145 Sentences With "hymnbook" | Random Sentence Generator

"We're shouting and preaching from the same hymnbook," Ms. Eley said.

Her congregation, Beth Elohim, publicized the hymn by including it in their hymnbook.

"Everybody realized we were singing from the same hymnbook," Nelson told CNN of the Sunday night talks.

Yet I had trouble linking its soaring romantic strains with the hymnbook metrics and crisply chosen words of Dickinson's poetry.

"I think she's responsible for making sure that everybody is singing out of the same hymnbook … It gives them a clearer story," he said of Gorman.

One man lightly tapped out a beat on a Persian drum; another young woman passed around a hymnbook, in English, so that newcomers could sing along.

Every time I woke up late, or let someone walk by me on the sidewalk without stopping to share my message, or hummed a song from the radio instead of the hymnbook — every time I broke a rule — I felt as if I was not keeping my end of the deal, as if I was going to be gay for the rest of my life and it would be my own lazy fault.

Within a Presbyterian Hymnbook, the Paraphrases are usually printed in a separate section from Psalms and Hymns. Within the Church Hymnary Revised Edition of the Presbyterian Hymnbook there are 67 Paraphrases. The Irish Presbyterian Hymnbook (2004) includes 66 Paraphrases along with 150 Psalms of the Irish Psalter and a further 669 hymns and song. Traditional churches generally sing a Paraphrase, a Psalm and a number of hymns within worship.

Rohmingliana as Chatuan lungpui, aw Krista and appears in a hymnbook called Kristian Hlabu.

The hymn has appeared in Virsikirja, the hymnbook of the Evangelical Lutheran Church of Finland, with lyrics by Jaakko Löytty.

In 1968 a new metrical psalmbook appeared, which is incorporated in the Dutch hymnbook; Liedboek voor de kerken of 1973.

Singing the Faith is the current authorised hymnbook (hymnal) of the Methodist Church of Great Britain, first published in 2011. The decision to produce a new hymnbook was taken at the Methodist Conference of 2009. Since the publication of the previous authorised hymnbook, Hymns and Psalms, in 1983, many new hymns and contemporary worship songs had appeared, reflecting current concerns and forms of expression. The objective was to produce a book that represented both modern and traditional hymnody while reflecting the doctrines, beliefs and emphases of Methodism in the 21st century.

Gardner also was an editor of the New Era and the Friend and Liahona. He served as assistant or managing editor at one or more of these publications from 1978 to 2005. Among the hymns written by Gardner is "Press Forward, Saints." He was a member of the Hymnbook Executive Committee which compiled the 1985 LDS English Language Hymnbook.

The 1962 hymnbook thus appears in varying quality in 10 or more languages. The Swedish editions in particular have a long tradition of translating English hymns, especially gospel songs for outreach. The English editions themselves have included translations from Swedish, French, Spanish and German. Taylor/Symington/Hales Brethren use their English hymnbook universally regardless of the local language.

Schofield, Vol. 2, 225; 236-8. He also compiled and edited a liturgy and hymnbook for the new denomination.Schofield, Vol. 2, 200-1.

The Christian Hymnary is a hymnbook used by Mennonites and other Anabaptist groups. It was compiled by John J. Overholt, and published in 1972.Hymnary.org Featured in this hymnbook is a compilation of over 1000 hymns, including classic hymns, Martyr Songs from the Ausbund, Evangelistic and Gospel Songs and tunes from the Harmonia Sacra. It is widely used in conservative Mennonite circles.

A Tumbuka women group dance. Even before colonial rule was established, Christian missionaries arrived amongst Tumbuka people. Thomas Cullen Young was one of the first missionaries to publish on the culture in Notes on the history of the Tumbuka- Kamanga peoples in the Northern Province of Nyasaland. To help the conversion process, hymnbook and mythologies of Christianity were written into Tumbuka language, into a Tumbuka hymnbook.

His most known achievement is a compilation of catholic songs Jednotný katolícky spevník (Standard Catholic hymnbook) created on demand by Spolok svätého Vojtecha (St. Vojtech Society). It was published in 1937 after about fifteen years of work and contains over 500 songs, nearly half of them auctorial. Some of the songs were taken from the first Slovak Catholic hymnbook Cantus catholici (1651 or 1655).

With this addendum, the canon of the hymnbook contains 314 hymns. The first edition of the book was published in 1790. The current edition dates to 1972.

The hymn is No. 369 (EG 369) in the Protestant hymnal Evangelisches Gesangbuch, and No. 367 in the hymnbook of the Evangelisch- methodistische Kirche in Germany, though in the latter verse 5 is omitted. In the German hymnbook of the Neuapostolische Kirche, stanzas 1–5 and 7 appear as number 154. The hymn became part of the 1938 Kirchenlied. Three stanzas were included in the first edition of the Catholic hymnal Gotteslob as GL 295.

He also taught at the Prussian Academy of Arts. His compositions largely consist of sacred works and works for keyboard. He also wrote a pipe organ method and a hymnbook.

An Access database of all first lines and metres of hymns with limited biographical and bibliographical material is held at the Christian Brethren Archive in the John Rylands University Library, Manchester. Gordon Rainbow has collated some historical material on the Little Flock Hymnbook. This contains links to all the prefaces to the early hymnbooks and from 1903 follows the Raven/Taylor line of hymnbooks. Various accounts of new editions of the hymnbook were published and these are given in full.

Hymns are a vital part of the worship of Exclusive Brethren. One of the unifying features in each of the different branches of the Brethren is a common hymnbook. The first collection used among the united assemblies was, "Hymns for the Poor of the Flock," from 1838 and again in 1840. Another such hymnbook, used by Exclusive Brethren (Tunbridge-Wells and Ames) dating back to 1856 is called, "Hymns and Spiritual Songs for the Little Flock," the first edition of which was compiled by G.V. Wigram.

The present Hymnbook (1996) of the Evangelical-reformed Churches and the Old Reformed Churches of Germany contains the complete psalter with many psalms of Matthias Jorissen and other authors. It was an important decision of the synods to retain the psalms in the hymnbook with the Genevan tunes. The need and interest in the complete Jorissen- Psalter led to different new editions in 1931, 1951 and 2006. The last one was given out for singing of the people and not for scientific use only.

A New Century Hymnal. Pilgrim Press, 1995. The Unitarian Universalist Association included the song in its 2005 supplemental hymnbook, Singing the Journey. Today, "Siyahamba" is often performed by children's groups in both sacred and secular environments.

"Media vita" appears in Hartmann von Aue's Middle High German narrative poem Der arme Heinrich (V. 93f.). In 1524, Martin Luther translated it as "Mytten wir ym leben synd" and consequently it is now in the Evangelisches Gesangbuch hymnbook as number 518, or 654 in the Gotteslob hymnbook. It is echoed in Rainer Maria Rilke's poem "Schlußstück": "Der Tod ist groß [...] Wenn wir uns mitten im Leben meinen/ wagt er zu weinen/ mitten in uns.""Schlußstück", Rilke as well as in the title of Hermann Hesse's poem, "Media in vita".

The Little Flock hymnbook is in common use amongst Exclusive Brethren in various editions which nevertheless derive from a common source. It exists in almost as many variations and editions as there are distinct groups of Exclusive Brethren.

