normant, 1808), vol.
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Fermat's proof demonstrates that no right triangle with integer sides can have an area that is a square.Fermat P. "Ad Problema XX commentarii in ultimam questionem Arithmeticorum Diophanti. Area trianguli rectanguli in numeris non potest esse quadratus", Oeuvres, vol. I, p.
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193 (Montpellier: J. Martel, 1737–1739).Sophia Menache, Clement V, p. 218, 2002 paperback edition (Cambridge University Press, originally published in 1998).Germain-François Poullain de Saint-Foix, Oeuvres complettes de M. De Saint-Foix, Historiographe des Ordres du Roi, p.
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2497 His Oeuvres complètes (complete works) were collected in six volumes and published in Paris in 1808. He was said by his contemporaries to have been a very personable, humble man who was sincerely pious and fluent in seven languages.
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For an account of Zachariae and his works, see Robert von Mohl, Geschichte u. Literatur der Staatswissenschaften (1855–58), and Charles Brocher, K. S. Zachariae, sa vie et ses oeuvres (1870); cf. also his biography in Allgem. Deutsche Biographie (vol.
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In 1594, eight years after Coignard's death, Jeanne and Catherine de Mansencal published their mother's entire catalog of religious poetry under the title Oeuvres chrétiennes, which would gain substantial recognition in the early 17th century as a poetical devotional text.
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Page of "Les Prémières Oeuvres Poétiques" containing the beginning of Marie de Romieu's "Brief dicsourse". Perhaps the most widely known work associated with Marie de Romieu, her Brief discourse on the superiority of woman over man, was a response to an anti-feminist text penned by her brother, Jacques. Some critics attribute Jacques as the actual author of the Discourse, but this theory has been mostly rejected due to stylistic differences. Featured as the first piece in Premières Oeuvres, de Romieu's discourse on the superiority of women builds itself by praising the courage, wit and virtue of women.
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The French translation of 1989 (revised in 1996) was by Jusuf Vrioni. It appears in volume 4 of Kadare's collected works (Ismail Kadare: Oeuvres). The English version by David Bellos, published in 1997, was made on the basis of the French translation.
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Chalilakath kunahmmad Haji not only famed by his respected teachers but also he was famed by his dominant oeuvres and pious disciples. He forced him himself to gain the satisfaction and content of his teacher. So he became a luminous leader of Kerala.
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From this, the performer is given the cue to approach the repeated material differently the second time it occurs. F. Chopin, Mazurka Op. 6 No. 1 bar 9-10, Oeuvres complètes de Frédéric Chopin, Band 1, Bote & Bock, 1880 image from imslp.
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He argued that: > His [Keynes's] followers understandably decided to skip the problematical > dynamic analysis of Chapter 19 and focus on the relatively tractable static > IS-LM model.Peter Howitt, English draft of entry on Leijonhufvud's book for > the Darroz Dictionnaire des grandes oeuvres économiques.
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Denis Diderot. Oeuvres complètes de Diderot: revues sur les éditions originales, comprenant ce qui a été publié à diverses époques et les manuscrits inédits, conservés à la Bibliothèque de lErmitage, notices, notes, table analytique, Volume 11. Garnier frères, 1767. p. 366 :- Denis Diderot, 1767.
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The Valsassina Ensemble Wien (also: Valsassina Ensemble) is an Austrian chamber orchestra. It was founded in Vienna, Austria by the Austrian-Mexican singer León de Castillo in 2012. The orchestra is focused on Austrian repertoire and on oeuvres of the 19th, 20th and 21st century.
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She covered the development of the literature to the 18th century, provided sketches of nineteen authors, including Turgenev, Gogol and Tolstoy, and erudite coverage of the literary oeuvres of the great Russians. For the Turkish reading public, this was a wide-ranging and detailed introduction.
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Oeuvres philosophiques, latines et françoises, de feu Mr. de Leibnitz, tirées de ses manuscrits, qui se conservent dans la bibliothèque royale à Hanovre, et publiees par Rud. Eric Raspe, Amsterdam et Leipzig, 1765. Like many philosophical works of the time, it is written in dialogue form.
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The original castle was built in 990 by Aremburga of Ancenis, widow of Guerech, Duke of Brittany,Aimé Champollion, "Droits et Usages", Revue archéologique, p 517 Paris 1860 . Retrieved 1 January 2019. \- Camille Mellinet, Oeuvres littéraires d'Éd. Richer p 353, Nantes 1888 . Retrieved 1 January 2019.
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The CROUS (Centres Régionaux des Oeuvres Universitaires et Scolaires) is a service to improve student life. Every student can access its services. CROUS can help students find accommodation closer to their universities. In 2011, more than 8,500 students were housed in 25 residences managed by the CROUS.
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130, pag. 151 a result that Huygens would have been looking for a long time yet. So he proposed Huygens to submit his better telescope to a test in Holland, while the same test would be done in Italy to Divini's better telescope.Christiaan Huygens, Oeuvres Complètes, Vol. III.
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Sophia Menache, Clement V, p. 218, 2002 paperback edition (Cambridge University Press, originally published in 1998).Germain-François Poullain de Saint-Foix, Oeuvres complettes de M. de Saint-Foix, Historiographe des Ordres du Roi, p. 287, Volume 3 (Maestricht: Jean-Edme Dupour & Philippe Roux, Imprimeurs-Libraires, associés, 1778).
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An illustration from Jules Verne's essay "Edgard Poë et ses oeuvres" (Edgar Poe and his Works, 1862) drawn by Frederic Lix or Yan' Dargent. Powerful whirlpools have killed unlucky seafarers, but their power tends to be exaggerated by laymen.MythBusters Episode 56: Killer Whirlpool. Mythbustersresults.com. Retrieved 26 October 2011.
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The Society of London Art Dealers is an organization founded in 1932 for the promotion of dealers of fine art and antiquities in London. It is a founder member of the British Art Market Federation and a member of the Confédération Internationale des Négociants en Oeuvres d'Art (CINOA).
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339–475; reprinted in Oeuvres complètes d'Augustin Fresnel, vol. 1 (Paris: Imprimerie Impériale, 1866), pp. 247–364; partly translated as "Fresnel's prize memoir on the diffraction of light", in H.Crew (ed.), The Wave Theory of Light: Memoirs by Huygens, Young and Fresnel, American Book Company, 1900, pp. 81–144.
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On 22 March 1814, she was promised 21 years of interest on her father's investment in the public treasury.Othénin d’Haussonville, p. 195, 205 After his death his daughter published "Vie privée de Mr. Necker". His grandson Auguste de Staël (1790 – 1827) edited the Complete Oeuvres by Jacques Necker.
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She has published a number of professional articles, studies, music chronicles in papers as Muzica, Contemporanul, Informația Bucureștiului, Revista de Etnografie și Folclor and a book, L'originalité de la musique roumaine: á travers des oeuvres de chambre et de scène d'Enesco, Jora et Constantinesco, Editura Muzicală, București, 1979.
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37 manuscripts of the text survive and are housed in libraries and private collections throughout the world. One manuscript and several images of another can be consulted online through the Bibliothèque nationale de France. Oeuvres diverses d'Alain Chartier et pièces anonymes. Bibliothèque nationale de France, fonds français 24440.
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Manuscript evidence cited by Alan E.Shapiro tends to confirm that Huygens believed the principle of least time to be invalid "in double refraction, where the rays are not normal to the wave fronts".Shapiro, 1973, p.229, note 294 (Shapiro's words), citing Huygens' Oeuvres Complètes, vol.13 (ed.
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Corcoran, Marlena. "Life and Death in the Digital World of the Plaintext Players." Leonardo 32.5 (1999): 359-364. The first series, "Christmas" (1994–95), was followed by several others, including "LittleHamlet" (1995), "Gutter City" (1995), "The Candide Campaign" (1996), forming one of the most extensive oeuvres of early cyberspace performance.
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This is a partial list of surviving works by Nivers. See William Pruitt, "Bibliographie des Oeuvres de Guillaume Gabriel Nivers", Recherches sur la musique française classique, Vol. XIII (1973), pp. 133–156. Notes on other publications located after that article was published are in papers deposited in Cambridge University Library (U.K.).
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He was appointed as diplomatic attache at the French embassy in Constantinople in 1903. He wrote Les Ébénistes du XVIIIe siècle leurs oeuvres et leurs marques in 1927. Two years later, in July 1929, he gifted a copy to Queen consort Mary of Teck. The book was republished seven times.
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She was working on her fifth book (a novel set in the early 1900s). One of her oeuvres is a semi- fictitious biography called My Way, two are detective stories: "The Key" and "The Portrait" and one is a book for children, Sonia, which she hoped to have illustrated and published.
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Amongst these are Estat des fideles apres la mort; Sur l'oraison dominicale; Du merite des oeuvres; Traité de la justification; and paraphrases of books of the Old and New Testament. His closing years were weakened by a severe fall he met with in 1657. He died on 18 January 1664.
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Oeuvres créatrices complètes Parti pris, Montreal, 1977. The art of Claude Gauvreau was revolutionary. He deconstructed, reconstructed and invented vocabulary through his own form of sound poetry, creating what he called explorean language. His life and work influenced a new generation of Canadian artists, including iconic performance poets The Four Horsemen.
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Noterman started painting portraits but quickly moved to genre scenes and then animal paintings. His representations of dogs were particularly well prized.Edmond-Louis de Taeye, 'Les artistes belges contemporains: leur vie, leurs oeuvres, leur place dans l'art', Castaigne, 1894 , p. 63 Noterman also painted multiple scenes with cats and dogs.
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The Mansencal family crest Gabrielle de Coignard (1550?–1586) was a Toulousaine devotional poet in 16th-century France. She is most well known for her posthumously published book of religious poetry, Oeuvres chrétiennes ("Christian Works"), and her marriage into the prominent political family of Toulousain president Jean de Mansencal in 1570.
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He wrote Traité de l'écrasement linéaire (1856); Leçons sur la trachéométrie (1855); Clinique chirurgicale (1854–58); Traité pratique de la suppuration et du drainage chirurgical (two volumes, 1859). With Gustave-Antoine Richelot (1806-1893) he published a French translation of the surgical works of Astley Cooper, Oeuvres chirurgicales complètes d’Astley Cooper.
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Miami Book Fair International also includes as part of its list of events hors d-oeuvres, a complimentary cocktails and nightly entertainment before the weeknight author presentations. The Kitchen combines cooking demonstrations and author readings by featured cookbook authors and chefs in an intimate, culinary setting as they recreate recipes from their books.
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The Accursed Share was first published by Les Éditions de Minuit in February 1949. Volume II: The History of Eroticism, and Volume III: Sovereignty, were originally published as volume 8 of Bataille's Oeuvres Complètes by Éditions Gallimard in 1976. In 1988, Zone Books published the book in an English translation by Robert Hurley.
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During the early years of the French Revolution he issued several pamphlets against Mirabeau, who returned his ill-will with interest, calling him 'the ignorant and bombastic M. Linguet, advocate of Neros, sultans and viziers'.Mirabeau, Victor. Oeuvres de Mirabeau précédées d'une notice sur sa vie et ses ouvrages. Paris (1835). p.
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Thomas Goulard (1697–1784) was a French surgeon famous for Goulard's extract, a solution of lead(II) acetate and lead(II) oxide which was formerly used as an astringent. Goulard was a surgeon and anatomist in Montpellier who specialized in genitourinary disorders. His best known written work is titled Oeuvres de Chirurgie.
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"...Du mau saint Leu, de l'esvertin, Du saint Josse et saint Matelin... soit maistre Mahieu confondus!".Among a host of ills wished upon Master Matthew, Eustache wishes "the ill of Saint Leu, a spell of madness, those of Saint Josse and Saint Matelin..." (Eustache Deschamps, Oeuvres complètes DCCCVI ((Paris 1884) vol. 4, p. 321).
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At that time, it was customary to denote as "epochs", not the standard date and time of origin for time-varying astronomical quantities, but rather the values at that date and time of those time-varying quantities themselves.M Chapront-Touzé (ed.), Jean le Rond d'Alembert, Oeuvres Complètes: Ser.1, Vol.6, Paris (CNRS) (2002), p.
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Descartes, René, Progymnasmata de solidorum elementis, in Oeuvres de Descartes, vol. X, pp. 265–276 A generalization says the number of circles in the total defect equals the Euler characteristic of the polyhedron. This is a special case of the Gauss–Bonnet theorem which relates the integral of the Gaussian curvature to the Euler characteristic.
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These books contain several explanations of the Spiritism Doctrine, as well as religious teachings and essays on the spirit world, mediumship, miracles, paranormal and supernatural phenomena. Two other books were published to complement the teachings of Allan Kardec: Qu'est-Ce Le Spiritisme? ("What is Spiritism?") in 1859 and Oeuvres Posthumes ("Posthumous Works") in 1890.
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During his exploratory journey of 1603 on the St. Lawrence River, Champlain designated this river in the form of "Little River". This watercourse was later designated under the following variants: “Bergeron river” and “Rivière du Sot”.Source: CHAMPLAIN, Samuel de, Oeuvres de Champlain, presented by Georges-Émile Giguère, Montréal: Éditions du Jour, 1973, vol. I, p. 23.
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Rude lived in Brussels from 1817 until 1826. where he found many other self-imposed exiles, the most famous of whom was the painter Jacques- Louis David. Rude's wife, a painter, became David's pupil and then his copyist.L. de Fourcaud, François Rude, sculpteur: ses oeuvres et son temps 1904, pp 100-12, noted in Symmons 1973:595, note 25.
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An account from 27 January 1377 records the purchase of 26 pounds of ivory for Mainreville, tailleur de menues oeuvres. Based on this an ivory figure of the Trinity in the Museum of Fine Arts, Houston may be attributed to him. Jean de Marville created an important school of sculpture. Claus Sluter was the most noted member.
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Note that this method can never absolutely verify (prove the truth of) 2. It can only falsify 2."I believe that we do not know anything for certain, but everything probably." —Christiaan Huygens, Letter to Pierre Perrault, 'Sur la préface de M. Perrault de son traité del'Origine des fontaines' [1763], Oeuvres Complétes de Christiaan Huygens (1897), Vol.
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After his death, the works were printed in a special 1956 issue of Verve, entitled "Les Derniers Oeuvres de Matisse", though only the ones finished before his death bear his signature. The series was later shown at the Museum of Modern Art from October 2014 to February 2015 as part of the exhibition Henri Matisse: The Cut-Outs.
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De Ingres a Paul Delvaux: Oeuvres de peintres, sculpteurs, graveurs, membres de l'Academie aux Musees royaux des beaux-arts de Belgique et a la Bibliotheque royale Albert 1er, presentees a l'occasion du deuxieme centenaire de l'Academie Royale des sciences, des lettres, et des beaux-arts de Belgique, issue 1 (Brussels: Palais des académies, 1973). and many others.
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She wanted to change this. Albertine also wrote a biography of her friend Germaine de Staël for the first collected edition of de Staël's works, in 1821.Les Oeuvres completes de Madame la Baronne de Stael, publiees par son Fils. Precedees d'une notice sur le caractere et les ecrits de Madame de Stael, par Madame Necker de Saussure.
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It is not known exactly when Sabatté enlisted with the French army, although a patriotic postcard sent to fellow ex alumni of the École des Beaux-Arts, now serving in the French army, is dated 1915. We know that he was appointed head of his unit, the Protection et d’évacuation des monuments et oeuvres d’art in October 1916.
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Institut national du patrimoine (Inp) is one of the most recent French leading schools ("grandes écoles") the name of which was given in 2001. The aim of this institution was to gather two previous public institutions : Institut français de restauration des oeuvres d'art (IFROA) established in 1977 and École nationale du patrimoine (ENP) created in 1990. Institut français de restauration des oeuvres d'art was used to train conservators and was attached to École nationale du patrimoine in 1996. The establishment of École nationale du patrimoine was linked to the creation of a new profile of French civil servants : the heritage curators, whose missions started from state level and developed to the City of Paris and local government level, thanks to an agreement with Centre national de la fonction publique territoriale (CNFPT).
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De Locis Planis is a collection of propositions relating to loci that are either straight lines or circles. Since Pappus gives somewhat full particulars of its propositions, this text has also seen efforts to restore it, not only by P. Fermat (Oeuvres, i., 1891, pp. 3–51) and F. Schooten (Leiden, 1656) but also, most successfully of all, by R. Simson (Glasgow, 1749).
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Enenkel argues that it is improbable that Marullus was born in Constantinople. On the contrary, he suggests that the poet was born after the city fell to the Sultan in 1453. The French poet Pierre de Ronsard (1524–1585) considered Marullus as one of his teachers and dedicated an epitaph to him.Pierre de Ronsard, Oeuvres complètes, Librairie A. Franck, Paris, 1866, Vol.
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In musical acoustics, he noted the importance of vibration on consonance and dissonance. His study "De la Musique des Anciens" in the Oeuvres diverses discussed how combinations of notes yields harmony. It also contains critical examinations of old manuscripts on European music. His brother, Charles Perrault, is remembered as the classic reteller of the old story of Cinderella among other fables.
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The novel also appeared in the 1943 publication Les Oeuvres Nouvelles, Vol. 3 (Edition De La Maison Francaise). Savain eventually became a newspaper columnist, as well as lawyer, teacher, and author. His artistic works, known for their bright colors, have been displayed in numerous art galleries, such as the Corcoran Gallery and the Grand Central and Riverside Museum in New York.
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Frontispiece of Pierre Contant d'Ivry's Oeuvres d'architecture (1769) with his portrait and showing his revised plan for the Église de la MadeleineBraham 1980, p. 50. Pierre Contant d'Ivry (11 May 1698 in Ivry-sur-Seine – 1 October 1777 in Paris), was a French architect and designer working in a chaste and sober Rococo style and in the goût grec phase of early Neoclassicism.
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Gournay was credited with the phrase by Jacques Turgot ("Eloge a Gournay", Mercure 1759), the Marquis de Mirabeau (Philosophie rurale 1763 and Ephémérides du Citoyen, 1767.), the Comte d'Albon ("Éloge Historique de M. Quesnay", Nouvelles Ephémérides Économiques, May, 1775, pp. 136–137) and DuPont de Nemours (Introduction to Oeuvres de Jacques Turgot, 1808–11, Vol. I, pp. 257, 259, Daire ed.) among others.
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The following words from the preface to his Notices sur mes oeuvres sum up what really mattered to him: "I think … I can say that I have not been a useless servant of art. I have done what I could. The future will decide if anything of this work will survive me to the greater glory of God."Notices, p. 18.
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Christiaan Huygens, Oeuvres complètes, vol. XXII, p. 732, footnote He was said by anatomist Theodor Kerckring to have produced an "excellent" microscope, the quality of which was the foundation of Kerckring's anatomy claims.Theodore Kerckring, "Spicilegium Anatomicum" Observatio XCIII (1670) During his time as a lens and instrument maker, he was also supported by small but regular donations from close friends.
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Marcus Plested observes that Scholarios' "love and esteem for Thomas was to continue undimmed throughout his career" "although he would often accentuate the note of caution in later works." Despite his cautions Scholarios writes of Thomas "we love this divinely-inspired and wise man."Luis Petit, Xenophon Sidéridès, Martin Jugie, Eds. (1928-36), Oeuvres Complètes de Georges Scholarios 8 vols.
