639 Sentences With "muti" | Random Sentence Generator

But Mr. Muti made it hard, severe, a little painful.

Mr. Muti pointed out that Spontini's nationality counted against him.

"Thanks to him I do this profession," Mr. Muti said of Rota.

Happily, Mr. Muti seems to have had a Bruckner epiphany in Chicago.

Mr. Muti made the work a long, feverish convulsion, unfolding with unrelenting intensity.

Mr. Muti does that moment, and the piece as a whole, eloquent justice.

Riccardo Muti brings his typically well-drilled orchestra to New York for two concerts.

And Mr. Muti believes that Spontini's mastery of large musical structures directly influenced Wagner.

Mr. Muti said he was persuaded by the offer to conduct "Aida" with Ms. Netrebko, in a new production by the artist Shirin Neshat that promised to forgo the traditional pomp, pyramids, elephants and horses that Mr. Muti felt cluttered up past productions.

SETH COLTER WALLS BRUCKNER: Symphony No. 9 Chicago Symphony Orchestra; Riccardo Muti, conductor (CSO Resound).

Riccardo Muti, the music director of the Chicago Symphony Orchestra, regularly leads performances for incarcerated youth.

The soprano Krassimira Stoyanova, her voice pale and fragile on Friday, has long collaborated with Mr. Muti.

"Spontini is one of my two gods, together with Cherubini," Mr. Muti said in a telephone interview.

Mr. Muti rendered their duets as safe spaces of lyrical expansion, without the pace ever seeming to flag.

Adroitly poised between sincerity and mockery, laughter and tears, this eloquent "Falstaff" is a triumph for Mr. Muti.

CHICAGO SYMPHONY ORCHESTRA Over the past few years, Riccardo Muti has shaped an ensemble both powerful and lyrical.

Led by Riccardo Muti in a program of Brahms and Tchaikovsky, the Philharmonic sounded emphatic, brisk and unanxious.

Like everyone who works with the exacting, showboat-phobic Mr. Muti, she sang with clean, even modest classiness.

Anita Rachvelishvili is "without doubt the best Verdi mezzo-soprano today on the planet," according to the conductor Riccardo Muti.

"The first year I was here, I felt almost naked, because there was no picture of me," Mr. Muti said.

Congratulations came in from royalty both musical (the conductors Riccardo Muti and Christoph von Dohnányi sent messages) and bona fide (Mr.

After his death, his heirs Claudio Abbado and Riccardo Muti went on to great success, conducting both opera and symphonic works.

Despite that, "conductors are sprouting like mushrooms after the rain," observed the 74-year-old Mr Muti in a recent interview.

SCHOENBERG: 'KOL NIDRE'; SHOSTAKOVICH: 'SUITE ON VERSES OF MICHELANGELO BUONARROTI' Ildar Abdrazakov, bass; Chicago Symphony Orchestra; Riccardo Muti, conductor (CSO Resound).

Ms. Feola, who has been championed by the conductor Riccardo Muti, presented herself as the exponent of a rich national heritage.

The fact that Italians a generation younger than Mr Abbado and Mr Muti have followed in their footsteps may not be surprising.

The key is to dance nimbly among these rapidly shifting moods, and no one is as spry a leader as Mr. Muti.

Mozart and Wagner, Mr. Muti argues, would never be subjected to the disrespect — the cuts, the smudgings — still commonplace in Verdi performance.

Across the street at Makau Nui, the Hawaiian carver Benjamin Muti makes intricate pendants in cattle bone, marlin bill, abalone and more.

He joins Riccardo Muti at the Chicago Symphony Orchestra, Nicola Luisotti at the San Francisco Opera and Corrado Rovaris at the Philadelphia Opera.

On Friday, escorting me into his dressing room, Mr. Muti described all the cherished photos on the walls, "my altar," he called it.

I wish that at the end of the Judgment Scene, when their howls mark the opera's climax, Mr. Muti had really unleashed them.

The season's starry highlight, though, is undoubtedly the new production of "Aida," conducted by Riccardo Muti and starring the celebrated soprano Anna Netrebko.

Fifteen years ago, Mr. Muti taught Falstaff to a young baritone named Ambrogio Maestri, whose hulking physique made him a natural for the part.

Mr. Muti mentioned a celebrated passage from "Agnes" in which Spontini evokes the sound of an organ by cleverly scoring music for stage band.

According to the indictment seen by CNN, Magubane approached Mbatha for muti -- a South African term for traditional medicine -- to help him attain good fortune.

They seemed calculated to demonstrate a malleability and versatility fostered in later years by Daniel Barenboim and honed to a fine touch by Mr. Muti.

"Rachvelishvili was for me a revelation," the eminent conductor Riccardo Muti, with whom she will sing "Aida" in Chicago in June, said in an interview.

IF YOU'RE SITTING HERE AS A CEO OF A MUTI-NATIONAL COMPANY AND YO ARE HOPING FOR A TRADE DEAL YOU SHOULD HAVE YOUR HEAD EXAMINED.

Mr. Muti — who, as the student of Toscanini's student, is something of his artistic grandchild — has been on the front lines of this battle in our time.

NEWLY RELEASED APPASSIONATA The young Ornella Muti stars as a wanton wife in a semiserious sex drama directed by Gianluigi Calderone (a former assistant to Bernardo Bertolucci).

The festival's house band, the Vienna Philharmonic, will give concerts under the batons of Andris Nelsons, Esa-Pekka Salonen, Riccardo Muti, Herbert Blomstedt and Mr. Welser-Möst.

Of his forty-odd operas, more than a dozen have been revived, and artists such as Riccardo Muti , Cecilia Bartoli , and Christophe Rousset have pleaded his case.

Along with other early Verdi works, "Macbeth" was long dismissed as a surfeit of oompah music, but here in Chicago in 2013, Mr. Muti revealed its moody nuances.

Conductors including Claudio Abbado, who died in 2014, and Riccardo Muti have made a point of using these scholarly editions, sometimes including material rarely performed in recent decades.

So it is no coincidence that this "Aida," the least thrilling of the four Verdi operas Mr. Muti has conducted here, features the spottiest cast of the four.

The strike was also notable for the unusual involvement of the orchestra's revered music director, Riccardo Muti, since conductors usually avoid seeming to take sides in labor disputes.

Mr. Muti has shown, time and again, that Verdi's settings of texts are hardly less responsive and refined than the French Baroque "tragédies en musique" of Lully and Rameau.

Happily, contemporary music plays a significant role in the programs that Riccardo Muti leads at Carnegie this season, with each of these two concerts featuring a New York premiere.

It was the latest instance of a renowned Italian conductor finding disharmony at an Italian opera house: In 2005, Riccardo Muti resigned from the Teatro alla Scala in Milan.

In 2004, "Europa Riconosciuta" was chosen to reopen La Scala after a major renovation, in a high-profile production conducted by Riccardo Muti, the house's music director at the time.

One shows Toscanini in conversation with a young Nino Rota, a composer who became a crucial mentor to Mr. Muti starting from his student days at the conservatory in Bari, Italy.

So all the more remarkable were the modest affairs that the conductor Riccardo Muti and the Chicago Symphony brought to Carnegie over the weekend, with no huge statements, no overarching themes.

But before the strike began, Mr. Muti wrote to the orchestra's board and management, saying, "I am with the musicians," and he later appeared with the players on the picket line.

He has already been an assistant conductor at the Metropolitan Opera, and from 2013 to 2015 was the Solti conducting apprentice at the Chicago Symphony Orchestra, where he studied with Riccardo Muti.

Mr. Muti, perhaps today's leading Verdi conductor, is a stickler for performing the composer's scores "come scritto" ("as written"), frowning on, for instance, the extra high notes performers have added over time.

Seasoned conductors such as Mr. Welser-Möst, Riccardo Muti, Zubin Mehta and Herbert Blomstedt are already lined up to coach and lecture academy members when they are conducting the Philharmonic in Vienna.

Maria Callas had a triumph in the title role at the Teatro alla Scala in Milan in the 1950s, and Riccardo Muti chose the opera to open that theater's 1993-94 season.

CHICAGO — For more than 40 years, Riccardo Muti has been the king of Verdi conductors, the one who most makes you feel you are hearing the composer's operas for the very first time.

It's a soufflé score that can easily slump into heaviness, but Mr. Muti had the Chicagoans navigating its turns like a racecar and sounding as crisp and clean as a billowing linen sheet.

Mr Abbado, who died two years ago aged 80, became chief conductor at both La Scala and the Berlin Philharmonic, with Muti succeeding him at La Scala and now leading the Chicago Symphony Orchestra.

Mr. Muti conducted the premiere of this version — which was edited by Martin Chusid, and was the first volume to appear in a Verdi series of which Mr. Gossett was general editor — in 19633.

It brings together Ms. Netrebko for just the second time with Riccardo Muti, perhaps our finest Verdi conductor, and pairs them with the celebrated photographer and video artist Shirin Neshat, directing her first opera.

Last week, as the deadline the Chicago players set for an agreement neared, the orchestra's eminent music director, Riccardo Muti, wrote a letter supporting the musicians to Ms. Zell and Jeff Alexander, the orchestra's president.

The couple — who filmed their special day for their 10-part reality series, Gucci Mane and Keyshia Ka'oir: The Mane Event — sliced into their muti-layered cake using a sword with a blinged-out handle (naturally).

For his part, Mr. Muti has responded with Verdi interpretations that are pledges of allegiance to each marking in the music, each 16th rest (never to be confused with an eighth rest, so help him God).

Mr. Muti leads his Chicagoans and the stentorian narrator Alberto Mizrahi in a gripping live performance of this starkly dramatic piece, paired with a compelling performance of Shostakovich's suite of song settings of poetry by Michelangelo.

Mr. Muti, considered the leading interpreter of Verdi today, said that he had decided to stop doing staged operas in Salzburg after his past few outings disappointed him — until Mr. Hinterhäuser lured him back into the pit.

Before the summer is out, they will have encountered Domingo, Netrebko, Flórez, Bartoli, Argerich, Trifonov, Mutter, Schiff, Uchida, Muti, Rattle, Barenboim, Haitink, and much of the rest of what is thought to be the classical-music A-list.

Mr. Muti tolerates no overplaying, and Mr. Maestri here won with restraint, making the audience crack up at just the slight, randy lilt he gave a single word — "parla" ("speak") — in the first scene of the second act.

There she joined the production's conductor, Riccardo Muti; the rest of its cast and creative team; festival officials; and a table of leading Austrian industrialists for a late-night supper that began with selfies and dollops of caviar.

"The Chicago brass: This was a way of referring to the Chicago Symphony even when I was a young student in the conservatory in Milano," said Mr. Muti, 19883, who is in his 21988th season as music director.

And when other top orchestras and conductors — a pantheon that included Claudio Abbado, Leonard Bernstein, Pierre Boulez, Carlo Maria Giulini and Riccardo Muti — needed choruses for their requiems, masses and choral symphonies, they often turned to Mr. Flummerfelt.

The Rome Opera has suffered from labor turmoil and budget cutbacks in recent years, and in 2014 Riccardo Muti broke ties with the company, where he held the title of "honorary conductor for life," because of the persistent disarray.

He and his players have such good rapport that during certain stretches of the performance Mr. Muti, despite his reputation as an exacting perfectionist, essentially dropped his hands to his sides and just kept a watchful eye on things.

That work — Brahms's mellowest, least troubled symphony and hardly a blockbuster — was the biggest work on either program, and Mr. Muti, not always a convincing Brahmsian in earlier years, seems to have developed a greater affinity for the composer.

While Mr. Muti publicly insisted that he simply wanted the management and the board to "listen more carefully to the needs of musicians who represent one of the greatest orchestras in the world," the symbolism was hard to miss.

At his last program with the New York Philharmonic in 1911, Mahler conducted Martucci's formidable Piano Concerto in B-flat minor, a work Mr. Muti conducted in Chicago in 2011 on a program to commemorate the centennial of Mahler's death.

Mr. Muti made his career in Italian opera, and this is the fourth Verdi work he has done in his decade-long tenure in Chicago, after a harrowing "Otello" (2011), a darkly surging "Macbeth" (2013) and a stylishly witty "Falstaff" (2016).

Riccardo Muti will lead it in the Verdi Requiem; Daniel Barenboim in Mahler's Kindertotenlieder and Symphony No. 5; Herbert Blomstedt in Mahler's Symphony No. 9; Bernard Haitink in Bruckner's Symphony No. 7; and Mr. Welser-Möst in Wagner, Strauss and Shostakovich.

Riccardo Muti (pictured), now aged 78, has been the music director of the Chicago Symphony Orchestra since 2010; he had previously been music director of the Philadelphia Orchestra (another of the "Big Five" orchestras in America) and La Scala in Milan.

From its modern-day origins under Rafael Kubelik and Fritz Reiner to the brawny blasts of the Georg Solti era to the subtler approaches taken by Daniel Barenboim and now Riccardo Muti, brass has long been central to the ensemble's sound.

This Chicago program included the orchestra's first performance of Martucci's "La Canzone dei Ricordi" ("The Song of Memories"), a 30-minute song cycle, featuring the mezzo-soprano Joyce DiDonato, who learned of the piece from Mr. Muti, who coached her through it.

Mr. Muti, 75, who has been Chicago's music director since 2010, has a special passion for Italian composers of the late 19th and early 20th centuries, like Martucci and Giovanni Sgambati, who tried to steer Italy back to the European orchestral tradition.

Mr. Muti recalled that when he first came here in the early 1970s, posters of stars — especially those of the conductor Herbert von Karajan, a native son who reigned over the festival for decades — looked out from shop windows all over town.

And Riccardo Muti, the current music director of the Chicago Symphony, leading the orchestra in a rehearsal of Verdi's Requiem (and singing all the parts himself, in the absence of the soloists and chorus), in what was effectively a master class by a great Verdian.

So when Mr. Muti attended a Deutsche Grammophon event at a chic art gallery here to promote his recording of Bruckner's Symphony No. 2 with the Vienna Philharmonic, it was for a limited-edition vinyl LP — the kind of niche release that has proved successful with audiophiles.

He has learned his Copland and his Bernstein, but if even Riccardo Muti and the Chicago Symphony Orchestra feel moved to perform Florence Price these days, what have Mr. Nelsons and the Boston Symphony got to lose by doing right by their city's own, overlooked Amy Beach?

Critic's Notebook CHICAGO — When Riccardo Muti learned that I would be attending his concert here with the Chicago Symphony Orchestra on Friday afternoon he earnestly invited me to drop backstage afterward — first, so we could finally meet, but also so he could tell me all about Giuseppe Martucci.

In addition to Wednesday's concert, the opening festivities include concerts by the Chicago Symphony, under Riccardo Muti; recitals by Mitsuko Uchida and Brad Mehldau; and two performances by the German avant-garde rock band Einstürzende Neubauten (whose name translates, rather defiantly under the circumstances, as "Collapsing New Buildings").

Last Tuesday, the morning of the "Wozzeck" premiere, he sat down with festival staff members and discussed the week ahead The premiere of Verdi's "Aida" two nights earlier, starring Anna Netrebko singing the title role for the first time and Riccardo Muti conducting the Vienna Philharmonic, had gone smoothly.

Mr. van Zweden, a Dutch-born maestro with a growing reputation, received more that year than any other orchestra conductor in America, including Gustavo Dudamel at the Los Angeles Philharmonic, and his total pay was more than twice that of the nearest runner-up, Riccardo Muti at the Chicago Symphony Orchestra.

At 74, and less than three months after hip surgery, Mr. Muti showed no sign on Thursday that he was interested in giving up the crown, hopping on the podium as he led his Chicago Symphony Orchestra in an energetic yet elegant, altogether sublime concert performance of "Falstaff," Verdi's operatic farewell.

The Philadelphia Orchestra, one of America's "big five" orchestras, is known for its plush Philadelphia sound, and for a high caliber of music-making under leaders including Leopold Stokowski, Eugene Ormandy, Riccardo Muti, and now Mr. Nézet-Séguin, who was recently named the next music director of the Metropolitan Opera.

This is what it says about how the incident unfolded: Gamer issues call for swatting A member of the online gaming community told CNN that the dispute stemmed from a muti-player session of "Call of Duty: WWII," a shooting game that emulates combat from a soldier's point of view.

The first summer season of the fabled Salzburg Festival under the artistic direction of Markus Hinterhäuser will offer the concerts and opulently cast operas it is known for — including Anna Netrebko singing the title role in Verdi's "Aida" with Riccardo Muti conducting the Vienna Philharmonic — but also a rethinking of its purpose.

Mr. Muti has appointed three players in the past few years whose interplay was a model of sensitivity: Stefan Ragnar Hoskuldsson, principal flute of the Met Orchestra before coming to Chicago; Keith Buncke, principal bassoon; and William Welter, new this season as principal oboe, and remarkably full and liquid in tone and line.

In the new year, Riccardo Muti and his Chicago Symphony have a marvelously diverse program of Stravinsky, Higdon, Chausson and Britten, as well as a spot of Brahms; the Boston Symphony outshines them in April with Shostakovich's Fourth and the second act of Wagner's "Tristan und Isolde," with the small matter of Jonas Kaufmann singing the male lead.

In July 2008 Fray married actress :it:Chiara Muti (daughter of conductor Riccardo Muti), with whom he has a daughter.

This palazzo should not be confused with the Palazzo Muti e Santuario della Madonna dell' Archetto Palazzo Muti Papazzurri in 1699. Palazzo Muti Papazzurri in 2010. Palazzo Muti Papazzurri is a Baroque palazzo in Rome, Italy. It was built in 1660 by the architect Mattia de' Rossi, a pupil of Gian Lorenzo Bernini.

Medicine murder (often referred to as muti killing) is a practice of human sacrifice and mutilation associated with traditional medicinal practices, such as Muti. Victims of muti killings are often children. Organs and/or body parts are usually taken while child is still alive. An unknown child (referred to as Adam), whose decapitated torso was found in the River Thames in London in 2002 is believed to have been the victim of a muti killing.

The Palazzo Muti in the 18th century. Today, uppermost floor is altered and the statuary removed. The Palazzo Muti stands on a street corner, and is constructed on four floors. The architect was Mattia de Rossi who had been commissioned to build a residence for Giovanni Battista Muti Papazzurri, a member of one of Rome's patrician families.

The Muti Papazzurri are documented in Rome from 1435 when the will of Giovanni Paolo Muti mentions a casa complete with a tower on the site, and a painting from the early 17th century shows an older family house, with a large roof terrace, on the site of the present palazzo. In addition to their palazzi in Rome the family also owned a villa in the Province of Viterbo The Muti Papazurri became extinct with the death of Raffaele Muti Papazurri in 1816. The palazzo then passed through female descent into the family of the Marchese Livio Savorelli,info.roma who assumed the additional names of Muti Papazzurri.

Palazzo Muti. Stairs leading from the courtyard to the piano nobile. The Muti Papazzurri complex of residences was rented in its entirety at the expense of the Apostolic Camera from the Marchese Giovanni Battista Muti and his widowed mother the Marchesa Alessandra Millini Muti in 1719 for James Stuart (the "Old Pretender"), and Maria Klementyna Sobieska as their Roman residence. The Popes Clement XI and Innocent XIII considered the couple to be the rightful and, more importantly, Catholic King and Queen of England, Scotland and Ireland.

Abd Allah ibn Muti was born during the lifetime of the Islamic prophet Muhammad (d. 632). He was the son of Muti ibn al-Aswad; they belonged to the Banu Adi clan of the Quraysh tribe of Mecca. His mother was Umm Hisham bint Abi'l Khiyar Abd Yall ibn Abd Manaf. Ibn Muti resided in Medina, the political center of the Caliphate.

This evidence led investigators to suspect that Adam was trafficked to Britain specifically for a muti killing, a ritual sacrifice performed by a witchdoctor that uses a child's body parts to make medicinal potions called "muti".

His role as advisor was to assist Muti in identifying new works for the Philadelphia Orchestra to perform, with a stated emphasis on American composers.Holland, Bernard. "Riccardo Muti Makes Music His Way". The New York Times.

Muti has been a regular and popular guest conductor with the New York Philharmonic. The orchestra's musicians had reportedly been interested – towards the end of the tenures of Kurt Masur and Lorin Maazel, and before Muti took the Chicago post – in having the conductor as their music director, but Muti stated that he had no wish to take on the position. On 5 May 2008, Muti was named the next music director of the Chicago Symphony Orchestra (CSO), effective with the 2010–2011 season, with an initial contract of five years. Muti is to conduct a minimum of 10 weeks of CSO subscription concerts each season, in addition to domestic and international tours.

Muti was born in Tonga before moving to Hawaii during his childhood.

The musicians sided with Fontana against Muti at this point in the dispute, and on 13 March, Muti stated that he would refuse to conduct the La Scala orchestra from that point on. On 16 March 2005, the orchestra and staff of La Scala voted overwhelmingly against Muti in a motion of no-confidence. Muti was forced to cancel a concert prior to the vote, and some other productions were disrupted at the theater because of continuing rifts with Fontana's supporters. On 2 April, he resigned from La Scala, citing "hostility" from staff members.

After Iyas raised suspicions of rebellion by the pro-Alid noble al-Mukhtar al-Thaqafi (who fought alongside Ibn Muti against the Umayyads in Mecca), Ibn Muti attempted to summon the latter. Al- Mukhtar delayed his appearance before the governor and secretly organized a coup against him by his Kufan partisans. The Kufan Arab nobility largely supported Ibn Muti, but Mukhtar's forces became empowered with the recruitment of the Kufan grandee Ibrahim ibn al-Ashtar. Ibn al-Ashtar was instrumental in the fighting which ultimately forced Ibn Muti to withdraw from the city.

Pettitt, p. 171 Other potential candidates were considered, but Muti was appointed as the orchestra's chief conductor from 1973.Pettitt, p. 179 Muti, although he disclaimed such a description, was a firm disciplinarian, and under his conductorship the orchestra restored its standards.Pettitt, p. 180 Richard Morrison later wrote in The Times that in his ten years in charge, Muti turned a struggling orchestra into "a great ensemble".

Italian conductor Riccardo Muti has been named Honorary President of EMMA for Peace.

Born in Ravenna, Romagna, Muti was banned from any school in the country at age 13, after punching one of his teachers. The next year, he ran away from home in order to fight in World War I, but was recovered and returned by the Carabinieri. At 15, a new attempt was successful, and Muti joined the famed Arditi. On the front, Muti distinguished himself through feats of audacity.

After leaving Kufa, Ibn Muti established himself in Basra where the Zubayrids remained in control. Ibn Muti returned to Mecca in the company of Basra's governor, Ibn al-Zubayr's brother Mus'ab, in 689/90. Despite a pardon issued for him by Abd al-Malik, Ibn Muti fought and died alongside Ibn al-Zubayr during the Umayyad siege of Mecca led by al-Hajjaj ibn Yusuf in late 692.

The ceremony also featured the "Beyond Vision" created by Brazilian light artist Muti Randolph.

The Palazzo Muti (officially the Palazzo Muti e Santuario della Madonna dell' Archetto) is a large townhouse in the Piazza dei Santi Apostoli, Rome, Italy, built in 1644. Together with the neighboring Palazzo Muti Papazzurri, it originally formed part of a complex of adjoining palazzi and other houses owned by the Muti Papazzurri family. During the 18th century this entire range of buildings was, by courtesy of the Pope, the residence of the exiled Stuart dynasty while in exile in Rome. They were recognised by the Catholic Church as the rightful kings of Great Britain and Ireland.

Fals (Copper Coin) minted with minted with names of Mansur I ibn Nuh and Al-Muti. (22mm, 2.12 g, 4h). Citing ‘Abbasid caliph Al-Muti as overlord. Minted in Bukhara, Dated AH 353 (AD 964/5) in Bukhara, AH 353 (AD 964).

He has worked with Claudio Abbado, Zubin Mehta, Riccardo Muti, Georges Prêtre, Daniele Gatti, Nicola Luisotti.

The chapel was constructed in the nineteenth century to house a venerated image of the Madonna that was located under a narrow arched passageway of the Palazzo Muti,An inheritance of 1816 passed the complex of palazzi that includes Palazzo Muti to the Savorelli family; in the 19th century the palazzo was called Palazzo Papazzurri Savorelli: see Palazzo Muti. The image had been commissioned by the marchesa Muti Papazzurri in 1690. It is a depiction painted by Bolognese painter Domenico Muratori on maiolica of the Blessed Virgin. In 1696, the image was reputedly seen to move her eyes, which prompted the owner to expose the image to public veneration.

After a short stay in Mecca, Husayn ultimately headed for Kufa and once again encountered Ibn Muti at a watering place along the desert route, where Ibn Muti pleaded that he not confront the Umayyads. Husayn was slain by Umayyad forces at the Battle of Karbala on the outskirts of Kufa. Ibn Muti had attempted to depart Medina as well, but was persuaded by his distant relative Abd Allah ibn Umar to remain in the city and not rebel against the caliph. When Yazid sent his envoy Nu'man ibn Bashir al- Ansari to warn the inhabitants of Medina in 682 not to rebel against the caliph's rule, Ibn Muti derided him.

Upon his return, Muti was awarded the PNF Party Secretary position replacing Achille Starace. He was awarded this position based on the intervention of his friend Galeazzo Ciano. However, Muti disliked this inactive duty, and profited from the outbreak of the war to return in the military. As a Lieutenant Colonel, Muti participated during the Italian invasion of France, during the long-range bombing of Haifa and Bahrain,Time Magazine, Daily Damage and during the Battle of Britain.

In 2003, there were reports of artistic and programming conflicts at La Scala between musical director and principal conductor Muti and general manager Carlo Fontana. Muti did not attend the press conference that announced the 2003–04 season. The appointment in 2003 of Mauro Meli as La Scala's artistic director was intended to calm the conflict between Fontana and Muti. On 24 February 2005, La Scala governors dismissed Fontana as general manager and named Meli as his successor.

Plaque in the porte cochere of the Palazzo Muti, commemorating the Stuart occupancy. The various names given to the Palazzo can be confusing, especially as the Muti Papazzurri family built other residences bearing their name in Rome. The Palazzo is most often referred to by Romans simply as the Palazzo Muti or the Palazzo Balestra, the Balestra being a family who lived in the palazzo for a time. The Balestra had their name carved on a keystone above the entrance.

Riccardo Muti, Premio Cantelli Teatro Coccia di Novara, 1967 Muti was born in Naples but he spent his early childhood in Molfetta, near Bari, in the long region of Apulia on Italy's southern Adriatic coast. His father was a pathologist in Molfetta and an amateur singer; his mother, a Neapolitan woman with five children. Muti graduated from Liceo classico (Classical Lyceum) Vittorio Emanuele II in Naples, then studied piano at the Conservatory of San Pietro a Majella under Vincenzo Vitale; here Muti was awarded a diploma cum laude. He was subsequently awarded a diploma in Composition and Conducting by the Giuseppe Verdi Conservatory, Milan, where he studied with the composer Bruno Bettinelli and the conductor Antonino Votto.

Cevahir finds a way of earning money and pleasing Şükufe. Cevahir's mother is Muazzez and he often deceives her or abuses her trust. The only person to defy him is Bilal the Dark. Cevahir calls his mother "Kız Muti" (Kiz Muti is a famous, beautiful actress.) Şükufe is the owner of tailor shop.

The premiere took place in 1778 at Teatro Valle in Rome. Performances in Livorno (1783), Prague (1785), Vienna (1787), Barcelona (1788), Florence (1788 and 1793) and Padua (1801) followed.Rossi & Fauntleroy 1999, p. 68 and 193 After a long break, the opera was revived in 2007 under the musical direction of Riccardo Muti in a series of performances at the Salzburg Festival,Corriere della Sera (2007-05-27), Il Cimarosa di Muti, una scopertaLa Stampa (2007-05-27), Muti a Salisburgo porta la Napoli di CalandrinoLa Repubblica (2007-05-26), Muti porta Napoli a Salisburgo e Calandrino conquista tuttiDie Welt (2007-05-30), Musikfrühling an der SalzachDie Presse (2007-05-28), Was Bach, Mozart von Neapel lerntenDeutschlandradio Kultur (2007-05-29), Inspiriert durch Neapel in Las Palmas,El País (2007-11-11), Hipnotizados por Cimarosa y MutiLa Vanguardia (2007-11-11), Muti recupera el genio operístico de Cimarosa Teatro Municipale in Piacenza,Il Giornale della Musica, Un "ritorno" vivace e surreale in Pisa,Teatro.

For the 2017 Salzburg Festival, he conducted Aida, directed by Shirin Neshat. Muti also owns a residence close to Salzburg.

"NPO/Muti", The Times, 12 July 1976, p. 6; Hope-Wallace, Philip. "A Masked Ball at the Festival Hall", The Guardian, 7 July 1975, p. 8; Walker, Thomas. "NPO/Muti", The Times, 21 March 1977, p. 12; and "Record Review", The Strad, 1980, p. 818 Muti was under contract to EMI, which brought the orchestra much valuable studio work.Pettitt, p. 181 With Muti the orchestra recorded opera (Aida, 1974; Un ballo in maschera, 1975; Nabucco, 1977; I puritani, 1979; Cavalleria rusticana, 1979; La traviata, 1980; Orfeo ed Euridice, 1981; and Don Pasquale, 1982); a wide range of the symphonic repertoire including Schumann and Tchaikovsky cycles; concertos with soloists including Sviatoslav Richter, Andrei Gavrilov, Anne-Sophie Mutter and Gidon Kremer; and choral music by Cherubini and Vivaldi.

He decorated the Palazzo Muti between 1628 and 1631, painting the vaults of the Galleria, and remnants of his work there still survive. He also taught painting to the two sons of the Muti Papazzurri family. In Rome, he painted a fresco, St. Francis de Paul before Sixtus V, for the church of Trinità dei Monti.

She appeared at La Scala in Milan as Diane in Gluck's Iphigénie en Aulide, and returned in 2004 to perform in Salieri's Europa riconosciuta, conducted by Riccardo Muti. At the 2005 and 2006 Salzburg Festivals, she was again Pamina, conducted by Muti. At the 2007 Styriarte,Genia Kühmeier on styriarte.com she sang Hanne in Haydn's Die Jahreszeiten.

Sites such as Afrigator, KenyaUnlimited, Muti and Global Voices Online track the interconnections between African bloggers through the use of RSS feeds.

Italian Graffiti () is a 1973 Italian criminal comedy film written and directed by Alfio Caltabiano and starring Pino Colizzi and Ornella Muti.

In a different account of events, Ibn Muti departs Kufa after being granted 100,000 silver dirhams and safe conduct by al-Mukhtar.

Madly in Love () is a 1981 Italian romantic comedy film written and directed by Castellano & Pipolo, starring Adriano Celentano and Ornella Muti.

Four SM.82s took off from Rhodes, under the command of Ettore Muti. Each aircraft carried a load of 1,500 kg (3,310 lb).

The Muti Papazzurri are buried in Rome at the Church of San Marcello al Corso, where their Baroque tombs and memorials still exist.

The Theatre Nuovo Teatro Giuseppe Verdi of Brindisi, Italy was inaugurated on December 20, 2006, with a concert directed by Maestro Riccardo Muti.

Palazzo Muti Baglioni (Venice) The Palazzo Muti Baglioni is a Baroque architecture palace located near San Cassiano in the Sestiere San Polo of Venice, Italy. In 1602, at the site of some businesses, this palace was erected by the Muti family. By the 1670s, the palace was sold to the Acquisti family, who had been admitted in 1686 into the Venetian aristocracy. It was sold by 1736 to the Vezzi family, and that year a fire that arose during prolonged wedding festivities spread to this palace from a neighboring building belonging to a jurist named Angelo Tirabosco.

Agnes Crow was born about 1873 at Mellool Station, New South Wales, Australia, located between Moulamein, NSW and Swan Hill, Victoria to Sarah and Jim Crow, who was a worker at the station. They were of the Edward River Wati Wati people. Around 1890, Aggie, as she was known, married, probably in a traditional arrangement, Harry Edwards, an older Muti Muti aborigine.

The murder of children for body parts with which to make muti, for purposes of witchcraft, still occurs in South Africa. Muti murders occur throughout South Africa, especially in rural areas. Traditional healers or witch doctors often grind up body parts and combine them with roots, herbs, seawater, animal parts, and other ingredients to prepare potions and spells for their clients.

In this, the Foundation is assisted by the distinguished members of the Foundation Council, including Riccardo Muti, Wolfgang Sawallisch, Kent Nagano, Milan Horvat, Igor Kuljerić...

She has collaborated with conductors Leonard Bernstein, James Levine, Charles Dutoit, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Giuseppe Sinopoli, Kent Nagano and Michael Tilson Thomas.

This garden contains herbs used in food preparation, cosmetics and oils as well as a section for plants used as muti, for African traditional medicine.

13 Muti stepped down as chief conductor in 1982. Giuseppe Sinopoli succeeded him in 1984 and, like Muti, served for ten years. Although the orchestra's standards remained high during Sinopoli's tenure, the conductor had what David Nice has described in The Guardian as "a love-hate relationship" with the public and critics, because of his "slow speeds and mannered, sometimes lifeless phrasing".Nice, David.

His detachment of 800 men was ordered to establish a bridgehead under enemy fire: it managed to do so, but was only left with 23 members at the end of the day. Gabriele D'Annunzio benefitted from Muti's services during his seizing of Fiume (now Rijeka, Croatia) in September 1919-January 1921; he gave Muti the lasting moniker Gim dagli occhi verdi ("Green-Eyed Jim"). In fact, Muti was rarely involved in fighting over Fiume, being more likely to engage in flamboyant stunts. D'Annunzio told Muti: "You are the expression of Superhuman values, a weightless impetus, a boundless offering, a fistful of incense over the embers, the scent of a pure soul".

Pietro Badoglio, the leader who had deposed Mussolini, defined Muti as "a menace" in a letter he had previously sent to the head of the local police: it is likely that Muti was informed about the role of Badoglio in the catastrophic Italian defeat of Caporetto, a role that Badoglio in the years after World War I had tried to hide. After his death, Muti became the main hero of Italian fascist regime (revived in northern Italy with help from Nazi Germany, as the Italian Social Republic). His name was given to an autonomous Police Legion stationed in Milan and to one of the most feared Black Brigades units.

The plan was suggested by the Italian test pilot, Air Force Captain Paolo Moci and promoted by Ettore Muti, who was in charge of the attack.

Salzburg Festival President Helga Rabl-Stadler with Riccardo Muti, 14 August 2016 A special relationship connects Muti with the Salzburg Festival, where the conductor debuted in 1971 with Donizetti's Don Pasquale (staged by Ladislav Stros). In the following years Muti has been constantly present at the festival, conducting both numerous concerts with the Vienna Philharmonic Orchestra and opera productions, such as Così fan tutte (staged by Michael Hampe) from 1982 to 1985 and from 1990 to 1991, La clemenza di Tito (staged by Peter Brenner) in 1988 and 1989, Don Giovanni (staged by Michael Hampe) in 1990 and 1991, La traviata (staged by Lluis Pasqual, and designed by Luciano Damiani) in 1995, The Magic Flute in 2005 (staged by Graham Vick) and 2006 (staged by Pierre Audi, stage designed by Karel Appel), Otello (staged by Stephen Langridge) in 2008, Moise et Pharaon (staged by Jürgen Flimm) in 2009, and Orfeo ed Euridice (staged by Dieter Dorn) in 2010. In 2011, Muti conducted a new production of Verdi's Macbeth, which was directed by Peter Stein."Muti : Bring music to prisons" La Stampa, 5 August 2010 (in Italian).

Retrieved 8 June 2013 As Moise et Pharaon it was given at La Scala in 2003, and again as part of the 2009 Salzburg Festival under Muti.

Muti has been a regular guest of the Berlin Philharmonic and the Vienna Philharmonic. In 1996 he conducted the latter during Vienna Festival Week and on tour to Japan, Korea, Hong Kong and Germany; he most recently toured with the Vienna Philharmonic to Japan in 2008. Muti has also led the orchestra's globally televised Vienna New Year's Concert on several occasions: in 1993, 1997, 2000, 2004, 2018 and 2021 (scheduled).

On one occasion they went so far as to post upon the various mosques sheets inscribed with curses against the early Caliphs, and even against Aisha. The city was incensed by the insult, and the placards torn down by the infuriated mob. Fals (Copper Coin) minted with minted with names of Mansur I ibn Nuh and Al-Muti. (22mm, 2.12 g, 4h). Citing ‘Abbasid caliph al- Muti as overlord.

Netane Muti (born March 27, 1999) is an American football guard for the Denver Broncos of the National Football League (NFL). He played college football at Fresno State.

Riccardo Muti, (; born 28 July 1941) is an Italian conductor. He currently holds two music directorships, at the Chicago Symphony Orchestra and at the Orchestra Giovanile Luigi Cherubini. He has previously held posts at the Maggio Musicale in Florence, the Philharmonia Orchestra in London, the Philadelphia Orchestra, the Teatro alla Scala in Milan, and the Salzburg Whitsun Festival. Muti has been a prolific recording artist, and has received dozens of honours, titles, awards and prizes.

Primo amore, internationally released as First Love, is a 1978 Italian comedy - drama film directed by Dino Risi. For her performance Ornella Muti won a Grolla d'oro for Best Actress.

"Ravenna Festival, è un trionfo per il Falstaff dei giovani diretto da Riccardo Muti". Retrieved 16 October 2015 .Avello, Ramón (1 August 2015). "Ironía y magia en un 'Falstaff' vital".

He tried to return to the contest and he lived in the apartment with Mayte, Raquel and Muti until he was eliminated as a third option chosen by the audience.

The square was named Camillo Cavour square, changed in 1930 to Costanzo Ciano square, in 1944 to Muti square, and in the 1945 permanently to Piazza della Libertà or Liberty square.

Missing body parts had sparked allegations of the murder having been a muti killing, also involving cannibalism.Il Fatto QUotidiano, 31 January 2018. Corriere 21 February 2018. Libero Quotidiano 23 February 2018.

"Philadelphia's Latest Generation of Emerging Composers". The Philadelphia Inquirer. May 2, 2010, p. H01 In 1983, Riccardo Muti selected Wernick to be the Consultant for New Music to the Philadelphia Orchestra.

The opera was sung in Italian. Subsequent productions there were conducted by Gianandrea Gavazzeni (1972) and Riccardo Muti (1987) with the title role sung by Leyla Gencer and Rosalind Plowright, respectively.

Dioscorea dregeana, the wild yam, is a perennial creeper that is native to the eastern parts of southern Africa. It is commonly used and traded as a traditional medicine, or muti.

However, his hasty departure from his Party Secretary position made him lose the friendship of both Ciano and Mussolini. In 1943, Muti joined the military intelligence service. On 25 July, the day of the pro-Allied coup d'état in the Grand Council of Fascism, Muti was in Spain, trying to obtain the radar of a United States aircraft that had crashed on neutral territory. He returned to Rome on 27 July, and remained in his private villa.

He made his CSO debut at the Ravinia Festival in 1973. In August 2009, Muti was said to be named the next music director of the Teatro dell'Opera di Roma, effective December 2010, but the news given by the mayor (and therefore president of Opera di Roma) Gianni Alemanno was not true. Alemanno, instead, announced in October 2011 that Muti accepted an invitation by the Orchestra of Opera di Roma to become a "lifetime conductor" of Opera di Roma.

Muti redshirted in his first season at Fresno State following an Achilles injury suffered in preseason. In 2017, as a redshirt freshman, Muti started all 14 games, as a member of an offensive line which ranked third in the nation in sacks and tackles for loss allowed. For his performance, he received Honorable Mention All-Mountain West honors. In 2018, his campaign was cut short by a season-ending Achilles injury suffered in the third game of the season.