The number of Witzel's works is extraordinarily large. Rass in his Convertiten enumerates ninety-four, but this is far from complete. He contributed to Michael Vehe's hymnbook (1537). He supported using the German vernacular for hymns, psalms, and liturgy.

Her poem "Because of Thy Great Bounty" is included in the 1985 Hymnbook of The Church of Jesus Christ of Latter-day Saints, under the title of "Because I Have Been Given Much", set to music by Philip Landgrave.

Tullidge edited the first LDS hymnbook to contain both words and music.Moody, Michael F., "Musicians" in Ludlow, Daniel H., ed. Encyclopedia of Mormonism p. 976 Tullidge's daughter Jane married Alexander C. Pyper, who was the father of George D. Pyper.Cornwall.

In 1965 she joined the staff of The Improvement Era. This work prompted her literary work as well. In 1967 she wrote the poem Eve and I in reaction to what she felt was not enough emphasis on Eve in existing writings of the creation. It was also during the late 1960s that Gabbott began to write children's hymns, with 3 of her works included in the 1969 Primary hymnbook, Sing With Me. Gabbott was on the General Church Music Committee from 1973 to 1985 serving as chair of the Text Committee for the new hymnbook.

The first Swedish hymnbook to include the hymn was ', where it was number 644. The melody was composed by S. Gastorius in 1675. Koralbok till Nya psalmer, av konungen medgivna att användas tillsammans med 1819 års psalmbok. Nordisk Nodestik- og Tryckkeri, Copenhagen, 1921.

Since its publication, this hymnbook has been used as the main source of the church songs by all Slovak Catholics. For this work, he was named the Knight of the Order of St. Gregory the Great by Pope Pius X in 1933.

He has written the text of four hymns in the 1985 LDS hymnbook: numbers 139, "In Fasting We Approach Thee"; 148, "Sabbath Day"; 291, "Turn Your Hearts"; and 311, "We Meet Again as Sisters". Anderson died on March 23, 2018, from a heart attack.

At this time American Indian literature also began to flourish. Samson Occom published his A Sermon Preached at the Execution of Moses Paul and a popular hymnbook, Collection of Hymns and Spiritual Songs, "the first Indian best-seller".Gray, Richard. A History of American Literature.

Eventually, the German version reached Russia where a Russian version entitled "Velikiy Bog" (Великий Бог - Great God) was produced in 1912 by Ivan S. Prokhanov (1869–1935),William Kahle, (1978), Evangelische Christen in Russland und der Sovetunion: Ivan Stepanovic Prochanov (1869-1935) und der Weg der Evangeliumschristen und Baptisten (Frankfurt am Main: Oncken), / . the "Martin Luther of Russia", and "the most prolific Protestant hymn writer and translator in all of Russia" at that time in a Russian-language Protestant hymnbook published in St. Petersburg (later Leningrad), Kymvali (Cymbals). An enlarged edition of this hymnbook entitled "Songs of a Christian", including "Velikiy Bog" was released in 1927.

In 1837 Stockton compiled a hymnbook. He was minister at the Methodist Church in Georgetown, D.C. while he served as chaplain of the US House. He then served from 1838-1847 as a minister in Philadelphia. He next took up a position as minister in Cincinnati, Ohio.

A second wave of standardisation began in 1823. Mihály Barla issued a new hymnbook (Krscsanszke nove peszmene knige). József Kossics, a great writer and poet from Ptrekmurje, made contact with the Slovenian linguist and thus get acquainted with the Styrian Slovenian dialect. Kossics first worked in Alsószölnök.

Joel Hills Johnson (March 23, 1802 – September 24, 1882) was a Latter Day Saint missionary and hymn writer, known for being the author of "High on the Mountain Top" (hymn #5 in the 1985 LDS hymnbook, English edition). Johnson was also the founder of Enoch, Utah.

His new Christmas album, Christmas: A Season of Hope, was released on October 22, 2012, and some songs were recorded at a studio in Czech Republic. Moen has released a new album titled Hymnbook as a celebration of reaching over 1 million likes on his Facebook page.

This latter volume has formed the basis of Czech and Slovak Lutheran hymnody to the present day. Třanovský's hymnbook together with the Bible of Kralice (also in Czech) became the cornerstones of the Slovak Reformation. In 1620 Rev. Třanovský also translated the Augsburg Confession into Czech.

Edward LeRoy Hart (December 28, 1916 – March 9, 2008) was a Latter-day Saint poet. He wrote the words to "Our Savior's Love" which is #113 in the current LDS hymnbook. He was also an English professor at Brigham Young University (BYU) and wrote many poems.

Accented syllables in Beissel's works always fell on master notes, leaving servant notes for unaccented syllables. The Ephrata Cloister's hymnbook was large, consisting of more than 1,000 hymns, many of which were accompanied by instruments including the violin. Many of these hymns were published in the 1740s and 50s.

An archetype of later "combined" song books was produced in 1885 when contents of Sing the Gospel, Echoes of Eden and limited new material were repackaged into The Gospel in Song, a hymnbook later advertised to contain the songs and solos sung by Excell at Sam Jones' Gospel meetings.

Members hold regular weekly worship gatherings in local homes on Sunday and in midweek. The church holds annual regional conventions and public Gospel meetings. The church claims no official headquarters or official publications. Its hymnbook and various other materials for internal use are produced by outside publishers and printing firms.

Their last hymnbook was published in 1908 at Canterbury, New Hampshire.Roger Lee Hall, Invitation to Zion – A Shaker Music Guide (Stoughton, MA: Pinetree Press, 2017). The surviving Shakers sing songs drawn from both the earlier repertoire and the four part songbooks. They perform all of these unaccompanied, in single-line unison singing.

Christian Hymns is a non-denominational Christian hymnbook. It was first published in 1977 by the Evangelical Movement of Wales, with a second edition being published in 2004. Large print and music editions of both editions are also published. The first edition contains 901 hymns, carols and metrical psalms arranged into 14 sections.

A rail station in 1912 also created the community of Darwell, located between Lac Ste. Anne and Isle Lake. The naming of this station caused many debates with no resolution, until an enterprising man took out his hymnbook and randomly picked a good tune. The tune had the name Darwell in it.

His collection of hymns included eighty-five of his own works. Many of them are included in the current hymnbook of the Danish National Church (Danish: Folkekirken). In 1843, the church was restored at which time the floor was lowered by half a meter. Between 1883-1904, the cathedral was completely restored.

Emily Hill Woodmansee (March 24, 1836 – October 18, 1906) was an English-born American Mormon poet and hymnwriter. Although only one of her hymns "As Sisters In Zion" is included in the 1985 LDS English language edition of the LDS Church's hymnbook, previous LDS Church hymnbooks have included more of her works.

He compiled a hymnbook, The Balm of Gilead, and 1878 he began publishing the Gospel Banner, the official organ of his new church. Later he edited and published a monthly newsletter titled Youth's Monitor.Brenneman, Daniel (1834-1919) at Global Anabaptist Mennonite Encyclopedia Online He died at his home in Goshen, Indiana on September 10, 1919.