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Abel was invited to the Holmboe family residence in Eidsberg on several occasions, including to celebrate Christmas. Abel died from tuberculosis in 1829, at the age of twenty-six. Ten years after Abel's death Holmboe edited and published his complete works in two volumes--Oeuvres complètes de N.H. Abel ('Complete Works of N.H. Abel'). He was the first to do so.
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A detailed inventory of his property by the notary Lemaitre La Morille on 11 July 1765 listed just five books: Pratique civile et criminelle (Civil and Criminal Practice) by M. Lange, Philosophie morale (Moral Philosophy) by Louis Delanclache, Dictionnaire français-latin (French–Latin Dictionary), Oeuvres de Virgile (Works of Virgil) and Instructions generales sur la juridiction consulaire (General instructions on consular jurisdiction).
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II of "The Austrian Army in the Seven Years War", The Emperor Press, Chicago 2008. To counter this threat, Frederick dispatched Lt. General Johann Dietrich von Hülsen and 12,000 men to hold the west bank of the Elbe river at the town of Strehla while Frederick dealt with the Austrians in Silesia.Frederick II, Oeuvres de Frederic le Grand, vol. V, Berlin 1847.
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Georges Mathias His compositions include overtures to Hamlet and Mazeppa, five morceaux symphoniques for piano and strings, two piano concertos, six piano trios, a symphony, Oeuvres choisies pour le piano, Études de genre, Études de style et de mécanisme, a collection of two and four-hand piano pieces, and transcriptions including the one of some scenes from Mozart's The Magic Flute.
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Les oeuvres de Christophle Parisien. Wellcome Library, London. Christopher of Paris (also known as Christophe de Paris, Cristoforo Parigino, Christophorus Parisiensis) was an Italian alchemist active at the end of the fifteenth century and author of a number of treatises influenced by pseudo-Lull. He lived in Venice and is supposed to have had contacts among local glassmakers like Angelo Barovier.
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Because of the lack of accurate biographical data, there has been some controversy over the veracity of Marie de Romieu's authorship of her Discourse over the superiority of women over men, which appeared in her Les Premières Oeuvres Poétiques (1581), as well of the translation Instruction for Young Women (1572). The Discourse, published by her brother Jacques de Romieu, has been attributed to Jacques himself by some critics. However, according to French poet Guillaume Colletet, Marie's style in her Premières Oeuvres is more refined than that of her brother's, which was “rough and hard” in his own work. In the translation of Instruction for Young Women, the only reference to an author refers to the initials M.D.R., which could belong to her, but also to other French authors of the time besides Marie, such as Madeleine des Roches.
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An example of their wild life can be found in the papers of the French writer Georges Bataille: "In December 1937 [...] Laure and myself prepared a dinner: we were expecting Ivanov and Odoyevtseva. Just as we had planned, the dinner proved no less wild than the wind blowing that day. Odoevtseva, naked, began to vomit."Notebooks for Le Coupable, in Georges Bataille, Oeuvres Complètes vol.
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Luciano Boschiero, Experiment and Natural Philosophy in Seventheeth Century Tuscany, Springer preview pages 207–217 After this interesting early application of the experimental method, Huygen's ring hypothesis was decidedly preferred, as Leopold communicated to Huygens in the late 1660 (even if this decision remained unpublished to avoid diplomatic troubles). Then, in spite of Prince Leopold's suggestion to desist,Christiaan Huygens, Oeuvres Complètes, Vol. III.
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Sydney Robinson Charles, "Editions, Historical", Grove Music Online ed. L. Macy. Accessed 17 April 2007 Around the same time, the proliferation of pirated editions of music by popular composers (such as Haydn and Mozart) prompted respected music publishers to embark on "oeuvres complettes," intended as uniform editions of the entire musical output of these composers. Unfortunately, many of these early complete works projects were never finished.
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Baudelaire was not the first French translator of Poe, but his "scrupulous translations" were considered among the best. These were published as Histoires extraordinaires (Extraordinary stories) (1856), Nouvelles histoires extraordinaires (New extraordinary stories) (1857), Aventures d'Arthur Gordon Pym, Eureka, and Histoires grotesques et sérieuses (Grotesque and serious stories) (1865). Two essays on Poe are to be found in his Oeuvres complètes (Complete works) (vols. v. and vi.).
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The latter declared that he had always at hand his "golden works" in which the chief truths of the Faith were defended with learning and propriety against the objections of Voltaire and his friends. Nonnotte was also the author of L'emploi de l'argent (Avignon, 1787), translated from Maffei; Le gouvernement des paroisses (posthumous, Paris, 1802). All were published under the title Oeuvres de Nonnotte (Besançon, 1819).
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FRBNF31429482 of Taisand;Taisand, Pierre (1644-1715), Lawyer at the "Parlement de Dijon". FRBNF14338492 and as unfinished texts La Farce de maître Pierre Pathelin and a Commentaire sur Mellin de Saint-Gelais.Saint-Gelais, Mellin de (1491-1558), Oeuvres complètes de Melin de Sainct-Gelays / Mellin de Sainct-Gelays ; avec un commentaire inédit de B. de La Monnoye ; des remarques de MM. Emm. Philippes-Beaulieux, R. Dezeimeris, etc.
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In recognition of her contribution to the visual arts, Petry was inducted into the Royal Canadian Academy of Art (RCA) in 2015. As a multidisciplinary artist, Petry influenced painting, print- making and performance art in Canada. In 1970 she co-founded with Robert Savoie and René Derouin, the Association des graveurs du Québec (later Conseil des graveurs du Québec)."Exposition des Oeuvres de Nancy Petry".
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The first project was an Oeuvres complètes (Complete Works) of François Couperin. No expense was spared in scholarship or printing, and the resulting 12-volume collection was published in 1933, the 200th anniversary of the composer's death. She was appointed chevalier of the Légion d'Honneur in 1934 in recognition of this achievement. She moved the company to Monaco in 1948 after a hiatus attributable to WWII.
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Fayard, Paris, 1999. Catalogue des oeuvres, pp. 685–715. In a 1891 letter to Madame Colonne, wife of the famous conductor, Chabrier wrote "I'm not a natural writer of romances, which is unfortunate, because the song, agreeably warbled in salons is, at the present time, the only way for a French composer to more or less pay the rent." None of his songs were a commercial success.
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Desaymard, Joseph. Un Artiste Auvergnat – Emmanuel Chabrier. Imprimeries G Mont-Louis (Clermont-Ferrand), Librairie Fischbacher (Paris), 1908, p. 63 Index Bibliographique – Oeuvres d'Emmanuel Chabrier. "España" – « À Séville, séjour où les roses » ("In Seville, where the roses bloom") (1883) – the words by Eugène Adenis were written to fit the most famous work by Chabrier, his orchestral rhapsody of 1883, one of several arrangements of the work.
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Besides the Vie de Suzanne de Foix (Agen, 1709), and his pastoral instructions, we have from his pen Le combat chrétien translated from Augustine of Hippo's De Agone Christiano and L'art de bien mourir translated from Bellarmine's De Arte Bene Moriendi, also Antiquités de l'Eglise de Marseille (Marseilles, 1747–51). All these writings were published by Jauffret under the title of Oeuvres de Belsunce (Metz, 1822).
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A single frontispiece or vignette was sometimes enough to secure the sale of a new book. Always desiring to enlarge the field of his observations, Gavarni soon abandoned his once favorite topics. He no longer limited himself to such types as the lorette and the Parisian student, or to the description of the noisy and popular pleasures of the capital, but turned his mirror to the grotesque sides of family life and of humanity at large. Les Enfants terribles,Les Enfants terribles scènes de Gavarni (1857) Les Parents terribles,Masques et visages Gavarni (1857) Les Fourberies des femmes,Oeuvres choisies (1864) Bureaux de Figaro, Paris La Politique des femmes, Les Mans vengs, Les Nuances du sentiment, Les Rives, Les Petits Jeux de société, Les Fetus Malheurs du bonheur, Les Impressions de ménage, Les Interjections, Les Traductions en langue vulgaire,Oeuvres choisies de Gavarni (1846) Les Propos de Thomas Vireloque, etc.
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Geoffroi de Charny, the noted celebrant of knighthood, argued "God will mark out those who labor valorously, even though they come of little estate" (Livre de chevalrie, in Oeuvres de Froissart, ed. K. de Lettenhove I, pt. iii, 494, 495). During the Renaissance, the Platonic- Christian humanist belief in virtue as the essence of nobility was summed up in the Latin phrase: Virtus vera nobilitas est (Virtue is the True Nobility).
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Jean Antoine Letronne Jean Antoine Letronne (1851) Reprinted in his Oeuvres choisies III. 2, 1ff was the pioneer work stressing the importance of the subject. Pape and Benseler (1863–1870) was for long the central work of reference but has now been replaced. Bechtel (1917) is still the main work that seeks to explain the formation and meaning of Greek names, although the studies of O. Masson et al.
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97 Voltaire strongly opposed the inclusion of illustrations in his works, as he stated in a 1778 letter to the writer and publisher Charles Joseph Panckoucke: Despite this protest, two sets of illustrations for Candide were produced by the French artist Jean-Michel Moreau le Jeune. The first version was done, at Moreau's own expense, in 1787 and included in Kehl's publication of that year, Oeuvres Complètes de Voltaire.Bellhouse (2006), p.
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Oeuvres completes, Volume 1 (Hardouin, 1788). and the illustrations, after Monsiau, for "La Pitié", a poem by Jacques Delille (1803), which he completed with three other engravers working under his supervision (Courbe, Berthaud and Duparc).Delille, Jacque La Pitié (Paris : Giguet et Michaud, 1805). Anselin was nominated, with Bervic, to the "education committee" for "La société populaire des arts" serving during one of the most violent times of the revolutionary era.
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Thomas Birch, "The History of the Royal Society of London, for Improving of Natural Knowledge, in which the most considerable of those papers...as a supplement to the Philosophical Transactions", vol 2, (1756) p 19.A copy of the letter appears in C. Huygens, in Oeuvres Completes de Christian Huygens, edited by M. Nijhoff (Societe Hollandaise des Sciences, The Hague, The Netherlands, 1893), Vol. 5, p. 246 (in French).
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He collaborated on numerous magazines and journals such as Le Rire, Marianne, Eclats de Rire, L'os à Moëlle, Paris- Soir, and Ici-Paris. He also created movie and theatre posters as well as theatrical sets. He worked in advertising, painted oil canvases (over 70 in total) and illustrated many book covers and record sleeves. Albert Dubout also illustrated Gargantua and Pantagruel, oeuvres of the famous French satirist Rabelais.
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General of the infantry Dokhturov Dmitry Sergeyevich Dokhturov () (1756 - November 14(26), 1816, Moscow) was a Russian infantry general and a prominent military leader during the Patriotic War of 1812.Some English-language sources spell the family name Doctorov, the historian William Siborne spelt it Dochterow and Napoleon Bonaparte spelt the family name Doctorow in his book on the Russian Campaign (Oeuvres de Napoléon Bonaparte, Tome V: Campagne de Russie (1821)).
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Traité de mécanique céleste () is a five-volume treatise on celestial mechanics written by Pierre-Simon Laplace and published from 1798 to 1825 with a second edition in 1829. In 1842, the government of Louis Philippe gave a grant of 40,000 francs for a 7-volume national edition of the Oeuvres de Laplace (1843–1847); the Traité de mécanique céleste with its four supplements occupies the first 5 volumes.
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Some fragments of his theological treatises have been preserved in the writings of Hincmar, Erigena, Ratramnus and Loup de Ferrières. Some of Gottschalk's works (including De Praedestinatione) have been newly discovered in 1931 in a library in Bern. D.C. Lambot's Oeuvres théologiques et grammaticales de Godescalc d’Orbais (1945) has good overview of Gottschalk's works. From the 17th century, when the Jansenists exalted Gottschalk, much has been written on him.
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Proudhon, Pierre-Joseph (1872). Oeuvres complétes. 4. Proudhon's criticism of the February Revolution was that it was "without an idea" and considered some parts of the revolution too moderate and others too radical. According to Shawn Wilbur, those contradictions were caused by his dialectical phase with the System of Economic Contradictions and was prone to viewing nearly all his key concepts as being worked out in terms of irreducible contradictions.
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He has taken Goldwork much further without denying though the art of Goldwork embroidery. In experimenting with various designs, he illustrated his concerns on new avant-garde motifs. The source of his inspiration is mostly nature. He always seeks to create oeuvres that could be compared in the future in perfection and magnificence to those rare treasures of this Art that today are exhibited in Museums all over the world.
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Oeuvres complètes de Jacques Delille vol.VI (1817), pp.409-18 In 1814 a monument was erected in memory of "Virgil Delille" in the Arlesheim Hermitage, the English landscape garden in Switzerland inspired by his work.Ermitage Arlesheim In 1817 his collected works began to be published as a set and in 1821 Louis-Michel Petit designed a portrait head of the poet for the Great Frenchmen series of bronze medals.
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This vast urban complex of about 2 square kilometres includes a total of 40 buildings and it remains one of the most successful applications of Modern Architecture in Latin America. Villanueva worked closely with all the artists who contributed with their oeuvres and personally supervised the project for over 25 years until the late 60's when his deteriorating health forced him to leave some buildings in the design stage.
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He soon yielded, however, to his love of science, and gave new evidence of his interest in historical research by the Essais historiques et topographiques sur l'église cathedrale de Strasbourg (Strasbourg, 1782) and by the Histoire ecclésiastique, militaire, civile et littéraire de la province d'Alsace (Strasbourg, 1787). Recently P. Ingold edited in five volumes the correspondence of this savant: Nouvelles oeuvres inédites; Les Correspondants de Grandidier (Paris, 1895–97).
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Little is known about Ducange's life before 1783, the year in which his son was born. As a matter of fact, the name "Ducange" seems to have been assumed, as Ducange calls himself around this time "Brahain, dit Ducange." Still, in many sources he is designated "Ducange," or "Brahain Ducange," so that is the name that will be used here. In 1783 he also published Oeuvres commentées du sieur Hadoux:M.
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Lefebvre was then asked to head the NFB's French-language fiction studio. He began its Premières Oeuvres series, designed to make low-budget shorts and features. Four features and a number of shorts were produced within a year before the initiative was terminated, and Lefebvre left to form his own production company, Cinak, with his wife and editor, Marguerite Duparc. He writes and produces all his own films.
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Some buildings were constructed in the 13th century but it later became a haunt of brigands and was razed in 1332,1332 according to the French Ministry of Culture. However, Louis Spach says 1334 (Oeuvres choisies de Louis Spach, vol 3, p 284. Ve Berger-Levrault & Fils, 1867) following a conflict with the city of Strasbourg. Despite a ban on rebuilding, it was rebuilt again during the course of the 14th century.
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Dalza is referred to as "milanese" in the preface, so it must be assumed he was either born in Milan, or worked there, or both.Wess, Coelho, Grove. Together with the oeuvres of Francesco Spinacino and Vincenzo Capirola, Dalza's work constitutes an important part of early Renaissance lute music. The surviving pieces comprise 42 dances, nine ricercares, five tastar de corde, four intabulations and a piece called Caldibi castigliano.
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João Silvério TrevisanJoão Silvério Trevisan (born June 23, 1944 in Ribeirão Bonito, São Paulo) is Brazilian author, playwright, journalist, screenwriter and film director. In his much-diversified oeuvres, he has published eleven books, among them great works of fiction, essays, short stories, and screenplays. Trevisan has been influential as a literary and cultural critic, particularly on gay and lesbian issues and his works have been translated into English, Spanish, and German.
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Frederick first implemented his oblique order at the Battle of Hohenfriedberg, in 1745, with a subsequent major victory, despite numerical inferiority, at the Battle of Leuthen in 1757. It was in this decade, between the Silesian Wars and the Seven Years' War, that Frederick had his army perfect all the manoeuvres of the oblique order of battle. The theoretical seeds of Frederick's oblique order can be seen in two of the Seelowitz Instructions' ('Instruction für die Cavalleire', 17 March, Oeuvres, XXX, 33; 'Disposition für die sämmtlichen Regimenter Infanterie', 25 March Oeuvres, XXX, 75) in March 1742. Members of the German General Staff maintained that Frederick was only dedicated to the oblique order after the Second Silesian War, with full-hearted application of the tactic in the Seven Years' War; however, Otto Herrman disputed the Staff Historians' insubstantial definitions of oblique order and claimed that Frederick had sought to utilize oblique at Mollwitz and Chotusitz.
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Spinoza earned a modest living from lens-grinding and instrument making, yet he was involved in important optical investigations of the day while living in Voorburg, through correspondence and friendships with scientist Christiaan Huygens and mathematician Johannes Hudde, including debate over microscope design with Huygens, favouring small objectivesChristiaan Huygens, Oeuvres complètes, Letter No. 1638, 11 May 1668 and collaborating on calculations for a prospective focal length telescope which would have been one of the largest in Europe at the time.Christiaan Huygens, Oeuvres complètes, letter to his brother 23 September 1667 He was known for making not just lenses but also telescopes and microscopes. The quality of Spinoza's lenses was much praised by Christiaan Huygens, among others. In fact, his technique and instruments were so esteemed that Constantijn Huygens ground a "clear and bright" telescope lens with focal length of in 1687 from one of Spinoza's grinding dishes, ten years after his death.
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In: Rozsda, Museum of Fine Arts, Budapest, 2001 Surrealist tale (1955) Indeed, this arc of transformation that led Rozsda's painting from post-Impressionism and Surrealism through lyrical abstraction is not found in his graphic work. This part of his oeuvres constitutes a separate realm created whole by a sensibility described as surrealist by Breton in that famous conversation. Throughout his career, Rozsda made figurative and abstract drawings and often a unique combination of the two, although this variability in subject matter and technique does not contradict the realization that this part of his oeuvres is inspired by the same surrealist ambition aimed at the liberation of the imagination and the representation of the hidden occupants of the mind. This is true even when he created with ease subtle drawings composed in a playful rhythm of simple forms and with sensual references, or when he brought to life ominously swirling fantasies populated by imaginary beings with extraordinary precision.
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Oeuvres posthumes, 1682 Rohault held to the mechanical philosophy, and gave qualified support to its "corpuscular" or atomic form of explanation, assuming that "small figured bodies" were the underlying physical reality. His Traité de physique (Paris, 1671) became a standard textbook for half a century. It followed the precedent set by Henricus Regius in separating physics from metaphysics. It also included the theory of gravitation of Christiaan Huygens, given in terms of an experiment.
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Depiction from Huygens, Oeuvres Complètes: a boating metaphor underlay the way of thinking about relative motion, and so simplifying the theory of colliding bodies Huygens concluded quite early that Descartes's laws for the elastic collision of two bodies must be wrong, and he formulated the correct laws.The Beginnings of Modern Science, edited by Rene Taton, Basic Books, 1958, 1964. An important step was his recognition of the Galilean invariance of the problems.
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The artist defined Christianity as "the main theme of his oeuvres". Some critics compare the "strangeness" of his paintings with the impression of the old masters' works. Today his paintings are found in private collections, in the Kashira local museum, in the Monastery of Our Lady of Kazan and in the St. Nicholas Church in Yamskaya Sloboda (Ryazan). Since 2008 he is a member of the Moscow Union of Artists International Art Foundation.