Valeriano Muti (died 19 March 1610) was a Roman Catholic prelate who served as Bishop of Città di Castello (1602–1610), Apostolic Nuncio to Naples (1609–1610), and Bishop of Bitetto (1599–1602).

Furthermore, Furlanetto plays the part of Sparafucile in Jean-Pierre Ponnelle's 1982 production of Rigoletto (alongside Luciano Pavarotti). He also appears in I Vespri Siciliani, a 1989 Scala production conducted by Riccardo Muti.

Shimell then took a role in the film Amour (2012). He has appeared on a few audio recordings, including the title role in Don Giovanni under Riccardo Muti,WorldCat entry for EMI Don Giovanni conducted by Muti, accessed 5 January 2019. A Sea Symphony by Vaughan Williams, Royal Liverpool Philharmonic Orchestra, Vernon Handley, Mass in B minor BWV232 by JS Bach, Summer's last will and testament by Lambert, Funeral cantata on the death of Emperor Joseph II, and Pulcinella.WorldCat search for William Shimell.

The executed were left on display for a number of days. The same Piazzale Loreto became the scene of the public display of Benito Mussolini's corpse on 29 April 1945. The Muti police unit, based in Milan and named after Ettore Muti, was commanded by Francesco Colombo and acquired a reputation for ruthlessness and brutality during anti-partisan operations. Members of the unit were convicted in 1947 by a court in Milan for crimes ranging from blackmail to murder and rape.

During this time, Muti met Benito Mussolini, for whom he developed a lasting fascination. A Fascist as soon as the Fiume episode came to an end, he was arrested on several occasions. On 29 October 1922, he was head of the squad that occupied Ravenna City Hall during the March on Rome. After the taking over of the state, Ettore Muti made a career in the Blackshirts, organized as the "Voluntary State Security Militia" (Milizia Volontaria per la Sicurezza Nazionale, MVSN).

Daniel Barenboim Carlo Fontana, the general manager of La Scala since 1990, was dismissed in February 2005 by the board of governors over differences with the music director, Riccardo Muti. The resulting staff backlash caused serious disruptions and staff strikes. In a statement, the theatre's board said it was "urgent to unify the theatre's management". On 16 March 2005, the La Scala orchestra and other staff overwhelmingly approved a no-confidence motion against Muti, and demanded the resignation of Fontana's replacement, Mauro Meli.

The performances at Ravenna Festival were recorded live and later released on the Ducale label. In 2012, she made her US debut with Chicago Symphony Orchestra at Millennium Park singing the soprano part of Carmina Burana under Muti, and later made her Carnegie Hall debut in its season- opening concert with CSO and Muti with the same program. In the same year, at Ravenna Festival, in a production directed by Cristina Mazzavillani Muti, Feola made her role debut of Gilda (Rigoletto), a signature role of hers, which has served as the vehicle for her house debuts at Opernhaus Zürich (2013), Bayerische Staatsoper (2015), Lyric Opera of Chicago (2017, her US stage opera debut), and the Metropolitan Opera (2019). In 2014, she made her Wigmore Hall debut in the Rosenblatt Recital Series with pianist Iain Burnside.

The Last Woman (, ) is a 1976 French-Italian film directed by Marco Ferreri and starring Gérard Depardieu and Ornella Muti. Depardieu was nominated for best actor for his role in the César ceremony in 1977.

With the Philadelphia, his recordings include the first Beethoven symphony cycle made for compact disc, the symphonies of Brahms and Scriabin, selected works of Tchaikovsky and Prokofiev, as well as less-known works of composers such as Puccini and Busoni. Muti is considered one of the world's greatest conductors of the operas of Verdi. He also led a series of annual performances of opera in concerts including the works of Verdi, Puccini, Mozart and Wagner. In 1992, Muti conducted performances of Leoncavallo's Pagliacci with Luciano Pavarotti.

On 28 Dec 1608, he was consecrated bishop by Michelangelo Tonti, Cardinal-Priest of San Bartolomeo all'Isola, with Metello Bichi, Bishop Emeritus of Sovana, and Valeriano Muti, Bishop of Città di Castello, serving as co-consecrators.

Christiansen also sits on the editorial board of Opera magazine. In 2010, he was appointed to the international jury of the Birgit Nilsson Prize.Christiansen, Rupert (16 March 2011). "'I was honoured to help pick Riccardo Muti'".

Mudryak has worked with several prestigious conductor and stage directors, among them conductors Daniel Oren, Carlo Rizzi, , Fabrizio Maria Carminati and Gabriele Ferro and stage directors Leo Nucci, Hugo De Ana, Ferzan Ozpetek and Chiara Muti.

On 28 Dec 1608, he was consecrated bishop by Michelangelo Tonti, Cardinal-Priest of San Bartolomeo all'Isola, with Metello Bichi, Bishop Emeritus of Sovana, and Valeriano Muti, Bishop of Città di Castello, serving as co-consecrators.

In 1991, he played the mentally disabled but handsome "Marco", who breaks up a romance between characters played by Bruno Ganz and teaming up, once again, with Ornella Muti in the third mysterious short story of La Domenica Specialmente. Muti and Prodan had become friends on the set of 'A Season of Giants', a U.S. mini-series in which he portrayed renaissance painter Raphael, and Muti his muse, Onoria. In 1995, he travelled to Argentina and with the Argentinian post-punk experimental group Las Pelotas supported The Rolling Stones in his first visit to this country in River Plate Stadium, and with Felix Valls at the console, recorded "Viva Voce", a record in which he impersonates all the instruments, using nothing but his voice. The disc received warm reviews and the musician Peter Gabriel called it his favourite record of the year.

A recording was also made of these performances. At La Scala, Muti was noted for exploring lesser-known works of the Classical- and early Romantic-era repertory such as Lodoiska by Cherubini and La vestale by Spontini.

"Рикардо Мути за български баритон: Кирил Манолов е най-добрият Фалстаф в света" ("For Riccardo Muti, the Bulgarian baritone Kiril Manolov is the best Falstaff in the world"). Trud. Retrieved 15 October 2015 . It was also the role in which he made his Italian debut at the Ravenna Festival in 2013. The Ravenna production with Manolov as Falstaff, subsequently toured to Ferrara and other Italian cities and was revived at Ravenna in July 2015, conducted by Riccardo Muti, who brought the production and singers to Spain for performances at Oviedo's Teatro Campoamor later that month.

Mandela's appeal was broadcast all over Africa and translated into tribal languages, including Yoruba, the local language in the region that investigators linked to Adam. In 2003, London Metropolitan police traveled to South Africa to consult detectives and muti experts of the SAPS. The experts suggested that the orange shorts meant Adam was related to his killers. In Muti rituals, the colour red is the colour of resurrection: accordingly at least one of Adam's killers was related to him and was trying to apologise to his soul, praying that he might rise again.

In the momentary disturbance, he attempted to run > away, but, after being shot at and wounded by the Carabinieri, he died. The major irregularities mentioned were never clarified, nor were the identities of shooters in the forest. In the dramatic gunfight, Muti was the only one hit: his cap displayed two holes, one in the back of the head, the other in front. Other circumstances point as well towards a political execution, with Ettore Muti as the first victim in the violence that engulfed Italy for the next two years.

The people of Medina rose in revolt and Yazid dispatched his Syrian troops led by Muslim ibn Uqba to subdue the city. The Medinese were organized along factional lines and Ibn Muti was made commander of the Quraysh contingent. After the Syrians bested the Medinese, Ibn Muti and many of his Qurayshite fighters fled for Mecca where they received safe haven with the Qurayshite leader Abd Allah ibn al-Zubayr. He later became one of the main commanders of Mecca's defense during the abortive Umayyad siege of the city.

In 2019, as a redshirt junior, he was again struck by injury, as a season-ending Lisfranc foot injury sidelined him for the final nine games of the year. In January 2020, despite having played only five full games over the previous two seasons, Muti announced that he would forgo his final season of college eligibility and declare for the 2020 NFL Draft. Muti was cleared by doctors at the 2020 NFL Scouting Combine, where his bench press was the highest total at the 2020 NFL Scouting Combine.

Muti had already been forced to cancel a concert a few days earlier because of the disagreements. Italy's culture minister, Giuliano Urbani, supported the conductor but called for urgent action by management to safeguard the smooth operation and prestige of La Scala. On 2 April 2005, Muti resigned from La Scala, citing "hostility" from staff members. In May 2005, Stéphane Lissner, formerly head of the Aix- en-Provence Festival, was appointed General Manager and Artistic Director of La Scala, becoming the first non-Italian in its history to hold the office.

The final prisoner exchange took place in 946 under Constantine VII and Al-Muti. 2482 Muslim men and women were released, 230 were kept in captivity. Later exchanges took place elsewhere, since it subsequently belonged to the Byzantines.

Muti Media is a 2003 album by the Kalahari Surfers, the recording identity of South African musician Warrick Sony. It features a sculpture by Brett Murray on the cover, and Zukile Malahlana from Marekta appears on the album.

The first modern performance was conducted by John Eliot Gardiner at the church of St. Petri in Bremen on 3 October 1993. Other performances include three given at the 2012 Salzburg Festival, with the Vienna Philharmonic under Riccardo Muti.

Fabritio Paulucci, episcopo Maceraten. et Toletinati, aeditae anno M.DC.LXXXVII (Macerata: Muti & Sassi 1687). In 1728, Bishop Alessandro Carlo Gaetano Varano (1698–1735) held a diocesan synod.One of its decrees is referred to in Francesco Ansaldo Teloni, Dioecesana synodus, p.

Micallef is known for his portrayals of leading personalities through his portraiture. He has portrayed Architect Renzo Piano, Roberto Benigni, Luciano Benetton and Gilberto Benetton, Ornella Muti, and Maltese politicians such as Eddie Fenech Adami and Ugo Mifsud Bonnici.

He owned shared residential property in the city with the early companion of Muhammad and poet Zayd ibn Thabit. The two entered a legal dispute over the property which was arbitrated by Marwan ibn al-Hakam, the governor of the city in 661–668. Ibn Muti also owned property and a well called the Well of Ibn Muti after him located between al-Abwa and al-Suqya. Ibn Muti had seven sons and four daughters from different wives and slave women: from his wife Rayta bint Abd Allah he had his sons Ishaq and Ya'qub; with his wife Umm Abd al-Malik bint Abd Allah ibn Khalid he had his sons Muhammad and Imran; from his wife Umm Hakim bint Abd Allah he had a daughter, Fatima, and from his fourth wife Bint Kharash ibn Umayya he had two daughters, Umm Salama and Umm Hisham.

Frank Scheffer (born 1956 in Venlo) is a Dutch cinematographer and producer of documentary film, mostly known for his work Conducting Mahler (1996) on the 1995 Mahler Festival in Amsterdam with Claudio Abbado, Riccardo Chailly, Riccardo Muti and Simon Rattle.

Ahmed Abdel Muti Hijazi () (born in 1935 in Al-Menoufiya, Egypt) is an Egyptian contemporary poet. Contributed to many literary conferences in many Arab capitals, and is one of the pioneers of the movement of renewal in contemporary Arabic poetry.

In 1999, he received the Pennsylvania Distinguished Arts Award from Pennsylvania Governor Tom Ridge; previous honorees include Marian Anderson, James Michener, Andrew Wyeth and Riccardo Muti. In 2009, Nero was awarded the Lifetime Achievement Award from the American Federation of Musicians.

Since 1971 he has been a frequent conductor of operas and concerts at the Salzburg Festival, where he is particularly known for his Mozart opera performances. From 1972 Muti regularly conducted the Philharmonia Orchestra in London and in 1973 he was appointed its principal conductor, succeeding Otto Klemperer. In 1986 Muti became principal conductor of the Filarmonica della Scala, Milan, with which in 1988 he received the Viotti d'Oro and toured Europe. In 1991, after twelve years as music director, he announced his resignation from the Philadelphia Orchestra, effective at the end of the 1991–1992 season.

After Yazid's death, Ibn al-Zubayr gained recognition as caliph in most of the provinces of the Caliphate except parts of Syria. He appointed Ibn Muti governor of Kufa and its dependencies in April 685, replacing Abd Allah ibn Yazid al-Khath'ami. Upon hearing from his advisers news of Ibn Muti's appointment, the Syria-based Umayyad caliph Abd al-Malik called him "a brave man who has fallen many a time, and a valiant one, how he hates fleeing". Ibn Muti appointed Iyas ibn Mudarib al-Ijli as the head of his shurṭa with orders to severely punish seditious activities in the city.

He has also been an accompanying pianist and substitute schoolmaster for the Arturo Toscanini Foundation of Parma, the Orchestra Luigi Cherubini founded by Riccardo Muti, singing courses held by E. Dara, P. Coni and C. Forte for the Teatro Comunale di Piacenza.

She wrote essays on music and dance for the Teatro alla Scala where she worked as the chief of the press office from 1993 to 1997. In 1996 she was the curator of the exhibition and the essay "Riccardo Muti alla Scala" (Leonardo Editore).

It is the only muti-ethnic, trilingual school established in Sri Lanka in the post-independence era and the largest multi-ethnic school in the country. Its street name was formerly known as Gregory Road but was renamed to R. G. Senanayake Mawatha in 2013.

Once Upon a Crime is a 1992 ensemble black comedy mystery film starring Richard Lewis, John Candy, James Belushi, Cybill Shepherd, Sean Young and Ornella Muti. The film was directed by Eugene Levy. It is the remake of Mario Camerini's 1960 Italian comedy film Crimen.

She then studied at the Hochschule für Musik "Hanns Eisler" in Berlin. In February 2016, she became the Sir George Solti Conducting Apprentice at the Chicago Symphony Orchestra, working with music director Riccardo Muti for three seasons before joining the Philadelphia Orchestra in April 2019.

Palazzo Muti-Bussi The palace – in possession of the family Muti-Bussi, lately become extinct with the dead of Marchioness Olimpia – was built by Giacomo della Porta about in 1585. It has a pentagonal structure but, because of the blunt tip, where the main entrance is, it has six façades. The big front door of the main entrance is decorated with a scroll bearing the saltire mauls of the Mutis coat of arms and lion heads. At the first floor, over the entrance door, is a balcony with a beautiful view over Piazza d'Aracoeli and the majestic staircase and relevant façade of the church with the same name.

On the night of 12 March 2011, Rome's Teatro dell'Opera staged the first in a series of scheduled performances of Verdi's opera Nabucco, conducted by Muti. After the end of the chorus "Va, pensiero", which contains the lyrics "Oh mia patria, sì bella e perduta" ("Oh my country, so beautiful and so lost"), the audience applauded "heartily." Muti, breaking with opera protocol and the strict conventions of composer Verdi himself, turned to the audience and delivered a small speech, referring to the severe budget cuts announced by the Berlusconi government"Italy Passes $68 Billion in Budget Cuts" Bloomberg, 1 July 2011. which would particularly affect the funding of the arts.

In the United States, from 1980 to 1992 Muti was music director of the Philadelphia Orchestra, which he led on numerous international tours. In 1979, he was appointed its music director and, in 1992, conductor laureate. Muti stated that his approach was to remain faithful to the intent of the composer. This meant a change from applying the lush "Philadelphia Sound," created by his predecessors Eugene Ormandy and Leopold Stokowski, to all repertoire; however, many of his recordings with that orchestra largely seem to do away with its hallmark sound, even in the works of such composers as Tchaikovsky, Brahms, and other high romantics.

Scappucci worked as a répétiteur and rehearsal pianist for such opera companies as New York City Opera, Lyric Opera of Chicago and Santa Fe Opera, the Music Academy of the West, Glyndebourne Festival Opera (six summer seasons), the Metropolitan Opera, and the Vienna State Opera. She also was an assistant to Riccardo Muti over the course of 8 years at the Salzburg Festival, including work as a harpsichord player, in addition to coaching singers and rehearsing choruses from the piano. Scappucci counts Muti as one of her principal influences and mentors. Her career transitioned into conducting over the course of her work as a répétiteur, without formal academic instruction in conducting.

In March 1999, he debuted at La Scala under Riccardo Muti in La forza del destino as Alvaro, then sang in Tosca and Madama Butterfly at the Arena di Verona in June and July, then Tosca at La Scala in March 2000, again with Muti. The performance was recorded and released on Sony Classical. In May he debuted in Madrid in La forza del destino, and in Verona, he was awarded the Premio Zenatello as tenor of the year, and sang in La forza del destino at the Arena in July. In September he traveled to Japan with the La Scala ensemble for performances of Forza.

From his wife Sawda bint al-Zubayr ibn al-Awwam, the sister of Abd Allah ibn al-Zubayr, al-Ashdaq had his sons Abd al-Malik and Abd al-Aziz and daughter Ramla. He was also married to A'isha bint Muti, the sister of Abd Allah ibn Muti from the Banu Adi clan of Quraysh, who bore his sons Musa and Imran. From his Kalbite wife Na'ila bint al-Furays he had a daughter, Umm Musa. He also had children from two ummahat awlad (concubines), one of whom bore his sons Abd Allah and Abd al-Rahman and the other his daughter Umm Imran.

Ai tēvzeme, ai dzimtene un mīļā jūra te, kur krastā sīkstas, šalcošas vēl vecās priedes līgojas. Vismīļākā man pasaulē tu, dārgā tēvzeme. Ai tēvzeme, ai dzimtene un mīļā jūra te, no kuras viļņi ceļu rod šurp smilšu krastam muti dot. Vismīļākā man pasaulē tu, dārgā tēvzeme.

The House of the Doves (Spanish: La casa de las palomas, Italian: Un solo grande amore) is a 1972 Italian-Spanish drama film directed by Claudio Guerin and starring Ornella Muti, Lucia Bosé and Glen Lee.Bentley p.208 The film's sets were designed by Ramiro Gómez.

Mu'izz al-Dawla similarly gathered his forces and departed from Baghdad with the caliph al-Muti' for Ukbara.Miskawaihi, pp. 92-3; Canard, "Histoire," p. 513 While stationed at Samarra, Nasir al-Dawla sent his brother Jubayr to sneak around the Buyid army and head south to Baghdad.

In October 1939, Starace was finally dismissed as Party Secretary in favor of the popular aviator Ettore Muti. He was made Chief of Staff of the Blackshirts and he held this position until being dismissed for incompetence in May 1941. He was succeeded by Enzo Galbiati.

Mu'izz al-Dawla similarly gathered his forces and departed from Baghdad with the caliph al-Muti' for Ukbara.Miskawaihi, pp. 92-3; Canard, "Histoire," p. 513 While stationed at Samarra, Nasir al-Dawla sent his brother Jubayr to sneak around the Buyid army and head south to Baghdad.

Ettore Muti (2 May 1902 – 24 August 1943) was an Italian aviator and Fascist politician. He was Party Secretary of the National Fascist Party (Partito Nazionale Fascista, or PNF) from October 1939 until shortly after the entry of Italy into World War II on 10 June 1940.

Citing Abbasid Caliph Al-Muti as overlord. Diameter , weight . The fals (, plural fulus) was a medieval copper coin first produced by the Umayyad caliphate (661–750) beginning in the late 7th century. The name is a corruption of follis, a Roman and later Byzantine copper coin.

From 1936 to 1939 he led active propaganda for the Second Italo-Ethiopian War. In 1939 he became Minister of Public Works. On 30 October 1940, he succeeded Ettore Muti as national secretary of the PNF. On 26 December 1941, he was replaced by Aldo Vidussoni.

BBC News. 12 March 2015. Tanzania has the highest occurrence of this human rights violation among 27 African countries where muti is known to be practised.Charlotte Baker (22 September 2017) "The trade in body parts of people with albinism is driven by myths and international inaction".

Some 25 amphibian, 254 bird, 50 mammal, 36 reptile, 150 butterfly and 274 tree species have been recorded in the Gorge or its vicinity. The natural vegetation is under pressure from numerous invasive species, while some tree species are vulnerable to muti-collecting practices in the greater Durban area.

182 H), who both took from Abu Hanifa. #He took from Muhammad bin Muqatil al-Razi and Nusayr al-Balkhi, who additionally both took from Abu Muti al-Hakam al-Balkhi (d. 199 H) and Abu Muqatil Hafs al-Samarqandi (d. 208 H), who both took from Abu Hanifa.

In the 1980s and 1990s, the Philadelphia Orchestra made a number of recordings in a basketball court in Memorial Hall under the batons of Riccardo Muti and Wolfgang Sawallisch. Memorial Hall was used because the Academy of Music, the orchestra's home at the time, was considered not resonant enough.

Callas recorded the arias "Tu che invoco" and "O Nume tutelar" from La vestale in 1955 (as did Rosa Ponselle in 1926). In 1969, conductor Fernando Previtali revived the opera, with soprano Leyla Gencer and baritone Renato Bruson. (An unofficial recording is in circulation.) In 1993, conductor Riccardo Muti recorded it in the original French language with Karen Huffstodt, Denyce Graves, Anthony Michaels-Moore and Dimitri Kavrakos. Other revivals of Spontini include Agnes von Hohenstaufen in Italian as Agnese di Hohenstaufen at the Maggio Musicale festival in Florence in 1954, starring Franco Corelli and conducted by Vittorio Gui, and in Rome in 1970, with Montserrat Caballé and Antonietta Stella, conducted by Riccardo Muti, both recorded live.

In December 2004, at the reopening of La Scala in Milan, she sang the role of Semele in Salieri's Europa riconosciuta, conducted by Riccardo Muti. She was invited to open the 2005/06 season at the Bologna Comunale in a new production of Ascanio in Alba and in October 2008 she made her debut as Elvira in Bellini's I puritani in Palermo. In 2010 she debuted the role of Amina from La sonnambula in Las Palmas. In concert she has also performed as a soloist in Rossini's Petite messe solennelle in Paris, Mozart's Great Mass in C minor in Salzburg, Mozart's Requiem (Massimo, Palermo), and Pergolesi's Stabat Mater (Paris, Radio France National Orchestra, conducted by Muti).

Ronald A. Wilford (November 4, 1927 Salt Lake City - June 13, 2015 New York City) was an American music manager who has been described as “classical music's biggest power broker”. He spent 50 years at Columbia Artists Management, Inc. (CAMI), his clients included conductors James Levine, Seiji Ozawa and Riccardo Muti.

On the evening of 17 October Mukhtar's men clashed with government forces. Mukhtar signaled an early declaration of revolt to his troops by lighting fires. By the evening of Wednesday, 18 October, the government's forces were defeated. Ibn Muti went into hiding and later, with help from Mukhtar, escaped to Basra.

De Palma was born on September 11, 1940, in Newark, New Jersey, the youngest of three boys. His Italian-American parents were Vivienne DePalma (née Muti), and Anthony DePalma, an orthopedic surgeon who was the son of immigrants from Alberona, Province of Foggia."Brian De Palma Biography (1940–)". Film Reference.

In 1976, for RAI, Nurmela sang in Katerina Ismailova, with Gloria Lane and William Cochran, conducted by Yuri Ahronovich. In 1979, he recorded, for EMI, Tonio in Pagliacci, opposite Renata Scotto, José Carreras, and Sir Thomas Allen, under the bâton of Riccardo Muti. Kari Nurmela unexpectedly succumbed to cerebral bleeding, in Helsinki, Finland.

Davis conducted more than 30 operas during his 15-year tenure,Porter, Andrew and Alan Blyth. "Davis, Sir Colin", Grove Music Online, Oxford Music Online. Retrieved 30 August 2011 but, he said, "people like [Lorin] Maazel, Abbado and [Riccardo] Muti would only come for new productions". Unlike Rankl, and like Solti,Mr.

Jonathan Darlington was educated at The King's School, Worcester. He graduated in 1978 with a music degree from Durham University, where he was a member of Hatfield College. He subsequently studied at the Royal Academy of Music. Early in his career he had worked with Pierre Boulez, Riccardo Muti and Olivier Messiaen.

She has sung mezzo-soprano roles by Verdi, Mozart, Rossini, as well as lieder by Mahler and other composers, and songs by Moussorgsky and Tchaikovsky, with conductors such as Sir Georg Solti, Herbert von Karajan, and Riccardo Muti. She has recorded many discs. She teaches singing and founded her own school in 1994.

However, the presiding judge rejected both of those arguments and upheld the decision of the council, allowing 'Mantšebo to continue as regent.Machobane and Karschay, p. 199. Bereng continued to agitate for power until 1949, when he and the former regent Gabasheane were convicted of muti murder and hanged.Rosenberg and Weisfelder, p. 273.

Minted in Bukhara, Dated AH 353 (AD 964/5) in Bukhara, AH 353 (AD 964). Diameter , weight . Gold dinar of Abbasid Governor Abu al-Misk Kafur minted with his name and Caliph Al-Muti name in 965/966 in Ramla, Palestine The Buwayhids maintained their hold on Baghdad over one hundred years.

Muti was selected by the Denver Broncos with the 181st overall pick in the sixth round of the 2020 NFL Draft. He was placed on the active/non-football injury list at the start of training camp on July 28, 2020, and he was moved back to the active roster six days later.

Night Ferry is an orchestral composition in one movement by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed February 9, 2012 at Symphony Center, Chicago by the Chicago Symphony Orchestra under conductor Riccardo Muti.

It was edited by Mujibur Rahman Khan. A number of issues were edited by Akram Khan and Badrul Anam Khan. The magazine published stories by Bengali Muslim authors like Sufia Kamal, Shawkat Osman, Abdullah Al-Muti Sharafuddin and Alauddin Al Azad. The magazine because of its pro-Pakistan and Muslim position opposed Bengali nationalism.

He has worked with such renowned conductors as Valery Gergiev, Claudio Abbado, Riccardo Muti, Zubin Mehta, Seiji Ozawa, Michel Plasson, Gennady Rozhdestvensky, Mstislav Rostropovich and Michail Jurowski amongst many others. In 2007, Galouzine was appointed a People's Artist of Russia. In 2008, he received an honorary doctorate from the National University of Music Bucharest.

Dabei Great Monastery is the only monastery in Tianjin that provides vegetarian food to the public. Food made by the famous Tianjin Dabei Buddhist Monastery Vegetarian Food Corporation is served in the monastery, which includes Longevity Perch present basket, soybean vegetarian, muti-vitamin- calcium noodles, deepfreeze eight precious vegetarian steamed-buns, vegetarian dumplings, etc.

Ricky Natalicchio is a 26-year-old paddel teacher and student from Las Palmas. He was born on Argentina. He entered the house on Day 40, and his secret was that he knows the existence of the apartment, where Raquel, Enrique, Mayte and Muti were living. He was the eleventh evicted on Day 82.

It was first published in 2004, and features a conspiracy involving a grisly series of homicides in which the victims' bodies are used to make muti (traditional medicine.) Two other novels, Salamander CottonKunxmann, Richard, Salamander Cotton February 2006, Macmillan, and Dead-End RoadKunzmann, Richard, Dead-End Road February 2008, Macmillan, feature the same characters.

Herbert von Karajan was instrumental in Tacchino getting his break, by engaging him to play with various orchestras including the Berlin Philharmonic. His United States debut was in 1962, with Erich Leinsdorf and the Boston Symphony Orchestra. He has since performed under conductors such as Pierre Monteux, André Cluytens, Jascha Horenstein, Riccardo Muti, Kent Nagano, and many others.

Since 2002 she has been sharing with Luc Héry the position of concertmaster of the Orchestre national de France with whom she also performs as soloist. This situation led her to be invited by famous conductors such as Bernard Haitink, Colin Davis and Riccardo Muti. In 2009, she performed Tchaikovsky's Violon Concerto in the film Le Concert.

At the Geneva Opera Theater she sang in Arabella and Rigoletto. In 1998 Takova made her debut at Teatro alla Scala as the Queen of the Night with Riccardo Muti conducting. This was followed by performances at La Scala in Donizetti's Lucrezia Borgia. Additional appearances in Italy in 1998 included Lucia di Lammermoor in Florence and Violetta in Rome.

In that year the orchestra, previously without a permanent home, took up residence. Well known for its acoustics, the hall has seen concerts by Simon Rattle and the Berlin Philharmonic and Riccardo Muti and the Vienna Philharmonic. The bell to announce the imminent start of a concert at the hall is a recording of the bell at Salzburg Cathedral.

Count Max () is a 1991 French-Italian comedy film directed by Christian De Sica and starring De Sica, Ornella Muti and Galeazzo Benti.Koper p.113 It is a remake of the 1957 film Count Max, which was itself a remake of the 1937 film Il signor Max. Both films had starred Christian De Sica's father Vittorio De Sica.

Wentworth Park is a park near the suburbs of Glebe and Ultimo in Sydney, New South Wales, Australia. The park contains several muti-purpose sporting pitches, cricket nets and a number of fitness installations. There is a playground in the southern area of the park and seating for picnics. Public toilets are next to the sports field.

Chronicle of a Death Foretold (, ) is a drama film directed by Francesco Rosi adapted by Tonino Guerra from the eponymous novella by Gabriel García Márquez. It stars Rupert Everett, Ornella Muti, Anthony Delon and Gian Maria Volonté.Garcia, Diccionario de literatura Colombiana en el cine, p. 61 The film premiered at Cannes film festival in May 1987.

Norman Carol in concert with the Philadelphia Orchestra playing The Skrowaczewski Violin Concerto Norman Carol (born July 1, 1928) is an American violinist and former concertmaster of the Philadelphia Orchestra for 29 years with conductors Eugene Ormandy, Riccardo Muti, and Wolfgang Sawallisch. Stanisław Skrowaczewski's Violin Concerto was dedicated to and premiered by Carol with the Philadelphia Orchestra.

Alternative Energy is a symphony for electronica and orchestra in four movements by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered by the orchestra under conductor Riccardo Muti at Symphony Center in Chicago, February 2, 2012.Bates, Mason (2011).

16 The orchestra recognised that a strong chief conductor was needed to restore its standards and finances, but there was no immediately obvious candidate. Although Legge no longer had any stake in the orchestra he watched its progress benevolently, and having spotted the potential of Riccardo Muti he recommended him to the New Philharmonia's general manager, Terence McDonald.

461; and Pettitt, pp. 200–201 Walter Legge died in 1979, and the orchestra dedicated a Tchaikovsky symphony cycle at the Festival Hall to his memory;Hunt and Pettitt, p. 473 reviewing one of the concerts in The Guardian, Edward Greenfield commented that Muti had brought the orchestra's playing "within reach of that earlier peerless example".Greenfield, Edward.

Her mother trained her to play one-finger melodies on the piano at age 3. For her fourth birthday, she was given a 1/16-sized violin. At age 8, she auditioned alongside Zubin Mehta and Riccardo Muti, who worked with the New York Philharmonic and the Philadelphia Orchestra. Both granted her immediate engagements.Heisler, T (September 15, 2004).

She's near Adriano Celentano in Mani di fata and Grand hotel excelsior; for her performance in Carlo Verdone's Borotalco (1982), she won the Nastro d'Argento award and David di Donatello award for Best Actress. In 2003, Giorgi wrote and directed her first film Uomini & donne, amori & bugie (U.S. title: Love, Lies, Kids... & Dogs), with Ornella Muti.

Ibdaa was launched in January 1983. The magazine, based in Cairo, is published by the General Egyptian Book Organization, an agency of the ministry of culture. Egyptian poet Ahmed Abdel Muti Hijazi became chief editor of the magazine in 1990 and he resigned from the post in 2002. He was reappointed chief editor of Ibdaa in 2006.

Yat Madit is a Ugandan drama television series that premiered on NTV Uganda on December 8, 2016 and stars award-winners from Uganda Film Festival, including Michael Wawuyo (Senior), Michael Wawuyo Jr., Nisha Kalema, the muti-talented Rehema Nanfuka, Gladys Oyenbot and Patriq Nkakalukanyi. . Its onset director was Irene Kulabako and produced by Media Focus on Africa (MFA).

The film follows the Bandini family as they struggle through hard times in 1920s Colorado. Unemployed and broke, Svevo Bandini (Joe Mantegna) tries to come up with the money his family needs to make it through the winter, while putting up with his difficult mother-in-law (Renata Vanni), his nervous wife (Ornella Muti), and his three young boys.

Increasingly inspired by dubstep and glitch hop, in 2008 ill-esha began producing music more synonymous with the glitch genre, and founded Glitch Hop Forum with collaborator Dewey db. Together they produced the track "H.A.A.R.P" which was released in 2009 on Muti Music. It hit #3 on Beatport electronica downloads, and stayed in the top 10 for several months.

Furthermore, he sang Aida at the Teatro Real of Madrid. In the summer of 1998 he sang in a production of Pagliacci staged by Liliana Cavani and conducted by Riccardo Muti alongside Plácido Domingo at the Ravenna Festival, to which he later returned in 2001 as Falstaff, once again under the baton of Muti. In 2002 he appeared in Sly and Rigoletto at the Metropolitan Opera House, in Madama Butterfly in Tokyo under the baton of Myung-whun Chung and in Simon Boccanegra at the Opéra Bastille of Paris. His commitments for 2003 included: Madama Butterfly at the Teatro Comunale in Florence, Andrea Chénier and Simon Boccanegra at the Teatro Regio di Torino, La Gioconda and Don Carlos at the Zurich Opera, Otello at the New National Theatre Tokyo, Aida at the Liceo of Barcelona.

Worthy of mention is the recent Voci di notte (2006), commissioned and performed by the Orchestra of the Maggio Musicale Fiorentino, on occasion of the 70th birthday of their conductor Zubin Mehta. Mehta is one of many conductors, such as Berio, Chung, Fischer, Harding, Marriner, Pappano and, as already mentioned Muti and Abbado, who have conducted Vacchi's music various times.

Cappellaro's most profile role to date was playing Naomi Collins in Tim Burton's Dark Shadows. This character is the young mother of the lead role, Barnabas Collins, played by Johnny Depp. In 2014 Cappellaro produced and acted in Checkmate, a short movie set in the magical Welsh landscape. Directed by Jason Bradbury, it also stars Ornella Muti and Sian Phillips and Lachlan Nieober.

A very nice boy, he was also intelligent.’ Detailed analysis of a substance in the boy's stomach was identified as a ‘black magic’ potion. It included tiny clay pellets containing small particles of pure gold, an indication that Adam was the victim of a Muti ritual killing in which it is believed that the body parts of children are sacred.

In 1970, director Damiano Damiani made the film The Most Beautiful Wife, starring Ornella Muti, based on Viola's case. In 2012 the Sicilian writer Beatrice Monroy published Viola's story under the title Niente ci fu ('There was nothing'). In 2017, a fifteen-minute film based on Viola's story, titled Viola, Franca, was included as a finalist in the Manhattan Short Film Festival.

In Rome, in 2009, she was seen in Iphigénie en Aulide, conducted by Riccardo Muti, as well as in Pelléas et Mélisande (as Geneviève), which was produced by Pierre Audi. In 1993, Moretto recorded the role of the Princesse de Bouillon, in Adriana Lecouvreur, opposite Magda Olivero in the name part. Excerpts from the recording were released on the Bongiovanni label.

She then returned in following editions as Queen of the Night and Blonde in Die Entführung aus dem Serail. In 2003, she made her London Royal Opera House debut in David McVicar's new production of The Magic Flute. In 2004, she was invited to sing the title role in Salieri's Europa riconosciuta conducted by Riccardo Muti, re-opening Milan's La Scala.

Esther, also known as The Bible: Esther, is a 1999 American-Italian-German television film based on the Book of Esther, directed by Raffaele Mertes and starring Louise Lombard as Queen Esther, F. Murray Abraham as Mordechai, Jürgen Prochnow as Haman, Thomas Kretschmann as King Achashverosh and Ornella Muti as Vashti. It aired in the United States on November 5, 2000.

In 1991 she made her debut at the San Francisco Opera as Bellini's Romeo and portrayed Dulcinee in Massenet's Don Quichotte at the Teatro Comunale Florence. In 1992 Ziegler was the mezzo soloist in Rossini's Stabat Mater with conductor Riccardo Muti and the Philadelphia Orchestra. In 1993 she made her debut at the Lyric Opera of Chicago as Dorabella to Carol Vaness' Fiordiligi.

He also appeared in concerts with the Orchestre National de France under Riccardo Muti at the Théâtre des Champs-Élysées; a series of recitals with Diana Damrau at the Festspielhaus in Baden-Baden, Paris Opera, La Scala, and the Musikhalle in Hamburg and recitals with Bo Skovhus at the Semperoper in Dresden, the Tonhalle in Düsseldorf and the Musikverein in Vienna.

The film consists of three episodes, each one starring a professional actor. They are, respectively, Letizia Sedrick (episode I), Ornella Muti (episode II) and Massimo Ranieri (episode III). Episode I: Stella (Letizia Sedrick) is a young Ethiopian who arrived in Rome. She lives in a container, finds a job at via Marsala and marries with Joseph, an old African friend.

The UC Berkeley Symphony Orchestra is an orchestra of the University of California, Berkeley. It was founded in 1923, and is currently under the direction of David Milnes. Its home concert hall is Hertz Hall on the university's campus. The orchestra has been party to masterclasses with conductors including Marin Alsop, Gustavo Dudamel, Valery Gergiev, Riccardo Muti, and Esa-Pekka Salonen.

She was shortlisted as the best female singer of the International Opera Awards 2016, alongside Anna Bonitatibus, Mariella Devia, Christine Goerke, Evelyn Herlitzius, and Anna Netrebko. In 2016, she also sang the role of Nannetta (Falstaff) in concert performances of Chicago Symphony Orchestra under Muti as part of the citywide Shakespeare 400 Celebration, made her US recital debut in San Francisco, made Proms debut singing concert arias by Mendelssohn and Mozart, made her Wiener Staatsoper debut in the role of Susanna (Le nozze di Figaro), and toured with Wiener Staatsoper to Japan with the same role under Muti in the classical production by Jean-Pierre Ponnelle. Feola appeared in the 2017 New Year's Concert of La Fenice singing music by Bellini, Donizetti, and Verdi under Fabio Luisi. The concert was broadcast by RAI and streamed by ARTE worldwide.

Her following projects were once again independent, auteur-driven films, The Gold Rimmed Glasses and Three Sisters. She was supposed to reunite with Maselli for his following film L'uomo della casa di fronte, co-starring Marcello Mastroianni, but the project never happened. The same director then moved on to another film, Codice privato, and Golino turned down the role that was eventually played by Ornella Muti.

He is a participant of the Lugano Festival, Baltic Musical Seasons, Summertime Festival Jurmala, Evian Festival and others. He performed on the Venetian Film Festival Musical awards with Erika Lemay as well as opening Latvian Musical Awards ceremony together with the violinist Raimonds Ozols. Riccardo Muti, Vladimir Ashkenazy, Andris Nelsons, Valery Gergiev, Yuri Temirkanov, Heinrich Schiff, Maria Kliegel and Heinz Holliger have admired his playing.

88 notes pour piano solo, Jean- Pierre Thiollet, Neva Ed., 2015, p. 53. He collaborated with such conductors as Claudio Abbado, Riccardo Muti, Thomas Schippers, John Barbirolli, Gianandrea Gavazzeni and Carlo Maria Giulini. Among his last concerts were renditions of the complete set of Chopin's Nocturnes and Schubert's Winterreise with baritone Claudio Desderi. His final live performance was Beethoven's Third Concerto with Giulini in Chicago.

In 1972, she was invited by Christoph von Dohnányi to make her debut as the Countess in The Marriage of Figaro at the Frankfurt Opera. That same year, she sang Matilde in Rossini's William Tell in Florence, conducted by Riccardo Muti. She also returned to Budapest to sing Odabella in Verdi's Attila. In 1973, Marton made her debut at the Vienna State Opera in Puccini's Tosca.