Two of Lyon's works are included in the 1985 edition of the LDS Church hymnbook. They are "Each Life That Touches Ours For Good" and "Saints, Behold How Great Jehovah." He also wrote seven works in the Primary Children's Songbook.Mormon Literature Database entry on Lyon Over 200 arrangements and compositions by Lyon were published.

The Mennonites, followers of Menno Simons, settled in Germantown after emigrating from the German Palatinate and Switzerland between 1683 and 1748. They were led by Willem Rittinghuysen (grandfather of astronomer and mathematician David Rittenhouse). The Mennonites used a hymnbook from Schaffhausen, reprinted in Germantown in 1742 as Der Ausbund Das ist etliche schöne christliche Lieder.

Brewer is now remembered only by a single hymn, printed with the signature of "Sylvestris" in the Gospel Magazine, 1776. "Hail, Sovereign Love" is quite well known. Two or three of his hymns were probably included in the hymnbook of John Stevens (1776–1847). A portrait of him was inserted in the Christian's Magazine, 1791.

Billings wrote "Africa" some time before 1770 and included it in his first published hymnbook, The New England Psalm Singer. Later he revised it, publishing a new version in his The Singing Master's Assistant (1778). He made additional revisions, publishing it again in Music in Miniature (1779). It is the latter two versions that are performed today.

The Moody- Sankey hymnbook remained a best seller into the twentieth century.P. Maloney, Scotland and the Music Hall, 1850–1914 (Manchester: Manchester University Press, 2003), , p. 197. Sankey made the harmonium so popular that working- class mission congregations pleaded for the introduction of accompanied music.T. M. Devine, The Scottish Nation: A Modern History (London: Penguin, 2012), .

The visit of American Evangelists Ira D. Sankey (1840–1908), and Dwight L. Moody (1837–99) to Edinburgh and Glasgow in 1874–75 helped popularise accompanied church music in Scotland. The Moody-Sankey hymnbook remained a best seller into the twentieth century.P. Maloney, Scotland and the Music Hall, 1850–1914 (Manchester: Manchester University Press, 2003), , p. 197.

Thomas Kingo was made the Lutheran Bishop of Odense in 1634. He was Denmark's most famous psalmist and produced a new hymnbook to which he personally contributed 85 hymns. 1752 Amdie Worm's spectacular organ was installed. The facade of the organ remains, but the organ has been expanded and improved to become the cherished voice of Odense Cathedral.

His book The Son of His Love was a defence of Christ's Eternal Sonship. He also worked on the revision of the Little Flock hymnbook which was produced in 1928 and wrote a number of hymns currently in print in Spiritual Songs (1978). He died in Blackheath, London and was buried at Nunhead Cemetery with his first wife.

A revision was made in 1881 by J.N. Darby. The Little Flock hymnbook has gone through many different editions in different languages. In modern times one of the more commonly used English hymn books in British and North American assemblies is The Believers Hymn Book. Most branches of Exclusive Brethren use one of the many editions of the Little Flock Hymn Book.

Mitchell made an important contribution to the Jubilate Hymns word group that produced Hymns for Today's Church, the Evangelical Anglican and Free Church hymn book published in 1982. She was the only woman and the only non-ordained member of the group. Her own hymn "Now We Sing a Harvest Song" is included in the BBC's popular hymnbook Come and Praise.

Later that year, the cathedral was gifted a new organ to replace the old one. In 1696, a new large clock was installed in the Commoners Tower. In 1741, one of Ribe's best remembered bishop took office, Hans Adolf Brorson (1694–1764). His name is familiar to many Danes as the creator of the first hymnbook for the Danish Lutheran Church.

He was also, from 1874 to 1896, editor of a religious periodical, The Sunday Magazine, in which he published several of his own hymns, among which is "Now let us see thy beauty, Lord", which has appeared in several editions of the Methodist Hymn Book, in Congregational Praise and in the Australian Hymnbook, though not in its successor, Sing Alleluia.

He became a faculty member at BYU in 1957. He was chairman of composition and theory from 1973 to 1983, and the executive director of the Barlow Endowment for Music Composition from 1983 to 1999. From 1973 to 1978 he chaired an LDS Church committee to revise the hymnbook, although the committee was suspended before they published their intended hymnal. A different committee authored the 1985 hymnal.

Miskotte, Kornelis. When the Gods Are Silent. New York: Harper & Row, 1967 Once again, his work broadly treated the relationship between the God of Israel and heathendom, providing a cultural-critical perspective on the nihilism that emerges after God and the gods have been dispensed with. During his period as a professor, he also advocated for a new edition of the Dutch Reformed Church's hymnbook.

Foxton Ferguson's younger brother Rev. William Harold Ferguson (1874–1950) was also a composer, clergyman, and hymnbook editor. He followed in his brother's footsteps first as a chorister at Magdalen College and then as a student at Das Königliche Konservatorium der Musik zu Leipzig. On 19 January 1906, he accompanied a duo recital for Beatrice Spencer and Foxton Feguson in Alexandra Hall on Cookridge St. in Leeds.

A Chinese shopkeeper stepped out of the crowd and talked to the Communists, trying to persuade them not to kill the Stams. The soldiers ordered the man back into the crowd, but he wouldn't step back. The soldiers then invaded his house where they found a Chinese copy of the Bible and a hymnbook. He was led alongside the Stams to be executed for being a Christian.

Towards the end of the 19th century, Free Churches sanctioned the use of instrumental music. An association formed in 1891 to promote order and reverence in public services. In 1898 it published A New Directory for Public WorshipCompare: which, while not providing set forms of prayer, offered directions. The Free Church took an interest in hymnology and church music, which led to the production of its hymnbook.

Issachar Bates (January 29, 1758 – March 17, 1837) was among the most prolific poets and song writers among the early 19th century Shakers. Several of his songs, poems, and ballads are known outside of the Shaker movement, including "Rights of Conscience," written around 1808 and included in the Shakers' first printed hymnbook, Millennial Praises, and "Come Life, Shaker Life", written between 1835 and 1837.

Together with Theodor Wisén and Esaias Tegnér Jr., he tried to obstruct the publication. In December 1883, he was appointed member of The Hymn Book committee of the Church of Sweden, which had the task of "preparing, with discretion, a new proposal for hymnbook". The result was the edition of 1889. He was appointed member of the Royal Swedish Academy of Sciences in 1905.

R. Williams Parry praised his mastery of the Welsh strict metres; and in Llanelli he held classes in cynghanedd. A collection of his poetry, Cywyddau a chaniadau eraill, was published in 1968. He wrote a number of hymns and was one of the editors of Caniedydd Cynulleidfaol (1960), the Welsh Independents' hymnbook. He was a strong radical both in his religious and his political views.

Jeep, who was born in Dransfeld, Germany, is remembered for his choral writing. He collected his student songs in Studentengartlein, the first volume published in 1607, the second volume in 1609, and both published as a single volume in 1614. He also published more than one hundred hymns in the Hohenlohe Hymnbook in 1629. He was one of the first German musicians to travel to Italy.

Latvian Lutheran hymnbook in old orthography. The old orthography was based on that of German and did not represent the Latvian language phonemically. At the beginning, it was used to write religious texts for German priests to help them in their work with Latvians. The first writings in Latvian were chaotic: there were twelve variations of writing Š. In 1631 the German priest Georg Mancelius tried to systematize the writing.

