So do "sausage" and "hedgehog" and other unauthorized, sometimes unprintable interpolations.
|
|
Other technological interpolations do not so much augment as leaven or caption the story.
|
|
What makes Shakespeare's plays ripe for such madcap interpolations is their very capaciousness of spirit.
|
|
True, such interpolations were not uncommon in Petipa's day — but this one is still jarring.
|
|
Throughout the series, the changes and interpolations are in the direction of unnecessary exposition and sentimental cliché.
|
|
Extracts from Mr Kaczynski's journals appear at intervals in the story, ill-judged interpolations that feel forced and overstated.
|
|
The smooth interpolations of Mozart's Mass served to stretch the opera's action into abstract reflections on mercy and hope.
|
|
This version also includes some interpolations to underline that we are indeed all in jail, which mostly feel superfluous.
|
|
A number of citations and interpolations, legal and covert, have kept it in the bloodstream of American music ever since.
|
|
The works were treated like cheap potboilers, subjected to the kinds of cuts, interpolations and fudgings unthinkable in Mozart, Beethoven or Wagner.
|
|
" She quotes a couple of her "very occasional interpolations," including the striking phrase "sad flames licking up against a smooth wall of glass.
|
|
And though it includes some interpolations from latter-day pop, it is also surprisingly true to the spirit of its 19th-century creators.
|
|
But even with such interpolations, Ms. Lloyd's streamlined "Shrew" (a bouncy two hours, with no intermission) manages to tell Shakespeare's original tale with briskness and clarity.
|
|
Yes, there are interpolations of jive, hip-hop and the occasional "okurr!" in a production that has the loose-limbed feeling of a '70s variety show.
|
|
Over songs like "Stamina" and " Smooth Operator," Lean's signature raspy tone traverses through aggressive rap barbs to Patois-laden dancehall tunes, and sneaky interpolations of Sade hooks.
|
|
The bass-baritone Adam Plachetka was a robust, if sometimes gruff, Count Almaviva, though his interpolations to the aria "Vedro mentr'io sospiro" got away from him in its final section.
|
|
Braiding these images with archival texts — sworn statements of beatings, CIA instructions for "enhanced interrogation," and excerpts of detainee interviews — Cornwall destabilizes Gitmo's facade of normalcy through incisive juxtapositions and interpolations.
|
|
The music consists entirely of interpolations of Negro spirituals and folk songs like "Rockin' Jerusalem" and "Keep Your Eyes on the Prize," delivered in multipart harmony by the nine actors playing students.
|
|
Interpolations of new music (Annelies Van Parys, politely unobtrusive) and spoken passages have added 20 minutes or so to the running time, turning Janacek's jewel-box melancholy into a sluggish, stagy hour.
|
|
And throughout, characters comment on the clichés of theater today — from keeping the running time of a play under 90 minutes to the various interpolations used to regain an audience's flagging attention.
|
|
Weird cat-chair chimeras: It can also create what are called "latent space interpolations" — looking at any number of doodle subjects, and combining them together in different ratios to create new sketches with multiple characteristics.
|
|
This production retained much of Jerome Robbins's celebrated choreography, with interpolations or adjustments made by Sean Cheesman in certain numbers, in some cases to accommodate the unusual shape of the stage and the placement of the audience.
|
|
"'Lucid Dreams' was my favorite of all the many interpolations of 'Shape of my Heart,' it will resonate for many years to come," Sting said of the melancholic track which reached No. 2 on the US Billboard singles chart.
|
|
The website WhoSampled indexes not only samples, but remixes and interpolations, while the community of volunteers behind Wikimedia also work to source samples in any given recording, as well as list any personnel who played on, produced or contributed to a work.
|
|
Mr. Gossett made it his life's work to recover scores that had disappeared or become messy — marred by years of bad copies, mistakes, revisions for different singers and productions, later interpolations and lost passages — and return them to something close to what their composers had intended.
|
|
Take Care, his highly regarded sophomore album, would derive as much of its kick from friend and producer Noah "40" Shebib's worshipful interpolations of Jon B., SWV, and Juvenile songs as from the artist's own pining for a string of girlfriends he didn't find capable of withstanding the heat of his stardom.
|
|
She manages to avoid shrillness in what she aptly calls the "Wagnerian coloratura spectacle" that is her final "Exterminating Angel" aria, a flood of sustained superhigh sound up to F. Even if nothing in previous Met history has equaled her high A, other singers have come close, sometimes adding unwritten interpolations and transpositions to show off their personal stratospheres.
|
|
" Contemporary interpolations for this version of "Miss Saigon" include a comic Mormon (surely a nod to "The Book of Mormon" a few blocks away) in a Bangkok street scene, and a line that isn't in the script, but which brought down the house when the Engineer interjected it into his showstopping, Bob Fosse-style fantasy number "The American Dream.
|
|
The text of the play is very poor, and scholars have detected several interpolations in the text. Over the centuries large and small interpolations have been inserted into this tragedy. Some scholars even believe that the whole play is post-Euripidean, written in the style of the late Euripides. For more about interpolations in the text, see Donald J. Mastronarde, Phoenissae.
|
|
This is a translation, with interpolations, of the article in the French Wikipedia.
|
|
It contain several interpolations, and includes legends with supernatural elements. Much of the text in this recension is about Khando's father Anaji Malkare, and these interpolations have rendered it Tarikh-i-Shivaji appears to be a Persian language translation of 91 Kalami Bakhar.
|
|
Even more popular descriptions of Bach's life and works carry Spitta's hallmark. For example, Bach's Magnificat is most often recorded without the Christmas interpolations, but liner notes accompanying such recordings will often give a detailed description of these interpolations, following Spitta's model of the description of the Magnificat.
|
|
Fick, David."Bye Bye Birdie: Changes in the Revival". Musical Cyberspace, September 5, 2009 there were no interpolations from the film or TV adaptations of the show barring the title tune written for the film, which was used as a finale.Fick, David."Interpolations for the Bye Bye Birdie Revival", musicalcyberspace.wordpress.com, February 6, 2010.
|
|
He also inserts additional sections of text that are not derived from his main sources. These inserted sections are referred to as "interpolations". For most of them the sources are not known. Some of the interpolations are used to weave a legend of a Trojan origin for the Franks through the chronicle.
|
|
Matthew Brown has briefly commented on Debussy's use of techniques such as incomplete progressions, parenthetical episodes and interpolations in Ibéria.
|
|
Such compositions with an extended choir are however outside Bach's usual routine for liturgical music. Bach was not the first to include mixed German/Latin Christmas interpolations in a Magnificat sung in Latin: Hieronymus Praetorius published a Magnificat with such interpolations in 1622.Magnificat 5. Toni cum canticis Ecclesiasticis at Samuel Scheidt's Geistliche Konzerte III (1635) contained three Magnificats with interpolations,Samuel-Scheidt-Werke-Verzeichnis, 2000 at the first of these (SSWV 299 for SSATTB and basso continuo) with the first stanza of "Vom Himmel hoch da komm ich her" as first interpolation.
|
|
The text includes some interpolations. The remaining chapters contains extracts from the Chronicle of Hydatius. ;Book III The third book contains excerpts from Books II–VI of the Decem Libri Historiarum by Gregory of Tours with several interpolations. Fredegar's source appears to have lacked the last four books of Gregory's text and his narrative ends in 584.
|
|
Although the original text was the earliest bakhar about Shivaji's life, the interpolations in these recensions have rendered the surviving text unreliable.
|
|
Maroon 5's 2017 single "What Lovers Do" contains interpolations of "Sexual", therefore Victor Rådström, Elina Stridh and Dyo are credited as songwriters.
|
|
The first recordings in the 1960s combined the version in D major (BWV 243) with transposed Christmas interpolations. The type of orchestra is shown for an ensemble with period instruments in historically informed performance by green background. The first recording by Rilling, of the D major version with Christmas interpolations, with a performance time of 40:06, was reissued under the title Christmas Magnificats, and also issued in comparison to a recording of the Magnificat in D by Kurt Thomas under the title Compare. Gönnenwein's D major recording with Christmas interpolations appeared on a CD titled J. S. Bach: Cantatas 142, 65 & Magnificat.
|
|
Songs containing prominent samples or interpolations are not eligible. The award goes to the songwriter. If the song contains samples or interpolations of earlier songs, the publisher and the original songwriter(s) can apply for a Winners CertificateGrammy Blue Book (edition 2021). Bruce Springsteen holds the records for the most wins and nominations, having won four awards from nine nominations.
|
|
The chapalu is encountered by heroes from the Charlemagne cycle, in either late interpolations or later prose sequels to the original chanson de geste.
|
|
A 1640 edition of the Works of Josephus The Slavonic Josephus is an Old East Slavic translation of Flavius Josephus' History of the Jewish War which contains numerous interpolations and omissions that set it apart from all other known versions of Josephus' History. The authenticity of the interpolations was a major subject of controversy in the 20th century, but the latest scholarship has rejected them.
|
|
The "Western non-interpolations" were not included in the main text of Westcott-Hort edition (1881), but were instead moved to the footnotes. The editions of Nestle and Nestle-Aland did the same. In 1968, "the editorial committee (or more precisely its majority) decided to abandon the theories of Westcott-Hort and the Western non-interpolations."Kurt Aland & Barbara Aland, The Text of the New Testament, Wm. Eerdmans 1995, p. 33.
|
|
Tara accepts Vali's death as punishment for seizing Ruma and exiling Sugriva.Lefeber pp. 97–8Lefeber p. 250 In North Indian manuscripts of the Ramayana, some interpolations elaborate Tara's lament.
|
|
References to Ganesha in the earlier Puranas, such as the Vayu and Brahmanda Purnasa are considered to be later interpolations made during the 7th to 10th centuries.Krishan, p. 103.
|
|
Darrell D. Hannah suggests that these passages are not, in total, novel interpolations, but rather derived from an earlier Noah apocryphon. He believes that some interpolations refer to Herod the Great and should be dated to around 4 BC. In addition to the theory of Noachian interpolations, which perhaps a majority of scholars support, most scholars currently believe that Chapters 70–71 are a later addition in part or in whole. Chapter 69 ends with, "This is the third parable of Enoch." Like Elijah, Enoch is generally thought to have been brought up to Heaven by God while still alive, but some have suggested that the text refers to Enoch as having died a natural death and ascending to Heaven.
|
|
The ongoing Münsteraner Josephus-Ausgabe of Münster University will provide a new critical apparatus. There also exist late Old Slavonic translations of the Greek, but these contain a large number of Christian interpolations.
|
|
It occurs in the "Noachian interpolations" (lx. 10, lxxi. 14), in which it has clearly no other meaning than 'man'. The author of the work misuses or corrupts the titles of the angels.
|
|
When, with Stirling's or Bessel's, the last term used includes the average of two differences, then one more point is being used than Newton's or other polynomial interpolations would use for the same polynomial degree. So, in that instance, Stirling's or Bessel's is not putting an N−1 degree polynomial through N points, but is, instead, trading equivalence with Newton's for better centering and accuracy, giving those methods sometimes potentially greater accuracy, for a given polynomial degree, than other polynomial interpolations.
|
|
The Spanish version of the song, "Es Una Pasiva", includes interpolations of "La Bamba" by Ritchie Valens, "La Isla Bonita" by Madonna, "Macarena" by Los Del Rio and "Bidi Bidi Bom Bom" by Selena.
|
|
Only in 1995 were the passages in the Sanskrit texts proven to be interpolations by a late 19th-century forger.Simon Swain: "Apollonius in Wonderland", in: Ethics and Rhetoric, ed. Doreen Innes, Oxford 1995, pp. 251–54.
|
|
Since the beginning of the fourth century the Septuagint began to be rewritten in the version of Origen. G. Thackeray stated that the elimination of hexaplaric interpolations is the most important task of the Septuagint textualism.
|
|
All these texts were questioned by early Alexandrian manuscripts. In this manuscript was omitted interpolation of the Alexandrian text-type in Matthew 27:49.See: Western non-interpolations. Words in this codex are written continuously without separation.
|
|
Combs denied the charges. By the late 1990s, he was being criticized for watering down and overly commercializing hip hop, and for using too many guest appearances, samples, and interpolations of past hits in his new songs.
|
|
A slowed down witch house remix was released by Balam Acab in 2011. Interpolations of the song are featured in Ciara's 2013 single "Body Party". In 2016, the group released four 20th anniversary mixes of the song.
|
|
The Jesse Jagz-produced track "Suite 99" was released as the album's second single on April 17, 2015. It was jointly recorded by Jesse Jagz and Ice Prince and contains interpolations by Dr Dre and Craig Mack.
|
|
Robbin' the Hood is the second album by the Southern California ska punk band Sublime, which was released in 1994. It is noted for its experimental nature, low production values, and numerous samples and interpolations of other artists.
|
|
Rubinkiewicz, pag 684 of but disputed by Sacchi.Sacchi, page 65 of Scholars suspect that some other interpolations are present, including the whole of chapter 7, and some additions, whose extent is difficult to determine, in 29:3-13.
|
|
Others again were falsified or mutilated by later additions and interpolations, as, for instance, the one containing attacks upon Aristotle and his philosophy.Monatsschrift, xi. 37; Grätz, Gesch. vi., note 2; Geiger, in Wiss. Zeit. Jüd. Theol. i. 206.
|
|
Western non-interpolations is the term named by F. J. A. HortB. F. Westcott and J. F. A. Hort, The New Testament in the Original Greek, vol. II (Cambridge and London, 1881; 2nd ed., 1896), pp. 175-177.
|
|
The song contains a sample of the song "Stormy" by American musician O. C. Smith from the album For Once in My Life. It also contains interpolations from "Don't Let Me Down" by Fleurie from the album Love and War.
|
|
Subject to occasional textual variants, the poems are as written by Catullus, except for some interpolations in Latin ('O mea Lesbia' and the like, and exclamations of approval by the old men) and the curious extra words in poem 109.
|
|
81 However this passage is considered to be one of several interpolations into Chalkokondyles' History; a scribe in one line of the text's transmission notes the difference in style, adding a note at the beginning of the passage that "this seems to have been written by someone other than Laonikos", and at the end of the passage ends another note reading "from here on it is Laonikos".Anthony Kaldellis, "The Interpolations in the Histories of Laonikos Chalkokondyles", Greek, Roman, and Byzantine Studies, 52 (2012), p. 260 Further, the story is contradicted by the chronology and other sources.
|
|
He also excised the two interpolations from the Gospel of Matthew that appeared in the work, probably due to objections by the ecclesiastical authorities. The first of these he simply removed; he composed a new instrumental sinfonia in lieu of the second.Steinberg, 25.
|
|
The style and structure suggests that some of the verses in Katha Upanishad, such as 1.1.8, 1.1.16-1.1.18, 1.1.28 among others, are non-philosophical, do not fit with the rest of the text, and are likely to be later insertion and interpolations.
|
|
Bashiri (1979) argued that verses 6 and 7 are interpolations, and Rehder (1974) suggested that one or both of verses 4 and 8 might be spurious.Pritchett (1993), p. 128. Eight of the manuscripts have a different version of verse 6 (see below).
|
|
The song, produced by Mike Will Made It and Jeremy "Backpack" Miller, contains interpolations of Kendrick Lamar's Humble and Playboi Carti's Woke Up Like This. This is one of multiple songs in which he addresses the criticism of his last project, Revival.
|
|
Some of these tales have obvious parallels with Russian folklore and Orthodox hagiography. The chronicle contains a large number of facts not found in earlier sources. Some of these interpolations are thought to reflect a political ideology of the nascent Tsardom of Russia.Donald Ostrowski.
|
|
His book of predictions on the Schism was the most popular of the prophetic treatises of the period. More than twenty manuscripts of it are extant, and it first appeared in print, with various interpolations, as Liber de magnis tribulationibus in proximo futuris (Venice, 1516).
|
|
The remix of "Gone till November" features R. Kelly and Canibus, with backing vocals by Destiny's Child, and contains interpolations of the songs "Michelle" by The Beatles, and "Karma Chameleon" by Culture Club. A separate music video was also made for the remix version.
|
|
Most later 18th-century editors of Shakespeare dismissed Pope's creatively motivated approach to textual criticism. Pope's preface continued to be highly rated. It was suggested that Shakespeare's texts were thoroughly contaminated by actors' interpolations and they would influence editors for most of the 18th century.
|
|
By the 19th century, several interpolations and additions had been made to the original text under the patronage from Rajput rulers. The text now exists in four recensions. It contains a mixture of historical facts and imaginary legends, and is not considered historically reliable.
|
|
A Syrian monk, Anan-Isho, living in the sixth-seventh centuries in Mesopotamia, translated the Lausiac History into Syriac with further interpolations."Paradisus Patrum", ed. Bedjan, "Acta martyrum et sanctorum", VII, Paris, 1897; tr. E. A. Wallis Budge, "The Paradise of the Fathers", 2 vols.
|
|
They perform "Sexy! No No No..." with a dance break containing interpolations of Rihanna's "Disturbia". They perform a cover of James Morrison's "Broken Strings". The album track "Love Is Pain" is performed, followed by "Call the Shots", as Girls Aloud return to the main stage.
|
|
Chapter 5 shows signs of interpolations and internal contradictions. For example, states Arthur Basham, verses 5.23–28 state that a sage's spiritual goal is to realize the impersonal Brahman, yet the next verse 5.29 states that the goal is to realize the personal God who is Krishna.
|
|
"Declaration (This is It)" is a gospel song by Kirk Franklin from his 2007 album The Fight of My Life. The song contains samples of and interpolations of "This Is It" by Michael McDonald and Kenny Loggins who are credited with Franklin as composers of the song.
|
|
There is reason to suspect that the aforesaid supernatural manifestations—arguably somewhat detached from the saga's general narrative—are actually interpolations of separate material. Elsewhere in the narrative, however, there are examples of paranormal phenomena intervening into human affairs.Clunies Ross (2009) ch. 6; Lönnroth (1976) p. 235.
|
|
"Barbie Dreams" is four minutes and thirty-nine seconds long. It contains interpolations from "Just Playing (Dreams)", written by Christopher Wallace and Smith, as performed by The Notorious B.I.G.; interpolations and samples from "Blues and Pants", written by Brown and Wesley, as performed by Brown. The song marks the second time Minaj rapped on B.I.G.'s "Just Playing (Dreams)" beat, as she already used it on her track "Dreams" from her debut mixtape, Playtime Is Over (2007). Lyrically, unlike the former who rapped about his attraction to popular female R&B; singers, Minaj playfully insults prominent male rappers and athletes, who are mostly friends and collaborators of hers, with a few of them even featured on the album.
|
|
He felt both songs were missing the ferocity and sub-bass rattlings of their "earlier cousins". The latter song was also said by Plagenhoef to be "far better". Another negative review came from Slant Magazine, where journalist Eric Henderson called the track one of the album's "unsuccessful interpolations of UK grime".
|
|
If the winning song contains samples or interpolations of songs, the original songwriter and publisher can apply for a Winners CertificateGrammy Blue Book (edition 2021). The performing artist does not receive an award. Years reflect the year in which the Grammy Awards were presented, for music released in the previous year.
|
|
Finally, beginning with stanza 22 and running until the end of the preserved text is a set of counsels comparable to those in Loddfafnismal. This passage is probably an accretion unrelated to the Brynhild fragment, and it contains in turn a number of what are likely interpolations to the original text.
|
|
The VIBE History of Hip Hop. Three Rivers Press. p. 28. The opening guitar and synth- drums were sampled in Organized Rhyme's single, "Check the O.R." Dr. Dre used interpolations for his 1995 hit "Keep Their Heads Ringin'".Ego Trip's Book of Rap Lists: Book of Rap Lists. 1999. Macmillan. p. 30.
|
|
In these commentaries he generally took his own translation from the Hebrew as his subject text, sometimes proposing further improvements, suggestions which would often be incorporated later as interpolations to the Vulgate text of these books. In Jerome's Vulgate, the Hebrew Book of Ezra–Nehemiah is translated as the single book of "Ezra".
|
|
"Greatest" is a song by American rapper Eminem from his album Kamikaze (2018). The second track of the album, the song was produced by Jeremy "Backpack" Miller and Mike Will Made It. In contains interpolations of Humble by Kendrick Lamar and Woke Up Like This by Playboi Carti featuring Lil Uzi Vert.
|
|
Van Voorst states that the contents of the passages in the Slavonic Josephus show that "they are Christian compositions and that they do not provide an authentic textual alternative to the main Testimonium Flavianum." In 1948 Solomon Zeitlin argued that the Slavonic Josephus was composed for the purpose of giving a Christian version of Josephus in Greek. In 1971 G. A. Wells argued that the existence of Christian interpolations within the Slavonic version of the Jewish War indicates that other works of Josephus also contain Christian interpolations. Steven B. Bowman states that the consideration of the Slavonic Josephus should be removed from the scholarly discussions of the first century, for it only pertains to the Macedonian elements of the 10th and 11th centuries.
|
|
In the estimation of James Dunn, there is "broad consensus" among scholars regarding what the Testimonium would look like without the interpolations. According to Dunn's reconstruction, the original passage likely read: In this passage, which is based on Meier's reconstruction, Jesus is called a "wise man", but "lawful to call him a man" and "he was the Christ" are removed, as is the reference to the resurrection. Geza Vermes has performed a detailed analysis of the Testimonium and modified it to remove what he considers the interpolations. In Vermes' reconstruction "there was Jesus, a wise man" is retained, but the reference to "he was the Christ" is changed to "he was called the Christ" and the resurrection reference is omitted.
|
|
This is because, if the reference to Christ were authentic, Origen would likely have simply quoted that passage rather than insisting that Josephus wrote something that he did not actually write. G. A. Wells argued that the fact that Origen seems to have read something different about the death of James in Josephus than what there is now, suggests some tampering with the James passage seen by Origen. Wells suggests that the interpolation seen by Origen may not have survived in the extant Josephus manuscripts, but that it opens the possibility that there may have been other interpolations in Josephus' writings. Wells further states that differences between the Josephus account and those of Hegesippus and Clement of Alexandria may point to interpolations in the James passage.
|
|
The Open Geospatial Consortium (OGC) developed the Simple Features specification (first released in 1997) and sets standards for adding spatial functionality to database systems. OGC Homepage The SQL/MM Spatial ISO/IEC standard is a part the SQL/MM multimedia standard and extends the Simple Features standard with data types that support circular interpolations.
|
|
The second book forms a second lay, but several passages, among them the speech of Odysseus (278–332), are interpolated. In the third book, the scenes in which Helen and Priam take part (including the making of the truce) are pronounced to be interpolations; and so on. New methods try also to elucidate the question.
|
|
This involved purifying the texts. The humanists had great confidence in the mind and so originally this was done through a conjectural knowledge of antiquity. However, Cujaccius recognized the importance of studying the best and most original text, and thus used the Florentine manuscript. This enabled a better study of the interpolations of the text.