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He initially studied painting, but his interests soon switched to lithography. From 1808 to 1815, with Johann Nepomuk Strixner (1782–1855), he produced a series of 423 lithographs, titled Les oeuvres lithographiques par Strixner, Piloty et Comp..ADB:Piloty, Ferdinand (Lithograph) In: Allgemeine Deutsche Biographie (ADB). Band 26, Duncker & Humblot, Leipzig 1888, S. 140–148. From 1836, with Joseph Löhle (1807–1840), he produced a series of copies from the Alte Pinakothek and the Schleissheim Gallery.
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Publication of Fresnel's collected works was itself delayed by the deaths of successive editors. The task was initially entrusted to Félix Savary, who died in 1841. It was restarted twenty years later by the Ministry of Public Instruction. Of the three editors eventually named in the Oeuvres, Sénarmont died in 1862, Verdet in 1866, and Léonor Fresnel in 1869, by which time only two of the three volumes had appeared.Boutry, 1948, pp.
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The Sardinian is more savage than the savage, for the savage does not know any light whilst the Sardinian hates it. They are in fact lacking in the most desirable attribute of mankind, which is perfectibility.» (Oeuvres complètes, v. IX, pp.410-411). Cfr. Moreover, in ancient Italian, the name of the island was also used as a metonymy to indicate a place where to dump dead or infected animals (Battaglia, Salvatore (1961).
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Tauricianus was the secondMr. Jean-Baptiste La Rochelle, Pierre Gillet, Jean François Née de La Rochelle, Mémoires pour servir à l'hisGuy Coquille, Oeuvres contenant plusieurs traitez sur les liberter de l'Eglise gallicane, l'histoire de France et le droit français(Labottière, 1703) p448. bishop of the Roman Catholic Diocese of Nevers. The same Tauricianus was among the bishop of Nevers listed by Demochares in the book of the du divin Sacrifice de la Mefle.
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Axel Leijonhufvud published a highly influential book in 1968 – 'Keynesian economics and the economics of Keynes' – criticising the direction Keynesian economics had taken under the influence of the IS-LM model. He argued that: > His [Keynes's] followers understandably decided to skip the problematical > dynamic analysis of Chapter 19 and focus on the relatively tractable static > IS-LM model.Peter Howitt, English draft of entry on Leijonhufvud's book for > the Darroz 'Dictionnaire des grandes oeuvres économiques'.
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Mozart arranged some movements from his sonatas for piano and string orchestra. The Sonata for Piano and Violin in A major, that was listed as K. 61, first appeared under Mozart's name in the Breitkopf & Härtel OEuvres in 1804. It had been in Baron Taddaus von Dürnitz collection, and was mistakenly thought to be by Mozart. In 1912 Téodor de Wyzewa and Georges de Saint-Foix discovered that the real composer was Hermann Raupach.
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Fresnel proposed that the glass prism would carry some of the aether along with it so that "..the aether is in excess inside the prism".Fresnel, A. (1818), "Lettre de M. Fresnel à M. Arago sur l'influence du mouvement terrestre dans quelques phénomènes d'optique", Annales de Chimie et de Physique, 9: 57–66 (Sep. 1818), 286–7 (Nov. 1818); reprinted in H. de Senarmont, E. Verdet, and L. Fresnel (eds.), Oeuvres complètes d'Augustin Fresnel, vol.
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The chief authorities for the biography of Malherbe are the Vie de Malherbe by his friend and pupil Racan, and the long Historiette which Tallemant des Réaux has devoted to him. The standard edition is Oeuvres poétiques, edited by René Fromilhague and Raymond Lebègue, 1968. . Antoine Adam's popular collection of Malherbe's Poésies, is based on his Pléiade edition, (1982). Secondary sources: La Doctrine de Malherbe, by G Brunot (1891), is a classic .
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Crónica, LV. The others were Guillem Aznariz Doteiça, Exemen Aznarez de Torres, and Ffernan Enneguer Delet. As early as August 1134 Ladrón appears as first after the king and queen (Marguerite de l'Aigle) in witnessing the royal donation of Jániz and Zuazu to the Cathedral of Santa María de Pamplona.Augustín Redondo (1976), Antonio de Guevara (1480?-1545) et l'Espagne de son temps : de la carriere officielle aux oeuvres politico- morales (Geneva: Droz), 22 note 9.
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The band did not continue past 1975, although the two Funkébec albums were rereleased in 1979 as the double album compilation 2 Disques incluant 2 oeuvres inédites. A new compilation, Complete VEBB Au Complet 1973-1975, was reissued in 2004 on the ProgQuébec record label. The band performed a number of reunion shows in this era, with new members including Kathleen Sergerie,"Kathleen vise un retour sur disque". TVA Nouvelles, March 6, 2017.
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According to him, guerrillas were to be supported by conventional armed forces: > It is well established that guerrilla warfare constitutes one of the phases > of war; this phase can not, on its own, lead to victory.Ernesto Che Guevara > French ed.: Oeuvres I, Petite collection Maspero, 34, 1968, p. 32. Guevara added that this theory was formulated for developing countries and that the guerrilleros had to look for support among both the workers and the peasants.
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In the early part of 1934, Kesling founded his company Kesling Modern Structures and began designing affordable modern houses. His first project was begun that summer and completed in 1935. For the next two years, Kesling remained extremely busy, designing and building an extensive body of houses for clients including Hollywood actor Wallace Beery. During this time Kesling designed and built one of the largest oeuvres of Streamline-Moderne houses by a single architect.
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In many cases we also have Bruegel's drawings. Although the subject matter of his graphic work was often continued in his paintings, there are considerable differences in emphases between the two oeuvres. To his contemporaries and for long after, until public museums and good reproductions of the paintings made these better known, Bruegel was much better known through his prints than his paintings, which largely explains the critical assessment of him as merely the creator of comic peasant scenes.
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Over time he has moved on to Dixieland jazz, Swing, and orchestral Jazz, including the oeuvres of Paul Whiteman and Duke Ellington. Nichols was also a frequent sideman for the EMI record label and an arranger for the New York Jazz Repertory Company, Dick Hyman and the Pasadena Roof Orchestra. In 1978 he helped lead the Midnite Follies Orchestra with Alan Cohen. Other artists Nichols has worked with include Digby Fairweather, Harry Gold, Richard Pite and Claus Jacobi.
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Portrait by Gustave Courbet, 1848 Baudelaire's influence on the direction of modern French (and English) language literature was considerable. The most significant French writers to come after him were generous with tributes; four years after his death, Arthur Rimbaud praised him in a letter as 'the king of poets, a true God'.Rimbaud, Arthur: Oeuvres complètes, p. 253, NRF/Gallimard, 1972. In 1895, Stéphane Mallarmé published "Le Tombeau de Charles Baudelaire", a sonnet in Baudelaire's memory.
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Only recently have art historians attempted to disentangle the biographies and oeuvres of father and son de Neve.Stillfried, Silvia (2008) Frans de Neve, ein flämischer Maler im 17. Jahrhundert auf Wanderschaft in Süd- und Mitteleuropa Franciscus de Neve (I) at the RKD The crucifixion There is no information about his training. He was in Rome from 1660 to 1670 where he became a member of the Bentvueghels, an association of mainly Dutch and Flemish artists working in Rome.
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Oeuvres mathematiques, 1634 Stevin wrote his Arithmetic in 1594. The work brought to the western world for the first time a general solution of the quadratic equation, originally documented nearly a millennium previously by Brahmagupta in India. According to van der Waerden, Stevin eliminated "the classical restriction of 'numbers' to integers (Euclid) or to rational fractions (Diophantos)...the real numbers formed a continuum. His general notion of a real number was accepted, tacitly or explicitly, by all later scientists".
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He was made head of lyrical broadcasting in 1943 with the musical programming of French radio, which he continued until his death. Gressier himself conducted many opera and operetta broadcasts. Gressier made his debut at the Paris Opéra-Comique in 1948 with Mignon, and conducted Rigoletto at the Opéra in September 1950. He was noted for his sensitive and enlightened direction of operetta,Caubert A. Willy Clément - Les oeuvres - notes for INA mémoire vive CD 064, Paris, 2006.
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109 ff.) argues the citations by line number in Diogenes Laërtius (VII 33, VII 188, etc.) derive from a 1st- century BC critic. Diogenes Laërtius probably draws on the Pinakes, the published catalogue of the Library of Alexandria, when he reports the total number of lines in the oeuvres of various authors. He says, for example, that Speusippus wrote 43,475, Aristotle wrote 445,270, and Theophrastus wrote 232,808 lines.Diogenes Laërtius, IV 5, V 27, and V 50.
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When the arch was taken down in the 19th century, it was found that the ingenious master had devised a means of so interlocking the stones, without mortar, that it had become an inseparable mass. In addition, he made a valuable contribution in acoustics. His treatise on sound was a part of the book Oeuvres diverses de Physique et de Mecanique. In his later book, he treats such subjects as sound media, sources of sound and sound receivers.
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Immediately after the World War II George Épitaux was commissioned again to build two extensions to the north and south of the original building.Graf, Robert Henri. Le Bureau International du Travail: les oeuvres d'art et les dons reçus par cette institution (Geneva: unpublished, 1951) Geometric shapes and symbolic decorations were used in the extensions to provide esthetic consistency. The renovation and construction performed in 2008-2013 included two major projects, changes in the original structure and a new building.
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However catalogues of many of the shows are in the library of the Musée des Arts Décoratifs in Paris. Pierre Sanchez has published in 2009 a book on the shows and artists of the gallery.Galerie Devambez 1907-1926. Répertoire des artistes et liste de leurs oeuvres par Pierre Sanchez chez L'Échelle de Jacob The first exhibition at Galerie Devambez was a major show of drawings by Auguste Rodin, exhibited from 19 October to 5 November 1908.
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The book was in some ways inspired by the life of a schoolfriend of the author who became a doctor. Flaubert's friend and mentor, Louis Bouilhet, had suggested to him that this might be a suitably "down-to-earth" subject for a novel and that Flaubert should attempt to write in a "natural way," without digressions.Flaubert, Oeuvres, vol 1, Bibliothèque de la Pléiade, 1972 p.305 Indeed, the writing style was of supreme importance to Flaubert.
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His speech of thanks to the King on that occasion survives.Les Diverses Oeuvres de l'illustrissime cardinal Du Perron seconde edition (Paris, 1629), pp. 869-870. He then set out for Rome to partake in the ceremonies of his elevation; he was sent to Rome, departing Fontainebleau on October 29, 1604, as chargé d'affaires de France.Pierre La Croix, Mémoire historique sur les institutions de la France à Rome (2nd edition par Jean Arnaud) (Rome 1892) p. 155.
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The Cité Catholique is a Traditionalist Catholic organisation created in 1946 by Jean Ousset, originally a follower of Charles Maurras (founder of the monarchist Action Française in 1899) and Jean Masson (1910–1965), not to be confused (as F. Venner did) with Jacques Desoubrie, who also used the pseudonym Jean Masson.F. Venner, Extrême France, Grasset, 2006 (extract Despite the presence of Roman Catholic clergy in some of its meetings, the Cité catholique is not officially recognised by the Roman Catholic Church. It first took the name of Oeuvres de la Cité Catholique (Works of the Catholic City) and then of Office international des Oeuvres de formation civique et d'action culturelle selon le droit naturel et chrétien (ICTUS, International Office of Works of Civic Formation and Cultural Action According to Natural Christian Law) before being known under the name Cité Catholique.Stéphane Joly , Green deputy, 6 June 2007 It is now presided by Jacques Trémollet de Villers, a former associate of the far-right politician Jean-Louis Tixier- Vignancour and former defence attorney for accused war criminal Paul Touvier.
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55, noting the "extremely hostile" account in Jules Amédée Barbey d'Aurevilly, Le XIXe siècle, les oeuvres et les hommes, first series (1861), pp. 97-110 However flawed, his popularized accounts gave a great impetus to Celtic linguistic and anthropological studies. His knowledge of the Middle Ages is inadequate, and his criticisms are not discriminating. As a free- thinking liberal republican outside the Roman Catholic Church, his prejudices often biased his judgment on the political and religious history of the ancien régime.
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Sir John Chandos from the 200px The death of Sir John Chandos at Lussac (illustration from around 1410). Arms of Sir John Chandos, KG, as illustrated on his Garter stall plate (around 1421) in St George's Chapel, Windsor Castle – Or, a pile gules. which is blazoned throughout. Chandos arms (as described in seven sourcesFroissart describes Chandos's arms thus: 'Si estoit la banniere Monseigneur Jehan Camdos: d'argent a un pel aguiset de gueulles' (Oeuvres de Froissart, ed. Kervyn de Lettenhove, VII, p. 196).
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Mémoires authentiques de Maximilien Robespierre: ornés de son portrait et de ... by Maximilien de Robespierre, p. 20-21Maximilien Robespierre: Oeuvres - N° 52 In October he and Louvet supported Maillard after the Women's March on Versailles. While the Constituent Assembly occupied itself with male census suffrage, Robespierre and a few more deputies opposed the property requirements for voting and holding office. In December and January Robespierre succeeded in attracting the attention of the excluded classes, particularly Protestants in France, Jews, blacks, servants and actors.
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The Estense Gallery consists of sixteen exhibition rooms with four large salons arranged thematically. The collection houses an eclectic range of oeuvres executed by both notable and local artists. Although for the most part centred around Italian painters, it also includes a modest number of Flemish, German and French artworks (Workshop of van Eyck; Aelbrecht Bouts; Charles Le Brun), as well as non-Western examples from Sierra Leone and Persia. Among the decorative objects of note, the mannerist "Estense Harp" stands out.
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Oeuvres de Jean Jaurès: L'Affaire Dreyfus, Fayard, 13 juin 2001, 902 p. Lucie visited her husband daily in Parisian prisons and then on the Île de Ré. She has an important correspondence with her husband, even when he is exiled to Devil's Island. Alfred, Lucie, Pierre Léon and Jeanne She published some letters to raise public awareness of the innocence of her husband. She was in Rennes and waited for his appearance during his second trial on 1 July 1899.
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Caricature of Beau Brummell by Richard Dighton (1805). The model dandy in British society was George Bryan "Beau" Brummell (1778–1840), in his early days, an undergraduate student at Oriel College, Oxford and later, an associate of the Prince Regent. Brummell was not from an aristocratic background; indeed, his greatness was "based on nothing at all," as J.A. Barbey d'Aurevilly observed in 1845.Barbey d'Aurevilly, "Du dandisme et de George Brummell," (published 1845, collected in Oeuvres complètes 1925:87–92).
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1, pp. 239–81 (March 1816); reprinted as "Deuxième Mémoire…" ("Second Memoir…") in Oeuvres complètes d'Augustin Fresnel, vol. 1 (Paris: Imprimerie Impériale, 1866), pp. 89–122. (Revision of the "First Memoir" submitted on 15 October 1815.) and 1818,Fresnel, Augustin-Jean (1818), "Mémoire sur la diffraction de la lumière" ("Memoir on the diffraction of light"), deposited 29 July 1818, "crowned" 15 March 1819, published in Mémoires de l'Académie Royale des Sciences de l'Institut de France, vol. (for 1821 & 1822, printed 1826), pp.
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Apparently Rubens had chosen Cossiers to accompany him to Madrid in 1628 but Cossiers' parents had opposed the idea.Joost vander Auwera, Rubens, l'atelier du génie : autour des oeuvres du maître aux Musées royaux des beaux-arts de Belgique: exposition, Bruxelles, Musées royaux des beaux-arts de Belgique, 14 septembre 2007 - 27 janvier 2008, Lannoo Uitgeverij, 2007, p. 45 In 1630 Cossiers married Joanna Darragon in the St. James' Church, Antwerp. He became the dean of the Guild of Saint Luke in 1640.
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C. Hippeau, Les écrivains normands au XVIIe siècle (Caen 1858), p. 2. During the siege of Rouen in 1562 by the troops of King Charles IX, Julien his father was arrested and imprisoned in Old Palais in Rouen."La vie de l' illusstrisime Cardinal du Perron", in Les divers Oeuvres de l' illustrissime Cardinal du Perron seconde edition (Paris 1629), p. 14. Ursine and her two children escaped through the royal lines and eventually was reunited with her husband in Bas Normandie.
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The first volume of Laponneraye's edition of Robespierre's Oeuvres Choisis, covering the years 1789–1792, appeared in 1832, with a lengthy introduction from Laponneraye. It was enough to get him arrested again. In addition to his editorial work and his historical writings, on which he continued to work, he also published several political pamphlets aimed at workers, in which he advocated republicanism and communism. In 1833 he published two Lettres aux Prolétaires; consequently he was convicted of seeking to overthrow the government.
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Born in Compiègne, Chrétien was appointed professor at the Paris Conservatoire in 1889 where she had previously been a student from 1874, studying with Ernest Guiraud. In 1881, she won first prize in harmony, counterpoint and fugue. She also won first prize in piano and in composition in other concours, which she entered.Programme: 136e Concert de Chambre Hebdomadaire (1898) (Audition des oeuvres de Madame Hedwige Chrétien) She was a prolific composer, yet not much else is known about her life.
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Oeuvres, 1852 The Catholic Encyclopedia (1913) calls Bossuet the greatest pulpit orator of all time, ranking him even ahead of Augustine and Chrysostom. The exterior of Harvard's Sanders Theater includes busts of the eight greatest orators of all time – they include a bust of Bossuet alongside such giants of oratory as Demosthenes, Cicero, and Chrysostom. A character in Les Misérables, being from Meaux and an orator, is nicknamed Bossuet by his friends. Bossuet was one of several co-editors on the Delphin Classics collection.
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Božidar Jakac (July 16, 1899 - November 20, 1989) was a Slovene Expressionist, Realist and Symbolist painter, printmaker, art teacher, photographer and filmmaker. He produced one of the most extensive oeuvres of pastels and oil paintings (landscapes, vedutas and portraits), drawings and, above all, prints in Slovenia. He was also one of the key organizers in the establishment of the Ljubljana Academy of Fine Arts and the International Biennal of Graphic Art in Ljubljana. Some of his work is on display in museums in Belgrade.
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Vintage Gardens nursery in California had a score for sale in a State where they do well. A handful survive in European public gardens, notably the Roseraie de L'Haÿ near Paris and the Roseraie François Mitterrand in the south of France. Luckily there are 66 in the encyclopaedic collection of Fineschi in Italy and 32 extra at Sangerhausen in Germany. But many of Dot's 140 or so hybrid teas — among the greatest oeuvres in roses — hang by a thread from private collectors in Spain.
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Folk singer Joan Baez brought the song to the American audiences in 1974 when she included a cover of the song on her Spanish language album of the same name. It remains a concert staple of Baez' to this day. Finnish singer Arja Saijonmaa recorded this song in both Finnish (Miten voin kyllin kiittää) and Swedish (Jag vill tacka livet). Her Swedish interpretation is one of the most well-known of her Swedish-language oeuvres, and she sang it during Olof Palme's funeral in March 1986.
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She also participated in the international group exhibitions: The Levee: Where the Blues Began shown in Canada, the United States, South Africa, Japan, and Korea; Veille at Bibliothèque nationale du Québec in Montreal, at the Boston Printmakers 50th Anniversary Exhibition, and at Galerie Echancrure in Brussels, Belgium."Trois femmes artistes et leurs oeuvres sur papier à Tournai et à Bruxelles." Quebec Ministry of Culture. Mar.-Apr. 1998. Print. Following an art residency at Asilah, Morocco, Farish adopted a North African palette of vermillion and orange.