He also published a hymnbook, the Sacred Melodist, in 1860. Good relations between Wilson and Thomas lasted until 1863 or 1864 when the two brethren fell out over how to reconcile 1 Corinthians 15:52 "raised incorruptible" with Romans 14:10 & 2 Corinthians 5:10. Wilson, stressing 1Co.15:52, took the view that the righteous dead would not be judged before the bema, Thomas, stressing Ro.14:10 and 2Co.

Anotaciones Crítico-didácticas (Critical Didactic Annotations) is a long exposition of the motives surrounding the substantial reforms to the lyrics of "Guatemala, feliz" (The National Anthem of Guatemala written by José Joaquín Palma). These reforms were adopted by government agreement on 26 July 1934. Bonilla's work was written in Brussels, Belgium and printed on the author's own property. The work also contains a universal hymnbook with Spanish translations.

Many English-language hymnals today translate it as "Redeemer". The following version of the original is taken from Gwaith Pantycelyn (The Works of Pantycelyn).'Gwaith Pantycelyn', Gomer M Roberts, 1960, Gwasg Aberystwyth All but the second verse is given, with minor variations, in the Welsh Hymnbook of the Calvinist and Wesleyan Methodists, published by the assemblies of the two churches. (The variations are mainly to update the language, e.g.

Aulén was also an avid composer, contributing profusely to the Swedish hymnbook. He was the president of the Royal Swedish Academy of Music 1944–1950. Aulén retired his bishopric in 1952, returning to Lund to devote himself to his academic work. He published an autobiography – "My ninety-six years: happenings and thoughts" – in 1975 and died two years later on 16 December 1977 at the age of 98.

Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening movement. In 2005 an addendum to the hymnal was published which contains 53 new and old hymns.

His poetry was characterized by the ideals of romanticism, i.e. melancholy and spiritual ecstasy, but he also wrote many comical and satirical poems. Among his most widely known poems are Enslingens sång i den stora öknen ("The lonely man's song in the great desert") and Komiska fantasier ("Comical fantasies"). He is also represented in the 1986 official hymnbook of the Church of Sweden, with one hymn (no. 573).

Large parts of the Church of Sweden dismissed him initially. He did not use the Swedish hymnbook but rather song collections of a more personal religious nature, including those published by Oscar Ahnfelt. Throughout his life Rosenius remained a member of the Swedish Church, baptizing his children and taking Communion in that faith and rejecting separation and the free distribution of Communion. He had a number of disciples.

Gotteslob (Praise of God) is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies.

Zgodbe vogerszkoga králesztva and Sztarine Zseleznih ino Szalaszkih Szlovencov are the first Prekmurje Slovene Slovenian history books. Kossics was the first writer to write nonreligious poetry. In 1820, a teacher named István Lülik wrote a new coursebook (Novi abeczedár), into which was made three issue (1853, 1856, 1863). Sándor Terplán and János Kardos wrote a psalm book (Knige 'zoltárszke), and a hymnbook (Krsztsanszke czerkvene peszmi), the latter a reprint of Barla's hymn-book.

She later worked with Onesimos in compiling an Oromo hymnbook. Arén reports that a large amount of folklore she collected is still unpublished, preserved by the Hylander family (Arén 1978:384, fn. 71). Aster and Onesimos completed translating the complete Bible into Oromo, which was printed in 1899. The title page and history credit Onesimos as the translator, but it appears that Aster's contribution was not, and still is not, adequately appreciated.

As the 53rd successor of St. Henry, Vikström's era was far reaching. During his term as the Archbishop of the Evangelical Lutheran Church of Finland the Church has carried out many reforms. The Church has been given a new Bible translation and a new hymnbook, the ordained ministry has been opened to women, church law has been reformed and liturgical reform has been undertaken. The Church of Finland has also been active ecumenically.

An account of all the major developments in the tradition was published in Frank Wallace's The History of the Little Flock Hymnbook (it does maintain an anti-Taylor bias). Also by Frank Wallace, Spiritual Songsters contains biographies of many hymnwriters found in the Little Flock tradition and is published by Chapter Two. Adrian Roach wrote a History of the 1881 edition containing much biographical information on the hymnwriters. It is published by Bible Truth Publishers.

IKUE organizes Masses during Esperanto meetings, and also each year its own week-long international convention. Associations and local groups of Catholic Esperantists also offer meetings (Bible weekends, youth camps, etc.) IKUE publishes Christian literature in Esperanto, e.g. the ecumenical prayer and hymnbook ADORU of 1,472 pages in 2001 (co-edited with the Protestant Esperantist association), and the encyclical Deus caritas est in 2006. Its magazine Espero Katolika (Catholic Hope) first appeared in 1903.

A visitation of the prince- bishopric in 1583 found that the life-style and sense of duty among the clerics left much to be desired. As a result, the Jesuits were asked to intensify their efforts. In 1599, the Speyer Catholic Hymnbook was introduced and in 1602 the bishop had Capuchins settle in the bishopric. The bishop lived well beyond his means and by 1605 the bishopric had accumulated a debt of 126,000 guilders.

Oskar Lindberg Oskar Fredrik Lindberg (23 February 1887 - 10 April 1955) was a Swedish composer, church musician, teacher and professor. In 1939 he edited the Church of Sweden's hymnbook. His 1912 Requiem was of particular importance to the history of Swedish liturgical works.Choral Music in the Twentieth Century By Nick Strimple pgs 156-157 At a meeting in Gagnefs missionary hall he heard a song that made a deep impression on him.

While on this mission he published many materials in German. The most notable of these was the hymn "Hark, All Ye Nations" set to music by George F. Root. This hymn became the most loved hymn of the German-speaking Latter-day Saints and was translated into English and published as part of the 1985 version of the LDS hymnbook. Moench was also the assistant superintendent of the Sunday Schools of the Weber Stake under Richard Ballantyne.

In 1912, the song was absorbed by the Zupfgeigenhansl and, in 1914, issued in the Songbook "Der Spielmann" created by Klemens Neumann, co-founder of the Catholic Quickborn Youth Movement. In the Gotteslob, the current common prayer- and hymnbook of Catholic dioceses in Germany, Austria, and South Tyrol, the song is edited with No 224. There is a choral setting of the carol in English, "Mary walked through a wood of thorn", by the composer Philip Radcliffe.

The 1961 hymnal was originally compiled by the Orthodox Presbyterian Church in 1961 as a hymnbook that would include traditional hymns as well as musical arrangements of the Psalms suitable for Reformed worship. The 1990 hymnal is official (but not required) in the Presbyterian Church in America and Orthodox Presbyterian Church, and is also approved by denominations such as the Associate Reformed Presbyterian Church. This version includes responsive readings from all 150 Psalms and The Westminster Confession of Faith.

He was the first notable organist of the Reformation. Dachstein used his poetical and musical ability in the service of the Reformation. He was involved in the formulation of the Agenda and provided German Psalms, such as the melodies for the "Teutschen Kirchenampt 1525", an early hymnbook. His paraphrase of Psalm 137, "An Wasserflüssen Babylon" (By the Rivers of Babylon), which appeared both in the "Teutschen Kirchenampt 1525" and in Luther's "Babstschem Gesangbuch" of 1545, is well known.