Personalities from Molfetta include the Rococo painter Corrado Giaquinto, the 19th-century composer Luigi Capotorti, the anti-fascist politician and writer Gaetano Salvemini, the assassinated magistrate Girolamo Minervini, the conductor Riccardo Muti, Cardinal Angelo Amato, goalkeeper Vitangelo Spadavecchia, artist Rossella Biscotti, the rapper Caparezza, and Domenico Leccisi, who is best known for stealing the corpse of the fascist dictator Benito Mussolini from an unmarked grave.

The jury varies each year, but since 1994, there are many famous names who have succeeded in the role of President. Some examples: Riccardo Muti, Ennio Morricone, Michelangelo Zurletti, Riccardo Chailly, Semyon Bychkov, Eliot Fisk, Federico Mondelci, Robert Beaser, Tania Leon, Michel Portal, Jacob Ter Veldhuis, Jesus Villa Rojo, Aurelio Samorì, Marco Tutino, Klaus Ager, Detlev Glanert, Domenico Nordio, Jesus Rueda, Gianvincenzo Cresta, etc.

Kundlák performed at the Bolshoi Theatre, Teatro alla Scala, Teatro San Carlo, Teatro Comunale di Bologna, Teatro La Fenice, Teatro Carlo Felice, Bavarian State Opera, Frankfurt Opera House, Deutsche Oper Berlin, Vienna State Opera and other opera houses around Europe and North America. He cooperated with many renowned conductors such as Bruno Bartoletti, Riccardo Muti, Wolfgang Sawallisch, Peter Schreier, Fabio Luisi, Christian Thielemann and others.

He sang the heroic tenor parts under the baton of important conductors such as Riccardo Muti, Daniel Barenboim, Claudio Abbado, Wolfgang Sawallisch, Giuseppe Sinopoli, Simon Rattle or Zubin Mehta at the opera houses in New York, London, Paris, San Francisco, Chicago, Berlin, Munich, Vienna, Milan as well as at Carnegie Hall and at the festivals in Salzburg (Easter & Summer), Aix-en-Provence, Tanglewood, Glyndebourne and many others.

Recent international guests include Montserrat Caballé, Ornella Muti, Yevgeny Nesterenko, Walter Berry, Heinz Zednik, Katia Ricciarelli, Patrizio Buanne, Catherine Deneuve, Katarina Witt, Gina Lollobrigida, Daryl Hannah, and Guy de Rothschild. Besides such guests as these, the balls are highlighted by the best-known Hungarian opera singers. The Opera Ball was first organised on March 2, 1886. Suspended in 1934, it was not revived until 1996.

By the mid-1960s Sethuntsa was reported to have amassed a lot of wealth, with nine houses and 16 farms under his name."Transkei muti millionaire now exporter" ‘The Rand Daily Mail’. Word of his special gifts reached as far as the United States, with African-Americans writing to him in search of charms and medicines that may assist in alleviating their health problems.

34 Nasir al-Dawla furthermore gained a pretext for war when in January 946 Mu'izz al-Dawla deposed and blinded the caliph al-Mustakfi and replaced him with the more obedient al-Muti'.Canard, "Histoire," p. 513; Miskawaihi, pp. 89-90 As a result, Nasir al-Dawla took a belligerent tone with the Buyids: he withheld the payment of tribute to Baghdad,Miskawaihi, p.

In spite of this, he continued to be active until with the Teatro Comunale, Florence. Here he continued to take part in representations of operas until the late 1970s, for instance, he was part of the cast of the Un ballo in Maschera, by Giuseppe Verdi, for the seasons of 1965-66, 1971–72 and 1973–74, this last under the direction of maestro Riccardo Muti.

A number of skirmishes with local chiefs took place in the years up to 1910. Some eastern parts of the princedom, Anas-Nenometan, which had previously been absorbed by the Wehali kingdom, were returned to Amanatun in 1910. By this time the princedom covered 917 square kilometers and had 15,300 inhabitants. The raja Muti Banu Naek was deposed in 1915 for his opposition against Dutch designs.

These include differences in traditional, spiritual, and medicinal practices associated with Muti, West African Vodun, and East African witchcraft. Cultural taboos also differ between these regions. For example, some groups within Kenya believe vultures to be unclean and ugly, while others associate them with death and view them as bad omens. Such perceptions may result in limited use and market demand for vulture species.

They were signed to Spirit Zone Recordings, Digital Structures and Spiral Trax. Necton toured extensively around the world between 1997–2003. During this time, Martin Stääf released Nu Skool Breaks on labels Ministry of Sound, Sound of Habib, Muti Music, Random Recordings, Hope Recordings, and Muve Recordings under the alias Rhoca. Stääf also released funky Techno on Iboga Records, Plusquam Records, and Nanobeat Records.

Filianoti made his professional début in 1998 at Bergamo in the title role of Dom Sébastien, by Gaetano Donizetti. In 1999, after singing Argirio in Tancredi at the Rossini Opera Festival in Pesaro, he was engaged by Riccardo Muti to sing in Paisello's Nina, o sia La pazza per amore with Teatro alla Scala (La Scala). In 2003, again under Muti, he opened the season of La Scala with Rossini's Moïse et Pharaon. Since then, he has been a frequent guest at La Scala, where in addition to Moïse et Pharaon he has performed in Un giorno di regno, Gianni Schicchi, Rigoletto, Lucia di Lammermoor, Lucrezia Borgia, and Don Giovanni (opening the 2011-2012 season), and has toured with La Scala under Daniel Barenboim to Berlin, Tel Aviv, and at the Teatro Colón in Buenos Aires singing the Verdi Requiem, and to the Bolshoi as Don Ottavio in Don Giovanni.

After the Italian surrender on 8 September 1943 and the occupation of northern Italy by German forces, Milan became a centre for processing, interrogating and torturing captured resistance fighters and Jews, which was carried out by both the German police and the Italian Muti police unit. Prisoners were held at San Vittore Prison, but were also taken for interrogation and torture at either the headquarters of the German police at Hotel Regina or at the headquarter of the Muti unit in an army base at Via Rovello. The German police in Milan was under the command of SS-Sturmbannführer Theo Saevecke. Saevecke was sentenced in absentia in 1999, but never extradited, for ordering the Piazzale Loreto massacre—the public execution on 10 August 1944 of 15 Italian partisans who had been hand-picked by Saevecke, as a reprisal for a partisan attack on a German military convoy.

The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. Mosè in Egitto is a wonderful opera, but it remains very much a mere sketch for Moïse et Pharaon.

Her final film as an actress was the film Carve Her Name with Pride (1958). Her acting career was cut short by a car accident. She reoriented herself towards production, helping in particular Georges Franju and Jean-Pierre Melville. Among her production credits was Swann in Love (1984), an adaptation of the first novel in Marcel Proust's cycle Remembrance of Things Past that starred Jeremy Irons and Ornella Muti.

Canard, "Histoire," p. 513; Miskawaihi, pp. 89-90 As a result of these factors, Nasir al-Dawla took a belligerent tone with the Buyids; he withheld the payment of tribute to Baghdad,Miskawaihi, p. 86, notes that Nasir al-Dawla had effectively stopped paying the required tribute even before the Buyid takeover of Baghdad refused to recognize al-Muti' as caliph, and continued to mint coins in al-Mustakfi's name.

Planned for 2015–2018, Özge Ersu is in the stage of transforming the program to an independent documentary cinema under the name Laterna: The Forbidden Documentaries as the writer, producer and narrator of the series. These documentaries will be concentrating on human conflicts from all around the world, such as 'Cyprus – Digging for the Lost', 'Sworn Virgins of Northern Albany' and 'Black Magic Muti Killings' in Africa, etc.

Daswa also established a soccer team called the Mbahe Eleven Computers and left this team when members wanted to use "muti" (medicine) in order to win games. He started a new team, Mbahe Freedom Rebels. He was an active member of his community, serving as the secretary of the local traditional council; the local chief valued his counsel. In November 1989, heavy rains and lightning strikes plagued the area.

They were told to take pills containing what were said to be high doses of vitamins, including Rath's VitaCell. Demetre Labadarios, who leads the Human Nutrition programme at Stellenbosch University, questioned the safety of administering high doses of supplements to already sick patients. During and immediately following the vitamin trials, "many people died,"Manto's muti policy A. Thom, South Africa Independent Online, 20 August 2008. Retrieved 10 September 2008.

The Symphony is a symphony for orchestra by the Israeli-American composer Shulamit Ran. The work was commissioned by the Philadelphia Orchestra under the direction of Riccardo Muti in 1987 and was given its world premiere on October 19, 1990. The piece was awarded the 1991 Pulitzer Prize for Music and took the first place Kennedy Center Friedheim Award that same year. It was composed in a primarily atonal style.

Back in Rome he was employed by the exiled Jacobite court of the Stuarts at the Palazzo Muti. In 1750 he returned to Turin and with his brother Giuseppe Duprà (1703-1784) worked for the royal House of Savoy. He died at Turin in 1770. The Prado Museum preserves three of his works depicting females members of royalty quickly recognizable for its delicate and blushing tonalities recalling pastels.

Among his partners: Carla Fracci, Sylvie Guillelme, Laurent Hilaire, Enrico Maria Salerno, Simona Marchini,Croce e delizia... signora mia! Storie di vita vissuta... per pianoforte e voce recitante. Simona Marchini, Paolo Restani Mariano Rigillo, Gottfried Wagner. In partnership with Chiara Muti, in the last seasons, he created three original musical plays on the life of Mozart, on the relationships between Richard Wagner and Ludwig II, on Rachmaninov and Gogol.

Hadassah (Louise Lombard), a beautiful Jewish girl, lives with her cousin (and legal guardian) Mordechai (F. Murray Abraham) in Shushan, the capital of Persia. After King Achashverosh (Thomas Kretschmann) deposes Queen Vashti (Ornella Muti) for her refusal to obey his decree, he is advised to choose a new queen. Guards then search his entire kingdom for worthy candidates, taking them from their homes by force and removing them to the palace.

Bridge of Fame is the place where a plate dedicated to the top guest of the biggest film festival in Slovakia is added. The festival was held in Trenčianske Teplice since 1993 (until 2015), Artfilm. The plates given here to date include those dedicated to Sophia Loren, Gina Lollobrigida, Franco Nero, Ornella Muti, as well as exceptional Slovak film actors and actress as: Jozef Kroner or Emília Vášáryová.

By the end of the 1990s, Thunder had emerged as one of the most hated "heels" on the Southern independent circuit. His in-ring persona was a vain and arrogant "pretty boy" from Cocoa Beach, Florida. According to Pro Wrestling Illustrated, he owned "more than 200 pairs of muti-colored tights". In the fall of 1997, Thunder formed The Legends with real-life cousin Beau James in Southern States Wrestling.

In 1994 she filmed Con gli occhi chiusi, based on Federico Tozzi's novel, starring Laura Betti, Stefania Sandrelli, Sergio Castellitto and Debora Caprioglio. Her next film was Shooting the Moon (1998). Ornella Muti starred in Tomorrow in (2001), a film about the 1997 Umbria and Marche earthquake. She collaborated on Pasolini - Le ragioni di un sogno (2001), and she directed Giovanna Mezzogiorno and Roberto Citran in Flying Lessons (2007).

He worked with Tehran Symphony Orchestra as principal bassoonist, led by Shahrdad Rouhani, Riccardo Muti, Alexander Rahbari, Alexander Rudin, Mark Stivenson, Nasir Heidarian, Nader Mashayekhi, Nader MortezaPour, Orwell Erdinç and Domina Jurana. and also had a collaboration with Mediant Trio led by Alvin Avanessian IRIB Symphony Orchestra, led by the late Mohammad Biglari Pour. The Parsian orchestra led by Aidin Ahmadinejad. Tehran Chamber Orchestra, led by Nader Mashayekhi.

"Adam" was the name police gave to an unidentified young boy whose torso was discovered in the River Thames in London, United Kingdom on 21 September 2001. Investigators believe the boy was likely from southwestern Nigeria and that several days before his murder, he was trafficked to the United Kingdom for a muti ritual sacrifice. To date, nobody has been charged with Adam's murder and his true identity remains unknown.

His sonic changes to the orchestra remain controversial. Some felt he turned it into a generic-sounding institution with a lean sound much favored by modern recording engineers. Others believe Muti uncovered the true intention of the works, which had been covered in a silky sheen by Muti's predecessor. Since his departure from Philadelphia, he has made very few guest conducting appearances with the Philadelphia Orchestra, most recently in 2005.

Anthology of Fantastic Zoology is an orchestral symphony by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered June 18, 2015 at Symphony Center in Chicago, with the Chicago Symphony Orchestra performing under conductor Riccardo Muti, to whom the work is dedicated. The piece is based on the eponymous book by Jorge Luis Borges.

In 2011, Maestro Muti invited Antoņenko to perform Otello at the Opéra Garnier in Paris, accompanied by the Chicago Symphony Orchestra. He also appeared in a new production of Il tabarro at Covent Garden. He continued his collaboration with the Swedish Royal Opera, where he took part in a new production of Puccini's La fanciulla del West. Notable other appearances include a 2012 performance in Tosca, as Cavaradossi, at La Scala.

She performed Wagner at the Mecca of Wagner performance, the Bayreuth Festspielhaus. She has performed under the batons of conductors including Riccardo Muti, Daniel Barenboim, Claudio Abbado, James Levine, Lorin Maazel, Zubin Mehta, and Giuseppe Sinopoli. She has been named a "Kammersängerin" by both the Bavarian State Opera in Munich and the Vienna State Opera, and "Commandeur" of the Ordre des Arts et des Lettres by the French Government.

The traditional composition with Danilo Lorenzini will continue also. At the same time, he will study in private also with Bruno Bettinelli, teacher of Claudio Abbado, Maurizio Pollini, Riccardo Muti etc. In 1997 the diploma in pianoforte under the guide of Leonardo Leonardi, first pianist of Salvatore Accardo. In 2001 he begin the course of specialization in piano under the guide of Paolo Bordoni in the musical high Academy of Pescara.

At the end of the story, however, he loses both women. Book I On December 31, 1886, Andrea Sperelli anxiously awaits the arrival of his ex-lover, Elena Muti in his house, Palazzo Zuccari. While waiting for her, he remembers their last farewell, which took place almost two years ago, in March 1885. Elena broke up with him in a carriage, telling him that she is to marry an Englishman.

A two-way lineman for Leilehua, Muti wasn't highly recruited coming out of high school. He originally committed to play for his home state Hawaii Rainbow Warriors, signing a letter of intent with the University of Hawai'i on National Signing Day. However, after his application was put on hold due to a test score, he asked for and was granted release from U.H. and went on to sign with Fresno State.

Marco Agrippa Dandini was born in 1558. On 2 August 1599, he was appointed Bishop of Jesi by Pope Clement VIII. On 22 August 1599, he was consecrated bishop by Camillo Borghese, Cardinal-Priest of Santi Giovanni e Paolo, with Giovanni Camerota, Bishop of Bova, and Valeriano Muti, Bishop of Bitetto, serving as co-consecrators. He served as Bishop of Jesi until his death on 20 October 1603.

Sometime after expelling Ibn Muti, Mukhtar complained to Ibn al-Zubayr about the failure to keep his promise, despite Mukhtar having served him well. Mukhtar, nonetheless, offered his support if needed. Though Ibn al-Zubayr had considered Mukhtar loyal, the latter refused to surrender his control of Kufa to the caliph's appointed governor, Umar ibn Abd al-Rahman. The governor left the city after being bribed and threatened by Mukhtar.

Alastair Miles has appeared with many conductors and orchestras including Giulini, Harnoncourt, Mazur, Muti, Chung, Rattle, Runnicles, Masur, Gergiev, Gardiner, Norrington, Davis and Dohnanyi. Recent projects have included performances of La Damnation de Faust, The Dream of Gerontius and Handel’s Messiah with Davis and the LSO, Schumann’s Faustszenen with Harnoncourt and the Royal Concertgebouw Orchestra, and Beethoven’s Ninth Symphony with the San Francisco Symphony Orchestra under Tilson-Thomas.

In its 200-year history, the conservatory has educated some of Italy's most prominent musicians and conductors, including Fausto Romitelli, Oscar Bianchi, Luca Francesconi, Stefano Gervasoni, Marco Stroppa, Giacomo Puccini, Alfredo Piatti, Amilcare Ponchielli, Arrigo Boito, Giovanni Bottesini, Alfredo Catalani, Riccardo Chailly, Amelita Galli-Curci, Vittorio Giannini, Scipione Guidi, Bruno Maderna, Pietro Mascagni, Gian Carlo Menotti, Francisco Mignone, Riccardo Muti, Kurken Alemshah, Italo Montemezzi, Feliciano Strepponi, Alceo Galliera, Arturo Benedetti Michelangeli, Giuseppe Andaloro, Mario Nascimbene, Maurizio Pollini, Ludovico Einaudi, Antonino Fogliani, Vittorio Parisi, Riccardo Sinigaglia, and Claudio Abbado. Other notable students include composers Margrit Zimmermann, Alfredo Antonini, and Alessandro Solbiati, and singer Florin Cezar Ouatu. Among its past professors are the well-known voice teachers Francesco Lamperti and his son Giovanni Battista Lamperti. Ranking among eminent professors who have taught at the Milan conservatory are Giorgio Battistelli, Franco Donatoni, Lorenzo Ferrero, Riccardo Muti, Enrico Polo, Amilcare Ponchielli, Salvatore Quasimodo and Alessandro Solbiati.

The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co- commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.

Un posto ideale per uccidere (), also known as Oasis of Fear and Dirty Pictures, or Deadly Trap (the film's video release title in West Germany), is a 1971 Italian giallo film directed by Umberto Lenzi and starring Irene Papas, Ornella Muti and Ray Lovelock. It was produced by Carlo Ponti. The film was released in the US in 1974, and is available on video as both Oasis of Fear and Dirty Pictures.Luther-Smith,Adrian (1999).

Antonino Votto in Radiocorriere magazine, 1974. Antonino Votto (30 October 1896 - 9 September 1985) was an Italian operatic conductor and vocal coach. Votto developed an extensive discography with the Teatro alla Scala in Milan during the 1950s, when EMI produced the bulk of its studio recordings featuring Maria Callas. Though Votto was a dependable conductor (and the teacher of Riccardo Muti), critics frequently faulted his recordings for their lack of emotional immediacy.

Waddilove High School is a Methodist High School in Marondera, Zimbabwe, established in 1891 by Methodist Missionary John White. The name Waddilove was in honour of Sir Joshua K Waddilove, an Englishman, philanthropist and founder of Provident Financial, who bequeathed 1,000 English pounds which resulted in the construction of two dormitory complexes for boys and girls. The school transformed from a Mission Station to Teacher Training College. The school is situated close to Muti Usinazita.

He recorded nearly 2,000 songs addressing morality and offering life teachings. The songs launched his status as a Kikuyu music legend and impacted East Africans’ music scene with classic hits such as "Gathoni" and "Charia Ungi". His popular songs include "muhiki wa mikosi" and "muti uyu mukuona" among others. In the 1990s, Kamaru announced that he had been "born again" and would no longer perform the secular music on which he had built his career.

Born in Darmstadt, Boder studied first at the Musikhochschule Hamburg, then in Florence where he worked with Riccardo Muti and Zubin Mehta. He was an assistant to Michael Gielen at the Frankfurt Opera. He became chief conductor of the Basel Opera at age 29, working as a guest already at this time in Hamburg, Cologne, Munich, Berlin and at Covent Garden in London. In 1991, he conducted in Basel the premiere of Luca Lombardi's Faust.

Block appeared with the great orchestras and conductors in the United States and in Europe. Among them were the Berliner Philharmoniker, New York Philharmonic Orchestra, Chicago Symphony Orchestra, London Philharmonic Orchestra, and Concertgebouw Orchestra in Amsterdam; and among the conductors, Georg Solti, Carlo Maria Giulini, Riccardo Muti, and Bernard Haitink. In 1978, Block joined the music faculty at Indiana University Bloomington, and greatly reduced his concertizing. In later years, he rarely performed in public.

See his inscription on the attached chapel Madonna dell'Archetto, built by him. The family name used during the 19th century was "Savorelli Papazzurri", at this time the family also owned the far larger Villa Aurelia on the Janiculum Hill in Rome (used by Garibaldi as his headquarters) which is now the American Academy in Rome. The south elevation of the Palazzo Muti. With its central doorway, it was probably intended as the principal facade.

Micol Brusaferro. Baldini, un violino sui palchi di tutto il mondo. Il Piccolo, April 23, 2012. Baldini has interpreted the main concerti of the violin repertoire with orchestras such as the Wiener Kammerorchester, Rundfunk-Sinfonieorchester Berlin, L'Orchestre de la Suisse Romande, São Paulo State Symphonic Orchestra, Flanders Youth Philharmonic Orchestra and Orchestra da Camara di Mantova, the latter of which with conductors such as Claudio Abbado, Riccardo Muti, Daniele Gatti, Franco Gulli and Franco Rossi.

Abu Ishaq, along with his mother, the Abbasid Caliph al-Muti, including the women and children of the city, fortified themselves in a castle, waiting for Sabuktakin to return to Baghdad. The vizier of 'Izz al-Dawla, Ibn Baqiyya, shortly arrived to Baghdad and aided Abu Ishaq in strengthening the defenses of Baghdad. In the end a treaty was made, which resulted in the restoration of Mosul and its surrounding areas to the Hamdanids.

At the same time, she had to pretend Suso is her son; Maite and Suso's secret was revealed on the first "assembly of secrets". Maite and Sofía's secret was revealed on the second assembly of secrets. She was the first evicted on Day 12. She tried to return to the contest and she lived in the apartment with Enrique, Raquel and Muti until she was eliminated as a second option chosen by the audience.

The indoor arena consists of a 9,515 sq. ft. sports hall, a tennis court, 4 wooden muti purpose courts, 5 regulation size world-class centrefold table, 3 international standard squash courts. The indoor arena is mostly used for sports like table tennis, boxing, badminton, basketball, volleyball, squash, karate, skating, swimming, kabaddi, futsal, box cricket or etc. It hosted 2016 Kabaddi World Cup and acts as the home ground for Pro Kabaddi team, Gujarat Fortune Giants.

The medieval Arab historians Wahb ibn Jarir (d. 822) and al-Samhudi (d. 1533) held that Medinese lines were compromised by the defection of the Banu Haritha, who gave Marwan and his horsemen access through their quarter in Medina, enabling them to assault the Medinese at al- Harra from the rear. The Quraysh, led by Abd Allah ibn Muti al-Adawi, fled the battlefield and headed for safety to Ibn al-Zubayr in Mecca.

In 1980 she was a soloist in Alexander Scriabin's Symphony No. 1 with the Philadelphia Orchestra and conductor Riccardo Muti. Wolff also sang abroad in Europe and in Mexico. In Italy she performed at the Festival dei Due Mondi in Spoleto, the Teatro della Pergola in Florence, and La Fenice in Venice. She sang a riveting Adalgisa at the Palacio de Bellas Artes in Mexico City for which the Mexican government issued her a medal.

Near the former entrance door, which opened on the first floor, fragments of medieval decoration are walled up. The tower or castle was owned by the Muti family (documents dated 1512 and 1518). In 1560 the archbishop of Amalfi Massimo Massimi sold it to the cardinal Federico Cesi and in 1660 it was owned by Pompeo Colonna, prince of Gallicano. In 1704 it belonged to the Conti family and in 1711 to the Colonna family.

Trinità dei Monti Andrea Sperelli is a young noble dandy of Rome who lives in Palazzo Zuccari (Trinità dei Monti), although he is originally from Abruzzo. He loves Elena Muti, although she is married to another. Andrea fights a duel with the man, but gets injured, and taken to Francavilla al Mare, where, at Villa Schifanoja, he meets the beautiful Maria Ferres. Andrea, when cured, realizes that he loves both Maria and Elena.

She continued to appear in concerts until 1992. She was still active as of 2007, and had recently been appointed by La Scala's music director Riccardo Muti to run its school for young artists. Throughout her career, Gencer was particularly well known for her Donizetti, including Belisario, Poliuto, Anna Bolena, Lucrezia Borgia, Maria Stuarda and Caterina Cornaro. Her most acclaimed and best-known performance, though, was the Roberto Devereux she sang in Naples in 1964.

However, Bossi's political party, Lega Nord/Padania, has adopted "Va, pensiero" as its official hymn and the chorus is now sung at all party meetings."National Anthem"; see also Va' pensiero Padania In 2011, after playing "Va, pensiero" at a performance of Nabucco at the Teatro dell'Opera in Rome, conductor Riccardo Muti made a short speech protesting cuts in Italy's arts budget, then asked the audience to sing along in support of culture and patriotism.

Since 1966, Eliso Virsaladze has given recitals and appeared with major international orchestras under Yevgeny Svetlanov, Kyrill Kondrashin, Riccardo Muti, Yuri Temirkanov, Kurt Sanderling, and Wolfgang Sawallisch. Virsaladze enjoys playing chamber music, partnering with Natalia Gutman, the Borodin and the Taneyev Quartets. She participates as a jury member in many international piano competitions. She is an interpreter of Schumann, Beethoven, Mozart and Chopin, as well as of modern Soviet and Russian composers.

He was succeeded by his eldest son Bisutun; however, the Samanid army favored another son, Qabus, and challenged Bisutun's rule. Bisutun then agreed with Rukn al- Dawla to become his vassal in return for protection against the Samanids, which forced the Samanid army to withdraw to Khorasan. In 971, the Abbasid caliph al-Muti gave Bisutun the title of Zahir al-Dawla. Bisutun later died in 977, and was succeeded by Qabus.

Giancarlo Cobelli Giancarlo Cobelli (12 December 1929 – 16 March 2012) was an Italian actor and stage director. He was considered one of the most important directors of Italian theatre. Born in Milan, Cobelli studied acting at Giorgio Strehler's Piccolo Teatro, then obtained some success as actor and mime, on stage and on television. Cobelli later was primarily active as theater director, especially devoting himself to operas alongside names such as Riccardo Muti, Roberto Abbado and Riccardo Chailly.

James died in Rome on 1 January 1766 in his home, the Palazzo Muti, and was buried in the crypt of St. Peter's Basilica in present-day Vatican City. His burial is marked by the Monument to the Royal Stuarts. His claimed reign had lasted for 64 years, 3 months and 16 days, longer than any British monarch until Queen Elizabeth II's reign surpassed it on 23 May 2016, however Jacobite loyalists do not recognise the latter.

The perpetrators are usually men, although women have been convicted as well, most notably in Swaziland when Phillippa Mdluli was hanged in 1983 for commissioning a medicine murder. Perpetrators vary widely in age and social status. An individual or group of individuals commissions an inyanga (a herbalist skilled in traditional medicine) to assist them by concocting a medicine called muti. The medicine supposedly strengthens the 'personality' or personal force of the person who commissions the medicine.

Gothamist LLC, 2010. web.9.2.2013. Eleven different institutions collaborated to present works by visual artists, choreographers, composers, and dramatists who lived under the Politburo of the Soviet Union in more than 48 events in a dozen venues across Chicago, making it one of the largest inter-disciplinary collaborative efforts in Chicago since the Silk Road Chicago project in 2006/07."The Soviet Experience and Riccardo Muti come to the CSO for 2010-11 season." Time Out Chicago.

The team was originally scheduled to play their home games at Reese Stadium on the campus of Yale University. However, due to scheduling conflicts, CFC Azul ended playing their 2012 home games at various locations throughout Connecticut including Veterans Stadium in New Britain, CT. For the 2013 season, CFC Azul played their home games at Central Connecticut State University. CFC Azul signed a muti-year contract to play their games the Westside Athletic Complex at Western Connecticut State University.

She recorded Aida with Riccardo Muti in July and made a recording of duets with Giuseppe Di Stefano in August. In September 1974, she underwent major surgery to remove a large benign mass from her abdomen. She recovered and was performing again on stage by early 1975. In 1976 Caballé appeared at the Met once again as Norma and sang her first Aida in that house, alongside Robert Nagy as Radamès and Marilyn Horne as Amneris.

The Rockville Express has relocated its home field to the Laytonia Sports Complex, a brand new muti- million dollar facility located a few miles from its former home field at Montgomery College Rockville. The move coincided with its move to the Maryland Collegiate League. The Maryland Collegiate League is a ten- team league with teams located throughout Maryland from Baltimore to the Washington suburbs. The Express won the CRCBL's tournament in 2007, the team's third year.

Mu'izz al-Dawla, having assisted his brother, then sent Abu Ja'far al-Saymari to subdue the Batihah amirate. He managed to inflict a series of defeats upon the Batihah ruler 'Imran ibn Shahin, who fled and whose family was imprisoned. During the same period, Mu'izz al-Dawla had his brother-in-law Ispahdost imprisoned for plotting with al-Muti against him. 'Imad al-Dawla shortly died in 949, and Rukn al-Dawla then took the title of senior amir.

The first award ceremony took place in the Royal Swedish Opera on 13 October 2009. King Carl XVI Gustaf of Sweden personally presented the prize to the designated winner. A jury has been set up by the foundation to make recommendations for future prizes.DAVE ITZKOFF For Classical Music, a $1 Million Prize 5 December 2008 The second winner of the Birgit Nilsson prize was Riccardo Muti, who received the award in Stockholm on 13 October 2011.

Throughout Tanzania, sex acts between men are illegal and carry a maximum penalty of life imprisonment. According to a 2007 Pew Research Centre survey, 95 per cent of Tanzanians believed that homosexuality should not be accepted by society. People with albinism living in Tanzania are often attacked, killed or mutilated because of superstitions related to the black-magical practice known as muti that say body parts of albinos have magical properties."Tanzania albino murders: 'More than 200 witchdoctors' arrested".

Abdel Muti al-Bayyumi, a leading cleric at Al-Azhar applauded France's ban on the niqāb. He publicly gave his support to the French and stated that his position against the niqāb was actually older than France's. In addition, he said he wanted to send a message to Muslims in France and Europe in that the niqāb has no basis in Islam, and that those who wear the niqāb in France are not giving a good impression of Islam.

Agostino Rivarola in Encyclopedia Treccani. However prior to returning to Rome, on July 23, 1826, while his carriage was on the streets of Ravenna, a pair of Carbonari attempted to assassinate him by firing into his cab. A fellow passenger of his entourage, Canon Muti, died from the gunshot. A later investigation under the Pope Leo XII was concluded on April 26, 1828 with five death sentences, which putatively were carried out in Ravenna on May 13, 1828.

The Alfiyya of Ibn Malik () is a rhymed book of Arabic grammar written by Ibn Malik in the 13th century. The long title is al-Khulāsa al-alfiyya. According to the historian Al-Maqqari, Al-Alfiyya was written in imitation of Ibn Muti al-Zawawi's Al-Durra al-alfiyya. At least 43 commentaries have been written on this work, which was one of two major foundations of a beginner's education in Arab societies until the 20th century.

After his release Mukhtar resumed his revolutionary activities. The Tawwabin were defeated by the Umayyads at the Battle of Ayn al-Warda in January 685, and most of the pro-Alid Kufans shifted allegiance to Mukhtar. Ibn al-Zubayr replaced Ibn Yazid with Abd Allah ibn Muti as governor to contain the expected agitation but to no avail. Mukhtar and his followers planned to overthrow the governor and seize control of Kufa on Thursday, 19 October 685.

A third brother, Giovanni Andrea, was married to Gerolama Borgia, daughter of Pope Alexander VI, but both spouses died in 1483. They were the grand-nephews of Cardinal Giuliano Cesarini, seniore.Salvador Miranda, Biographical Dictionary of the Cardinals of the Holy Roman Church, "Cesarini, Giuliano iuniore"; retrieved: 2017-09-01. Giuliano also had four sisters: Antonina (wife of Carlo Muti), Caterina (wife of Antonino Albertoni), Alteria (who married a Margana), and Livia (wife of Pietro Ludovico Capizucchi).

He resigned in December 2017, and remained a non-executive board member until 2017. Algafari was the Chairman of the Riyadh-based Mueen Recruitment Company until 2016. In July 2018 he was appointed the CEO of Maharah Human Resources Company, but resigned in December 2019, after rejecting the board's long-term incentive plan. Between 2018 and2019, Algafari served as managing director and board member at Abu Muti Bookstores Company, a Saudi joint stock company dealing in office and school supplies.

During the early 2000s he appeared in TV shows only occasionally, as a guest,Maurizio Ferrini: anche i comici piangono until in 2005 Simona Ventura offered him to participate in the reality show L'Isola dei Famosi, where he achieved second place with 25% of the audience's preferences.Isola dei famosi, l'avventura è finita. In corsa Ferrini, Lory e Merigiò In 2007, he played a minor role in the drama Ma chi l'avrebbe mai detto acting alongside Ornella Muti and Katia Ricciarelli.

His music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman. In 2010, President Obama announced that he would be recognizing Ma with the Presidential Medal of Freedom; Ma was presented with the award at the ceremonies in February 2011. In 2010, Ma was named Judson and Joyce Green Creative Consultant of the Chicago Symphony Orchestra. In partnership with the orchestra's music director, Riccardo Muti, he launched the Citizen Musician initiative.

In 1994, a 14-year-old named Segametsi Mogomotsi was murdered in Mochudi, Botswana and body parts removed. The killing was widely believed to have been for muti, and the police even recovered some excised organs. However, these were destroyed before being tested to establish them as human, leading to accusations of police complicity with the murder. The killing led to riots as students in Mochudi protested about police inaction, and eventually Scotland Yard from Britain were asked to investigate, as neutral outsiders.

Ibn al-Zubayr went to his mother asking her advice on whether to submit to Hajjaj. She persuaded him to fight, citing his old age and the sacrifices of the people who had died fighting for him. He attacked Hajjaj, accompanied by his youngest son and a few remaining followers, including his ex-governor in Kufa Abd Allah ibn Muti, and was killed fighting. His head was sent to Abd al-Malik, while his body was displayed in a gibbet.

Akasic RecordAkashic records are part of a mystical state said to immediately follow accidental death. (2001) is "a highly sophisticated foray into African-flavoured dubfunk"; Muti Media (2003) features a sculpture by Brett Murray on the cover, and Zukile Malahlana from Marekta appears on the album. Conspiracy of Silence (2005) and Panga Management (2007) followed. One Party State (2010) was released on Microdot and debuted at the African Soul Rebels Tour in the UK alongside Oumou Sangaré & Orchestre Poly-Rythmo De Cotonou.

In 1966, following the resignation of Anshel Brusilow, Carol joined the Philadelphia Orchestra by invitation of longtime conductor Eugene Ormandy to be his concertmaster. Carol remained in Philadelphia for 29 years serving as concertmaster for Ormandy, Riccardo Muti and Wolfgang Sawallisch. Following a strike, Carol's first solo performance with the orchestra was of the Samuel Barber Violin Concerto, which was also the last concerto he was scheduled to perform before a lingering shoulder injury cut his orchestral career short in 1994.

He has played with various famous French orchestras (Opera, National, Radio) composed of prestigious groups such as L'Ars Nova, Les Solistes de France, Ircam, and accompanied of great soloists such as Hendricks, Isoir, Thibaud. He has also been directed by great masters such as Muti, Bernstein, Ozawa, Boulez, and Maazel. Mauro Maur was a friend of Federico Fellini and Giulietta Masina and he recorded the music for the last three Fellini films. He played Nino Rota's music at their respective funerals in Rome.

There followed other revivals for leading sopranos; Leyla Gencer in Palermo, 1969 and Rome, 1973; Renata Scotto in Florence, 1970; Montserrat Caballé in Barcelona in 1982; and Raina Kabaivanska in Genoa in 1984. Muti reproduced the original version at La Scala in 1993, and English National Opera mounted the opera in London in 2002. A very memorable performance, on a slippery stage, on the last night of the Wexford Opera Festival in 1979 is described by Bernard Levin.Levin, 1981, pp.

In 1962, Celentano founded the Italian record label Clan Celentano (which is still active) with many performers such as Don Backy, Ola & the Janglers, Ricky Gianco, Katty Line, Gino Santercole, Fred Bongusto and his wife Claudia Mori. As a film director, Celentano frequently cast Ornella Muti, Eleonora Giorgi and his wife Claudia Mori. He and Mori have three children, Rosita, Giacomo and Rosalinda Celentano. Rosalinda is most notable to worldwide audiences for playing Satan in Mel Gibson's The Passion of the Christ.

His life remained adventurous: a womanizer and entertaining host, Muti cruised in speeding cars or on his Harley Davidson. In 1926 he married the daughter of a banker, and, in 1929, fathered his only child Diana. He escaped an assassination attempt carried out by a left-wing activist on 13 September 1927, but was shot twice in his abdomen and arm, as a result. His survival was uncertain for a period of time, and he was left with a 20 cm scar.

The life of the couple is hard, being constrained to move from town to town to find jobs. Episode II: Nina (Ornella Muti) is Romanian and lives in Rome without a residence permit. She fights against social loneliness and seeks a job, though the main obstacle is the lack of knowledge of the Italian language. thanks to the help of another Romanian lady she finds a job as domestic worker for two ladies aged 92 and 62, and living completely alone in Rome.

He has had a professional career as both a soloist, conductor, and as principal oboist of the Philharmonia Orchestra. Hunt has held principal positions at the London Philharmonic and the London Chamber Orchestra. He has played as Guest Principal with the Berlin Philharmonic, and worked under many leading conductors, including Vladimir Ashkenazy, Simon Rattle, Riccardo Muti, and Andrew Davis. Hunt was Music Director of the Swedish Chamber Winds from 1991–1997, and has worked with orchestras and wind ensembles across the continents.

Wolfgang Sawallisch succeeded Muti as Music Director from 1993 to 2003. He made a number of recordings with the orchestra of music of Robert Schumann, Richard Strauss and Richard Wagner, among other composers, for the EMI label. However, the orchestra lost its recording contract with EMI during this time, which led to a musicians' strike for 64 days in 1996. Near the end of Sawallisch's tenure, the orchestra released a self-produced set of recordings of the Schumann symphonies with Sawallisch conducting.

On the way home he stopped at Baghdad, where the Buyid amir Mu'izz al-Dawla gave him an audience with the Abbasid caliph al-Muti. The caliph confirmed him in his rule of Sistan and gave him a robe of honor and standard. Khalaf felt, however, that Abu'l-Husayn Tahir would not willingly give up control of Sistan upon his return, so he went to the Samanids for assistance and received an army. Returning to Sistan, he forced Abu'l-Husayn Tahir to retreat.

She sang with renowned singers (Plácido Domingo, Luciano Pavarotti, Tito Gobbi, José Carreras, Renato Bruson, Nikolai Giaurov, Nicola Ghiuselev, Giangiacomo Guelfi, Fiorenza Cossotto, Shirley Verrett, and Nicola Martinucci) and conductors (Claudio Abbado, Georg Solti, Nello Santi, Stein, Lorin Maazel, Riccardo Muti, and many others). Krilovici was not only known for her magnificent voice quality, but her stage presence and personality and her ability to give dimension to the characters she interpreted made her performances of Tosca, Butterfly, Aida, and Santuzza memorable.

The angel is disguised as a page (named Albinio). Each tries to influence the duke's decisions according to their own secret plans. Despite Saint Bernard's exhortations, the duke seems to remain inflexible (William's aria, "Ch'io muti consiglio", and Bernard's, "Dio s'offende") and sends Captain Cuòsemo and Ridolfo (the demon) to enforce the banishment of the rebellious bishops. However, the pair are stopped by the angel who attacks his opponent with harsh words (aria, "Abbassa l'orgoglio") to the consternation of Cuòsemo.

Aside from bel canto roles, her repertory included works by such composers as Prokofiev, Mozart and Puccini. She appeared in many rarely performed operas, including Smareglia's La Falena, Rossini's Elisabetta, regina d'Inghilterra, Spontini's Agnese di Hohenstaufen, Pacini's Saffo and Gluck's Alceste. Gencer rose to international stardom in a short time, singing under some of the greatest Italian maestros, such as Vittorio Gui, Tullio Serafin, Gianandrea Gavazzeni, and Riccardo Muti. She contributed to the 'Donizetti Renaissance' with her great performances of Donizetti's forgotten operas.

