But that's abruptly deflated, back to plinks and high-hat taps.
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Here comes one now, rattling catastrophically, like Max Roach whaling on the high hat.
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If the robot senses the drummer moving towards the high-hat cymbal, it shifts to the ride cymbal.
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"With the 'Blurred Lines' case, you have high hat cymbal sounds, crowd noise, falsettos," he said in a phone interview.
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When the drummer moves to play the high hat cymbal, for example, the robotic arm maneuvers to play the ride cymbal.
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" Senator Joseph T. Robinson, Democrat of Arkansas, concluded flat out that "the brown derby has been discarded for the high hat.
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At parties, if things got too high-hat, she would say she was feeling the effects of her malaria and excuse herself.
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The 21st-century tipoff, and spoiler, is the ratchety trap high-hat sound that's likely to make it sound dated rather than classic.
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At some point the yearning is answered, at first chthonically, by the bass drum, later by the insistent jump of the high-hat.
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Starting only with Mr. Smith's mocking falsetto and a tip-tapping high hat, the song ramps up to a climax of knotty guitars.
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The producer builds from a funky walking bass line, accompanied by a high-hat shuffle, marimba, and Rhodes piano to a grand choral burst.
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The well-crafted album is laden with intimately spare moments of piano and ambient chords that burst into witchy high-hat and snare beats.
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The gang thinks "you're putting on the high hat," Markey warns him — anticipating the movie's kiss-off image of a topper flung from a car.
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So I started to put plastic light filters and cake packaging between the hammers and the strings, and that created my first high hat in the piano.
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So too for Pasqually E. Pieplate, pizza chef and acclaimed percussionist, who always managed to keep a beat even if his arms couldn't reach the high hat.
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Mr. Boyd led his own quintet, Exodus, lacing together a tightly clipped hip-hop sound on the high-hat with a thick-stroke, Tony Allen attack everywhere else.
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Complex jazz songs, like Dave Brubeck's "Take Five," sound utterly empty because the Phantom Reactor struggles to reproduce the fine details on the high hat taps and piano riffs.
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The first high hat cymbal beat, then the drop of the piano of Dolly Parton's "260 to 5" — Tsss, dun dun dun dun— gets me shakin' it toward productivity.
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Blaine's high-hat work here — opening, striking, then closing for a pssssshp — has been credited by Drum magazine as integral for moving the sizzling sound from jazz to rock.
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At Baby's All Right on Saturday, he started with a chip-chopping funk groove on the high-hat, with wide guitar chords falling in heavy, single strokes, then lingering.
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When the drummer moves to play the high hat cymbal, it goes to the ride cymbal, and when the drummer switches to the snare, the robotic arm plays the tom.
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"She pursued her life and career confidently, indomitably and even defiantly," her biographer, Mark Miller, wrote in "High Hat, Trumpet and Rhythm: The Life and Music of Valaida Snow" (210).
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Here's a story that is perfect fuel for Trumpian populist resentment: those elitists at their private schools, they are giving the high hat to the the President-elect's most trusted advisor!
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And Beyoncé bestows that on us, too—the way she moves her fingers along with the high hat in "Partition," the slump of the dancers during Nina Simone's "Lilac Wine" interlude.
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Fans of classic work will immediately recognize his signature punchy bass-drum and sparky high-hat combo, but the producer has stepped up his sound with mighty beats dropped from dizzying heights.
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On "No Bad News," a work of fearless diagnostics and badly needed affirmation, Mr. Allen coaxes the snare drum in a lateral sway, and pushes things ahead with the kick and high-hat.
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There are moments when it seems that the main difference between Lewis on this show and Lewis on the page is that a high-hat drum sometimes plays behind his voice on the show.
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The focus of that set fell hard on Mr. Graves, who played a tie-dyed drum kit with no snare drum and no hanging cymbals — just toms and a high-hat that he clacked and fizzled every so often.
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Nik Colk Void: When we recorded we had a big PA, so the sound was like it'd be in a club, and we were able to shout at one another across the table, like "bring the high-hat in," or something.
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Easter marks the start of high hat season, a four-month stretch shaped largely by preparations in March; the holiday in April; the Kentucky Derby and the annual Central Park Conservancy luncheon in May; and the Belmont Stakes in June.