Outrage among church-goers caused both committees to back down. However, the hymn was omitted from both the 1990 and 2013 hymnals of the Presbyterian Church (U.S.A.),Title index to The Presbyterian Hymnal (1990), Westminster, John Knox Press, Louisville the Australian Hymn Book, published in 1977, its successor, Together in Song, (1999) and the Evangelical Lutheran Church in America's 2006 hymnal. The Spiritualists' National Union hymnbook has a variation on the hymn, entitled "Onward, Comrades, Onward".

Several of Manookin's works appeared in the 1985 English edition of the LDS hymnbook. Among these were "Thy Will, O Lord, Be Done" (words by Frank I. Kooyman) and "See The Mighty Priesthood Gathered" (words by Jean L. Kaberry). He also wrote the music for Bruce R. McConkie's hymn "In an Upper Room" to be made into a hymn as well as Mabel Jones Gabbott's "The Risen Jesus in America". Manookin was a professor of music composition and theory at Brigham Young University.

A slightly more manageable collection was made in 1754 and 1767. In 1778 there appeared the extremely influential hymnbook of Christian Gregor, which remained in use among the German-speaking congregations for about a century. This contained 1750 hymns, 308 of them written or recast by Gregor himself. Gregor’s procedure in compiling these hymns is also instructive: he often took familiar stanzas from originally different hymns and put them together into one hymn, sometimes weaving them together with new stanzas of his own.

Jared Sparks and married Maria Goodwin of Baltimore, by whom they had one son. In the summer of 1824, he returned to Boston to become associate minister of King's Chapel, serving under his mentor, James Freeman, of whom he would later write his biography. In 1827, following Freeman's death, Greenwood revised the church's liturgy and later prepared a popular hymnbook, which was adopted by many other churches. During his tenure, he established a Sunday School for children of the parish.

One of the first actions of Cromwell's tenure, in terms of changing the church services, was to introduce the hymnbook of James Martineau. Samuel Sharpe, named after his uncle, the poet Samuel Rogers, came to Newington Green in 1828, and maintained his connection for 30 years, including as trustee. He was an erudite and generous man, a banker by day and an Egyptologist and Bible translator in his leisure hours. In 1870 he was elected Chairman of the British and Foreign Unitarian Society.

A large number of his popular pieces were published in The Prize, a book of Sunday school songs edited by Root in 1870. Three of his hyms appear in the 1985 hymnbook of The Church of Jesus Christ of Latter-day Saints: Brightly Beams Our Father's Mercy (#335) (popularly known as Let the Lower Lights Be Burning); More Holiness Give Me (#131); and Should You Feel Inclined to Censure (#235) (words by an anonymous writer put to the tune of Brighthly Beams}.

The 2005 edition, produced under the Collins imprint, adds a further 123 songs from the last few years. Complete Mission Praise: 25th Anniversary Edition was published in 2009 and added another 106 new songs resulting in 1,250 overall. The editions subsequent to 1993 maintain the numeric sequence of the songs in the previous editions, resulting in several separate alphabetical sequences of songs in the latest edition. In January 2008, Mission Praise became the first major hymnbook to be available online.

He also wrote smaller poems, including some highly religious songs and choruses, some dialogues, three 'lamentations', a translation of the five lamentations of Jeremiah and arrangements of the Psalms, partly recorded in the hymnbook of the Dutch Lutheran church. He published many prints during a fairly brief period between 1577 and 1580. During this period he worked closely with the Antwerp engravers Hieronymus Wierix, Johannes Wierix and Anton Wierix the younger. Some of the prints were engraved by Hans Bol.

Eggon has no literary standard language. The earliest written material in Eggon appears to be scripture portions from 1937, probably prepared by I.D. Hepburn. The dialect chosen for bible translation is based on the Wana dialect, although it is supplemented by forms from other dialects and so is a sort of synthetic Eggon not based on the speech of a particular group. A hymnbook and 2 readers were prepared, and the translation of the New Testament was completed in 1974.

Michael Dwyer of Rolling Stone gave the album 3 out of 5, describing the album as a "slow, gentle, atmospheric hymnbook". He added "there are some subtle sonic developments whispering beneath the singer's trademark hypnotic lull.. but overall, the key word is familiar." Daniel Prior of The Brag gave the album 4 out of 5, saying; "Music has the power to transcend all physical, emotional and spiritual boundaries, and 'The Gospel Album' preaches this on every song." Mikey Cahill of news.com.

Finally, the general sense of defeatism of the missionaries in Japan and Church leaders in Salt Lake City influenced the decision to close the mission in Japan.; Nevertheless, even though they did not baptize many members, they translated the Book of Mormon into Japanese. They also wrote a Japanese hymnbook, a history of the Church, a biography of Joseph Smith, and other literature. Missionaries, as well as the Church in general, gained experience that would make the reestablishment of the mission in 1948 more successful.

Emma Mundella’s most important work, however, by which she will be remembered, is The Day School Hymnbook (Novello and Company, London, 1890). The first edition, published in 1890, contained 83 hymns. The Musical Times reported that it was remarkably well- received and reviewed and proved her to have the sort of skill in selecting words and music which would win the hearts of the young. Novello and Company requested her to enlarge the scope of her work and make the second issue much more comprehensive.

By 1918, sparked by family evangelism carried on by the people themselves, 600 believers had been baptised. Fraser was known for his ability to organise the people into strong indigenous churches that became models for church-planting ventures not only for other minority peoples in China's southwest but also for other Aware that they would soon need material in their language, he began work immediately on Mark's gospel and a hymnbook since they showed great interest in writing and were already great singers and natural musicians.

The Jistebnice hymn book () is a Czech hand-written hymnbook from around 1430Anthology of Czech music and the earliest witness to a concentrated effort to translate the liturgy of the Western Church into the vernacular. It is the largest surviving compendium and the most important source of Hussite liturgy and singing in the Czech lands. It contains Czech translations of Latin liturgy, religious hymns, songs to be sung at vespers and also Czech folk Christmas carols. The manuscript is deposited in the Prague National Museum.

Syringa Tree Monument, Church Street, Rustenburg, (SAHRA9/2/263/0016) In the early 19th century a new hymnbook was introduced in the Dutch churches in the Netherlands, which was implemented in the Dutch Reformed Church in the Cape Colony. Many of these songs contradicted the teachings of the three confessions accepted at the Synod of Dort in 1618/1619 (The Heidelberg Catechism, the Belgic Confession and the Canons of Dort). Some of the church members could not accept these doctrines. When they refused to sing the hymns, they were threatened with excommunication.

Rößler was a collaborator to the Evangelisches Gesangbuch for the Protestant Church in Germany and for the Evangelical-Lutheran Church in Württemberg. Also as a preacher, Rößler published highly acclaimed ', in which the theology, poetry and history of individual hymnbook verses were worked out. Rößler became known for his portrayal of melodists and poets of Christian hymnbooks. Various biographies have been worked up by Rößler according to historical criteria and today they often form the basis for the short biographies that have been published in all major hymnbooks.