He was also clarinetist with the Naumburg Award-winning Aspen Wind from 1992–1997 and a participant at the Marlboro Music Festival for four summers. He has also given World Premiere performances of chamber music pieces by Joan Tower, Paquito DRivera, Morton Subotnick. Recent highlights are the launch of www.toddlevy.org, Principal Clarinet for 2005, 2006, 2008 seasons of the Tokyo Opera Nomori under Seiji Ozawa and Riccardo Muti in Tokyo, and Principal Clarinet with the 2006 Saito Kinen Festival Orchestra under Alan Gilbert.

"Kazakhstani comedian offers lesson in laughter", Darwin Palmerston Sun (Australia), 29 November 2006. He brings a "wedding sack" which he has made for the occasion, suggesting that such kidnappings are a tradition in his parody of Kazakhstan.See Mary Wiltenburg, "Backstory: The Most Unwanted Man in Kazakhstan", The Christian Science Monitor, 30 November 2005. On a more serious note, a 1970 Italian film, La moglie più bella (The Most Beautiful Wife) by Damiano Damiani and starring Ornella Muti, is based on the story of Franca Viola, described above.

Recent high-profile performances of the Mozart setting include one in the 2006 Salzburg Festival under the baton of Christoph Poppen, as part of the M22 series, masterminded by Bernhard Fleischer to perform all Mozart's operas (and the only oratorio) in 2006 Salzburg Festival. The performance was recorded and subsequently released as DVD. (See Recordings section below.) In 2010 both the Mozart and the Jommelli settings were performed side by side at the Salzburg Whitsun and Ravenna festivals under the leadership of Riccardo Muti.

88 and he was much more familiar with the territory between Mosul and Baghdad than his rival was. Mu'izz al-Dawla, on the other hand, was on less secure ground; Baghdad was in a sorry state thanks to years of mismanagement and he was hamstrung by its numerous financial and military problems.Donahue, p. 34 Nasir al-Dawla furthermore gained a pretext for war when in January 946 Mu'izz al-Dawla deposed and blinded the caliph al-Mustakfi and replaced him with the more obedient al-Muti'.

After a trip to the hospital, Jeremiah's grandmother (Ornella Muti) takes him to a West Virginian radical Christian cult led by his grandfather (Peter Fonda). After he has been three years with the cult, Sarah returns to reclaim the 11-year-old Jeremiah (Dylan and Cole Sprouse). Sarah's current lover, Kenny (Matt Schulze), a truck driver, eventually abandons them at a truck stop while Sarah is soliciting. Sarah realizes that if she is going to keep her men she cannot say Jeremiah is her son.

Various forest mammals and birds feed on the fruit while on the tree, or after they are dropped, while the bark and foliage are browsed by Black rhino. The fine- grained wood has been used for furniture, planks and fence posts, but is not considered very durable. The ground up bark, though somewhat poisonous, is used as "red" muti (Zulu: uMuthi-embomvu). The sticky milky sap has been used a glue, for instance to fix assegai blades to their handles, or as a depilatory.

De Rossi's involvement with building and/or renovating these palaces makes it is possible that either one or both of these palaces were sometimes referred to as the "Palazzo di Rossi". If that is the case, Dillon might have lived in either the Palazzo Astalli or the Palazzo Muti-Bussi. (2) There is a palazzo usually referred to as the Palazzo Cavalletti (Piazza di Campitelli 1) but variously also as the "Palazzo de Rossi-Cavalletti" or the "Palazzo Cavalletti-de Rossi", in the Piazza di Campitelli.

On 17 June 1602, Simone Lunadori was appointed during the papacy of Pope Clement VIII as Bishop of Nocera de' Pagani. On 11 August 1602, he was consecrated bishop by Camillo Borghese, Cardinal-Priest of San Crisogono, with Guglielmo Bastoni, Bishop of Pavia, and Valeriano Muti, Bishop of Bitetto, serving as co-consecrators. He served as Bishop of Nocera de' Pagani until his death in 1610. While bishop, he was the principal co- consecrator of Louis de Salignac de La Mothe-Fénelon, Bishop of Sarlat (1603).

Muti Orellana Felipe is a Senegalese origin 22-year-old baker from Seville who works in the family business. His family describes him as a good guy but somehow a bit lazy. He entered the house on Day One as an "invisible" housemate; neither the fellow housemates nor the audience saw his image and did not know where he really was physically. There was a point in the house where he could talk to the rest of the housemates and listen to their conversations.

As a soloist, chamber and orchestral musician she has worked with conductors such as Jürg Wyttenbach, Gregory Charette, Edo Mičić, Matthias Kuhn, Toshio Yanagisawa, Robert Ames, Uroš Lajovic, Riccardo Muti, Ognjen Bomoštar, Mikica Jevtić, Andrija Pavlić, Miroslav Homen, etc. As a soloist she performed with Sarajevo Philharmonic Orchestra and String Orchestra MAS and as a chamber musician, she performed with ensembles such as SONEMUS, Studio 6, AMAS, 2K+, Impro Ensemble MAS, Belgrade Flute Quartet, Trio Hadžajlić/Strotter Inst./Christoph Erb, Duo X O, etc.

He also conducted 32 complete Richard Wagner Ring des Nibelungen cycles and is credited with nearly 1200 opera performances in the city alone. In 1966, Eugene Ormandy, the music director of the Philadelphia Orchestra from 1936 to 1980, had invited Sawallisch to visit him. Sawallisch subsequently made several recordings there, and in 1993 succeeded Riccardo Muti as music director of the Philadelphia Orchestra, where he remained until 2003. From 2003 until his death in 2013, he held the title of Conductor Laureate with the orchestra.

When the Buwayhids under Mu'izz al-Dawla entered Baghdad in 945, al-Muti came forth from his retirement and established himself at the new court. But even he, after he became caliph, was no longer allowed a voice in nominating the vizier by the Buwayhid amirs who dominated Iraq. The caliphal office was shorn of every token of respect and dignity. Shi'a observances were set up, such as public mourning on the anniversary of Husayn's death, and rejoicing of the Prophet's testimony in Ali's favor.

These healers use a combination of ancestral spiritual beliefs and a belief in the spiritual and medicinal properties of local fauna and flora, commonly known as muti, to facilitate healing in clients. Many peoples have syncretic religious practices combining Christian and indigenous influences. Nederduits Gereformeerde Kerk in Wolmaransstad South African Muslims comprise mainly of those who are described as Coloureds and those who are described as Indians. They have been joined by black or white South African converts as well as others from other parts of Africa.

In 2020, The Jim Brickman Show is now producing a new platform with a robust following: " The Brickman Bedtime Story". It focuses on inspirational stories, happy thoughts, and lifestyle tips for the end of a long stressful day. The robust Muti-platform digital TV Podcast airs at 10PM eastern every week. Brickman, who has over 7 million weekly streams on Pandora, and 300K on Spotify has built a huge audience of fans who are looking to feel good messages in a time of need.

She has worked with major conductors of our time, including Eugene Ormandy, Riccardo Muti, Stanislaw Skrowaczewski and Leonard Slatkin."Distinguished Graduates" (Phil. H.S. for Girls website) The final composition of Argentine composer Alberto Ginastera, Piano Sonata No. 3, was dedicated to Nissman; its first performance was given at Alice Tully Hall, Lincoln Center in 1982. Nissman uncovered the manuscript of Ginastera's Concierto Argentino in the Fleisher Collection of the Free Library of Philadelphia and reintroduced the piece in 2011 with the blessings of the composer’s estate.

Andreas Scholl and members of the Baroque orchestra Accademia Bizantina in concert at the church of Hallgarten Artists have included Anne-Sophie Mutter, Alfred Brendel, Mstislav Rostropovitch, the Alban Berg Quartet, Zubin Mehta, and Riccardo Muti. Dietrich Fischer-Dieskau has appeared as a recitator, and Giora Feidman and Bobby McFerrin included their audience in their performance. In 2001, Dave Brubeck and his quartet appeared with the Jacques Loussier Trio. Chick Corea visited in 2009 and jammed with Roy Haynes, whose band had opened the concert.

In subsequent seasons, Perry was featured in most of the continent's major opera houses (including La Scala, 1978), as well as most of its famed festivals, including those of Salzburg, Glyndebourne, Aix-en-Provence, and Bregenz. A particular favorite of Herbert von Karajan, she also sang under Carlos Kleiber, Karl Böhm, Riccardo Muti, Daniel Barenboim, Nikolaus Harnoncourt, Mstislav Rostropovich, Rafael Kubelík, James Levine and Wolfgang Sawallisch, as well as the stage directors Jean-Pierre Ponnelle and Giorgio Strehler.Janet Perry official website, janetperry.com; accessed September 6, 2015.

A notable recording of this requiem was made under the baton of Arturo Toscanini, with the NBC Symphony Orchestra and Robert Shaw Chorale. Also included in the compilation is the Te Deum from Verdi's Quattro pezzi sacri. A recording of the Requiem in C Minor with the Ambrosian Singers and the Philharmonia Orchestra conducted by Riccardo Muti was made in 1982 and released by EMI. The later requiem in D minor was recorded by the same choir, orchestra and conductor, and released by EMI in 1987.

Vushmgir, who was an ally of the Samanids, had been pleased when Abu 'Ali had gone to war against the Buyids, but was angered when Abu 'Ali made peace with the Buyids of Ray. His complaint, which consisted of accusations that Abu 'Ali was conspiring with the Buyids, resulted in Nuh's decision to remove him. Abu 'Ali then fled to the Buyids, and received a grant from the Caliph Al-Muti for control of Khurasan. Nuh's death in 954 prevented him from solving this problem.

After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro della Pergola. A new opera house, the Teatro dell'Opera di Firenze, was inaugurated in 2011 and permanently replaced the former Teatro Comunale in 2014. Former musical directors were Vittorio Gui (1928-1936), Mario Rossi (1937-1946), Bruno Bartoletti (1957-1964), and Riccardo Muti (1969-1981). Zubin Mehta became principal conductor in 1985, and now has the title of honorary conductor for life.

After the armistice of 8 September 1943 he was recalled to serve the newborn Italian Social Republic and, in the Voluntary Military Forces of National Security, he was in charge of the railway control at the side of the carabinieri in Vaiano, his country of birth. In January 1944 Magni's battalion, together with carabinieri, men of the Muti Legion and the Carita' Band, was involved in a violent confrontation with the local partisans, giving rise to the Battle of Valibona, with deaths on both sides.

The first and second award ceremony of the Birgit Nilsson Prize took place at the Royal Swedish Opera in Stockholm. On the very stage where Birgit Nilsson made her debut, King Carl XVI Gustaf of Sweden presented the Prize personally to star tenor, conductor and opera house director Plácido Domingo as well as to Maestro Riccardo Muti, the 2011 Prize laureate. The Birgit Nilsson Prize for 2014 was awarded to the Vienna Philharmonic Orchestra at the Concert Hall in Stockholm on October 8, 2014.

Under the baton of Riccardo Muti he appeared in June 2004 with Orchestra Filarmonica della Scala in the Liszt's Second Piano Concerto and, in 2008, still conducted by Muti, he was soloist in the symphonic production of Lélio ou Le Retour à la Vie op. 14b by Berlioz together with Gérard Depardieu, the Orchestra Luigi Cherubini, Orchestra Giovanile Italiana, Konzertvereinigung Wiener Staatsopernchor. Recitals of the recent seasons include the following events: Carnegie Hall in New York, Grosser Musikvereinsaal in Vienna, Konzerthaus in Berlin, Prinzregententheater in Münich, Rheingoldhalle in Mainz, New Congress-Hall in Innsbruck, International Performing Arts Centre in Moscow, Great Hall of the Philharmonic in St. Petersburg, Colon and Coliseo Theatres in Buenos Aires, London, Brussels, Frankfurt, Istanbul, Beirut, Santiago in Chile, Montevideo, Dubai, Kuwait City, Manama. In Italy: Milan (Teatro alla Scala, Auditorium La Verdi), Rome (Quirinale, Auditorium del Parco della Musica, Teatro dell’Opera, Auditorium di Via della Conciliazione, Teatro Sistina), Neaple (Teatro San Carlo, Teatro Augusteo, Politeama), Venice (Teatro La Fenice), Trieste (Teatro Verdi), Verona (Arena), Bologna (Teatro Comunale), Florence (Teatro Comunale, Teatro della Pergola), Turin (Teatro Regio, Auditorium RAI), Bari (Teatro Petruzzelli), Genoa (Teatro Carlo Felice), Palermo (Politeama).

Conveying clear messages of solidarity, Giuseppe Saragat, then president of Italy, sent the couple a gift on their wedding day, and soon afterwards, Pope Paul VI granted them a private audience. A 1970 film, La moglie più bella (The Most Beautiful Wife) by Damiano Damiani and starring Ornella Muti, is based on the case. Viola never capitalised on her fame and status as a feminist icon, preferring to live a quiet life in Alcamo with her family. The law allowing "rehabilitating marriages" to protect rapists from criminal proceedings was abolished in 1981.

An employee of Lentera Merah, the campus newspaper of the University of Indonesia, is found dead in the office with the number 65 written in blood by his body. In the meantime, five students compete for a position at the publication: Risa Priliyanti (Laudya Cynthia Bella), Riki (Tesadesrada Ryza), Lia (Beauty Oehmke), Muti (Auxilia Paramitha) and Yoga (Zainal Arifin). As part of their entrance test, they must cover supposedly haunted portions of the university campus. Another Lentera Merah staff member, Wulan (Firrina Sinatrya) is found hanged in the library.

Amery continued to broadcast and write propaganda in Berlin until late 1944 when he travelled to Northern Italy to lend support to Italian dictator Benito Mussolini's Salò Republic. On 25 April 1945, Amery was captured along with his French mistress Michelle Thomas by Italian partisans from the Garibaldi Brigade near Como. Amery and Thomas were initially set for execution, but both of them were eventually sent to Milan, where they were handed over to Allied authorities. Amery was wearing the uniform of the "Muti Legion", a fascist paramilitary organisation.

After the end of his relationship with his partner Jutta Lampe in 1985, Stein left the Schaubühne. Stein has also directed operas, such as Rheingold in Paris 1976 (conducted by Georg Solti), Otello for the Welsh National Opera in 1987, or Moses und Aron for the Salzburg Festival 1996 (conducted by Pierre Boulez). In 2011, Stein directed a new production of Verdi's Macbeth for the Salzburg Festival, with Riccardo Muti conducting, and in 2013 he directed Verdi's Don Carlos in Salzburg. He was awarded the Europe Theatre Prize in 2008.

Ciani also played with the young Riccardo Muti Beethoven's Choral Fantasy at La Scala and the Second Piano Concerto by Bartók at Milan RAI. His repertoire was broad and diverse for a pianist of his age. It encompassed the complete sonatas of Beethoven, works by Weber (he was the first to record the complete sonatas, in 1967), Schubert, Schumann, Chopin, Debussy and Bartók. His recordings for Deutsche Grammophon of the complete Debussy Préludes (1972), Schumann's Novellettes (1968) and Weber's second and third piano sonatas (1970) are particularly renowned and belong to the pianistic heritage.

On January 27, 1949 Felice Ghisalberti was murdered, a former member of the "Muti" Legion, who had taken part in many anti-partisan roundups and was now accused by the Volante Rossa of killing Eugenio Curiel.Massimiliano Griner, La pupilla del Duce, Edizioni Bollati Boringhieri, Torino, 2004, pag. 207 In fact, Ghisalberti had been tried and declared not guilty for this accusation on June 4, 1947. Later, a Volante Rossa member who found work in Ghisalberti's father's workshop justified the murder by alleging that Ghisalberti had often boasted publicly about killing partisans.

Since her debut at the Vienna State Opera in 1990, she has appeared in the other theatres of Europe and of the world, including: Berlin State Opera, Royal Opera House in London, La Scala in Milan (1993), Rossini Opera Festival in Pesaro (1996), Salzburg Festival, in Tokyo. She has worked with the conductors Roberto Abbado, Bruno Campanella, Nikolaus Harnoncourt, Zubin Mehta, and Riccardo Muti. Mei's discography includes Don Pasquale, I Capuleti e i Montecchi, Norma, Tancredi, arias by Bellini, Donizetti and Rossini, Beethoven's Missa solemnis, Handel's cantatas, and Pergolesi's Stabat Mater.

She has given recitals with her regular accompanist Marita Viitasalo all over the world, including in New York, Washington, D.C., Fort Lauderdale, Vienna, London, Paris, Amsterdam, Berlin, Munich, Rome, Athens, Moscow, St. Petersburg, and Tokyo. Isokoski has appeared with many renowned conductors including Claudio Abbado, Vladimir Ashkenazy, Daniel Barenboim, James Conlon, Andrew Davis, Colin Davis, John Eliot Gardiner, Daniele Gatti, Valery Gergiev, Bernard Haitink, Marek Janowski, Neeme Järvi, Okko Kamu, James Levine, Zubin Mehta, Yehudi Menuhin, Riccardo Muti, Sakari Oramo, Seiji Ozawa, Simon Rattle, Esa-Pekka Salonen, Jukka-Pekka Saraste, Leif Segerstam, and Osmo Vänskä.

He married a daughter of 'Adud al-Dawla, the eldest son of Rukn al-Dawla, and in 971 the Caliph al-Muti, who was a Buyid puppet, confirmed upon Bisutun the title of Zahir al-Dawla. Bisutun also paid attention to his western border. He released the Alid al-Hasan al-Tha'ir, who his father had imprisoned, and gave him money so that he could dislodge the ruler of the coastal town of Hausam (located in Gilan), Abu Muhammad al-Nasir. Al-Hasan al-Tha'ir, however, was defeated and killed by Abu Muhammad.

He is a former Seiji Ozawa Fellow in conducting at Tanglewood Music Center. In 1997, Harding was the Music Director of the Ojai Music Festival alongside pianist Emanuel Ax. Harding has been music director of the Trondheim Symphony Orchestra (1997–2000), the Deutsche Kammerphilharmonie Bremen (1999–2003) and the Mahler Chamber Orchestra (2003–2008). Harding now has the title of conductor laureate with the Mahler Chamber Orchestra. He conducted the 2005 opening night at La Scala, Milan in Idomeneo, as a substitute after the resignation of Riccardo Muti earlier in 2005.

Mercy Manci was born in Pondoland, the firstborn of a nine children, in the small village of Hlwahlwazi. At birth she was covered with a white substance, which her mother called a "net", which indicated that she was a special child. She was raised by her grandmother, because her mother was a domestic worker in Durban; her grandmother was a traditional healer and as a child Mercy would help her prepare muti. When she was teenager, she was "grabbed" by another family to marry one of their sons, in order to avoid lengthy lobola negotiations.

Although the original libretto is in German, only Italian-language versions of the opera have hitherto been recorded and filmed. The opera was mounted at the Maggio Musicale Fiorentino in 1954 (in Italian) under Vittorio Gui, and again in 1974 with Leyla Gencer in the title role and Riccardo Muti conducting. For the first time since the 19th century the opera was heard in its original German (and with a recently unearthed overture) at Erfurt in June 2018 with Claudia Sorokina as Agnes and conducted by Zoi Tsokanou.Solare, Carlos Maria.

However, the narrow street makes an architectural appreciation impossible. The palazzo acquired its long and religious name "Palazzo Muti e Santuario della Madonna dell' Archetto" following an event in 1796 when a sacred image of Madonna in a niche in the narrow alley to the rear of the Palazzo was said to have moved her eyes, another version says she was weeping because the Papal States were being invaded by France.Roma Segreta This phenomenon was acknowledged by a papal decree in 1797. Thereafter the statue became known as "Madonna dell'Archetto".

The North Las Vegas Fire Department is the agency that provides fire protection and emergency medical services for the city of North Las Vegas, Nevada. All 911 calls go through the muti-agency Fire Alarm Office (FAO) located at the Las Vegas Fire & Rescue Department Headquarters. The Fire Alarm Office serves as dispatch for the NLVFD as well as the Clark County Fire Department and the Las Vegas Fire & Rescue Department. The use of Computer- aided dispatch allows for the determination of the nearest unit, even if that unit is from a neighboring department.

2008 saw the release of "Creator", his crossover hit collaboration with Santigold, producer Switch and New York City lyricist Santogold, and the Fabric Live 42 mix CD, which was picked as DJ Magazine's compilation of the month. In early 2011 he released "Dread at the Controls" under California label Muti Music, which subsequently launched the seventeen-city "Monsters of Bass" tour. In that following December, FreQ's "Low FreQuency Pureland EP" was released, earning DJ Magazine's selection as the MoneyShot release for December, receiving a 10 out of 10 rating.

In December 1785, she enlisted the help of Henry Stuart to get Charles back to the Palazzo Muti in Rome. There, Charlotte remained her father's carer and companion and did her best to make his life bearable until he died of a stroke two years later (31 January 1788). Her sacrifice for him was considerable—she was torn between an evident affection for her father and her mother and three children left behind in Paris. Charlotte survived her father by only twenty-two months and never saw her children again.

In 1975, at age 17, Bayard appeared as a musician in the notable Coca-Cola commercial "Look Up America." In 1976, Bayard attended the Curtis Institute of Music in Philadelphia on full scholarship. At Curtis, Bayard performed percussion and timpani under conductors Riccardo Muti, Claudio Abbado, Leonard Slatkin, Paul Paray, Klaus Tennstedt, Yuri Temirkanov, and Dmitri Kitayenko. At Curtis in 1977, Bayard was artifact consultant on the Leopold Stokowski Musical Instrument and Orchestral Score Collection, which included a collection of exotic and unusual musical instruments acquired by Stokowski during his world travels.

The Italian airplanes started their flight from Europe, attacked refineries in Asia and landed back in Africa (Italian Eritrea). During the attack were dropped 132 bombs of 15 kg, that heavily damaged 2 refineries The raid caused the Allies some concerns, forcing them to upgrade their defences. This, more than the limited amount of damage caused, further stretched Allied military resources. Ettore Muti Rome declared that their bombers had set a new distance record, covering 3,000 miles on the outgoing trip from bases located in the island of Rhodes.

El sello RTVE-Música edita el CD "Festival Internacional de Santander. Volumen 8", RTVE, February 1, 2006 Amongst the many distinguished conductors, musicians and singers who have appeared at the Festival Internacional de Santander over the years are: Zubin Mehta, Sir Georg Solti, Riccardo Muti, Arthur Rubinstein, Alicia de Larrocha, Daniel Barenboim, Diletta Rizzo Marin, Montserrat Caballé, Teresa Berganza, Samuel Ramey, Juan Diego Flórez, Mirella Freni, José Carreras, and Plácido Domingo, who made his Kirov Opera debut in the title role of Otello when the company performed at the festival in 1992.

During his residence in the United States he was given a grant to do research on Muzio Clementi, producing a definitive edition of the Clementi Symphonies. Continuing in his research, he published and recorded many unedited keyboard compositions by Paisiello, Donizetti, Field and others. Spada, together with Massimo Boccaccini, founded Boccacini & Spada Editori through which he has issued a huge volume of hitherto unpublished compositions of great Classic composers. Prominent soloists and conductors who have presented many of Spada’s editions include Abbado, Chailly, Ferro, Gavazzeni, Gazzelloni, Muti, Pavarotti, Rampal and Schippers.

'Abd al-Wahhab was born in Baghdad in 973 CE (362 AH) when Abbasid control was largely confined to a titular and spiritual role under al-Muti. The Shiite Buwaihids of the Buyid Dynasty largely dominated the political and military arena. Despite this, he studied under some of the most prominent Sunni Maliki scholars of Baghdad, most notably the Iraqi jurists Al-Abhari and Ibn al-Jallab as well as the Ash'ari theologian al-Baqillani. During the latter part of his life, he lived in poverty in Baghdad, and eventually left his hometown.

She performed the part first on stage at the Nürnberg Opera in 2012, conducted by Marcus Bosch. She appeared as the Marschallin in Der Rosenkavalier by Strauss. In concert, she has performed solo parts in Mahler's symphonies and in works by Beethoven, Brahms and Berg, at the Vienna Musikvereinssaal, the Festspielhaus Baden-Baden, at the Salzburg Festival, Berliner Philharmonie, the Dresdner Musikfestspiele and for the pope in Rome. She has collaborated with conductors Claudio Abbado, Riccardo Chailly, Myung- whun Chung, Christoph Eschenbach, Lorin Maazel, Zubin Mehta, Riccardo Muti, Kent Nagano, Simon Rattle, and Giuseppe Sinopoli.

She recorded La Traviata with Pavarotti in Dublin in 1964. In 1977 she had a triumph singing Amenaide in Rossini's Tancredi opposite Horne at Teatro dell'Opera in Rome. The night was broadcast by RAI TV. In 1978, Rinaldi appeared as Adalgisa in a production of Bellini's Norma at the Teatro Comunale in Florence. Conducted by Riccardo Muti and starring Renata Scotto in the title role, these performances offered the Florentine public a rare chance to hear a lyric soprano as the younger, more vulnerable character of Adalgisa, according to the composer's intention.

She also performed there as Lisa in Lehar's Das Land des Lächelns. She appeared as Papagena in Zauberflöte, conducted by Claudio Abbado, in Ferrara, Baden-Baden and Modena. She appeared as Susanna in Figaro in Verona, Reggio Emilia and Paris, and as Celia in Mozart's Lucio Silla conducted by Tomáš Netopil at La Fenice in Venice and at the 2006 Salzburg Festival. She also appeared as Cupid in Gluck's Orfeo ed Euridice, conducted by Riccardo Muti in Florence, and as Eurydice in the same work, conducted by Thomas Hengelbrock in Paris.

Ariel Zuckermann began his musical career as flautist. A student of Paul Meisen and András Adorján, he also took master courses with Alain Marion and Aurèle Nicolet. Winner of a number of renowned international competitions, he played under conductors such as Lorin Maazel, Daniel Barenboim, Zubin Mehta and Riccardo Muti in orchestras such as the Symphony Orchestra of the Bavarian Radio, Munich Philharmonic, Israel Philharmonic Orchestra and Bavarian State Opera. Since 2002 he has been soloist of Kolsimcha - The World Quintet, an ensemble which has recorded extensively and performs worldwide.

Leonard Zhakata used to sneak from home and play music with his primary school mates. Then at Shiri Yedenga School in Glen Norah, Harare, at the age of thirteen, he had his first music composition "Baba vaSamson". Pursuing school and later serving for an apprenticeship, it took Leonard sometime before he could record. After, the frustration of being turned down by recording companies, he had his lucky break and recorded his first 12-inch entitled "Moyo muti" sometime in 1989, to be followed by an album "Yarira Mhere"in 1990.

Rivelli is the eldest daughter of actress Ornella Muti. For many years she believed Spanish film producer José Luis Bermúdez de Castro was her father, but following a DNA test requested by him, the two found they were not related; her mother later declared that she did not know the identity of Naike's father. In 1996, Rivelli gave birth to Akash, the result of a brief relationship. In 2002 Rivelli married the German actor Manou Lubowski; the marriage lasted nine months and, after the separation, they divorced in 2008.

Ispahdost () or Isfahdust (), was a Daylamite military officer who served the Buyid dynasty. He first appears as an officer of the Buyid ruler Mu'izz al- Dawla during his conquest of Abbasid Iraq in 945. Furthermore, Ispahdost is later mentioned as the brother-in-law of Mu'izz al-Dawla, and one year later, participated in the defense of Baghdad against the Hamdanids. In 948, Ispahdost, along with the Abbasid caliph al-Muti, planned a plot against Mu'izz al-Dawla, which, however, Mu'izz al-Dawla became informed of, and had Ispahdost imprisoned, who soon died.

Born in Saint-Romans-lès-Melle (Deux-Sèvres), Joulain was Premier French horn super-soloist of the Orchestre philharmonique de Radio France under the direction of Marek Janowski. From the age of 20, Joulain played under the direction of Leonard Bernstein, Zubin Mehta, Daniel Barenboim, Pierre Boulez, Lorin Maazel, Armin Jordan, Seiji Ozawa, Riccardo Muti, Carlo Maria Giulini. Ten years later, he was promoted to the same position at the Orchestre national de France conducted by Charles Dutoit. Today, he has joined Lorin Maazel as first horn at the Filarmonica ToscaniniFilarmonica Toscanini website in Parme.

Apart from his work at Milan's Teatro alla Scala, where he was music director for 19 years, Muti has led operatic performances with the Philadelphia Orchestra and productions in the principal opera houses of Rome (from 1969), Ravenna, Vienna, London (from 1977), Munich (from 1979), and, finally, in 2010, New York. His work with the Vienna State Opera has included Aida in 1973, La forza del destino in 1974, Norma in 1977, Rigoletto in 1983, Così fan tutte in 1996 and 2008, Don Giovanni in 1999, and The Marriage of Figaro in 2001.

In July 2015, Riccardo Muti's desire to devote even more to the training of young musicians was realised: the first edition of the Riccardo Muti Italian Opera Academy for young conductors, répétiteurs and singers took place with great acclaim at Teatro Alighieri in Ravenna and talented young musicians, as well as an audience of music-lovers from around the world participated. The Academy has as purpose to pass on to young musicians Riccardo Muti's experience and lessons and to make the audience understand in its full complexity the path to accomplish an opera production.

Phaethon is a symphonic poem by the American composer Christopher Rouse. The work was commissioned in celebration of the United States Bicentennial by the Philadelphia Orchestra with contributions from Johnson & Higgins. It was completed on February 22, 1986 and was given its world premiere at the Academy of Music in Philadelphia by the Philadelphia Orchestra under the direction of Riccardo Muti on January 8, 1987. It is dedicated in memory of the crew of the Space Shuttle Challenger, which broke apart on the morning of January 28, 1986 while Rouse was composing the piece.

On 21 June 2010, Ljubljana celebrated Carlos Kleiber's 80th birthday with a concert by the Vienna Philharmonic directed by Kleiber's friend Riccardo Muti. BBC Music Magazine announced on 17 March 2011 that Kleiber had been selected as "the greatest conductor of all time." Some 100 current conductors, including Sir Colin Davis, Gustavo Dudamel, Valery Gergiev and Mariss Jansons, participated in the BBC poll. Kleiber, who conducted just 96 concerts and around 400 operatic performances in his 74 years, was voted ahead of Leonard Bernstein and Claudio Abbado, who took second and third places respectively.

On 5 July 1599, Valeriano Muti was appointed during the papacy of Pope Clement VIII as Bishop of Bitetto. On 18 July 1599, he was consecrated bishop by Camillo Borghese, Cardinal-Priest of Santi Giovanni e Paolo, with Giovanni Camerota, Bishop of Bova, and Leonardus Roselli, Bishop of Vulturara e Montecorvino, serving as co-consecrators. On 15 November 1602, he was appointed during the papacy of Pope Clement VIII as Bishop of Città di Castello. On 12 January 1609, he was appointed during the papacy of Pope Paul V as Apostolic Nuncio to Naples.

It was translated into English by Gregory Rabassa and Edith Grossman. The book was adapted for the big screen in the Spanish language film: Chronicle of a Death Foretold (1987), an Italian-French-Colombian co- production, directed by Francesco Rosi, starring Ornella Muti, Rupert Everett and Anthony Delon. In 1990, Li Shaohong adapted the book into the Golden Montgolfiere-winning Chinese film Bloody Morning, which centers on Chinese rural society. In 1995, Graciela Daniele adapted it into the Tony Award- nominated Broadway musical titling Chronicle of a Death Foretold, which she also directed and choreographed.

The Pope provided them with a papal guard of troops and gave them the Palazzo Muti in the Piazza dei Santi Apostoli in Rome to live in, as well as a country villa at Albano. The Catholic Church also provided them with an annual allowance of 12,000 crowns out of the papal treasury. Popes Clement XI and Innocent XIII considered James and Maria Clementina, both Catholics, the rightful king and queen of England, Scotland and Ireland. Memorial in St. Peter's, Rome The married life of James and Maria Clementina proved turbulent and unhappy.

In April 1726, James granted her sons permission to visit her. The whole affair was seen as a scandal in Europe and reported about by anti-Jacobite agents in Rome. In May 1727, through the mediation of the duke of Liria, James removed the Hay couple from his court, and in January 1728, Maria Clementina and James reconciled in Bologna. In practice, however, Maria Clementina and James lived the rest of their marriage separated: James preferred to reside in Albano, while Maria Clementina lived in the Palazzo Muti in Rome.

A traveler drives up in his car a beautiful girl (Ornella Muti) who is doing hitchhiking. While trying to woo her, the man reads the newspaper, and analyzes the news of a group of girls who escaped from the reformatory attacking a bank. The man thinks that the female traveler on board may be one of the escaped; the girl threatens him. But she has no intention of threatening the man because she is a criminal, but because the man has shamelessly courted her for the whole trip.

Schlöndorff's first English language film was Swann in Love (1984), an adaptation of the first two volumes of Marcel Proust's In Search of Lost Time. The film was shot in France and financed by Gaumont, and stars Jeremy Irons, Ornella Muti, Alain Delon and Fanny Ardant. Schlöndorff then went to the United States to make a TV adaptation of Arthur Miller's Death of a Salesman, starring Dustin Hoffman as Willy Loman and John Malkovich as Biff. Both actors won Emmys for their performances and Schlöndorff was nominated for an Emmy for his direction.

Distinguished Strauss interpreters include Willi Boskovsky,"Willi Boskovsky, 81, Waltz Violinist, Dies", The New York Times, 24 April 1991. who carried on the ' tradition of conducting with violin in hand, as was the Strauss family custom, as well as Herbert von Karajan, Carlos Kleiber, Lorin Maazel, Zubin Mehta and Riccardo Muti. In addition, the Wiener Johann Strauss Orchester, which was formed in 1966, pays tribute to the touring orchestras which once made the Strauss family so famous.Vienna Johann Strauß Orchestra In 1987 Dutch violinist and conductor André Rieu also created a Johann Strauss Orchestra.

Orchestra Hall at the Symphony Center in Chicago awaiting Ricardo Muti on the opening evening of the 2017–18 season. Sub-optimal acoustics within Orchestra Hall have been an ongoing concern throughout its history, and have been adjusted in major overhauls of the main hall in both the 1960s and as part of the Symphony Center transformation between 1995 and 1997.Chicago Symphony Center Project Overview. Critical reaction is that the 1995-97 acoustical revamp was largely successful, though with room for further improvement, particularly in the upper registers.

Fleischer studied with Leonard Bernstein as a conducting fellow at Tanglewood in 1989. He served as the Assistant Conductor of the American Symphony Orchestra from 1986 to 1989. While working toward his Master of Music degree at the Indiana University School of Music, he served as chorus master of the Indiana University Opera Theater program from 1983 to 1985. Fleischer received his Bachelor of Music Education from the Oberlin Conservatory of Music and studied conducting privately with Otto-Werner Mueller and in Master classes with Seiji Ozawa, Ricardo Muti, Gustav Meier, and others.

The Accademia Filarmonica Romana is a musical institution based in Rome, Italy. It was established in 1821 by a group of upper class amateur musicians led by the Marquis Raffaele Muti Papazzurri (1801–1858) in order to encourage the performance of chamber music and symphony, and to perform in concert operas whose representation was hampered by censorship. Via Flaminia - Accaademia Filarmonica romana In 1824 it became an official institution of the Papal States with the aim of "training students to the exercise of the vocal and instrumental music."Gaetano Moroni.

He worked on murals and decorated the Chapel of the Virgin at the church of San Luigi dei Francesi in Rome in 1631. He had competed with Nicolas Poussin and Giovanni Lanfranco for the job of decorating this chapel. During the early part of his career, Mellin collaborated with, and was influenced by, Simon Vouet, but Vouet’s influence diminished after Vouet left Italy for Paris. He is also said to have been influenced by Domenichino. After Vouet’s departure, he worked for the Muti Papazzurri family as official painter.

He regularly performs with orchestras such as the Berlin Philharmonic Orchestra (Riccardo Muti, Mariss Jansons), London Symphony Orchestra (Claudio Abbado, André Previn), BBC Symphony Orchestra (Andrew Davis), Amsterdam Royal Concertgebouw Orchestra (Semyon Bychkov, Herbert Blomstedt), Vienna Symphony Orchestra, in Warsaw, the Czech Philharmonic (Gerd Albrecht), the Moscow and the Saint Petersburg Philharmonic Orchestra (Yuri Temirkanov), the Israel Philharmonic, Orchestre de la Suisse Romande (Neeme Järvi), the Bayerische Rundfunk Orchestra, New York Philharmonic Orchestra (Kurt Sanderling), in Washington with the National Symphony Orchestra and Mstislav Rostropovitch, in Buenos Aires, with the NHK Symphony Orchestra in Tokyo.

Born in Rome, at young age Mondello attended a theater workshop under the stage director Candido Coppetelli and studied singing and classical and modern dance. After entering the Miss Italia selections in 1992, the same year she was cast in the variety shows Bulli e pupe and Non è la Rai. She made her acting debut in 1993, in the film Estasi, alongside Ornella Muti. The notoriety came in 1995 with the TV-series La piovra, , which was immediately followed by the successful action film Palermo-Milan One Way by Claudio Fragasso.

After 8 years of studies, initially as a choir vocalist, he left his voice teacher and enrolled at Carlo Bergonzi's voice academy in Busseto. He debuted in Un ballo in maschera in Parma in 1998, in a performance for Bergonzi's students. His success led to a contract as cover in Ballo, Rigoletto and Aida in Verona, and he ended up singing them all. Buoyed by positive audience reception, he auditioned for Riccardo Muti at La Scala, who hired the young tenor for Alvaro in a new production of La forza del destino.

Her repertoire consisted of 72 roles, including operas by Monteverdi, Gluck, Mozart, Cherubini, Spontini, Simon Mayr, Puccini, Prokofiev, Britten, Poulenc, Menotti, and Rocca, encompassing lyric, coloratura, and dramatic soprano roles. Starting in 1982, she dedicated herself to teaching young opera singers. She worked as didactic art director of As.Li.Co. of Milan between 1983–88, and was appointed by Maestro Riccardo Muti to run La Scala's School for Young Artists in 1997-1998. As artistic director of the academy for opera artists in Teatro alla Scala, she specialized in teaching operatic interpretation.

Fernando de la Mora (born 1958) is a Mexican operatic tenor. He began his music education in the National Conservatory of Mexico and studied with Leticia Velázquez and Rosa Rimoch. He made his debut in Jalapa with Madama Butterfly in 1986, later in the Metropolitan Opera House in New York, San Francisco, Los Angeles, Houston, Miami, San Diego, La Scala in Milan, Vienna State Opera, Opéra Bastille of Paris, Covent Garden of London and many others. He has worked with conductors like Zubin Mehta, Riccardo Muti, Lorin Maazel, Charles Mackerras, Eduardo Mata, and Richard Bonynge.

He later would collaborate with a book by the archeologist Edward Dodwell, published in London. In 1850 he built the neoclassical domed Church of the Madonna dell’Archetto around the shrine of the Madonna in Palazzo Muti. He worked for a time as papal architect, and his works in Rome include the completion, restoration and rebuilding of the external facade of Porta Pia (1868) and the restoration of Santa Maria Maggiore and San Lorenzo fuori le mura. He was also one of many participants in the reconstruction of the Basilica of San Paolo, and rebuilt and decorated Porta San Pancrazio (1857) and (1873).