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The title page of Ambroise Paré's Oeuvres. Paré was a keen observer and did not allow the beliefs of the day to supersede the evidence at hand. In his autobiographical book, Journeys in Diverse Places, Paré inadvertently practiced the scientific method when he returned the following morning to a battlefield. He compared one group of patients who were treated in the traditional manner with boiling elder oil and cauterization, and the remainder with a recipe made of egg yolk, oil of roses and turpentine, and left overnight.
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He returned to Yale the following year to study art history, and wrote his senior thesis on Henri Matisse before graduating in 1975. After graduation, Halley returned to New Orleans and, in 1976, enrolled in the University of New Orleans MFA program. He received his MFA in 1978 and lived in New Orleans until 1980 (also traveling to Mexico, Central America, Europe, and North Africa during this time)."Peter Halley: Oeuvres de 1982 à 1991" exhibition catalogue, Bordeaux: CAPC, Musee d'Art Contemporain, 1991, 12.
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In 1954, Jones was a guest professor at Centre D'Art and Foyer des Artes Plastiques in Port-au-Prince, Haiti, where the government invited her to paint Haitian people and landscapes. Her work became energized by the bright colors. She and her husband returned there during summers for the next several years, in addition to frequent trips to France. Jones completed 42 paintings and exhibited them in her show Oeuvres des Loïs Mailou Jones Pierre- Noël, which was sponsored by the First Lady of Haiti.
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In the aftermath of the battle, the costs began to make themselves clear. Of the 30,000 men who had fought, an estimated 9-10,000 were killed or wounded, making it one of the bloodiest battles of the period. Ambroise Paré, a surgeon sent from Paris to tend the wounded gentlemen, described how, '[he] observed for a good league all around the ground completely covered [with dead bodies], all dispatched in less than two hoursAmbroise Paré, Oeuvres complètes (Reprint of 1840-41 edition, Geneva, 1970), vol. 3, 724.'.
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A short history of his literary oeuvres can be found here and his life history can be found here in the Kerala Sahitya Akademi website. While ministering to the people, a full-time job, Mathan found time to write erudite treatises on grammar and local culture. He wrote the first book of Malayalam grammar called "Malayazhmayude Vyakaranam," which was published in 1863. This grammar book was acknowledged and recommended by the then government as the most authoritative volume on grammar of the Malayalam language.
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Compositions by Vivaldi are identified today by RV number, the number assigned by Danish musicologist Peter Ryom in works published mostly in the 1970s, such as the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi". Like the Complete Edition before it, the RV does not typically assign its single, consecutive numbers to "adjacent" works that occupy one of the composer's single opus numbers. Its goal as a modern catalog is to index the manuscripts and sources that establish the existence and nature of all known works.
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Su- Qing Lin(:zh:林素琴), the first Taiwanese female scholar holding a bachelor in philosophy, published her research based on the Oeuvres De Descartes by and Paul Tannery in 1953. Intellectuals trends had also influenced. Lin Qiu- wu(:zh:林秋悟)’s critique on Buddhism was Marxian, and Wen Kwei Liao(:zh:廖文奎)’s pragmatist approach on reading intellectual histories was a pioneer. The intellectual movement was not just from works and papers but civic engagement of rebellious enlightenment.
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Jean Laplanche (; 21 June 1924 – 6 May 2012) was a French author, psychoanalyst and winemaker. Laplanche is best known for his work on psychosexual development and Sigmund Freud's seduction theory, and wrote more than a dozen books on psychoanalytic theory. The journal Radical Philosophy described him as "the most original and philosophically informed psychoanalytic theorist of his day."Fletcher and Osborne From 1988 to his death, Laplanche was the scientific director of the German to French translation of Freud's complete works (Oeuvres Complètes de Freud / Psychanalyse — OCF.
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Rousseau's political theory differs in important ways from that of Locke and Hobbes. Rousseau's collectivism is most evident in his development of the "luminous conception" (which he credited to Denis Diderot) of the general will. Rousseau argues that a citizen cannot pursue his true interest by being an egoist but must instead subordinate himself to the law created by the citizenry acting as a collective. Rousseau's striking phrase that man must "be forced to be free" Oeuvres complètes, III, 364; The Collected Writings of Rousseau, IV, 141.
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It was initially composed of some salvaged antique books which dated back centuries, as far as the Conquista times. It also included many oeuvres from his personal collection and some more from the collaborations and donations of priest friends, ministers and other prominent figures from his episcopate. Hence, the library's first books were comprehensive in canon law, civil law, medicine, philosophy and literature. Regarding the seminary, just a few years after it was founded, local authorities started lobbying to seek the grant of the Spanish government to establish it as a university.
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Correspondence, n. 769, August, 13th 1660, from Huygens to Leopoldo de Medicis pag. 127Christiaan Huygens, Oeuvres Complètes, Vol. III. Correspondence, n. 783, September, 30th 1660, from Huygens to Leopoldo de Medicis pag. 152 Prince Leopold, a skilled astronomer, knew that the question of telescopes was disjointed from the theoretical one, and he was yet perfectly acquainted with Divini's telescopes quality. In fact in 1660 he had viewed Saturn's shadow on its ring with a telescope made by Divini,Albert Van Helden, Saturn and his Anses, in Journal for the History of Astronomy, V, 1974, pag.
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Le Maistre's brother Louis-Isaac Le Maistre de Sacy, studio of Philippe de Champaigne Le Maistre's portrait was painted by Philippe de Champaigne (1602–1674), a painter who was closely connected with Port-Royal des Champs.Lesaulnier, Jean, Philippe de Champaigne et Port-Royal: témoignages, chapter 4, 'Les secrets d'une correspondance: à propos du portrait d'Antoine Le Maistre' A copy exists, but the original is lost.Liste des oeuvres de Champaigne Philippe de (1602-1674) dans la catégorie "Peintures" at photormn.com, accessed 25 June 2008 The portrait was later engraved by Charles Simonneau.
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The works quoted as related are not literary fiction, like the auto-biographic recollections of George Sand, Un hiver à Majorque. No title from the French belles-lettres is quoted as related. Similarly, no literary threads are identitifed in Mathieu Llexa, L’influence du contexte politique espagnol sur la diffusion des oeuvres litteraries entre les Pyrenees-Orientales et la Catalogne au XIXe siecle (1808-1886), [in:] Revista História e Cultura 3/1 (2014), pp. 189-203. Similarly, no great or even not-so-great work of English literature refers to the Carlist War.
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1, Part 7, in Oeuvres complètes (Paris, 1876) translated by W. Conynham Mallory from the French (New York: Modern Library, 1980), 162. Due to the financial instability in Venice at the end of the eighteenth century, however, the Ospedali fell into bankruptcy. The Derelitti closed in 1791, followed by the Medicanti in 1795. After Napoleon’s invasion of Venice in 1797, all musical activities at the Ospedali were reduced. The Incurabili closed in 1805, leaving only the Pietà’s musical activity to survive Napoleon’s government takeover. The Pietà’s last known musical composition was performed in 1840.
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In the twenties his political career started and he followed in the footsteps of its father and grandfather. Both served in important functions within the liberal association and were prominent people within the progressive wing of the party. His grandfather Henri Abraham conducted opposition within the Liberal Party against the doctrinary Charles de Kerchove de Denterghem. His father Albert, a close collaborator of burgomaster Lippens, had been involved actively with the Société libérale pour l’Etude des Sciences et des Oeuvres Sociales and of the Gentsche Volkskeuken (E: Ghent People Kitchen).
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The extent of Stapfer's knowledge of Kant can be judged from the substantial (pagelong) notes he appended to Maine de Biran's: "Exposition de la doctrine philosophique de Leibniz. Composée pour la Biographie Universelle" (Paris: Michaud ed 1819). This exposition written at the instigation of Stapfer is one of only two (authorised) philosophical texts by Maine de Biran published during his lifetime. (Stapfer's notes were republished by Pierre Tisserand in his Oeuvres de Maine de Biran,1939 -Tome XI pp435–489 ) Stapfer long survived his immediate contemporaries de Biran and Bouterwek.
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Nicolas Mignard was born in Troyes in 1606 as the son of Pierre and Marie Gallois. He came from a family of artisans. He was the older brother of Pierre Mignard, who became one of the leading French painters of the 17th century and a rival of Charles Le Brun.Albert Babeau, Nicolas Mignard - sa vie et ses oeuvres in: 'Annuaire administratif et statistique du département de l'Aube... / publié sous les auspices et la direction de la Société d'agriculture, sciences, arts et belles-lettres du département', Société académique de l'Aube, 1895, p.
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"Peter Halley" exhibition catalogue, Galerie Thomas Munich, 2011, 12. The postmodern, commodity-like color and texture, not to mention the thickness, of Halley's canvases entered them into the art-historical conversation surrounding painting and objecthood. The mixture of harsh colors and textures at once "seduce[s] and repel[s] viewers with assaults on their senses of sight and touch."Amy Brandt, Interplay: Neoconceptual Art of the 1980s (Cambridge: MIT Press, 2014), 151, 153.Interview with Katherine Hixson, "Peter Halley: Oeuvres de 1982 à 1991" exhibition catalogue, Bordeaux: CAPC, Musee d'Art Contemporain, 1991, 15-16.
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Prose literature thus increasingly dominated the expression of romance narrative in the later Middle Ages, at least until the resurgence of verse during the high Renaissance in the oeuvres of Ludovico Ariosto, Torquato Tasso, and Edmund Spenser. In Old Norse, they are the prose riddarasögur or chivalric sagas. The genre began in thirteenth-century Norway with translations of French chansons de geste; it soon expanded to similar indigenous creations. The early fourteenth century saw the emergence of Scandinavian verse romance in Sweden under the patronage of Queen Euphemia of Rügen, who commissioned the Eufemiavisorna.
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In June 2010, Krzysztof Penderecki invited Pawlikowski to work under his direction on the interpretation of his Capriccio per Siegfried Palm and other contemporary oeuvres. He also participated, as a member of the group of ten Polish cellists, in the educational encounters with Arto Noras. In November 2012, Pawlikowski was invited to play for opening of The European Krzysztof Penderecki Center for Music, first at the Polish Senate hall, second on the Center scene. In November 2013, Pawlikowski performed as a soloist in Deutsche Oper Berlin on Penderecki's 80th anniversary concert.
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Another Chinon parchment has long been known to historians,Charles d' Aigrefeuille, Histoire de la ville de Montpellier, Volume 2, page 193 (Montpellier: J. Martel, 1737-1739).Sophia Menache, Clement V, page 218, 2002 paperback edition (Cambridge University Press, originally published in 1998).Germain-François Poullain de Saint-Foix, Oeuvres complettes de M. De Saint-Foix, Historiographe des Ordres du Roi, page 287, Volume 3 (Maestricht: Jean-Edme Dupour & Philippe Roux, Imprimeurs- Libraires, associés, 1778). having been published by Étienne Baluze in 1693Étienne Baluze, Vitae Paparum Avenionensis, 3 Volumes (Paris, 1693).
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He started to paint his own compositions, which he sold on the street.Georges Eekhoud, Jan Stobbaerts, in: Onze Kunst, Voortzetting van de Vlaamsche School, Hoofdredacteur P. Buschmann Jr., Deel XV 8ste Jaargang, 1st halfjaar Januari- Juni, 1909, p. 18-33 He became a pupil of the animal painter Emmanuel Noterman in 1856.Edmond-Louis de Taeye, 'Les artistes belges contemporains: leur vie, leurs oeuvres, leur place dans l'art', Castaigne, 1894 , p. 60-78 Dredging in the Woluwe Stobbaerts contributed his first painting to the salon of Brussels in 1857.
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1, p. 655n. and then attracted such interest that it was soon republished in English.In Taylor, 1852, pp. 44–65. Most of Fresnel's writings on polarized light before 1821 – including his first theory of chromatic polarization (submitted 7 October 1816) and the crucial "supplement" of January 1818 — were not published in full until his Oeuvres complètes ("complete works") began to appear in 1866.Buchwald, 1989, pp. 222,238,461–2. The "supplement" of July 1816, proposing the "efficacious ray" and reporting the famous double-mirror experiment, met the same fate,Grattan-Guinness, 1990, p. 861.
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A composition by Vivaldi is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by the musicologist Peter Ryom. Le quattro stagioni (The Four Seasons) of 1723 is his most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th century program music.
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It was an exercise in a purely Palladian manner, (Eriksen 1974:212, and pl. 48) quite unlike anything else done in France at that time. In 1765 he produced a volume of Oeuvres d'Architecture de Marie-Joseph Peyre,A facsimile of the 1765 edition was published in 1967. which he dedicated, as "the fruit of my studies in Italy", to the marquis de Marigny, Pompadour's brother, who had been carefully trained for his opposition as Directeur des Bâtiments du Roi, and was attuned to the new classicism in the arts.
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Descartes argues – for example, in the third of his Meditations on First Philosophy – that whatever one clearly and distinctly perceives is true: "I now seem to be able to lay it down as a general rule that whatever I perceive very clearly and distinctly is true." (AT VII 35)"AT" refers to Oeuvres de Descartes, ed. by Charles Adam and Paul Tannery. He goes on in the same Meditation to argue for the existence of a benevolent God, in order to defeat his skeptical argument in the first Meditation that God might be a deceiver.
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It was there that he acquired a taste for verse. Although he could never read Horace in the original, he had an acquaintance with Fénelon's Télémaque, Racine and the dramas of Voltaire. After spending some time in Laisnez's printing-office, he was called to Paris, in 1796, to serve as an assistant in his father's business. In 1798, the firm went bankrupt, and Beranger found himself in straitened circumstances, though he now had more time to compose verse. Poems such as "Le Grenier" (The Garret)Oeuvres complets, volume 2, 1847, pp. 130–1.
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The prosperous Antwerp merchant Gaspar Roomer who resided in Naples may have facilitated his commercial success, although there is no documentary evidence for this. It appears that his characteristic candlelight scenes with half figures with their characteristic combination of elements from the oeuvres of Gerrit van Honthorst and Rubens were particularly popular with the local clientele. Stom's documented paintings show no sign of interest in Neapolitan artists of his time. Likely Stom left Naples after the novelty of his work had worn out, having been unable or unwilling to adapt.
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William Butcher, Jules Verne: The Definitive Biography, introduction by Arthur C. Clarke, Thunder's Mouth Press, Avalon Publishing, New York, 2006. . Discusses Verne's article "Edgar Allan Poe and his Works" on pages 153, 208. The text of the article Edgar Poe et ses oeuvres is available at French e-text version Poe's story "Three Sundays in a Week" may have inspired Verne's novel Around the World in Eighty Days (1873).Sova, 238 In 1897, Verne published a sequel to The Narrative of Arthur Gordon Pym of Nantucket called An Antarctic Mystery.
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And again, some years earlier, speaking of Galileo's physics in a letter to his friend and critic Mersenne from 1638, > without having considered the first causes of nature, [Galileo] has merely > looked for the explanations of a few particular effects, and he has thereby > built without foundations.René Descartes, Oeuvres De Descartes, edited by > Charles Adam and Paul Tannery (Paris: Librairie Philosophique J. Vrin, > 1983), vol. 2, pp. 380. Whereas Aristotle purported to arrive at his first principles by induction, Descartes believed he could obtain them using reason only.
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Charles Alexandre Louis Graux (4 January 1837 – 22 January 1910) was a Belgian lawyer, professor at the Universite Libre de Bruxelles, and a liberal politician.P. HYMANS, Notice sur la vie et les oeuvres de Charles Graux, in: Annuaire de l'Université Libre de Bruxelles pour l'année académique 1910-1911, blz. 85-105. He co-founded La Liberté and the Ligue de l'Enseignement, and was the director of La Discussion.Louis DE LICHTERVELDE, Quelques ministres des finances, in: L'histoire des finances publiques en Belgique, Tome I, Brussel, 1950, blz. 65-96.
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Nîmes Cathedral. Bertrand de Languissel was an important 12th century Catholic Bishop in France.Jörg Oberste, Zwischen Heiligkeit und Häresie: Städtische Eliten in der Kirche des hohen Mittelalters (Böhlau Verlag Köln Weimar, 2003)page 202. Louis Ellies Du Pin, Nouvelle bibliotheque des auteurs ecclesiastiques: contenant l'histoire de leur vie, le catalogue, la critique, et la chronologie de leurs ouvrages; le sommaire de ce qu'ils contiennent: un jugement sur leur style, et sur leur doctrine; et le denombrement des differentes editions de leurs oeuvres, Volumes 9-10 (André Pralard, 1697 ) page 145.
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He played an important role in the restoration of Tournai Cathedral in the 1840s, and subsequently in the restoration of other medieval churches in the diocese.L. Huguet, "Esquisse sur la vie et les oeuvres de Mgr Voisin", Bulletins de la Société historique et littéraire de Tournai 16 (1874), pp. 5-46. At the foundation of the Guild of St Thomas and St Luke, he was elected first president.Jan de Maeyer, Luc Verpoest, Gothic Revival: Religion, Architecture, and Style in Western Europe 1815-1914 (Coronet Books, 2000) p. 111.
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Kubisme, Veiling 19 oktober 1921 Five works by Miklos were presented on Wednesday 19 October 1921 at the last public auction with 233 works in Amsterdam, entitled Oeuvres de l'école française moderne. Collection réunie par L'Effort Moderne (Leonce Rosenberg), Paris, L'Hotel de Ventes de Roos (sous la direction de A. Mak), Amsterdam, 1921. Also in the catalog of this auction were eight plates inserted with black and white images in a separate folder. In 1923 Miklos exhibited in a group show at the Léonce Rosenberg's Galerie de L'Effort Moderne.
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Soon he found out that he could not live with the approximations and compromises associated with engineering, and so he switched to the more mathematically accurate physical sciences. In 1900, Ritz contracted tuberculosis, possibly also pleurisy, which he later died fromForman, P., Dictionary of Scientific Biography XI, 475, Charles Scribner's Sons, New York, 1975.Gesammelte Werke – Walther Ritz – OEuvres, Societe suisse de physique, Gauthier-Villars, Paris, 1911, page viii.. In 1901 he moved to Göttingen for health reasons. There he was influenced by Woldemar Voigt and David Hilbert.
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René Lenormand (1846–1932), was a French composer, father of playwright Henri- René Lenormand (1882–1951). He was author of Étude sur l'harmonie moderne and well known as a composer of mélodies and music teacher.Actes du Colloque Autour de la mélodie française Page 43 Michelle Biget, Joseph Marc Bailbé - 1987 "Le cas de René Lenormand (1846-1932), auteur de belles mélodies telles Les Fleurs du mal est exemplaire de ce point de vue : ces oeuvres ne parvenaient à lui rapporter que quelques centaines de francs par an et il vivait mal de leçons ..." His students included Marcel Labey.
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1903-76) and Chit Maung (1908–73), who became well-known secular-style watercolorists. Other painters in his crew, such as Ba Moe (1912–96) (his son-in-law), Kham Lun (1915–85), Kan Chun (Painter) (1928–95) (not to be confused with Kan Chun, the cartoonist), and Ohn Maung (1918–96) also sometimes produced stunning secular paintings, usually in oil. Because many of these painters were busy making a living under Saw Maung, their secular oeuvres are generally not large, and they and Saw Maung cannot be said to have belonged to a "movement" of art in Burma per se.