As well as writing his own hymns, Green produced translations, notably translating one of Dietrich Bonhoeffer's late poems as the hymn, "By gracious powers so wonderfully sheltered". The Pratt Green Trust was set up from the royalties from his hymns. His scrapbooks and hymnbook collections are now held in the Pratt Green Collection at Durham University. The collection of related materials at the Pitts Theology Library at Emory University, Atlanta, consists of 51 scrapbooks maintained by Fred Pratt Green from approximately 1971 until he ceased writing hymns in 1988.

From 1973 to 1978 Bradshaw served the LDS Church as head of composition for the Church Music Committee and also chaired an LDS Church committee to revise the hymnbook. The committee planned to make some hymns lower to encourage everyone to sing the melody line and to include more international songs. They also planned to exclude many hymns present in the 1950 version of the hymnal, including patriotic hymns and most of the men's and women's arrangements. Some people in church leadership disagreed with the committee's decisions, and the committee stopped meeting in 1977.

Their lyrics reinforce the roles that fathers and mothers play, and teaches that children can also contribute to the family and grow up and become fathers and mothers. On June 18, 2018, the church announced revisions the hymnbook and the Children's Songbook in an effort to reflect the needs of church members around the world.Yelland, John W. "LDS Church to revise hymns and children's song books", KUTV, 14 April 2019. Retrieved on 17 March 2020. The new children’s songbook will offer the same hymns and songs in all languages.

The book had originally been produced in 1531 by Michael Weisse who gave strict instructions for the actual text of the book to not be altered, though she did add two other hymns. What Katharina did have some control over was the actual music behind the hymns, which went through some major changes by her. It is possible that Katharina had an assistant she relied on for the musical adaptation, though no such assistant is mentioned by her.McKee, Reforming Popular Piety in Sixteenth-century Strasbourg: Katharina Schütz Zell and Her Hymnbook pg.

Chase, pgs. 47 - 48 The city of Philadelphia has also been a major center for Roman Catholic church music. The first Catholic hymnbook published in the United States came from Philadelphia in 1787, entitled Litanies and Vesper Hymns and Anthems as They Are Sung in the Catholic Church; this collection included music scored for treble and bass, with later editions adding a third vocal section, and used highly ornamented plainchant themes in the Mass and hymns. The publisher Mathew Carey was particularly influential, publishing a catechism in 1794 that included hymns in later editions.

In its review of this second edition The Musical Times commented: > The wide reading and the musical knowledge it displays are remarkable; here > are old German, French, and English tunes, and many too-much neglected tunes > of the English middle period ... the special contributions of living > composers show how many of her friends took a sincere interest in the > success of the work ... Among the many tunes which here appear for the first > time, some of the most remarkable are from her pen. The Day School Hymnbook is still available in digital reprints.

On gala nights, these were often given away as souvenirs by Allen himself. Allen subscribed to almost every religious paper and magazine published in the United States during this time as well as his favorite newspapers the New York Observer and The Independent. He scattered these about the dance hall and bar room of the resort while every table and bench had The Little Wanderers' Friend, then a popular hymnbook. It was in this spirit that Allen would lead his employees and patrons in a sing-song, most often, "There is Rest for the Weary".

Emberton clock tower, in the centre of the village, erected by Thomas Fry to the memory of his wife Margaret Fry had a position as tutor at Lincoln College, and curacies at Abingdon and Hanwell. He gave up his fellowship at Lincoln to become chaplain at the Lock Hospital Chapel in London, the successor to Thomas Scott and Charles Edward de Coetlogon who resigned in 1802. There was a new selection of hymns, with Fry creating a hymnbook that replaced over half of Martin Madan's, and charity school boys made up a choir.

Indelible Grace is an artist collective based in Nashville, Tennessee, that has led a movement to restore the historic practice of writing new melodies to old hymn texts. The community of songwriters and musicians grew out of the Reformed University Fellowship at Belmont University, led by RUF campus minister Kevin Twit. Their first album was simply titled Indelible Grace, taken from a line in the Augustus Toplady hymn "A Debtor to Mercy Alone." They have also made all of the sheet music available online for free through the Indelible Grace Hymnbook.

Composers who belong to The Church of Jesus Christ of Latter-day Saints (LDS) or any composer willing to address LDS subject matter can apply for an LDS commission. LDS subject matter would include LDS standard scriptural works, such as the Bible, the Book of Mormon, the Doctrine and Covenants, the Pearl of Great Price, and hymns from the LDS hymnbook. Other texts that address LDS theology would also be considered "LDS subject matter." Composers applying for an LDS commission are to submit a request as to how much funding their piece will require, and for whom it will be written.

The text of the hymn was first published in Lyte’s The Spirit of the Psalms (1834), a publication intended for the use of his own congregation in southern England. It appeared in multiple influential publications, such as Hymns Ancient and Modern (1861) and The English Hymnal (1906). It remains extremely popular and John Richard Watson notes that "it is hard to find a major hymnbook that does not include it". The hymn is frequently sung in the United Kingdom and was used in the 1947 royal wedding of Princess Elizabeth, now Queen Elizabeth II, and Prince Philip, Duke of Edinburgh.

Partly through Kennedy's introduction and encouragement, Richard Connolly and James McAuley became two of the most significant people creating Australian Catholic hymnody to date. Kennedy asked Connolly to consider composing some Australian hymns to sing during various parts of the Mass.cf. Fr Edmund Campion's online article in Catalyst for Renewal Thus began one of the most successful hymn- making teams of the 20th century in Australia. In 1960 their work would anchor the Living Parish hymnbook, published by a group around Fr Roger Pryke, which would sell one million copies over the next decade, enabling congregations to sing hymns in an Australian voice.

Later, the fuguing became more integrated and eventually evolved to be the longer part of the song. There is good evidence that by 1760, English tune books including fuguing tunes were circulating in the American colonies; the first English fuguing tune printed in America appeared in the hymnbook Urania, or A Choice Collection of Psalm-Tunes, Anthems, and Hymns by James Lyon. Soon, fuguing tunes were being written in great profusion by American—especially New England—composers. Karl Kroeger (see reference below) has documented the publication of almost 1300 fuguing tunes during the period 1750–1820.

In 1960 Connolly's work had anchored the Living Parish hymnbook, edited by Tony Newman and published by a group gathered around Roger Pryke, which would sell one million copies over the next decade, enabling congregations to sing hymns in a distinctively Australian voice. Many of the hymns published in both collections are still widely sung across all Christian denominations in Australia and abroad. In 1956, Connolly joined the ABC, and by 1960 worked in the ABC Education department, working mainly in Schools Broadcasts. In 1967 he joined the Radio Drama and Features Department, becoming Features Editor.

Whoever translated the Latin into English was obviously skilled in his craft as he managed to produce a rhyming triplet, namely "clearly, dearly, nearly". However, versions of St Richards prayer, before the 20th century, did not contain the triplet and it is thought that the first version that did was published in "The Churchmans Prayer Manual" by G.R.Bullock-Webster in 1913. The first use of the rhyming triplet in a hymn was in the "Mirfield Mission Hymnbook" of 1922, and the first use of the phrase "Day by Day" was in the "Songs of Praise, Enlarged Edition" published in 1931.Vaughan Williams.