The footage was broadcast on 17 August 2009. In 2010, during Daniela Lumbroso's "Chabada" show, Frédéric François was surrounded by Salvatore Adamo and the tenor Roberto Alagna. None of the three singers stuck to the initial programme (they were to pay homage to Polnareff, Brassens and Luis Mariano respectively), and together, they created a "Sicilian" ambiance on stage, bringing their childhood memories musically back to life. In 2011, during a special "Vivement Dimanche" [Ever on Sunday] show devoted to Italy, Michel Drucker invited Frédéric François, who joined Ornella Muti, Arturo Brachetti and "Les Prêtres" [The Priests] on stage.

Willi's works were performed in Carnegie Hall in New York City, Tokyo, the Royal Albert Hall in London, and at the Philharmonie Berlin, among others. They were played by the Berlin Philharmonic, Wiener Philharmoniker, Cleveland Orchestra, Philadelphia Orchestra, Pittsburgh Symphony Orchestra and New Japan Philharmonic, conducted by Claudio Abbado, Gustavo Dudamel, Manfred Honeck, Riccardo Muti and Seiji Ozawa. His works were recorded: the WERGO label published orchestral works including Eirene, Räume, Rondino after his opera Schlafes Bruder, geraume Zeit and Begegnung, and the Japanese label Camerata Tokyo released a CD with chamber music from 1984 to 2005.

Mundu (kaundu) meaning medicine rubbed on the body to make it impervious to bullets. Name of the first Mbunda Chief who migrated to Bulozi in the 16th century. 108\. Mundthzimba meaning an ignorant person. 109\. Mununga meaning a person who joins things together. 110\. Muthando (Musando) meaning millet. 111\. Muthangu (Musangu) meaning a resurrected person. 112\. Muxova (Mushova) (f) meaning mixed things. 113\. Muxuwa (Mushuwa) (f) meaning a tree with little leaves, see mulemba. 114\. Muthompa (Musompa) meaning a judge. 115\. Muti (chiti) meaning tree. 116\. Muvanga meaning a kind of shrub; also means firstborn. 117\. Muwae (f) meaning beauty. 118\.

In 2006, she had performances as Despina in Così fan tutte at the Vienna State Opera, Salzburg Festival and other places. Donath performed works of Bach, Mozart, Haydn, Schumann, Wagner, Richard Strauss, and has worked and recorded under Herbert von Karajan, Karl Richter, Wolfgang Sawallisch, Rafael Kubelík, Antal Doráti, Leonard Bernstein, Georg Solti, Giuseppe Patanè, Daniel Barenboim, Nikolaus Harnoncourt, Neville Marriner, Helmuth Rilling, Colin Davis, Eugen Jochum, Riccardo Muti, Zubin Mehta, Eliahu Inbal. She was awarded in 2005 the Verdienstkreuz I. Klasse des Niedersächsischen Verdienstordens (Cross of Merit 1st Class of Lower Saxony), in 1990 the Niedersachsenpreis and made Kammersängerin of Bavaria.

Notable stage appearances include Die Frau ohne Schatten, Die Walküre and Tristan und Isolde. She has sung with many orchestras such as the Berlin Philharmonic, Boston Philharmonic, Concertgebouw Orchestra, Dresden Staatskapelle, London Philharmonic, London Symphony, Munich Philharmonic, New York Philharmonic and Vienna Philharmonic and companies such as the Bavarian State Opera, Chicago Lyric Opera, Metropolitan Opera in New York and Vienna State Opera. She has worked with Claudio Abbado, Daniel Barenboim, Bychkov, Myung-Whun Chung, Colin Davis, Christoph von Dohnányi, Bernard Haitink, Nikolaus Harnoncourt, James Levine, Lorin Maazel, Zubin Mehta, Riccardo Muti, Kent Nagano, Giuseppe Sinopoli and Wolfgang Sawallisch.

She also prepared choruses for such conductors as Abbado, Frühbeck de Burgos, Giulini, Leinsdorf, Mehta, Muti, Ormandy, Rostropovich, Rozhdestvensky, Tennstedt, and Tilson-Thomas. Brooks was a champion of contemporary music, commissioning and/or performing works by composers such as Adams, Cage, Caltabiano, Cogan, Druckman, Escot, Golijov, Earl Kim, Liang, Ligeti, Lutoslawski, Navok, Persichetti, Schuller, Sessions, Sur, Takemitsu, and Tippett. Prior to her arrival in Boston, Brooks was the Music Director of the Mendelssohn Club of Philadelphia for eleven years. With this ensemble she made a Grammy-nominated recording of choral works of Vincent Persichetti, who was a mentor and close personal friend.

The Franco Abbiati Prize () is an annual award that has been presented by the National Association of Music Critics in Italy since 1980. Named after the Italian musicologist Franco Abbiati, past winners of the award have included Claudio Abbado, Daniel Barenboim, Leonard Bernstein, Myung-whun Chung, Valery Gergiev, Carlo Maria Giulini, Sergiu Celibidache, John Eliot Gardiner, Leonidas Kavakos, Carlos Kleiber, Evgeny Kissin, Radu Lupu, Zubin Mehta, Arturo Benedetti Michelangeli, Seiji Ozawa, Wolfgang Sawallisch, Esa-Pekka Salonen, Pierre Boulez, Riccardo Muti, Maurizio Pollini, András Schiff, Grigory Sokolov, Jeffrey Tate, Arcadi Volodos, and Krystian Zimerman, among many others.

On the 3 November 2013 number of vigilante mobs totalling around 700 people attacked alleged gang members across Khutsong. Six people died in the attacks including five alleged gangsters and one sangoma believed to have been giving the gangsters muti and moral support. It is reported that the event took place as a result of high levels of violent crime and the ongoing abduction of young girls as well and the recruitment of school children into the gangs. Local community members tried to organise a meeting with the police but were unable to gain an audience with them.

Guido Gatti's founding of the periodical Il Pianoforte and then La rassegna musicale also helped to promote a broader view of music than the political and social climate allowed. Most Italians, however, preferred more traditional pieces and established standards, and only a small audience sought new styles of experimental classical music. Niccolò Paganini Italy is also the homeland of important interpreters, such as Arturo Benedetti Michelangeli, Quartetto Italiano, I Musici, Salvatore Accardo, Maurizio Pollini, Uto Ughi, Aldo Ciccolini, Severino Gazzelloni, Arturo Toscanini, Mario Brunello, Ferruccio Busoni, Claudio Abbado, Ruggero Chiesa, Bruno Canino, Carlo Maria Giulini, Oscar Ghiglia and Riccardo Muti.

Among the many conductors with whom she has worked are Carlo Maria Giulini, Riccardo Muti, Claudio Abbado, Zubin Mehta, Giuseppe Sinopoli, Wolfgang Sawallisch, Bernard Haitink, Antonio Pappano, Michael Gielen, Sylvain Cambreling, Semyon Bychkov, Seiji Ozawa, Mark Elder, Roger Norrington and Giuseppe Patanè. She also gave recitals with Geoffrey Parsons in over 20 international festivals. As an actress, Plowright has appeared as Grace Vosper in the BBC series The House of Eliott and with she played the part of Hermione Harefield in Anglia Television's The Man Who Made Husbands Jealous (1997), an adaptation of the Jilly Cooper novel of the same name.

In June, the release of Usher's Looking 4 Myself saw the second album which Axwell co-produced with the songs "Numb" and "Euphoria" with the latter receiving a remix from the entire Swedish House Mafia. In September, Swedish House Mafia released their most commercially successful song which again featured vocals from John Martin. "Don't You Worry Child" became a top 10 in many countries gaining muti-platinum awards in many also. This along with previous solo and group work from all Swedish House Mafia members featured on the trio's second and final album Until Now which was released on 22 October 2012.

Charles relented and offered to bring Charlotte to Rome (he was now resident in the Palazzo Muti – the residence of the Stuarts-in-exile), but only on condition she would leave her mother behind in France. This she loyally refused to do, and Charles, in fury, broke off all discussions. Towards the end of 1772, Clementina and Charlotte unexpectedly arrived in Rome to press their desperate cause in person. (The trip pushed Clementina further into debt.) However, the Prince reacted angrily, refusing even to see them, forcing their helpless return to France, from where Charlotte's pleading letters continued.

In 1989 Francesco d'Avalos tried to start a revival of Martucci's music by recording four CDs with major works including the two piano concertos, two symphonies, and La canzone dei ricordi. These discs were distributed by ASV Records and later by Brilliant Classics. In 2009, to mark the centenary of Martucci's death, Naxos Records released a series of CDs devoted to his orchestral music, featuring the Symphony Orchestra of Rome conducted by Francesco La Vecchia. In 2011 Riccardo Muti and the Chicago Symphony Orchestra featured Martucci's Nocturne, Op. 70, No. 1 during the orchestra's tour of Europe.

Caballé recorded extensively throughout her long career and made many notable recordings of complete operas as well as recital albums. After a number of recordings early in her career for RCA Victor Red Seal, Caballé also recorded for EMI, Decca, and Philips among other labels. She left a "vast discography" of her major roles, including Aida, conducted by Riccardo Muti, Elisabetta in Don Carlo conducted by Carlo Maria Giulini, Fiordiligi in Mozart's Così fan tutte with Colin Davis, Liù in Turandot alongside Joan Sutherland and Pavarotti, conducted by Zubin Mehta, and Salome with Erich Leinsdorf. She recorded many bel canto and Rossini roles.

Born in Linz, Lippert was a soloist with the Vienna Boys' Choir, studied music teaching at the University of Vienna and graduated with distinction. As a member of the ensemble of the Vienna State Opera he has specialised as a Mozart singer. Herbert Lippert on Operette made in Austria He has worked with Sir Georg Solti and Wolfgang Sawallisch, under whose direction numerous recordings such as Haydn's Die Schöpfung, Mozart's Don Giovanni and Wagner's Die Meistersinger von Nürnberg were made. Lippert worked several times with the conductors Nikolaus Harnoncourt, Franz Welser-Möst, Riccardo Muti and Fabio Luisi.

The choir's repertoire covers a wide range from Renaissance to contemporary music, from a cappella works to large orchestral pieces and operas. The choir has worked with famous conductors such as Claudio Abbado, Riccardo Muti and Lorin Maazel - to name only a few. Moreover, it has performed in opera productions such as Schubert's Fierrabras at the Vienna State Opera, Messiaen's Saint François d'Assise and Berio's Cronaca del luogo at the Salzburg Festival and videos of three operas of Mozart with the producer Peter Sellars. The Arnold Schoenberg Chor has had a close working relationship with Nikolaus Harnoncourt for more than 20 years.

Born in Casole d'Elsa, Siena, she studied at the Istituto Musicale Pietro Mascagni in Livorno. She subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett. She made her debut in Gino Negri’s Giovanni Sebastiano at the Teatro Comunale, Florence, and her La Scala debut in 1997 with La traviata, conducted by Riccardo Muti, and she returned to La Scala in L'elisir d'amore in 1997 and 2001. She has sung in most of the major Italian opera houses as well as the Rossini Festival in Pesaro and at the Martina Franca Festival.

Tales of Ordinary Madness (it: Storie di ordinaria follia) (fr: Contes de la folie ordinaire) is a 1981 film by Italian director Marco Ferreri. It was shot in English in the United States, featuring Ben Gazzara and Ornella Muti in the leading roles. The film's title and subject matter are based on the works and the person of US poet Charles Bukowski, including the short story The Most Beautiful Woman in Town (published by City Lights Publishing in the 1972 collection Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness). The film's protagonist, Charles Serking, is based on Bukowski's autobiographical character Henry Chinaski.

In Europe, the main distribution office of LTB is based in the Netherlands; which also provides garments to the brand's other shops in numerous European countries including Italy, Spain, the United Kingdom, Russia, Romania, Germany, France, Austria, Belgium, Poland, Hungary, the Czech Republic and Croatia. In the United States, the main office is located in New York City. The products of LTB Jeans can be found in 62 countries worldwide. The LTB shop on Via del Corso in Rome has been visited by famous people including Ornella Muti, Anna Falchi, Tony Renis, Pamela Camassa, Giada de Blank, Alex Rigetti and Francesca Mari.

He emigrated to Israel in 1972, where he holds citizenship. He studied with Gregor Piatigorsky in Los Angeles. Maisky currently lives in Belgium. Maisky has worked with artists including the pianists Martha Argerich, Khatia Buniatishvili, Radu Lupu, Nelson Freire, Peter Serkin, Evgeny Kissin, Lang Lang and Sergio Tiempo, the violinists Gidon Kremer, Itzhak Perlman, Vadim Repin, Maxim Vengerov, Joshua Bell, Julian Rachlin and Janine Jansen, and the conductors Leonard Bernstein, Zubin Mehta, Carlo Maria Giulini, Lorin Maazel, Riccardo Muti, Giuseppe Sinopoli, Yuri Temirkanov, Vladimir Ashkenazy, Daniel Barenboim, James Levine, Charles Dutoit, Mariss Jansons, Valery Gergiev and Gustavo Dudamel.

In his seventies, he continues to sing small roles on stage: Simone in Gianni Schicchi at the Royal Opera House in 2009 and 2016, and Schigolch in Lulu at the Metropolitan Opera in 2010. Howell took part in the premieres of two of Peter Maxwell Davies's works, Taverner and The Doctor of Myddfai. He can be heard in studio recordings, as Jero in L'assedio di Corinto, Count Walter in Luisa Miller, and as Capulet in a live recording of I Capuleti e i Montecchi, opposite Agnes Baltsa and Edita Gruberova, under Riccardo Muti, at Covent Garden, in 1984.

Born in Vilnius, he emigrated in 1978 with his musician parents to Austria. In 1983, he entered the Konservatorium Wien and studied violin in the Soviet tradition with Boris Kuschnir, while also receiving private lessons from Pinchas Zukerman. His career as a child prodigy began with his first public concert in 1984. In 1988, he took the title of Eurovision Young Musician of the Year, which led to his being invited to appear at the Berlin Festival with conductor Lorin Maazel and to his becoming the youngest soloist to ever play with the Vienna Philharmonic, under the direction of Riccardo Muti.

In 1984 Bousfield performed Elgar Howarth's trombone concerto with the Yorkshire Imperial Band for broadcast on BBC Radio 3. And in 1985 he played the first British performance of Gunther Schuller's trombone concerto, Eine kleine Posaunenmusik, with the Halle Orchestra conducted by the composer. In March 2007 Bousfield gave the premiere of Stargazer, a concerto for trombone and orchestra by British composer Jonathan Dove, with the London Symphony Orchestra conducted by Michael Tilson Thomas. In September 2008, Bousfield gave several performances of Nino Rota's Trombone Concerto with the Vienna Philharmonic, conducted by Riccardo Muti, in Vienna, Tokyo, and Lucerne.

This indication of his sympathies encouraged some French bishops to approach him with a petition for the recall of the bull Unigenitus by which Jansenism had been condemned; the request, however, was peremptorily denied. The pope also assisted the Venetians in their struggles and also assisted Malta in its struggles against the Turks. Innocent XIII, like his predecessor, showed much favour to James Francis Edward Stuart, the "Old Pretender" to the British throne and liberally supported him. The pope's cousin, Francesco Maria Conti, from Siena, became chamberlain of James' little court in the Roman Muti Palace.

Rainer Küchl is an Austrian violinist who was born in Waidhofen an der Ybbs, Austria, in August 1950. He started to play the violin at the age of 11, and was admitted to the University of Music and Performing Arts, Vienna, at the age of 14, where he studied with Franz Samohyl. At the age of 20 he became concertmaster of the Vienna Philharmonic Orchestra. As a soloist he has worked with some of the world's most famous orchestras and conductors, such as Karl Böhm, Leonard Bernstein, Carlos Kleiber, Claudio Abbado, Riccardo Muti, Valery Gergiev, and Simon Rattle.

As an orchestral musician he has played in the Philharmonia Orchestra, London Symphony Orchestra, Academy of St Martin in the Fields, Lucerne Festival Orchestra, London Chamber Orchestra, Netherlands Chamber Orchestra and the English Chamber Orchestra. He is also a member of the Human Rights Orchestra. Conductors he has played under include Bernard Haitink, Claudio Abbado, Carlo Maria Giulini, Yevgeny Svetlanov, Riccardo Muti, Gustavo Dudamel, Charles Dutoit and Kurt Sanderling. Brind’s recordings include the Sibelius Violin Concerto and Chausson Poème with the Royal Philharmonic Orchestra for Chandos Records and Stravinsky’s The Soldier’s Tale, with Vladimir and Dimitri Ashkenazy for Decca Records.

From 1957 to 1960 he studied at the Moscow Conservatory in the class of the violinist David Oistrach and then trained at the Accademia Nazionale di Santa Cecilia in Rome for a year under Italian violinist Pina Carmirelli. He began solely as a concert performer and as a soloist has performed with many orchestras under notable conductors, but later he worked as an educator. He played in England, France, Austria, Bulgaria, the Netherlands, Hungary, Poland, Switzerland and elsewhere. He collaborated with many foreign conductors such as Paul Klecki, Kurt Sanderling, Kirill Kondrashin, Carlo Zecchi, Jean Martinon, Riccardo Muti, and others.

In the role of Otello, Antoņenko made his debut in the production conducted by Riccardo Muti at the Salzburg Festival in the summer of 2008. He then performed this role at the Rome Opera House. He debuted on the stage of the Metropolitan Opera as the Prince in Rusalka in 2009, with Renée Fleming. In 2010, he was seen as Hermann in The Queen of Spades and Otello at the Vienna State Opera, performed the role of Turiddu in Cavalleria rusticana in Valencia, and the Pretender in a new production of Boris Godunov at the Metropolitan Opera.

The main rivers of the district are the Manu, the Dholoi and the Juri which flow from India. Every year during the rainy season, when there is excessive rainfall in India, the surplus water flows through these rivers and causes floods in low-lying parts of Moulvibazar (for example, the villages of Balikhandi and Shampashi on the northern side of the river Manu). Unless the rivers are properly dredged the floods can be devastating. In the last few years Moulvibazar has had a muti-million dollar flood defence system built, which is the only one like it in the whole country.

10 The term inyanga also employed by the Nguni cultures is equivalent to 'herbalist' as used by the Zulu people and a variation used by the Karanga, among whom remedies (locally known as muti) for ailments are discovered by the inyanga being informed in a dream, of the herb able to effect the cure and also of where that herb is to be found. The majority of the herbal knowledge base is passed down from one inyanga to the next, often within a particular family circle in any one village. Shamanism is known among the Nuba of Kordofan in Sudan.

Ormandy conducted many of the orchestra's best-known recordings and took the orchestra on its historic 1973 tour of the People's Republic of China, where it was the first Western orchestra to visit that country in many decades. The tour was highly successful and it has since returned for three additional successful tours. Riccardo Muti became principal guest conductor of the orchestra in the 1970s, and assumed the role as Music Director from Ormandy in 1980, serving through 1992. His recordings with the orchestra included the symphonies of Ludwig van Beethoven, Johannes Brahms, and Alexander Scriabin, for the EMI and Philips labels.

Morrison, Richard. "Mahler's quiet hero", The Times, 17 February 1989, p. 18. Tennstedt's resignation was a severe blow to the orchestra, and there was no obvious successor: Morrison observed that the best-known conductors – Barenboim, Riccardo Muti and Simon Rattle – with whom the orchestra was then associated were committed to other projects until the 1990s, and those possible contenders such as Semyon Bychkov and Franz Welser-Möst were largely unknown in London.Morrison, Richard. "Tennstedt hard to replace", The Times, 26 August 1987, p. 14. No successor was appointed until 1990 when Welser-Möst was named as the new principal conductor.

In some Asian and African countries, up to 80% of the population relies on traditional medicine for their primary health care needs. When adopted outside its traditional culture, traditional medicine is often considered a form of alternative medicine. Practices known as traditional medicines include traditional European medicine, traditional Chinese medicine, traditional indigenous Mayongia magic and medicine(Assam), traditional indigenous medicine of Assam and rest of NE India, traditional Korean medicine, traditional African medicine, Ayurveda, Siddha medicine, Unani, ancient Iranian Medicine, Iranian (Persian), Islamic medicine, Muti, and Ifá. Scientific disciplines which study traditional medicine include herbalism, ethnomedicine, ethnobotany, and medical anthropology.

Prince Charles Edward Stuart. Eldest son of Prince James Francis Edward Stuart. Painted by William Mosman around 1730 Charles was born in Palazzo Muti, Rome, Italy, on 31 December 1720, where his father had been given a residence by Pope Clement XI. He spent almost all his childhood in Rome and Bologna. He was the son of the Old Pretender, James Francis Edward Stuart, son of the exiled Stuart King James II and VII, and Maria Clementina Sobieska, the granddaughter of John III Sobieski, most famous for the victory over the Ottoman Turks in the 1683 Battle of Vienna.

He performed around 40 leading roles and made recordings, also for radio and television. He took part in the 1975 world premiere of Heorhiy Maiboroda's Yaroslav Mudriy, which was recorded in 1982. In 1978, he was the baritone soloist in a recording of Prokofiev's music for Ivan the Terrible, with Irina Arkhipova (mezzo-soprano), speaker Boris Morgunov, the Ambrosian Chorus and the Philharmonia Orchestra, conducted by Riccardo Muti. He played as an actor in several films, such as Lucia di Lammermoor, a 1980 Russian movie based on Donizetti's opera from the Kyiv opera house conducted by O. Ryabov.

His second was Mimi Zweig, and his third the violinist and pedagogue Josef Gingold, who accepted Bell as a student after his parents assured him that they were not interested in pushing their son to be a star but simply wanted him to have the best teacher for his abilities. By age 12, Bell was serious about the instrument, thanks in large part to Gingold's inspiration. At age 14, Bell appeared as a soloist with the Philadelphia Orchestra under Riccardo Muti. He studied violin at the Indiana University Jacobs School of Music and graduated from Bloomington High School North in 1984.

Six months later Licitra sang the part again in Verona to great acclaim. Prior to Il trovatore in Verona, he had performed in Un ballo in maschera at La Scala under Muti, then repeated the success in Rome in December. In November he made his American debut as a guest soloist at the 26th annual Richard Tucker Music Foundation Opera Gala in New York. In December he left for Vienna and the Wiener Staatsoper to sing in Tosca, then Manrico in Il trovatore at the Sao Carlos in Lisbon in January 2002 and Alvaro (Forza) in Turin in February.

In the United States, he has sung with the New York City, Seattle, Houston, Santa Fe, and St. Louis opera companies. In 1997, he returned to open the season at La Scala as Renaud in Gluck's Armide with Riccardo Muti conducting. He made his Chicago Lyric Opera debut in the title role of Mozart's Idomeneo in 1998 and his debut with the Royal Opera at Covent Garden in 1999 in another Mozart title role, La Clemenza di Tito. In the 2001 season, he returned to the Met as Alfredo in La traviata opposite the Violetta of June Anderson.

He has also worked with young musicians, as well as a number of youth and conservatoire orchestras, which include the Cherubini Orchestra founded by Riccardo Muti. On 6 December 2015 Marshall conducted the European premiere of John Harbison's opera The Great Gatsby at Semperoper, Dresden. In March 2013 he conducted Jake Heggie's Dead Man Walking at the Montreal Opera House and returned in 2014 to conduct Gershwin's Porgy and Bess. The 2016 season included his debut at the Dresden Semperoper (Great Gatsby – John Harbison) Other guest engagements include those with Royal Scottish National, Taipei Symphony and Malaysian Philharmonic.

In 1987 he made his debut at La Scala as Masetto in Mozart's Don Giovanni under conductor Riccardo Muti. He made his United States debut in 1988 as Figaro in The Marriage of Figaro at the Metropolitan Opera. He has since performed leading roles at the Berlin State Opera, the Cologne Opera, the Frankfurt Opera, the Glyndebourne Festival Opera, the Israeli Opera, La Fenice, the New National Theatre Tokyo, Opera Australia, the Rossini Opera Festival, the Royal Opera House in London, the Teatro Colón, the Teatro Comunale di Bologna, the Teatro Comunale Florence, the Teatro di San Carlo, and the Vienna State Opera among others.

Brunello, born in Castelfranco Veneto (Treviso - Italy), studied under Adriano Vendramelli (Venice Conservatorio of music) and of Antonio Janigro. In 1986 he was awarded the first prize at the International Tchaikovsky Competition (Moscow) in the cello section.AMC Music \- ex equo with Kirill Rodin (Russia then USSR). Since then Brunello has played with the many orchestras in the world: London Philharmonic, Royal Philharmonic, Munich Philharmonic, Philadelphia Orchestra, Orchestre National de France, NHK Symphony Orchestra (Tokyo), Scala Philharmonic Orchestra, Santa Cecilia, only to name a few, and under conductors such as Valery Gergiev, Zubin Mehta, Riccardo Muti, Yuri Temirkanov, Riccardo Chailly, Ton Koopman, Seiji Ozawa, Daniele Gatti, Myung-Whun Chung and Claudio Abbado.

Henry Benedict Stuart, age 13, by Louis Gabriel Blanchet (1738) Henry was born in exile at the Palazzo Muti in Rome on 6 March 1725 and baptised on the same day by Pope Benedict XIII, 37 years after his grandfather James II and VII lost the throne, and ten years after his father's failed attempt to regain it. His father was James Francis Edward Stuart, known to his opponents as "the Old Pretender". His mother was the Princess Maria Klementyna Sobieska, granddaughter of the Polish King and Lithuanian Grand-Duke, John III Sobieski. Henry was apparently an intelligent child who could spell and write better than his older brother Charles.

After another successful film Three Brothers ("Tre fratelli", 1981), with Philippe Noiret, Michele Placido and Vittorio Mezzogiorno, Rosi wanted bring the novel The Truce by Primo Levi, to the big screen, but the suicide of the writer in April 1987 forced him to give the project up. The film was finally made only in 1997. He directed a film adaptation of Carmen (1984) with Plácido Domingo and subsequently he worked on Chronicle of a Death Foretold (1987), adapted from the novel by Gabriel García Márquez, which brought together a great cast including Gian Maria Volonté, Ornella Muti, Rupert Everett, Anthony Delon and Lucia Bosè. The film was shot in Mompox, Colombia.

Roberto Cani made his debut at Gaveau Hall in Paris under direction of maestro Daniele Gatti on 16 January 1987. He has concertized in his native Italy, Russia, Poland, Croatia, Germany, Austria, Belgium, Spain, Serbia, France, Taiwan, Japan, and South Africa. He has performed with La Scala Orchestra under Riccardo Muti, Bolgograd Symphony Orchestra, Moscow Symphony Orchestra, RAI Symphony Orchestra, Haydn Orchestra, Orchestra Cantelli, Missouri Chamber Orchestra, Central Symphony Orchestra of Oregon, and the Italian Consort. He has played in venues such as Los Angeles's Royce Hall, Moscow's Bolshoi Zal and Tchaikovsky Zal, Belgrade's Lisinski Hall, Bristol's St. Georges - Brandon Hill, Tokyo's Suntory Hall and Milan's La Scala.

In exchange, Nasir al-Dawla was made responsible for forwarding the tax proceeds of Ikhshidid Egypt and Syria on to Baghdad, and promised to regularly send supplies to the city which were to be exempt from any taxes;Miskawaihi, p. 111 in addition, he agreed to recognize al-Muti' as the legitimate caliph. The Turkish mercenaries in the Hamdanid army, who were vehemently opposed to Mu'izz al-Dawla's continued occupation of Baghdad, were not informed that Nasir al-Dawla was seeking peace with the Buyids. When they learned that the two amirs had agreed to a treaty, they rebelled against Nasir al-Dawla and compelled him to flee.

Meanwhile, the music of Verdi can still evoke a range of cultural and political resonances. Excerpts from the Requiem were featured at the funeral of Diana, Princess of Wales in 1997. On 12 March 2011 during a performance of Nabucco at the Opera di Roma celebrating 150 years of Italian unification, the conductor Riccardo Muti paused after "Va pensiero" and turned to address the audience (which included the then Italian Prime Minister, Silvio Berlusconi) to complain about cuts in state funding of culture; the audience then joined in a repeat of the chorus.James Bone, "Against Silvio Berlusconi's idea of culture", The Australian, 24 March 2011, accessed 28 June 2015.

Tellingly Hasan's name is found in the second position, after that of the Abbasid caliph al- Muti, and is followed by that of his nephew and nominal ruler, Ahmad. Taking up residence in the palace, Hasan moved to consolidate his authority: three days later he imprisoned Ibn al-Furat and a number of the latter's associates, forcing them to pay exorbitant fines. Al-Hasan replaced Ibn al-Furat with his private secretary, al-Hasan ibn Jabir al-Rayahi. To further enhance his legitimacy, on 1 January 969, he married his first cousin Fatima, daughter of al-Ikhshid, to whom he had been betrothed already during his governorship of Palestine.

The main front of the palace on Via della Conciliazione Palazzo Cesi- Armellini, sometimes known plainly as Palazzo Cesi, is a late Renaissance building Borgatti (1926) p. 211 in Rome, important for historical and architectural reasons. The palace, which should not be confused with Palazzo Cesi-Gaddi, Palazzo Muti-Cesi, or the destroyed Palazzo Cesi, placed also in Borgo near the southern Colonnade of St. Peter's square, is one of the few Renaissance buildings of the rione Borgo to have survived the destruction of the central part of the neighborhood due to the 20th century construction of Via della Conciliazione, the avenue leading to St. Peter's Basilica.

After taking Medina, Muslim set out for Mecca, but on the way he fell ill and died at Mushallal, and command passed to his lieutenant Husayn ibn Numayr al-Sakuni. According to the account reported by al-Tabari, this was much against Uqba's will, but in accordance with the wishes of Yazid. Many of the Medinans had fled to Mecca, including the commander of the Qurayshites at the battle of al-Harra, Abd Allah ibn Muti, who played a leading role in Mecca's defense along with al-Mukhtar al-Thaqafi. Ibn al-Zubayr was also joined by Kharijites from Yamama (central Arabia), under the leadership of Najda ibn Amir al-Hanafi.

Following her appearances as Musetta in La bohème and Gilda in Rigoletto in youth productions at the Teatro Regio in Parma and as Leonora Il trovatore in a concert performance at the Sarzana Opera Festival, Yeo made her debut as Cio-Cio-San in Madama Butterfly in 2013 at the theatres in Salsomaggiore Terme, Vigevano and Fiorenzuola d'Arda. She also sang her first Lady Macbeth in Macbeth directed by Cristina Mazzavillani Muti at the Ravenna Festival in 2013. At Savonlinna Opera Festival in Finland she performed Lady Macbeth during summer 2016. She made her role debuts as Fiordiligi in Così fan tutte and as Liù in Turandot in 2014.

Flash and Thun rush to stop the wedding of Ming and Dale. Riding the coattails of Star Wars, Superman, and Star Trek: The Motion Picture, Flash Gordon was not a critical success on release. Melody Anderson co-starred with Jones as Dale Arden, alongside Chaim Topol as Dr. Hans Zarkov, Max von Sydow as Ming, Timothy Dalton as Prince Barin, Brian Blessed as Prince Vultan, Peter Wyngarde as Klytus and Ornella Muti as Princess Aura. Produced by Dino De Laurentiis, with ornate production designs and costumes by Danilo Donati, the bright colors and retro effects were inspired directly by the comic strip and 1930s serials.

In 1991, the bicentenary of Mozart's death, Kundlák sang the Requiem with the Philadelphia Orchestra under Riccardo Muti at the Carnegie Hall and at the Academy of Music (Philadelphia). He also sang diverse Masses and Oratories at the Vienna Concert Hall, in Stuttgart, Milan and Salzburg. He voiced the role of Belmonte in Mozart's opera Die Entführung aus dem Serail at the Deutsche Oper Berlin and at the Bavarian State Opera in Munich. Subsequently, he added new roles to his repertoire, such as Alfredo in La traviata, Fenton in Falstaff, Faust in Gounod's Faust and Boito's Mefistofele, Lensky in Eugene Onegin and Werther in Jules Massenet's eponymous opera.

American Magazine "Time" wrote that the Italians insisted that the planes had been refueled from submarine tankers,Time Magazine, Record Raid though in actuality the planes had simply been loaded with fuel. Ettore Muti, Party Secretary of the National Fascist Party, took part in the Bahrain raid (as commander) and in at least one of the bombings of Haifa.Time Magazine, Daily Damage The Bahrain raid was followed by other long-distance Italian raids on Ethiopia and Eritrea in 1942. It would have been repeated -with an advanced SM.82 bomber- in a raid on New York City in summer 1943 had Italy not capitulated in 1943.

Sergej Larin Sergej Alekseyevich LarinIn English, his first name is also sometimes spelled as 'Sergey' or 'Sergei' (; ; March 9, 1956 – January 13, 2008)Obituary: Sergej Larin, 51, Russian Tenor Who Found Acclaim in European and American Houses, Has Died', Opera News, New York Metropolitan Opera Guild, 15 January 2008. Accessed 16 January 2008 was one of a number of operatic tenors from the former Soviet Union to achieve success in the West. His vocal talent was acknowledged by some of the world's leading conductors including Riccardo Muti, Claudio Abbado, James Levine and Zubin Mehta. Larin was also a recitalist, with several programs of songs preserved on disc.

At the age of 17, he became the youngest winner of violin section of the Queen Elisabeth Music Competition in Brussels, the world's premier violin competition . He was a member of the jury in the 2009 violin section of this competition. Vadim Repin has played under such leading conductors as Simon Rattle, Valery Gergiev, Mariss Jansons, and Yehudi Menuhin. He has also played with Pierre Boulez, Riccardo Chailly, Charles Dutoit, Michael Tilson Thomas (with whom he made his United Kingdom debut at The Lichfield Festival in 1985), James Levine, Kurt Masur, Edo de Waart, Esa- Pekka Salonen, Mstislav Rostropovich, Myung-whun Chung and Riccardo Muti.

Sethuntsa had relationships with key Nationalist Party leaders, including D. F. Malan, J. G. Strijdom and Hendrik Verwoerd. He was known to be a supporter of the separate development policies that gave way to the apartheid system in 1948. On eve of the 1948 elections, it is believed that Verwoerd, who was still the minister of Bantu Affairs, held a secret meeting with Sethuntsa, where Verwoerd was given special muti by Sethuntsa that would deliver the elections to the Nationalist Party. The counter narrative was that Sethuntsa enjoyed close ties with Verwoerd and the Nationalist Party because he was the Broederbond’s intelligence agent within the Tranksei region.

The German researcher Flora-Veit Wild gave considerable weight to an account given by Marechera's older brother, Michael, about the destructive element in the younger Marechera's life. Michael suggests that Dambudzo was a victim of their mother's muti, implying that he was cursed in some way. When Marechera returned from London and was made writer-in-residency at the University of Zimbabwe, his mother and sisters attempted to come and meet him but he rejected them offhand, accusing the mother of trying to kill him. Still, it is known from anecdotal accounts that Marechera never made an effort to meet with any member of his family before he died in 1987.

Born in Baku, Azerbaijan, Javid Samadov is a graduate of the Uzeyir Hajibeyov Baku Academy of Music. While still a student, he was invited to Moscow, Russia where he perfected his skills at the Galina Vishnevskaya Opera Center. Later Javid Samadov pursued his studies at the Academy of Operatic and Vocal Arts in Osimo, Italy and at the International Renata Tebaldi – Mario Del Monaco Singing Academy in Pesaro, Italy. Javid Samadov participated in master classes given by William Matteuzzi, Harriet Lawson, Lella Cuberli, Raina Kabaivanska, Antonio Juvarra, Alla Simoni, Carlo Morganti, Mario Melani, Segio Segalini, Thomas Hampson, Pietro Spagnioli, Cinzia Forte, Verena Keller, Andreas Schuller, and Cristina Muti.

In exchange, Nasir al-Dawla was made responsible for forwarding the tax proceeds of Ikhshidid Egypt and Syria on to Baghdad, and promised to regularly send supplies to the city which were to be exempt from any taxes;Miskawaihi, p. 111 in addition, he agreed to recognize al-Muti' as the legitimate caliph. The Turkish mercenaries in the Hamdanid army, who were vehemently opposed to Mu'izz al-Dawla's continued occupation of Baghdad, were not informed that Nasir al-Dawla was seeking peace with the Buyids. When they learned that the two amirs had agreed to a treaty, they rebelled against Nasir al-Dawla and compelled him to flee.

On 17 November, Permanent Representative of Yemen to the Arab League, Mohammed al-Haisami called "all Arab states to put an end to the cruel Zionist aggression on the Gaza Strip and to stop the crimes committed by Israel on the Palestinian people". Demonstrations took place with the participation of Hamas representative in Yemen, Abdul-Muti Zaqqout who said that "honor and dignity will be restored to the Islamic world once the Zionist regime is defeated". The crowd chanted "Palestinians we are with you and will never forget about you". On November 19, hundreds marched in Sana'a to "affirm their solidarity with those under siege in the Gaza strip".

The contents of the Lunde & Stone version are broken into small vignettes which take up less than a full page of text in most cases. In addition are several pages of poetry. The Lunde & Stone edition focuses primarily on the Abbasid period in modern-day Iraq and begins with a story involving the Caliph al- Mansur () and ends with the reign of al-Muti (). Some notable sections include several stories involving the various Caliphs and their interactions with commoners like "Mahdi and the Bedouin" (37) in which the Caliph al-Mahdi () is served a humble meal by a passing Bedouin who in turn is rewarded with a large monetary reward.

At the age of sixteen, Maistre won his first international competition in Paris, later winning awards at international competitions held in Cardiff, Munich, Vienna and Jerusalem. In 1998, he was awarded first prize and two interpretation prizes at the USA International Harp Competition. Later that same year, Maistre became the first French musician to join the ranks of the prestigious Vienna Philharmonic Orchestra. As a soloist, Maistre has appeared with numerous orchestras under the baton of such eminent conductors as Riccardo Muti, Daniele Gatti, Sir Simon Rattle, Sir André Prévin, Heinrich Schiff, Antoni Ros-Marbà, Bertrand de Billy, Walter Weller, Gilbert Varga, Josep Pons and Philippe Jordan, amongst others.

Bruno Bettinelli was born in Milan where he later completed his studies at the Conservatorio "G. Verdi" in Milan, under the tutelage of Giulio Cesare Paribeni and Renzo Bossi. He held the title of professor of composition at that same institute, and he trained many notable contemporary Italian musicians, including Claudio Abbado, Emiliano Bucci, Elisabetta Brusa, Gilberto Serembe, Danilo Lorenzini, Roberto Cacciapaglia, Bruno Canino, Aldo Ceccato, Riccardo Chailly, Azio Corghi, Armando Gentilucci, Riccardo Muti, Angelo Paccagnini, Bruno Zanolini, Silvia Bianchera, Umberto Benedetti Michelangeli, Caterina Calderoni, Barbara Rettagliati, Massimo Berzolla, Maurizio Pollini, Uto Ughi and many others. He also taught the Italian singer- songwriter Gianna Nannini.

Born 1965 in Copenhagen, Milling studied voice at the Royal Danish Academy of Music and has been a member of the Royal Danish Opera since 1994. In the 1999-2000 season, Milling made his La Scala debut as Rocco in Beethoven's Fidelio under conductor Riccardo Muti. Soon after, he made his American debut with the Seattle Opera, singing Fasolt in Das Rheingold and Hunding in Die Walküre in Wagner's Der Ring des Nibelungen. He returned to Seattle as Gurnemanz in Parsifal for which he won the Opera's Artist of the Year award in 2003, and in 2010, he sang King Marke in Tristan und Isolde, also with Seattle Opera.