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Some consider the late Geoffrey Hill to have been the finest English poet of recent years.William Logan, "Stouthearted Men", The New Criterion, June 2004. The last three decades of the 20th century saw a number of short-lived poetic groupings, including the Martians, along with a general trend towards what has been termed 'Poeclectics',"Making Voices: Identity, Poeclectics and the Contemporary British Poet", New Writing, The International Journal for the Practice and Theory of Creative Writing; Volume 3 (1); pp 66–77. namely an intensification within individual poets' oeuvres of "all kinds of style, subject, voice, register and form".
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The kinship in a number of stylistic features between Claeissens and Benson and the resulting confusion between their oeuvres has given rise to the hypothesis that Pieter may have worked in the Benson workshop from 1520 to 1530 when he became a master in his own right. The Claeissens workshop produced works in which the influence of the painters Adriaen Isenbrandt and Ambrosius Benson who were active in Bruges as well as the modernizing tendencies of the Pieter Pourbus are transformed into a personal style. The figures and compositions are designed according to stereotyped and repetitive patterns that were successful in Bruges.
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Annually, about 120 short and feature films in the categories fiction, documentary, genre, animation as well as music videos and youth films are screened. The program always comprises films from Europe and the whole world. In 2016, the program included projects from 28 countries, such as Russia, Israel, India and China. A jury, consisting of prominent filmmakers and film experts, ultimately rewards the best oeuvres. The organizers’ aim is to provide a platform to young international filmmakers and to enhance the exchange of ideas among themselves, with media and film professionals as well as with the broader audience.
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Petrov was one of Zenit's most active associates in his first phase (1921), as well as its most ardent collaborator. He was also a collaborator with other avant-garde journals such as Dada Tank, and Út, In 1924, Petrov was one of the youngest artists to have his paintings on display at the international exhibition in Belgrade which featured the works of more than 100 contemporary European artists. Petrov and two of his colleagues (Ivan Radović and Veljko Stojanović) had a great impact on the art scene in Belgrade from the 1920s right through the 1930s.His oeuvres date from 1915 until 1946.
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Artists James Turrell and Robert Irwin also influenced Taylor because of their environmental use of light and light-sensitive materials. Taylor has expressed admiration for the modern artists Jackson Pollock, Piet Mondrian, Marcel Duchamp and Louise Nevelson as much for the revolutionary effect of their ideas on the course of art history as for the formal and visual qualities of their oeuvres. In a general way the structural model of DNA and electronic circuitry bear a visual resemblance to Taylor's constructions in glass. Taylor says that his work represents no one technology, but refers to modern technology as a whole.
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In 1825 François Wartel enrolled at the Paris Conservatoire as a pupil of Fromental Halévy, but soon thereafter began studies in Choron's Institut de la Musique Religieuse. After finishing his studies at Choron's Institute in 1828 he returned to the Conservatoire to pursue vocal studies with Banderali and Nourrit and obtained a first prize for singing in 1829. Benvenuto Cellini From 1831 to 1846 he played small tenor parts at the Paris Opera, where he created the role of Francesco in Berlioz's Benvenuto Celini (10 September 1838)Jullien, Adolphe (1888). Hector Berlioz: Sa Vie et ses oeuvres (in French), p. 127.
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Music by Gaultier has survived in a single publication: Les Oeuvres de Pierre Gaultier (Rome, 1638), dedicated to his patron, the prince of Eggenberg. Gaultier probably paid and sold the book, containing 105 pieces of music with six different new tunings (so called accords nouveaux), on his own. It is the only publication of French lute music of that period that was published outside France. Gaultier's music is typical in that it features the contemporary style of broken melody (the inappropriate term style brisé was coined during the 20th century) and in that he experimented with new tunings.
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A. Azevedo, in his 1864 book on the composer, notes that "the public found itself free of all restraint [....] the audience whistled and booed, and challenged both artists and composer throughout almost the entire evening."A. Azevedo in G. Rossini: Sa Vie et Ses Oeuvres (Paris, 1864), quoted in Commons 2007, pp. 18 - 20 However, he does state that after the brilliance of Colbran's rondo finale, they were very enthusiastic and called her onto the stage many times, as they did Rossini (who had refused to appear and had already left for Milan, where he was under contract to compose Bianca e Falliero.).
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The Saint Martin chapel has three small windows, two are plain but one comprises four panels and is a stained glass window known as the "Les oeuvres de miséricords". This window dates to 1560 and is one of the oldest in the cathedral. It deals with the church's good works. In one panel inscribed "AEGROS CVRARE", the subject is the healing of the sick, in the panel inscribed "SVRIENTES PASCEREE", the subject is feeding the hungry, the panel inscribed "PEREGRINOS COLLIGERE" deals with giving hospitality to travellers and in the panel inscribed "CAPTOS REDIMERE", the subject is freeing those in captivity.
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Jacob Le Duchat, in a note on that chapter of Rabelais,Oeuvres de Rabelais avec les remarques de Duchat, T. 1, pg. 78, 4 to. Amst. 1741 in which the games Gargantua played at are enumerated, has described the mode of playing primero, and a similar account may be gathered from the Dictionary of the Spanish Academy. According to Duchat, there are two kinds of primero, the greater and the lesser; the difference between them is that the former is played with the figured cards, while at the latter the highest card is the 7, which counts for 21.
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This bequest led to the establishment of St Peter's College. She also left the family home and land in Grafton to Newmarket Borough Council, which was later developed into Outhwaite Park, and left Hen Island (Taranga) of Hen and Chicken Islands near Whangarei to the New Zealand government for a bird sanctuary. Isa Outwaite also gave money for the relief of poverty in Besançon, France and is publicly remembered there for her philanthropy."Miss Outhwaite Isa", List: Bienfaiteurs des Pauvres, Bienfaiteurs D'au Moins 10,000 Francs, displayed on the "Maison des Oeuvres de Bienfaisance", 47 Grande-Rue, Besançon.
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119 - 121. In 1946, ‘This drawing is a grave attempt to give life and existence to what until today had never been accepted in art, the botching of the subjectile, the piteous awkwardness of forms crumbling around an idea after having for so many eternities labored to join it. The page is soiled and spoiled, the paper crumpled, the people drawn with the consciousness of a child.’See: The original text, published in French, Artaud, Antonin, Oeuvres Completes, Gallimard 1984 volume XIX, p. 259. Finally in February 1947, ‘The figures on the inert page said nothing under my hand.
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If the cumulative reference list of an author's oeuvre is determined as the multiset union of the documents that the author has co-authored, then the author bibliographic coupling strength of two authors (or more precisely, of their oeuvres) is defined as the size of the multiset intersection of their cumulative reference lists, however. Bibliographic coupling can be useful in a wide variety of fields, since it helps researchers find related research done in the past. On the other hand, two documents are co-cited if they are both independently cited by one or more documents.
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Thomas Corneille has often been regarded as one who, but for his surname, would merit no notice. Others feel he was unlucky in having a brother (Pierre Corneille) who outshone him, as he would have outshone almost anyone else. In 1761 Voltaire wrote of Thomas Corneille: ‘si vous exceptez Racine, auquel il ne faut comparer personne, il était le seul de son temps qui fût digne d’être le premier au-dessous de son frère' Voltaire, "Commentaires sur Corneille", in Oeuvres complètes de Voltaire, LIII-LV, ed. David Williams (Banbury, Voltaire Foundation, 1973–1975), LV, p. 979.
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Her lyrical poetry in Spanish, and especially that in Ilocano, gained attention in various international forums in Spain, Paris and St. Louis, Missouri. Her literary contributions - particularly 22 preserved poems - were recognized when she was included in the Encyclopedia Internationale des Oeuvres des Femmes (International Encyclopedia of Women’s Works) in 1889. She is believed to be the first Filipina to receive this international recognition, an homage that occurred after her death at a young age. Her work was exhibited at the Exposition Filipina in Madrid in 1887 and at the Exposition Internationale in Paris in 1889.
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Christian bible: Thus says the Lord: “Let not the wise man boast in his wisdom, let not the mighty man boast in his might, let not the rich man boast in his riches (Jeremiah 9:23 ESV). Quran: Verily, Allâh does not like such as are proud and boastful; Those who are miserly and enjoin miserliness on other men and hide what Allâh has bestowed upon them of His Bounties (The Noble Qur'an 4:36–37). Hindu wisdom: Whereas, in our Occident, the most dry and sterile minds brag in front of Nature (La Bible de l'Humanite in Oeuvres).
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Donaldson's paintings document the political and environmental issues facing the continent and his painting style incorporates several techniques including realism and impressionism. His work in pastel is the most recognized of his oeuvres; however, recent works in oil and mixed media have also seen great success amongst collectors worldwide. His use of a wide palette and texture gives a sense that the works were painted using the red soil of Africa. Donaldson has been featured in four books, participated in numerous one man shows and group exhibitions throughout Europe and the Americas, and sold his works in several auction houses.
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Descartes, referring to substantial forms, says: > They were introduced by philosophers solely to account for the proper action > of natural things, of which they were supposed to be the principles and > bases ... But no natural action at all can be explained by these substantial > forms, since their defenders admit that they are occult, and that they do > not understand them themselves. If they say that some action proceeds from a > substantial form, it is as if they said it proceeds from something they do > not understand; which explains nothing.Descartes. "Letter to Regius," > January 1642, in Oeuvres de Descartes.
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"Quoted by Graham Sadler in "Vincent d'Indy and the Rameau Oeuvres complètes: a case of forgery?", Early Music, August 1993, p. 418 In 1894, composer Vincent d'Indy founded the Schola Cantorum to promote French national music; the society put on several revivals of works by Rameau. Among the audience was Claude Debussy, who especially cherished Castor et Pollux, revived in 1903: "Gluck's genius was deeply rooted in Rameau's works... a detailed comparison allows us to affirm that Gluck could replace Rameau on the French stage only by assimilating the latter's beautiful works and making them his own.
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He was accepted at the École normale in 1919 and came in first in the national Aggrégation exam in German the following year. Instead of becoming a teacher in France, Mistler applied for a position abroad through the Ministry for Foreign Affairs. He was sent to the French legation in Hungary, becoming a cultural attaché, and teaching at the university of Budapest. In 1925 he was accepted into the Quai d'Orsay (Service des Oeuvres), where he succeeded Paul Morand. He started a political career in 1928 when he was elected deputé of Aude under the radical socialist label.
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In 1896, Magnard married Julie Creton, became a counterpoint tutor at the Schola Cantorum (recently founded by d'Indy) and wrote his Symphony No. 3 in B-flat minor. Magnard published many of his own compositions at his own expense, from Opus 8 to Opus 20. Similar to the oeuvres of Paul Dukas and Henri Dutilleux, Magnard's musical output numbered only 22 works with opus numbers. In 1914, at the beginning of World War I, Magnard sent his wife and two daughters to a safe hiding place while he stayed behind to guard the estate of "Manoir de Fontaines" at Baron, Oise.
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Illuminated first page of Oeuvres diverses d'Alain Chartier et pièces anonymes (Various Works of Alain Chartier and anonymous pieces), said to depict the author at his desk. Le Livre de l’Espérance, (The Book of Hope) also called the Consolation des Trois Vertus or the Livre de l’Exile, was written by the French poet and statesman Alain Chartier. Begun in 1428 in Avignon, the work was not yet complete by the author's death in 1430. It is a lengthy dream vision and allegory of political, theological and poetic significance written in both verse and prose Middle French.
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'Threshing of wheat by Hottentots' Jakob van der Schley aka Jakob van Schley (26 July 1715 Amsterdam – 12 February 1779 Amsterdam) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for "La Vie de Marianne" by Pierre Carlet de Chamblain de Marivaux (1688-1763), published in The Hague between 1735 and 1747. He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), "Oeuvres du seigneur de Brantôme", published in The Hague in 1740.
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Well-appreciated as a teacher, Fran Lhotka soon stood out for his compositions as well. He arrived in Zagreb when the European music of transition of the first two decades of the 20th century was in full swing. The oeuvres of Dora Pejačević, Josip Hatze and Blagoje Bersa were part of the new profiling of Croatian modernism. Lhotka found himself in the midst of the revolutionary Western European novelties and freedoms typified by the works of Arnold Schönberg, Igor Stravinsky, Anton Webern, Béla Bartók and Alexander Scriabin and of the increasing dominance of the “national course” in music.
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Jacques-Auguste de Thou, Histoire de son temps, Liber CXVII He and Marechal de Matignon represented Normandy in the Third Chamber. He instructed Henry in the Catholic religion; and in 1594 was sent to Rome with secretary Denis-Simon de Marquemont, where with the help of Abbé Arnaud d'Ossat (1536–1604), later Cardinal d'Ossat (1599-1604), they obtained Henry's absolution from the status of relapsed heretic.Du Perron's letters to Henri IV, announcing successful completion of negotiations, September 2, 1595, and absolution from excommunication, September 17, 1595, in Les Diverses Oeuvres de l'illustrissime cardinal Du Perron seconde edition (Paris, 1629), pp. 858-860.
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Hemricourt was the author of the heraldic and genealogical chronicle Miroir des nobles de Hesbaye ("Mirror of the Nobles of Hesbaye"), running to the year 1398,L'Historiographie en Belgique, exhibition catalogue (Brussels, 1935), p. 22. as well as an account of the 38-year feud (1297—1335) between the lineages of Awans and Waroux, Le Traité des Guerres d'Awans et de Waroux, and a treatise on the political institutions of the Prince-Bishopric of Liège, Le Patron de la Temporalité. His works were not widely known or circulated during his lifetime.E. Poncelet, "Introduction", Oeuvres de Jacques de Hemricourt, vol.
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In 1949, André Weil posed the landmark Weil conjectures about the local zeta-functions of algebraic varieties over finite fields. Reprinted in Oeuvres Scientifiques/Collected Papers by André Weil These conjectures offered a framework between algebraic geometry and number theory that propelled Alexander Grothendieck to recast the foundations making use of sheaf theory (together with Jean-Pierre Serre), and later scheme theory, in the 1950s and 1960s. Bernard Dwork proved one of the four Weil conjectures (rationality of the local zeta function) in 1960. Grothendieck developed étale cohomology theory to prove two of the Weil conjectures (together with Michael Artin and Jean-Louis Verdier) by 1965.
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Unfortunately only three works by him were published: the six sonatas op.1 (1763), two sonatas op.2 (1764) and a set of variations (1764) on the ‘Menuet d'Exaudet’. (All these works are edited by E. Reeser in J.G. Eckard: Oeuvres complètes, Amsterdam and Kassel, 1956; the fugues and concertos referred to by Schubart are not extant.) Although the title-page of op.1 specifies only the harpsichord, Eckard's preface extends the performance of the work to the piano; and his meticulous indication of dynamic shadings (e.g. no.6, second movement), a practice previously unknown in this period, clearly shows his preference for the latter instrument.
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The diversity of topics and flexibility of his writing, in particular "J'agonise": "We've lowered our Gods from heaven ...", its clever allegories that can mix a scathing first degree: "The stripper ate too much...", have greatly inspired the composer. They collaborated closely until the poet's death in 2009. In 1980, Iris Clert created the C.A.R.A.T. (Centre for Art Animation and transcendental Research) in Neuilly-sur-Seine, the final manifestation of her inclination to irony and unconventionality. She then organized an exhibition of paintings by Louise Barbu Oeuvres de Louise Barbu and diffused continuously Boushaâme, a sonorous fresco (specially composed by RLBaron) which offers a musical view about the painter's work.
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At the beginning of the Depression in 1929, with his aged parents' health weakening, Smith resumed fiction writing and turned out more than a hundred short stories between 1929 and 1934, nearly all of which can be classed as weird horror or science fiction. Like Lovecraft, he drew upon the nightmares that had plagued him during youthful spells of sickness. Brian Stableford has written that the stories written during this brief phase of hectic productivity "constitute one of the most remarkable oeuvres in imaginative literature".Brian Stableford, "Clark Ashton Smith" in David Pringle (ed), St James Guide to Fantasy Writers, Detroit MI: St James Press, 1996, pp.
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In 1980, she began work on a doctorate at University of Paris III: Sorbonne Nouvelle in Paris on Comparative Literature, graduating in 1984 with a dissertation entitled Identités antillaise et brésilienne à travers les oeuvres d'Aimé Césaire et de Mario de Andrade (Antillian and Brazilian identities through the works of Aimé Césaire and Mário de Andrade). The work, like many of her tracts, evaluates the effects of slavery and racism on Afro-Brazilians. After returning to Brazil, Teodoro taught as an adjunct Professor at the Arts Institute of the University of Brasilia. In 1991 she began offering lectures in Africa, participating in seminars in Angola and Senegal.
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Twice a year, the INHA publishes a scientific review on art history entitled Perspective. Many documentary bases are to be found on the INHA's website. The INHA provides access to external and internal online databases like AGORHA (Accès global et organisé aux ressources en histoire de l’art) which allows several search modes in the different research fields of the INHA: general search (or use « Rechercher » in the bar), simple search, expert search and search by links, in particular in the RETIF (Répertoire des tableaux italiens dans les collections publiques françaises (XIIIe-XIXe siècles)) which gives (clic on Oeuvres) the italian paintings held in French public collections.
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Halley was born and raised in New York City. He is the son of Janice Halley, a registered nurse of Polish ancestry, and Rudolph Halley, an attorney and politician of German-Austrian Jewish descent. In 1951, Rudolph "became an instant celebrity," as Halley has said, while serving as chief prosecutor for the United States Senate Special Committee to Investigate Crime in Interstate Commerce, also known as the Kefauver Committee (after Senator Estes Kefauver). "This series of hearings with various colorful mobsters was broadcast on television all over the country," Halley notes.Interview with Katherine Hixson, "Peter Halley: Oeuvres de 1982 à 1991" exhibition catalogue, Bordeaux: CAPC, Musee d'Art Contemporain, 1991, 9.
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As late as 1684 Madeleine de Scudéry recalled the often-cited anecdote that Ronsard had once remarked that Du Bartas had achieved more in a week than he had in his entire life. Du Bartas was, however, an object of criticism: he was, for example, cited for examples of mistakes to avoid in a Brève instruction (1667). Du Bartas' reputation remained low in subsequent centuries: in 1842 Charles Augustin Sainte-Beuve wrote that Du Bartas ‘a pu s’égarer et céder au mauvais goût de son temps dans le gros de ces oeuvres’ (‘was led astray and gave into the poor taste of his times in most of his work’).
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The last two years of Colombière's life were spent at Lyon, where he was spiritual director to the Jesuit novices, and at Paray-le-Monial, where he returned to improve his health. He died on 15 February 1682, as a result of a severe hemorrhage. Colombière left a large number of writings, which, including his principal works, Pious Reflections, Meditations on the Passion, and Retreat and Spiritual Letters, were published under the title, Oeuvres du R.P. Claude La Colombière (Avignon, 1832; Paris, 1864). Colombière was beatified by Pope Pius XI on 16 June 1929, and canonized by Pope John Paul II on 31 May 1992.
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The author of translations of Demosthenes and essays on jurisprudence, Tourreil was elected to the Académie royale des inscriptions et médailles in 1691, the Académie française in 1692 and the Académie des Jeux floraux in 1694. Being both an orator and a contributor to the first edition of the Dictionnaire de l'Académie française, he was given the responsibility of presenting the dictionary to the court, which he fulfilled on 24 August 1694 by delivering the compliments of the Académie to the King, the royal family and the ministers in a celebrated speech.Guillaume Massieu, Oeuvres de Mr de Tourreil, Brunet, Paris, 1721, Vol. I, pp. ix–x.
