Say no to more reboots, and leave well enough alone.
|
|
To YOUR point: we can't just leave well enough alone.
|
|
But you couldn't leave well enough alone, could you, Meryl?
|
|
The Trump administration should leave well enough alone on the JCPOA.
|
|
Sometimes a documentary doesn't know when to leave well enough alone.
|
|
The bill, rather than leave well enough alone, adds new layers of restrictions.
|
|
When did people forget when to know how to leave well enough alone?
|
|
Meanwhile, SEC Chairman Jay Clayton would clearly prefer to leave well enough alone.
|
|
Romantic as this artifact may be, it's probably best to leave well enough alone.
|
|
It's a surprising move for the juggernaut, which would normally leave well enough alone.
|
|
My unwillingness to leave well enough alone must have been based on something else.
|
|
But Archie also isn't that bright and doesn't know how to leave well enough alone.
|
|
The locals, including police, know exactly what they are and tend to leave well enough alone.
|
|
"Alex's greatest characteristic is that he will never leave well enough alone," Mr. Newhouse told The Times.
|
|
Hollywood can never leave well enough alone, which means that most of your favorite movies get sequels.
|
|
" Or, rather than make braces the default right of passage through puberty, "maybe we should leave well enough alone.
|
|
I so appreciate that you 'didn't leave well enough alone,' & again, I'm sorry you feel isolated in taking action.
|
|
I so appreciate that you "didn't leave well enough alone," & again, I'm sorry you feel isolated in taking action.
|
|
Louis Tikaram, the chef behind LA's E.P. & L.P. knows this, and yet he just couldn't leave well enough alone.
|
|
If only the U.S.G.A. can leave well enough alone and let them play, he implied in his pretournament reflections.
|
|
"I so appreciate that you 'didn't leave well enough alone,' & again, I'm so sorry you feel isolated in taking action," he wrote.
|
|
Or you could leave well enough alone: You're all volunteers; the objects presumably are of no great value; the sin is venial.
|
|
But not content to leave well enough alone, Mr. Kelly dresses up his narrative in ways that detract from its power, like some overzealous puppeteer.
|
|
Although 81 percent of human resource professionals said their organizations don't have policies to police office pools, employees are happy to leave well enough alone.
|
|
Those of you who can't leave well enough alone may brown a little less than a pound or so of spicy Italian sausage or fresh andouille.
|
|
The best answer might be to leave well enough alone, instead of adding new impediments for firms and financial institutions to play a role in global markets.
|
|
Maybe we should leave well enough alone and let most of those good folks who signed the dotted line on a loan application bear up and pay up.
|
|
All of this is a goal that the United States must resist at all costs, and indeed it's becoming increasingly apparent Trump and Bannon should leave well enough alone.
|
|
This isn't, Davenport is careful to underscore, any sort of liberal tolerance, but rather the ornery Appalachian instinct to leave well enough alone, an attitude equally compatible with bigotry.
|
|
The staff navigates the cozy room decked out in raw wood and minimalist glassware with good humor, knowing when to suggest a Bordeaux and when to leave well enough alone.
|
|
But that wasn't enough for Trump, who couldn't leave well enough alone and instead sought to clear his name completely — and potentially punish the people who he felt had wronged him.
|
|
But she also couldn't seem to leave well enough alone once he was in there, checking up on him from time to time and fretting about what he might be up to.
|
|
One of the downsides to acquiring a huge property is just that: because it's so enormously recognizable and successful, a remake will have fans wondering why the company couldn't leave well enough alone.
|
|
As a longtime Doom fan, if you'd asked me what I wanted out of Doom in 2016, I'd probably have told you to leave well enough alone—why bother trying to capitalize on a classic?
|
|
Biden is a personally very well-liked member of the Democratic Party establishment, nobody really thinks he meant any harm, and were he quietly fading into an elder statesman role, everyone might leave well enough alone.