About 600 students took part in the courses that Ferrara held for more than thirty years. Among them may be included Jorma Panula, Myung-whun Chung, Sir Andrew Davis, Roberto Abbado, Maurizio Arena, Gürer Aykal, Riccardo Chailly, Gianluigi Gelmetti, Karen Gorden, Gilberto Serembe, Gian Luigi Zampieri, Massimo Carpegna, Donald Covert, Mario Lamberto, Riccardo Muti, Daniel Oren, Antoine Mitchell, Cal Stewart Kellogg, Kek-Tjiang Lim and Michael Bialoguski. Ferrara was also a well-known conductor of film scores. He conducted scores by Nino Rota for The Leopard, Mario Nascimbene for Barabbas, and Toshiro Mayuzumi for John Huston's film The Bible: In the Beginning, and others.

The symphony has been recorded many times, with recordings made by major orchestras and conductors. Conductors who have recorded the work include Arturo Toscanini, Mstislav Rostropovich, Lorin Maazel, Eugene Goossens, André Previn, Bernard Haitink, Eugene Ormandy, Yuri Temirkanov, Constantin Silvestri, Yevgeny Svetlanov, Riccardo Muti, Sir Neville Marriner, Igor Markevitch, Yuri Ahronovitch, Andrew Litton, Mikhail Pletnev (twice), Vladimir Fedoseyev, Riccardo Chailly, Mariss Jansons, Vasily Petrenko, Zubin Mehta, Vladimir Jurowski, Vladimir Ashkenazy and others. Manfred is less frequently performed in concert. This is due to its length, unfamiliarity, and its requirement for a large orchestra, including obbligato harmonium (specified by Tchaikovsky, but often played on the organ).

Scheffer’s films on music constitute an overview of the great composers of the 20th century — from Conducting Mahler (1996) on the 1995 Mahler Festival in Amsterdam with Claudio Abbado, Riccardo Chailly, Riccardo Muti and Simon Rattle to Five Orchestral Pieces (1994) on Arnold Schönberg's work conducted by Michael Gielen and The Final Chorale (1990) on Igor Stravinsky's Symphonies of Wind Instruments conducted by Reinbert de Leeuw. Further documentaries include films on Louis Andriessen (The Road, 1997, conducted by Péter Eötvös), Luciano Berio (Voyage to Cythera from 1999 on his Sinfonia conducted by the composer), Pierre Boulez (Eclat, 1993), and (Helikopter String Quartet, 1996) with Karlheinz Stockhausen and the Arditti Quartet.

Milan honoured him with the Honorary Citizenship Medal, and Sony offered him an exclusive recording contract. A performance of Il trovatore, recorded and issued by Sony, opened the 2000/2001 season at La Scala and the centennial of Verdi's death, the Anno Verdi. The opera had not been performed at La Scala in 22 years, and controversy ensued after Muti, who was the conductor and who had personally hand-picked Licitra for the role of Manrico, forbade his tenor to sing the traditional, interpolated high C of the 3rd act cabaletta "Di quella pira". There was an uproar in the audience, who booed the maestro's decision.

At the behest of a suggestion from conductor Riccardo Muti, Clyne looked for inspiration from the composer Franz Schubert who suffered from a type of mood disorder known as cyclothymia. Clyne described this disorder and its inspiration for Night Ferry in the score program notes, writing: She added, "In its essence, Night Ferry is a sonic portrait of voyages; voyages within nature and of physical, mental and emotional states." Additionally, the title of the piece is from the British poet Seamus Heaney's Elegy for the author Robert Lowell, who also suffered from manic depression. While composing the work, Clyne simultaneously painted a series of seven large canvasses for cross-inspiration.

Sampling Daft Punk's soundtrack for the movie Tron: Legacy, she released a free bootleg "Purple Legacy" in 2010 which went to #1 on SoundCloud and garnered almost 15,000 plays in four days before being removed due to a copyright conflict with Disney. Collaborating for years with Bay Area Dubstep pioneer Antiserum, their mix of purple and hard dubstep reached the international market, with two vinyl releases "Zephyr" and "Lightning/Overflow" released on European labels Dub Police and Subway. She released several glitch/dubstep EPs on San Francisco-based Muti Music, and Austin-based label Gravitas Recordings. as well as being featured on acclaimed producer Starkey's boutique label Seclusiasis.

However, the opera company was satisfied with the improvements to the structure and the sound quality, which was enhanced when the heavy red carpets in the hall were removed. The stage was entirely rebuilt, and an enlarged backstage allows more sets to be stored, permitting more productions. Seats now include monitors for the electronic libretto system provided by Radio Marconi, an Italian company, allowing audiences to follow opera libretti in English and Italian in addition to the original language. The opera house re- opened on 7 December 2004 with a production, conducted by Riccardo Muti, of Salieri's Europa riconosciuta, the opera performed at La Scala's inauguration in 1778.

Born in Naples, Schiavo was trained in her native city at the Conservatorio San Pietro a Majella. After graduating, she won several music competitions; including the Accademia Nazionale di Santa Cecilia competition and the International Singing Competition of Clermont-Ferrand. She quickly established herself as an artist in the baroque repertoire and has appeared in concerts of baroque music with the Accademia Bizantina, Al Ayre Español, Auser Musici, Concerto Italiano, Europa Galante, La Risonanza, Les Talents Lyriques, and the Sonatori de la Gioiosa Marca. Notable conductors under whom she has performed include: Rinaldo Alessandrini, Eduardo Lopez Banzo, Fabio Biondi, William Christie, Ottavio Dantone, Antonio Florio, Riccardo Muti, Christophe Rousset, and Jordi Savall.

He performed with artists like Antal Doráti, Sir Georg Solti, Leonard Bernstein, Claudio Abbado, Lorin Maazel, Riccardo Muti, Lamberto Gardelli, Giuseppe Patane, Christoph von Dohnányi, Ádám Fischer, Yehudi Menuhin, David Oistrach and Mstislav Rostropovich. His career took off in 1963 when he appeared with his first group at the legendary Dalia Club in Budapest. From 1964 they gave regular concerts and were frequently featured on Hungarian Radio and TV. Csaba Deseo's debut abroad was in Bled, Yugoslavia 1966, where he played with János Gonda's Qualiton Ensemble. That same year he played with his own group at the Prague International Jazz Festival and with the combo of guitarist Andor Kovacs at the Warsaw Jazz Jamboree.

The objective of medicine murder is to create traditional medicine based partly on human flesh. Medicine murder is often termed ritual murder or muthi / muti murder, although there is evidence to suggest that the degree of ritual involved in the making of medicine is only a small element of the practice overall. Social anthropological ethnographies have documented anecdotes of medicine murder in southern Africa since the 1800s, and research has shown that incidences of medicine murder increase in times of political and economic stress. The practice is commonly associated with witchcraft, although ethnographic evidence suggests that this has not always been the case, and that it may have been accorded local-level political sanction.

Cura's debut at Milan's La Scala came in January 1997, when he starred as Enzo in Ponchielli's La Gioconda. Cura returned to La Scala in June 1998 as Des Grieux in Puccini's Manon Lescaut and again in February 1999 for La Forza del Destino, both conducted by Riccardo Muti. In 1997, José Cura sang duets with the famous classical crossover soprano Sarah Brightman, singing Just Show Me How to Love You, and There For Me, songs released in her album Time to Say Goodbye. With a growing international reputation and increased critical interest, José Cura made a pivotal career decision in 1997: at Turin's Teatro Regio, at age 34, Cura debuted in Verdi's Otello, telecast live on Italian television.

Street muti vendor in South Africa Isicakathi is a term that is used by Xhosa people when referring to plants with major pharmacological and therapeutic properties that are used as medicine for various ailments,. The people in the Eastern Cape of South Africa still strongly rely on traditional medicine and believe in its potency as an alternative to western medicine. There are various herbs that fall under isicakathi , used for pre-natal and post-natal medicine (although they can also be used for non-pregnancy related health issues). The plants that fall under the isicakathi category differ according to the districts in the Eastern Cape, hence it is a general term used when referring to traditional medicine.

Romane (2015), pp. 71 The defeat of Mleh was significant, as it undermined the Byzantine's position with the Armenians in terms of securing a possible alliance, as well as losing their annual tribute from Mosul. The defeat of Mleh would also cause a rift to form between Taghlib and the Caliph in Baghdad, Al-Muti, on the subject of how best to deal with the threat they posed. The Armenians soon held a conference, and, after discussing with Byzantine envoys, formed a deal to accompany the Byzantines in a joint invasion of Syria and Mesopotamia in Spring 974, John marched east and joined with the Armenian forces at the capital of Taron, Muş.

Cummings, David (ed.), "Laho, Marc", International Who's Who in Classical Music 2003, Routledge, 2003, p. 443. He sang Gérald in Lakmé co-starring Natalie Dessay in Avignon, Pâris in Offenbach's La Belle Hélène conducted by Nikolaus Harnoncourt in Zurich and Elvino in La Sonnambula at the Opéra-Comique and the Vienna State Opera. He performed his first Hoffmann in 2008 at the Grand Théâtre de Genève directed by Olivier Py, then confirmed his interpretation, directed by Nicolas Joel, at the Teatro Regio in Turin. He appeared in the Requiem by Berlioz at the Festival de Saint-Denis conducted by Sir Colin Davis, as well as in Lélio by Berlioz at the Théâtre des Champs-Élysées conducted by Riccardo Muti.

Michele Campanella Michele Campanella (born 5 June 1947) is an Italian pianist who specialises in the music of Franz Liszt, and is also a conductor. Campanella was born in Naples in 1947. He won the Alfredo Casella Prize at age 19, after studying with Vincenzo Vitale. This led to an international performing career, taking him to many countries (the United Kingdom, the United States, Australia, China, Argentina, Brazil), regularly appearing at international music festivals such as Lucerne, Vienna, Berlin, Prague, Taormina, Turin, and Pesaro, and working with such conductors as Claudio Abbado, Gianluigi Gelmetti, Vernon Handley, Eliahu Inbal, Sir Charles Mackerras, Zubin Mehta, Riccardo Muti, Georges Prêtre, Esa-Pekka Salonen, Wolfgang Sawallisch, Thomas Schippers, Hubert Soudant, and Christian Thielemann.

152-158 Gossett again acted as consultant to The Santa Fe Opera during rehearsals for its 2012 season production of the new critical edition of Rossini's original Maometto II of 1820 and he returned in the same capacity during rehearsals of the company's new production of Rossini's La donna del lago during the 2013 season. Performance details at The Santa Fe Opera For the 2010 presentations of Verdi's Attila for the Met, Gossett also worked with conductor Riccardo Muti on revisions to the score based on new research. This has become a new critical edition of the opera. The Atilla critical edition , edited by Helen Greenwald, is currently available as a rental in The Works of Giuseppe Verdi series.

By 1751, gates to the alley where the image was located were installed, and a repeat miracle on July 9, 1796 cemented the reputation of the image. The 1796 incident occurred before numerous witnesses, who also observed that the eyes of the painting wept—presumably in reaction to that year's invasion of the Papal States by France. In the middle of the nineteenth century, marchese Alessandro Muti Papazzurri Savorelli decided to construct a small chapel to house the miraculous image, which until that point was still located in a narrow alley. The chapel, which was built in the available space at the end of the alleyway, is an example, rare in Rome, of Neo-Renaissance architecture.

Feola made her operatic debut in the role of Corinna (Il viaggio a Reims) under Kent Nagano at the Santa Cecilia Academy at age 23. She came to international attention winning Second Prize, the Zarzuela Prize and the Rolex Audience Prize at Plácido Domingo's Operalia 2010. In the following year, she made her role debuts / house debuts as Adina (L'elisir d'amore) at Teatro dell'Opera di Roma, Susanna (Le nozze di Figaro) at Teatro La Fenice, and Micaëla (Carmen) at Deutsche Oper Berlin. Most significant was singing the role of Inez in the modern premiere of Mercadante's I due Figaro under Riccardo Muti with whom she has maintained a longtime collaboration since then.

In 1995 she made her Metropolitan Opera debut as Mimì in Puccini's La bohème. She has performed many leading roles for Welsh National Opera. Focile has been described as bringing an "almost unbearable poignancy" Seattle Opera Presents: La Bohème (31:5), May 2007 (Opera program) to Mimì, her best-known role. She has made several recordings for the Philips, Opera Rara and Telarc labels, including three Mozart operas (Le Nozze di Figaro, Così fan tutte and Don Giovanni) conducted by Sir Charles Mackerras, Rossini's Petite messe solennelle conducted by Sir Neville Marriner, Ascanio in Pergolesi's Lo Frate'Nnamorato, Norina in Donizetti's Don Pasquale conducted by Riccardo Muti and Tatyana in Tchaikovsky's Eugene Onegin conducted by Semyon Bychkov.

On the night of 23-24 August, a group of Carabinieri entered his residence and placed him under arrest. They all left through a pine forest surrounding the area, and the following moments are still mysterious. The official communiqué stated: > Following an investigation into major irregularities in the administration > of a state-associated entity, during which the implication of the ex- > secretary of the dissolved fascist party, Ettore Muti, has become apparent, > the Carabinieri military corps proceeded in Muti's arrest at Fregene, near > Fiumicino (then part of the comune of Rome), on the night of 23-24 August. > As they led him to their barracks, the escort was shot at with several > rounds from the forest.

In Olot, Leyte, a muti- million dollar seaside resort was constructed in 1974, in time for the Marcoses to entertain participants of the 1974 Miss Universe beauty contest, which was being held in the Philippines that year. The property was severely damaged by Typhoon Haiyan in 2013. A different mansion, in Tacloban City, is noted for having been the former site of the "impoverished quonset hut" which was Imelda Marcos' childhood home. When her husband became president of the Philippines, Imelda transformed the site into a 2000 square meter mansion with a shrine to the Sto Niño and a museum, which has since been dubbed the "Sto Niño Shrine and Heritage Museum".

From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemperer, formed themselves into a self-governing ensemble as the New Philharmonia Orchestra. After thirteen years under this title, they negotiated the rights to revert to the original name. In Klemperer's last years the orchestra suffered a decline, both financial and artistic, but recovered under his successor, Riccardo Muti, who revitalised the orchestra in his ten-year term, 1972–1982.

Annually, the NDK is host to over 300 events such as international conventions, political forums, business conferences, scientific symposiums, music and film festivals, concerts, dance performances, theatre, exhibitions and fairs. Other regular events include media presentations in a dedicated 60-seat "Press Club", training seminars and lectures. Guest orchestras and performing companies have included: the Bolshoi Theatre, Teatro alla Scala, S. M. Kirov Academic Leningrad Theater of Opera and Ballet, London Symphony Orchestra, St. Petersburg Symphony Orchestra, Vienna Philharmonic Orchestra, Vienna State Opera, Royal Swedish Ballet, the British Royal Ballet, and Spanish National Ballet. Guest conductors have included: Herbert von Karajan, Claudio Abbado, Riccardo Muti, David Giménez Carreras, Emil Tabakov, Rossen Milanov, Naiden Todorov, and Metodi Matakiev.

The Ravenna Festival is a summer festival of opera and classical music (as well as dance, jazz, ethnic, musical theater, ballett, sacred music, electronic music, drama, film, plus conventions and exhibitions) held in the city of Ravenna, Italy and the surrounding area each June and July. It was founded in 1990 by Maria Cristina Mazzavilani, the wife of conductor Riccardo Muti, who makes regular appearances there. Other well-known conductors who have appeared at the Festival include Pierre Boulez, Claudio Abbado, Chung, Gavazzeni, Lorin Maazel, Valery Gergiev, Zubin Mehta, Georg Solti, Giuseppe Sinopoli, Carlos Kleiber, and Georges Prêtre. The Festival also offers operatic productions in the Teatro Comunale Alighieri, as well as performances of jazz and popular music.

In 1976 he made his recording debut with the Elgar Cello Concerto and the London Philharmonic Orchestra, which went on to receive a Silver Disc for recording sales. In 1984 he bought a Stradivarius cello, the Bonjour, which he kept to the 1990s. He has been invited to perform concertos by conductors Claudio Abbado, Antal Dorati, Sir Mark Elder, Mariss Jansons, Sir Charles Mackerras, Jerzy Maksymiuk, Kurt Masur, Riccardo Muti, Sir Roger Norrington, Tadaaki Otaka, Sir Simon Rattle, Stanisław Skrowaczewski, Michael Tilson-Thomas and Osmo Vanska. He has notably collaborated in chamber music with Yehudi Menuhin, Amadeus Quartet, Menahem Pressler, Leonidas Kavakos and Krystian Zimerman and with his regular duo partner pianist Heini Karkkainen.

Between 1984 and 1989, Balderi worked as assistant to many prominent conductors, such as C. Abbado, R. Chailly, C.M. Giulini, J. Levine, Z. Mehta, R. Muti, G. Patanè, W. Sawallisch, in important theatres such as the Teatro alla Scala and the Salzburg Festival. From 1992 to 1996, Marco Balderi conducted the choir of the Florence Opera House, which gave him the opportunity to collaborate with Z. Mehta and S. Bychkov in numerous productions. He also gained a deep knowledge of the opera vocality. He performed with such important singers as Pietro Ballo, Renato Bruson, José Cura, Mariella Devia, Ghena Dimitrova, Barbara Frittoli, Nicolai Gedda, Nicolai Ghiaurov, Giuseppe Giacomini, Nicola Martinucci, Mariana Nicolesco, Leo Nucci, Luciano Pavarotti, and Cesare Siepi.

To guide the tip to the conducting areas, AFM imaging instead of or in addition to optical microscope or SEM guided positioning of the tips, can be very useful. In a two-point measurement the sum of the sample resistance and the resistance of the contacts is measured. In a four-point measurement the sample resistance is measured without the influence of the contact resistance. When performing electrical measurements on the nanoscale, it should be stressed that the contact resistance is often very large at the STM tip contact to the sample because the contact area is very small, so that four-point measurements are indispensable in resistance measurements with a muti-tip STM.

Agricultural settlements of the Capenati and Falisci in the area are attested from the 5th or 4th centuries BC. In the 6th century AD a popular pilgrimage church, entitled to St. Abondius and Abondantius, was created here; the saints' relics were moved to Rome, on the Tiber Island, in 999. In 1159 Pope Adrian IV died at Rignano. Rignano was first a possession of Santa Maria in Trastevere and then of the Savelli family, who were shortly ousted by Pope Alexander VI. After the fall of the Borgia, the Savelli regained it and held the fief until 1607, when they sold it to the Borghese. It later passed to the Muti, the Cesi and the Massimo families.

Alongside of the west tower there are remains of a walled-in postern, placed above the ground level, whose peculiarity is the absence of traces of wear on the jambs, just as if it was locked soon after it was built. As regards the interior, the most relevant changes are recent and date back to 1942-1943, when the whole structure was occupied and used by Ettore Muti, then the Secretary of the Fascist Party. The white-and-black bicromatic mosaics, still visible in some rooms, were realized in those years. Currently the towers house the Museum of the Walls, that exhibits, among other things, models of the walls and the gates during different phases of their building.

The Holy Family with San Giovanni by Giacinto Calandrucci, 1700 Giacinto Calandrucci (Palermo 20 April 1646 - 22 February 1707, Palermo) was an Italian painter of the Baroque period. Originally from Palermo, he moved to Rome with his fellow Palermitan painter and engraver Pietro del Pò. Like many painters in Rome in his day, then entered the large and prolific studio of Carlo Maratta. He afterwards worked under Giuseppe Passeri. In the 1680s Calandrucci completed decorative frescoes of the Four Seasons in the Palazzo Lante; mythological frescoes in the gallery of the Palazzo Muti Papazzurri; the decoration of the gallery of the Palazzo Strozzi-Besso; and a ceiling fresco, and the Sacrifice of Ceres in the papal Villa Falconieri at Frascati.

In 2015, she made her Salzburg Festival debut by singing her first Elvira in Verdi's Ernani (concert performance under the direction of Riccardo Muti). Yeo has already performed extensively in concert, appearing with the Filarmonica Arturo Toscanini, the Bulgarian National Philharmonic and the Orchestra of the Teatro Regio in Parma. She took part in ' in 2011, a concert marking the anniversary of the death of Luciano Pavarotti, and in 2013 she appeared in a bel canto concert at the Luciano Pavarotti Foundation. In 2014, along with other finalists of the Città di Busseto International Competition for Verdian Voices, she sang in a concert at the Teatro Regio in Parma, as well as in a celebration of Rolando Panerai's 90th birthday at the Teatro Goldoni in Florence.

Following his portrayal of Osaka in Mascagni's allegorical opera Iris at the Rome Opera in January, he returned to London to star in Saint-Saëns' Samson et Dalila, a role for which he has received universal acclaim. For his debuts in Los Angeles and San Francisco, Cura added two roles to his repertoire, Pollione in Bellini's Norma and Don José in Carmen. Other key roles included Le Villi, Leoncavallo's Pagliacci and Giordano's Andrea Chénier at Opernhaus Zurich, Mascagni's Cavalleria Rusticana at the Ravenna Festival (conducted by Riccardo Muti and broadcast on Italian television), and Pagliacci at Amsterdam's Concertgebouw (conducted by Riccardo Chailly and televised live). In December, he starred in the Puccini segment of the BBC "Great Composers" documentary, telecast in December 1997.

Pierre Boulez, Riccardo Chailly, Colin Davis, Christoph von Dohnányi, Christoph Eschenbach, Bernard Haitink, Marek Janowski, Erich Leinsdorf, Gerd Albrecht, Riccardo Muti, Václav Neumann, Seiji Ozawa, Giuseppe Sinopoli, Gabriel Chmura, Michael Hofstetter, Ulf Schirmer and Klaus Tennstedt. During the past years, she had several noteworthy role debuts, e. g. Fricka, Waltraute at the Graz Opera, Klytämnestra (Richard Strauss' Elektra) at the Budapest Spring Festival and Freiburg, 2002/2003 the title role in Aribert Reimann's Bernarda Albas Haus in the Swiss First Night at the Bern Opera, and 2012 Filipjewna (Eugen Onegin) at the Staatstheater Saarbrücken. Besides the classical-romantic repertoire of operas, oratorio, and Lieder, Wenkel dedicated herself also towards works of contemporary music, working together with Hans Werner Henze, Kryzsztof Penderecki and Aribert Reimann.

She made her Teatro alla Scala debut in 2017 as well, in her role debut of Ninetta for the occasion of the 200th anniversary of the premiere of La gazza ladra at La Scala (1817) under Riccardo Chailly. The performance was broadcast by RAI Radio and TV and was shown in cinemas worldwide as part of the "All'Opera" 16/17 Season. On 21 June 2020, Feola joined Riccardo Muti and Orchestra Giovanile Luigi Cherubini for a concert inaugurating Ravenna Festival of the year, singing music of Mozart. The open-air concert taking place at , with all regulations of social distancing, was one of the first live concerts in Italy after almost four months of lockdown due to COVID-19 pandemic.

Since 1990 Christian De Sica has also been a director: he debuted with Faccione, whose script he wrote and tailor-made for actress Nadia Rinaldi. After Count Max, a homage to the cinema of his father and of Mario Camerini, that he interpreted with Ornella Muti, Anita Ekberg and his mother Maria Mercader, De Sica went on self-directing in Ricky & Barabba (1992), Men Men Men (1995), Tre (1996), Simpatici & antipatici (1998) and The Clan (2005). A great admirer of Frank Sinatra and above all of Marlon Brando, he named his first child Brando in honor of the American actor. Criticism has often likened his acting to that of Alberto Sordi, from whom De Sica has drawn a lot of his expressions.

He was appointed to the post sometime before 956/7, when he is mentioned for the first time as going to meet Sayf al-Dawla at Adana, where he received a robe of honour. In late 961, with the support of the populace of Tarsus, he renounced his allegiance to the Hamdanid ruler, acknowledging the Abbasid caliph al-Muti instead. In early 962 however he was faced with the invasion of Cilicia by the Byzantine commander-in-chief Nikephoros Phokas, who seized the fortress of Ayn Zarba and pillaged the Cilician countryside. Ibn az-Zayyat with an army of 4,000 Tarsians tried to oppose the Byzantine general, but he was defeated with heavy losses, including Ibn az-Zayyat's own brother.

There was a special tribute after Act I on stage, and on the air during the intermission. In 2016 he was invited back to the Metropolitan Opera for five post-retirement performances as Benoît and Alcindoro in La bohème in April and May of that year, and 10 more in November, December, and January in the 2016/2017 season. At La Scala, the bass appeared in La damnation de Faust (Concert Version, with Nicolai Gedda, 1975), Boris Godunov (as Pimenn, conducted by Claudio Abbado, 1981), Anna Bolena (a revival of the Luchino Visconti production, 1982), I lombardi (1986), Nabucco (conducted by Riccardo Muti, 1988), Turandot (with Ghena Dimitrova, 1988 and 1989), and I Capuleti e i Montecchi (1988 and 1989).

Vase in Borghese style at the gardens of Versailles The vase was rediscovered in a Roman garden that occupied part of the site of the gardens of SallustIn the garden of Carlo Muti, where it was found together with the Silenus with the Infant Bacchus, according to notes compiled by Flaminio Vacca in 1594, noted by Haskell and Penny. in 1566 and acquired by the Borghese family. Napoleon bought it from his brother-in-law Camillo Borghese in 1808, and it has been displayed in the Louvre since 1811. In his Capriccio, Hubert Robert embellished and enlarged the Borghese Vase for dramatic effect and set it, in atmospherically ruinous condition, on the Aventine overlooking the Colosseum, a position it never occupied.

He has sung in the most important theaters in the world: Wiener Staatsoper, Metropolitan Opera of New York City, Teatro Colón de Buenos Aires, Opéra Bastille in Paris, Covent Garden in London, Arena di Verona, Maggio Musicale Fiorentino and many others. He collaborated with many important conductors: Riccardo Chailly, Myung-Whun Chung, Colin Davis, Gianandrea Gavazzeni, Carlo Maria Giulini, Eliahu Inbal, Lorin Maazel, Zubin Mehta, Riccardo Muti, Antonio Pappano, Michel Plasson, Georges Prêtre, Wolfgang Sawallisch, Philippe Auguin, Giuseppe Sinopoli, and Georg Solti. In recent years, he débuted in the roles of Mefistofele of Arrigo Boito, Escamillo in Carmen, Don Pasquale, the four bass roles in Les contes d'Hoffmann and Don Giovanni. In 2012, he débuted in the role of Scarpia in Puccini's Tosca in Prague and Parma.

By 1972, seventeen of the sixty-six string players were women, although the other three sections remained exclusively male, except for the veteran harpist, Sidonie Goossens.New Philharmonia programme booklet, Royal Festival Hall, 17 February 1972 Riccardo Muti (2008 photograph), chief conductor from 1972 to 1982 In Klemperer's later years the orchestra appointed Lorin Maazel, nominally as "associate principal conductor", from 1970, although in practice his role was more like a chief conductorship, with Klemperer as a figurehead, albeit one still capable of inspiring magnificent performances on occasion.Pettitt, pp. 161–162 Maazel sought more control than the self-governing orchestra was willing to concede, and resigned from his post in early 1972, although he continued to accept invitations to conduct the orchestra.

The plot revolves around a series of couples in Monte Carlo, Monaco. Augie Morosco (John Candy) is a reformed gambler whose wife Elena Morosco (Ornella Muti) (playing a similar character to her role in Oscar) is concluding a business deal, Neil Schwary (James Belushi) is a gambler looking to strike it big and whose wife Marilyn Schwary (Cybill Shepherd) is hoping to buy some designer clothes. Julian Peters (Richard Lewis) and Phoebe (Sean Young) met each other in Rome and are attempting to return a dachshund to the wealthy Madam Van Dougan. Madam Van Dougan is found murdered and the interactions between Julian and Phoebe and the other couples begin to look increasingly suspicious, as Inspector Bonnard (Giancarlo Giannini) needs to unravel the clues.

Most of the fighting took place in the streets and alleys of Kufa, with the pro- Alid opponents of the governor led by al-Sa'ib ibn Malik al-Ash'ari and Ibn al-Ashtar ultimately besting Ibn Muti's men and forcing him and a small coterie of supporters to barricade in the city's fortified palace. He was persuaded by his loyalist, the Arab noble Shabath ibn Rib'i al-Tamimi, to secretly escape the city alone after refusing an earlier suggestion to formally surrender, which he deemed a betrayal of Ibn al-Zubayr. Ibn Muti praised the Arab nobles on his side and dismissed Mukhtar's supporters as lowly men before evacuating. His supporters then obtained safe conduct in return for giving al-Mukhtar their allegiance.

In 1994, Wolfe was chosen by music director Daniel Barenboim to succeed Margaret Hillis as director of the Chicago Symphony Chorus. Only the second individual to hold the position, Wolfe has prepared the Chorus for over one hundred performances, including a Grammy Award–winning recording of Wagner’s Die Meistersinger von Nürnberg with Sir Georg Solti in 1998, and a Carnegie Hall performance of Beethoven’s Ninth Symphony with the Staatskapelle Berlin under Barenboim in 2000. Under Wolfe's leadership, the Chicago Symphony Chorus won a 2010 Grammy Award for Best Choral Performance (the ensemble's tenth award in that category since 1977) for Verdi's Messa da Requiem under the baton of music director Riccardo Muti. The recording also won the Grammy Award for Best Classical Album.

It is thought it was constructed for the newly married Pompeo Muti Papazzurri and Maria Isabella Massimo. A print of 1699 shows a large townhouse built around an open cour d'honneur, the court being entered through a triumphal arch at the centre of a Baroque screen linking the two flanking wings. The screen still remains but has today had rooms built above it, thus completely altering the open appearance of the palazzo to a plain closed façade. During the 18th century the palazzo formed the centre of a family complex of properties which were rented in their entirety to the Stuarts, pretenders to the British throne; thus for a time the palazzo was the home of a court in exile.

Suh has performed with orchestras including the Philadelphia Orchestra, Pittsburgh Symphony, Philharmonia, London Philharmonic, Frankfurt Radio Symphony, Berlin Symphony, Stuttgart Radio Symphony, Budapest Festival, Slovak Radio Symphony, Moscow Philharmonic, Moscow State Symphony, Saint Petersburg Academic Symphony, Osaka Philharmonic, Tokyo Symphony, Nagoya Philharmonic, Shanghai Symphony, KBS Symphony, and the Seoul Philharmonic. She has worked with conductors such as Riccardo Muti, Charles Dutoit, Ivan Fischer, Dmitri Kitayenko, Pavel Kogan, Aleksandr Dmitriyev, Franz Welser-Möst, Gerd Albrecht, Gianluigi Gelmetti, Moshe Atzmon, Takashi Asahina, Long Yu, and Myung-Whun Chung. Suh gave her US debut recital at Lincoln Center in 1985 as the winner of the William Petschek Prize,Page, Tim (30 April 1985). “Hai-Kyung Suh, Piano, At Alice Tully Hall” New York Times.

In 2011, the second laureate, conductor Riccardo Muti, was selected by a distinguished international panel of classical music experts from the major countries where Birgit Nilsson was most active during her career. Cited for his "extraordinary contributions in opera and concert, as well as his enormous influence in the music world both on and off the stage." The Birgit Nilsson Prize for 2014 was awarded to the Vienna Philharmonic, which is being recognized for its extraordinary contributions during its 172 years of work in opera and concert, as well as for its enormous worldwide influence in the music world both on and off the stage through live performance, recordings, and other media. The prize for 2018 was awarded to the Swedish soprano Nina Stemme.

She was already a celebrated star when in 1995 she sang Pamina at the première of Die Zauberflöte at the night of the season at La Scala to great acclaim. These roles were followed by Susanna in Mozart’s Le Nozze di Figaro, and Violetta in Verdi’s La Traviata. In 2006 January she performed several times the role of Gilda at Teatro alla Scala. At the Salzburg Festival, she performed in several productions, including R. Strauss’s Die Frau ohne Schatten (Voice of the Falcon, under Georg Solti), Monteverdi’s L’Incoronazione di Poppea (Drusilla, under Nikolaus Harnoncourt), Verdi’s Traviata (Violetta, under Riccardo Muti), and Mussorgsky’s Boris Godunov (Xenia, under Claudio Abbado). In L'Opéra Bastille de Paris she sang Susanna, Gilda, Lucia, and Antonia (in Offenbach’s Les contes d’Hoffmann).

He was born in Tehran, Iran, educated at film school in London and worked as a director and producer on over twenty television documentaries, many of them broadcast by the UK’s BBC and Channel 4, as well as major American networks. A New York resident for many years, Ramin was a faculty member for filmmaking at the School of Visual Arts in New York. He also produced Amir Naderi’s festival favorite Manhattan By Numbers in New York. Niami’s first feature film as a director was Somewhere in the City, starring Sandra Bernhard, Bai Ling, Ornella Muti and Peter Stormare; the film screened at over 25 international film festivals, was released theatrically in the U.S. and on HBO and was sold in countries around the world.

MAURO NARDI – Officiel website A Mario Merola, some neomelodici have dedicated several songs, including: Faje parte 'e chesta storia (You are part of this story), il grande Merola (The great Merola), al re Merola (King Merola) and Maestro Merola (Master Merola). In 2008 he opened the restaurant-museum in Naples Felicissima Sera (Happy evening), named after the myth of Mario Merola. The venue accompanied by photos, objects, records, posters, costumes, letters, covers and newspaper headlines of the singer, was born thanks to the children of Roberto and Francesco, Mimmo and Valentino Manna and with the collaboration of the design Nadia Wanderlingh. Among the photos that portray Merola there are those with Diego Armando Maradona, Mike Bongiorno, Franco Franchi, Ornella Muti, Johnny Dorelli, Vittorio Gassman and Adriano Celentano.

He has appeared as a piano soloist with the Berlin Philharmonic, the Boston Symphony Orchestra, the Chicago Symphony Orchestra, Royal Concertgebouw Orchestra, New York Philharmonic, the Vienna Philharmonic, and numerous other orchestras worldwide. Conductors he has worked with include Claudio Abbado, Roberto Abbado, Myung-Whun Chung, Riccardo Muti, Lorin Maazel, Valery Gergiev, Zubin Mehta, Roberto Carnevale, Mstislav Rostropovich, Neville Marriner, and many others. His chamber-music partners have included Maxim Vengerov, Mstislav Rostropovich, Stefano Mollo, the Berlin Philharmonic Octet, and many others. He has conducted the Deutsche Kammerorchester Frankfurt, and among compositions of his to be performed are a Sonatina (2004) premiered at the Hamburg Musikfest, Variations for Piano, premiered in Japan, and a Symphony premiered in Italy, as well as a Violin and Piano Sonata premiered in Italy with Stefano Mollo.

His recordings include an exceptional recital at the Louvre of the Lieder eines fahrenden Gesellen by Mahler with the Quatuor Arditti under the direction of Michel Béroff on the occasion of the reopening of the museum in 1989, Adriana Lecouvreur by Cilea with Mirella Freni (La sept Arte/Opéra national de Paris, France Musique, 1994), Massenet's Manon with Renée Fleming (Arthaus, 2009), Donizetti's L'elisir d'amore with Rolando Villazón (Virgin Classics, 2010) and a tribute to the Franco-Monegasque poet-songwriter-performer Léo Ferré at the Opéra de Monte-Carlo (OPMC Classics, 2014). He has collaborated with conductors such as Herbert von Karajan, Sir Georg Solti, Riccardo Muti, Giuseppe Sinopoli, Richard Bonynge, Seiji Ozawa, Pierre Boulez, Valery Gergiev, Jeffrey Tate, Christian Thielemann, Daniel Oren, Charles Dutoit and Christoph Eschenbach.

Giannattasio has worked with many renowned international conductors including Maurizio Benini, Semyon Bychkov, Roland Boer, Sir Colin Davis, Plácido Domingo, Dan Ettingerá, Asher Fisch, Riccardo Frizza, Daniele Gatti, Michel Plasson, René Jacobs, Riccardo Muti, Daniel Oren, Zubin Mehta, Myung-whun Chung, Antonio Pappano, Michele Mariotti, and David Parry. In 2012, she made her Royal Opera House, Covent Garden debut as Mimi in John Copley's production of La boheme and her Metropolitan Opera, New York, debut as Leonora in David McVicar's production of Il trovatore. In the same year she also had a debut at Arena di Verona in Zeffirelli's production of Mozart's Don Giovanni starring Ildebrando D'Arcangelo. In december 2012 she was acclaimed in Naples as Violetta in La Traviata under the direction of turkish cinema director Ferzan Ozpetek.

Pons made his international début in 1980 at the Teatro alla Scala of Milan with Falstaff, staged by Giorgio Strehler and conducted by Lorin Maazel. Since then, he has been a guest of the most important theatres all over the world, including the Metropolitan Opera House of New York, the Vienna Staatsoper, Covent Garden in London, the Opéra of Paris, Zürich, the Liceo in Barcelona and the Arena of Verona. His repertoire includes all the main baritone roles. Besides Falstaff, a role he played in 1993 at the La Scala under Riccardo Muti on the occasion of the centennial anniversary of its first performance, he has interpreted many of Verdi's most important baritone roles in Il trovatore, Aida, Ernani, Un ballo in maschera, Rigoletto, La forza del destino, La traviata, Simon Boccanegra and Macbeth.

Mbunda names are many; listed are the ones commonly used.name="google4" They can be given either to a male or female, except a very few that are for females only and have been indicated here by (f). Some Mbunda names are similar to those of other nationalities which also have their roots in the Luba Kingdom, such as Kaunda, Katongo, Kavanda, Mulenga, Muvanga, Mwila, Kavunda, Kalunga, Muti, Chiinga, Kavalata, Chiti, Nkonde and others. Also similar to Mbunda names are Chipoya, Chipango, Musole, Kayata, Ngambo, Kawengo, Kapisa and Musumali, found in other ethnic groups which trace their origins to Mwantiyavwa the king of the Ruund. These similarities give further evidence that Mbunda people interacted with the Kingdom of Lunda and Kingdom of Luba,Almanac of African Peoples & Nations, page 523.

In 1967 Siepi was Don Giovanni in a controversially received production staged by Otto Schenk and designed by Luciano Damiani that showed Mozart's masterpiece in the light of the commedia dell'arte, emphasizing the comic and ironic elements of this opera (conductor Josef Krips strongly opposed this production's concept). In Vienna he also sang Basilio (Il barbiere di Siviglia), Colline (La bohème), Fiesco (Simon Boccanegra), Figaro (Le nozze di Figaro), Padre Guardiano (La forza del destino 1974 in a new production conducted by Riccardo Muti), Gurnemanz (Parsifal), Méphistophélès (Faust), Filippo II (Don Carlos), and Ramphis (Aida). His final performance at Vienna was in Norma (Oroveso) at the Austria Center Vienna in 1994. He was a particularly fine recital artist, especially in Community Concerts under Columbia Artist Management, and a sensitive interpreter of German Lieder.

In 1980 she distinguished herself as a finalist at the Maria Callas International Competition organized by Italy's RAI TV.Vittorio Emiliani, RAI: Al via Concorso Internazionale Maria Callas (5), "Adnkronos", 05.12.2000. Her international career took her to a variety of opera theatres, singing under the direction of conductors such as Riccardo Muti, Claudio Abbado, and the Metropolitan Opera's James Levine. Dessì's 2008–2009 season began with Tosca in Florence, where she performed an encore of "Vissi d'arte", the first encore at Teatro Comunale di Firenze since Renata Tebaldi's "Amami Alfredo" in 1956. She later performed at the Verdi Theatre in Trieste, and also performed Adriana Lecouvreur in Palermo, Puccini's La fanciulla del West in Seville, Manon Lescaut in Warsaw, Madama Butterfly in Hanover, and Aida in Verona and Cagliari.