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Bibliothèque de la Société de l'histoire du protestantisme finançais Protestant Museum website. Retrieved 22 March 2013 Paul Denis inspected this head, known as the "Christ mourant" at the library involved- "34, rue des Saints-Pères, Paris. Nous sommes heureux de remercier ici M. N. Weiss, conservateur de cet établissement, à l'obligeance duquel nous devons d'avoir pu étudier et photographier ce débris d'une des plus belles oeuvres de Richier", This work is 0.13 metres in height. Experts have also concluded that the sculpture of the head of Saint Jérôme and the composition "L'Enfant à la crèche", now in the Louvre, were also originally in Saint-Maxe.
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The "coupling strength" of two given documents is higher the more citations to other documents they share. The figure to the right illustrates the concept of bibliographic coupling. In the figure, documents A and B both cite documents C, D and E. Thus, documents A and B have a bibliographic coupling strength of 3 - the number of elements in the intersection of their two reference lists. Similarly, two authors are bibliographically coupled if the cumulative reference lists of their respective oeuvres each contain a reference to a common document, and their coupling strength also increases with the citations to other documents that their share.
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Wong's work often features performances of various characters and identities from world cinema, which the artist views as a form of drag. Dubbed as a form of "pla(y)giarism" by writer Kathy Acker, Wong often plays all the roles, male and female, as a means of re-examining the Western cinematic canon as a queer Asian man. Wong has examined the visual tropes and conventions from the oeuvres of directors such as Rainer Werner Fassbinder, Wong Kar-wai, Luchino Visconti, Pier Paolo Pasolini, P. Ramlee, Douglas Sirk, Ingmar Bergman, and Roman Polanski; his practice thus examining the construction of subjectivity and geography through filmic representation.
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He wrote two volumes of the Histoire de l'église et des évêques-princes de Strasbourg depuis la fondation de l'évêché jusqu'à nos jours (Strasbourg, 1776–78), an account of the early ecclesiastical history of Alsace to 965 CE. From the manuscripts of Grandidier, Liblin continued this monumental work under the title: Oeuvres historiques inédites de Ph.-A. Grandidier (Colmar, 1865–67), in six volumes. Pius VI expressed his admiration of Grandidier's work and encouraged the young man to further labours. The other canons of Strasbourg, feeling slighted, opposed Grandidier's scientific methods, even questioning the soundness of his faith, and for a while he dropped all historical work.
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His argument, whilst not yet accepted by Protestants, removed the objection that each mass was a separate and new 'immolation' of Christ, a repeated and thus efficacious act. Pastoral considerations played a major part. Such motives lay behind the tone of the papacy of Pius X. In 1909 he called a conference, the Congrès National des Oeuvres Catholiques in Mechelen in Belgium, which is held to have inaugurated the Liturgical Movement proper in the Catholic Church. Liturgy was to be the means of instructing the people in Christian faith and life; the mass would be translated into the vernacular to promote active participation of the faithful.
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Vivant Denon with Jean Pesne's engraved Oeuvres de Nicolas Poussin, portrait by Robert Lefèvre (Musée National du Château de Versailles) Vivant Denon was born at Chalon-sur-Saône to a family called "de Non", of the "petite noblesse" or gentry, and until the French Revolution signed himself as "le chevalier de Non". Like many of the nobility, he revised his surname at the Revolution to lose the "nobiliary particle" "de". He seems to have consistently avoided using his baptised first name "Dominique", preferring his middle name "Vivant", and so is usually known as "Vivant Denon". He was created "Baron Denon" by Napoleon in August 1812, at the age of 65.
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Catherine d'Amboise (; 1475–1550) was a prose writer and poet of the French Renaissance. She wrote both verse and novels, including Book of the Prudent and Imprudent [Livre des Prudents et Imprudents] (1509) and Fainting Lady's Complaint against Fortune [La complainte de la dame pasemée contre Fortune] (1525), as well as royal song [chant royal], which is the only extant poem of its genre. Catherine was one of a select group of aristocratic French female authors who have gained considerable attention in recent years. She was the subject of a thesis by Ariane Bergeron-Foote, Les oeuvres en prose de Catherine d'Amboise, dame de Lignières (1481-1550).
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He was presented to the King one evening during dinner, where he acquitted himself well both in speaking and in answering questions posed by the King's attendants. After he had abjured Protestantism, by 1578 probably, he was again presented by Philippe Desportes, abbot of Tiron, as a young man without equal for knowledge and talent. He was appointed Reader to the King by Henry III [Lecteur de la chambre du Roy].Les Divers Oeuvres de l' illustrissime Cardinal du Perron (Paris 1629) p. 581, and elsewhere. In 1578 he is also mentioned as Professeur du Roy aux langues, aux mathematiques, et en la philosophie.
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He art-directed on Fire Festival and Tampopo (both 1985), career highlights in the respective oeuvres of directors Mitsuo Yanagimachi and Juzo Itami. Kaizō Hayashi's best remembered and debut film To Sleep so as to Dream (1986) marked the beginning of another long collaboration which also encompassed his Maiku Hama trilogy: The Most Terrible Time in My Life (1994), Stairway to the Distant Past (1995) and The Trap (1996). At age 86 Kimura directed the first of four short films with Mugen Sasurai (2004), which earned him the title for oldest directorial debut. The last was Matouqin Nocturne (2007) in which Suzuki appeared in a prominent role.
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Pendant la > guerre, ce brave officier fit preuve d'un zèle et d'un courage au-dessus de > tout éloge. Admirablement secondé par une équipe de soldats, spécialisés > dans ce service, il procéda au sauvetage de nos oeuvres d'art jusque sous le > feu de l'ennemi, au milieu des obus et des incendies. Et le Musée vraiment > remarquable, installé par lui à Arras, dans un vaste hangar, autrefois salle > de gymnastique, témoigne du succès de son intervention. En 1919, il n'a > cessé de parcourir les villages dévastés, fouillant les décombres des > églises ; chaque jour son musée s'enrichissait de quelque statue, pierre > tombale, cloche ou bénitier, rescapé au milieu des ruines.
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This was one of his first important portrait commissions and the success of the print led to many more official commissions.Joost vander Auwera, 'Rubens, l'atelier du génie : autour des oeuvres du maître aux Musées royaux des beaux-arts de Belgique : exposition, Bruxelles, Musées royaux des beaux-arts de Belgique, 14 septembre 2007 - 27 janvier 2008', Lannoo Uitgeverij, 2007, p. 92 In his portraits Pontius conveyed the figures and their expressions in an attractive and faultless manner. This quality of his work made him one of the most sought after engravers for the various publication projects of the prominent portrait painters active in Flanders at the time.
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The need for a professional association for Iranian engineers and architects was felt over the years, as many engineers and architects with Iranian background or ties with Iranian culture chose Ottawa as their permanent residence. This movement started in the 1980s and was intensified in the 1990s as Ottawa blossomed with private companies, universities and government institutions. Before the inception of the CSIEA, Iranian engineers and architects met in different ways, mostly during private parties. Other events were organized by different groups, such as a slideshow on Bam and Kerman's architectural oeuvres in July 2002 and a group visit of the Canadian Museum of Science and Technology in November 2003.
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Gossec, catalogue des oeuvres His one-act pastoral comedy Les pêcheurs, ("The Fishermen") was presented to a Parisian public at the Comédie-italienne, 23 April 1766 and repeated 7 July.François Joseph Gossec His translation of an English novel Histoire de Lucy Wellers, by "Miss Smythies of Colchester" was printed at The Hague in 1766. The marquis de La Salle was a member of two Masonic lodges in Paris, that of St-Jean d’Ecosse du Contrat Social, then that of Les Neuf Sœurs (1778–1785), where he succeeded Benjamin Franklin as vénérable in 1781. A Mémoire justificatif pour le marquis de la Salle was printed in 1789.
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He was able to provide a qualitative explanation of linear and spherical wave propagation, and to derive the laws of reflection and refraction using this principle, but could not explain the deviations from rectilinear propagation that occur when light encounters edges, apertures and screens, commonly known as diffraction effects. The resolution of this error was finally explained by David A. B. Miller in 1991. The resolution is that the source is a dipole (not the monopole assumed by Huygens), which cancels in the reflected direction. In 1818, FresnelA. Fresnel, "Mémoire sur la diffraction de la lumière" (deposited 1818, "crowned" 1819), in Oeuvres complètes (Paris: Imprimerie impériale, 1866-70), vol.
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Alain Jacobs, Verhas family at Oxford Art Online The nap Verhas studied initially at the Academy of Fine Arts in his hometown Dendermonde and from 1853 onwards at the Royal Academy of Fine Arts of Antwerp.Jan Verhas at the Netherlands Institute for Art History Edmond- Louis De Taey, Les Artistes Belges Contemporains: Leur Vie, Leurs Oeuvres, Leur Place Dans L'Art, Alfred Castaigne, Brussels, 1894, pp. 225-243 His teachers at the Antwerp Academy included Nicaise de Keyser and Jan Antoon Verschaeren.Alain Jacobs, Jan Frans Verhas in: Dictionnaire des peintres belges Nicaise de Keyser was a painter of mainly history paintings and portraits and one of the key figures in the Belgian Romantic-historical school of painting.
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A good connoisseur of drama, he wrote plays sinning nevertheless by lack verve and comic force. We owe him an edition of the Oeuvres by Molière, whose comments were appreciated. La Belle Alsacienne, ou Telle mère telle fille, a libertine novel first published in 1745 under the title La Belle Allemande, ou les Galanteries de Thérèse, which tells the story of a girl walking in the footsteps of her mother and letting her drive by in the ways of gallantry, was assigned to him as well as to Claude Villaret. Antoine Bret was a member of the Académie de Stanislas in Nancy and Académie des Sciences, Arts et Belles- Lettres de Dijon.
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She shared with other Op-Artists the interest in a depersonalized art, as opposite to Abstract Expressionism. She used industrial material in her process, creating dynamic and fluctuating environments in the user's perception. In 1965 she became part of the international Op Art movement, meeting and exhibiting with artists such as Gruppo N Padua; Gruppo T Milan; Getulio Alviani; Dadamaino and Azimuth Milan. In the same year she was invited to Nova Tendencija 3, an international group show held at the Galerija Suvremene Umjetnosti in Zagreb, to Aktuel ’65 at the Galerie Aktuel Bern and, together with Getulio Alviani and Paolo Scheggi, the Oeuvres Plastiques et Appliquèes at Galerie Smith in Bruxelles.
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She regularly participates in international meetings and conferences to report her experiences as a collector and professional actor of the international art scene. In 2007, she was nominated by Il Sole 24 ore as one of the 40 Italian ambassadors of Culture in the international art world. Three major exhibitions have been dedicated to Giuliana and Tommaso Setari’s art collection: Corpus Delicti a dialogue North-South at Städelicke Museum of Ghent in Belgium in 1995, Retour à l’intime, la collection Giuliana et Tommaso Setari at the Maison Rouge foundation Antoine de Galbert/Paris in 2012 and "Intime Conviction, oeuvres de la collection de Giuliana et Tommaso Setari" at Château de Villeneuve - Fondation Emile Hugues, Vence, in 2014.
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Kretzer's programmatic focuses lie on the works of Johann Sebastian Bach, also in the orchestral extended versions of Busoni, on the sonatas by Domenico Scarlatti, the sonatas and piano concertos of Wolfgang Amadeus Mozart and Ludwig van Beethoven, on the oeuvres of Frédéric Chopin, Franz Liszt, Isaac Albéniz, Claude Debussy and Sergei Rachmaninoff. His involvement with contemporary music is reflected in his recording of the dodecaphonic piano works of the eastern German composer Rudolf Halaczinsky (1922-1999). Following the romantic tradition, Kretzer created sophisticated and effective paraphrases on Argentine Tangos and transcriptions of classical orchestral works for one, two and four pianos - the latter he performed in 2008 during a tour of Germany with the ensemble "Kla4" (Piano4te).
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Tableau économique His economic writings are collected in the 2nd vol. of the Principaux économistes, published by Guillaumin, Paris, with preface and notes by Eugène Daire; also his Oeuvres économiques et philosophiques were collected with an introduction and note by August Oncken (Frankfort, 1888); a facsimile reprint of the Tableau économique, from the original MS., was published by the British Economic Association (London, 1895). His other writings were the article "Évidence" in the Encyclopédie, and Recherches sur l'évidence des vérites geometriques, with a Projet de nouveaux éléments de géometrie, 1773. Quesnay's Eloge was pronounced in the Academy of Sciences by Grandjean de Fouchy (see the Recueil of that Academy, 1774, p. 134).
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Novo Mesto is the birthplace of the painter and graphic artist Božidar Jakac (1899–1989), who produced one of the most extensive oeuvres of visual arts in Slovenia and was a key organiser of visual arts education and visual arts events in the country. Many of his works as well as of other well-known Slovenian artists are kept at the Jakac House in the town. Other known Novo Mesto visual artists were the painter Vladimir Lamut and the architect Marjan Mušič. Several notable film artists originate from Novo Mesto, besides Jakac also the film editor Jurij Moškon, and the contemporary film directors Rok Biček, Klemen Dvornik, Nejc Gazvoda, and Žiga Virc.
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Fresnel's essay Rêveries of 1814 has not survived.Buchwald, 1989, p. 116. While its content would have been interesting to historians, its quality may perhaps be gauged from the fact that Fresnel himself never referred to it in his maturity.Boutry, 1948, p. 593\. Moreover, contrary to Boutry, two footnotes in the Oeuvres allege that Fresnel himself consigned the Rêveries to oblivion (Fresnel, 1866–70, vol. 1, pp. xxix–xxx, note 4, and p. 6n). More disturbing is the fate of the late article "Sur les Différents Systèmes relatifs à la Théorie de la Lumière" ("On the Different Systems relating to the Theory of Light"), which Fresnel wrote for the newly launched English journal European Review.Fresnel, 1866–70, vol.
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The final page of Galois' mathematical testament, in his own hand. The phrase "to decipher all this mess" ("déchiffrer tout ce gâchis") is on the second to the last line. From the closing lines of a letter from Galois to his friend Auguste Chevalier, dated May 29, 1832, two days before Galois' death: Within the 60 or so pages of Galois' collected works are many important ideas that have had far-reaching consequences for nearly all branches of mathematics.See also: Sophus Lie, "Influence de Galois sur le développement des mathématiques" in: Évariste Galois, Oeuvres Mathématiques publiées en 1846 dans le Journal de Liouville (Sceaux, France: Éditions Jacques Gabay, 1989), appendix pages 1–9.
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The original definition of the surrealist object art comes from the French poet Comte de Lautréamont. In his poem Les Chants de Maldoror he describes the beauty of the young man Mervyn using antipodal metaphors: "He is as beautiful (..) as the chance encounter of a sewing machine and an umbrella on a dissecting table". In 1937 the French editor Gallimard prepared the publication of the collected works of Lautréamont in an illustrated luxury edition, and André Breton invited besides other artists also Paalen to contribute with an illustration Breton selected (from two proposals) the drawing Vieil océan (old Ocean), which was published in the Gallimard edition next to the appropriate text.Comte de Lautréamont, Oeuvres complètes, Paris 1938, p.
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According to Breuker, it seems more likely that Eeltsje wanted to emulate these Dutch street songs.Breuker 1993, p. 593. Justus Hiddes Halbertsma In any case, Justus as well as Eeltsje started writing poetry and short fiction, and as Justus remained the editor of Eeltsje's works for his entire life, their oeuvres were strongly connected and published together from the very beginning.Breuker 1993, p. 593. In 1822, the best of their early works were collected under the title of De Lapekoer fan Gabe Skroar ("Gabe Tailor's Rag Basket"; original, archaic spelling: De Lape Koer fen Gabe Skroor), a booklet consisting of 36 pages, and including six poems and one short story.Dykstra and Oldenhof, p. 37.
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Fernand Sabatté, chef de la section du front du Nord du service de protection et d'évacuation des monuments et oeuvres d'art is on the right of the minister. Author, Dufour ; Opérateur DU (code armée, photographe) Courtesy Ministère de la Culture (France) - Médiathèque de l'Architecture et du Patrimoine - Diffusion RMN. to the depot at Abbeville on 26 July 1918. Sabatté's work continued into 1919. From photographs held at the Médiathèque de l’Architecture et du Patrimoine, it can be seen that his unit in Arras utilised German Prisoners of War, and this project is an outcome of the French government's determination to publicise German war guilt and to give evidence to its reparation payments.
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The first academic book devoted to Austen in France was Jane Austen by Paul and Kate Rague (1914), who set out to explain why French critics and readers should take Austen seriously. The same year, Léonie Villard published Jane Austen, Sa Vie et Ses Oeuvres, originally her PhD thesis, the first serious academic study of Austen in France. In 1923, R.W. Chapman published the first scholarly edition of Austen's collected works, which was also the first scholarly edition of any English novelist. The Chapman text has remained the basis for all subsequent published editions of Austen's works.Southam (1987), 99–100; see also Watt (1963), 10–11; Gilson (2005), 149–50; Johnson (2014), 239.
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3, 2003 At the age of 19, Garff began to exhibit his oeuvres in collaboration with experienced artists in Via Massaciuccoli and Via Margutta where many of his works were immediately sold. Nevertheless, he resisted the temptation to make his art his sole profession. He continued his studies in humanities and in 1969 took his degree at the L'Orientale", Università degli Studi di Napoli "L'Orientale" and wrote his doctoral thesis on the Swedish poet Carl Snoilsky. In 1970 Garff married the Finnish Baroness Isabella Diana Gripenberg who was the granddaughter of the poet Bertel Gripenberg. Isa Gripenberg, Isabella Diana's mother reported: "Shortly after my daughter Diana’s arrival in Rome she and I participated in a party that had been arranged for young people.
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The 17th edition featured two contrasting tributes to diverse but legendary figures: Jacques Tati and Jean Eustache. A new documentary The Magnificent Tati premiered in Edinburgh and Glasgow, presented by its director Michael House while Tati expert Professor David Bellos from Princeton University introduced all major screenings of Tati's oeuvres. The focus on Jean Eustache, curated by the University of Edinburgh, was presented by Eustache expert Jerome Game and Professor Keith Reader from Glasgow University. Panorama gathered titles featuring the crème de la crème of French stars among them Gérard Depardieu, Nathalie Baye, Josiane Balasko, Catherine Frot, André Dussollier, Gérard Jugnot, Jean-Pierre Darroussin, Fabrice Luchini, Chiara Mastroianni, and Emmanuel Mouret as well as a clin d'oeil on novelist Françoise Sagan.
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After his novel Thérèse Raquin (1867) had been sharply criticized for both contents and language, in a foreword for its second edition (1868), in a mixture of pride and defiance, he wrote: "Le groupe d'écrivains naturalistes auquel j'ai l'honneur d'appartenir a assez de courage et d'activité pour produire des oeuvres fortes, portant en elles leur défense", which translates as: "The group of naturalist writers I have the honor to belong to have enough courage and activity to produce strong works, carrying within them their defense." Naturalism was very popular in its time and was known in different literary traditions in Western Europe. In the Netherlands, there was Cooplandt, Couperus, Frederik van Eeden, etc. In Germany, the most important naturalistic writer was Theodor Fontane, who influenced Thomas Mann.