All editions come from the same source: J.N.Darby's hymnbook of 1881 which drew on earlier work by George V. Wigram. Some Exclusive meetings seat accepted men (men who are "in fellowship") in the front rows toward the table bearing the emblems, with accepted women behind the men, and unaccepted men and women toward the rear. Other Exclusive meetings seat accepted men and women together (so spouses can be seated together), and unaccepted men and women towards the rear in the "Seat of the Unlearned" or "Seat of the Observer". Women in Exclusive Brethren gatherings quite commonly wear a headscarf or "mantilla" (a lace/doily-like Spanish veil) on their heads.

Ira D. Sankey Sacred Songs and Solos is a hymn collection compiled by Ira David Sankey, who partnered Dwight Lyman Moody in a series of evangelical crusades from 1870 until Moody's death in 1898. The collection first appeared in 1873, and has subsequently been published in many editions and formats, expanding to a final volume of 1200 pieces that appeared around 1907. Although the publication was and is popularly known as Sankey and Moody's Songs, or The Sankey-Moody Hymnbook, many of the tunes and lyrics are by other authors, and the volume includes many standard church hymns. Around 200 of the tunes were written or arranged by Sankey.

Her interest in the Chapel services and the choir extended to her presenting the Chapel with a new hymnbook which was widely considered an improvement on the previous edition. Amelia not only possessed leadership skills but her personality commanded respect and affection from those around her. She once told her husband that her mother had predicted ‘that nature had formed her to be the head of a large establishment’. As Exeter’s First Lady she blossomed in the role of the Rector’s wife, providing a focus for the social and cultural life of the College and, in so doing, won the respect and affection of all who knew her.

Jacobi's version of Nun komm, der Heiden Heiland opens Psalmodia Germanica, 1722 In 1722 Jacobi published the first edition of his Psalmodia Germanica, or a Specimen of Divine Hymns, Translated from the High Dutch, a collection of English translations of German Lutheran hymns. The dedication to the Royal Princesses Anne, Amalia and Carolina read, "The following sheets exhibit a translation of psalmody, used in the native country of your Royal Highnesses, which (as well as other protestant countries) is blessed with those spiritual hymns, to the frequent use thereof the Apostle doth so solemnly exhort." The Psalmodica also contained two works by Isaac Watts. Three editions of Jacobi's hymnbook appeared between 1722 and 1732.

The Lutheran Hymnal contained 729 hymns, in addition to the Orders of Service noted above, with the propers for the Christian year, Morning and Evening Prayer, and lists of suggested hymns. It was a conservative hymnal, and continued to use the now-dated forms of 'Thou' and 'Thy' instead of 'You' and 'Your' when referring to the Trinity. Such usage was reflected in the hymns, again mainly of German origin, but with a higher proportion of Anglican hymns, and several composed by Australians. This book remained in use for the next decade, and is referred to by many Australian Lutherans as the Black Hymnbook because it came in only one colour, black.

Mabel Jones Gabbott (October 23, 1910 – February 13, 2004) was an American Latter-day Saint hymnwriter, and the author of the words to "Lord, Accept into Thy Kingdom," "In Humility Our Saviour" and "We Have Partaken of Thy Love," all now part of the 1985 LDS English hymnbook. Gabbott also wrote many hymns published by The Church of Jesus Christ of Latter-day Saints (LDS Church) in its Primary Children's Songbook, 16 of which are included in the current English edition. These include "Jesus Came to John the Baptist", "Did Jesus Really Live Again", "Samuel Tells of the Baby Jesus", and "He Sent His Son". She also wrote several works of poetry.

Imprecatory Psalms, contained within the Book of Psalms of the Hebrew Bible (), are those that invoke judgment, calamity or curses upon one's enemies or those perceived as the enemies of God. Major imprecatory Psalms include Psalm 69 and Psalm 109, while Psalms 5, 6, 11, 12, 35, 37, 40, 52, 54, 56, 57, 58, 59, 79, 83, 94, 137, 139 and 143 are also considered imprecatory. As a sample, Psalm 69:24 states toward God, "Pour out Your indignation on them, and let Your burning anger overtake them." The Psalms (, תהילים, or "praises"), considered part of both Hebrew and Christian Scripture, served as ancient Israel's "psalter" or "hymnbook", which was used during temple and private worship.

Kelpius was a musician, and he and his followers took with them instruments that became an integral part of church life. Kelpius was also a composer, and is sometimes called the first Pennsylvanian composer, based on his unproven authorship of several hymns in The Lamenting Voice of the Hidden Love. The 70-page hymnbook which he is believed to have composed is the earliest extant musical manuscript compiled in the thirteen British colonies. It is likely that he wrote the text, though the tunes are mostly based on German songs; four come from Christian Knorr von Rosenroth's Neuer Helicon (Nuremberg, 1684), and another four are from other German sources dated 1690 and later.

He was not only involved in the work of church-linked organizations, but was active as a member of the Centre Party and as a representative on the Konstanz city council. He organized the celebrations for the 800th anniversary of the canonization of bishop Conrad of Constance, celebrated in 1923, and through his collaboration at the diocesan synod of 1921, became known throughout the region. His ecclesiastical career took a step forward in 1923 when he was named a monsignor; in 1925 he was a canon of the cathedral chapter of Freiburg. In the diocesan curia he was assigned responsibility for liturgy and church music, in which capacity he introduced a new and warmly received diocesan hymnbook in 1929.

The Old Fulling Mill is now an archaeological museum. The second weir, beneath Milburngate Bridge, now includes a salmon leap and fish counter, monitoring sea trout and salmon, and is on the site of a former ford. Considering that 138,000 fish have been counted migrating upriver since 1994, it may not be surprising that a family of cormorants live on this weir, and can frequently be watched stretching their wings in an attempt to dry off after feeding (as they lack the waterproofing oils present in most other waterbirds). The river's banks also lend their name to a hymn tune Elvet Banks in the 2006 hymnbook of the Lutheran Church–Missouri Synod, used (appropriately) for a hymn for baptism.

Paul or Paulus Stockmann (3 January 1603 – 6 September 1636) was a German academic, preacher and hymn-writer. He fought at the Battle of Lützen in 1632 and later served as court preacher to Gustavus Adolphus of Sweden, before dying of the plague in 1636. Some of his hymns are included in the Danish hymnbook Psalmebog for Kirke og Hjem. Single stanzas of his hymn 1633 hymn "", a narration of the Passion in 34 stanzas, were set for four parts by Johann Sebastian Bach, as the closing chorale of cantata Sehet, wir gehn hinauf gen Jerusalem, BWV 159, a chorale of cantata Himmelskönig, sei willkommen, BWV 182, and three stanzas reflecting dramatic situations in the St John Passion.

On 30 September at Ascot Racecourse Ibn Khaldun was assigned a weight of 130 pounds in a seven furlong nursery handicap and started 9/4 favourite against fourteen opponents. He was held up by Dettori in the early stages before taking the lead approaching the final furlong and winning "readily" by two lengths from Hurricane Hymnbook. The colt was then moved up in class and started 4/7 favourite for the Group Three Autumn Stakes over one mile at Ascot on 13 October. After racing at the rear of the eight-runner field until the last quarter mile he took the lead inside the furlong and won by a length from the Richard Hannon-trained Redolent.