|
|
Sometimes it's best to leave well enough alone, though this effort did lead to a video in which DJ Khaled wears what appears to be a custom-made leather shirt designed to match his Chanel sneakers, and Mr. Bieber seems to wear a shoelace for a belt.
|
|
Sitting next to his sister on her bed that's on the floor — it was the times — Jamie watches as his sister exposes herself to the sweet smelling pile of pink — pink blanket, pink woolen hat — squirming and then crying, not knowing enough to leave well enough alone.
|
|
For a long time I thought — very naïvely, it turns out — that in certain ham-fisted ways, conservative evangelicals cared about the immigrants and the poor among their flock, condemned racism, and, if they could not understand why someone could be gay or trans, at least saw fit to leave well enough alone.
|
|
It was the perfect mix to talk about car makers and more car makers, including Tesla and CEO Elon Musk's seemingly ill-planned plans to take the publicly traded company private, then vacillating a bit before changing his mind again, much to the chagrin of his board, the company's shareholders, and poor Kirsten, who was trying to enjoy her evening last Friday when Musk decided (for now) to leave well enough alone and drop the whole cockamamie idea of switching out Tesla's investor base.
|
|
Enslaved in one such state, Weaver is only delivered from endless drudgery after many years, when his scholarly talents are finally recognized. The narrative of the story is set forth by Weaver in a lengthy letter to an acquaintance curious as to his remarkable background, in which he concludes that he would have done better to leave well enough alone.
|
|
Installation view of paintings by Minol Araki at the Minneapolis Institute of Art. Inspired in part by Raymond Loewy's book Never Leave Well Enough Alone, Araki started a career in industrial design in the 1950s. In the 1960s, he started a network of design studios. During his career as a designer, Araki worked on housewares such as lamps, calendars, and organizers, and byōbu, traditional Japanese folding screens.
|
|
50, No. 11 To Brotto, the one defining feature of sexual dysfunction is the level of interference it causes. "If lack of desire or inability to reach orgasm interferes in a woman's life, distresses her, or creates a burden on her relationship with her partner, then it could do with some fixing. If it doesn't, then leave well enough alone."Bryan, Helena (June 30, 2005).
|
|
She is also a constant meddler, seemingly unable to leave well enough alone. She is also quite short tempered for a goddess, and is rather easy to irritate and anger. Urd is also notable for her tendency to lie, something a goddess supposedly can't do (or, more accurately, it is something a goddess shouldn't do, being against the rules). Although she's not a pathological liar, she's more than willing to distort the truth if needed to accomplish an objective.
|
|
The art department asked him if he wanted it to be redrafted to be perfect and he said, "It got us this far, let's leave well enough alone. Our number one rule has always been no rules." Modified KISS logo used in Germany, Austria, Israel, and other countries that outlaw Nazi symbols. The letters happened to look similar to the insignia of the Nazi SS, a symbol that is outlawed in Germany by Section 86a of the German criminal code.
|
|
Demetrius La Vell "Dee" Harvey (August 24, 1965 – December 1, 2012) was an American R&B; singer. He was at one time signed to Motown Label and recorded his first album, Just as I Am with Motown in 1991. Harvey was born in Memphis, Tennessee, and attended Trezevant High School. Harvey was best known for his 1991 hit "Leave Well Enough Alone", which reached #61 on the US R&B; chart, and his 1992 hit "Just As I Am" (#68 R&B;).
|
|
Spartak Molodtsov (Leonid Kuravlev) is a man who can not leave well enough alone. Because of this he always gets into trouble. So one morning he finds a broken high tension wire and is late for work which nearly derails the reception of visitors because his new bureaucrat-chief (Borislav Brondukov) is afraid to make decisions without him. Molodtsov at his post meets an alcoholic of the name of Chokolov (Georgy Vitsin) and Tamara – a female van driver who transports ice cream (Tatyana Kravchenko).