|
|
"Luv" is a song by Canadian singer and rapper Tory Lanez. It was released on July 29, 2016, as the second single from his debut studio album, I Told You (2016). The song was produced by Cashmere Cat and Benny Blanco. It has interpolations from "Everyone Falls in Love" by Tanto Metro and Devonte.
|
|
In result of this recension interpolations were removed and some grammar refinements were made. The result was the text of the codices B, C, L, and the text of Athanasius and Cyril of Alexandria.J. L. Hug, Einleitung in die Schriften des Neuen Testaments (Stuttgart 1808), 2nd edition from Stuttgart-Tübingen 1847, p. 168 ff.
|
|
His scholia on Horace, which are still extant, mainly consist of rhetorical and grammatical explanations. We probably do not possess the original work, which must have suffered from alterations and interpolations at the hands of the copyists of the Middle Ages, but on the whole the scholia form a valuable aid to the student of Horace.
|
|
"Take Me There" is a contemporary R&B;/rap song with a soft melody. It runs for four minutes and four seconds. The full-length version, including the instrumental section, is five minutes and two seconds. It contains interpolations of the original Rugrats TV theme, which was written by Mark Mothersbaugh (uncredited), with an additional hip hop/rap beat.
|
|
Compare also the additions in the LXX. to Esther 1:1 and 4:17 However, these borrowings do not justify assigning to the midrash (as S. Buber does) a date later than Yosippon, such as the mid-10th century; for as early as Azariah dei RossiMe'or 'Enayim (ed. Wilna, p. 231) they have been noted as later interpolations.
|
|
Her tragic story makes one of the Love Romances of Parthenius of Nicaea.Parthenius, 4. Ovid includes an imagined reproachful letter from Oenone to Paris in his collection Heroides,Heroides v. a text that has been extended by a number of spurious post-Ovidian interpolations, which include a rape of Oenone by Apollo that is nowhere confirmed in other sources.
|
|
"Let's Get Blown" is a Hip hop, mid-tempo that features beats and minor influences of funk and G-funk music. The song samples and contains interpolations from Slave's "Watching You", which was also interpolated in "Gin and Juice". It was recorded by Andrew Coleman and Phil Tan at Record Plant Studios, Los Angeles, California in 2004.
|
|
According to Macartney, the first chapter was based on the late 11th-century "Hungarian Chronicle", and it contains interpolations from the Exordia Scythica and Regino of Prüm's chronicle. The second chapter explains that the Hungarians were named after "Hunguar"Anonymus, Notary of King Béla: The Deeds of the Hungarians (ch. 2.), p. 13. (present-day Uzhhorod in Ukraine).
|
|
He began informal studies of indigenous peoples, their beliefs, and religious practices. In the Florentine Codex, Sahagún wrote numerous introductions, addresses "to the reader", and interpolations in which he expresses his own views in Spanish.Bernardino de Sahagún, Florentine Codex: Introductions and Indices, Arthur J.O. Anderson and Charles Dibble, translators. Salt Lake City: University of Utah Press 1982.
|
|
Incises ("Interpolations") for solo piano was composed in 1994 as a test piece for the Umberto Micheli Piano Competition, where it was first performed on 21 October 1994. Boulez revised it in 2001. Incises was Boulez's first work for solo piano since his Third Piano Sonata of 1955–57/63. The piece lasts less than ten minutes.
|
|
His narrative personae also featured moral and editorial interpolations within their tales. Barr's achievements were recognized by an honorary degree from the University of Michigan in 1900. His protagonists were journalists, princes, detectives, deserving commercial and social climbers, financiers, the new woman of bright wit and aggressive accomplishment, and lords. Often, his characters were stereotypical and romanticized.
|
|
The Naneghat inscription were a prototype of the refined Devanagari to emerge later. Georg Bühler published the first version of a complete interpolations and translation in 1883. He was preceded by Bhagvanlal Indraji, who in a paper on numismatics (coins) partially translated it and remarked that the Naneghat and coin inscriptions provide insights into ancient numerals.
|
|
Wilamowitz' examination of the relationship between these three layers of the Odyssey, further complicated by later, minor, interpolations, is enormously detailed and complex. One of the three poems, the "old Odyssey" (most of books 5-14 and 17-19) had in turn been compiled by a Redaktor from three even earlier poems, two of which had originally been parts of longer poems. Like most other scholars caught up in the opposition between Analysis and Unitarianism, Wilamowitz equated poetry that he thought poor with late interpolations. But Wilamowitz set such a high standard in the sophistication of his analysis that 20th century Analysts seem to have found difficulty in moving forward from where Wilamowitz left off; and over the course of the following decades attention drifted away, particularly in the English-speaking world.
|
|
The score also contains interpolations of the "Theme from Star Trek", written by Alexander Courage. Two licensed songs are also featured in the film, though not included on the soundtrack album: Beastie Boys' "Body Movin' (Fat Boy Slim Remix)" and Albert King's "Everybody Wants to Go to Heaven". Additional tracks were created by various artists across six countries as region-specific bonus tracks.
|
|
"Feel It Still" is a hit song by American rock band Portugal. The Man. The song, which has interpolations from The Marvelettes' 1961 hit "Please Mr. Postman", was written by the band along with John Hill and Asa Taccone, with the latter two serving as producers. It serves as the second single and first radio single off their eighth studio album, Woodstock.
|
|
Released to positive reviews, "Hands Up" garnered TLC a nomination at the 2004 Grammy Awards for Best R&B; Performance by a Duo or Group with Vocal. An accompanying music video, directed by Matthew Rolston, features a cameo appearance by Countess Vaughn. A remix featuring Jermaine Dupri and The Kid Slim was recorded, containing interpolations of "Nasty Boy" by The Notorious B.I.G..
|
|
We have different sources for the lex regia. One source is Sextus Pomponius's Enchiridion of Sextus Pomponius, even if it is just a fragment, preserved to us in Justinian's Digesta. This source is surely rich in interpolations, thus not fully reliable. Another source is Papirius's Ius Papirianum.; it is so named apud Macrobius Saturnalia 3, 11, 5; Paulus Diaconus 50, 16, 144.
|
|
The story ends with a brief postscript which discusses the fictional book A Coat of Many Colours by Dr. Nahum Cordovero, which argues that the tale of Rufus/Cartaphilus is apocryphal, on the basis of its interpolations of texts by Pliny, Thomas de Quincey, Rene Descartes, and George Bernard Shaw. The postscript ends with the unknown author of the postscript rejecting Cordovero's claim.
|
|
The lyrics in the first verse are an adaptation of the 1929 blues recording "The Girl I Love She Got Long Curley Hair" by Sleepy John Estes. The 2016 remastered edition of The Complete BBC Sessions includes "Contains interpolations from "Let Me Love You Baby" by Willie Dixon [and] "Travelling Riverside" by Robert Johnson" in the credits for the song.
|
|
These are called interpolations. In modern translations of the Bible, the results of textual criticism have led to certain verses, words and phrases being left out or marked as not original. For example, there are a number of Bible verses in the New Testament that are present in the King James Version (KJV) but are absent from most modern Bible translations.
|
|
The International Journal of Computational Methods has been published by World Scientific since 2004. It covers modern computational methods, such as optimizations, interpolations and approximation techniques and real-time computation. It aims for interdisciplinary coverage of real-life applications, whether in theoretical, simulated forms or actual programming. The current Chief Editors are G.R. Liu, R.C. Batra, G. Yagawa, E. Oñate, and Z.H. Zhong.
|
|
"I Loved You" is a single by English deep house duo Blonde featuring vocals from English singer Melissa Steel. The track uses interpolations of "More", a song from the album of the same name by Canadian singer Tamia. It was released through Parlophone on 30 November 2014 in the United Kingdom. The song peaked at number 7 on the UK Singles Chart.
|
|
Gordon's skills, attention to detail and tenacity, together with his experience with the company under Gilbert's direction, were what Carte required. One of Carte's priorities was to arrive at an authorised text. Over the years Gilbert had tweaked his libretti, removing out-of-date references and adding new ones. He had also permitted a few interpolations by senior members of the company.
|
|
Chaillou's manuscript (Paris, BN fr. 146) is a splendid work of illuminated art, as well as being of considerable musicological interest due to interpolations of 169 pieces of music, which span the gamut of thirteenth- and early fourteenth-century genres and textures. Some of these pieces are linked to Philippe de Vitry and the nascent musical style referred to as Ars Nova.
|
|
According to his biographer, Cotogni's professional/usable vocal range was from A1 to B4, though a handful of his roles and even his interpolations and cadenzas require a half-step lower—A♭1. According to Ricci, his other noted interpolations include a high G♯ in Posa's romanza "Carlo, ch'è sol il nostro amore" in Don Carlo; high A♭'s in "O de verd'anni miei" and "O sommo Carlo" from Ernani and the end of "Suoni la tromba" in I puritani; and a quick high A♮in a roulade on the word "piacere" in "Largo al factotum" from Il barbiere di Siviglia. He did, however, chide Titta Ruffo for interpolating an unwritten high B♭ in Hamlet. It is therefore unlikely that Cotogni ever sang a note above the high A♮ in public performance.
|
|
Although Colossians is witnessed by the same historical sources as the undisputed texts, Pauline authorship of Colossians has found some critics. It was originally doubted by F. C. Baur, though others working from his general thesis, such as H. J. Holtzmann, argued that an original brief Pauline text experienced many interpolations by a later editor.see F.F. Bruce, Colossians p. 172; also, Holtzman, Kritik der Epheser u.
|
|
In 1816, Lamb was returned for Peterborough by Whig grandee Lord Fitzwilliam. He told Lord Holland that he was committed to the Whig principles of the Glorious Revolution but not to "a heap of modern additions, interpolations, facts and fictions". He therefore spoke against parliamentary reform, and voted for the suspension of habeas corpus in 1817 when sedition was rife. Lamb's hallmark was finding the middle ground.
|
|
826 A number of variations exist between the statements by Josephus regarding the deaths of James and the New Testament accounts.Painter, John (2005). Just James: The Brother of Jesus in History and Tradition. pp. 143–145 Scholars generally view these variations as indications that the Josephus passages are not interpolations, because a Christian interpolator would more likely have made them correspond to the Christian traditions.
|
|
149, and was published in 1904 by George William Horner.G.W. Horner, The statutes of the apostles or Canones Ecclesiastici, pp 89-120, London 1904 Later editions were published by J. Perier in 1912 and Turnhout in 1971. The Ge'ez translation, which dates from the 13th century, is a complete copy of the original with additional interpolations. It is found in British Museum manuscript or.
|
|
For Visitation of 1733, Bach revised his Magnificat, creating the version better known today. In that version, transposed to D major, the laudes interpolations were abandoned. Limited differences in instrumentation include replacing the recorders by flutes and including these in the tutti movements. Changes in musical texture were even smaller, mellowing the harmony near the end of the Omnes generationes movement being the most noticeable.
|
|
Are You There? is a "farcical musical play in two acts" composed by Ruggero Leoncavallo (with interpolations by Lewis F. Muir) with a book by Albert de Courville and lyrics by Edgar Wallace. Also described as an "operette" by Variety, it premièred unsuccessfully on 1 November 1913 at The Prince of Wales Theatre, London to a rowdy audience which almost became a riot.Variety (7 November 1913).
|
|
As with many historic compilations, it was very difficult to discard the interpolations and addendum which have been added over a period of time to the original. This task was taken up a committee of scholars headed by T P Meenakshi Sundaram called the Kamban Kazhagam (Kamban Academy). The compilation published by this committee in 1976 is what is used as the standard today.
|
|
A manuscript that is now separate (British Library MS. Cotton Tiberius Aiii, f. 178) was originally the introduction to this chronicle; it contains a genealogy, as does [A], but extends it to the late 10th century. [B] was at Abingdon in the mid-11th century, because it was used in the composition of [C]. Shortly after this it went to Canterbury, where interpolations and corrections were made.
|
|
Mangulam inscription dated 2nd century BCE Parts of the Sangam literature in Tamil are attributed to Jains. The authenticity and interpolations are controversial because it presents Hindu ideas. Some scholars state that the Jain portions were added about or after the 8th century CE, and are not ancient. Tamil Jain texts such as the Cīvaka Cintāmaṇi and Nālaṭiyār are credited to Digambara Jain authors.
|
|
Interpolation of typefaces automatic correction of electronic slanting Software that enables to calculate interpolations and extrapolations between one light and one bold font version was than added and made it possible to create fonts such as ultra-light, semi-bold and extra bold variations. This invention drastically reduced time and effort for font manufacturers to create these intermediate fonts and was frequently used, particularly in Japan.
|
|
Rudra is a Singaporean band which was formed in 1992. Rudra play a uniquely composed avant garde blend of styles, including, among others, black metal- influenced death metal with interpolations and extended passages of traditional Carnatic music. The lyrical content is derived from Sanskrit Vedic literature and philosophy with, ancient mantras (shlokas) incorporated into the song structures. The band describes the style as Vedic metal.
|
|
For Scott, the process of multiple recitations 'incurs the risk of impertinent interpolations from the conceit of one rehearser, unintelligible blunders from the stupidity of another, and omissions equally to be regretted, from the want of memory of a third.' Similarly, John Robert Moore noted 'a natural tendency to oblivescence'."The Influence of transmission on the English Ballads", Modern Language Review 11 (1916), p. 387.
|
|
Lyrically, the track features Carey reminiscing about a past lover. "You Don't Know What to Do" features American rapper Wale and contains interpolations of "I'm Caught Up in a One Night Love Affair", written by Patrick Adams and Terri Gonzalez. The song is a disco inspired track containing a "bumping" beat compared to music of 1977. "Supernatural" is a "sappy cut" featuring Carey's children credited as "Dem Babies".
|
|
The script of the play "remains 85% Shakespeare" and mostly follows the plot of Macbeth, although lines from other Shakespeare plays are included. MacHomer features, according to the San Francisco Chronicle, "clever rearrangements of lines, crosscuttings between scenes, sometimes topical interpolations and assignment of roles to cartoon entities [...]." During the MacBeth portion, Miller performs the various roles using voices from The Simpsons characters. He does more than 50 voices.
|
|
"Givin' Me a Rush", also called "Give Me a Rush", is a song recorded by Tyra B. for her project Past Due, which was never released as an album. The song peaked at number 36 on Billboard magazine's Hot R&B;/Hip-Hop Songs. It contains vocal interpolations of Michael Jackson's "Human Nature", and Paula Abdul's "Rush Rush". The music video for the single premiered on December 11, 2007.
|
|
The general tone of the chronicle is described as "not bombastic", "relatively subdued", and "matter-of-fact". The pre-1712 portions of later national Burmese chronicles — including Yazawin Thit (1798), Maha Yazawin Kyaw (1831), and the famous Hmannan Yazawin (the Glass Palace Chronicle) — are more or less verbatim reproductions of Maha Yazawin, "with some interpolations of quasi-legendary material and with limited digressions on points of scholarly dispute".
|
|
Using initial profile u_S (\theta , t) = \sin (\theta) leads to the solution u_S (\theta, t) = \exp (-t)\sin (\theta) for the heat equation. Forward Euler time-stepping is used with relation \Delta t = 0.1 \Delta x^2 and degree-four interpolation polynomials for the interpolations. Second-order centered differences are used for the spatial discretization. The CPM results in the expected second order error in the solution u .
|
|
New York: PolyGram Records. "It's a Man's Man's Man's World" became a staple of Brown's live shows for the rest of his career. Its slow, simmering groove and declamatory vocal line made it suitable for long, open-ended performances incorporating spoken ruminations on love and loss and sometimes interpolations from other songs. It appears on almost all of Brown's live albums starting with 1967's Live at the Garden.
|
|
"Karate" premiered at Yokohama Arena on December 12, 2015, during the final dates of the Babymetal World Tour 2015, and was added to the setlist of the Babymetal World Tour 2016, performed on the first tour date at Wembley Arena. The song had its first televised performance at TV Asahi's Music Station on April 22, 2016. The song's choreography contained interpolations of karate moves, as shown in the music video.
|
|
These texts have seen interpolations and revisions. For example, it is generally accepted now that the Jain nun Kanti inserted a 445-verse poem into Cīvaka Cintāmaṇi in the 12th century. The Tamil Jain literature, according to Dundas, has been "lovingly studied and commented upon for centuries by Hindus as well as Jains". The themes of two of the Tamil epics, including the Silapadikkaram, have an embedded influence of Jainism.
|
|
Then the program does interpolations to produce an image with defined zones. These will include interpolation errors due to the calculation. Mesoscale variations of the precipitation zones will also be lost. More sophisticated programs use the numerical weather prediction output from models, such as NAM and WRF, for the precipitation types and apply it as a first guess to the radar echoes, then use the surface data for final output.
|
|
The Pilgrim's Progress is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory The Pilgrim's Progress. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his second wife, Ursula Wood.
|
|
In the course of his sixty- five year career as a scholar of Roman law, Riccobono contributed much to the literature of his field, but three contributions in particular should be mentioned. He was the first to evaluate critically the then recently rediscovered technique of interpolation and to use the study of interpolations as a means to understand changes in classical law doctrines, instead of viewing the discovery of interpolations as an end in itself. Also, his study of the Scholia Sinaitica was especially useful and well received. And Riccobono was one of the scholars who edited the pre-Justinian sources of Roman law, which was published as Fontes Iuris Romani Antejustiniani (1909).Schiller, supra note 1 at 375-376. Schiller describes Ricconono’s scholarship in detail at 375-381, as does Ortu, supra note 1. He had a reputation as “the Great Conservative” among modern Roman historians and insisted that Justinian’s Corpus Juris Civilis was Roman in spirit, rather than Hellenistic.Kuttner, supra note 1 at 661-662.
|
|
Liezi scholars have long recognized that it shares many passages with other pre-Han texts like the Zhuangzi, Daodejing, and Lüshi Chunqiu. Barrett (1993:298) says opinion is "divided as to whether it is an ancient work with later interpolations or a forgery confected from ancient sources." On the one hand, the Liezi could contain a core of c. 400 BCE authentic writings of Lie Yukou; on the other hand, it could be a c.
|
|
Early 3D videogames, such as Quake and Crash Bandicoot use per-vertex animation for all character animations. When used for facial animation, these morph target are often referred to as "key poses". The interpolations between key poses when an animation is being rendered, are typically small and simple transformations of movement, rotation, and scale performed by the 3D software. Not all morph target animation has to be done by actually editing vertex positions.
|
|
"Some Kind of Love" is a synth-pop, dream pop and art pop song composed by Brandon Flowers and Jacknife Lee. It contains interpolations from Brian Eno's "An Ending (Ascent)", which was the main inspiration for the song. According to Flowers, the band asked for his permission to sample the song in their 2006 album Sam's Town, but he declined. Despite being rejected, Flowers was determined ever since he had a dream about him.
|
|
The Greek text is unique, with many interpolations found nowhere else, with a few remarkable omissions, and a capricious tendency to rephrase sentences. Aside from this one Greek manuscript it is found in Old Latin (pre-Vulgate) versions -- as seen in the Latin here -- and in Syriac, and Armenian versions. Bezae is the principal Greek representativeBruce Metzger The Text of the New Testament 4th ed. p. 73. of the Western text-type.
|
|
According to Camille Bulcke (an expert on Rama-centric literature), Sarama does not appear in the original Ramayana. However, later interpolations - present in all recensions - added to the text of Valmiki mention her. She first appears in the episode of Maya-shirsa, the illusory head of Rama. Ravana has abducted Sita, the wife of Rama, the prince of Ayodhya and repeatedly urges her to marry him, however Sita flatly refuses each time.
|
|
The first published edition of this midrash appeared at Venice in the year 1598, prepared from a copy dated 1186. In 1677 an edition by Samuel b. Moses Haida, with changes in the text and with a commentary (דאשא זקוקין דנורא בעורין), appeared in Prague. The text itself was presented in a "nusḥa ḥadasha" (new text) and in a "nusḥa yeshana" (old text), being wholly distorted from its original form by Talmudic and cabalistic interpolations.
|
|
"Bug a Boo" is a song by American girl group Destiny's Child. It was written by band members Beyoncé Knowles, LeToya Luckett, LaTavia Roberson and Kelly Rowland along with Kandi Burruss and Kevin "She'kspere" Briggs for their second album The Writing's on the Wall (1999), featuring production by the latter. The song uses interpolations of the 1978 song "Child's Anthem" by Toto. The song was released as the album's second single on August 23, 1999.
|
|
The compact finite difference formulation, or Hermitian formulation, is a numerical method to compute finite difference approximations. Such approximations tend to be more accurate for their stencil size (i.e. their compactness) and, for hyperbolic problems, have favorable dispersive error and dissipative error properties when compared to explicit schemes. A disadvantage is that compact schemes are implicit and require to solve a diagonal matrix system for the evaluation of interpolations or derivatives at all grid points.
|
|
The story of Arjuna is told in the Mahabharata, one of the Sanskrit epics from the Indian subcontinent. The work is written in Classical Sanskrit and is a composite work of revisions, editing and interpolations over many centuries. The oldest parts in the surviving version of the text probably date to about 400 BCE. The Mahabharata manuscripts exist in numerous versions, wherein the specifics and details of major characters and episodes vary, often significantly.
|
|
214, : Lord of Obstacles, Lord of Beginnings. (Oxford University Press: New York, 1985) Thapan (pp. 30–33) reviews different views on the relative dating of these two works and notes that the Mudgala Purana, like other Puranas, is a multi-laid work. She says that the kernel of the text must be old and that it must have continued to receive interpolations until the 17th and 18th centuries as the worship of Ganapati became more important in certain regions.
|
|
The later narrative in the Gospel of John about Jesus washing Simon Peter's feet at the Last Supper,. similarly uses the Greek term λούειν, louein,. which is the word typically used of washing in an Asclepeion, rather than the more ordinary Greek word νίπτειν, niptein, used elsewhere in the Johannine text to describe washing. The interpolations may reflect attempts to mediate between pagan and Jewish or Christian interpretations of how healing at the pool might have been brought about.
|
|
A few smaller quotations of the original Greek are preserved in Justinian's Letter to Mennas. The vast majority of the text has only survived in a heavily abridged Latin translation produced by Tyrannius Rufinus in 397. Rufinus was convinced that Origen's original treatise had been interpolated by heretics and that these interpolations were the source of the heterodox teachings found in it. He therefore heavily modified Origen's text, omitting and altering any parts which disagreed with contemporary Christian orthodoxy.
|
|
The oil of catechumens and the oil of the sick are usually also consecrated at this liturgy. Practices vary for the blessing of the chrism, from interpolations within the Eucharistic Prayer, to specific prayers of consecration, used at the discretion of the minister. Some Lutheran and Anglican liturgical books, however, make provision for a pastor who is not a bishop (a presbyter) to consecrate chrism in time of need and in the absence of the bishop.