Following studies in his native city, he made his debut as Count Almaviva in Il barbiere di Siviglia, with Florida Opera in 1972. Noted particularly for his musicianship and abilities as a singing-actor, he went on to appear with the Chicago Lyric Opera, San Francisco Opera, Covent Garden (Lenski in Eugene Onegin, and Števa in Jenůfa), Paris Opéra, Hamburg Opera, The Netherlands Opera, Teatro alla Scala (as Narraboth in Salome, in Robert Wilson's production, 1987), Santa Fe Opera, Dallas Opera (world premiere of The Aspern Papers), and the New Israeli Opera. In 1992, he appeared in Luca Ronconi's production of La damnation de Faust, in Turin. He also sang with many of the great orchestras, under Leonard Bernstein, Sir Colin Davis, Seiji Ozawa, James Levine, Nikolaus Harnoncourt, and Riccardo Muti.

On 14 November 1929, the Italian Marquis Achilles Muti-Bussi donated the land to the Roman Catholic Church as a gesture of goodwill for its impoverished peasants living nearby. The Capuchin friars arrived on 16 December 1930 and on 20 September of the same year the cornerstone was laid for their new Capuchin monastery. On 30 May 1932, the church itself was canonically signed and erected but the actual construction of the church began in 1934. The original church itself was established on 29 March 1935 through the apostolic decree by Vicar General of Rome, Cardinal Francesco Marchetti Selvaggiani in his letter "Sollicitudo Omnium Ecclesiarum" (English: "We encourage the whole church"), which canonically entrusted the shrine to the Order of Friars Minor Capuchin who tended to the poor slums of the area.

Flash Gordon is a 1980 space opera film based on the King Features comic strip of the same name created by Alex Raymond. Directed by Mike Hodges and produced by Dino De Laurentiis, the film was shot in Technicolor and Todd-AO-35 and stars Sam J. Jones, Melody Anderson, Topol, Max von Sydow, Timothy Dalton, Brian Blessed and Ornella Muti. The film was co-written by Michael Allin (known for Enter the Dragon) and Lorenzo Semple Jr. (who had previously scripted De Laurentiis's remake of King Kong) and uses a camp style similar to the 1960s TV series Batman (which Semple developed) in an attempt to appeal to fans of the original comics and serial films. Although a box office success in the United Kingdom, it performed poorly in other markets.

There are five different RAID-Z modes: striping (similar to RAID 0, offers no redundancy), RAID-Z1 (similar to RAID 5, allows one disk to fail), RAID-Z2 (similar to RAID 6, allows two disks to fail), RAID-Z3 (a RAID 7 configuration, allows three disks to fail), and mirroring (similar to RAID 1, allows all but one disk to fail). The need for RAID-Z3 arose in the early 2000s as muti-terabyte capacity drives became more common. This increase in capacity—without a corresponding increase in throughput speeds—meant that rebuilding an array due to a failed drive could take "weeks or even months" to complete. During this time, the older disks in the array will be stressed by the additional workload, which could result data corruption or drive failure.

For this project the AI had to find the typical patterns in the colors and brushstrokes of Renaissance painter Raphael. The portrait shows the face of the actress Ornella Muti, "painted" by AI in the style of Raphael. Machine learning (ML), a fundamental concept of AI research since the field's inception, is the study of computer algorithms that improve automatically through experience.This is a form of Tom Mitchell's widely quoted definition of machine learning: "A computer program is set to learn from an experience E with respect to some task T and some performance measure P if its performance on T as measured by P improves with experience E." Unsupervised learning is the ability to find patterns in a stream of input, without requiring a human to label the inputs first.

He trained at Actor's Theatre of Louisville and became involved with Chicago's St. Nicholas Theatre and various national tours. He then completed his graduate study in mental health at the University of Illinois at Chicago and worked as a clinical social worker before focusing on arts journalism. Ketterson is a regular contributor and annotator for the publications of performing arts organizations throughout the United States, including Lyric Opera of Chicago, The Metropolitan Opera Guild, Houston Grand Opera, Washington National Opera at Kennedy Center, the Chicago Symphony Orchestra, the Ravinia Festival, and Wolf Trap National Park for the Performing Arts. He has lectured extensively on theatre, opera, and arts education, and has profiled such disparate artists as conductor Riccardo Muti, Bobby McFerrin, Patti LuPone, Paul Gemignani, and Sir James Galway.

The choir performed at international festivals such as Aix-en-Provence Festival, the Dresden Music Festival, Salzburg Festival, The Proms in London, and the Wiener Festwochen, among others. In 2019, the choir participated in the opening concert of the Rheingau Musik Festival at Eberbach Abbey, singing Dvořák's Stabat Mater with the hr-Sinfonieorchester, conducted by Andrés Orozco-Estrada. Conductors like Claudio Abbado, Karl Böhm, Riccardo Chailly, Sir Colin Davis, Bernard Haitink, Herbert von Karajan, James Levine, Lorin Maazel, Kurt Masur, Sir Neville Marriner, Riccardo Muti, Roger Norrington, Seiji Ozawa, Georges Prêtre, Sir Simon Rattle and Wolfgang Sawallisch have already conducted the orchestra. In addition to regular cooperation with the MDR Symphony Orchestra and the Gewandhausorchester, the choir has performed repeatedly with the Dresdner Staatskapelle, the Dresdner Philharmonie and the Staatskapelle Weimar.

Other important steps in her career are the opening of La Scala with Luisa Miller in 1969 (replacing Montserrat Caballé) and I masnadieri at the Maggio Musicale Fiorentino under the direction of Riccardo Muti. She covers a wide repertoire ranging from Handel's Giulio Cesare to verismo, with a preference for Verdi's Aida in over 500 performances, as well as performing in Il trovatore, Un ballo in maschera, La traviata and in the already mentioned Luisa Miller and La forza del destino. She also interprets various titles of the first Verdi: Attila, I masnadieri, Nabucco, La battaglia di Legnano, I due Foscari, Ernani. From Puccini's repertoire, she performs La bohème, Manon Lescaut, Tosca, Madama Butterfly, Suor Angelica, Turandot (Liù), and works by other verismo composers such as Andrea Chénier, Cavalleria rusticana, and Francesca da Rimini.

At the Volksoper his roles included Don Giovanni (Mozart: Don Giovanni), Prosdocimo (Rossini: Il Turco in Italia) and Peter (Lortzing: Zar und Zimmermann). In July 2009 Eröd made his debut at Bayreuther Festspiele as Sixtus Beckmesser in Die Meistersinger von Nürnberg. Adrian Eröd is a frequently engaged concert singer and works with such leading conductors as Nikolaus Harnoncourt, Sir Simon Rattle, Riccardo Muti, Helmuth Rilling and Fabio Luisi. His concert repertoire includes among other works Bach's Magnificat, St.John Passion and St Matthew Passion, Haydn's Creation mass, Mahler's song cycles and Das Lied von der Erde (in version for tenor and baritone), Mendelssohn's Elijah, Brahms’ Ein deutsches Requiem, masses by Schubert and Mozart, Orff's Carmina Burana as well as Zemlinsky's Lyrische Symphonie, Zeisl's Requiem ebraico and Iván Erőd's Schwarzerde.

In that same year (2003) Maestro Riccardo Muti selected Lungu as Anaï in Rossini's Moïse et Pharaon, the inaugural opera of the 2003/04 season of the Teatro alla Scala. That was the beginning of a fruitful collaboration between the soprano and the leading Italian opera company, where she has performed Adina in L'elisir d'amore, Maria Stuarda, Marguerite in Faust, Oksana in Cherevichki, Nannetta in Falstaff and the title role of Sancta Susanna. It was at La Scala that in 2007 she debuted the role of Violetta in La traviata under the musical direction of Lorin Maazel in Liliana Cavani's production, returning to sing the role in the same staging in 2008, and in 2013 in Dmitri Tcherniakov's new production conducted by Daniele Gatti. Violetta is her most performed role (over 130 times).

"Among the international guest stars are the phenomenal tenor Andrea Bocelli, the ballet superstar Sylvia Guillem, the Tanztheatre Wuppertal Pina Brausch, legendary cabaret star Barbara Cook, the great conductor Riccardo Muti with the Orchestra Filarmonica Della Scala, jazz artists the George Shearing Trio and the great German singer Ute Lemper.""Grand arts events strike Games gold", The Sunday Telegraph (Sydney, Australia), August 20, 2000, p. 122 Also in 2000, she was joined by Lillias White, Malcolm Gets, and Debbie Gravitte on the studio cast recording of Jimmy McHugh's Lucky in the Rain."'Lucky In The Rain': The Jimmy McHugh Musical" songwritershalloffame.org, accessed September 7, 2011. In February 2001, Cook returned to Carnegie Hall to perform Barbara Cook Sings Mostly Sondheim which was recorded live and released on CD.Ruhlmann, William.

Abdrazakov made his Metropolitan Opera debut in 2004 in Don Giovanni under James Levine and has since appeared there regularly. In 2008–09 he headlined a new production of Verdi's Attila,"Warm Up: Ildar Abdrazakov Alternates Between Angry Monarchs and Angry Birds" Olivia Giovetti, Operavore, 27 Feb 2012 and in 2011 he made his role debut as Henry VIII in a new, season-opening production of Donizetti's Anna Bolena with Anna Netrebko."Two of Opera's Leading Ladies Sing 'Lucia di Lammermoor' This Season at Met", Broadway World Dallas, October 2008 In the 2004–05 season, Abdrazakov joined Riccardo Muti in concert for the reopening of the Teatro alla Scala and sang the role of Moses in a production of Rossini's Moïse et Pharaon. The production was recorded and released on CD and DVD.

In addition to Attila, Abdrazakov's other Verdi roles include Banquo in Macbeth, Walter in Luisa Miller, and the title character in Oberto. Abdrazakov has also performed at Barcelona's Liceu, Madrid's Teatro Real, the Opéra Bastille in Paris, the San Francisco Opera, the Washington National Opera, and the Los Angeles Opera. On the concert stage, he has given recitals in Russia, Italy, Japan, and the United States, and performed with orchestras including the Chicago Symphony, the Vienna Philharmonic, the Leipzig Gewandhaus Orchestra, the Bayerischer Rundfunk, the Rotterdam Philharmonic, the Orchestre National de France, the Orchestra Filarmonica della Scala, and Rome's Accademia Nazionale di Santa Cecilia. He has collaborated with conductors such as Riccardo Muti, Valery Gergiev, James Levine, Gianandrea Noseda, Bertrand de Billy, Riccardo Frizza, Riccardo Chailly, and Antonio Pappano.

Accessed August 2013. Apart from the symphony orchestra, there was also is a Syrian National Orchestra for Arabic Music, that had been performing classical Arabic music, with musicians like Syrian oud virtuoso Issam Rafea, trained in this musical tradition of the Middle East. Due to the ongoing civil war in Syria, many musicians have left the country for exile in Europe, the US or other countries, but still, the musical audience in Damascus, as well as the authorities and remaining musicians, continue with concerts and other musical activities. In July 2020, the SNSO participated with an online performance from Damascus of Beethoven's Eroica symphony in a series of friendship concerts, where Italian conductor Riccardo Muti conducted his Luigi Cherubini Youth Orchestra with Syrian guest musicians in Ravenna, Italy.

Gasdia studied music and piano at the Conservatorio di Verona, graduating in 1980. That same year she won the first prize in the "New Voices for Opera" competition dedicated to Maria Callas. In 1981 she made her operatic debut in Florence as Giulietta in Bellini's I Capuleti e i Montecchi and rose to prominence following her successful debut at La Scala in 1982 when at very short notice she replaced Montserrat Caballé in the title role of Donizetti's Anna Bolena. Following her debut at the Rossini Opera Festival in Pesaro in 1983 she became a well-known singer in Rossini's operas during the 1980s, with 14 different Rossinian roles in her repertoire. She made her American debut on 5 October 1985 as Gilda in a concert performance of Rigoletto in Philadelphia conducted by Riccardo Muti (repeated on 8 October at Carnegie Hall).

See press: La fida ninfa, Mosè in Egitto CD, Arie per basso CD, Cenerentola, L'italiana in Algeri Performing at the major opera and concert venues of Europe, as well as in Japan and the USA, Regazzo has also been a regular guest at musical events such as the Salzburg Festival and the Rossini Opera Festival in Pesaro. Among the conductors he collaborated with are Simon Rattle, Riccardo Muti, Lorin Maazel, Colin Davis, Claudio Abbado, Riccardo Chailly, Daniele Gatti, Nikolaus Harnoncourt, Jesús López-Cobos and Marcello Viotti. He has made Baroque music recordings and took part in live performances with such specialists of the genre as René Jacobs, Emmanuelle Haïm, Rinaldo Alessandrini, Jean-Christophe Spinosi, Fabio Biondi, Claudio Scimone, and Andrea Marcon. Regazzo holds degrees in singing, piano, choral music, and choral conducting, and has studied voice with Sesto Bruscantini and Regina Resnik.

The World Health Organization (WHO) defines traditional medicine as "the sum total of the knowledge, skills, and practices based on the theories, beliefs, and experiences indigenous to different cultures, whether explicable or not, used in the maintenance of health as well as in the prevention, diagnosis, improvement or treatment of physical and mental illness." Practices known as traditional medicines include Ayurveda, Siddha medicine, Unani, ancient Iranian medicine, Irani, Islamic medicine, traditional Chinese medicine, traditional Korean medicine, acupuncture, Muti, Ifá, and traditional African medicine. The WHO stated that "inappropriate use of traditional medicines or practices can have negative or dangerous effects" and that "further research is needed to ascertain the efficacy and safety" of several of the practices and medicinal plants used by traditional medicine systems. As example, Indian Medical Association regard traditional medicine practices, such as Ayurveda and Siddha medicine, as quackery.

Cannoli siciliani, a specialty of the event. The race is disputed as tradition, on the hairpin bends of Mount Arcibessi. In recent years the path on Hyblaean Mountains has been slightly lengthened, this extension made the race recognized as a valid race for the Trofeo italiano velocità montagna-sud, Sicilian hill speed championship and Sicilian hill speed championship for historic cars.also allowing a better and easier use, to those who can arrive from Ragusa, from Modica, from Vittoria from the nearby mountain Municipalities such as Monterosso Almo and Giarratana, but also from other Hyblean areas, in addition to allowing a greater tourist flow. In Piazza Duomo, to Chiaramonte Gulfi, it is possible to taste typical Sicilian dishes by the local associations that adhere to the initiative (Association Contrada Muti, Association Contrada Piano dell’Acqua and Youth Association of Roccazzo).

He graduated in singing at the Conservatory Claudio Monteverdi in Bolzano (Italy)"Ein Sängerleben ist nicht so einfach" by Daniel Ender, Der Standard (9 December 2010) where he studied with Vito Maria Brunetti. At the age of 22 he was discovered by Claudio Abbado who chose him to play the role of Ferrando in Mozart's Così fan tutte. He collaborates with the most prestigious theaters and musical institutions in the world as: Teatro alla Scala in Milan, Opéra National de Paris, Royal Opera House, Metropolitan Opera, Vienna State Opera, Gran Teatre del Liceu, Moscow Bolshoi Theatre, Berlin State Opera and Deutsche Oper, Salzburg Festival, Vienna Musikverein, Bayerische Rundfunks in Munich, and Amsterdam Concertgebouw. He has been directed by Riccardo Muti, Claudio Abbado, Mariss Jansons, Zubin Mehta, Nikolaus Harnoncourt, Lorin Maazel, Seiji Ozawa, Gianandrea Noseda, Daniel Barenboim, James Conlon, Antonio Pappano, Daniele Gatti.

This is a discography of Giuseppe Verdi's opera, Un ballo in maschera. It was first performed at the Teatro Apollo in Rome on 17 February 1859. However, prior to the version of the opera which appears in the recordings below, Verdi had been using the title of Gustavo III and, when he was prohibited from using that title and after he was forced to make significant changes, the original version disappeared. It has been reconstructed, performed, and recorded as Gustavo III (Verdi). On the 5 Oct 2013 broadcast of BBC 3'S CD Review - Building a Library, musicologist Roger Parker surveyed recordings of Un Ballo in Maschera and recommended the 1975 recording by the New Philharmonia Orchestra, Chorus of the Royal House Covent Garden, Haberdashers' Aske's School Girls’ Choir, Riccardo Muti (conductor), as the best available choice.

The buildings in the square include the Palazzo Muti-Bussi, the Palazzo Fani (now Pecci-Blunt ) and the Palazzo Massimo di Rignano, then Colonna, while the central feature is the fountain designed by Giacomo della Porta and realized in 1589 by Andrea Brasca, Pietro Gucci and Pace Naldini. The complicated demolitions Piazza d'Aracoeli has been subjected to, if on one hand have ruined the scenic design that Michelangelo used for the adjustment of the Capitoline Hill, on the other hand have opened a striking view on an outstanding urban landscape: from it is it possible to admire with a single glance the Quirinal Hill, the Trajan's Forum with its column and the Torre delle Milizie at the back, the two churches of Santa Maria di Loreto and of the Santissimo Nome di Maria, Palazzo Venezia and the buildings of the "Angelicum" cloister.

Pietro Veneri (born 1964) is an Italian conductor, and professor of conducting at the Conservatorio Arrigo Boito in Parma. He trained in piano and composition with Camillo Togni at the Conservatorio “Arrigo Boito” in Parma, where he graduated in conducting with Daniele Gatti. During his career, he has conducted orchestras such as Tokyo City Philarmonic, Maggio Musicale Fiorentino, Sanremo Symphony, Osaka Century, Haydn Sinfonie-Orchester, Yamagata Symphony, Sinfonia Varsovia, Comunale of Bologna and Filarmonia Veneta, and in institutions such as Suntory Hall in Tokyo, the Konzerthaus, Vienna, Festival Hall, Osaka, Dalhalla Opera Festival, Teatro Regio of Parma, Teatro Comunale of Bologna, Nagoya Aichi Hall, Teatro del Maggio Musicale Fiorentino, Tokyo Orchard Hall and Auditorium della Conciliazione of Roma. He has assisted Rafael Frühbeck de Burgos and collaborated with Zubin Mehta, Christian Thielemann, Riccardo Muti, Riccardo Chailly, Daniele Gatti and Georges Prêtre.

Awareness poster confronting prejudice against albinos in Africa A child with albinism Persecution of people with albinism (sometimes abbreviated PWA) is based on the belief that certain body parts of albinistic people can transmit magical powers. Such superstition is present especially in some parts of the African Great Lakes region, it has been promulgated and exploited by witch doctors and others who use such body parts as ingredients in rituals, concoctions and potions with the claim that their magic will bring prosperity to the user (muti or medicine murder). As a result, people with albinism have been persecuted, killed and dismembered, and graves of albinos dug up and desecrated. At the same time, people with albinism have also been ostracised and even killed for exactly the opposite reason, because they are presumed to be cursed and bring bad luck.

Nigro was born in Manduria and grew up in Erchie (Brindisi). After studying at the Conservatory "Nino Rota" of Monopoli (a town in province of Bari), the tenor studied at the Academy of High for Opera Singers at La Scala in Milan from 2001 to 2003. His teachers included Leyla Gencer, Teresa Berganza, Ghena Dimitrova, Luigi Alva and Luciana Serra. He sang in the World Premiere of Narciso Sabbadini's "The Divine Providence" (for the beatification of Don Giovanni Calabria) with the "Virtuosi di Praga" to "Social" in Mantua, the "Philharmonic" of Verona and the Opera House in Prague for Czech Radio and TV. At the Teatro della Scala in Milan, he sang Giuseppe Verdi's Un giorno di Regno, Samson et Dalila (with Gary Bertini), Sarzuela Luisa Fernanda with Plácido Domingo, and in Ifigenie en Aulide and Fidelio under the baton of Riccardo Muti.

Her brother is Marcos Fink, Slovenian classical music singer. Bernarda Fink has sung with leading orchestras including the Philharmonics of Vienna and London, Gewandhaus Leipzig, Radio-France Philharmonic, Orchestre National de France, Akademie für Alte Musik Berlin, English Baroque Soloists, I Solisti Veneti, les Musiciens du Louvre, and Musica Antiqua Köln and has performed under the baton of conductors such as René Jacobs, Philippe Herreweghe, John Eliot Gardiner, Nikolaus Harnoncourt, Trevor Pinnock, Neville Marriner, Marc Minkowski, Roger Norrington, Mariss Jansons, Valery Gergiev, Colin Davis, and Riccardo Muti. She has performed at the opera houses of Geneva, Prague, Montpellier, Salzburg, Barcelona, Innsbruck, Rennes. Buenos Aires, Amsterdam, she has sung at the Salzburg, Vienna, Prague, Tokyo, Montreux, BBC Proms festivals, as well as the Théâtre des Champs Elysées, Carnegie Hall, Concertgebouw Amsterdam, Vienna Konzerthaus and Sydney Opera House.

In addition to appearing as Kundry at Bayreuth, Meier continued to appear elsewhere in the role during the 1990s, including a 1991 production at La Scala under the baton of Riccardo Muti and at the Théâtre du Châtelet in Paris, in a version staged by Klaus Michael Grüber and conducted by Semyon Bychkov. In 1992, she appeared for the first time as Kundry at the Metropolitan Opera, opposite Siegfried Jerusalem as Parsifal, with James Levine conducting. The New York Times reported: "Waltraud Meier, bringing her acclaimed performance as Kundry to the Met for the first time, was seductive and gentle in her first approach to Parsifal, holding in reserve a strength and determination that gave her singing an eerie calm."Edward Rothstein, Review/Opera; A 'Parsifal' at the Met With Meier and Jerusalem, The New York Times, 14 March 1992.

Kissin made regular recital tours of Europe, America and Asia. He has performed with nearly all the leading orchestras of the world, under such conductors as Claudio Abbado, Vladimir Ashkenazy, Daniel Barenboim, Myung-Whun Chung, Sir Colin Davis, Vladimir Fedoseyev, Valery Gergiev, Carlo Maria Giulini, Mariss Jansons, Herbert von Karajan, Dmitri Kitaenko, Jan Latham-Koenig, Emmanuel Krivine, James Levine, Sir Andrew Davis, Lorin Maazel, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Sir Antonio Pappano, Sir Simon Rattle, Sir Georg Solti, Vladimir Spivakov, Yevgeny Svetlanov and Yuri Temirkanov. Kissin has also performed chamber music with Martha Argerich, Mikhail Pletnev, Gidon Kremer, James Levine, Mischa Maisky, Thomas Quasthoff, Isaac Stern, Itzhak Perlman, Karita Mattila, Dmitry Hvorostovsky, Joshua Bell, Leonidas Kavakos, Natalia Gutman, Yuri Bashmet, Vladimir Spivakov, the Emerson String Quartet and others. Many musical awards and tributes from around the world have been bestowed upon Kissin.

She then assumed the roles of Agave in The Bassarids (at Carnegie Hall), Ortrud in Lohengrin (in Robert Wilson's production), Herodias in Salome, Anna I in Die sieben Todsünden, Klytämnestra in Elektra, Jocasta in Œdipus rex (opposite René Kollo), Mother Marie of the Incarnation in Dialogues des Carmélites, Pierrot lunaire, Judith in Bluebeard's Castle, Countess Geschwitz in Lulu, Madame de Croissy in Dialogues des Carmélites (her Teatro alla Scala debut, under Riccardo Muti, 2004; three years later she sang in Jenůfa there), Míla's Mother in Osud, the Comtesse in Pique-dame, and the Witch in Hänsel und Gretel. She was first heard in Cleveland, Boston, Madrid, Leipzig, Prague, and Rio de Janeiro in these recent seasons. Her 2001 recording of Jenůfa, from Covent Garden, won a Grammy Award. Silja now resides in Paris, having purchased the former home of the conductor André Cluytens.

Andrea Rost was born in Budapest. She graduated from the Liszt Ferenc Academy of Music as the pupil of Zsolt Bende. She was still a student with a scholarship from the Budapest Opera when she sang Juliette in Gounod’s Romeo et Juliette at the Budapest Opera House in 1989. Two years later, in 1991, she became the soloist of the Staatsoper in Vienna, where she sang all her major roles; the connoisseur audience of Vienna heard her magnificent performances of the roles of Zerlina through Adina and Susanna to Lucia di Lammermoor and Violetta, as well as at a number of concerts. She enjoyed a roaring international success at the première of Rigoletto at La Scala in 1994, where she had been invited by Riccardo Muti, and she has been a regular guest singer there ever since.

International Music Festival of Krystyna Jamroz, Poland, Busko-Zdrój, 1. July 2008 In 1988 she became a member of the Deutsche Oper Berlin where she made her debut in 1987 as Gilda in Verdi's Rigoletto. With her bell like voice, she was successful not only in female roles such as Gilda, Susanna, Nannetta, Sophie or Pamina but also the pert Blondchen, as capricious Zerbinetta and Musetta or the androgynous Oscar. As an accomplished concert singer, she has worked with such conductors as Zubin Mehta (New York Philharmonic/Israeli Symphony), Riccardo Muti (Philadelphia Orchestra), Mstislav Rostropovich and Rafael Frühbeck de Burgos (Washington National Symphony Orchestra), Charles Dutoit (Montreal Symphony/Philadelphia Orchestra), André Previn (Pittsburgh Symphony), Michael Tilson Thomas (Los Angeles Philharmonic), Marek Janowski, Hans Graf, Christopher Hogwood, Ralf Weikert, Victor Pablo Perez, and Lorin Maazel among others.

Cole is closely identified with the French repertory. He began moving in that direction in 1984, after he sang in the Manon centennial performances at Paris's Opéra Comique. Not long afterward, he sang the tenor version of Gluck's Orphée in Seattle, after which many other French works came his way: Lakmé, Werther, Carmen, Don Carlos, Faust, and La damnation de Faust. Cole has sung extensively with orchestras throughout his career and has worked with many of the world's leading conductors including Herbert von Karajan, Sir Georg Solti (with whom he recorded the Mozart Requiem on the 200th anniversary of the composer's death), Seiji Ozawa, Sir Simon Rattle, Kurt Masur, James Levine, Edo de Waart, Charles Dutoit, Michael Tilson Thomas, Gerard Schwarz, Andrew Davis, Zubin Mehta, Riccardo Muti, Carlo Maria Giulini, Vladimir Ashkenazy, Claudio Abbado, and Daniel Barenboim.

Her most noted roles have been Violetta La Traviata, Semiramide, Lucia di Lammermoor, Lucrezia Borgia, Anna Bolena, Maria Stuarda, Königin der Nacht "Die Zauberflöte", Amina in "La Sonnambula", Marguerite in Faust, and Elvira in I Puritani, among others. She has worked with the greatest conductors of the time as Riccardo Muti, Alberto Zedda,"Darina Takova aveva avuto un trionfo quale Amenaide nel Tancredi pesarese. A Liegi Darina Takova aveva esibito una voce bellissima ed un accento nei passi più segnatamente drammatici, che la metteva al livello delle più complete protagoniste della renaissance Rossiniana..."Semiramide review - Il Corriere della Grisi 10 August 2008 Carlo Rizzi, Víctor Pablo Pérez, among others. Takova has sung with such international opera singers as Renato Bruson, Mariella Devia, Juan Diego Flórez, Ildebrando D'Arcangelo, Marco Berti, Daniella Barcellona, Michele Pertusi, Marcello Álvarez, Ruggiero Raimondi, Giuseppe Sabbatini, Nicola Marchesini, Boyko Tzvetanov and Laura Polverelli.

Since 1986 the choir is conducted by its present music director José Antonio Sáinz. At the heart of the Chorus's repertoire are the most important a capella works from the 18th century to our time, as well as the great nineteenth and twentieth century large scale orchestral choral works. The choir has been invited to perform with orchestras such as the Berlin Philharmonic Orchestra, the English Chamber Orchestra, the Czech Philharmonic, the Dresden Philharmonic, the Royal Liverpool Philharmonic, the Deutsches Symphonie-Orchester Berlin, Madrid Symphony Orchestra, Israel Chamber Orchestra, Lucerne Festival Orchestra, Spanish National Orchestra, Residentie Orchestra, Bilbao Symphony Orchestra, West-Eastern Divan, London Philharmonic Orchestra, and Russian National Orchestra. Conductors have included Claudio Abbado, Ataúlfo Argenta, Daniel Barenboim, Kurt Masur, Rafael Frühbeck de Burgos, Jesús López-Cobos, Peter Maag, Charles Mackerras, Igor Markevitch, Lorin Maazel, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Esa-Pekka Salonen and Leopold Stokowski, among others.

In 1716, he completes the statues of St Luke and St. Mark, for the Church of the Madonna di San Luca in Bologna. He sculpted an Allegory of Charity for a chapel in the church of Monte di Pietà in Rome (1721–24), He completed the busts of Maria Vincentina and Giovanni Muti, for their family chapel at San Marcello al Corso. Cametti's family originally came from Gattinara in the Piedmont, hence it was not surprising that after initially working in the studio of Lorenzo Ottoni in Rome, he was contracted to work in Turin to complete sculptural altar relief of the Annunciation(1729) for the Basilica di Superga, built by Juvarra, who also influenced the commission. For the main altar he made a relief commemorating the victory by divine intervention of the House of Savoy over the forces of Louis XIV in the siege of Turin in 1706.

24) Dillon died on 29 Jan 1893 in the "Palazzo di Rossi" located in the Piazza d'Aracoeli in Rome, where he had lived for several years after moving to Italy. However, that may not be altogether correct, as research has not been able to locate a palazzo named "Palazzo di Rossi" in the Piazza d'Aracoeli.[These websites give a comprehensive overview of the palaces and villas of Rome. –Research on the matter of where Dillon lived in Rome has been unable to establish that there was ever a palazzo specifically named "Palazzo di Rossi" located in the Piazza d'Aracoeli. There are 3 possibilities that present themselves, based on our current research findings: (1) It is well known that the Italian architect Giovanni Antonio De Rossi (1616–1695) was involved in the construction and/or renovation of two palaces in the Piazza d'Aracoeli: the Palazzo Astalli and the Palazzo Muti-Bussi.

In 2007, Rebeka made her opera debut at the Theater Erfurt as Violetta in La traviata, a role which she proceeded at the Latvian National Opera, Vienna Volksoper and Finnish National Opera. In the same year, she portrayed Folleville and Madama Cortese in Il viaggio a Reims at the Rossini Opera Festival, where she returned the next year performing in Maometto II. Her other engagements include Agilea in Teseo (Komische Oper Berlin), Britten's War Requiem, Tatyana in Eugene Onegin (Teatro Lirico di Cagliari), Brahms' Ein deutsches Requiem with the Latvian National Symphony Orchestra. In 2009, she sang Adina in L'elisir d'amore at the Latvian National Opera, debuted at La Scala in Il viaggio a Reims, and performed Elettra in Mozart's Idomeneo at the Opéra national de Lorraine. Her international breakthrough came when she debuted at the Salzburg Festival in Rossini's Moïse et Pharaon conducted by Riccardo Muti.

Almost all of these were captured by the Germans, though they were rarely used. Some were sent to the Slovenské vzdušné zbrane, and 10 remained with RSI's Aeronautica Nazionale Repubblicana, but were not used. Seven were used by the Italian Co-Belligerent Air Force as transports. Shortly after the end of the war, the aircraft was phased out of service. Overall, SM.84 was a failed design (Francesco Pricolo called it a 'wrong aircraft', while Ettore Muti complained in 1941 about its awful handling and take off). It was never liked by its crews and never capable of replacing the SM.79. When the final version of the Sparviero, the SM.79 bis, became available, the SM.84 was withdrawn. In the bomber role it was inferior to the CANT.1007 ter, especially at altitude (the SM.84 was almost impossible to fly above 5,000 m).

In 1982, Vejzović debuted at the Teatro alla Scala, as Didon in Les Troyens, conducted by Georges Prêtre and directed by Luca Ronconi. At that theatre, she also appeared in Suor Angelica (as the Zia Principessa, 1983, conducted by Gianandrea Gavazzeni), Tannhäuser (1984), Der fliegende Holländer (as Senta, 1988), and Parsifal (conducted by Riccardo Muti, 1991). Another of her great collaborations has been with the director Robert Wilson, in whose productions she sang the title role of Alceste (conducted by Christoph Eschenbach, 1986–87), and in Parsifal (1991 and 1992). Vejzović has also appeared in Monte-Carlo (Brünnhilde in Die Walküre, 1979), Berlin, Carnegie Hall (the Verdi Requiem, conducted by Lorin Maazel, 1982), Barcelona (Hérodiade, opposite Montserrat Caballé and José Carreras, 1983), Paris (Médée, 1986), Teatro Colón (Kundry, 1986), Vienna (Wozzeck, under Claudio Abbado, 1987; Lohengrin, with Plácido Domingo, 1990), and Houston (Parsifal and Lohengrin, 1992).

He studied with American oboist Ralph Gomberg at Boston University, from which he received the Distinguished Alumnus Award. In addition to being recognized as one of the world's premiere orchestral oboists, Izotov has been awarded top prizes at international competitions for solo oboists in Moscow (1990), Saint Petersburg (1991), New York (1995) and the First Prize at the 2001 Fernand Gillet International Oboe competition. Eugene Izotov's solo and chamber music collaborations include partnerships with Bernard Haitink, Riccardo Muti, James Levine, Nicholas McGegan, Michael Tilson Thomas, Yo Yo Ma, Pinchas Zukerman, Itzhak Perlman, Jaime Laredo, André Watts, Emanuel Ax, Yefim Bronfman, and the Tokyo String Quartet. He has appeared over 50 times as soloist with the Chicago Symphony Orchestra, the Boston Symphony Orchestra, San Francisco Symphony, MET Chamber Ensemble, Pacific Music Festival Orchestra, and has recorded for Sony Classical, Boston Records, Lisem Records, BMG, Elektra, and CSOResound.

Among the conductors with whom Battle has worked are Herbert von Karajan, Riccardo Muti, Zubin Mehta, Seiji Ozawa, Claudio Abbado, Georg Solti, Carlo Maria Giulini, and Battle's fellow Ohioan James Levine, music director at New York's Metropolitan Opera. She has performed with many orchestras, including the New York Philharmonic, the Chicago Symphony Orchestra, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, the Los Angeles Philharmonic, the Berlin Philharmonic, the Vienna Philharmonic, and the Orchestre de Paris. She has also appeared at the Salzburg Festival, Ravinia Festival, Tanglewood Festival, Blossom Festival, the Hollywood Bowl, Mann Music Centre Festival and the Caramoor Festival, and at Cincinnati May Festival. In recital, she has been accompanied on the piano by various accompanists including Margo Garrett, Martin Katz, Warren Jones, James Levine, Joel Martin, Ken Noda, Sandra Rivers, Howard Watkins, Dennis Helmrich, JJ Penna, and Ted Taylor.

Devlin made his Metropolitan Opera debut in 1978 as Escamillo in Carmen. His other performances at that venue have included Hänsel und Gretel (as Peter), Les contes d'Hoffmann (as the Villains, opposite Plácido Domingo), Die Fledermaus (as Dr Falke), Bluebeard's Castle (with Jessye Norman), Salome (as Jokanaan), Samson et Dalila (as Abimélech), Faust, and Wozzeck (as the Doctor), altogether singing 229 performances in over thirty years with the Met. He has also appeared with companies in Chicago, Amsterdam, Salzburg, Verona, Madrid, London (Salome at Covent Garden), Paris, Prague, Los Angeles (Don Pizarro in Fidelio, with Karan Armstrong), San Francisco (Il prigioniero), Santa Fe (Figaro, Count Almaviva, Don Giovanni, Onegin),etc. In a fifty-year career, he collaborated with such conductors as Leopold Stokowski, Eugene Ormandy, Sir Georg Solti, Erich Leinsdorf, James Levine, Sir Bernard Haitink, Leonard Bernstein, Sir Neville Marriner, Riccardo Muti, Christoph von Dohnányi, Pierre Boulez, and many others.

Rota wrote numerous concerti and other orchestral works as well as piano, chamber and choral music, much of which has been recorded and released on CD. After his death from heart failure in 1979, Rota's music was the subject of Hal Willner's 1981 tribute album Amarcord Nino Rota, which featured several at the time relatively unknown but now famous jazz musicians. Gus Van Sant used some of Rota's music in his 2007 film Paranoid Park and director Michael Winterbottom used several Rota selections in the 2005 film Tristram Shandy: A Cock and Bull Story. Danny Elfman frequently cites Nino Rota as a major influence (particularly on his scores for the Pee-Wee films). Director Mario Monicelli filmed a documentary Un amico magico: il maestro Nino Rota which featured interviews with Franco Zeffirelli and Riccardo Muti (a student under Rota at Bari Conservatory), and was followed by a German documentary Nino Rota - Un maestro della musica.

Born to a Sicilian father and a French mother, Brunet was hired to sing the title role of Verdi's Aida in Bercy, one of her first professional engagements. She moved towards the "Falcon" mezzo-soprano repertoire, a type of voice that is not very frequent. She has performed on several international stages and takes part in recordings, notably at Sony, Dynamic and EMI. Brunet performed Gluck's Iphigénie en Tauride at La Scala of Milan, under the baton of Riccardo Muti, Samson and Delilah at the Teatro Regio of Turin, the title- role of Carmen at the Zürich Opera House, the role of Suzuki in Madame Butterfly at the Paris Opera directed by Bob Wilson, Madame de Croissy in Dialogues des Carmélites at the Paris Opera and the Zürich Opera, Santuzza in Cavalleria Rusticana at the Séville Opera, Marguerite in La Damnation de Faust in Zürich and eventually the title role in Meyerbeer's l'Africaine at the Opéra national du Rhin.

Weinstock In 1954 he joined his father-in law's electronics company, Radio & Allied Industries Ltd., and in 1963 orchestrated its merger with the General Electric Company, becoming the largest shareholder of GEC. He served as a member of the board of directors from 1961 to 1963 and was managing director from 1963 to 1996, thence chairman Emeritus. He transformed the firm, raising its turnover from £100m in 1960 to £11bn at his retirement in 1996. He was a director of Rolls- Royce (1971) Ltd from 1971 to 1973. He was a significant investor in London Weekend Television at its launch in 1968. He was Vice-President of the Friends of the Ravenna Festival (1993–1994), a trustee of the British Museum (1985–1996), the Royal Philharmonic Society and the Foundation Fund (1984–1992). He became a friend of the conductor Riccardo Muti, whose recordings he chose on the Desert Island Discs radio programme.

Franco's Spanish Army of Africa troops were fundamental to raising the fortunes of the alzamiento which had hitherto been mainly beaten by the Republican loyalists. On 6 August 1936, African troops were transported to Spain aboard four merchant ships. The threat of the SM.81s and their bombs, once reinforced by the Italian ship RM Morandini, were sufficient to keep the mainly Republican Spanish fleet at bay, which otherwise would have been able to prevent any Francoist convoy reaching Spain. On 9 August, SM.81s under the command of Ettore Muti, destroyed the Spanish Navy's fuel and ammunition reserves in the vicinity, forcing the fleet to use northern bases and further preventing interference with the sea-transport of Hispano-Moroccan forces. After these exploits, the initial SM.81s were reinforced by aircraft from four other squadrons: 213, 214, 215 and 216 in two Groups (XXXIV and XXXV), and by 251 and 252 squadrons for the XXV ("Pipistrelli") Group.

He has worked with conductors such as Rinaldo Alessandrini, Alan Curtis, Gabriel Garrido, Nikolaus Harnoncourt, René Jacobs, José Manuel Quintana, Marc Minkowski, Riccardo Muti and Christophe Rousset. Franco Fagioli is one of the five countertenors to appear in the opera, TV, CD and DVD production of Leonardo Vinci’s Artaserse, which has been awarded numerous national and international music prizes for example the Echo Award 2013 and 2014 or the Preis der deutschen Schallplattenkritik. The 2013/2014 season was launched with the release of the CD Arias for Caffarelli, which includes many world premieres; this was accompanied by concerts in Germany, France and Denmark. Franco Fagioli made his debut at the 2014 Salzburg Whitsun Festival with his programme Giambattista Velutti. In the same year, there were two debuts with works by Mozart: after performing the part of Sesto in La clemenza di Tito in Nancy, he debuted as Idamante in Martin Kušej’s new production of Idomeneo at the Royal Opera House, Covent Garden, in November 2014.