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The earbuds also do a good job of handling high-frequency sound, too: I heard cymbal hits and high hat taps I had never noticed in the punk rock of PUP, and that music is usually muddy as hell on Bluetooth earbuds.
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The title track has reportedly long been a DJ weapon for the popular techno duo, and shines via a shuffling high-hat, whispering vocal sample, and perfectly placed clap that takes the tune to dark, yet atmospheric levels of club-centric grandeur.
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There was something about that lazy open high-hat on the sixth beat snapping over into a brash, angry snare that was irresistible for producers, and it became a hip-hop and R&B staple – then bled out into the rest of pop music.
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"I have to work a lot on strengthening my hips and being able to be with everything in time," explained Mr. Mullen, who said he had also had to test out various prosthetics that conformed best with the foot pedal and high-hat cymbal of his drum kit.
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You look over at your partner and you briefly synch on the chorus, and then you both spin off into separate waves again, honoring the high-hat or that guitar that sounds like a rubber band, clairvoyantly anticipating the next chord change or even the next item that segues in with a counterintuitive slow shimmer.
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High Hat is a 1937 American film directed by Clifford Sanforth.
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High Hat is a 1927 American film directed by James Ashmore Creelman.
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High Hat is a movie extra at First National Pictures, but sees himself as the studio pundit, dispensing advice to stars such as John Barrymore and Pola Negri. A studio seamstress named Millie loses valuable jewellery entrusted to her and High Hat comes to her rescue.
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"The Year In Tights: The Best (and Worst) Superhero Comics of 2006". The High Hat. Retrieved May 29, 2012.
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In Drum mode, you can assign each drum pad to a sound, and you can even add a high-hat pedal.
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He added, "it introduced a mid-range that the high-hat seemed to like. This new sonic emphasis on the high-hat made every hit more relevant... The inherent low-frequency punch of the PA also added a level of excitement to the bass drum. The overall sensation was a chestier one." The final mix of "Bullet the Blue Sky" was based on two different versions.
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I was > only a boy, and for safety was placed in the middle of the ranks. > > An enthusiastic Salvationist in our front rank wore a high hat with a > Salvation Army band round the crown. Slipping behind him, Jeffries leapt > upon his shoulders and deftly pushed the high hat over his eyes, whilst > wriggling into the desired position. Then, using the top hat as a drum and > his legs as a goad, he 'drove' his victim in the procession to the Hall.
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Towards the end of the 1930s the roles of the piano, bass, and drums in the rhythm section changed significantly under the influence of the Count Basie Orchestra. Early swing drumming relied heavily on the bass and snare drums, with a secondary role for the high hat cymbal in timekeeping. Jo Jones inverted that relationship, making the high hat the primary timekeeper and using the bass and snare drums for accents and lead-ins. Basie introduced a rhythmically sparse style of piano playing emphasizing accents, lead-ins, and fills.
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Krimson is rich enough to live in a mansion and have his own personal butler, Achiel, under his employ. He has access to helicopters and many other hi tech machinery. He dresses himself as a dandy: high hat, black coat and a cane.
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Fotdella is a foot-operated string bass musical instrument. Invented and constructed by Jesse "The Lone Cat" Fuller, an American one-man band musician, who needed an accompaniment instrument beyond the usual high-hat (foot- operated cymbal) or bass drum favored by street musicians.
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Social status is often associated with clothing and possessions. Compare the foreman with a horse and high hat with the inquilino in picture. Image from 19th century rural Chile. Statuses such as those based on inborn characteristics, such as ethnicity or royal heritage, are called ascribed statuses.
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The race was expected to lie between Molvedo and the French four-year-old Right Royal, who had won the King George VI and Queen Elizabeth Stakes at Ascot Racecourse in July and who started favourite despite fears that he would be unsuited by the soft ground. Molvedo tracked the British runner High Hat (owned by Winston Churchill) before taking the lead early in the straight. The Italian colt opened a two-length lead and was never seriously challenged, winning from Right Royal with Misti in third ahead of High Hat and Match. On his final appearance, Molvedo returned to his home track at Milan and won the Gran Premio del Jockey Club by four lengths.