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In a 2013 report to the French Senate, it is estimated that due to the efforts of Valland, it had been possible for the Commission de Récupération Artistique and the Allies to locate approximately 60,000 works, with three- quarters of them returned to France before 1950. Upon her return to France in 1953, Valland was appointed a conservator of the French Musées Nationaux and in 1954 was named Chair of the "Commission for the Protection of Works of Art" (Chef du Service de protection des oeuvres d'art). In 1961, she wrote about her wartime experiences in a book published under the title, Le front de l'art (republished in 1997). Valland retired in 1968 but continued to work on restitution matters for the French archives.
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A brief poem by the French Humanist Mellin de Saint-Gelais written in 1525 describes Francisco I, Pope Clement VII and Charles V (each involved in a struggle for the possession of Italy) playing a hand of "Prime" (a game similar to Primero and to the "Flux").Oeuvres complètes de Melin de Sainct-Gelays, Paris, Bibliothèque Elzévirienne, 1873, vol. I, pp. 251–252 PASQUIN Le Roy, le Pape et le Prince Germain jouent un jeu de prime assez jolie: Parme est leur vade, et l'envy l'Italie: et le Roy tient le grand poinct en sa main: cinquante et un a le pasteur Rommain, qui se tormente et se melancolie: Cesar attend avec face palie, deniers voudroit pour son jeu racoustrer.
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His American students included Leon Ehrenpreis and Gerhard Hochschild. During his time in the USA, Chevalley became an American citizen and wrote a substantial part of his lifetime output in English. When Chevalley applied for a chair at the Sorbonne, the difficulties he encountered were the subject of a polemical piece by his friend and fellow Bourbakiste André Weil, titled "Science Française?" and published in the Nouvelle Revue Française. Chevalley was the "professeur B" of the piece, as confirmed in the endnote to the reprint in Weil's collected works, Oeuvres Scientifiques, tome II. Chevalley eventually did obtain a position in 1957 at the faculty of sciences of the University of Paris, and after 1970 at the Université de Paris VII.
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Always highly critical of those in power, committed to participatory art, and deeply engaged with new communication technologies, Forest would continue these pursuits after joining the collective in October 1974. Hervé Fischer (born 1941, France) was a student of sociology and taught the sociology of communication and culture at the Sorbonne beginning in the early 1970s. Initially involved with “Support/Surface,” Fischer did a series of “Essuie-mains” paintings with handprints on cloth rolls as a means of deconstructing the medium of painting. He also began various campaigns, grouped under the title “Hygiene de l’art,” to eradicate art of traditional mores and media, and even invited artists to send him their works, which he tore up and displayed in small plastic bags (“La déchirure des oeuvres d’art”).
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The Walther Collection is an art foundation dedicated to the critical understanding of historical and contemporary photography and related media. Through a program of international exhibitions, in-depth collections, original research, and scholarly publications, The collection aims to highlight the social uses of photography and to expand the history of the medium. The Walther Collection retains a three-gallery museum campus in Neu-Ulm, Germany, a Project Space in New York City, and produces an expansive traveling exhibition program worldwide. The collection's exhibitions put in dialogue selective oeuvres of key European and American photography alongside expansive holdings of African photography and video art, with contemporary Chinese and Japanese photography and media art, and vernacular photographic imagery from across the globe.
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During World War 1 Fernand Sabatté received the Croix de guerre and became a Chevalier (Knight) in the Legion of Honour. He was decorated for his services, while serving as an army officer, responsible for salvaging art works and sculptures from bombed-out towns in Northern France from 1916-1918, while simultaneously painting scenes of ruined churches and civic buildings, and can therefore be classed as a war artist. He held the rank and title of ‘Chef de la section du front du Nord du service de protection et d’évacuation des monuments et oeuvres d’art’. Today an extensive series of photographs featuring Sabatté shows the damaged buildings which his unit surveyed, today held at the Médiathèque de l’Architecture et du Patrimoine, Paris.
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Although Coignard essentially fell into obscurity after the mid-17th century, interest in her work and scholarship on her life has greatly increased since the publishing of Colette Winn's detailed annotated version of Oeuvres chrétiennes in 1995. Feminist analysis, in particular, has become a consistent feature of most research on Coignard, and this renewed interest in her life has been attributed, at least in part, to modern attempts to include women authors in literary canon.Bankier and Lashgari, 6. Her role as a pioneer of the more feminized devotional movement in early modern French literature has been well document by Ferguson and other scholars, and the gender discourse present in her works has recently piqued the interest of feminist researchers and historical poets.
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Peters published the Twelve Little Preludes in 1843 as "Douze petits Préludes ou Exercices pour les commençans", No. 16 in their 9th volume of Bach's complete (keyboard) works, edited by Friedrich Konrad Griepenkerl.Friedrich Konrad Griepenkerl, editor. COMPOSITIONS pour le Piano-Forte sans et avec accompagnement PAR JEAN SEBASTIEN BACH: Edition nouvelle, soigneusement revue, corrigée, métronomisée et doigtée; enrichie de notes sur l'exécution et accompagnée d'une préface – Oeuvres complettes, Vol. IX. Leipzig: Peters (1843)Max Schneider. "Verzeichnis der bis zum Jahre 1851 gedruckten (und der geschrieben im Handel gewesenen) Werke von Johann Sebastian Bach", in Neue Bachgesellschaft VII (3) Bach-Jahrbuch 1906 (1907), Both this edition and pages 118 to 127 of Volume 36 of the Bach Gesellschaft edition, published in 1890, contained the pieces in this order:Ernst Naumann, editor.
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In 1967 Marker published his second volume of collected film essays, Commentaires II. That same year, Marker organized the omnibus film Loin du Vietnam, a protest against the Vietnam War with segments contributed by Marker, Jean-Luc Godard, Alain Resnais, Agnès Varda, Claude Lelouch, William Klein, Michele Ray and Joris Ivens. The film includes footage of the war, from both sides, as well as anti-war protests in New York and Paris and other anti-war activities. From this initial collection of filmmakers with left-wing political agendas, Marker created the group S.L.O.N. (Société pour le lancement des oeuvres nouvelles, "Society for launching new works", but also the Russian word for "elephant"). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own.
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In early June 1792, Robespierre proposed an end to the monarchy and the subordination of the Assembly to the General will. Following the king's veto of the Assembly's efforts to suppress nonjuring priests on 27 May, on proposal of Carnot and Servan in the Assembly to raise a (permanent) militia of volunteers on 8 June,Robespierre, Oeuvres complètes, volume 4, p. 138, 143 and the reinstatement of Brissotin ministers dismissed on 18 June, the monarchy faced an abortive demonstration of 20 June. Sergent-Marceau and Panis, the administrators of police, were sent out by Pétion to urge the Sans- culottes to lay down their weapons, telling them it was illegal to present a petition in arms (to demand the king to apply the constitution, accept the decrees, and recall the ministers).
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The Concerto for Piano and Orchestra (1990) represents a huge synthesis of Trajković's oeuvre. It is a rich, personal vision of 20th-century music, supported, as it were, with two hidden music quotations - from De Falla's Nights in the Gardens of Spain and from Rachmaninov's Piano Concerto no. 4. Here, Trajković's fascination with certain styles or oeuvres of other authors is expressed by musical means, whereas other styles are renounced by being paraphrased in incongruous technique (the 2nd theme of the Concerto is a succession of dodecaphonic variations in a tonal setting, which is the secret ironic code relating to the Second Vienna School). Trajković's most recent body of work demonstrates a certain settling and "academisation" of the style accompanied by an exceptionally adroit profiling of expert technical treatments.
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In 2010 the artist received an invitation to participate with the piece's history as a carousel that appears from the darkness at the Biennale Cuvée, OK Center, Linz, Austria, and in various collective exhibitions organised annually by the Marlborough Gallery in headquarters and at international art fairs. Celebrating its 40 years, making the second edition of Live and Let Live in Central Park Line and L, in Havana, Cuba, again, with a massive public participation. In early 2011, he moved to Europe to participate in two solo exhibitions he organised with headquarters in Marlborough, called Recent Works (Oeuvres recentes) in Monaco and Barcelona Night View. While in the old continent formed the works exhibited at the Palace Grimani as part of the 54th Venice Biennale, entitled Monument end, curated by Vittorio Sgarbi and Luciano Caprile, with the collaboration of Tega Gallery.
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Thomas Diafoirus is a doctor from the play Le Malade imaginaire by Molière (1673).Le Malade imaginaire, Comédie mêlée de musique et de danses, Par Monsieur de Molière, Corrigée sur l’original de l’Auteur, de toutes les fausses additions et suppositions de Scènes entières, faites dans les Éditions précédentes. Représentée pour la première fois sur le Théâtre de la salle du Palais-Royal, le 10 février 1673 par la Troupe du Roi in Les Oeuvres posthumes de Monsieur de Molière, tome VIII, imprimées pour la première fois en 1682, Paris, Denis Thierry, Claude Barbin, et Pierre Trabouillet, 1682 (exemplaire : Bibliothèque Nationale, RES-Yf-4178). He proposes to marry the title- character's older daughter Angélique; Molière portrays Diafoirus as a pedantic man who loves to use elaborate scientific terminology, but is not overly concerned with his patients' actual health.
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The use of the adjective "perfidious" to describe England has a long history; instances have been found as far back as the 13th century. A very similar phrase was used in a sermon by 17th-century French bishop and theologian Jacques-Bénigne Bossuet:Jacques Bénigne Bossuet, "Sermon pour la fête de la Circoncision de Notre-Seigneur" in: Oeuvres complètes, Volume 5, Ed. Outhenin-Chalandre, 1840, p.264 The coinage of the phrase in its current form, however, is conventionally attributed to Augustin Louis de Ximénès, a French-Spanish playwright who wrote it in a poem entitled L'Ère des Français, published in 1793 In this context, Great Britain's perfidy was political. In the early days of the French Revolution, when the revolution aimed at establishing a liberal constitutional monarchy along British lines, many in Great Britain had looked upon the Revolution with mild favour.
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His first production, Eclogæ Sacræ (Paris, 1659), won him the title of the Second Theocritus, and his poem on gardens, Hortorum libri IV (Paris, 1665), twice translated into English (London, 1673; Cambridge, 1706), placed him among the foremost Latin versifiers. Of his critical essays, the best known are: Observations sur les poèmes d'Homère et de Virgile (Paris, 1669); Réflexions sur l'usage de l'éloquence de ce temps (Paris, 1672); Réflexions sur la poétique d'Aristote et sur les ouvrages des poétes anciens et modernes (Paris, 1674). He is also the author of several theological and ascetic treatises like De nova doctrina dissertatio seu Evangelium Jansenistarum (Paris, 1656); L'esprit du christianisme (Paris, 1672); La perfection du christianisme (Paris, 1673); La foi des derniers siècles (Paris, 1679). These books and many other pamphlets were collected in Oeuvres complétes published at Amsterdam, 1709–10.
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Charles David (1552 – 4 December 1650) was a 16th/17th-century French architect. He married Anne Lemercier, daughter of architect Nicolas Lemercier in 1582 and succeeded his father-in-law as architect of the church of Saint- Eustache, Paris in 1585. David was responsible for the construction of the choir, which was completed in 1637. According to Paluster he was interred at St.-Eustache, with the epitaph (since effaced): > Ici gist le corps d'honorable homme Charles David vivant juré du Roy es > oeuvres de maçonnerie doyen des jurés et bourgeois de Paris architecte et > conducteur du batiment de l'eglize de ceans lequel apres avoir vecu vec Anne > Lemercier sa femme l'espace de cincquante ans est decédé le 4 jour de > December 1650 agé quatrevingt dix-huit ans He was succeeded at Saint-Eustache by Jean Mansart de Jouy.
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Both aspects of Weil's work have steadily developed into substantial theories. Among his major accomplishments were the 1940s proof of the Riemann hypothesis for zeta- functions of curves over finite fields, Reprinted in Oeuvres Scientifiques/Collected Papers by André Weil and his subsequent laying of proper foundations for algebraic geometry to support that result (from 1942 to 1946, most intensively). The so-called Weil conjectures were hugely influential from around 1950; these statements were later proved by Bernard Dwork, Alexander Grothendieck, Michael Artin, and finally by Pierre Deligne, who completed the most difficult step in 1973. Weil introduced the adele ringA. Weil, Adeles and algebraic groups, Birkhauser, Boston, 1982 in the late 1930s, following Claude Chevalley's lead with the ideles, and gave a proof of the Riemann–Roch theorem with them (a version appeared in his Basic Number Theory in 1967).
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A broadside published in the 1930s by the Federation for Community Service in Toronto, showing how donations are distributed to member agencies The United Way Centraide movement began in 1917, when charities in Montreal and Toronto started community collectives inspired by similar activities in the United States. In particular, various clergy in Denver were trying to raise money individually to support their community, but started working together in 1887 when they realized that they could have a greater impact if they worked together to raise and distribute funds. This approach began to be adopted in Canada during the turmoil of the First World War period. Other collectives were initiated in other parts of the country over time, under a variety of names (including Red Feather (or Plume Rouge in French), Community Chest, Fédération des oeuvres de charité and the United Appeal).
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La Section d'Or exhibition, 1925, Galerie Vavin-Raspail, Paris. Gleizes' Portrait de Eugène Figuière, La Chasse (The Hunt), and Les Baigneuses (The Bathers) are seen towards the center La Revue Indépendante began publication in June 1911 under the patronage ('Dépôt générale') of Eugène Figuière, later publisher of Du "Cubisme" and of Apollinaire's Aesthetic Meditations - The Cubist Painters. According to Gladys Fabre, Figuière's publishing house opened in 1910 was a successor, via the Bibliothèque des douze and the Oeuvres du jour to the Abbaye de Créteil's own publishing house which, after the closure of the Abbaye itself in 1908, had continued in Paris. The contributors included the poet Paul Fort together with Alexandre Mercereau, Paul Castiaux, H.M. Barzun, Roger Allard and, quite prominently, Jacques Nayral, Gleizes' friend and later brother in law, subject of the great portrait which must have been done about this time.
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Of d'Aguesseau's works the most complete edition is that of the eminent lawyer Jean Marie Pardessus, published in 16 vols. (1818–1820); his letters were edited separately by Rives (1823); a selection of his works, (OEuvres choisies, was issued, with a biographical notice, by E Falconnet in 2 vols. (Paris, 1865).) The far greater part of his works relate to matters connected with his profession, but they also contain an elaborate treatise on money; several theological essays; a life of his father, which is interesting from the account which it gives of his own early education; and Metaphysical Meditations, written to prove that, independently of all revelation and all positive law, there is that in the constitution of the human mind which renders man a law to himself. See Boullée, Histoire de la vie et des ouvrages du chancelier d'Aguesseau (Paris, 1835); Fr. Monnier, Le Chancelier d'Aguesseau (Paris, 1860; 2nd ed.
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In the geometry of quadratic forms, an isotropic line or null line is a line for which the quadratic form applied to the displacement vector between any pair of its points is zero. An isotropic line occurs only with an isotropic quadratic form, and never with a definite quadratic form. Using complex geometry, Edmond Laguerre first suggested the existence of two isotropic lines through the point that depend on the imaginary unit :Edmond Laguerre (1870) "Sur l’emploi des imaginaires en la géométrie", Oeuvres de Laguerre 2: 89 : First system: (y - \beta) = (x - \alpha) i, : Second system: (y - \beta) = -i (x - \alpha) . Laguerre then interpreted these lines as geodesics: :An essential property of isotropic lines, and which can be used to define them, is the following: the distance between any two points of an isotropic line situated at a finite distance in the plane is zero.
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Video of locations around the campus in 2019 The campus and buildings of UCV are considered to be Villanueva's masterpiece. Built on the site of the old Hacienda Ibarra (which originally belonged to Simon Bolívar's family) and connected to the new city center at Plaza Venezuela, the project required a massive undertaking in both urban planning and architectural design. The selected location gave Villanueva a unique opportunity to apply his conscious integration of art and architecture on a grand scale. This vast urban complex of about 2 km2 included a total of forty buildings and it became one of the most successful applications of Modern Architecture in Latin America. Villanueva worked closely with all the artists who contributed with their oeuvres and personally supervised the project for over 25 years until the late 1960s when his deteriorating health forced him to leave some buildings in the design stage.
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He began his training in Paris with Jacques-François Blondel at l'École des Arts, where he met Giovanni Niccolo Servandoni and formed a lifelong friendship with Charles De Wailly. He won the Prix de Rome for architecture in 1751 and was a pensionnaire at the French Academy in Rome from 1753, where he was soon joined by De Wailly, the following year's winner, who brought with him Pierre-Louis Moreau-Desproux, whose sister Peyre eventually married. Peyre stayed in Rome until early in 1756, during the years when the students at the Academy were creating temporary projects in the new Neoclassical manner. In 1762 he built a villa for Mme Leprêtre de Neubourg in the southwest suburbs of Paris near the Gobelins; demolished in 1909, it is known only through the engravings in his Oeuvres d'architecture and two photographs taken in 1900 by Eugène Atget.
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When his collection was sold by Sotheby's on 16 and 17 October 2012, they noted that the collection contained beautifully bound 16th and 17th century scores by composers whose manuscripts rarely come up at auction anymore including Orlande de Lassus, Claudio Monteverdi, Jacques Arcadelt, Cristóbal de Morales, Luca Marenzio, Giovanni Pierluigi da Palestrina, Marco da Gagliano, Girolamo Frescobaldi, Jacopo Peri & Ottavio Rinuccini, and Antonio Cesti, among others.Sotheby's, London, De la collection musicale André Meyer: Manuscrits, Imprimés et Oeuvres d'Art, Paris 16 & 17 Octobre 2012, 11. André Meyer maintained a vacation home in Crans-sur-Sierre, Valais, Switzerland and while there in the summer of 1979, he fell ill. He died of circulatory problems in the Nestlé Hospital in Lausanne, and was interred near his closest friend and business partner Pierre David-Weill in the Jewish section of the Cemetery of Montparnasse in the Montparnasse Quarter of Paris, France.
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In 1842, Balzac wrote a preface (an "Avant-propos") to the whole ensemble in which he explained his method and the collection's structure. Motivated by the work of biologists Georges-Louis Leclerc, Comte de Buffon, Georges Cuvier and most importantly Étienne Geoffroy Saint-Hilaire, Balzac explains that he seeks to understand "social species" in the way a biologist would analyse "zoological species", and to accomplish this he intends to describe the interrelations of men, women and things. The importance of the woman is underlined by Balzac's contention that, while a biologist may gloss over the differences between a male and female lion, "in Society the woman is not simply the female of the man".Oeuvres complètes volume 1, La maison du Chat-qui-pelote quotation: Balzac then gives an extensive list of writers and works that influenced him, including Sir Walter Scott, François Rabelais and Miguel de Cervantes.
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In his introduction to an interview with Michael Bishop, in a reference to Bishop's short story collections, Nick Gevers writes "These volumes, combining the sublimely exotic and the drawlingly familiar, satirical humour and timeless tragedy, constitute one of the finest short fiction oeuvres in SF's history.". Author, critic and sometime collaborator, Paul Di Filippo writes > Since his first short-story sale in 1970, Michael Bishop has revealed a > questing spiritual intelligence uniquely concerned with moral conundrums. > While his works are often full of both the widescreen spectacles associated > with science fiction and the subtle frissons typical of more earthbound > fantasy, his focus remains on the engagement of characters with ethical > quandaries any reader might encounter in his or her daily life. . . While > only occasionally delving into explicitly religious themes, Bishop's > personal Christian faith—wide enough to embrace references to Buddhism, > Sufism and other creeds—shines through in every tale. . .