|
|
Interpolation is prevalent in many genres of popular music; early examples are the Beatles interpolating "La Marseillaise", among four other interpolations in the 1967 song "All You Need Is Love", and Lyn Collins interpolating lyrics from the 5 Royales' "Think" in her similarly titled 1972 song "Think (About It)". One genre where interpolating (as well as sampling) is highly prevalent is hip hop music; a prominent example is Stevie Wonder's "Pastime Paradise" interpolated in Coolio's hit song "Gangsta's Paradise".
|
|
"Astounded" is a song by Canadian musical collective Bran Van 3000 featuring vocals from American artist Curtis Mayfield. The song contains interpolations from Mayfield's song "Move On Up" and also contains a sample and an interpolated melody of The Doobie Brothers' "Rockin' Down the Highway". The song was first released for download on Bran Van 3000's website in January 2001. It was then officially released in May 2001 as the lead single from their second studio album, Discosis.
|
|
The Quran also provides some detail, but can only be used cautiously. The Byzantine hagiographies (lives of saints) of Saints Theodore of Sykeon and Anastasios the Persian have proven to be helpful in understanding the era of the war. The Life of George of Khozeba gives an idea of the panic at the time of the Siege of Jerusalem. However, there are some doubts as to whether hagiographic texts may be corrupted from 8th or 9th century interpolations.
|
|
Schulz is best known today for his vivid and very readable works on Roman law and Roman legal science. Even though he followed the prevalent scientific trend of his day and tended to assume a large number of interpolations in the Roman texts, his contributions are still valuable and are cited frequently. His book "System der Rechte auf den Eingriffserwerb", published in 1909, is still seen as an important contribution to the German Law of Unjustified Enrichment today.
|
|
Strobel, Lee. "The Case for Christ". 1998. Chapter three, when quoting biblical scholar Bruce Metzger Three of the most important interpolations are the last verses of the Gospel of MarkGuy D. Nave, The role and function of repentance in Luke-Acts,p. 194John Shelby Spong, "The Continuing Christian Need for Judaism", Christian Century September 26, 1979, p. 918. see Feminist companion to the New Testament and early Christian writings, Volume 5, by Amy-Jill Levine, Marianne Blickenstaff, pg.
|
|
The song is built around a sample of "Amour, émoi... et vous" by Guy Bonnet and Roland Romanelli; the lyric contain a interpolations of Dizzie Rascal's "Sirens". One month after Smith posted "Blue Lights" on her SoundCloud account, the song had more than 400 000 listens. That same week, it was added to the playlists of national British radios. In April 2018, Smith sang "Blue Lights" during her American late-night television debut on Jimmy Kimmel Live!.
|
|
The band formed after Ben Ofoedu left Phats & SmallM2 Music: Ben Has Hottest Hits This summer., 2002, Birmingham Evening Mail, Retrieved 25 August 2015 and formed a band with DJ Rods (aka Rodney Williams), who he had known since school, and Leigh Guest, a member of Double Trouble. Their first single was "Luv Da Sunshine", which contains interpolations of 10cc's "Dreadlock Holiday". It charted at #22 on the UK Singles Chart, spending just two weeks there.
|
|
His Wars is generally trusted but is contained in a later compilation called Les gestes des Chiprois, and it is sometimes difficult to determine if a detail was amended by the compiler. His account, written contemporaneously with events, only covers the years 1228-33, 1236, and 1241-42\. He wrote the last part of his account between 1242 and 1247, adding interpolations until as late as 1258. It is Philip that gives the name "Longuebars" (Lombards) to the imperialists.
|
|
Since the 19th century, scholars have preferred the shorter reading. It was the authentic text according to B. F. Westcott and F. J. A. Hort. When they printed The New Testament in the Original Greek (1882), in almost all cases, it followed the Alexandrian text with the few exceptions that use the Western non-interpolations instead. According to Westcott and Hort, on some rare occasions Western textual witnesses have preserved the original text, against all other witnesses.
|
|
Advanced Placement Calculus (also known as AP Calculus, AP Calc, or simply AB / BC) is a set of two distinct Advanced Placement calculus courses and exams offered by the American nonprofit organization College Board. AP Calculus AB covers basic introductions to limits, derivatives, and integrals. AP Calculus BC covers all AP Calculus AB topics plus additional topics (including more advanced integration techniques such as integration by parts, Taylor series, parametric equations, vector calculus, polar coordinate functions, and curve interpolations).
|
|
"Say What You Want" is a song by Scottish group Texas and the first single to be taken from their fourth studio album White on Blonde. The song includes interpolations of "Sexual Healing" by Marvin Gaye and "Love... Thy Will Be Done" by Martika. Released in January 1997, it is the band's biggest hit commercially, peaking at number three on the UK Singles Chart. As of February 2015 the single has sold 451,000 copies in United Kingdom.
|
|
" Rolling Stone. Music Index. In March 2014, Cudi talked about wanting to provide guidance for young listeners with his music: "my mission statement since day one […] all I wanted to do was help kids not feel alone, and stop committing suicide."In a 2013 article for The BoomBox, the author wrote: "On [A Kid Named Cudi], Cudi raps and croons over samples and interpolations of Gnarls Barkley, Paul Simon, Band of Horses, J Dilla, Nosaj Thing, N.E.R.D. and Outkast.
|
|
The story of Karna is told in the Mahābhārata, one of the Sanskrit epics from the Indian subcontinent. The work is written in Classical Sanskrit and is a composite work of revisions, editing and interpolations over many centuries. The oldest parts in the surviving version of the text probably date to about 400 BCE. Within Mahabharata, which follows the story within a story style of narration, the account of Karna's birth has been narrated four times.
|
|
Second, he wrote eight entries describing plants that later authors have never been able to identify. Third, Ji Han was occasionally confused regarding some plants where later botanists were not, for example (17), he mixed up Phrynium with Zingiber. Fourth, he mentions contemporary events, such as Aquilaria bark-paper (56) being presented as tribute to Emperor Wu of Jin in 284. Li (1979: 13) concludes that although we cannot rule out the possibility of interpolations, we can be reasonably sure that the text, as it has come down to us in its present form since the late Song period, "represents on the whole a historically trustworthy account of the plants treated therein as they appeared in the southern regions around the third and fourth centuries". Huang Xingzong's (1986) summary of the proceedings at an international symposium on the authenticity of the Nanfang caomu zhuang provides an overview of both sides in the debate: those who claim that the text is a 12th-century forgery compiled from early texts, and those who consider it a genuine 4th-century work with later interpolations.
|
|
In antiquity, the Apostolic Constitutions were mistakenly supposed to be gathered and handed down by Clement of Rome, the authority of whose name gave weight to more than one such piece of early Christian literature (see also Clementine literature). The Church seems never to have regarded this work as of undoubted Apostolic authority. The Apostolic Constitutions were rejected as canonical by the Decretum Gelasianum. The Quinisext Council in 692 rejected most part of the work on account of the interpolations of heretics.
|
|
The introduction to the first volume of Gorresio's series accurately set out the contradictions and interpolations that accrued over the ages in the Ramayana text. The precision of his critical commentary and the insight of his aesthetic valuation, the charm of expression and the diligence of the translation earned him many accolades, among them appointment to the Accademia della Crusca in 1867. In 1852, Gorresio returned to Turin where he was awarded the first chair in Sanskrit established in Italy.
|
|
Macbeth was first printed in the First Folio of 1623, and the Folio is the only source for the text. Some scholars contend that the Folio text was abridged and rearranged from an earlier manuscript or prompt book. Stage cues for two songs are often cited as interpolations. The lyrics are not included in the Folio, but are included in Thomas Middleton's play The Witch, which was written between the accepted date for Macbeth (1606) and the printing of the Folio.
|
|
These preserved their charters so as to record their right to land. The oldest extant original charter, now in Canterbury Cathedral archive, was issued in 679 by King Hlothhere of Kent granting land to the Reculver Abbey. Some surviving charters are later copies, which sometimes include interpolations. Anglo-Saxon charters were sometimes used in legal disputes, and the recording of the contents of a charter within a legal document has ensured the survival of text when the original charter has been lost.
|
|
One of the key internal arguments against the complete authenticity of the Testimonium is that the clear inclusion of Christian phraseology strongly indicates the presence of some interpolations. For instance, the phrases "if it be lawful to call him a man" suggests that Jesus was more than human and is likely a Christian interpolation. Some scholars have attempted to reconstruct the original Testimonium, but others contend that attempts to discriminate the passage into Josephan and non-Josephan elements are inherently circular.
|
|
The music video modifies the song to include spoken interpolations from the New Orleans artist Big Freedia and the YouTube personality Messy Mya,"Beyoncé samples Messy Mya on 'Formation'". YouTube. who was murdered in New Orleans in 2010. It begins with Beyoncé lying on top of a Ford Crown Victoria Police Interceptor in a flooded street. During the end, a man can be seen holding a newspaper with Martin Luther King Jr.'s face on it with the title "The Truth".
|
|
There are various libraries to improve basic functions, such as object-oriented programming with inheritance and overloading, interpolations, camera management, network multiplayer management, game state management, configuration, etc. The Simple Tiled Implementation library allows users to load levels as tiles, edit using Tiled and display them in games. It works in conjunction with Box2D for collision management with this decor. The anim8 library allows users to load animations, for characters for example, from an image grid into a bitmap file (PNG or JPEG).
|
|
They also believed that the combination of Codex Bezae with the Old Latin and the Old Syriac represents the original form of the New Testament text, especially when it is shorter than other forms of the text, such as the majority of the Byzantine text-type. In this they followed one of the primary principles of their fledgling textual criticism, lectio brevior, sometimes taken to an extreme, as in the theory of Western non-interpolations, which has since been rejected.
|
|
Sisam, pp. 294-297 Finally, later interpolations (which were added by 892) to both Asser's Vita Ælfredi regis Angul Saxonum and the Anglo-Saxon Chronicle preserve Wessex pedigrees extended beyond Cerdic and Woden to Adam.Sisam, pp. 297-298 John of Worcester would copy these pedigrees into his Chronicon ex chronicis, and the 9th-century Anglo-Saxon genealogical tradition also served as a source for the Icelandic Langfeðgatal and was used by Snorri Sturluson for his 13th century Prologue to the Prose Edda.
|
|
However, as more and more interpolations were revealed, the quasi-Biblical status of the texts was undermined, which undermined the work of the humanists. Since the Renaissance humanists were primarily concerned with a return to classical society, they were not solely interested in the law, but instead in the historical context. Some humanists placed little emphasis on the law except in respect to what it revealed about the Roman society, for example, Alicus. Pure law was thus given a monumental status.
|
|
Subsequently he was director of the 1890 census for Alaska. In 1892, while writing up the census results, he was asked to serve as a translator for the US State Department in connection with the Bering Sea Arbitration. It was discovered that he had inserted his own interpolations into the translated Russian documents; this caused great embarrassment to the United States since the translations had already been submitted to the tribunal. This ended his public career and called his previous work into question.
|
|
APFEL is an opensource software able to perform Dokshitzer–Gribov–Lipatov–Altarelli–Parisi (DGLAP) evolution up to next to next to leading order (NNLO) in quantum chromodynamics (QCD) and to leading order (LO) in quantum electrodynamics (QED), both with pole and minimal subtraction scheme (MSbar) masses. The coupled DGLAP QCD+QED evolution equations are solved in x-space by means of higher order interpolations and Runge-Kutta techniques, and allow the exploration of different options for the treatment of subleading terms.
|
|
Valmiki's Ramayana is dated variously from 500 BCE to 100 BCE or about co-eval with early versions of the Mahabharata.Goldman, Robert P., The Ramayana of Valmiki: An Epic of Ancient India pp. 23 As with many traditional epics, it has gone through a process of interpolations and redactions, making it impossible to date accurately. British satirist Aubrey Menen says that Valmiki was "recognized as a literary genius," and thus was considered, "an outlaw," presumably because of his "philosophic scepticism,"Menen, Aubrey (1954).
|
|
Apart from the Jonsonian interpolations, the play shows internal evidence of being a fairly typical Beaumont and Fletcher collaboration. Cyrus Hoy, in his survey of authorship questions in the canon of Fletcher and his collaborators, produced this division of shares between the two dramatists: ::Beaumont -- Act I, scene 1; Act IV; Act V; ::Fletcher -- Act I, scene 2; Act II, Act III. The play is thought to have originally been written c. 1615-16,Terence P. Logan and Denzell S. Smith, eds.
|
|
Solon, depicted as a medieval scholar in the Nuremberg Chronicle Solon's verses have come down to us in fragmentary quotations by ancient authors such as Plutarch and DemosthenesDemosthenes 19 (On the Embassy) 254–55 who used them to illustrate their own arguments. It is possible that some fragments have been wrongly attributed to himK. Hubbard, Homosexuality in Greece and Rome: a sourcebook of basic documents, Uni. California Press, 2003; p. 36 and some scholars have detected interpolations by later authors.
|
|
246 In 2003 Bach scholar Andreas Glöckner argued that the very first version of Bach's Magnificat, that is the E major version before the four Christmas interpolations were added to the autograph, was first performed on 2 July 1723.Glöckner 2003Butler 2008, p. 53 That would have been exactly ten years before the transposed version, and composed for the same Marian feast. Bach had taken up his post as in Leipzig on 30 May, the first Sunday after Trinity in 1723.
|
|
He must review doubtful > titles, purge out interpolations, expose forgeries; but he does so only to > manifest the truth, and exhibit the genuine remains of antiquity in their > real character. A book that is really old and really valuable has nothing to > fear from the critic, whose labours can only put its worth in a clearer > light, and establish its authority on a surer basis.The Old Testament in the > Jewish Church (1892), p. 17. Also cited in the Preface to Encyclopedia > Biblica.
|
|
Part 2 of the standard, ISO 19125-2 (SFA-SQL), defines an implementation using SQL. The OGC standards cover additionally implementations in CORBA and OLE/COM, although these have lagged behind the SQL one and are not standardized by ISO. The ISO/IEC 13249-3 SQL/MM Spatial extends the Simple Features data model mainly with circular interpolations (e.g. circular arcs) and adds other features like coordinate transformations and methods for validating geometries as well as Geography Markup Language support.
|
|
The book, which also had a copy of the Laws of Alfred and Ine bound in after the entry for 924, was transferred to Canterbury some time in the early 11th century, as evidenced by a list of books that Archbishop Parker gave to Corpus Christi.Ker, Catalogue of Manuscripts, p. 57. While at Canterbury, some interpolations were made; this required some erasures in the manuscript. The additional entries appear to have been taken from a version of the manuscript from which [E] descends.
|
|
"Dust" feat Astrid S, "Wait For Love" (a collaboration with producer KidJoki), "Phoenix" feat Frøder and "Night Train" feat Alida. "Dust" has become CLMD's biggest release to date with over 13 million streams on Spotify alone. The melody contains interpolations of the late 90s trance hymn 1998 by British DJ duo Binary Finary. In 2017 Martin was asked to be a mentor on the Norwegian version of the hit TV show The Voice, becoming the first non- vocalist mentor ever worldwide.
|
|
Theodoret's last exegetical works were the interpretations of difficult passages in the Octateuch and Quaestiones dealing with the books of Samuel, Kings, and Chronicles, written about 452 to 453. Excepting the commentary on Isaiah (fragments preserved in the catenae) and on Galatians ii.6-13, the exegetical writings of Theodoret are extant. Exegetical material on the Gospels under his name in the catenae may have come from his other works, and foreign interpolations occur in his comments on the Octateuch.
|
|
Yet even these authentic poems may include interpolations. For example, the first ten verses of the Works and Days may have been borrowed from an Orphic hymn to Zeus (they were recognised as not the work of Hesiod by critics as ancient as Pausanias).J. A. Symonds, Studies of the Greek Poets, p. 167. Some scholars have detected a proto-historical perspective in Hesiod, a view rejected by Paul Cartledge, for example, on the grounds that Hesiod advocates a not- forgetting without any attempt at verification.
|
|
The book is in the form of a memoir of experiences living in shared accommodations, presumably from the point of view of John Birmingham. The film, on the other hand, tells a fictional story in episodic or anecdotal form. But the book is much more episodic, anecdotal, and fragmented than the story of the film, with frequent interpolations of anecdotes and commentary from the points of view of several other people. Birmingham implies in the text that these stories were contributed to him by others.
|
|
"B.U.D.D.Y." (pronounced "Buddy") is the first single from Musiq Soulchild's fourth album Luvanmusiq. It was released on January 30, 2007 after being given to radio stations in the US in late November 2006. It contains samples from De La Soul's "Buddy (Native Tongues Decision Remix)", Taana Gardner's "Heartbeat" and interpolations from the composition "Heartbeat (Kenton Mix)". The song was nominated for a Grammy Award for Best Male R&B; Vocal Performance at the 50th Grammy Awards but lost to "Future Baby Mama" by Prince.
|
|
"Megitsune" has been described as "festival metal". Alongside the serious heavy metal tone, there is a mix of Western-style and Eastern-style music, noticeably with the use of Japanese traditional instruments. Unlike screams in traditional heavy metal, "Megitsune" is filled with festival chants by Mizuno and Kikuchi like "wasshoi" and "sore sore", while Nakamoto sings in the melodramatic style of enka. The bridge has significant variety in genre, with elements of dubstep as well as interpolations from the traditional Japanese folk song "Sakura Sakura".
|
|
The logical skills of the humanists in their search for interpolations meant that lawyers had skills that were useful for society as a whole. They were thus the natural mediator in Italy when there was no emperor (and they had Imperial authority), they created a comprehensive system of law. When in French the church and crown were opposed, the humanists were able to help the king gain control with their use of logic. A disputed impact of the humanists was on the law of contract.
|
|
Tómasarbók (Reykjavík, Stofnun Árna Magnússonar, AM 510 4to) is a mid- sixteenth-century Icelandic manuscript. It was written between 1540 and 1560 by Ari Jónsson and his sons Jón and Tómas Arason. It contains eight sagas, including one of the two main sources of Finnboga saga ramma and the youngest version of Jómsvíkinga saga, which may contain interpolations from an older, independent version of this saga. Eight of the eleven remaining stanzas of Tindr Hallkelsson's Hákonardrápa are preserved in this version of Jómsvíkinga saga.
|
|
The text, fragmentary at times, is therefore not entirely reliable, and is further corrupted by interpolations by the later Persian translators. Nevertheless, it remains one of our best sources for the practice of Hellenistic astrology, and it was a work of great influence on later Christian, Persian, Arab and medieval astrologers. The late 1st century, a time when Dorotheus is believed to have flourished, was a period of intense astrological development, following two millennia of accumulated tradition. Very little is known about Dorotheus himself.
|
|
As with her first novel, White Teeth, the critic James Wood was harsh . He said 'this is the closest a contemporary British writer has come to sounding like a contemporary American writer- the result is disturbingly mutant.' He denounced her 'cute digest chapter headings', her 'silly epigraphs', her 'informational interpolations' and her vacant main character. He also felt that the novel's 'obsession' with Jewishness, and the way in which the subject was treated made it clear that the book was by a non-Jew.
|
|
Conjunctures (Amsterdam: Rodopi, 1994), pp. 1-14, Fanni Bogdanow, "L'Invention du texte, intertextualité et le problème de la transmission et de la classification de manuscrits" Romania 111 (190): 121-40 and Janina P. Traxler, "The Use and Abuse of the Grail Quest" Tristania 15 (1994): 23-31. Gaston Paris, in 1897, also noted the interpolation of a verse romance on Brunor in Prose Tristan. However, most interpolations result from the errors and inaccuracies which tend to arise during hand-copying, especially over long periods of time.
|
|
"Mes amis, écoutez l'histoire", is a tenor aria in Adolphe Adam's 1836 opera Le postillon de Lonjumeau. The D5 in the final verse is the highest commonly sung note for tenors in opera. Donizetti wrote an E5 for Edgardo in the first act of his opera Lucia di Lammermoor, though it is very seldom sung. Higher notes are occasionally sung in interpolations and ornaments in other bel canto operas, and exceptionally the written F5 at the end of "Credeasi, misera" in Bellini's I puritani.
|
|
Most modern textual scholars consider these verses interpolations (exceptions include advocates of the Byzantine or Majority text). The verse numbers have been reserved, but without any text, so as to preserve the traditional numbering of the remaining verses. The Biblical scholar Bart D. Ehrman notes that many current verses were not part of the original text of the New Testament. "These scribal additions are often found in late medieval manuscripts of the New Testament, but not in the manuscripts of the earlier centuries," he adds.
|
|
Godman and Roncaglia date it to the late ninth century with later interpolations. Brittain puts it between 892 and 900. According to J. J. Savage (1927), "The Song of the Soldiers of Modena," Speculum, 2:4, 475-76, Edelestand du Méril and Domenico Comparetti place its composition between about 924 and 934. The chapel of Santa Maria e San Giovanni was beside a city gate, and it was probably there that the guards assembled before their watch and joined the clergy in singing the song.
|
|
Explanations of words from Gregory Nazianzus and other Christian writers (glossae sacrae) are later interpolations. The lexicon survives in one deeply corrupt 15th-century manuscript, which is preserved in the library of San Marco at Venice, (Marc. Gr. 622, 15th century). The best edition is by (1858–1868), but no complete comparative edition of the manuscript has been published since it was first printed by Marcus Musurus (at the press of Aldus Manutius) in Venice, 1514 (reprinted in 1520 and 1521 with modest revisions).
|
|
Stanzas 20-21 are again in the setting of the frame narrative, with Brynhild asking Sigurd to make a choice. They serve as introduction for the remaining part of the text, stanzas 22-37 (of which, however, only 22-28 and the first line of 29 are preserved in Codex Regius), which are gnomic in nature. Like Loddfafnismal, the text consists of numbered counsels, running from one to eleven. The "unnumbered" stanzas 25, 27, 30, 34 and 36 are considered interpolations by Bellows (1936).
|
|
Darrell Jennings Doughty (June 24, 1936 - May 22, 2009) was a biblical scholar who taught New Testament and Early Christianity at Drew Theological Seminary for 35 years. Doughty is associated with the revival of Dutch radicalism, along with Hermann Detering (Germany) and Robert M. Price.Robert M. Price, The Pre-Nicene New Testament: Fifty-four Formative Texts, (Salt Lake City: Signature Books, 2006), p. 1182; see also William O. Walker, Jr, Interpolations in the Pauline Letters (Journal for the Study of the New Testament, Supplement Series, vol.