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Discouraged with the unreliability of his bandmates, he experimented with singing while playing guitar, bass drum and high-hat himself. He played in Pittsburgh, then began touring the country in a station wagon he bought with lottery winnings. He painted "One Man Band" on both sides to advertise his music.
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Sam Carr (born Samuel Lee McCollum, April 17, 1926 – September 21, 2009) was an American blues drummer best known as a member of the Jelly Roll Kings. Largely self-taught, Carr is noted for his "mimimalist" three-piece drum kit, consisting of a snare drum, a bass drum, and a high-hat cymbal.
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People stock up on liquor and try to drink their fill before midnight. Cut to a lavish party thrown by the Chilcote's cousins, whose bar is stocked by a boat from Bermuda. Roger is smitten with actress Eileen Pinchon. Kip and Maggie dance, but Kip leaves after the snobbish cousins high-hat him.
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George did score his first solo US Top 40 hit with the single "Live My Life" (US No. 40) from the soundtrack to the film Hiding Out. Tense Nervous Headache (1988) and Boyfriend (1989) would be his next two internationally released albums; however, these two albums would not be distributed in the US. Instead, Virgin Records selected several songs from each of these albums for a North American-only release called High Hat (1989). High Hat scored a US Top 5 R&B; hit in "Don't Take My Mind on a Trip", produced by Teddy Riley. George's next single in the UK was "No Clause 28 (Emilio Pasqez Space Face Full Remix)", a protest song against a legal provision banning local authorities from promoting homosexuality.
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Pareques acuminatus, (the high-hat, cubbyu, streaked ribbonfish or striped drum), is a small fish, usually between 6 and 9 inches, that can occasionally be found on coral reefs in the middle western Atlantic Ocean, in the Caribbean, the Gulf of Mexico, Florida and the Bahamas. High-hats are typically black and white or dark brown and white.
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Her most successful period was in the 1930s when she became the toast of London and Paris. Around this time she recorded her hit song "High Hat, Trumpet, and Rhythm". She performed in the Ethel Waters show Rhapsody in Black, in New York. In the mid-1930s she made films with her husband, Ananias Berry, of the Berry Brothers dancing troupe.
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He listening to the snare, to the high hat, to the kick. All previous of my five albums whenever I mixed my album and went to master it I could master my album in three hours. With the process Puff put it through it took three days. Yeah, so it was like giving it a '90s feel…I was in the studio.
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She began her singing and acting career in several of Ziegfeld's shows and then appeared in Vitaphone shorts. By 1934 she was under contract to Warner Bros. Studios and made her debut in Very Close Veins (1934). During the 1930s, she starred in a string of successful films such as Gold Diggers of 1935, Front Page Woman (1935), High Hat (1937), and Clothes and the Woman (1937).
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" Divorced from Odlum in 1935, she next married Dr. Porfirio Dominici, but that marriage was annulled in 1938. After six years as Bonwit's president she retired in 1940, but served as chairman from 1940–1944. She said "dollars and cents will never mean much to me except as evidence of customer approval." She also stressed in her words: "high class, but not high hat.
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Enneapterygius tutuilae, known commonly as the high-hat triplefin or rosy cheek threefin, is a species of triplefin blenny in the genus Enneapterygius. It was described by David Starr Jordan and Alvin Seale in 1906. This species occurs from the eastern Indian Ocean around the Cocos (Keeling) Islands east to French Polynesia. Its specific name refers to the Samoan island of Tutuila where the type was collected.
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Like Miji and Aka, long hair is kept by some members of both sexes. While the both sexes adorn themselves with silver ornaments, the men wear a very long white garment and a very high hat, resembling a Turkish Fez. The women wear a skull cap, sometimes decorated with beautiful patterns. White and checkered jackets are worn as well, usually accompanied by another singlet.
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Social status is often associated with clothing and possessions. Compare the foreman with a horse and high hat with the inquilino in picture. Image from 19th century rural Chile As people aspire to high status, they often seek also its symbols. As with other symbols, status symbols may change in value or meaning over time, and will differ among countries and cultural regions, based on their economy and technology.