|
|
Entertainment Weekly gave the film a C, with Owen Gleiberman describing it as "a hymn to sappiness". CNN's Paul Clinton dismissed the remake as a "schmaltzy" and "vapid" version of Wings of Desire. The Washington Posts Michael O'Sullivan dismissed it as "a mawkish debasement of its source material", asking "When will Hollywood learn to leave well enough alone?" Michael Wilmington gave it two and a half stars in The Chicago Tribune, enjoying the appearance of the film but concluding it feels "forced and mechanically weepy".
|
|
While sailing a small yacht single-handedly from Australia to New Zealand, Modesty Blaise rescues Luke Fletcher, the world-renowned painter, from drowning. But how in the world did Luke Fletcher end up adrift in the Tasman Sea, after having disappeared in the Mediterranean two months earlier? Luke Fletcher is not the only person from the world of the arts who has disappeared in the last couple of years, but he is the only one who has turned up alive later. Back in England, Modesty and her good friend Willie Garvin refuse to get involved in trying to unravel the mystery, preferring to leave well enough alone.
|
|
Lawrence Schick wrote in the foreword: "The dungeon of the demi-lich Acererak was, for Gary, a kind of thought experiment: If an undead sorcerer really wanted to keep his tomb from being plundered by greedy adventurers, how would he do it? The answer, of course, was to defend the crypt with tricks and traps designed not to challenge the intruders but to kill them dead. And furthermore, to do it in ways so horrific that all but the most determined party would give up and leave well enough alone." In 2017, Wizards re-released Tomb of Horrors updated to 5th Edition rules as part of the Tales from the Yawning Portal collection.
|
|
Next Generation was an exception, arguing that "Sega has made a wise decision to leave well enough alone with the third game in the series. Rather than making sweeping changes in gameplay, the designers have tweaked things a bit and stuffed enough little features into the game to make it a worthy update." Some reviewers particularly criticized the lack of improvement in the goalie AI, though the greater racial accuracy of the player models as compared to Sega Worldwide Soccer '97 was praised. Also, despite the general criticism of the lack of improvements, critics for both Sega Saturn Magazine and GamePro felt that the graphics were good enough that no improvement was needed.
|
|
When the railway privatization instituted by Tupper in 1880 forced him out of a job with government, he retired from the world of surveying, and took the position of Chancellor of Queen's University in Kingston, Ontario. He held this position for his last 35 years, where his former Minister George Monro Grant was principal from 1877 until Grant's death in 1902. Not content to leave well enough alone, he tirelessly advocated the construction of a submarine telegraph cable connecting all of the British Empire, the All Red Line, which was completed in 1902. He also kept up with business ventures, becoming in 1882 one of the founding owners of the Nova Scotia Cotton Manufacturing Company in Halifax.
|
|
The November 1966 tryout at the New Locust Theatre in Philadelphia was plagued by constant revisions to the script and score, and an unhappy Picon quit permanently. At one point on opening night, her successor Henrietta Jacobson turned to the audience and announced, "There was a song here, but you'll be better off without it." The reviews were brutal, with one critic describing it "like blintzes and soy sauce" and suggesting "a better title might be The King and Oy." Co-producers Leigh and Cheryl Crawford immediately cancelled the scheduled Broadway opening at the George Abbott Theatre. Unwilling to leave well enough alone, Allen and Leigh decided to revive the show 22 years later at the Jewish Repertory Theatre in Manhattan.
|
|
John Connor might be dead weight at this point, narratively speaking, but he was our main connection to the original films, and his death renders both of those movies pointless." Matt Goldberg of Collider felt the opening did irreparable damage to the legacy of Terminator 2 by rendering it pointless: "Every sequel since has diminished the ending of Judgment Day because the story 'needs' to continue (because studios like money and can't leave well enough alone). But Terminator: Dark Fate may be the worst offender thus far as its prologue directly follows T2 and goes for shock value rather than considering what it means to continue the narrative." Richard Trenholm of CNET felt the opening twist summed up everything wrong with Dark Fate: "The joy [of seeing the de- aged characters] instantly becomes cringeworthy, as this prologue undermines Terminator 2 by killing a major character in such a cursory fashion it just feels silly.
|
|