|
|
Tao's painstakingly endeavors resulted in two texts. The esoteric c. 493-514 Dengzhen yinjue (登真隱訣, Concealed Instructions for the Ascent to Perfection), which provides technical guidance for Shangqing adepts, and the 499 Zhengao, which was intended for a broader audience of laypeople (Robinet 2008b: 1249). Tao Hongjing's Zhengao Declarations of the Perfected survives as a complete work, with interpolations and commentarial additions. Standard editions are found in the 1444 Daozang Daoist Canon (CT 1016) and the 1782 Siku Quanshu literary collection.
|
|
The origins of Hungarian opera can be traced to the late 18th century, with the rise of imported opera and other concert styles in cities like Pozsony, Kismarton, Nagyszeben and Budapest. Operas at the time were in either the German or Italian style. The field Hungarian opera began with school dramas and interpolations of German operas, which began at the end of the 18th century. School dramas in places like the Pauline School in Sátoraljaújhely, the Calvinist School in Csurgó and the Piarist School in Beszterce.
|
|
A music video for the song was shot and directed by Cliff Watts, who had also shot Beyoncé's Sports Illustrated cover. Filmed on Super 8 in Miami, the video was included on the B'Day Anthology Video Album. Des'ree's publishers, the Royalty Network, filed a lawsuit against Sony BMG, Sony BMG Sales Enterprise, Beyoncé, B-Day Publishing and EMI April Music, claiming that Beyoncé's cover of the song infringed copyright conditions. On 13 February 2007, Beyoncé's representatives had sought permission to use interpolations of "Kissing You".
|
|
In addition, Eminem used "interpolations" from Spooky Tooth's "Self Seeking Man" in his song "Spend Some Time" (released on Encore in 2004).Album notes, Encore CD. Aftermath Entertainment, 2004; produced by Dr. Dre, Eminem, Luis Resto, Mike Elizondo & Mark Batson. In the summer of 2008, Wright joined Ringo Starr & His All-Starr Band for a North American tour, with Edgar Winter also in the lineup. The All-Starr Band's album and DVD Live at the Greek Theatre 2008 (2010) includes Wright's performance of "Dream Weaver".
|
|
There is a purported eye-witness account of his martyrdom, named the Martyrium Ignatii, of medieval date. It is presented as being an eye-witness account for the church of Antioch, attributed to Ignatius' companions, Philo of Cilicia, deacon at Tarsus, and Rheus Agathopus, a Syrian. Although James Ussher regarded it as genuine, the authenticity of the account is seriously questioned. If there is any genuine nucleus of the Martyrium, it has been so greatly expanded with interpolations that no part of it is without questions.
|
|
The legendary figure of Kioroglu took on flesh and blood (to some extent) in the twentieth century in the person of the zeïmbekis Çakırcalı Mehmet Efe (1872–1912), better known as Çakıcı. The lengthy sung narrative of Koroglu is particularly closely associated with the Ashik, the itinerant singers of Asia Minor. Apart from the instrumental form in which it is usually played, this tune also seems to have been used to set various words in a wide range of languages, and its narrative flow is often interrupted by interpolations of lyrical songs of the day.
|
|
How High The Soundtrack is a soundtrack to Jesse Dylan's 2001 stoner film How High. It was released on December 11, 2001 through Def Jam Recordings and consists of hip hop music. The album contains twenty tracks featuring interpolations taken from the movie and songs performed by film stars Method Man & Redman, along with Cypress Hill, DMX, Jonell, Limp Bizkit, Ludacris, Mary J. Blige, Saukrates, Shawnna, Streetlife, and War. The album peaked at number 38 on the Billboard 200 and at number 6 on the Top R&B;/Hip-Hop Albums in the United States.
|
|
The origins of Hungarian opera can be traced to the late 18th century, with the rise of imported opera and other concert styles in cities like Pozsony (now Bratislava), Kismarton, Nagyszeben and Budapest. Operas at the time were in either the German or Italian style. The field Hungarian opera began with school dramas and interpolations of German operas, which began at the end of the 18th century. School dramas in places like the Pauline School in Sátoraljaújhely, the Calvinist School in Csurgó and the Piarist School in Beszterce .
|
|
Compare also the archaic phrase "hashomea' sabur" for which "at sabur" is usually said The second part, therefore, leaving later interpolations out of consideration, may also have sprung from the tannaitic period, probably from the school of R. Eliezer. It is noteworthy that the old scholars make citations from the Baraita that are not found in its present form, thus casting a doubt upon the correctness of the present recension.See Reifmann, pp. 6, 7 According to modern scholar Moshe Zucker, this work was in fact only written in the 10th century.
|
|
This lack of system, however, is not the result of careless copying or other negligence, but is due to the nature of the tractate's redaction; for it is a composite of at least three works, and the systematic order of the earlier part has evidently been disarranged by interpolations. In its present form the tractate is intended more for Torah readers and hazzanim than for scribes: it is in great part confined to ritual laws, although it must be borne in mind that the same person doubtless combined the functions of scribe and reader.
|
|
" Hall called King's performance "vigorous", but of Page he wrote, "Her acting, especially her voice, does not enhance her personality. Notwithstanding, it must be admitted that there are girls who talk as she is made to for the screen. Miss Page, however, fails to give one an impression of spontaneity, for she recites rather than speaks her lines." John Mosher of The New Yorker wrote, "The stage background allows opportunity for one or two musical interpolations, and no one is more glad than we that the talkies charmingly succeed in a very pleasant ballet.
|
|
The work is preserved in somewhat differing versions in two defective Western Icelandic parchments dating to the second half of the 14th century, the Króksfjarðarbók and the Reykjafjarðarbók (AM 122 a fol. and AM 122 b fol.), and in 17th- century paper manuscripts derived from these. The former also contains material from Hákonar saga Hákonarsonar; the latter contains interpolations from Þorgils saga Skarða and also contains Sturlu þáttr and two sagas which are not usually counted as part of Sturlunga saga, Jartegna saga Guðmundar biskups and Arna saga biskups.
|
|
Until the rise of modern criticism, many scholars believed the Testimonium was nearly or completely authentic with little or no Christian interpolations. Some of these arguments relied on the language used in the Testimonium. For instance, Jesus is called "a wise man" (and Josephus described others like Solomon, Daniel, and John the Baptist in the same fashion), which would not have been a common Christian label for Christ at the time. He referred to Jesus merely as "a worker of amazing deeds" and nothing more, again disagreeing with how Christians viewed Christ.
|
|
Lefeber pp. 102–4 According to Lefeber, Tara's lament has been significantly expanded, if not added completely, over the centuries. In South Indian manuscripts, some later interpolations elaborate Tara's lament, in which Tara asks Rama to kill her and lead her to Vali. Rama consoles Tara, saying that she should accept the preordained destiny.Lefeber pp. 259–60 Rama guarantees her that her rights and those of Angada will be protected and that she will enjoy "continued comfort".Rao p. 57 He tells her that a wife of a hero should not hold personal sorrow.
|
|
None of these forms was fit to be published and > performed. With Mussorgsky's material as a basis, I decided to create an > instrumental piece by retaining all of the author's best and coherent > material, adding the fewest possible interpolations of my own. It was > necessary to create a form in which Mussorgsky's ideas would mould in the > best fashion. It was a difficult task, of which the satisfactory solution > baffled me for two years, though in the other works of Mussorgsky I had got > on with comparative ease.
|
|
There was a similar case of a legitimised Feast of Fools at Sens about 1220, where the whole text of the office has survived. There are many proses and interpolations (farsurae) added to the ordinary liturgy, but nothing much unseemly. This prose or conductus, was not a part of the office, but only a preliminary to Vespers. In 1245 Cardinal Odo, the papal legate in France, wrote to the Chapter of Sens Cathedral demanding that the feast be celebrated with no un-clerical dress and no wreaths of flowers.
|
|
It is clear that there was some degeneration of the stipulatio, however, the extent to which the stipulatio degenerated depends on the view taken as to what the stipulatio originally required. Nicholas has argued that veluti here means that is to say and that the stipulation started off as being a set list of words that could be used. There are examples in the texts of other words being used but he argues that most of these are interpolations, for example D.19.2.54.pr (which is generally accepted as being interpolated) and D.45.1.
|
|
On the other side, Needham, Lu, and Huang conclude (1986: 450) that basically Ji Han's "text is authentic, though there may have been some later interpolations." Li (1979: 11-12) lists internal evidence that attests the historical validity of the Nanfang caomu zhuang text, or at least the major part of it. First, Ji Han used archaic and unusual names for certain plants instead of those which later became standard in the Tang and Song, for instance (45), jishexiang (雞舌香) instead of dingxiang (丁香) for cloves, indicating the antiquity of the text.
|
|
"Lena Anthem" is a song by Swedish singer Lena Philipsson from her ninth studio album Det gör ont en stund på natten men inget på dan (2004). It was released as the album's third single on 11 October 2004 through Columbia and Sony Music. Written by Thomas "Orup" Eriksson and produced by Anders Hansson, "Lena Anthem" is a disco song with synthesizer instrumentation and interpolations of Philipsson's 1987 single "Dansa i neon". Lyrically, the song contains exaggerated and tongue-in-cheek statements that proclaim her greater than her rivals.
|
|
Most scholars agree that while this reference includes some later Christian interpolations, it originally included a reference to the execution of Jesus under Pilate.The Cradle, the Cross, and the Crown: An Introduction to the New Testament by Andreas J. Köstenberger, L. Scott Kellum 2009 page 104–108Evans, Craig A. (2001). Jesus and His Contemporaries: Comparative Studies page 316Wansbrough, Henry (2004). Jesus and the oral Gospel tradition page 185James Dunn states that there is "broad consensus" among scholars regarding the nature of an authentic reference to the crucifixion of Jesus in the Testimonium.
|
|
Two singles he released under this moniker, Shake You Down and Leaving You Again (both hip hop interpolations of older R&B; compositions) were well received and aired on major market radio stations nationally. At one point during this period he became label mates and recorded with Biggie Smalls (the artist who caused the late Christopher Wallace to change his stage name to The Notorious B.I.G.) As a teen he appeared in several music videos including 2Pac's So Many Tears and South Circle's Attitudes. Sheist graduated from Alexander Hamilton High School in 1997.
|
|
The Rough Guide to Jazz stated that Kelly "combined boppish lines and bluesy interpolations, but with a taut sense of timing quite unlike anyone else except his many imitators", and highlighted the effectiveness of his block chords in contributing to a "dynamic and driving accompanying style". Kelly was an excellent sight reader, and could memorize parts very quickly, as well as play pieces he had heard but not read before. Several commentators have rated Kelly the best accompanist in jazz, including critic Ray Comiskey and music educator Mark Levine.Comiskey, Ray (May 24, 1977) "Vivacious Piano".
|
|
The song topped the Billboard Hot R&B; Singles chart and peaked at number three on the Billboard Hot 100. Internationally, the song reached number nine in the Netherlands, number 15 in Germany, number 18 in New Zealand, and number 27 in Canada. It has featured in films such as 2000's Love & Basketball and has been sampled by numerous R&B; and hip hop artists. The 2002 single "Down 4 U" by Irv Gotti featuring Ja Rule, Ashanti, Vita, and Charli Baltimore contains interpolations of the song.
|
|
R. Rubinkiewicz, see note at pag 683 of Like all the apocalyptic literature preserved only in Slavonic, there is the problem of possible textual alterations made by the Bogomils, who were interested in this kind of literature, which contains some traces of the Dualistic principle typical of their beliefs. However, the dualistic principle was also a feature of Gnosticism, which was contemporaneous with the original writing of this text. The main suspected Bogomils' interpolations are 20:5.7, 22:5, 9:7, and 23:4-10, as suggested by Rubinkiewicz,R.
|
|
Unlike the other cycles there is not a consistent set of characters or locations in this cycle, as the stories settings span more than a thousand years; though many stories feature Conn Cétchathach or Niall Noígíallach and the Hill of Tara is a common location. Unusually among European epic cycles, the Irish sagas were written in prosimetrum, i.e. prose, with verse interpolations expressing heightened emotion. Although usually found in manuscripts of later periods, many of these works are feature language that is older than the time of the manuscripts they are contained in.
|
|
Tales from the Realm of the Queen of Pentacles is the eighth studio album by the American singer-songwriter Suzanne Vega. Released in February 2014, it was Vega's first album of new material in seven years. The album features contributions from Larry Campbell and Tony Levin (bassist from King Crimson and for Peter Gabriel). Although Vega's music had been sampled by various artists in the past, the album contains Vega's first own attempt at sampling with the track "Don't Uncork What You Can't Contain" including interpolations from 50 Cent's 2005 song "Candy Shop".
|
|
At the start of 2013, Boden was commissioned by Jonathan Reekie, the musical director of Aldeburgh Music to create the show based on Benjamin Britten's The Ballad Of Little Musgrave And Lady Barnard. It was part of a wider global programme of events to celebrate Britten's centenary. The resulting piece used Britten's setting of the ballad for male voice choir, interspersed with five ‘interpolations’ composed by Boden, with lyrics co-written by him and Mary Hampton. The soloists were Mary Hampton, Tim van Eyken, Rob Habron, James Findlay and The Peterborough Male Voice Choir.
|
|
"Hung Up" was removed and replaced by an upbeat version of "Frozen" with interpolations from "Open Your Heart", which was set between "Like a Prayer" and "Ray of Light". The video backdrop for "Frozen" used video outtakes from the song's music video, directed by Chris Cunningham. "Ray of Light" was also slightly edited for selected performances with the lyrics "If you wanna make the world a better place... Take a look at yourself, and then make a change" from Jackson's song "Man in the Mirror" appearing on the screens before the beginning of the song.
|
|
The question turns on passages in the poem (1226–1280; cf. 1446-1450) that describe Roman dominance in terms that only fit the situation after the Second Macedonian War. Cassandra prophesies that her Trojan ancestors' descendants "shall with their spears win the foremost crown of glory, obtaining the sceptre and monarchy of earth and sea" and elaborates with allusions to the course of historical events. Some scholars, such as Stephanie West, regard these passages as interpolations and defend the attribution of the bulk of the poem to Lycophron the tragic poet.
|
|
Koppány was killed on the battlefield. His body was quartered and its parts were displayed at the gates of the forts of Esztergom, Győr, Gyulafehérvár (Alba Iulia, Romania) and Veszprém in order to threaten all of those who were conspiring against the young monarch. Stephen occupied Koppány's duchy and granted large estates to his own partisans. He also prescribed that Koppány's former subjects were to pay tithes to the Pannonhalma Archabbey, according to the deed of the foundation of this monastery which has been preserved in a manuscript containing interpolations.
|
|
Up to 957 Simeon merely copies some old Durham annals, not otherwise preserved, which are of value for northern history; from that point to 1119 he copies John of Worcester with certain interpolations. The section dealing with the years 1119-1129 is, however, an independent and practically contemporaneous narrative. Symeon writes, for his time, with ease and perspicuity; but his chief merit is that of a diligent collector and copyist. Symeon also wrote brief biographies of the archbishops of York and a letter on the errors of Origen.
|
|
Many of the readings that were recommended were later found to be interpolations, or surviving remnants of the Old Latin text, since Medieval correctors commonly sought to adjust the Vulgate text into consistency with Bible quotations found in Early Church Fathers. epistle of St Jerome to Paulinus from the University of Texas copy. The page has 40 lines. Though the advent of printing greatly reduced the potential of human error and increased the consistency and uniformity of the text, the earliest editions of the Vulgate merely reproduced the manuscripts that were readily available to publishers.
|
|
For a performance at Christmas he inserted four hymns (laudes) related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works.Work at Bach Digital website. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for performance reasons of the trumpet parts.
|
|
"Ooh!" is a song by American recording artist Mary J. Blige, taken from her sixth studio album, Love & Life (2003). It was written by Blige, Sean Combs, Dimitri Christo, and Hamilton Bohannon, while production was helmed by Combs and D-Nat. Sampling interpolations of the 1991 hip-hop classic, "I Gotta Have It" by Ed OG, which itself sampled Hamilton Bohannon's 1973 track "Singing a Song for My Mother," it was released as the album's second single in 2003. The songreached number 29 on the US Billboard Hot 100.
|
|
She was accompanied by Garland Wilson and the Three Flames, and the songs included "(I Ain't Gonna Be No) Topsy", a celebration of black pride, and "On the Sunny Side of the Street", which became her signature song. She became well known for her "sassy" song interpretations, and for "her irreverent interpolations into familiar lyrics". Stephen Holdenjan, "Mae Barnes, 89, Jazz Singer Famous for the Charleston", New York Times, January 18, 1997. Retrieved 25 October 2016 Frank Cullen, Vaudeville old & new: an encyclopedia of variety performances in America, Volume 1, Psychology Press, 2009, p.
|
|
Early rondeaux are usually found as interpolations in longer narrative poems, and separate monophonic musical settings survive. After the 15th century, the musical form went out of fashion and the rondeau became a purely literary form. The musical rondeau is typically a two-part composition, with all the "A" sections of the poem's AB-aAab-AB structure set to one line of music, and all the "B" parts to another. Although far rarer than the French usage, the Italian equivalent, the rondello was occasionally composed and listed among the Italian forms of poetry for music.
|
|
"Liar" is a song by Cuban-American singer Camila Cabello. It was released the same day as "Shameless" on September 5, 2019, as one of the double lead singles from her sophomore studio album Romance. The song was written by Cabello, Alexandra Tamposi, Andrew Wotman, Jonathan Bellion, Jordan Johnson and Stefan Johnson. Songwriting credits were also given to Lionel Richie and Ace of Base members Jenny Berggren, Jonas Berggren, Malin Berggren and Ulf Ekberg due to interpolations of "All Night Long (All Night)" and "All That She Wants".
|
|
Belgian-American actress Camille Clifford, who played Sylvia Gibson, became perhaps the most famous "Gibson Girl". Frohman produced the musical on both sides of the Atlantic, and one year after the premiere, with the London production still running, he exported The Catch of the Season to Daly's Theater in New York, where Edna May starred with an English supporting cast and a chorus of English and French "Gibson Girls". The score was supplemented with numerous interpolations, principally by American music director William T. Francis and also by Jerome Kern. Other international productions followed.
|
|
Emmanuel Gazmey Santiago (born 26 November 1992), known professionally as Anuel AA, is a Puerto Rican rapper and singer. He is considered a pioneer of the Latin trap movement and his lyrics often discuss crime and urban life in Puerto Rico. His music often contains samples and interpolations of songs that were popular during his youth. He is seen as a controversial figure in the Latin music scene for his legal troubles and feuds with fellow Puerto Rican rappers Cosculluela and Ivy Queen and with the American rapper 6ix9ine.
|
|
It was, for instance, more insistent on canons living a common life, eating and sleeping together. Yet canons were allowed to hold private property, and, with their bishop's permission, even have their own houses. In the beginning of the eleventh century, the Institutio itself and a version of Chrodegang's rule with interpolations from the Rule of Aix were put forth as models for reforming Cathedral chapters. During the Gregorian Reforms of the mid and later eleventh century, however, many reformers believed that the Institutio was not rigorous enough.
|
|
"Gaston Serpette". The Guide to Light Opera and Operetta, accessed 16 June 2010 The piece was well received at the Théâtre des Bouffes-Parisiens, in January 1874, and at the Opera Comique, London in an English version presented by Richard D'Oyly Carte in October of the same year. The critic of London's The Morning Post, noted that in the London version there were so many interpolations into Serpette's original score that "barely half the solos are from his pen"."Opera Comique", The Morning Post, 24 August 1874, p. 6.
|
|
The Book of the Prefect or Eparch (, To eparchikon biblion) is a Byzantine commercial manual or guide addressed to the eparch of Constantinople (the governor of the city with supreme judicial jurisdiction and the highest economic official, who had charge of, for example, tariffs and import/export regulation). Based on established customs and laws and now littered with later interpolations, the Book is an essential document in the economic history of Byzantium and the Mediterranean. The book was lost until 1891, when it was discovered in Geneva by the Swiss Jules Nicole, who referred to it as the Livre de l'Éparque.
|
|
He also transferred the development of the plot to the urban environment and decorated the narrative with descriptions of nature as well. The poem was published in various countries in different versions of the text. However, the Iranian scientist Vahid Dastgerdi published a critical edition of the poem in 1934, compiling a text from 66 chapters and 3657 stanzas, dropping 1007 verses, defining them as later interpolations (distortions added to the text), although he admitted that some of them could have been added by Nizami himself. As in Arabic sources, Nizami refers to the poetic genius of Majnun at least 30 times.
|
|
In it or elsewhere, however, there is no evidence that the famous king had a brother.K. A. Nilakanta Sastry, A history of South India, pp 397 The Sangam poems never mention Ilango Adigal, the epic or the name of any other author for the epic. The Ilango Adigal name appears in a much later dated patikam (prologue) attached to the poem, and the authenticity of this attribution is doubtful. According to Gananath Obeyesekere, the story of the purported Silappadikaram author Ilango Adigal as the brother of a famous Chera king "must be later interpolations", something that was a characteristic feature of early literature.
|
|
The remixed version was first performed by Scherzinger at their second concert tour, Doll Domination Tour (2009), during the section where each member performed solo. Freddie Perren and Dino Fekaris received co-writing credits for the song, for containing interpolations of Gloria Gaynor's "I Will Survive" (1978) and includes quotation of the original string arrangement by David Blumberg. "Hush Hush; Hush Hush" was produced by Fair, Dave Audé and Quiz & Larossi while Scherzinger handled vocal production and arrangement with Fair. The remix was described as a "dated faux-disco mess" by Nick Levine of Digital Spy.
|
|
Modern scholarly reconsideration of this work have found it somewhat erratic and containing interpolations. He also translated into Latin Maimonides' epistle on resurrection, Levi ben Gershon's commentary on the Song of Solomon, and Judah's "Ma'amar ha-Hawayah ha-Heḳḳeshiyyah," or "Sermo de Generatione Syllogismorum Simplicium et Compositorum in Omni Figura."He seems not to have known that the last-named work was really written in Latin by Aegidius Romanus, and that Judah was only the translator of it. Flavius was the author of "De Tropis Hebraicis," an original work in Latin on Hebrew accents, which was praised by Sebastian Münster and Imbonatus.
|
|
They toured Australia and were accompanied by vocalist, Jeanne Lewis. Michael Foster of The Canberra Times reviewed Graeme Bell's album, Pop Goes Graeme Bell, in December 1973 and observed, "Apart from Bell's piano, which generally drives the band along, I liked breaks and interpolations by [Furniss] in alto, clarinet, soprano sax, flute and, an instrument which crops up rarely and takes some mastery for effective use, tin whistle." As a professional, he worked with Bob Learmouth, Bull, and Bell. He founded and led the Eclipse Valley Five and led the San Francisco Jazz Band with Tom Baker.