Rebeka has been a regular guest at the world's most prestigious concert halls and opera houses, such as the Carnegie Hall (New York), Concertgebouw (Amsterdam), Bavarian State Opera (Munich), Musikverein (Vienna). She collaborates with leading conductors such as Riccardo Muti, Zubin Mehta, Antonio Pappano, Fabio Luisi, Yannick Nézet-Séguin, Daniele Gatti, Marco Armiliato, Michele Mariotti, Thomas Hengelbrock, Paolo Carignani, Kent Nagano, and Ottavio Dantone. As an active and widely noticed concert performer, she has given recitals at the Rossini Opera Festival in Pesaro, the Rudolfinum in Prague, St John's, Smith Square in London, La Scala in Milan, Großes Festspielhaus in Salzburg, Palau de la Música Catalana in Barcelona, accompanied by such ensembles as the Mahler Chamber Orchestra, Royal Scottish National Orchestra, Czech Philharmonic, Orchestra of the Teatro Comunale di Bologna, Vienna Philharmonic, and the Filarmonica della Scala. In 2016, she debuted as the title role in Norma at the Teatro Lirico Giuseppe Verdi in Trieste.

Her repertoire includes Desdemona in Otello, Leonora in La forza del destino, Violetta in La traviata, Alice Ford in Falstaff (Verdi), the title role in Madama Butterfly, La rondine, Suor Angelica and Manon Lescaut, Liu in Turandot (Puccini), the title role in Rusalka (Dvorak), Lisa in Pique Dame, Tatiana in Yevgeni Onegin (Tchaikovsky), the title role in Francesca da Rimini (Rachmaninov) and in Francesca da Rimini (Zandonai), Nedda in Pagliacci (Leoncavallo), Zemfira in Aleko (Rachmaninoff), and many others. She performs regularly at the Royal Opera House Covent Garden, the Vienna Staatsoper, La Scala in Milano as well as at the opera houses of Paris, San Francisco, Washington, Chicago, Rome, Florence, Turin, Geneva, Tokyo, Naples, Oslo, Monte Carlo, Venice and many others. She has worked and continues to work with conductors, such as Bruno Bartoletti, Riccardo Chailly, Daniele Gatti, Vladimir Jurowski, Nicola Luisotti, Lorin Maazel, Zubin Mehta, Riccardo Muti, Kent Nagano, Gianandrea Noseda, Daniel Oren, George Pretre, Yutake Sado, Jeffrey Tate, Yuri Temirkanov.

In 2005, Lundgren starred and directed his second picture The Mechanik (The Russian Specialist), playing a retired Russian Special Forces hit man Nikolai "Nick" Cherenko caught in the crossfire with Russian mobsters. Sky Movies remarked that The Mechanik is "hardcore death-dealing from the Nordic leviathan" and said that "The Mechanik delivers all the no-nonsense gunplay you'd want of a Friday night". In 2006, Lundgren played gladiator Brixos in the Italian-made historical/biblical drama, The Inquiry (L'inchiesta) a remake of a 1986 film by the same name, in an ensemble that includes Daniele Liotti, Mónica Cruz, Max von Sydow, F. Murray Abraham and Ornella Muti. Set in AD 35 in the Roman Empire, the story follows a fictional Roman general named Titus Valerius Taurus, a veteran of campaigns in Germania, who is sent to Judea by the emperor Tiberius to investigate the possibility of the divinity of the recently crucified Jesus.

Engagements in leading roles with opera houses internationally followed, including the Baltimore Opera, the Bavarian State Opera, Dallas Opera, the Dutch National Opera, the Edmonton Opera, the Fort Worth Opera, Opera Guild of Greater Miami (Carmen, opposite Franco Corelli and Norman Treigle in his last Escamillo, 1973), the Liceu, the Maggio Musicale Fiorentino (Agnese di Hohenstaufen, with Leyla Gencer, conducted by Riccardo Muti, 1974), the New Orleans Opera (Carmen), the Sofia National Opera, the Opéra National de Lyon, the Seattle Opera, the Teatro di San Carlo, the Teatro Regio Turino, the Teatro Nacional de São Carlos, Tulsa Opera, and the Welsh National Opera among others. Miss Davidson's operatic farewell occurred in 1995, at the Florida Grand Opera, as Gertrude in Roméo et Juliette. Since then, she has appeared in the plays MARIA, the life and loves of Maria Callas (by Alma H. Bond) and as the Nurse in the Euripides/Jeffers version of Medea.

Other premieres include the oratorio A Song of Liberty in Leeds in 1993, played by the BBC Philharmonic, the Cello Concerto in Manchester in 1996, the cantata Song of Songs in Geneva in 2001, and the Triple Concerto No. 2 for violin, double bass and harp, which was performed at the Barbican Centre on 26 May 2004, combined with Mahler's Second Symphony "Resurrection", with Andrew Davis conducting the London Symphony Orchestra & Chorus. His work has been performed by many notable conductors, including: Riccardo Muti, Sir Andrew Davis, Dennis Russell Davies, Peter Eötvös, Oliver Knussen, Vassily Sinaisky, Pavel Kogan, Gennady Rozhdestvensky, Gunther Schuller, and Yan Pascal Tortelier. He composed Jacob's Ladder and River of Life for the London Sinfonietta, String Quartets Nos. 3 and 6 for the Brodsky Quartet, Song of Songs on a commission from the Orchestre de la Suisse Romande, and Between Scylla and Charybdis for the string orchestras and the English String Orchestra.

Born in Rome to a family of architects and artisans, he rose to prominence under the mentorship of Gian Lorenzo Bernini, and even inherited the position as chief architect of the Fabbrica di San Pietro (Workshop of St. Peter's Basilica) in 1680 after the master died. In that post, he continued the work that had been started by Bernini on the outside colonnade and the Ponte Sant’Angelo. He worked during a period with notable competitors, including the prolific Carlo Fontana. Among his works are the facades of the churches of St. Gall and San Francesco a Ripa (built 1681–1701); finishing touches or reconstruction for Sant'Andrea al Quirinale, Santa Maria di Montesanto, and Santa Croce e San Bonaventura dei Lucchesi; the customs office in Ripa Grande; the Palazzo Muti Papazzurri (attributed, 1660); the tomb monument to Giovanna Garzoni in Santi Luca e Martina; the Mausoleum of Leo X; and the monument to Clement X in St. Peter's Basilica.

In opera productions, Poggioli worked with director Liliana Cavani (La Traviata, La Scala), Mauro Bolognini (Norma, Teatro Bellini di Catania), Franco Zeffirelli (Aida and Boheme, Teatro dell' Opera di Roma and Tel Aviv Opera House). He designed costumes for productions directed by Ruggero Cappuccio and orchestras directed by Riccardo Muti, including Falstaff (La Scala), Nina ossia La pazza per amore (Teatro Alla Scala e Piccolo di Milano), and Il ritorno di Don Calandrino, at the Salzburg Opera Theatre. As a costume designer for television and film, Poggioli has designed costumes for Marquise directed by Vera Belmont, Nick Willing's Jason and the Argonauts, The Mists of Avalon, directed by Uli Edel, Cold Mountain, directed by Anthony Minghella, Van Helsing, directed by Steven Sommers, Doom directed by Andrzej Bartkowiak, The Fine Art of Love, directed by John Irvin, The Inquiry directed by Giulio Base, The Brothers Grimm, directed by Terry Gilliam, and many more.

Paulsson's lab has made major contributions to the development of experimental techniques for counting plasmids, to extend his previous work on the mathematical aspects of plasmid replication as well as theoretical work on the stochastic processes on gene expression and copy number control and work on muti-level selection by using experimental evolution. His most influential publication is the analysis of all previous noise data and interpretations in one unified framework, which later guided many experimental approaches. More recent results include the effects of partition in phenotypic variability, the details of the stochastic processes that underlie gene expression noise and the limitations of the usual experimental approaches and the fundamental limits of feedback as a noise control mechanism. This set of interests led Paulsson to examine the repressilator, a synthetic gene regulatory network that was designed from scratch to oscillate and reported in 2000A Synthetic Oscillatory Network of Transcriptional Regulators; Michael Elowitz and Stanislas Leibler; Nature.

In 2009, Abdrazakov made his Salzburg Festival debut in the same role; the new production was also led by Muti. Abdrazakov first appeared at London's Royal Opera House in 2009, performing Verdi's Requiem in concert with Antonio Pappano, and he has since returned there to sing Don Basilio in Rossini's Il barbiere di Siviglia."Abdrazakov sings Enrico VIII in the Met's new Anna Bolena this month" Amanda Holloway, Opera, September 2011 In the 2012–13 season, Abdrazakov performs the title roles in Don Giovanni at Washington National Opera and the Metropolitan Opera, as well as that of Le nozze di Figaro at the Met."Met Opera 2012/13 season" Ildar Abdrazakov and Diana Vishneva At the Mariinsky Theater, Abdrazakov has performed the title character and Leporello in Mozart's Don Giovanni; Méphistophélès in Gounod's Faust and Berlioz's The Damnation of Faust; Oroveso in Bellini's Norma; Selim in Rossini's Il turco in Italia; and Assur in Semiramide.

Bryce Morrison, in "Gramophone", described his early 1970s recording of the Liszt Sonata in B minor as one of the most exciting and also lyrical renditions of the work. His readings of Schumann, Rachmaninoff, and many works by Frédéric Chopin (including his complete works for piano and orchestra, Piano Sonatas No. 2 & 3, nocturnes, and waltzes) are also very well known. Among his other notable interpretations were those of Johannes Brahms's Piano Concerto No. 1, with Carlo Maria Giulini and Riccardo Muti, ("Les Introuvables d'Alexis Weissenberg", 2004), Rachmaninoff's Piano Concerto No. 2 with Herbert von Karajan and the Berlin Philharmonic, as well as his Piano Concerto No. 3 with Georges Prêtre and the Chicago Symphony Orchestra, and Seiji Ozawa with the Boston Symphony Orchestra (also with Leonard Bernstein and the Orchestre National de France). His 1965 film recording of Stravinsky's Three Movements from Petrushka (directed by Åke Falck) was also highly praised.

After three months of animosity and a month of technical testing, La Cinq was finally able to start broadcasting on Thursday 20 February 1986 at 20:30, airing an introductory broadcast entitled Voila la Cinq, which had been recorded in the Fininvest Group's Milan studio. Up until midnight, Christian Morin, Roger Zabel, Amanda Lear, Ėlisabeth Tordjman and Alain Gillot-Pétré hosted major French stars (Johnny Hallyday, Serge Gainsbourg, Mireille Mathieu, Charles Aznavour) as well as international stars like Ornella Muti, who had been invited by Silvio Berlusconi to support a show that would be able to compete with TF1 or Antenne 2. For the next few weeks, the programming consisted of game shows and variety shows like Pentathlon, C’est beau la vie, and Cherchez la femme, which had been adapted from successful shows on Silvio Berlusconi's Italian network, Canale 5, and had also been influenced by French magazines like Mode. The programs were repeated every four to five hours and had up to three commercial breaks per show.

She made her Bayreuth Festival debut in 2006, singing Sieglinde in Die Walküre and was hailed by Die Zeit as "The Sieglinde of our time" She returned to Bayreuth to sing Senta in The Flying Dutchman in 2012. Adrianne Pieczonka has worked with the world's finest conductors in concert and opera including Sir Georg Solti, Christian Thielemann, Claudio Abbado, Riccardo Muti, Zubin Mehta, Lorin Maazel, Pierre Boulez, James Levine, Semyon Bychkov, Kent Nagano, Sir Colin Davis, Daniel Barenboim, Donald Runnicles, Philippe Jordan, Yannick Nézet-Séguin, and Richard Bradshaw, among many others. On the concert stage and as a recitalist, Pieczonka has performed at Toronto's Massey Hall and Roy Thomson Hall, the Edinburgh Festival, The Proms, Salle Pleyel in Paris, Vienna's Musikverein and Konzerthaus, Tokyo Bunka Kaikan, The Orpheum in Vancouver, Schubertiade in Schwarzenberg, Austria, Carnegie Hall and Avery Fisher Hall, New York, among many others. In 2019 she was appointed the first Vocal Chair at the Glenn Gould School, where she gives regular masterclasses, and oversees the vocal department and their opera productions.

In March 2001, during the Academy Awards in Los Angeles, she performed for Dino De Laurentiis, winner of the Thalberg Prize for his career. On the same occasion she sang accompanied by Ennio Morricone on the piano, in order to celebrate his nomination for the G. Tornatore’s movie “Malena”. In July 2001, she was invited by Cristina and Riccardo Muti to hold a concert during the prestigious “Ravenna’s Festival”. In Autumn 2001, she recorded the love theme of the Italian movie “Vajont” beside Andrea Bocelli, interpreter of another theme. She was also the voice of “Aida degli alberi”, an animation movie scored by M°Ennio Morricone. In the movie, Filippa sang a duet with Mick Hucknell (Simply Red). She is one of the artists (Pavarotti, Sting, Blondie, Dalla) to perform in the album called “Cinema Italiano”, an homage to the best Italian movies melodies. In 2002 Filippa recorded her second cd, “Il Rosso Amore”, produced by Robin Smith (Tina Turner, Cher, Lionel Richie) for Brian Rawling Productions in England and by the famous Italian Orchestra arranger M° Renato Serio.

The album contains a mix of beautiful melodies and arias from the past and original songs written by great composers ( E. Morricone, D. Foster, R. Smith,C. Muti, F.Sartori, L. Quarantotto). With the song “Amarti Si” she participated again at the Sanremo Festival this time in the “celebrities” category. In the video of the English version ”Heaven Knows” directed by Tim Rice (Robbie Williams, Nicole Kidman) Filippa met Giorgio Armani, who created her new look. In this year Filippa posed for the main magazines such as “In Style” – UK, “Gala” – Germany appearing on the cover of “Marie Claire” as an icon of Italian fashion. In May 2002, she sang in duet with Frida from the legendary group “ABBA”, who really wanted to sing with her after a long time of not performing. In the same month, she met the Oscar winner Vangelis in Athens for a special interpretation of the Napolitan song ‘Torna a Surriento’. On the occasion of her tour in Japan she presented a new, different show surrounded by dancers with the choreography of Susanna Beltrami from “La Scala Theatre” Milan.

He also appeared at the Rossini Opera Festival at Pesaro in La donna del lago opposite Katia Ricciarelli, Lucia Valentini Terrani and Samuel Ramey in 1983, and made his debut at the Royal Opera House in London as Tebaldo in I Capuleti e i Montecchi in 1984 opposite Agnes Baltsa and Edita Gruberová conducted by Riccardo Muti. His debut at the Paris Opéra in 1985 was as Almaviva in Il barbiere di Siviglia. Raffanti made his Metropolitan Opera debut in 1981 as Alfredo in La traviata, and later sang there the Duke in Rigoletto, Edgardo in Lucia di Lammermoor, Rodolfo in La bohème, the Italian singer in Der Rosenkavalier, Nemorino in L'elisir d'amore, and Goffredo in Handel's Rinaldo.Archives.metoperafamily.org. His roles include also Ugo in Donizetti's Parisina d'Este, Elvino in Bellini's La sonnambula, the title roles in Mozart's La clemenza di Tito and Idomeneo, Lyonel in von Flotow's Martha, Rinuccio in Puccini's Gianni Schicchi and the role title in Verdi's Don Carlos, which he performed at Turin's Teatro Regio in 1990.

Paolo Restani with Riccardo Muti, June 2004 Prestigious musical festivals, where he is regularly invited, include: Flanders Festival, Martha Argerich Festival in Buenos Aires, London Hatchlands Music Festival, Istanbul Recitals, Al Bustan Festival in Beirut, Ljubljana Festival, Jornadas Internacionales de Piano in Oviedo, Asturias Festival, Ravenna Festival, Maggio Musicale Fiorentino, Rossini Opera Festival in Pesaro, Settembre Musica in Turin, Arturo Benedetti Michelangeli International Piano Festival in Brescia and Bergamo, Festival Verdi in Parma, Festival Uto Ughi per Roma, Panatenee Pompeiane, Festival Romaeuropa, Todi Arte Festival, Ravello Festival. In January 2008, at the invitation of Yuri Temirkanov, he participated in the XVII International Festival Christmas Musical Meeting in Palmira of the North in Saint Petersburg. Among the various international appreciations he is awarded with, are to be pointed out those gained in South America (where he plays every year): in 2005 the Association of Argentina Critics recognized him as the best interpreter of the year, and, in 2011, with the Quartetto d’archi della Scala as the best ensemble. Beside his piano soloist activity, Paolo Restani dedicates to chamber music and theatre performances.

The present aspect of the square is not the cozy one it had one time: one of the sides was destroyed during the demolitions for the building of the Vittoriano, begun in 1885, and later in the 1930s the whole area of the Capitoline Hill was isolated. The square was formerly called Market Square; it was divided into two part, the Mercato (Italian: Market), at the slopes of the Capitoline Hill, and the Mercatello (Italian: Little Market), at the opposite side northward. The two toponyms recurred in the dedication of two nearby churches: San Biagio del Mercato, later called Chiesa di Santa Rita da Cascia in Campitelli, still existing but relocated elsewhere, and San Giovanni in Mercatello, later Chiesa di San Venanzio, still remembered in the toponymy. In the surroundings of the square, probably where nowadays the Palazzo Muti Bussi and the Palazzo Astalli rise, two of the many towers of the town stood: the Torre del Mercato (Italian: Tower of the Market) and the Torre del Cancelliere (Italian: Tower of the Chancellor).

In 1974 he emigrated to the west and since then has performed all over the world with many of the leading orchestras including the Boston Symphony, Cleveland Orchestra, Berlin Philharmonic, Israel Philharmonic, Los Angeles Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Montreal Symphony, Bavarian Radio Symphony Orchestra, Royal Concertgebouw Orchestra, and all major British Orchestras. Boris Belkin has been featured in many television productions: a film biography of Jean Sibelius, performing the Sibelius Concerto with the Swedish Radio Orchestra and Ashkenazy, with Bernstein and the New York Philharmonic, performing the Tchaikovsky Concerto, with Bernstein and the Orchestre National de France playing Ravel's Tzigane, and with Haitink and the Royal Concertgebouw Orchestra playing Mozart and Paganini violin concerto No.1. Conductors with whom he has collaborated, include Bernstein, Ashkenazy, Mehta, Maazel, Muti, Ozawa, Sanderling, Rudolf Barshai, Temirkanov, Dohnányi, Dutoit, Gelmetti, Herbig, Tennstedt, Rattle, Haitink, Berglund, Mata, Chung, Hirokami, Fedoseyev, Ahronovich, Groves, Leinsdorf, Steinberg, Welser-Möst, Lazarev, Simonov and many others. In 1997 Isaac Stern invited Mr. Belkin to perform with him at the Miyazaki Festival.

Subbaraman served as Assistant Conductor of the Orchestre National de France where he assisted Kurt Masur and visiting guest conductors, including Bernard Haitink, Riccardo Muti, and Colin Davis. Highlights of his tenure with the Orchestre National de France include the world premiere of the Overture du Roi Lear by Paul Dukas, a performance of the Stravinsky Octet with soloists of the orchestra in the Théâtre des Champs- Élysées and the French premiere of the Symphony for Trombone and Orchestra by Ernst Bloch, which has been recorded and released under the title Tranquille through the districlassic label. Subbaraman has conducted the National Symphony Orchestra in Washington D.C. at the Kennedy Center as a Debut Conductor in the National Conducting Institute. Additional conducting appearances have included the Orchestre National d’Ile de France, Colorado Springs Philharmonic, Thames Philharmonia, the Bombay Chamber Orchestra, Orchestre symphonique et lyrique de Nancy, the New Amsterdam Symphony Orchestra, Longview Symphony Orchestra, the Midland/Odessa Symphony and Chorale, the Orchestre National du Capitole Toulouse, the AudioInversions Contemporary Music Ensemble, the Williamsport Symphony Orchestra, and the Cabrillo Festival Orchestra.

From the ASO, Martin won the coveted Principal Trumpet position with the Chicago Symphony Orchestra in 2005, succeeding the legendary Adolph "Bud" Herseth. During Martin's time in Chicago, he established himself as one of the premier trumpeters in the world, both in the orchestra and as a soloist. He was featured with a major trumpet solo in John Williams’s score to Steven Spielberg’s Lincoln (2012), recorded by the Chicago Symphony Orchestra. This trumpet solo was written by Williams for Martin himself - and was famously performed at the Capitol Fourth Concert in 2013 with the National Symphony Orchestra, under the baton of John Williams. He was also featured on the National Brass Ensemble’s Gabrieli album and CSO Resound label recordings, including the 2011 release of CSO Brass Live. Highlights of Mr. Martin’s solo appearances with the CSO include the 2012 World Premiere of Christopher Rouse’s concerto Heimdall’s Trumpet; Panufnik’s Concerto in modo antico, with Riccardo Muti; a 2011 program of 20th-century French concertos by André Jolivet and Henri Tomasi; and more than a dozen performances of J.S. Bach’s Brandenburg Concerto No. 2.

As it happened, al-Muttaqi was persuaded by the emissaries of Tuzun, who protested his loyalty, to return to Iraq, only to be seized, blinded and deposed on 12 October and replaced by al-Mustakfi. Al- Mustakfi reconfirmed al-Ikhshid's governorship, but by this point it was an empty gesture. According to J. L. Bacharach, although the 13th-century historian Ibn Sa'id al-Maghribi reports that al-Ikhshid immediately took the bay'a and read the Friday prayer in the new caliph's name, based on the available numismatic evidence, he appears to have delayed recognition of both al-Mustakfi and his Buyid-installed successor al-Muti () for several months by refraining from including them in his coinage, in an act that was a deliberate and clear statement of his de facto independence from Baghdad. This independence was also acknowledged by others; the contemporary De Ceremoniis records that in the correspondence of the Byzantine court, the "Emir of Egypt" was accorded a golden seal worth four solidi, the same as the caliph in Baghdad.

The performances and the recording met with tremendous acclaim, and this turn of events served as the catalyst that established the young soprano's reputation on the international stage. Later the same year, again at La Scala, Nina Rautio took on the role of Elisabeth of Valois in Verdi's "Don Carlos" (under the baton of Riccardo Muti), and sang the soprano solo in Janáček's "Glagolitic Mass" under Riccardo Chailly. After the successful La Scala debut, Nina began a long and fruitful creative partnership with some of the most celebrated conductors of recent times, including Lorin Maazel (with whom she toured across Europe, together with the Pittsburgh Symphony Orchestra, throughout 1992, including the World Exposition in Seville) and Riccardo Chailly (the latter having invited her to perform as a soloist with the Royal Concertgebouw Orchestra). Nina Rautio was held in very high regard by Luciano Pavarotti, who performed with her in numerous productions in the 1990s, including "Don Carlos", "Un Ballo in Maschera", "Manon Lescaut", "Andrea Chenier", Verdi's Requiem Mass, amongst others.

Since 1989 Schalle has composed scores for 70 TV movies and has been active in various functions for a number of film and media companies as well as for the big TV stations in the German-speaking countries. He has worked with TV directors Manny Coto, Jerry Jameson, John Leekley, Joe Coppoletta, Helmut Förnbacher, Karl Kases, Marco Serafini, Hans-Günther Bücking, , Reinhard Schwabenitzky, Peter Sämann, Dietmar Klein and many more. His works as a music and score producer included artists such as the Vienna Philharmonic, the Mozarteum Orchestra, II Giardino Armonico, the Salzburg Chamber Philharmonic Orchestra and the Maestros Riccardo Muti, Claudio Abbado, Sir George Solti, Sir Roger Norrington, Franz Welser-Möst, as well as the solo artists Friedrich Gulda, Frank Zander, Eric Chumanchenco, Thomas Zehetmaier, Huschke, Orlando, Vesselina Kasarova, Jennifer Larmore, Bogdan Bacanu, INXS and many more. The productions were released with labels such as Sony Music, WERGO Music, Teldec Classics, BMG Classics, ZYX Music, and were commissioned and published by ORF, ZDF, 3sat, Telepui3 et cetera.

Although Ticciati has not had any formal conducting training, he counts Sir Simon Rattle and Sir Colin Davis among his conducting mentors. Ticciati founded the chamber ensemble Aurora, which gave its first concert in April 2005, the year in which he was also awarded a Borletti Buitoni Trust Fellowship. In June 2005 he was called to substitute for Riccardo Muti for a night at the Teatro alla Scala, thus becoming its youngest conductor ever. In January 2006, Ticciati became artistic advisor and chief conductor of the Gävle Symphony Orchestra, and concluded his Gävle tenure in May 2009. In 2007, Ticciati became music director of Glyndebourne on Tour, and held the post through December 2009. Ticciati conducted the Scottish Chamber Orchestra (SCO) for the first time at Strathpeffer Pavilion, at the start of a summer 2008 Highlands concert tour. In October 2008, the SCO announced the appointment of Ticciati as the orchestra's next principal conductor, effective as of the 2009–2010 season. In October 2010, the SCO announced the extension of Ticciati's contract as principal conductor for an additional 3 years, through the 2014–2015 season.

On November 2. 1988 she was invited to sing in a concert celebrating the birthday of Her Majesty the Queen of Spain Doña Sofía. She has worked with renowned conductors as Riccardo Muti, Claudio Abbado, Gianandrea Gavazzeni, Riccardo Chailly, Julius Rudel, John Eliot Gardiner, Jesús López Cobos, Sir John Pritchard, Alain Lombard, Lorin Maazel... and directors as Giorgio Strehler, Jean Pierre Ponnelle, Eduardo De Filippo, Patrice Chéreau, Pier Luigi Pizzi, Roberto de Simone, Luca Ronconi, Lluis Pasqual, Jérôme Savary, Beni Montresor, Gabriele Lavia, Jorge Lavelli, José Carlos Plaza... She has appeared at most of the well-known opera houses in Italy such as Milan, Rome, Naples, Pesaro, Bologna, Florence, Turin, Genoa, Parma, Palermo and Verona among others as well as outside Italy in Barcelona, Sevilla, Madrid, Vienna, Stuttgart, Munich, Brussels, Geneva, Paris, Lyon, Lisbon, Buenos Aires, Santiago de Chile, Montevideo, Mexico, Caracas, Pretoria, Tokyo, Washington... Among her activities are recitals of Spanish and Latin American music as well as “Zarzuela”. She has created the role of "Tatula" from the opera Divinas palabras in the opening season (1997/ 98) at the Teatro Real (Madrid), singing with Plácido Domingo.

Presented at the Venice Film Festival, the movie captures the essence of the art of the masterpiece in a highly imaginative series of evocations, sounds and inventions. Great literature is an underlying thread that, over the years, has led him to illustrate the icons of world culture, such as Tristes Tropiques, Ulysses, the Homeric poems, Pinocchio and, of course, Don Quixote. Paladino was back behind the camera in 2013 to film Labyrinthus for the fourth centenary of the death of the madrigal composer Gesualdo da Venosa. Here too, his collaboration with the world of music goes back a long way, with numerous mises en scène for opera houses, the creation of opera posters for Maestro Riccardo Muti and requests for music for his installations, as was the case in 1999 with Brian Eno for Sleepers, in London and then, in 2008, for the Ara Pacis in Rome. In 2013 he was commissioned to make a monumental installation for the Piazza Santa Croce in Florence, where he used blocks of marble and bronze sculptures for a large temporary project (263 x 164 ft), creating a sort of enormous cross in which the public could move freely.

The military of the RSI suffered some 34,770 dead during the war and, given conventional killed- to-wounded and killed-to-missing ratios, probably in excess of 100,000 casualties total. The majority of deaths (~21,600) were incurred by anti- partisan formations, such as National Guards, Black Brigades, and Territorial Militia. The rest (~13,170) were incurred by regular military forces mostly facing the Allies. The dead break down as: 13,500 members of the Guardia Nazionale Repubblicana and Milizia Difesa Territoriale, 6,200 members of the Black Brigades, 2,800 Aeronautica Nazionale Repubblicana personnel, 1,000 Marina Nazionale Repubblicana personnel, 1,900 X MAS personnel, 800 soldiers of the "Monterosa" Division, 470 soldiers of the "Italia" Division, 1,500 soldiers of the "San Marco" Division, 300 soldiers of the "Littorio" Division, 350 soldiers of the "Tagliamento" Alpini Regiment, 730 soldiers of the 3rd and 8th Bersaglieri regiments, 4,000 troops of miscellaneous units of the Esercito Nazionale Repubblicano (excluding the above-mentioned Divisions and Alpini and Bersaglieri Regiments), 300 members of the Legione Autonoma Mobile "Ettore Muti", 200 members of the Raggruppamento Anti Partigiani, 550 members of the Italian SS, and 170 members of the Cacciatori degli Appennini Regiment.

Also, she returned to the Santa Fe Opera to perform the role of Annio in La clemenza di Tito and made several concert appearances, including those with Riccardo Muti conducting the Orchestra of La Scala in Vivaldi's Gloria and the Ensemble Orchestral de Paris's presentation of Mendelssohn's A Midsummer Night's Dream. The 2002/03 season saw debuts with the New York City Opera as Sister Helen in Jake Heggie's Dead Man Walking, at the Théâtre du Châtelet in the title role of La Cenerentola, at the Royal Opera House as Zlatohřbítek the fox in Janáček's The Cunning Little Vixen under Sir John Eliot Gardiner, and with the New National Theatre Tokyo as Rosina in The Barber of Seville. It also saw performances of the title role in Rossini's Adina at the Rossini Opera Festival and Cherubino at Opéra Bastille. In concert, she performed Mozart's Requiem with the Seattle Symphony, Berlioz's Les nuits d'été with the Ensemble Orchestral de Paris, and made her Carnegie Hall debut in a production of Bach's Mass in B Minor with the Orchestra of St. Luke's under the baton of Peter Schreier.

Witold Lutosławski wrote his piano concerto for Zimerman, who has recorded it two times. Among his best-known recordings are the concerti of Grieg and Schumann with Herbert von Karajan; the Brahms concerti with Leonard Bernstein, the piano concerti of Chopin, one recording conducted by Carlo Maria Giulini and a later one conducted by himself at the keyboard; the Third, Fourth and Fifth Piano Concertos of Beethoven under Bernstein (Zimerman himself led the Vienna Philharmonic from the keyboard in Beethoven's First and Second Concertos); the first and second piano concerti of Rachmaninoff; the piano concerti of Liszt with Seiji Ozawa, the piano concerti of Ravel with Pierre Boulez, and solo piano works by Chopin, Liszt, Debussy and Schubert. In 2006, Zimerman recorded Brahms' Piano Concerto No. 1 with the Berlin Philharmonic conducted by Sir Simon Rattle (DG 477 5413; Limited Edition DG 477 6021). Zimerman has collaborated with conductors and artists such as Claudio Abbado, Daniel Barenboim, Leonard Bernstein, Pierre Boulez, Charles Dutoit, Carlo Maria Giulini, Bernard Haitink, Herbert von Karajan, Kirill Kondrashin, Erich Leinsdorf, Lorin Maazel, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Simon Rattle, Esa-Pekka Salonen, Giuseppe Sinopoli, Stanisław Skrowaczewski or Wolfgang Sawallisch.

More recently, Allen has performed Eisenstein in Die Fledermaus, Don Alfonso, Ulisse and Don Giovanni at the Bayerische Staatsoper, Don Giovanni at La Scala, Yeletsky (in The Queen of Spades), Sharpless (in Madama Butterfly), and the title role in Sweeney Todd at the Royal Opera House, Eisenstein at the Glyndebourne Festival, Don Alfonso at the Salzburg Easter and Summer Festivals, Forester (The Cunning Little Vixen) at the San Francisco Opera and Beckmesser (in Die Meistersinger von Nürnberg) at the Metropolitan Opera in New York. Allen also appears in recital in the United Kingdom, throughout Europe, in Australia and America, with his recital repertoire no less extensive than his operatic one; ranging from German Lieder, French songs by Duparc, and English song cycles by Ralph Vaughan Williams to musical numbers by Rodgers and Hammerstein, Jerome Kern and Cole Porter. He has also recorded oratorio and choral works such as Brahms' Ein deutsches Requiem, Handel's Saul, and Orff's Carmina Burana. The greatest part of his repertoire has been extensively recorded with such distinguished conductors as Sir Georg Solti, James Levine, Sir Neville Marriner, Sir Bernard Haitink, Sir Simon Rattle, Wolfgang Sawallisch and Riccardo Muti.

Born in Arezzo, graduated in economics at University of Florence, Cassi studied singing privately first with Slavska Taskova Paoletti, then with Alessandra Rossi and Bruno de Simone, and won in 2002 the "Viotti of Vercelli" (second prize) and the "Toti Dal Monte" competitions in Treviso (special prize Cesare Bardelli), after which he made his debut in Gioacchino Rossini's La Cenerentola. In 2003 he won the "Operalia" of Plácido Domingo and in 2004 the "Spiros Argiris" competitions.Mario cassi on Opéra national de Paris He was chosen by Riccardo Muti for the role of Doctor Malatesta in Don Pasquale at the Ravenna Festival, the Musikverein in Vienna, Moscow, St. Petersburg, Liège, Cologne and Paris.Mario Cassi on Stage Doors After making his debut at the Opéra Royal de Wallonie in the role of Figaro in Rossini's The Barber of Seville, he plays this role in well-known international theatres such as: Verona Arena, Teatro Real in Madrid, Palau de les Arts Reina Sofia in Valencia, Gran Teatre del Liceu, Teatro Colón in Buenos Aires, Opera of Firenze, Baths of Caracalla, Teatro di San Carlo of Naples, Teatro Verdi of Trieste, Opéra de Monte-Carlo, Rossini Opera Festival.

The game was well received by critics, generally comparable to Zarch/Virus. The Archimedes version was given a score of 931 (out of 1000) by ACE magazineConqueror review, Advanced Computer Entertainment, Issue 9, June 1988 and 87% by The Games Machine who viewed it as an improvement over Zarch; "With more depth than Superior's previous Archimedes game, Conqueror is a change towards the more strategic style of game and as such is a change for the better - a product that is addictive and challenging in both the arcade and strategy sense of the word"."I Came, I Saw", The Games Machine, Issue 10, September 1988 The later versions generally scored slightly lower in the muti- format magazines with ACE giving the Amiga and ST versions 925 and 920 respectively,Conqueror review, Advanced Computer Entertainment, Issue 30, March 1990 while The Games Machine gave both the ST and DOS versions 80%.Conqueror review, The Games Machine, Issue 29, April 1990 Amiga Format called the game "first-class", and said it "will appeal to everyone who likes a good blast but also likes to think they can master a situation by good tactical planning", awarding a score of 93%.

The Fourth Lateran Council (1216) decreed that provincial synods should be held annually in each ecclesiastical province, and that each diocese should hold annual diocesan synods.Capitula, VI. De conciliis provincialibus: J.D. Mansi (ed.), Sacrorum Conciliorum nova et amplissima editio, editio novissima, Tomus XXII (Venice: A. Zatta 1778), p. 991. A diocesan synod was an irregularly held, but important, meeting of the bishop of a diocese and his clergy. Its purpose was (1) to proclaim generally the various decrees already issued by the bishop; (2) to discuss and ratify measures on which the bishop chose to consult with his clergy; (3) to publish statutes and decrees of the diocesan synod, of the provincial synod, and of the Holy See. John Paul II, Constitutio Apostolica de Synodis Dioecesanis Agendis (March 19, 1997): Acta Apostolicae Sedis 89 (1997), pp. 706-727. Bishop Angelo Tignosi (1318–1343) held a diocesan synod at Corneto on 16 May 1320, and another three years later in Viterbo.Cappelletti VI, pp. 127-131. Cardinal Tiberio Muti (1611–1636) presided over a diocesan synod, his second, in Viterbo on 18–19 January 1624; its acts were published.

From 1994 on, the name was changed to Istanbul International Music Festival to distinguish it from the other sister festivals. It is accredited as a member of European Festivals Association since 1977. In 2014, a project title "Istanbul Music Festival Seeks Its Young Solist" () was started to promote talented young musicians. From its beginning, the festival hosted world-renowned artists and groups from La Scala Philharmonic (Riccardo Muti), New York Philharmonic (Kurt Masur and Zubin Mehta), Berlin Philharmonic to Royal Concertgebouw Orchestra (Wolfgang Sawallisch), Dresden Staatskapelle and the soloists, orchestra and chorus of the Mariinsky Theatre (Kirov Opera), from Orpheus Chamber Orchestra (Gidon Kremer) to Scottish Chamber Orchestra (Charles Mackerras and Richard Hickox), from Tokyo String Quartet to Hilliard Ensemble, from Aldo Ciccolini to Ivo Pogorelich, from Yehudi Menuhin to Itzhak Perlman, from Julian Lloyd Webber to Mischa Maisky, from Narciso Yepes to Christopher Parkening, from Leyla Gencer to Montserrat Caballé and Elisabeth Schwarzkopf, from Bolshoi Ballet to American Ballet Theatre and to Mark Morris, Mehmet Sander, Kibbutz dance companies; and such traditional music groups as Istanbul Oriental Ensemble of Burhan Öçal, Kudsi Ergüner’s Tac Mahal project and Whirling Dervishes.

Cedolins made her operatic debut in 1992 at the Teatro Carlo Felice in Genoa in Mascagni's Cavalleria rusticana. She then became an artist-in-residence at the Split Summer Festival, and appeared in various roles, with a repertoire that ranged from Monteverdi's Il Combattimento di Tancredi e Clorinda to Orff’s Carmina burana, and from Rossini’s Mosè in Egitto to Strauss’s Salome. In 1996 she won the Luciano Pavarotti Vocal Competition, and was invited to sing Puccini ’s Tosca with the Opera Company of Philadelphia with Pavarotti. In the same year she sang the role of Santuzza in Cavalleria rusticana at the Ravenna Festival, conducted by Riccardo Muti. In 2005 she performed Verdi’s Requiem at the Auditorium of Santa Cecilia in Rome, conducted by Zubin Mehta; at the requiem mass for Pope John Paul II; and on tour in Frankfurt and Vienna with the Orchestra Sinfonica di Milano, conducted by Riccardo Chailly. She also sang Bellini’s Norma at the Teatro Carlo Felice in Genoa, conducted by Bruno Campanella; and Mimi in Puccini’s La bohème and the title-role in Tosca at the Arena di Verona, conducted by Daniel Oren.

Map of Early Islamic Syria and its provinces in the 9th–10th centuries The disgrace did not last long, as the conquest of Egypt by the Fatimid general Jawhar in 969 and the subsequent advance into Syria, which led to the defeat and capture of al- Hasan ibn Ubayd Allah ibn Tughj at the hands of the Fatimid general Ja'far ibn Fallah in April 970, changed the situation. The Fatimid takeover meant the end of the annual tribute promised by al-Hasan ibn Ubayd Allah ibn Tughj, and the Fatimids' declared intention to restore the safety of the Hajj routes threatened to put an end to the Qarmatians' extortion of the Hajj caravans as well. This led to a radical shift of the Qarmatians—for which some sources consider al-A'sam to have been the principal instigator—against the Fatimids and a rapprochement with the Abbasids. Through the mediation of the Abbasid caliph al-Muti, the Qarmatians became the nucleus of a broad anti-Fatimid alliance, comprising not only the Qarmatians, but also the Hamdanid ruler of Mosul, Abu Taghlib, the Buyid ruler Izz al-Dawla, the Bedouin tribes of Banu Kilab and Banu Uqayl, and remnants of the Ikhshidid troops.