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The Select Society of Sanitary Sludge Shovelers (5S) is used by water environment associations (i.e., those working with sewage and sewage treatment) to honour those who have made a particular contribution to the industry.5S Society Award, Water Environment Federation Pennsylvania started the High Hat Society in 1937 and used the words "Sludge Shovelers Society" in its initiation ceremony. Later, this became known as the Ted Moses Sludge Shovelers Society.
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Sponge-covered boulders and fire coral create habitat for variety of fish — green morays, French grunts, blue tang, whitespotted filefish to name a few.The Guide to Diving and Snorkeling in the British Virgin Islands by Jeff Williams, Ria O'Hagan Divers reported observing sharks, barracuda, moray eels, lobsters, red lip blennies, amberjacks, groupers, queen triggerfish and black triggerfish, jewelfish, gobies, damselfish, mackerels, kingfish, trumpetfish, spotted drums and high-hat triplefins.
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Glad Rags was a chestnut filly bred in Ireland by Captain D Rogers. She was sired by High Hat, who won several races (including an upset victory over Petite Etoile) for his owner Sir Winston Churchill. Her dam, Dryad won four minor races and also produced the Stewards' Cup winner Victorina. Glad Rags was only the second Classic winner, after the 1874 Epsom Derby winner George Frederick to be produced by Thoroughbred Family 13-b.
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The album version of "Baby's on Fire" is 5 minutes 19 seconds long. The song begins with a tense high-hat and bass line, along several different kinds of electronic sounds. Eno's vocals enter after this, being described as "nasal" and "slightly snotty." Following this first section of lyrics there is a 3 minute guitar solo by Robert Fripp and Paul Rudolph with shifting drum beats as backing; Eno's vocal returns as the song ends.
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Augustus ordered his "house diamond" to be mounted into a decorative badge of the Golden Fleece. His grandson Frederick Augustus I of Saxony commissioned the Dresden court jeweler Diesbach to alter it radically. The framed diamond was incorporated into an extremely valuable hat ornament. It became the focal point of a high hat clasp, where it was surrounded by two large colorless diamonds of and carat plus 411 additional medium-sized and small diamonds.
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Mr Jarramie comes down, and opens his letters. His Liverpool agents have sent him a combination safe, but have not forwarded the key word by which alone it can be opened. Finding the lamp in an escritoire, he dusts it, and the Genie appears from the kitchen. Mr Jarramie promptly engages him as an electioneering canvasser, and the Slave has to make a change to the orthodox frock-coat and high hat of a politician.
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The song was recorded at the Roundhouse in Chalk Farm, London. The key refrain "One Night in Heaven, One Night in Heaven" is sung by vocalist Juliet Roberts who sings backing vocals throughout. The song is made up of a variety of key elements, most notably, the sequenced "brass bottle" synths at the intro and in the break. The melody line is guided by the moog bassline, programmed drumming and layered with high hat synths and a continuous beat.
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Crouse praised the "subtlety" of the production, particularly "James Taylor's twitchy guitar and Russ Kunkel's superb, barely detectable high-hat and bass-pedal work." Critic Kim Ruehl called "California" one of the highlights of Blue, describing it as "personal and largely sentimental." "California" was included on Mitchell's 1998 compilation album Hits and on her self-chosen 2004 compilation album Dreamland. American group Wilson Phillips covered the song as the title track to their 2004 studio album California.
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When Petoetje's father wants his son back Nero's magical high hat creates a duplicate of Petoetje who can stay on the island, while Petoetje goes on to live with Madam Pheip.AUWERA, Fernand, and DE SMET, Jan, "Marc Sleen", Standaard Uitgeverij, 1985. In the story Het Zevende Spuitje (The Seventh Syringe, 1963) Petoetje temporarily changes into a cannibal after receiving a wrong injection by Adhemar. He returns to his native island, but is later cured and returns to Belgium.
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Edgar Mason Borden (May 1, 1888 - June 30, 1955) was an American film actor who started his career in vaudeville as an acrobat and then successfully turned to comedy. Throughout the 1920s, he toured in the Keith, Orpheum and Pantages vaudeville circuits, often billed as "the high hat comedian" and the "fun king." Borden appeared in nearly 160 films between 1922 and 1952 and was mostly seen in comedic bit parts. Borden appeared in numerous films with Laurel and Hardy.