|
|
Rivka Nir argues that the kind of baptism performed by John the Baptist was not considered legitimate in the mainstream Jewish circles to which Josephus belonged, and therefore Josephus could not have described John as positively as he is in Antiquities, Book 18. Nir therefore concludes that the passage is likely a Christian interpolation. Claire Rothschild has stated that the absence of Christian interpolations in the Josephus passage on John the Baptist can not by itself be used as an argument for its authenticity, but is merely an indication of the lack of tampering.Rothschild, Claire (2011).
|
|
Both works contain age-layered strata, but these strata have not been clearly defined through the process of critical editorship. Some strata of the available redactions of the Ganesha Purana and the Mudgala Purana probably reflect mutual influence upon one another, including direct references to one another. Thapan reviews different views on dating and states her own judgement that it appears likely that the core of the Ganesha Purana come into existence around the 12th and 13th centuries, being subject to interpolations during the succeeding ages.For a review of major differences of opinions between scholars on dating see Thapan, op. cit.
|
|
According to Deekshit, the date of the Matsya Purana is 3rd century CE. When we compare the biography of Krishna, the account of Raji, and some other episodes as depicted in the , it appears to be anterior to the former. Therefore, the and the can be dated to at least the 3rd century CE. By its style and contents, the appears to be anterior to the and . The verses quoted by Asvaghosa belong to this parva. On this basis, we can safely assume the (except for the later interpolations) to be at least as old as the 1st century CE.
|
|
The aim of Welcker's work was to show that the Homeric poems had influenced both the form and the substance of epic poetry. Thus arose a conservative school which admitted more or less freely the absorption of preexisting lays in the formation of the Iliad and Odyssey, and also the existence of considerable interpolations, but assigned the main work of formation to prehistoric times and the genius of a great poet.Caldecott, p. 1. Whether the two epics were by the same author remained an open question; the tendency of this group of scholars was towards separation.
|
|
Maccoby views it as one of Paul's innovations responsible for creating Christian antisemitism, though he notes that some have argued these particular verses are later interpolations not written by Paul. Craig Blomberg argues that viewing them as antisemitic is a mistake, but "understandable in light of [Paul's] harsh words". In his view, Paul is not condemning all Jews forever, but merely those he believed had specifically persecuted the prophets, Jesus, or the 1st-century church. Blomberg sees Paul's words here as no different in kind than the harsh words the prophets of the Old Testament have for the Jews.
|
|
Significant changes to older editions have been traced to the first millennium AD. There are significant differences in Sanskrit manuscripts of the Mahabharata found in different parts of India and manuscripts of the Mahabharata found in other Indian languages such as Tamil, Malayalam, Telugu and others. Numerous spurious additions, interpolations and conflicting verses have been identified, many relating to history and social structure. Thus, it is unclear if the history or social structure of Vedic period or ancient India can be reliably traced from Adi Parva or Mahabharata. Second, Adi Parva is part of an Epic fiction.
|
|
He must have been familiar with Herodotus, and in some cases, he even attempted to synchronize Egyptian history with Greek (for example, equating King Memnon with Amenophis, and Armesis with Danaos). This suggests he was also familiar with the Greek Epic Cycle (for which the Ethiopian Memnon is slain by Achilles during the Trojan War) and the history of Argos (in Aeschylus's Suppliants). However, it has also been suggested that these were later interpolations, particularly when the epitome was being written, so these guesses are at best tentative. At the very least, he wrote in fluent Koinê Greek.
|
|
"Break My Stride" is a song performed by American recording artist Matthew Wilder. It was released in 1983 as the lead single from his debut album, I Don't Speak the Language, and became a major hit single for him in 1983 and 1984. The song has been covered by many artists throughout the years, including Unique II in 1996 and Blue Lagoon in 2004 (whose versions both charted highly in various places) and, in interpolations, Puff Daddy with his 1997 hit "Can't Nobody Hold Me Down". In 2009 it was interpolated by Matisyahu in the song "Jerusalem".
|
|
An interpolation, in relation to literature and especially ancient manuscripts, is an entry or passage in a text that was not written by the original author. As there are often several generations of copies between an extant copy of an ancient text and the original, each handwritten by different scribes, there is a natural tendency for extraneous material to be inserted into such documents over time. Interpolations originally may be inserted as an authentic explanatory note (for example, ), but may also be included for fraudulent purposes. The forged passages and works attributed to the Pseudo- Isidore are an example of the latter.
|
|
A number of Mormon scholars consider this Book of Jasher to be of authentic ancient Hebrew origin. Some of these scholars suggest that the book likely contains many original portions of the Sefer HaYashar referenced in the Old Testament but also has a number of added interpolations. This Joseph Hyrum Parry edition of the Book of Jasher continues to be held in high repute by many Mormons. A number of Mormons have pointed to certain portions of the book that have commonalities to parts of the Joseph Smith Translation of the Bible, particularly those parts dealing with the antediluvian period.
|
|
Modern knowledge of Solon is limited by the fact that his works only survive in fragments and appear to feature interpolations by later authors and by the general paucity of documentary and archaeological evidence covering Athens in the early 6th century BC.Stanton G. R. Athenian Politics c. 800–500 BC: A Sourcebook, Routledge, London (1990), pp. 1–5. Ancient authors such as Herodotus and Plutarch are the main sources, but wrote about Solon long after his death. 4th-century orators, such as Aeschines, tended to attribute to Solon all the laws of their own, much later times.
|
|
The petition cites one Piers Venables of Aston, Derbyshire, "who having no liflode, ne sufficeante of goodes, gadered and assembled unto him many misdoers, beynge of his clothynge, and, in manere of insurrection, wente into the wodes in that countrie, like as it hadde be Robyn Hude and his meyne."Rot. Parl. v. 16. The next historical description of Robin Hood is a statement in the Scotichronicon, composed by John of Fordun between 1377 and 1384, and revised by Walter Bower in about 1440. Among Bower's many interpolations is a passage that directly refers to Robin.
|
|
For the nostalgic 1971 Broadway revival conceived and produced by Harry Rigby, Burt Shevelove freely adapted the book from the 1925 original. While the 1925 book was considered quite racy at the time of the original production, Shevelove wrote from a nostalgic perspective, depicting the 1920s as a time of innocent fun. He made extensive changes and cuts to the book, but most of the original score was left intact, with only a few cuts and interpolations. The cast featured veteran screen star Ruby Keeler and included Helen Gallagher, Bobby Van, Jack Gilford, Patsy Kelly and Susan Watson.
|
|
The 3rd- century BCE pillar inscription asks people of his and future generations to seek dharma, use persuasion in religion, stop all killing, and be compassionate to all life forms. According to section 4.119 of the Unadisutras as now received, lipi is derived from the Sanskrit root lip. The Unadisutras themselves certainly existed before the time of Pāṇini,, Quote: "Such a list [rules of Unadisutras] existed from before the time of Panini, since he twice refers to it". instances of later interpolations have been raised by Max Müller, although Müller does not discuss whether the sutra related to lipi was interpolated.
|
|
The above criticism has been responded to in a recent study of data measured in the US and the United Kingdom, which confirms conclusions made based on measurements on the Bundesautobahn 5 in Germany. Moreover, there is a recent validation of the theory based on floating car data. In this article one can also find methods for spatial-temporal interpolations of data measured at road detectors (see article’s appendixes). Other criticisms have been made, such as that the notion of phases has not been well defined and that so-called two-phase models also succeed in simulating the essential features described by Kerner.
|
|
A studio version of "The Earth Only Endures" was released on The Secret Life of the Waterboys 81-85 compilation of outtakes, live tracks and demos in 1994. Studio versions of "Meet Me at the Station", "The Wayward Wind" and "Saints & Angels" were released in the collection "Fisherman's Box" in 2013 - studio recordings from 1986-88. "Death Is Not the End" and "Purple Rain" make their only appearances on a Waterboys album here. The album features several covers and interpolations of songs by other artists including "Because the Night" by Patti Smith which opens The Pan Within.
|
|
The datum shift between two particular datums can vary from one place to another within one country or region, and can be anything from zero to hundreds of meters (or several kilometers for some remote islands). The North Pole, South Pole and Equator will be in different positions on different datums, so True North will be slightly different. Different datums use different interpolations for the precise shape and size of the Earth (reference ellipsoids). Because the Earth is an imperfect ellipsoid, localised datums can give a more accurate representation of the area of coverage than WGS 84.
|
|
Two distinctive aspects of Bach's setting spring from his other church endeavors. One is the double-choir format, which stems from his own double-choir motets and those of many other composers with which he routinely started Sunday services. The other is the extensive use of chorales, which appear in standard four-part settings, as interpolations in arias, and as a cantus firmus in large polyphonic movements. This is notable in "", the conclusion of the first half – a movement which Bach also used as an opening chorus for the second version (1725) of his St John Passion (later – ca.
|
|
It is not, however, uncommon for the generally inferior manuscripts to supply a better reading in cases when P is imperfect. In addition, modern scholarly debate has also raged around the authenticity of the text which has survived, as various editors have argued that considerable portions are not, in fact, authentically Juvenalian and represent interpolations from early editors of the text. Jachmann (1943) argued that up to one-third of what survives is non-authentic: Ulrick Knoche (1950) deleted about hundred lines, Clausen about forty, Courtney (1975) a similar number. Willis (1997) italicizes 297 lines as being potentially suspect.
|
|
After the demise of Pichhor in 1816 AD the Jat principality of Indargarh was also obliterated by the connivance of the Marathas in the beginning of 1817 AD and its ruler like his kinsmen of Pichhor and Gohad forced into exile. After the fall of Indargarh all the Jat forts have remained untenanted in this region; staggered in a line between Bhind and Jhansi, they are now like a row of avenging ghosts rather than abodes of patricians of yesteryears. CONCLUSION An oral tradition is inevitably compounded by hiatuses, vagueness and interpolations. In consequence, some historical inexactitudes have probably imperceptibly crept into this narrative, but they are unintended.
|
|
The early 20th-century scholar Dikshitar, known for his dating proposals that push many texts as very ancient and well into 1st millennium BCE, stated that the Vayu Purana started to take shape around 350 BCE. Later scholarship has proposed that the earliest version of the text is likely from the 300 to 500 CE period, and broadly agreed that it is among the oldest Puranas. The text, like all Puranas, has likely gone through revisions, additions and interpolations over its history. Rajendra Hazra, as well as other scholars, for example, consider Gaya-mahatmya, which is an embedded travel guide to Gaya, as a later addition.
|
|
He does, however, appear as a featured artist on a shortened alternate version of the song, and performs one rap verse. "Make It Look Good," lyrically talks about "getting played" by a man yet she is deciding "to just go with it," the song is built over a "skipping '80's" beat that contains interpolations of "Let Me Make Love to You", written by Walter "Bunny" Sigler and Allan Felder. "You're Mine (Eternal)" is a love song which lasts for a duration of three minutes and forty-two seconds. The song utilizes an hypnotic and "smooth, steady" beat, which slowly but gradually builds to a sudden climax at the end.
|
|
The restored liturgy, which included some borrowings from the Byzantine tradition, is known as the Divine Liturgy according to St Germanus of Paris. Also associated with the Kovalevsky group, Archimandrite Alexis van der Mensbrugghe, a former Roman Catholic priest, desired to restore an ancient Roman rite, by replacing medieval accretions with Gallican and Byzantine interpolations – though Mensbrugghe remained separate from the OCF. Mensbrugghe was eventually consecrated a bishop of the in 1960, continued developing his Western rite under the auspices of the Moscow Patriarchate, and published a missal in 1962. The Orthodox Church of France is not to be confused with the French Orthodox Church.
|
|
The majority of scholars consider Mark’s narrative of the fig tree to be a sandwich or intercalated narrative.Frank Kermode, The Genesis of Secrecy: On the Interpretation of Narrative (Cambridge, MA: Harvard University Press, 1979), pp. 128–34; James R. Edwards, “Markan Sandwiches: The Significance of Interpolations in Markan Narratives,” Novum Testamentum 31 no. 3 (1989): 193–216; Tom Shepherd, “The Narrative Function of Markan Intercalation,” New Testament Studies 41 (1995): 522–40; James L. Resseguie, "A Glossary of New Testament Narrative Criticism with Illustrations," in Religions, 10 (3: 217), 28; David Rhoads, Joanna Dewey, and Donald Michie, Mark as Story: An Introduction to the Narrative of a Gospel, 3rd ed.
|
|
The complete works of Josephus, 1582 Paul L. Maier and Zvi Baras state that there are three possible perspectives on the authenticity of the Testimonium: # It is entirely authentic. # It is entirely a Christian forgery. # It contains Christian interpolations in what was Josephus' authentic material about Jesus. Paul Maier states that the first case is generally seen as hopeless given that as a Jew, Josephus would not have claimed Jesus as the Messiah, and that the second option is hardly tenable given the presence of the passage in all extant Greek manuscripts; thus a large majority of modern scholars accept the third alternative, i.e.
|
|
The Yahwist provides the bulk of the remainder of Genesis, including the patriarchal narratives concerning Abraham, Isaac, Jacob and Joseph. The Book of Exodus belongs in large part to the Yahwist, although it also contains significant Priestly interpolations. The Book of Numbers also contains a substantial amount of Yahwist material, starting with . It includes, among other pericopes, the departure from Sinai, the story of the spies who are afraid of the giants in Canaan, and the refusal of the Israelites to enter the Promised Land – which then brings on the wrath of Yahweh, who condemns them to wander in the wilderness for the next forty years.
|
|
Especially his edition of the erotic authors (Erotici Graeci, two volumes, Leipzig 1858–1859), his first edition Astrampsychi oraculorum decades (Berlin 1863), his two volume edition of Aelian (Leipzig 1864–1866) and the Epistolographi Graeci (Paris 1873) attracted attention. In his edition of Aineias Taktikos (Berlin 1870) it first occurred to him, to restore the text which was distorted by many interpolations and to stress the Atticising style of the Late Antique prose author. Of his edition of Plutarch's Moralia, only one volume appeared (Leipzig 1872). As well as these and other monographs, Hercher wrote hundreds of shorter articles on textual criticism and exegesis.
|
|
Performances of Johann Sebastian Bach's Magnificat come in three formats: # D major version, BWV 243 with the twelve movements of that version; # D major version, with the Christmas interpolations from the earlier version BWV 243a transposed and inserted after movements 2, 5, 7 and 9. # E flat major version, BWV 243a. The difference with the previous format is not only the key signature, there are also differences in orchestration, e.g. in the earlier version flutes are not part of the tutti, so do not play in the choral movements 1, 7 and 12, and a trumpet solo in movement 10 instead of the later unison oboes.
|
|
Typically seven or eight songs into the show, "Waitin' on a Sunny Day" provided the first buoyant, happy moments. Springsteen's first-ever use of recorded backing music took place on the mid-show "Worlds Apart", where Middle Eastern vocals were applied. The role of elongated band introductions song for this tour was taken by "Mary's Place", which also usually included interpolations of R&B; classics. The main set closer was a final September 11 number, "Into the Fire", which relevant to the new album's themes emphasized togetherness and praise for sacrifice rather than the pure exuberance of previous tours' closers such as "Rosalita" and "Light of Day".
|
|
The song features compositional samples of songs derived from two Bollywood films of the 1970s, Apradh (1972) and Don (1978), as well as interpolations of Lisa Lisa and Cult Jam's 1985 single "I Wonder If I Take You Home" and Gucci Crew II's 1988 single "Sally (That Girl)". The song was released as the first single from Monkey Business; it was first serviced to mainstream radio on April 12, 2005 in the United States. "Don't Phunk with My Heart" is a hip hop song in which the lyrics, according to will.i.am, tells of a situation between a couple when one tries to end the relationship and the other is in disbelief.
|
|
Rufinus was convinced that Origen's original treatise had been interpolated by heretics and that these interpolations were the source of the heterodox teachings found in it. He therefore heavily modified Origen's text, omitting and altering any parts which disagreed with contemporary Christian orthodoxy. In the introduction to this translation, Rufinus mentioned that Jerome had studied under Origen's disciple Didymus the Blind, implying that Jerome was a follower of Origen. Jerome was so incensed by this that he resolved to produce his own Latin translation of On the First Principles, in which he promised to translate every word exactly as it was written and lay bare Origen's heresies to the whole world.
|
|
Their testimony, if accepted, confirms the ascription to him of the Genesis fragments, which is further supported by the fact that they occur in the same MS. with a portion of the Heliand. As the Praefatio speaks of the emperor Ludwig in the present tense, the former part of it at least was probably written in his reign, i.e. not later than AD 840. The general opinion of scholars is that the latter part, which represents the poet as having received his vocation in a dream, is by a later hand, and that the sentences in the earlier part which refer to the dream are interpolations by this second author.
|
|
One Foot in the Grave is the third independent studio album and fourth overall by American alternative rock musician Beck, released in June 1994 on K Records, an independent label. It was recorded prior to the release of Mellow Gold, but was not released until after that album had met critical and commercial success. One Foot in the Grave shows a strong lo-fi and folk influence, and features several songs that are interpolations or covers of songs popularized by artists like Skip James and The Carter Family. One Foot in the Grave features production, songwriting, and backing vocal assistance by Calvin Johnson, founder of K Records and Beat Happening.
|
|
The Song of the Watchmen of Modena (), also known by its incipit O tu qui servas ("O you who serve"),Frederick Brittain (1951), The Medieval Latin and Romance Lyric to A. D. 1300 (Cambridge University Press), pp. 85–86. is an anonymous late ninth-century Latin lyric poem encouraging the guards who stood watch on the walls of Modena. The poem contains later interpolations (lines 11-16, 25-26, 30-34), but its musical notation has survived. Peter Godman called it "hauntingly beautiful".Peter Godman (1985), Latin Poetry of the Carolingian Renaissance (Norman: University of Oklahoma Press), 71-72 (analysis), 324-327 (poem, with translation).
|
|
One of Pseudo- Isidore's earliest projects addressed an authentic canonical collection from Visigothic Spain known as the Collectio Hispana (or the Spanish Collection), which provided a two-part compendium of canon law. The decrees of church councils were gathered in Part I, and papal decretals in Part II. Pseudo- Isidore knew only a corrupt subtype of the Hispana current in Gaul, known as the Hispana Gallica. He corrected this Gallican Hispana, in part by consulting related texts in other collections like the Dionysio-Hadriana. He also contributed an array of inauthentic interpolations to authentic Hispana materials, adjusting ancient legal proclamations here and there to fit his purposes.
|
|
Ibn Hazm, an Andalusian Muslim scholar, explicitly accused Ezra of being a liar and a heretic who falsified and added interpolations into the Biblical text. Ibn Hazm provided a polemical list of what he considered "chronological and geographical inaccuracies and contradictions; theological impossibilities (anthropomorphic expressions, stories of fornication and whoredom, and the attributing of sins to prophets), as well as lack of reliable transmission (tawatur) of the text", Hava Lazarus- Yafeh states.Encyclopedia of Islam, UzairHava Lazarus-Yafeh, Tahrif, Encyclopedia of Islam In response to attacks on the personality of Ezra, the Byzantine Emperor Leo III defended Ezra as a pious, reliable person. The Jewish convert to Islam al-Samaw'al (d.
|
|
Rufinus was convinced that Origen's original treatise had been interpolated by heretics and that these interpolations were the source of the heterodox teachings found in it. He therefore heavily modified Origen's text, omitting and altering any parts which disagreed with contemporary Christian orthodoxy. In the introduction to this translation, Rufinus mentioned that Jerome had studied under Origen's disciple Didymus the Blind, implying that Jerome was a follower of Origen. Jerome was so incensed by this that he resolved to produce his own Latin translation of On the First Principles, in which he promised to translate every word exactly as it was written and lay bare Origen's heresies to the whole world.
|
|
Before Glöckner's 2003 article on the origin of the Magnificat, and for some authors still after that, it was generally assumed that Bach had composed his Magnificat in the quiet time of Advent 1723 for a first performance at the Christmas vespers. For that performance Bach composed four laudes, songs of praise partly in German, partly in Latin to be inserted at certain points in the E-flat major version of the Magnificat. The E-flat major version of the Magnificat including these interpolations is known as BWV 243.1 (previously BWV 243a). The text of these laudes had been used in Leipzig in a Christmas cantata by Bach's predecessor Kuhnau.
|
|
Philippe Herreweghe's 2002 recording of BWV 243.1 with Collegium Vocale Gent was released by Harmonia Mundi in 2003.Magnificat BWV 243a at Bach Johann Sebastian - Leipziger Weihnachtskantaten at In 2003 Ton Koopman recorded the Christmas version of Bach's Magnificat with Amsterdam Baroque in the St. Thomas church in Leipzig. A DVD of the recording, which included a performance of Kuhnau's Magnificat with his four Christmas interpolations, and of Bach's German Magnificat BWV 10, was released in 2004.BACH, J.S. / KUHNAU: Magnificat at Naxos website Thomas Hengelbrock's recording of BWV 243.1, with the Balthasar-Neumann-Chor and Ensemble, was released by Deutsche Harmonia Mundi in 2008.
|
|
Its video, which showed Ashanti in a bikini frolicking on a beach and riding an elephant, was nominated for two 2003 MTV Video Music Awards. A remix of the song contains interpolations of Michael Jackson's "Rock with You". The second single, "Rain on Me", reached the number-seven spot on the Hot 100 and number two on the Hot 100 R&B; Songs chart. Chapter II was nominated for a 2004 Grammy Award for Best Contemporary R&B; Album, and "Rock wit U (Awww Baby)" and "Rain on Me" were nominated in the categories of Best R&B; Song and Best Female R&B; Vocal Performance, respectively.
|
|
The panels reflect the ideas and stories widely accepted and well known to the artists and cave architects of India by about 525 CE. The mythology varies significantly in these texts and has been much distorted by later interpolations, but the Elephanta Cave panels represent the narrative version most significant in the 6th century. The panels and artwork express through their eclecticism, flux and motion the influence of Vedic and post- Vedic religious thought on Hindu culture in mid 1st millennium CE. After the caves' completion in the 6th century, Elephanta became popular regionally as Gharapuri (village of caves). The name is still used in the local Marathi language.
|
|
Head found near statue base dedicated to Theodosius, in the ancient city of Aphrodisias (Aydın, Turkey) Flavius Theodosius was born in Cauca, Carthaginensis, Hispania (according to Hydatius and Zosimus)Hydatius Chronicon, year 379, II. or in Italica, Baetica, Hispania (according to Themistius, Claudius Claudianus, or Marcellinus Comes),Alicia M. Canto, "Sobre el origen bético de Teodosio I el Grande, y su improbable nacimiento en Cauca de Gallaecia", Latomus 65/2, 2006, 388-421. The author points out that the city of Cauca was not part of Gallaecia, and demonstrates the probable interpolations of the traditional texts of Hydatius and Zosimus. to a senior military officer, Theodosius the ElderZos. Historia Nova 4.24.4.