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Guitars from the Museum Cité de la Musique in Paris (which houses almost 200 classical guitars)Cité de la Musique: Les guitares classiques du Musée de la musique (almost 200 classical guitars) ; Catalog: Instruments et oeuvres d'art – use search-phrase: Mot-clé(s) : guitare While "classical guitar" is today mainly associated with the modern classical guitar design, there is an increasing interest in early guitars; and understanding the link between historical repertoire and the particular period guitar that was originally used to perform this repertoire. The musicologist and author Graham Wade writes: > Nowadays it is customary to play this repertoire on reproductions of > instruments authentically modelled on concepts of musicological research > with appropriate adjustments to techniques and overall interpretation. Thus > over recent decades we have become accustomed to specialist artists with > expertise in the art of vihuela (a 16th-century type of guitar popular in > Spain), lute, Baroque guitar, 19th-century guitar, etc. Different types of guitars have different sound aesthetics, e.g.
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Mystery, crime, and horror stories appeared in a number of anthology titles from various publishers but it was not until the advent of Warren Publishing's Creepy and Eerie in 1964 that the occasional crime story with a modicum of the style or violence that marked the comics of the late 1940s and early 1950s appeared. Meanwhile, the genre had developed substantially in the hands of European and Japanese creators. In Europe, creators like Vittorio Giardino, Jacques Tardi, José Muñoz, Carlos Sampayo, William Vance and Jean Van Hamme have devoted substantial portions of their oeuvres to crime comics, especially to stories concerned with the trappings of detective fiction and police procedurals, often with a cynical, existentialist bent. Japanese creators like Osamu Tezuka (MW, The Book of Human Insects), Akimi Yoshida (Banana Fish), Takao Saito (Golgo 13), and Kazuo Koike (Crying Freeman) have explored subject matter ranging from the criminal mind to Yakuza gangs in manga form.
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Rudolph was also assistant counsel to the wartime Truman Committee, investigating fraud and waste in defense contracting. He served as president of the New York City Council from 1951 to 1953, and ran for New York City Mayor in 1953. He passed away soon after at the age of forty-three, when Halley was three years old.Interview with Katherine Hixson, "Peter Halley: Oeuvres de 1982 à 1991" exhibition catalogue, Bordeaux: CAPC, Musee d'Art Contemporain, 1991, 10.Calvin Tomkins, "Between Neo- and Post-," The New Yorker, 24 Nov 1986, 106. Other notable family members include Rudolph's first cousin Carl Solomon (1928-1993), to whom Allen Ginsberg dedicated his epic poem "Howl (for Carl Solomon)" in 1955. The Halleys are also related to Samuel Shipman (1884-1937), a well-known and colorful writer of Broadway comedies in the 1920s. Halley's great aunt and uncle, Rose and A.A. Wyn, published Ace Comics from 1940 to 1956 and Ace Books from 1952 to 1973.
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Bookplate designed by Avril for erotica collector Henry Spencer Ashbee Avril's major work were the illustrations in 1906 for De Figuris Veneris: A Manual of Classical Erotica. Another important work illustrated by Avril was John Cleland's Fanny Hill (also known as Memoirs of a Woman of Pleasure), which was a significant and controversial publication of its time as it was the first novel to bring erotica to English literature. The book's edition illustrated by Avril includes Les charmes de Fanny exposés that is one of his better known pictures. He illustrated such works as Gustave Flaubert's Salammbô, Gautier's Le Roi Caundale, Jean Baptiste Louvet de Couvray's Adventures of the Chevalier de Faublas, Mario Uchard's Mon Oncle Barbassou (scenes in a harem), Jules Michelet's The Madam, Hector France's Musk, Hashish and Blood, the writings of Pietro Aretino, and the anonymous lesbian novel Gamiani. Classicizing works illustrated by Avril include Oeuvres d’Horace (1887), ' (1894), Daphnis et Chloé (1898), and Les sonnets luxurieux de l’Aretin (1904).
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Tscherning believed that accommodation occurred through an increase of zonular pressure at the lens equator with contraction of the ciliary muscle, and therefore a bulging of the lens in accommodation was created by compression rather than by passive dilatation. Furthermore, he stated that during accommodation, while the central part of the anterior surface of the lens is bulged, the peripheral portion of the lens is flattened.Oculo-refractive Cyclopedia and Dictionary by Thomas George Atkinson Tscherning was the author of over 100 scientific articles, including a book titled Optique physiologique, published in 1898 in Paris by Garré and Naud, and was later translated into English (Physiologic optics), and Hermann von Helmholtz et la Théorie de l´Accommodation, Paris 1909 Octave Doin, ("Hermann von Helmholtz and the Theory of Accommodation") which was critical to Helmholtz's work on the same subject, published in the Graefe's Archiv (volume 1, 1854). In 1894 he published Œvres ophthalmologiques de Thomas Young ("Ophthalmological oeuvres of Thomas Young").
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La Société Coloniale des Artistes Français (founded 1908) renamed Société des Beaux-Arts de la France d'Outre-mer in 1946, and closed in 1970, was a French artistic society, and rival to the Société des Peintres Orientalistes Français.Société des beaux-arts d'outre-mer The society received the patronage of the French Ministry of Education.La Société coloniale des artistes français puis Société des beaux-arts de la France d'outre-mer: répertoire des exposants et liste de leurs oeuvres, 1908-1970 Pierre Sanchez, Stéphane Richemond L'échelle de Jacob, 2010-3-1 The impetus for the society commenced with the Colonial Exhibition of Marseilles in 1906, and the exhibition "L'Algérie, la Tunisie et les Indes" of 1907 at the Bernheim-Jeune, and at the initiative of Louis Dumoulin a new society was established. The heyday of the society was 1930 to 1935 when its artists competed for bursaries such as the Prix de Guadeloupe and Prix de l'Indochine.
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Paganini and Berlioz. The guitar was loaned to Paganini by Jean-Baptiste Vuillaume in 1838 and later given by Vuillaume to Berlioz,Grobert guitar from Le Musée du Conservatoire national de musique by Gustave Chouquet who later donated it to the Musée du Conservatoire de musique in 1866.Grobert guitar - brief detailsGrobert guitar from The guitar and mandolin : biographies of celebrated players and composers for these instruments by Philip James Bone Today the guitar is displayed at the Museum Cité de la Musique in Paris (Inventory Number E.375). Zoom image Guitars from the Museum Cité de la Musique in Paris (which houses almost 200 classical guitarsCité de la Musique: Les guitares classiques du Musée de la musique (almost 200 classical guitars) ; Catalog: Instruments et oeuvres d'art - use search-phrase: Mot-clé(s) : guitare) Baroque Guitars from the Museum Cité de la Musique in Paris (which houses almost 200 classical guitars) In general one can distinguish three main aspects of guitar making: #"Sound" feature that includes shaping the wood (vibrational aspects: densities, stiffness), wood-selection, shaping the bracing; to design; etc.
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It was first published in four books (Edinburgh, 1614), and later in twelve (in the collected edition of Alexander's work printed in London, 1637). The poem, which contains almost 1,400 eight-line stanzas in total, begins with a synopsis of world history in the First 'Hour', then provides long catalogues of the creatures, battle dead, pagans, monarchs, sinners, biblical characters and, finally, members of the heavenly host who will appear at the Final Judgement. Alexander's method was indebted to the French Protestant poet Guillaume de Salluste Du Bartas; Drummond acknowledged the kinship in the title of a manuscript poem Sur les oeuvres poetiques de Guillaume Alexandre, Sieur De Menstre. Alexander collaborated with James VI and I on a new paraphrase of the Psalms, composed a continuation to Philip Sidney's Arcadia that links the end of Book 3 in Sidney's incomplete revised version to the ending in the 1593 text, and also wrote down his thoughts on poetry in Anacrisis: Or a Censure of some Poets Ancient and Modern (c. 1635).
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The gallery has a total display area of 600 m2 and does not have a permanent display as it specialises in one-off solo and group exhibitions representing notable oeuvres and art movements from all periods and styles, with works by both Croatian and foreign artists. Throughout its history the gallery organised around 700 exhibitions with artists ranging from the Earth Group collective to George Grosz, Henry Moore, Auguste Rodin, Andy Warhol, Mimmo Rotella, Joan Miró, Auguste Rodin, Alberto Giacometti and many others. In recent years it featured retrospective exhibitions of artists such as Milivoj Uzelac, Gilles Aillaud, Edo Kovačević, Gerhard Richter, Vilko Gecan, Dušan Džamonja, Vlaho Bukovac, Boris Demur, Anto Jerković, Marijan Trepše, Bela Csikos Sesia, Nasta Rojc and group exhibitions which featured works of contemporary artists such as Santiago Sierra and Boris Mikhailov, as well as 19th-century artists such as Karl von Piloty, Nikolaos Gyzis, Gabriel von Max and Franz Stuck. In 2006, the glass roof of the Pavilion was renovated and the lighting system was replaced,.
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How Great Thou Art has been called "a new landmark in British photography. The question of life and death and the cultural responses to death through funerals in the Caribbean community has featured sporadically in various photographic oeuvres before but no one has explored this subject in such depth and in such a participatory and embedded manner as evidenced by Charlie Phillips."Paul Goodwin, "The Art of Charlie Phillips", foreword in How Great Thou Art: Fifty Years of African Caribbean Funerals in London, King/Otchere Productions, 2014. In The Spectator, Ian Thomson wrote: "In Phillips’s moving and often beautiful images, dating from 1962 to the present, the bereaved are seen to face the mystery of the end of life in stush black suits, spidery hat veils, Rastafari head-ties, spiffy trilbies and strictly-come-dancehall white socks.... Anyone feeling a bit like death in the run-up to Christmas should invest in a copy of How Great Thou Art — and feel revivified."Ian Thomson, "Death wears bling: the glory of London’s Caribbean funerals" , The Spectator, 29 November 2014.
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Without a support and ground, the subject of a painting could not exist, as it would fall away. Derrida argues that Artaud's subjectile is both ground and a support. It is stretched out, extended, beyond, through and behind the subject, it is not alien to the subject, yet ‘It has two situations’. Derrida holds that the subjectile functions as a hypothesis, and is a subjectile itself. ‘Subjectile, the word or the thing, can take the place of the subject or of the object – being neither one nor the other.’ Antonin Artaud mentions the subjectile three times in his writing. Jacques Derrida, in his essay, To Unsense the Subjectile states ‘All three times, he is speaking of his own drawings, in 1932, 1946, and 1947’. The first time Artaud used the word was in a letter to André Rolland de Renéville, ‘Herewith a bad drawing in which what is called the subjectile betrayed me.’See: The original text, published in French, Artaud, Antonin, Oeuvres Completes, Gallimard 1964 volume V, pp.
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The main objective of his research and of his of lab ACHT is developing a comprehensive understanding of contemporary architecture as a cultural discipline in Western Europe. The method of his research is threefold: critical evaluation of contemporary projects and developments, historical study post-war trends, oeuvres and evolution) and theoretical investigation of the cultural conditions of architectural production since the late 19th century. Gerrewey's current research focuses on the critical reception of the work of OMA/Rem Koolhaas (1975-1999), the genesis of the Kunsthal in Rotterdam by OMA/Rem Koolhaas (1987-1992), architectural writers of the twentieth century, the relationship between architecture and philosophy since the Second World War, and a short history of metropolitan theory in Switzerland. His texts on architecture, literature, performing arts and visual arts have appeared in magazines such as De Witte Raaf, Etcetera, Ons Erfdeel, De Leeswolf, Domus, De Brakke Dog, De Gids, nY, A +, NRC Handelsblad, Streven, Rekto: Verso, The Architect, The Reactor and Metropolis M. He is a member of the editorial board of the art and architectural magazine De Witte Raaf.
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The Musée de la Musique features a collection of about items, comprising around musical instruments, instrument elements or pieces of art (paintings, sculptures, etc.) collected by the Conservatoire de Paris since 1793 as well as some archives and a library of written and audiovisual documents. The museum's collection, which opened to the public in 1864 and was relocated at the Cité de la musique in 1997, contains instruments used in classical and popular music from the sixteenth century to the present time including lutes, archlutes, almost 200 classical guitars,Les guitares classiques du Musée de la musique (almost 200 classical guitars) ; Instruments et oeuvres d'art – use search-phrase: Mot-clé(s) : guitare violins by Italian luthiers Antonio Stradivari,Instruments by Antonio Stradivarius at the Musée de la Musique, website of Philharmonie de Paris. the Guarneri family, Nicolò Amati; French and Flemish harpsichords; pianos by French piano-makers Erard and Ignaz Pleyel; saxophones by Adolph Sax, etc. The instruments are exhibited in five departments by period and by type.
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12 In a letter to Frederick II of Prussia in 1740 Voltaire ascribes to Muhammad a brutality that "is assuredly nothing any man can excuse" and suggests that his following stems from superstition and lack of Enlightenment."But that a camel-merchant should stir up insurrection in his village; that in league with some miserable followers he persuades them that he talks with the angel Gabriel; that he boasts of having been carried to heaven, where he received in part this unintelligible book, each page of which makes common sense shudder; that, to pay homage to this book, he delivers his country to iron and flame; that he cuts the throats of fathers and kidnaps daughters; that he gives to the defeated the choice of his religion or death: this is assuredly nothing any man can excuse, at least if he was not born a Turk, or if superstition has not extinguished all natural light in him." – Referring to Muhammad, in a letter to Frederick II of Prussia (December 1740), published in Oeuvres complètes de Voltaire, Vol. 7 (1869), edited by Georges Avenel, p.
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Bathing Venus (Bronze) by Giambologna (1597) Dimension: 1,12 m height Owner: Private CollectionFemale Figure, also known as "Venus" or "Bathseba" (Marble) by Giambologna (1571-1573), today in the J. Paul Getty Museum The Bathing Venus is a bronze sculpture attributed to Giambologna (1529-1608), the leading late Renaissance sculptor in Europe. It was most likely created for King Henry IV of France with other bronzes as a diplomatic gift from Ferdinando I de’ Medici, Grand Duke of Tuscany, to embellish the gardens of the Royal castle in Saint-Germain-en-Laye. A Mercury in the Louvre, recently attributed to Hans ReichleRudigier, Alexander, «Les bronzes envoyés de Florence à Saint-Germain- en-Laye, la Vénus de 1597 et les dernièrs oeuvres de Jean Bologne», in: Bulletin monumental 174, 3 (2016), 287-356. This attribution was discussed by Geneviève Bresc-Bautier,, «À propos de Jean Bologne et les jardins d' Henri IV. Observations», in: Bulletin monumental 176, 4 (2018), 321-322 and Rudigier, Alexander, «À propos de Jean Bologne et les jardins d' Henri IV. Réponse [aux observations de Geneviève Bresc-Bautier]», in: Bulletin monumental 176, 4 (2018), 321-324.
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Within the successive editions of Edmé Boursault's Letters of Respect, Gratitude and Love (Lettres de respect, d'obligation et d'amour) (1669), a group of letters written to a girl named Babet were expanded and became more and more distinct from the other letters, until it formed a small epistolary novel entitled Letters to Babet (Lettres à Babet). The immensely famous Letters of a Portuguese Nun (Lettres portugaises) (1669) generally attributed to Gabriel-Joseph de La Vergne, comte de Guilleragues, though a small minority still regard Marianna Alcoforado as the author, is claimed to be intended to be part of a miscellany of Guilleragues prose and poetry.G. de Guilleragues. Lettres portugaises, Valentins et autres oeuvres. Paris, 1962 The founder of the epistolary novel in English is said by many to be James Howell (1594–1666) with "Familiar Letters" (1645–50), who writes of prison, foreign adventure, and the love of women. Title page of left The first novel to expose the complex play that the genre allows was Aphra Behn's Love-Letters Between a Nobleman and His Sister, which appeared in three volumes in 1684, 1685, and 1687.
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Voltaire's views about Islam were generally negative, and he found its holy book, the Quran, to be ignorant of the laws of physics. In a 1740 letter to Frederick II of Prussia, Voltaire ascribes to Muhammad a brutality that "is assuredly nothing any man can excuse" and suggests that his following stemmed from superstition; Voltaire continued, "But that a camel-merchant should stir up insurrection in his village; that in league with some miserable followers he persuades them that he talks with the angel Gabriel; that he boasts of having been carried to heaven, where he received in part this unintelligible book, each page of which makes common sense shudder; that, to pay homage to this book, he delivers his country to iron and flame; that he cuts the throats of fathers and kidnaps daughters; that he gives to the defeated the choice of his religion or death: this is assuredly nothing any man can excuse, at least if he was not born a Turk, or if superstition has not extinguished all natural light in him."Letter to Frederick II of Prussia (December 1740), published in Oeuvres complètes de Voltaire, Vol. 7 (1869), edited by Georges Avenel, p.
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Newton's tomb monument in Westminster Abbey The mathematician Joseph-Louis Lagrange said that Newton was the greatest genius who ever lived, and once added that Newton was also "the most fortunate, for we cannot find more than once a system of the world to establish."Fred L. Wilson, History of Science: Newton citing: Delambre, M. "Notice sur la vie et les ouvrages de M. le comte J.L. Lagrange," Oeuvres de Lagrange I. Paris, 1867, p. xx. English poet Alexander Pope wrote the famous epitaph: > Nature and nature's laws lay hid in night; > God said "Let Newton be" and all was light. Newton was relatively modest about his achievements, writing in a letter to Robert Hooke in February 1676: > If I have seen further it is by standing on the shoulders of giants.Letter > from Isaac Newton to Robert Hooke, 5 February 1676, as transcribed in Two writers think that the above quotation, written at a time when Newton and Hooke were in dispute over optical discoveries, was an oblique attack on Hooke (said to have been short and hunchbacked), rather than—or in addition to—a statement of modesty.John Gribbin (2002) Science: A History 1543–2001, p. 164.
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87-88, Imprimerie Nouvelle (association ouvrière) 1899 Around 1731See Roussel's plan of Paris it was the site of a lodge where wood was cut into logs and stored for firewood, carpentry or boat repairsDéchireurs et Hotteurs.Archives parlementaires de 1787 à 1860, p.683 At this time the island was linked to the rive gauche on its eastern extremity by the "pont des Cignes"Pierre Thomas N. Hurtaut, Magny, Dictionnaire historique de la ville de Paris et de ses monuments, p.99, 1779 or "pont rouge". Jean-Jacques Rousseau promenaded on the islandNinth promenade, Rêveries du promeneur solitaire in Oeuvres complètes, tome 6 p.522, Ch Lahure 1857 Letters patent allowing the City of Paris to fill in the channel separating île des Cygnes from the Gros-Caillou quarter were signed on 20 June 1773, and a partial filling-in of the channel is reported in 1780.Mémoires de la Société nationale des antiquaires de France 1864, p.106 In 1782 the island was the site of a lamp-oil factoryTableau de Paris, by Louis- Sébastien Mercier, 1782 On 11 April 1786 a police decree ordered that "all offal of bulls, cows and sheep continue to be brought to the île des Cygnes to be prepared and cooked there as is the custom".
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