After his death a new edition was prepared in 1765, containing some new translations. According to , Jacobi's hymnbook was widely adopted by Lutherans in the New World as the first available English translations; and it was also used by the Moravian Church in England. recounts how Jacobi befriended leaders of the Moravian Church during its revival in England: on one of his missions to London in 1735, the leading Moravian churchman David Nitschmann lodged with Jacobi for two months. Later that year—inspired by Nitschmann but discouraged by Friedrich Michael Ziegenhagen, Boehm's successor at the Royal German Chapel in 1722—Jacobi, accompanied by his three daughters, made the journey to Herrnhut in Saxony, where the original Moravian movement had been offered protection.

16 The Unitarian Universalist hymnbook, Singing the Living Tradition contains eight of his hymns, including #45 "Now While the day in Trailing Splendor", #53 "I walk the unfrequented Road", #96 "I Cannot Think of them as Dead", #105 "From Age to Age", "#114 "Forward Through the Ages", #269 "Lo the Day of Days is Here", "#270 "O Day of Light and Gladness", and #272 "O Prophet Souls of All the Years".Unitarian Universalist Association, "Singing the Living Tradition", Boston, MA, 2000, p. 656 His notable hymn, "Forward Through the Ages", was an anthem of the Social Gospel movement. Written while he served the church in California, it replaced the militaristic imagery of Onward Christian Soldiers with a broader evocation of spiritual mission and unity.

Ang Himnario ng Iglesia ni Cristo (The Hymnal of the Church of Christ) is the official hymnbook of INC, written in Tagalog by Danao and published in 1937. The latest edition of the Himnario, published in 2016 with copyright, states: "Hymns underwent several changes from recent publications, by choir directors of the church, all of which were written by Sister Pilar Manalo Danao". Danao also composed several hymns for the Children's Worship Services (CWS). A separate hymnal for the CWS entitled Mga Awit Sa Pagsamba Ng Kabataan Ng IGLESIA NI CRISTO ("Hymns for the Children's Worship Services of the CHURCH OF CHRIST") was first published in the year 1996 after they separated the CWS hymns from the "Ang Himnario ng IGLESIA NI CRISTO" (published in 1994).

Jansen was intimately involved in the production of the New Zealand Hymnbook in 1986, and he was the first person to arrange the New Zealand national anthem, "God Defend New Zealand", with both English and Māori lyrics, for the New Zealand Youth Choir's 1982 tour. He was in the vanguard of the movement to widen the scope of church music, and was noted for the fusion of styles in his arrangements. Also in 1986, Jansen set up the International Summer Schools in Choral Conducting, which he directed or co-directed in New Zealand and Queensland 14 times until 2011. After being appointed senior lecturer at the University of Queensland (UQ), he initiated a master's programme in choral and church music.

At Olney, Newton invited Cowper to contribute to a hymnbook that he was compiling. The resulting volume, known as Olney Hymns, was not published until 1779 but includes hymns such as "Praise for the Fountain Opened" (beginning "There is a fountain fill'd with blood") and "Light Shining out of Darkness" (beginning "God Moves in a Mysterious Way"), which remain some of Cowper's most familiar verses. Several of Cowper's hymns, as well as others originally published in the Olney Hymns, are today preserved in the Sacred Harp, which also collects shape note songs. In 1773, Cowper experienced an attack of insanity, imagining not only that he was eternally condemned to hell, but that God was commanding him to make a sacrifice of his own life.

He has been performing as a soloist with a large number of orchestras in and outside of Norway, and has worked with internationally renowned artists like Ole Edvard Antonsen, Jens Harald Bratlie, Aleksandr Dmitriyev, Philippe Entremont, Lutz Herbig, Piotr Janowski, Evgeni Koroliov, Solveig Kringlebotn, Truls Mørk, Robert Oppenheimer, Robert Rønnes, Leif Segerstam, Randi Stene, Roberto Szidon, Lars Anders Tomter and Frøydis Ree Wekre. Plagge has since he was 8 years been organist and eventually Cantor in Asker and Bærum congregation of The Catholic Church in Stabekk, Norway. He has a significant number of musical contribution to the Catholic hymnbook in Norway, "Lov Herren" (Praise the Lord). Plagge’s list of works ranges from liturgical music to symphonic works while chamber music and piano solo pieces constitute a main portion of his output.

Emma Wright Mundella (30 April 1858—20 February 1896) was an English composer and arranger, recital pianist, church organist, choral conductor, teacher of music and hymnal editor. In her short life she published anthems, choruses and cantatas as well as songs, hymns, pieces for solo piano and for piano and other string instruments. As Director of Music Teaching at Wimbledon High School for Girls her particular interest was the encouragement of musical appreciation by young people, in pursuit of which she wrote many compositions for children and schools. Though her music is now seldom heard, her lasting achievement was her well-regarded editorship of The Day School Hymnbook, the expanded edition of which was published shortly after her early death and which brought her posthumously into national prominence.

Martin Luther, 1526: Title page of Deutsche Messe Title page of the hymn book in Latin and German of Johann Spangenberg published in Magdeburg in 1545 In 1526, Martin Luther published his Deutsche Messe, describing how the mass could be conducted using congregational hymns in the German vernacular, intended in particular for use in small towns and villages where Latin was not spoken. Over the next thirty years numerous vernacular hymnbooks were published all over Germany, often in consultation with Luther, Justus Jonas, Philipp Melanchthon and other figures of the German Reformation. The 1537 Naumburg hymnbook, drawn up by Nikolaus Medler, contains the opening Kyrie, Gott Vater in Ewigkeit, one of several Lutheran adaptations of the troped Kyrie summum bonum: Kyrie fons bonitatus. The first Deutsche Messe in 1525 was held at Advent so did not contain the Gloria, explaining its absence in Luther's text the following year.

Elisha James King (1821-1844) was, with B. F. White, the compiler of The Sacred Harp, a shape note hymnbook that came to be used widely in the rural South. In revised form, the book continues to be popular among singers to this day. Little is known about King's short life. Steel (2010) suggests that he mostly likely was born in Wilkinson County, Georgia; his parents were named John King and Elizabeth Dubose. The family moved in 1828 to Talbot County.Steel (2010, 129) E. J. King worked as a farmer and also taught singing to others.Steel (2010, 129) It is clear that King was the junior member of the partnership with White (born 1800), who had already had an extensive career as a shape note composer and teacher. The early 20th century Sacred Harp editor Joseph Summerlin James suggested that King was in fact White's pupil.

Plans were laid for the convention in the fall of 1851 at the home of composer Oliver Bradfield, north of Newnan, Georgia. It was organized in 1852 in western Georgia at Macedonia Baptist Church in Coweta County. The impetus for the Chattahoochee Musical Convention was the success of the original Sacred Harp hymnbook and the Southern Musical Convention that was then affiliated with it. With the northward geographic spread of Sacred Harp singing into the Coweta County region, it was felt that the time had come for the residents of this area to have their own convention.Source: the manuscript centennial history document written by Earl Thurman (1952, now published in Miller 2002, p. 31) The early sessions were attended by Sacred Harp founder B. F. White and other leading Sacred Harp figures of the day.Thurman/Miller 1952/2002, p. 32 In its early period the convention was four days long, ending on the first Sunday in August and beginning the preceding Thursday.