|
|
The ballet master Pyotr Gusev staged a new version of Le Corsaire for the Maly Theatre Ballet of Leningrad in 1955. This production used a modified version of the original libretto, written by Gusev and the ballet historian Yuri Slonimsky. Gusev called upon the conductor Eugene Kornblit to fashion a new score for his production. Although the ballet master retained the traditional interpolations as handed down from Petipa's Imperial- era productions, he discarded nearly all of Adam's original 1856 score in favor of music fashioned from passages lifted from Adam's 1840 ballet L′Écumeur de mer (The Pirate) and his 1852 opera Si j’étais roi.
|
|
In 1894 he introduced the term "anhydrobiosis" (the ability of organisms to survive extreme dehydration).Archives Department of the Pasteur Institute Chronology Alfred Giard (1846-1908)A Dry Phase of Life Freeze-drying and storage stability of Lactobacillus coryniformis Si3 in sucrose-based formulations by Åsa Schoug In 1905 Giard coined the word poecilogonie (poecilogony) to describe a phenomenon in which similar adults develop from dissimilar larvae in marine invertebrates. Discussion on Poecilogony, Interpolations into Juvenile Stages He is remembered for his extensive research of crustaceans, particularly Epicaridea (parasitic isopods) and members of the family Bopyridae. Amongst his very numerous publications are 300 devoted to entomology.
|
|
Throughout the years that the song has been performed live, the band has featured many guests to join them on stage and jam out the song, usually averaging around 15–20 minutes of play time, however sometimes longer. On New Year's Eve 1996, the band featured guests Béla Fleck, Victor Wooten, Futureman and Jeff Coffin, who make up the jazz fusion band, Béla Fleck and the Flecktones. During the live performance of #41, an interpolation of the Flecktones' song "Sojourn of Arjuna" was played live for the first time. Interpolations of "Sojourn of Arjuna," featured on the Flecktones' album, Left of Cool, would be played during future live performances of #41 featuring guest appearances by Flecktones members.
|
|
According to Colombier, the studio responded positively to the demo but wanted them to change it so that it blended with traditional James Bond music in some way. The track went through various interpolations, according to executive producer of the film, Michael G. Wilson. Madonna's publicist Liz Rosenberg had initially confirmed that the title of the song might not be same as the film, however Wilson explained that when the singer "saw the rough [film] we were going to use, she sort of adapted the song and changed the title to 'Die Another Day'." Tamahori was concerned with the demo since it did not appear expressive to him and there were abrupt endings.
|
|
Watt repaid this salute by appearing in Sublime's video for "Wrong Way" in 1996. Sublime also sampled George Hurley's drum intro from "It's Expected I'm Gone" for their "Get Out! (remix)" on their posthumous release Second Hand Smoke, as did San Diego-based indie rockers Pinback on their eponymous debut LP. The Unknown Instructors track "Punk Is Whatever We Make It To Be" from their first album The Way Things Work contains interpolations by vocalist Dan McGuire of several lyrics from Double Nickels on the Dime.Joe Baiza, D. Boon, Jack Brewer, Chuck Dukowski, George Hurley & Mike Watt (composers), The Unknown instructors (artist), "Punk Is Whatever We Make It To Be", The Way Things Work, Smog Veil Records, 2005.
|
|
In November 2007, Kidz in the Hall were officially signed to Duck Down Records, an independent label started by founding members of the Boot Camp Clik. The duo's second album, The In Crowd, was released in May 2008, with the lead single "Drivin' Down the Block," which samples Masta Ace's song "Born to Roll" for the hook and contains an interpolation of Outkast's "Elevators (Me & You)" on the bridge. Many other tracks on the album use samples and interpolations of early 1990s hip hop, including their song "Snob Hop" featuring Camp Lo which uses the hook from Black Sheep's song "Flava of the Month" for the chorus. Their song "Blackout" was featured on the soundtrack of Madden '09.
|
|
Lester L. Grabbe notes that in two works (Commentary on Matthew 10.17 and Contra Celsum 1.47; see ) Origen had actually complained that Josephus had mentioned Jesus, while not recognizing Jesus as the messiah, and this provided an early independent support of the partial Testimonium in a more neutral form. Zvi Baras argues from this that Origen had seen a version of the Testimonium that included no interpolations. Baras asserts that a Testimonium seen by Origen must have had a neutral tone, and included no derogatory references towards Christians, and hence required no reaction from Origen. He claims that the neutral tone of the Testimonium was then modified between the time of Origen and Eusebius.
|
|
Claire Shaffer of Rolling Stone commended Grimes' intentions but found that "what the album actually has to say about climate change is often lost under the admittedly beautiful, meticulously composed wreckage." Neil McCormick of The Daily Telegraph concurred that its concept would likely be indecipherable to listeners "without [Grimes'] interpolations" while praising the album on its musical merits, noting her "masterful" production skills. Financial Times critic Ludovic Hunter-Tilney felt that climate change themes were "only tangentially" explored on an album that "highlights the inconsistencies of Grimes's output". Pastes Max Freedman was more critical and wrote that Miss Anthropocene "veers on incoherent" due to its lack of "subtle, effective metaphors and narratives".
|
|
"They prove useful for Hesiod to head his pedigrees of the gods", adding in a note "On Koios and Kreios we have to admit abysmal ignorance." he was overthrown in the Titanomachy. M. L. West has suggested how Hesiod filled out the complement of Titans from the core group—adding three figures from the archaic tradition of Delphi, Coeus, and Phoibe, whose name Apollo assumed with the oracle, and Themis.M.L. West, "Hesiod's Titans," The Journal of Hellenic Studies 105 (1985), pp. 174–175. Among possible further interpolations among the Titans was Crius, whose interest for Hesiod was as the father of Perses and grandfather of Hecate, for whom Hesiod was, according to West, an "enthusiastic evangelist".
|
|
The interpolations from Styrmir are given in appendix to (cited by: ) Snorri Sturluson not long thereafter compiled his version of the saga, written under an "overall plan" of a more secular design, in the style of "Icelandic saga tradition as well as .. secular biographies in the Latin tradition". This work has been termed the Separate Saga of St. Olaf, to distinguish it from the form that Snorri incorporated into his compendium, the Heimskringla. Snorri may have derived his versions from the Legendary sagas and Styrmir's version, or at least, he seems to use have used the same common sources as these earlier versions. Later redactions contain Snorri's version at the core, but are expanded using additional material.
|
|
His father Alexios rode out with his retinue and camped nearby. An important family, the Kabasitai, offered to act as intermediaries; however, an interpolator of the History of Chalkokondyles, or Pseudo-Chalkokondyles,For a discussion of this source, see Kaldellis, "The Interpolations", pp. 259–283 states that they were John's "secret accomplices" for some of the Kabasitai had agreed to allow two of John's archontes into Emperor Alexios' tent, and once inside the archontes murdered Alexios around midnight. According to Pseudo-Chalkokondyles, John had instructed them to only bring his father to him, but the men thought John would be more grateful if they killed his father the Emperor, and did so.
|
|
In computing, D3DX (Direct3D Extension) is a deprecated high level API library which is written to supplement Microsoft's Direct3D graphics API. The D3DX library was introduced in Direct3D 7, and subsequently was improved in Direct3D 9. It provides classes for common calculations on vectors, matrices and colors, calculating look-at and projection matrices, spline interpolations, and several more complicated tasks, such as compiling or assembling shaders used for 3D graphic programming, compressed skeletal animation storage and matrix stacks. There are several functions that provide complex operations over 3D meshes like tangent-space computation, mesh simplification, precomputed radiance transfer, optimizing for vertex cache friendliness and strip reordering, and generators for 3D text meshes.
|
|
Furthermore, states Patrick Olivelle, the ancient and medieval manuscripts, relating to prāyaścittas, that have survived show evidence of major corruption and interpolations over their history. For instance, chapter 11 of Manusmriti starts with the assertion that it will now discuss penance (prāyaścittas), but the 43 verses that follow have nothing to do with penance, and Olivelle suggests this is evidence of later interpolated replacement. The ancient texts suggest that there was significant debate and disagreement between Dharma scholars on what is the appropriate and sufficient penance or punishment for a given crime. For example, some texts suggest suicide as penance, or capital punishment for the crime of incest or rape, but other texts consider this as disproportionate punishment.
|
|
In 1841, Hector Berlioz was asked to contribute to a production of Weber's opera Der Freischütz at the Paris Opera. It was the practice in France at that time that operas contain a ballet in Act II, which were not always by the same composer but often interpolations by other hands. Berlioz was a great admirer of Weber's, having been disappointed more than once in his quest to meet him, and referring repeatedly in his Treatise on Instrumentation to Weber's works. He agreed to participate, on condition that the opera be performed complete and unadapted (it had been cut and retitled "Robin des bois" for an Odéon production in the 1820s), and that it contain music only by Weber.
|
|
Unlike them, he was a master improviser whose stream of consciousness vocals ranged far from the original lyrics. He sang wild interpolations of nonsense syllables, such as "MacVoutie O-reeney". One such performance is celebrated in the 1957 novel On the Road by Jack Kerouac. Gaillard, with Dodo Marmarosa on piano, appeared as a guest several times on Command Performance, recorded at KNX radio studios in Hollywood in the 1940s and distributed on transcription discs to American troops in World War II. In 1943, Gaillard was drafted in the United States Army Air Forces and "qualified as a pilot flying [...] B-26 bombers in the Pacific" and resumed his music career on his release from the draft in 1944.
|
|
At times he strikes the modern reader as thoroughly credulous, but at others he specifically states that he is merely reporting what is told by others, and even that he does not believe them. Aelian's work is one of the sources of medieval natural history and of the bestiaries of the Middle Ages. The portions of the text that are still extant are badly mangled and garbled and replete with later interpolations."Aelian's text, riddled as it is with corrupt passages and packed with interpretations,provides ample scope for reckless emendation", D. E. Eichholz observed, reviewing Sholfield's Loeb Library translation in The Classical Review 1960:219, and praising the translator for restraint in this direction.
|
|
The oldest manuscripts of the Gospels have marginal marks, and sometimes actual interpolations, which can only be accounted for as indicating the beginnings and endings of liturgical lessons. From the 2nd century onwards references multiply, though the earlier references do not prove the existence of a fixed lectionary or order of lessons, but rather point the other way. Justin Martyr, describing divine worship in the middle of the 2nd century says: "On the day called Sunday all who live in cities or in the country gather together to one place, and the memoirs of the Apostles, or the writings of the Prophets are read as long as time permits" (Apol. i. cap. 67).
|
|
"2 of Amerikaz Most Wanted" is a song written by American hip hop artist 2Pac, Snoop Doggy Dogg and Daz Dillinger for 2Pac's 1996 double album All Eyez on Me. The song is a duet performed by 2Pac and Snoop Dogg. "2 of Amerikaz Most Wanted" was released as promotional single and was the album's second single after "California Love". The song peaked at number 46 on the US Billboard Hot R&B;/Hip-Hop Airplay chart. The song contains an interpolations of "The Message" by Grandmaster Flash and The Furious Five and "Radio Activity Rap (Let's Jam)" by MC Frosty and Lovin' C. "2 of Amerikaz Most Wanted" was later included on 2Pac's Greatest Hits album in 1998.
|
|
Part VI is complete, written on better quality birch and is the most well preserved treatise in the Bower manuscript. According to Watanabe, the verses of these treatises as found in folio 49 to 54 of the Bower manuscript completely correspond to those found in Mahamayurividya-rajni verses of the Chinese Tripitaka, in particular to the 705 CE translation by I-tsing, the 746–771 CE translation by Amoghavajra, and the 516 CE translation by Sanghapala. Their shared source may be Pali verses in the Mora Jataka, with interpolations by Mahayana Buddhists of that era. These parts of the Bower manuscript also contain the name Yashomitra, likely the votary or the influential person for whom the manuscript was prepared.
|
|
Till the 1950s, only one manuscript of Vaiseshika sutra was known and this manuscript was part of a bhasya by the 15th century Sankaramisra. Scholars had doubted its authenticity, given the inconsistencies in this manuscript and the quotes in other Hindu, Jaina and Buddhist literature claiming to be from the Vaisheshika Sutra. In the 1950s and early 1960s, new manuscripts of Vaiśeṣika Sūtra were discovered in distant parts of India, which were later identified as this Sutra. These newer manuscripts are quite different, more consistent with the historical literature, and suggests that, like other major texts and scriptures of Hinduism, Vaiśeṣika Sūtra too suffered interpolations, errors in transmission and distortion over time.
|
|
In November 2007, Kidz in the Hall were officially signed to Duck Down Records, an independent label started by founding members of the Boot Camp Clik. The duo's second album, The In Crowd, was released in May 2008, with the lead single "Drivin' Down the Block," which samples Masta Ace's song "Born to Roll" for the hook and contains an interpolation of Outkast's "Elevators (Me & You)" on the bridge. Many other tracks on the album use samples and interpolations of early 1990s hip hop, including their song "Snob Hop" featuring Camp Lo which uses the hook from Black Sheep's song "Flava of the Month" for the chorus. Their song "Blackout" was featured on the soundtrack of Madden '09.
|
|
The song's second half consists of production from 6ix which had been recorded a year before the rest of the track. "Intro" and "Soul Food" were placed together at the beginning of the album to create a jolting transition from a "beautiful and musical and melodic" song to "six minutes of raw lyricism". For "Buried Alive", Logic selected one of 20 instrumentals given to him by Dun Deal, adding backing vocals recorded by Big Lenbo as well as additional drums. DJ Dahi provided several potential instrumentals for "Never Enough", and the "skeleton beat" Logic selected was built with interpolations of "So Fresh, So Clean" performed by Outkast and "Pursuit of Happiness" performed by Kid Cudi.
|
|
The recension of Hendrik Kern organizes all of the manuscripts into five families according to similarity and relative chronological sequence, judged by content and dateable material in the text.. Family I is the oldest, containing four manuscripts dated to the 8th and 9th centuries but containing 65 titles believed to be copies of originals published in the 6th century.. In addition they feature the Malbergse Glossen, "Malberg Glosses", marginal glosses stating the native court word for some Latin words. These are named from native malbergo, "language of the court".. Kern's Family II, represented by two manuscripts, is the same as Family I, except that it contains "interpolations or numerous additions which point to a later period"..
|
|
This first part is the earliest component of the work, and is extant also as an independent "minor tractate," entitled Massekhet Sefer Torah;Edited by Raphael Kirchheim 1851 in this form it is a systematic work, but as incorporated in Soferim, although its division into chapters and paragraphs has been retained, its order has been disarranged by interpolations. A comparison of the two texts shows in an instructive way how ancient Jewish works developed in the course of time. The minor tractate Sefarim, edited by Schönblum, is not earlier (as he assumes) but rather later than Masseket Sefer Torah, from which it is an extract. The name "Sefarim" (= "books") is merely the plural of "sefer," designating the Torah as "the book" par excellence.
|
|
Aristarchus of Samothrace (lived 216– 145 BC) was the sixth head librarian. He earned a reputation as the greatest of all ancient scholars and produced not only texts of classic poems and works of prose, but full hypomnemata, or long, free-standing commentaries, on them. These commentaries would typically cite a passage of a classical text, explain its meaning, define any unusual words used in it, and comment on whether the words in the passage were really those used by the original author or if they were later interpolations added by scribes. He made many contributions to a variety of studies, but particularly the study of the Homeric poems, and his editorial opinions are widely quoted by ancient authors as authoritative.
|
|
In the Testament of Solomon, Beelzebul (not Beelzebub) appears as prince of the demons and says (6.2) that he was formerly a leading heavenly angel who was (6.7) associated with the star Hesperus (which is the normal Greek name for the planet Venus (Aphrodite, Αφροδíτη) as evening star). Seemingly, Beelzebul here is synonymous with Lucifer. Beelzebul claims to cause destruction through tyrants, to cause demons to be worshipped among men, to excite priests to lust, to cause jealousies in cities and murders, and to bring on war. The Testament of Solomon is an Old Testament pseudepigraphical work, purportedly written by King Solomon, in which Solomon mostly describes particular demons whom he enslaved to help build Solomon's Temple, with substantial Christian interpolations.
|
|
The musical arrangement (including the accompaniment, chords, and interpolations from the other traditional songs) is quite different from the published 1893 version and was copyrighted by members of the group. American Hallowe'en composer Kristen Lawrence found two historical tunes associated with soul cakes as she was researching souling songs for her 2009 A Broom With A View album. As Lawrence heard the traditional Cheshire tune, she was struck that the beginning notes were the same as the mediaeval plainchant Dies Irae, "Day of Judgment", calling the people to repent and pray for the dead. It seemed plausible that the Cheshire tune could be a folk corruption of the chant as children and beggars asked for cakes in return for praying for the dead.
|
|
The Annals of Inisfallen also suffer from a considerable lacuna or simply an empty gap containing no entries at all, for whatever reason, of two and a half critical years in Ivar's career, from mid-969 to the beginning of 972. The third most important source for this period of Munster history are the Annals of the Four Masters, but they were compiled much later and are occasionally of doubtful reliability, suffering in some cases from interpolations, misplaced entries, and so on. They also cover little of Ivar himself and serve mostly for the major sources above to be checked against in places. A few other sources briefly mentioning Ivar survive but altogether these do not contribute much if anything to our knowledge of him.
|
|
The song is predominantly built around a sample taken from "Bound", a song by soul-group Ponderosa Twins Plus One from their 1971 album, 2 + 2 + 1 = Ponderosa Twins Plus One. Interpolations from "Aeroplane (Reprise)", written by Norman Whiteside and performed by Wee and the line "Uh-huh, honey" from the song "Sweet Nothin's", written by Ronnie Self and performed by country singer Brenda Lee were also utilized in the song. Lee reacted to the sampling of her song on the track, saying: In an interview with Rolling Stone, Rick Rubin explained how the song was constructed: > The whole song was written without that main sample; it was a last-minute > thing. The song had kind of a lot of R&B; music in it.
|
|
There are also fewer stories in general in the Vinaya of the subsidiary school, the Mahāsāṃghika-Lokottaravāda, and many of them give the appearance of badly connected obvious interpolations, whereas in the structure of the Sthavira recensions the stories are integrated into the whole scheme. In the formulations of some of the pratimoksha rules also, the phrasing (though generally identical in meaning to the other recensions) often appears to represent a clearer but less streamlined version, which suggests it might be older. This is particularly noticeable in the Bhiksuni-Vinaya, which has not been as well preserved as the Bhiksu-Vinaya in general in all the recensions. Yet the formulation of certain rules which seem very confused in the other recensions (e.g.
|
|
The immediate context of the quotation suggests that it may be closely related to a Clementine source, the Journeys of Peter. Reading from the same source, Epiphanius states that the Ebionites abstained from "meat with soul in it" (15.3), and he attributes this teaching to Ebionite interpolations "they corrupt the contents and leave a few genuine items". Due to the close association of this saying with the Clementine literature of the 3rd and 4th century, the earlier practice of vegetarianism by the 2nd-century Ebionites known to Irenaeus has been questioned. The strict vegetarianism of the Ebionites known to Epiphanius may have been a reaction to the cessation of Jewish sacrifices and a safeguard against the consumption of unclean meat in a pagan environment.
|
|
B. Salaam Remi produced the "bouncy" and radio friendly beat which speaks about putting in "overtime" in a relationship with someone and "when that particular person comes home, you wanna do whatever you can to make that person happy". Sparks compares the song to Cater 2 U by Destiny's Child for its similarity in topic. Then comes "1000", which features J-Doe, an electro- R&B; and saxophone driven track written by Dwayne Abernathy, Alju Jackson & J-Doe, with production handled by Dem Jointz. The song features two prominent interpolations, the first heavily samples "Moanin", by American jazz double bassist Charles Mingus, from his 1960s album Blues & Roots as well as "Ain't Worried About Nuthin'", a 2013 single by American rapper French Montana.
|
|
In 525, Dionysius prepared a table of 95 future dates of Easter (AD 532-626) and a set of rules ("argumenta") explaining their calculation (computus).Declercq (2000) 99 This followed a request by Pope John I, possibly influenced by the fact that the then current Victorian table gave an Easter date for 526 (19 April) which was the 22nd day of the moon. In a previous embarrassment, this table had given Saturday, 24 April as the date of the Greek Easter in 482.Blackburn & Holford-Strevens 1999, 793–794. Note well that only the first nine arguments are by Dionysius – arguments 10 to 16 as well as the second paragraphs of 3 and 4 and the third paragraph of 9 are later interpolations.
|
|
Everything of his description fits the reindeer except that the animal should have only one antler ("a media fronte inter aures unum cornu exsistit"). Caesar's references to moose and aurochs and of elk without joints which leaned against trees to sleep in the endless forests of Germania, were probably later interpolations in his Commentaries.The evidence for the credulous passage's not being Caesar's was first presented by H. Meusel, in Jahresberichte des philologischen Vereins zu Berlin (1910:26–29); the passage is often bracketed. "Then, as now, the local inhabitants would obviously say anything that came into their heads to a reporter in search of copy who failed to check his sources," remarks Miguelonne Toussaint-Samat (A History of Food, 2nd. ed.
|
|
Collier's friend Dyce was among the first to reject many of the alterations by the "Old Corrector" as "ignorant, tasteless and wanton", while recognizing that others required no more authority than common sense to be accepted as correct, many having been proposed already by other scholars.A. Dyce, A Few Notes on Shakespeare: with Occasional Remarks on the Emendations of the Manuscript- Corrector in Mr Collier's Copy of the Folio 1632 (John Russell Smith, London 1853), (Internet Archive). The authenticity of the whole, however, was roundly rejected, on internal evidence, by S. W. Singer in The Text of Shakespeare Vindicated (1853).S.W. Singer, The Text of Shakespeare Vindicated from the Interpolations and Corruptions Advocated by John Payne Collier in his Notes and Emendations (Pickering, London 1853), (Internet Archive).
|
|
One can also estimate the amount of computational resources required for the simulation of a quantum system on a classical computer, knowing how the entanglement contained in the system scales with the size of the system. The classically (and quantum, as well) feasible simulations are those that involve systems only lightly entangled—the strongly entangled ones being, on the other hand, good candidates only for genuine quantum computations. The numerical method is efficient in simulating real- time dynamics or calculations of ground states using imaginary-time evolution or isentropic interpolations between a target Hamiltonian and a Hamiltonian with an already-known ground state. The computational time scales linearly with the system size, hence many-particles systems in 1D can be investigated.