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As a five-year-old Petite Etoile began her season with a narrow victory over Wordpam in the Coronation Stakes at Sandown. She then claimed a second Coronation Cup, beating Vienna by a neck. At Royal Ascot she took the Rous Memorial Stakes over one mile. Petite Etoile was then moved back up to one and a half miles for the Aly Khan International Memorial Gold Cup, named after her late owner, in which she finished second to High Hat.
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The dembow riddim was created by Jamaican dancehall producers during the late 1980s and early 1990s. Also known as "son bow", dembow consists of a kick drum, kickdown drum, palito, snare drum, timbal, timballroll and (sometimes) a high-hat cymbal. Dembow's percussion pattern was influenced by dancehall and other West Indian music (soca, calypso and cadence); this gives dembow a pan- Caribbean flavor. Steely & Clevie, creators of the Poco Man Jam riddim, are usually credited with the creation of dembow.
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Craig Jenkins of Vulture.com said the chorus has "booming, chopped-up" vocals. Mark Richardson of The Wall Street Journal called "Alice" Chromatica "first proper song" and wrote, "Over a kinetic house track with the trademarks of the genre—hissing offbeat high-hat, neo-Latin keyboards playing a cyclical melody—Gaga describes a fantasy world out of Lewis Carroll." Kory Grow of Rolling Stone said the "'ahhs' and an 'oh ma-ma-ma' stutter" in the chorus are reminiscent of the "Ra-ra-roma-ma" of "Bad Romance" (2009). Vulture.
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Jim's larynx contained such personalities as Augie Pigmeyer, the German immigrant farmer, village idiot Perky McSnark; local conman Squire Lovejoy; and Luke's old crony, Mort Toops. In addition to playing Marian, Marian Jordan also played the roles of Teeny, a young girl who always "bothered the whey out of" crusty old Luke, Mrs. J. High-Hat Upson, Widow Wheedledeck, and Bertha Boop. It was estimated that during the four-and-a- half-year run of the series, between the Jordans provided voices for 150 characters during the series.
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Harvey, Steven "The Perfect Beat" The Face Magazine, October, 1983 Its unique percussion sounds like handclaps, open and closed high-hat, clave and cowbell became integral to the electro sound. A number of popular songs in the early 1980s employed the TR-808, including Marvin Gaye's “Sexual Healing,” Cybotron's “Clear,” and Afrika Bambaataa's “Planet Rock.” The Roland TR-808 has attained iconic status, eventually being used on more hits than any other drum machine. Through the use of samples, the Roland TR-808 remains popular in electro and other genres to the present day.
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Drummers such as Kenny Clarke and Max Roach were extending the path set by Jo Jones, adding the ride cymbal to the high hat cymbal as a primary timekeeper and reserving the bass drum for accents. Bass drum accents were colloquially termed "bombs," which referenced events in the world outside of New York as the new music was being developed. The new style of drumming supported and responded to soloists with accents and fills, almost like a shifting call and response. This change increased the importance of the string bass.
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Ruth Adams and the World's Most Dangerous Polka Band are a senior citizen polka duet who use a rotation of four different drummers. Adams founded the group in 1974, with Joe Hayden joining in 1996. They received national attention when they appeared on the short-lived Comedy Central series Let's Bowl. The band in 2015, featuring Joe Hayden The group consists of Adams on accordion, accompanied by Hayden on trumpet and lead vocals, with the rotation of drummers using a simple snare drum and high-hat percussion setup.
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European royalty ca. 1859 Austin Lane Crothers, 46th Governor of Maryland (1908–1912), wearing a top hat A top hat (also called a high hat, a cylinder hat, or a topper) is a tall, flat-crowned hat for men traditionally associated with formal wear in Western dress codes, meaning white tie, morning dress, or frock coat. Traditionally made of black silk or sometimes grey, the top hat emerged in Western fashion by the end of 18th century. Although it declined by the time of the counterculture of the 1960s, it remains a formal fashion accessory.
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His minimised kit consisted of "a mixture of Ludwig, vintage, and a big expensive Sonor snare drum",Spence, Simon - The Stone Roses: War and Peace, Page 138, Penguin Books, 2012 which were all painted with Squire's Jackson Pollock inspired art style. Wren's use of a smaller kit did not limit his range, with a new focus on a jazz-tinged, but ultimately rock-based, playing style. His busy use of the high-hat, snare, and solitary tom-tom created a complex sound which helped to define the band's significant musical shift.