|
|
In about 1426, she married John IV of Trebizond, the son of Emperor Alexios IV of Trebizond and Theodora Kantakouzene, who had fled from Trebizond after a violent episode.Laonikos Chalkokondyles, 9.28; translated by Anthony Kaldellis, The Histories (Cambridge: Dumbarton Oaks Medieval Library, 2014), vol. 2 p. 306; Toumanoff, "Fifteenth-century Bagratids", p. 182 According to a passage considered to be an interpolation in the history of Laonikos Chalkokondyles, he had accused his mother Theodora of having an affair with an unnamed protovestarios, whom he killed, then held his parents captive in the citadel until the palace staff released them.Chalcocondyles, Histories9.28; discussed in Anthony Kaldellis, "The Interpolations in the Histories of Laonikos Chalkokondyles", Greek, Roman, and Byzantine Studies, 52 (2012), pp.
|
|
In 1985 Maclean composed Christ the King, a setting of New Zealand poet James K. Baxter, which has received numerous performances in both Australia and North America, as well as several recordings. Conceived as several interpolations for a performance of John Taverner’s "Westron Wynde" Mass, the composer subsequently tied them together to create a single work that combines elements of plainchant and hymnody with polyphonic passages. The composer’s ingenious weaving and re-ordering of two Baxter poems, ‘Song to the Father’ and ‘Song to the Lord God on a Spring Morning,’ was an early indication (in 1984) of her acute sensitivity to text, a trait that runs through all her subsequent works. In the same year, Maclean also revised four solo settings of Baxter’s verse.
|
|
In November 2007, Kidz in the Hall were officially signed to Duck Down Records, an independent label started by founding members of the Boot Camp Clik. The duo's second album, The In Crowd, was released in May 2008, with the lead single "Drivin' Down the Block," which samples Masta Ace's song "Born to Roll" for the hook and contains an interpolation of Outkast's "Elevators (Me & You)" on the bridge. This song was featured on the game Midnight Club Los Angeles: Complete Edition from Rockstar Games. Many other tracks on the album use samples and interpolations of early 1990s hip hop, including their song "Snob Hop" featuring Camp Lo which uses the hook from Black Sheep's song "Flava of the Month" for the chorus.
|
|
Excluding the introduction of the scop Widsith, the closing, and brief comments regarded by some scholars as interpolations, the poem is divided into three 'catalogues', so-called thulas. The first thula runs through a list of the various kings of renown, both contemporary and ancient ("Caesar ruled the Greeks"), the model being '(name of a king) ruled (name of a tribe)'. The second thula contains the names of the peoples the narrator visited, the model being 'With the (name of a tribe) I was, and with the (name of another tribe).' In the third and final thula, the narrator lists the heroes of myth and legend that he has visited, with the model '(Hero's name) I sought and (hero's name) and (hero's name).
|
|
The final version of his history was written at his monastery at Jumièges .For a detailed analysis of the Gesta Normannorum Ducum see; Elisabeth M.C. van Houts, 'The Gesta Normannorum Ducum: a history without an end', Anglo-Norman Studies III: Proceedings of the Battle Conference 1980, Ed. R. Allen Brown (Woodbridge: The Boydell Press, 1981), pp. 106-118.Elisabeth M.C. van Houts, 'The Gesta Normannorum Ducum: a history without an end', Anglo-Norman Studies III: Proceedings of the Battle Conference 1980, Ed. R. Allen Brown (Woodbridge: The Boydell Press, 1981), p. 106 During the twelfth century there were interpolations and additions, first by Orderic Vitalis, then by Robert of Torigni, who added an entire book on Henry I of England.
|
|
175 From the account found in this chronicle as well as mention in the Crónica de 1344 (Segunda Crónica General) and interpolations into a copy of the Tercera Crónica General dating from 1512, Menéndez Pidal found evidence for the existence of an ancient lost cantar de gesta that scholars have since partially reconstructed, dating back to the year 1000. This work would, along with the Cantar de Mio Cid and the Poema de Fernán González, represent one of the most important epic cantares of Castilian literature, and the most primitive example of the Spanish epic. The legendary tradition of the Infantes de Lara has also been developed though ballads. Some more recent scholars have rejected this, dating the story to shortly before the surviving prose versions.
|
|
The author is unknown, even if the work declares to be the legacy left by Jesus Christ himself to his Apostles before the Ascension, and to give his own words and commands as to the government of the Church. The late dating, to the 4th or more likely the 5th century CE, may be discerned in the interpolations in the prayers, possibly in the reference to the chief deacon, for elsewhere no single deacon is distinguished by name until the close of the 4th century, in the reference to the Epiphany, which is first heard of elsewhere at the beginning of the 4th century. The suggestion has been hazarded that the last revision was due to the school of Apollinaris of Laodicea (died about 390 CE).
|
|
The first video interlude features various tombstones and a man walking through a cemetery while a mashup of "Best Friend" and "Heartbeat" is performed. The next section kicks off with Madonna dressed as a majorette while performing "Express Yourself" with a baton. The song, which features lyrical interpolations from Lady Gaga's "Born This Way" and "She's Not Me" from Madonna's 2008 album Hard Candy, breaks down with the Just Blaze Remix of "Give Me All Your Luvin'" with a marching band that is suspended from the air while Madonna and her female dancers dance with pompoms are dressed as cheerleaders. A short video interlude follows featuring Madonna's previous hits which then leads into "Turn Up the Radio" with Madonna on guitar wearing a leather dress and a black beret.
|
|
This interpretation arose because of the arguably alternating nature of the emotions in the text. Another argument, in "The Seafarer: An Interpretation", 1937, was proposed by O.S. Anderson, who plainly stated: He nevertheless also suggested that the poem can be split into three different parts, naming the first part A1, the second part A2, and the third part B, and conjectured that it was possible that the third part had been written by someone other than the author of the first two sections. The third part may give an impression of being more influenced by Christianity than the previous parts.Anderson, 12 However, he also stated that and added, to counter suggestions that there had been interpolations, that: "personally I believe that [lines 103-124] are to be accepted as a genuine portion of the poem".
|
|
Many ancient Greek writers discussed topics and problems in the Homeric epics, but the development of scholarship per se revolved around three goals: # Analyzing internal inconsistencies within the epics; # Producing editions of the epics' authentic text, free of interpolations and errors; # Interpretation: both explaining archaic words, and exegetical interpretation of the epics as literature. The first philosopher to focus intensively on the intellectual problems surrounding the Homeric epics was Zoilus of Amphipolis in the early 4th century BCE. His work Homeric Questions does not survive, but it seems that Zoilus enumerated and discussed inconsistencies of plot in Homer. Examples of this are numerous: for example, in Iliad 5.576-9 Menelaus kills a minor character, Pylaemenes, in combat; but later, at 13.758-9, he is still alive to witness the death of his son Harpalion.
|
|
Of the three passages found in Josephus' Antiquities, this passage, if authentic, would offer the most direct support for the crucifixion of Jesus. It is broadly agreed that while the Testimonium Flavianum cannot be authentic in its entirety, it originally consisted of an authentic nucleus with a reference to the execution of Jesus by Pilate which was then subject to interpolation.The Jesus Legend by G. A. Wells 1996 page 48: "... that Josephus made some reference to Jesus, which has been retouched by a Christian hand. This is the view argued by Meier as by most scholars today particularly since S. Pines..." James Dunn states that there is "broad consensus" among scholars regarding the nature of an authentic reference to Jesus in the Testimonium and what the passage would look like without the interpolations.
|
|
149 There is a reference to the king's "rolls" in a writ from 1110, which purports to be a grant from Henry I to the abbot of Westminster of ten shillings, but the writ may be a forgery, or parts of it may be genuine with some interpolations. As the writ only exists in a copy in a later cartulary, and the Abbey of Westminster is also known to have forged a number of other writs or charters, the writ is not a solid source for royal rolls being kept as early as 1110.Clanchy From Memory to Written Record pp. 137–138 After the one surviving roll from Henry I's reign, no further Pipe rolls survived from his reign, nor are any preserved from the reign of his successor, King Stephen (reigned 1135–1154).
|
|
Christ Healing a bleeding woman, as depicted in the Catacombs of Marcellinus and Peter. Jesus healing the bleeding woman (or "woman with an issue of blood" and other variants) is one of the miracles of Jesus in the Gospels (, , ). __TOC__ In the Gospel accounts, this miracle immediately follows the exorcism at Gerasa and is combined with the miracle of the Daughter of Jairus. The narrative interrupts the story of Jairus’ daughter, a stylistic element which scholars call an intercalated or sandwich narrative.James R. Edwards, “Markan Sandwiches: The Significance of Interpolations in Markan Narratives,” Novum Testamentum 31 no. 3 (1989): 193-216; Tom Shepherd, “The Narrative Function of Markan Intercalation,” New Testament Studies 41 (1995): 522-40; James L. Resseguie, "A Glossary of New Testament Narrative Criticism with Illustrations," in Religions, 10 (3: 217), 28.
|
|
Differences in recorded performances show some evolution: early performances, often with large choirs, and orchestras of symphonic breadth, tend to have a slower pace, with performance times over thirty minutes (or over 40 minutes when the Christmas interpolations are included) being no exceptions. More recent performance practice leans towards leaner groups of vocalists and smaller orchestras, often using period instruments, and tailored as historically informed performance. Tempos became more vivid and the performance time may be reduced to about twenty minutes for the D major version, and even less than thirty minutes for the full BWV 243a version. Other differences include whether organ or harpsichord are used as continuo instrument, whether countertenors and/or treble youngsters perform vocal parts, and whether it is recorded with a live audience.
|
|
The commentary records that it was transmitted orally for eight generations, until it was finally committed to writing by Nilakantanar of Musiri, a tradition which Zvelebil and Marr find credible., Early scholars, such as S. Vaiyapuri Pillai, dated the commentary to a period as late as the 10th - 12th century, on the basis that the author appeared to be familiar with the 10th century Civakacintamani. Modern scholars, however, tend to view these as later interpolations into the text, and date the commentary itself to a period closer to the 8th century on the basis of its relationship with the Pāṇṭikkōvai. Zvelebil suggests that many of these may have been inserted by Nilakantanar of Musiri, who he suggests added an introduction and more modern quotations into the text when he wrote it down.
|
|
41 In the Antiquities of the Jews (written about 93 AD) Jewish historian Josephus stated (Ant 18.3) that Jesus was crucified by Pilate, writing that: > Now there was about this time Jesus, a wise man, ... He drew over to him > both many of the Jews and many of the Gentiles ... And when Pilate, at the > suggestion of the principal men amongst us, had condemned him to the cross > ... Most modern scholars agree that while this Josephus passage (called the Testimonium Flavianum) includes some later interpolations, it originally consisted of an authentic nucleus with a reference to the execution of Jesus by Pilate. James Dunn states that there is "broad consensus" among scholars regarding the nature of an authentic reference to the crucifixion of Jesus in the Testimonium.Dunn, James (2003). Jesus remembered. . p. 141.
|
|
"However, the second night's programming on January 30 was heavily censored through deletion, interpolations, alterations, dismemberment and even fabrication. This segment was originally supposed to cover the 'Women's International War Crimes Tribunal on Japan's Military Sexual Slavery' that had been held in Tokyo in December 2000.", . In 2014, the new president of NHK compared the wartime Japanese comfort women program to Asian brothels frequented by American troops, which western historians countered by pointing out the difference between the Japanese comfort stations, which forced women to have sex with Japanese troops, and Asian brothels, where women chose to be prostitutes for American troops. In publications around 2007, Japanese historian and Nihon University professor Ikuhiko Hata estimates the number of comfort women to have been more likely between 10,000 and 20,000.
|
|
Electric Light Orchestra's (ELO) elaborate eight-minute reworking of "Roll Over Beethoven", on the album ELO 2 in 1973, included an opening musical quote from Beethoven's Fifth Symphony and clever interpolations of material from the symphony's first movement into Berry's song. This became one of ELO's signature songs and has been used to close the majority of their concerts. "Roll Over Beethoven" was the second single released by the band, in January 1973, and became their second consecutive top ten hit in the UK. An edited version of the track from ELO 2 was a #42 hit in the United States. ELO perform "Roll Over Beethoven" at the Genting Arena Chicago radio superstation WLS, which gave the song much airplay, ranked "Roll Over Beethoven" as the 89th most popular hit of 1973.
|
|
David was settled in Adrianople together with his family, and received the profits of estates in the Struma River valley, comprising an annual income of some 300,000 pieces of silver.Miller, Trebizond, p. 108 However, David Megas Komnenos, descendant on the male side of Byzantine Emperors, was too prominent a symbol of the fallen regime and too inviting of a potential rallying-point for any potential Greek resistance; Mehmet waited for an opportunity to rid himself of this inconvenient man. An excuse presented itself less than two years later. According to an interpolator in the History of Chalkokondyles, referred to here as Pseudo-Chalkokondyles,On the possible identity of this person, see Anthony Kaldellis, "The Interpolations in the Histories of Laonikos Chalkokondyles", Greek, Roman, and Byzantine Studies, 52 (2012), pp.
|
|
Similarly, hit Broadway plays are often adapted into films, whether from musicals or dramas. Some examples of American film adaptations based on successful Broadway plays are Arsenic and Old Lace (1944), Born Yesterday (1950), Harvey (1950), A Streetcar Named Desire (1951), The Odd Couple (1968), The Boys in the Band (1970), Agnes of God (1985), Children of a Lesser God (1986), Glengarry Glen Ross (1992), Real Women Have Curves (2002), Rabbit Hole (2010), and Fences (2016). On one hand, theatrical adaptation does not involve as many interpolations or elisions as novel adaptation, but on the other, the demands of scenery and possibilities of motion frequently entail changes from one medium to the other. Film critics will often mention if an adapted play has a static camera or emulates a proscenium arch.
|
|
A remix of the song was produced by Carey and Damizza titled "I Still Believe/Pure Imagination," which was included on the CD single with the original version and three other remixes, released on February 23, 1999. It differs significantly from the original, as it retains none of the music and only minor lyrical elements. The melody is based heavily on interpolations of the song "Pure Imagination," which Gene Wilder sang, in character as Willy Wonka, in the 1971 film Willy Wonka & the Chocolate Factory, and the song features rapped and sung parts by Krayzie Bone (of Bone Thugs-N-Harmony) and Da Brat. An abbreviated version of "I Still Believe/Pure Imagination," without Da Brat and more from Krayzie Bone, can be found on Bone's album Thug Mentality 1999.
|
|
Amongst the festivals mentioned are the Epiphany, Easter and Pentecost. With regard to the prayers, they are based upon forms common to this and other Church Orders, but have many lengthy interpolations of an inflated and rhapsodic kind. The bishop appears to rank far above the presbyters (more conspicuously so, for example, than in the Canons of Hippolytus), and the presbyters are still divided into two classes, those who are more learned and those who are of mature age. The deacons have functions in the Eucharist and about the altar which point to an early date; they have also much administrative work of an important kind, and especial provisions are made for the care of the sick and the dead, and the burial of those who perish by shipwreck.
|
|
1510 Russian icon of John the Baptist foretelling the descent of Christ to the righteous in Hades (17th century, Solovetsky Monastery). In the Acts of Pilate—usually incorporated with the widely read medieval Gospel of Nicodemus—texts built around an original that might have been as old as the 3rd century AD with many improvements and embroidered interpolations, chapters 17 to 27 are called the Decensus Christi ad Inferos. They contain a dramatic dialogue between Hades and Prince Satan, and the entry of the King of Glory, imagined as from within Tartarus. The richest, most circumstantial accounts of the Harrowing of Hell are found in medieval dramatic literature, such as the four great cycles of English mystery plays which each devote a separate scene to depict it, or in passing references in Dante's Inferno.
|
|
On the other hand, Vahlen, Housman, Duff, Griffith, Ferguson and Green believe the surviving text to be largely authentic: indeed Green regards the main problem as being not interpolations but lacunae.Green, 1998, Introduction: LIX-LXIII In recent times debate has focused on the authenticity of the "O Passage" of Satire VI, 36 lines (34 of which are continuous) discovered by E. O. Winstedt in an 11th-century manuscript in Oxford's Bodleian Library. These lines occur in no other manuscript of Juvenal, and when discovered were considerably corrupted. Ever since Housman translated and emended the "O Passage" there has been considerable controversy over whether the fragment is in fact a forgery: the field is currently split between those (Green, Ferguson, Courtney) who believe it is not, and those (Willis, Anderson), who believe it is.
|
|
The young James wrote some scathing reviews of Trollope's novels (The Belton Estate, for instance, he called "a stupid book, without a single thought or idea in it ... a sort of mental pabulum"). He also made it clear that he disliked Trollope's narrative method; Trollope's cheerful interpolations into his novels about how his storylines could take any twist their author wanted did not appeal to James's sense of artistic integrity. However, James thoroughly appreciated Trollope's attention to realistic detail, as he wrote in an essay shortly after the novelist's death: > His [Trollope's] great, his inestimable merit was a complete appreciation of > the usual. ... [H]e felt all daily and immediate things as well as saw them; > felt them in a simple, direct, salubrious way, with their sadness, their > gladness, their charm, their comicality, all their obvious and measurable > meanings.
|
|
The text of the baraita is in general free from interpolations (the words of Isi ben Akkabyah in section 10 do not occur in the Munich manuscript; they found their way later into the baraita from Menachot 29a). Nevertheless, sections 13-14 seem to be later additions from another baraita (they occur already in Rashi), as shown by their aggadic character, and by the fact that the author of VeHizhir (who copied the baraita in full) omitted them—probably because he did not know of them. There is much in favor of the view of Grünhut, and before him of Ḥayyim M. Horowitz,In Tosefta 'Attiḳata, 1:7 that both sections were constituents of the Baraita of the Forty-nine Rules. It is especially noteworthy that the numbers "four" and "seven" are the ones on which the sections hinge.
|
|
The third division is chiefly devoted to rules concerning the order of Torah reading, together with liturgical laws. It is not a uniform composition, although the first section (chapters 10-15) is concerned almost entirely with the sequence of Torah readings, while the remaining part (chapters 16-21) contains liturgical laws. The contents of 16:1 apparently form the conclusion of the portion of the work which precedes it. The third part of Soferim is likewise Judean in origin, as is shown by its sources; nor is this view contradicted by the phrases "our teachers in the West" (רבותינו שבמערב, 10:8) and "the people of the East and the people of the West" (בני מזרח ובני מערב at 10,end; 13:10), since either a Palestinian or a Babylonian might have used such expressions, although these passages may be interpolations.
|
|
Shazam was essentially the Move's 1969 stage act captured on record. A mixture of California psychedelia, heavy metal riffs, thundering drums, and interpolations from classic composers, the album was generally praised by critics—Rolling Stone gave a glowing review in the spring of its release year—and is generally regarded as the band's best LP. The band had spent most of 1969 on the cabaret circuit in England, much to the delight of lead singer/crooner Wayne and to the chagrin of guitarist/composer Roy Wood. When the group finally toured the United States in the autumn for the sole time in their career, they loosened up their performance and played at a louder volume. Shazam is a classic example of one side of originals and another of covers, typifying a band wrestling with split musical directions.
|
|
The five-man group also featured rapper and current Chandran affiliate R.E.Z. Da Joint rarely recorded, instead spending its time doing live performances, often interpolations of famous Hip hop songs by American artists like Wu-Tang Clan, Outkast, Onyx and Bone Thugs-n-Harmony. The group performed on most weekends from 1997-1999 at small and large clubs, as well as corporate shows for Citibank and Panasonic’s Technics DJ competition. As a teenager, Chandran juggled Da Joint with schoolwork, until he faced a suspension and eventual blacklisting from all Kuala Lumpur schools for fighting. He credits his Da Joint membership with keeping him out of even more trouble. Chandran’s family decided to move to the U.S. in 1999 for better business opportunities, and Shree was thrust into a foreign land with little knowledge of its customs and culture.
|
|
His siddur, which was made familiar by the many extracts quoted from it by the liturgical writers of the Middle Ages, and which served as the model for Saadia's and Maimonides' own prayer rituals, was published complete for the first time in Warsaw, in the year 1865, by N. N. Coronel, under the title Siddur Rab Amram Gaon. The work as published is composed of two parts. The second part containing the selichot (propitiatory prayers) and pizmonim (liturgical poems) for the month of Elul, for New Year and the Day of Atonement, is certainly not the work of Amram, but appears to belong to a much later period. Even the first portion, which contains the prayers proper, is full of interpolations, some of which, as the "kedushah" (Sanctification) for private prayer, are evidently later additions in the manuscripts.
|
|
Marignolli's primary work was his Annals or Chronicles of Bohemia ('). The fragmentary notes of Marignolli's eastern travels often contain vivid remembrance and graphic description, but combined with excessive vanity and an incoherent lapse from one thing to another. Henry Yule described Marignolli's digressions as "like unexpected fossils in a mud- bank" but they have no claim to be called a narrative, and it is with no small pains that anything like a narrative can be pieced out of them. Indeed the mode in which they were elicited illustrates how little medieval travellers thought of publication: The emperor Charles, instead of urging his chaplain to write a history of his vast journeys, set him to the repugnant task of recasting the annals of Bohemia and the clerk consoled himself by salting the insipid stuff with interpolations, ', of his recollections of Asiatic travel.
|
|
Nagy has noted the Gaelic oral tradition has been remarkably conservative; the fact that we have tales in existence that were still being told in the 19th century in almost exactly the same form as they exist in ancient manuscripts leads to the strong probability that much of what the monks recorded was considerably older. Though the Christian interpolations in some of these tales are very obvious, many of them read like afterthoughts or footnotes to the main body of the tales, which most likely preserve traditions far older than the manuscripts themselves. Mythology based on (though, not identical to) the pre-Christian traditions was still common place knowledge in Celtic-speaking cultures in the 19th century. In the Celtic Revival, such survivals were collected and edited, thus becoming a literary tradition, which in turn influenced modern mainstream "Celticity".
|
|
The Testimonium has been the subject of a great deal of research and debate among scholars, being one of the most discussed passages among all antiquities. Louis Feldman has stated that in the period from 1937 to 1980 at least 87 articles had appeared on the topic, the overwhelming majority of which questioned the total or partial authenticity of the Testimonium.Josephus, the Bible, and History by Louis H. Feldman and Gohei Hata 1988 page 430 While early scholars considered the Testimonium to be a total forgery, the majority of modern scholars consider it partially authentic, despite some clear Christian interpolations in the text.Meier, 1990 (especially note 15) The arguments surrounding the authenticity of the Testimonium fall into two categories: internal arguments that rely on textual analysis and compare the passage with the rest of Josephus' work; and external arguments, that consider the wider cultural and historical context.
|
|
Boyle's preamble notes: "There are not infrequent interpolations from the Mongolian chronicle, and he even adopts its faulty chronology, in accordance with which the events of the European campaign take place a year later than in reality. In the present volume, Juvaini is down to the reign of Mongke (1251-1259) Rashid al-Din's main authority, but with considerable additional material from other sources. Thus the earlier historian's account of the invasion of eastern Europe (1241-1242) is repeated almost verbatim and is then followed, in a later chapter, by a much more detailed version of the same events, based, like the preceding description of the campaigns in Russia (1237-1240), on Mongol records, as is evident from the orthography of the proper names." Another theory is that weather data preserved in tree rings points to a series of warm, dry summers in the region until 1242.
|
|
Increasingly, the aim has been to approach the Muspilli as a complex, but functionally adequate, work, and to interpret it in its 9th-century Christian context, whilst also questioning or rejecting its allegedly pagan elements. Herbert Kolb (1964, 16f.) felt that to demand an unbroken narrative sequence is to misunderstand the work's pastoral function as an admonitory sermon. Publishing in 1977 views which he had formulated some 20 years earlier, Wolfgang Mohr saw older poetic material here being re-worked with interpolations, as a warning to all, but especially the rich and powerful. Walter Haug (1977) analysed the surviving text on a new methodological basis. Characterising it as a montage and a 'somewhat fortuitous' constellation (55f.), he focused on its very discontinuities, its 'open form', viewing it as an expression of the fragmented order of its time, and as an invective, aimed at correcting some aspects of that fragmentation.
|
|
In subsequent verses, the subject compares himself to Narcissus and Tristan, and promises to go into exile if the woman he loves does not return his love. This song is one of three Occitan verses interpolated into the 13th century French-language romance Guillaume de Dole, and one of two similar interpolations in Gerbert de Montreuil's Le roman de la violette. Some scholars have suggested that this song inspired a tercet in Dante Alighieri's Divine Comedy, Paradiso XX:73–75, which also describes the flight of a lark; however, others have suggested that Dante might have come by this image indirectly through Bondie Dietaiuti, or that this sight would have been common enough that no connection between the two poems can be ascribed. Ezra Pound included a translation of parts of this song in Canto 6 of The Cantos, and returned to the same image in Canto 117.
|
|
Much legendary material may have been added, but in this view it is meaningful to ask for archaeological and textual evidence corresponding to events referred to in the Iliad. Such a historical background gives a credible explanation for the geographical knowledge of Troy (which could, however, also have been obtained in Homer's time by visiting the traditional site of the city, which was in fact New Ilium, built at the base of the hill at Hisarlık) and otherwise unmotivated elements in the poem (in particular the detailed Catalogue of Ships). Linguistically, a few verses of the Iliad suggest great antiquity, because they only fit the meter if projected back into Mycenaean Greek, in part due to the classical loss of the digamma; this trace of archaic language suggests a poetic tradition spanning the Greek Dark Ages. On the other hand, there are well-known interpolations in the text we have.
|
|
The orchestral accompaniment consists of two characteristic woodwind parts, strings and continuo.Der Gerechte kömmt um BWV deest; BC C 8 (= BC D 10/3) at : "traverse flute I, traverse flute II, oboe I, oboe II, violin I, violin II, viola, basso continuo" If both attributions are correct (the original to Kuhnau, the arrangement to Bach) this seems the only instance of Bach adopting music of his predecessor. Kuhnau's ideas were however more easily adopted by his successor: there is the imitation of Kuhnau's style in the final chorus of Bach's very first cantata for Leipzig, there are the links to Kuhnau in Bach's Magnificat (SSATB chorus, Christmas interpolations) and there are the similarities in both their Clavier-Übung publications. Harsh judgements have been passed on the quality of Kuhnau's music: Spitta, after describing various aspects of where he sees Kuhnau's choral music wanting, concludes: "Kuhnau did not understand the world, nor did the world understand him..."Spitta, o.c. pp.
|
|
Boyle's preamble notes: "There are not infrequent interpolations from the Mongolian chronicle, and he even adopts its faulty chronology, in accordance with which the events of the European campaign take place a year later than in reality. In the present volume, Juvaini is down to the reign of Mongke (1251-1259) Rashid al-Din's main authority, but with considerable additional material from other sources. Thus the earlier historian's account of the invasion of eastern Europe (1241-1242) is repeated almost verbatim and is then followed, in a later chapter, by a much more detailed version of the same events, based, like the preceding description of the campaigns in Russia (1237-1240), on Mongol records, as is evident from the orthography of the proper names." By Carpini's account, a messenger would have to be able to make the journey from Mongolia to Central Europe in a little over 3 months in the middle of winter.
|
|
Craig Blomberg states that if the three elements "lawful to call him a man", "he was the Christ" and the reference to the resurrection are removed from the Testimonium the rest of the passage flows smoothly within the context, fits the style of Josephus and is likely to be authentic.Jesus and the Gospels: An Introduction and Survey by Craig L. Blomberg 2009 pages 434–435 Blomberg adds that after the removal of these three elements (which are likely interpolations) from the Greek versions the remaining passage fits well with the Arabic version and supports the authenticity of the reference to the execution of Jesus by Pilate. Joel B. Green also states that the removal of some elements from the Testimonium produces a passage that is likely to be an authentic reference to the death of Jesus.Joel B. Green "Crucifixion" in the Cambridge Companion to Jesus edited by Markus N. A. Bockmuehl 2001 , page 89.
|
|
Modern scholarship states this presumed authenticity is false, and the various manuscripts of Manusmriti discovered in India are inconsistent with each other, and within themselves, raising concerns of its authenticity, insertions and interpolations made into the text in later times. The metrical text is in Sanskrit, is variously dated to be from the 2nd century BCE to 3rd century CE, and it presents itself as a discourse given by Manu (Svayambhuva) and Bhrigu on dharma topics such as duties, rights, laws, conduct, virtues and others. The text's fame spread outside Bharat (India), long before the colonial era. The medieval era Buddhistic law of Myanmar and Thailand are also ascribed to Manu,Steven Collins (1993), The discourse of what is primary, Journal of Indian philosophy, Volume 21, pages 301-393Patrick Olivelle (2005), Manu's Code of Law, Oxford University Press, , pages 3-4 and the text influenced past Hindu kingdoms in Cambodia and Indonesia.
|
|
The song interpolates a number one songs including, "Soy Una Gargola" performed by Arcangel and Randy, "Mi Cama Huele a Ti" performed by Tito "El Bambino" and Zion & Lennox, "Zun Da Da" performed by Zion, "Eso Ehh..!!!" performed by Alexis & Fido, "Pide un Deseo" performed by Baby Rasta & Gringo, "Gasolina" performed by Daddy Yankee, "El Telefono" performed by Hector "El Father" and Wisin & Yandel, "Dame un Kiss" performed by Franco "El Gorila" and "La Batidora" performed by Yaga & Mackie and Don Omar. It also interpolates "Dile" performed by Don Omar and "Pegate a la Pared" performed by Yandel. The song also includes interpolations of "Pa Que Retozen" performed by Tego Calderon, "Calla" performed by Vico C, "Amor Mio" performed by Eddie Dee, "Bendicion Mami" performed by Mexicano 777 and "Punto 40" performed by Baby Rasta & Gringo. According to Jennifer Mota for the Spanish-language magazine People en Español, Queen pays homage by referencing songs and lyrics performed by her male peers within the genre of reggaeton.
|
|
The verse perfection in the Vedic texts, verse Upanishads and Smriti texts has led some Indologists from the 19th century onwards to identify suspected portions of texts where a line or sections are off the expected metre. Some editors have controversially used this metri causa principle to emend Sanskrit verses, assuming that their creative conjectural rewriting with similar-sounding words will restore the metre. This practice has been criticized, states Patrick Olivelle, because such modern corrections may be changing the meaning, adding to corruption, and imposing the modern pronunciation of words on ancient times when the same syllable or morae may have been pronounced differently. Large and significant changes in metre, wherein the metre of succeeding sections return to earlier sections, are sometimes thought to be an indication of later interpolations and insertion of text into a Sanskrit manuscript, or that the text is a compilation of works of different authors and time periods.
|
|
There has long been a school of thought that holds that the lives of the Emperors Hadrian to Elagabalus in the HA employ Marius as their primary source material. Anthony Birley has recently offered the most detailed defense of this position. There is however a contrary view, most convincingly put by Sir Ronald Syme, who points out that all the passages in which Marius is cited by name can be shown to be interpolations in the author’s main narrative, brought in to provide colour, frivolous anecdote or critical comment. Examples include the meat dish (tetrafarmacum) that Aelius Verus invented, Hadrian’s supposed expertise in astrology, various stories to the discredit of Marcus Aurelius and his consort Faustina the Younger, the Senate’s craven catalogue of acclamations for Commodus, and so on. It is more likely in Syme's opinion that Marius was a secondary source, and that the HA author was following in the main a more sober source, ‘Ignotus, the Good Biographer’.
|
|
Some Anglo-Catholic parishes use Anglican versions of the Tridentine Missal, such as the English Missal, The Anglican Missal, or the American Missal, for the celebration of Mass, all of which are intended primarily for the celebration of the Eucharist, or use the order for the Eucharist in Common Worship arranged according to the traditional structure, and often with interpolations from the Roman Rite. In the Episcopal Church (United States), a traditional-language, Anglo-Catholic adaptation of the 1979 Book of Common Prayer has been published (An Anglican Service Book). All of these books contain such features as meditations for the presiding celebrant(s) during the liturgy, and other material such as the rite for the blessing of palms on Palm Sunday, propers for special feast days, and instructions for proper ceremonial order. These books are used as a more expansively Catholic context in which to celebrate the liturgical use found in the Book of Common Prayer and related liturgical books.
|
|
Chance the Rapper told Complex that Coloring Book would be a superior record to Surf, the 2015 album that he had released with his group Donnie Trumpet & The Social Experiment. As with his other mixtapes, 10 Day and Acid Rap, the cover artwork was painted by Chicago-based artist Brandon Breaux, who depicted Chance holding his baby daughter (below the frame) in order to capture the expression on his face. According to Financial Times music critic Ludovic Hunter-Tilney, Coloring Book is an upbeat gospel rap album whose themes of spiritual fulfillment and worldly accomplishment are explored in music "that places gospel choirs and jazzy horns in a modern setting of Auto-Tuned hooks and crisp beats". Rolling Stones Christopher R. Weingarten wrote that the gospel choirs were the foundation of the mixtape's music, functioning in the same way disco interpolations had on the earliest rap records, James Brown rhythms had for Public Enemy, and soul samples had for Kanye West.
|
|
The JE states that, moreover, the reference could not have been to the Philistines, by whom the tribe was occasionally subdued, the verse alludes to the Arameans of Damascus, with whom the conflicts were of long duration, often threatening the safety of the tribe of Joseph—that is, of the Northern Kingdom. Verse 24, however, bears no testimony of times following the glorious period of Jeroboam II; consequently the passage on Joseph points to the ninth century. The JE asserts that it was probably in the second half of this century, at all events before the conquests of Jeroboam, and evidently in the Southern Kingdom, that the collection of these pithy descriptions of the tribes was completed. If verses 25 and 26 are interpolations, this is the only interpretation that the JE authors hold would also explain both the esteem felt for Judah, expressed in the passage on him, and the silence concerning the Benjamite kingdom and possibly even the Northern Kingdom.
|
|
1171) extracted a 19-chapter version from a 32-chapter text that included Mozi interpolations and post-Han discursive essays. In the 1920s, Fu Cengxiang (傅潧湘; 1872-1950) obtained a Dunhuang manuscript with the first half of the Heguanzi and an anonymous commentary dated 629 (Knechtges 1993: 139). Five printed complete Heguanzi editions are all based on Lu Dian's commentary version: the 1445 Daozang (Daoist Canon); 1805 Xuejin taoyuan (學津討原), reprinted in the 1936 Sibu Beiyao (四部备要); 1935 Wuying dian zhuzhengban congshu (武英殿聚珍版叢書); 1577 Zihui (子彙), reprinted, with punctuation, in the 1937 Congshu jicheng (叢書集成); and the 1919-1922 Sibu congkan (四部叢刊) reprint of a Ming facsimile of a Song edition (Knechtges 1993: 139). The 1408 Yongle Encyclopedia quotes all of Heguanzi chapter 11, predating the 1445 Daozang first received edition (Defoort 2015: 286).
|
|
Sarah Salih has speculated that The Book of Margery Kempe, written in East Anglia, could have provided inspiration for the Digby plays of conversion, that is the Conversion of Paul and the Mary Magdalene.Gender and Holiness: Men, Women, and Saints in Late Medieval Europe edited by Samantha Riches and Sarah Salih, Routledge, 2002 The interpolations to the original text (the marginal "daunce" stage directions and the three leaves containing the scene between the devils) seem to come from an early sixteenth-century revival of the piece, and were possibly the work of a man named Myles Blomfylde (whose exact identity is unclear), who may have played the role of Poeta. The play was not much admired by its 19th- and early 20th-century editors: Furnivall wrote that it (and the Digby mysteries as a whole) pointed to "the decay of the old religious Drama in England" and Manly found it "uninteresting" and of only historical value.Specimens of the Pre-Shaksperean Drama, Vol.
|
|
Similarly, in the third part (chapters 10-21), which is later, no sources are assigned for a number of halakhot;15:3 may, however, be based on Yerushalmi Shabbat 15c, 25 so that care must be taken not to assign the compilation of this longest portion to too recent a date. Both the form and the content of those passages in which authorities are not mentioned point to a Judean origin; they may have been derived from the lost portions of Yerushalmi and various midrashic works, which, indeed, they may be regarded as in part replacing. Only certain interpolations, as well as the aggadic passage at the end of the tractate (or, in several manuscripts, at its beginning), may have been added much later. The division of the last part into sections ("perakim") seems to have been intended to secure a uniform size for the several sections; for 16:1 belongs to the end of chapter 15, and 19:1 to the end of 18, their separation being due to external reasons.
|
|
In the early twentieth century, the text of Judges 6–8 was regarded by the "critical school" as a composite narrative, combining Jahwist, Elohist and Deuteronomic sources, with further interpolations and editorial comments of the Second Temple period. Emil G. Hirsch alleged a historical nucleus in the narrative, reflecting the struggle of the tribe of Manasseh with hostile Bedouins across the Jordan, along with "reminiscences of tribal jealousies on the part of Ephraim" in the early period of Hebrew settlement, later conflated with the religious context of connecting Yahweh with the shrine at Ophrah.Emil G. Hirsch (1906). "Gideon", Jewish Encyclopedia The core (Jahwist) narrative consists of Gideon wishing to avenge the death of his brothers, gathering 300 men of his own clan and pursuing the Midianite chiefs Zebah and Zalmunna, slaying them and consecrating an idol (ephod) made from the spoils of war, which makes his city of Ophrah the seat of an oracle and giving Gideon himself the status of a rich chief with a large harem (Judges 8:4–10a, 11–21, 24–27a, 29–32).
|
|
Certain scholars have always defended the value of specific parts of the work. Anthony Birley, for instance, has argued that the lives up to Septimius Severus are based on the now-lost biographies of Marius Maximus, which were written as a sequel to Suetonius' Lives of the Twelve Caesars. As a result, his translation of the History for Penguin Books covers only the first half, and was published as Lives of the Later Caesars, Birley himself supplying biographies of Nerva and Trajan (these are not part of the original texts, which begin with Hadrian). His view (part of a tradition that goes back to J. J. Müller, who advanced Marius' claims as early as 1870, and supported by modern scholars such as André Chastagnol) was vigorously contested by Ronald Syme, who theorized that virtually all the identifiable citations from Marius Maximus are essentially frivolous interpolations into the main narrative source, which he postulated was a different Latin author whom he styled 'Ignotus ("the unknown one"), the good biographer'.
|
|
Newly discovered Puranas manuscripts from the medieval centuries has attracted scholarly attention and the conclusion that the Puranic literature has gone through slow redaction and text corruption over time, as well as sudden deletion of numerous chapters and its replacement with new content to an extent that the currently circulating Puranas are entirely different from those that existed before 11th century, or 16th century. For example, a newly discovered palm-leaf manuscript of Skanda Purana in Nepal has been dated to be from 810 CE, but is entirely different from versions of Skanda Purana that have been circulating in South Asia since the colonial era.Dominic Goodall (2009), Parākhyatantram, Vol 98, Publications de l'Institut Français d'Indologie, , pages xvi-xvii Further discoveries of four more manuscripts, each different, suggest that document has gone through major redactions twice, first likely before the 12th century, and the second very large change sometime in the 15th-16th century for unknown reasons. The different versions of manuscripts of Skanda Purana suggest that "minor" redactions, interpolations and corruption of the ideas in the text over time.
|
|
In 2017, House Bill No. 4982 (sponsored by Dinagat Islands Representative Kaka Bag-ao (the principal author of the measure since her first term), Bataan Representative Geraldine Roman, Akbayan Representative Tomas Villarin, and several others) was not approved for a third and final reading for the first time since 2001 with 198 members of the House of Representatives voting for the bill and none opposing it, a historic pro-LGBT move from the House of Representatives. The counterpart bill in the Senate, filed by Senator Risa Hontiveros (the first Akbayan senator), was in the period of interpolations by May 2018. It was backed by Senators Loren Legarda, Grace Poe, Nancy Binay, Franklin Drilon, Bam Aquino, Chiz Escudero, Ralph Recto, Sonny Angara, JV Ejercito, Francis Pangilinan, Juan Miguel Zubiri, and Leila de Lima, although de Lima is barred from voting on the bill as she is currently in police custody. It was opposed by Senators Tito Sotto, Manny Pacquiao, Cynthia Villar, and Joel Villanueva (who signed up as a co-author of the bill).
|
|
Among these, some argue that the Byzantine tradition contains scribal additions, but these later interpolations preserve the orthodox interpretations of the biblical text—as part of the ongoing Christian experience—and in this sense are authoritative. Distrust of the textual basis of modern translations has contributed to the King-James-Only Movement. The churches of the Protestant Reformation translated the Greek of the Textus Receptus to produce vernacular Bibles, such as the German Luther Bible (1522), the Polish Brest Bible (1563), the Spanish "Biblia del Oso" (in English: Bible of the Bear, 1569) which later became the Reina-Valera Bible upon its first revision in 1602, the Czech Melantrich Bible (1549) and Bible of Kralice (1579-1593) and numerous English translations of the Bible. Tyndale's New Testament translation (1526, revised in 1534, 1535 and 1536) and his translation of the Pentateuch (1530, 1534) and the Book of Jonah were met with heavy sanctions given the widespread belief that Tyndale changed the Bible as he attempted to translate it.
|
|
Description de la Chine, by Jean-Baptiste Du Halde, 1736. Drawn from the Jesuit and unpublished reports containing translations of Chinese texts of various origins, Du Halde's Geographical, Historical, Chronological, Political, and Physical Description of the Empire of China and Chinese Tartary appeared in Paris in four volumes in 1735; it was reprinted in the Netherlands the next year and translated into English as The General History of China two years after that. Besides a very detailed geographical description based on work by the Jesuits, the book gave encyclopedic coverage of all aspects of Chinese civilization: the emperors and the government; the military and police institutions; the nobility; agriculture and handicrafts; the "genius," "glory", and appearance of Chinese religion, ethics and ceremonies; science and medicine; money and commerce; the language and writing system; the production of porcelain and silkworm breeding. Its understandings of Chinese religion and philosophy were informed by the translations published in 1711 at Prague by the Jesuit François Noël, whose lack of the earlier Christian interpolations in the Chinese text had caused them to be banned in the Papal States and the Holy Roman Empire.
|
|
The composition date of Nāṭyaśāstra is unknown, estimates vary between 500 BCE to 500 CE. The text may have started in the 1st millennium BCE, expanded over time, and most scholars suggest, based on mention of this text in other Indian literature, that the first complete version of the text was likely finished between 200 BCE to 200 CE. The Nāṭyaśāstra is traditionally alleged to be linked to a 36,000 verse Vedic composition called Adibharata, however there is no corroborating evidence that such a text ever existed. The text has survived into the modern age in several manuscript versions, wherein the title of the chapters vary and in some cases the content of the few chapters differ. Some recensions show significant interpolations and corruption of the text, along with internal contradictions and sudden changes in style. Scholars such as PV Kane state that some text was likely changed as well as added to the original between the 3rd to 8th century CE, thus creating some variant editions, and the mixture of poetic verses and prose in a few extant manuscripts of Natyasastra may be because of this.
|
|
The text has some omissions (Mark 7:2-5, 8:11b, 13:28b-29, 10:29 is shorter). All these omissions have parallels in other Gospels, and for some scholars they look like non-interpolations, although they are not supported by any other manuscript. Words before the bracket are the reading of NA27, words after the bracket are the reading of the codex : Mark 1:3 Ησαια ] Ισαια : Mark 1:14 Γαλιλαιαν ] Γαλλιλαιαν : Mark 1:44 Μωυσης ] Μωησης : Mark 2:7 ει μη ] ει μι : Mark 2:22 οινον ωεον ] οινον παλαιον : Mark 2:25 Δαυιδ ] Δαυειδ : Mark 2:26 ιερεις ] αρχιερεις : Mark 3:17 Βοανεργες ] Βουανηργες : Mark 3:18 και Βαρθολομαιον ] brak : Mark 3:32 και οι αδελφοι σου και αι αδελφοι σου εξω ζητουσιν σε ] omitted : Mark 5:1 εις το περαν της θαλασσης ] omitted : Mark 6:2 και γενομενου σαββατου ηρξατο διδασκειν εν τη συναγωγη ] omitted : Mark 7:2-5 τους αρτους – οι γαρ Φαρισαιοι… – και επερωτωσιν ] τους αρτους και επερωτωσιν : Mark 7:22 ασελγεια ] ασελγια : Mark 8:11 συζητειν αυτω, ζητουντες παρ’ αυτου σημειον απο του ουρανου, πειραζοντες ] συζητειν αυτω πειραζοντες : Mark 8:12 αμην λεγω υμιν, ει δοθησεται τη γενεα ταυτη σημειον ] omitted : Mark 9:33 ηλθον ] ηλθαν : Mark 9:43 εις την ζωην ] εν τη ζωη : Μark 10:22 ην γαρ εχων κτηματα πολλα ] ην γαρ πλουσιος : Mark 10:29 ος αφηκεν οικιαν… … και αγρους μετα διωγμων ] ος αφηκεν οικιαν η αδελφους η αδελφας η μητερα η πατηρα η αγρους μετα διωγμων : Mark 11:28 η τις σοι ] και τις σοι : Mark 13:28b-29 οτι εγγυς το θερος, εστιν ουτως και υμεις οταν ιδητε ταυτα γινομενα γινωσκετε οτι εγγυς εστιν επι θυραις ] οτι το θερος εγγυς εστιν επι θυραις : Mark 14:72 και αναμνησθη ο Πετρος το ρημα ] – omittedM. M. Mitchell, P. A. Duncan, Chicago’s “Archaic Mark” (MS 2427): A Reintroduction to its Enigmas and a Fresh Collation of its Readings, Novum Testamentum, XLVIII, 1 (2006), ss. 19-35.
|
|