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Olivier added, "Gaga's voice, when stripped of its bells and whistles, showcases a timelessness that lends itself well to the genre." "I Can't Give You Anything but Love" was originally written in 1928 by Jimmy McHugh and Dorothy Fields for the Broadway revue, Blackbirds of 1928. The version on Cheek to Cheek opens with the sound of high-hat and an electronic organ. Gaga alters the lyrics to sing "Gee, I'd like to say you're looking swell, Tony", who later rejoins with the line "Diamond bracelets Woolworth doesn't sell, Gaga".
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'. He's an expert at his > craft. Within about 20 minutes, he'd written a number one record; and then > we went right into another one, ['(Love Is) Thicker than Water'] Two mixes were prepared for the song, the more popular mix was released on the album & as the single version and the earlier mix was used for promotional uses. The promotional version had an additional keyboard that at times competed with the lead vocal. The drummer's high-hat count during both breakdowns was completely mixed out and Gibb's harmony vocal is more prevalent during ad-libs.
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With the One drop, the emphasis is entirely on the backbeat (usually on the snare, or as a rim shot combined with bass drum). Beat one is empty except for a closed high hat commonly used, which is unusual in popular music. There is some controversy about whether reggae should be counted so that this beat falls on two and four, or whether it should be counted twice as fast, so it falls on three. An example played by Barrett can be heard in the Bob Marley and the Wailers song "One Drop".
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The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands - also known as "low- boys" - and activated by pedals similar to those used in modern hi-hats. When extended upwards roughly 3' (76 cm) they were originally known as "high sock" cymbals, which evolved over time to the familiar "high-hat" term.
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Still Nero managed to find several treasures, inherit fortunes or win the lottery over the years. On such occasions he dresses in high hat, smokes big cigars, drinks champagne and drives around in big limousines. He has travelled the globe in many albums and even visited other planets. Nero lived in many different homes and even castles over the course of the series, but from "De Gelukbrenger" ("The Luck Bringer") (1988) until "De Verschrikkelijke Tweeling" ("The Horrible Twin") (1990) on he and his wife lived in the same house on a mountain for a couple of albums, named the Louteringsberg.
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Green deemed Brenon's production to be "serviceable film material" and "a good, interesting gripping cinema exposition of the type certain to be readily acclaimed by the average fan, with the usual Long Island parties and the rest of those high-hat trimmings thrown in to clinch the argument." The Variety reviewer observed that Gatsby's "Volstead violating" bootlegging was not "a heinous crime despite the existence of a federal statute which declares it so." The reviewer praised Warner Baxter's portrayal of Gatsby and Neil Hamilton's portrayal of Nick Carraway but found Lois Wilson's interpretation of Daisy to be needlessly unsympathetic.
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The man at the right wears a battered high hat, a military coat, and top boots, and holds a whip in his left hand; beyond his raised knee is the head of the second figure in a peaked military cap. The next one wears a red shirt and broad-brimmed gray hat, and his hands are clasped back of his head; the farthest one, with arms folded, wears a broad-brimmed military hat. In the opening of the tent is the head of another [N]egro with a broad-brimmed hat; a corn-cob pipe is in his mouth.
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To overcome this, a high frequency signal, known as bias, is mixed in with the recorded signal, which "pushes" the envelope of the signal into the linear region. If the audio signal contains strong high frequency content, in particular from percussion instruments such as a high-hat, this adds to the constant bias causing magnetic saturation on the tape. Dolby HX Pro automatically reduces the bias signal in the presence of strong high frequency signals, making it possible to record at a higher signal level, leading to its name: HX = Headroom eXtension. HX-Pro only applies during the recording process.
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Most of these fish types avoid clear waters, such as coral reefs and oceanic islands, with a few notable exceptions (e.g. reef croaker, high-hat, and spotted drum). They live in warm-temperate and tropical waters and are best represented in major rivers in Southeast Asia, northeast South America, the Gulf of Mexico, and the Gulf of California. In the United States most fisherman consider freshwater drum to be rough fish not suitable for eating, similar to carp, gar, and buffalo fish, although there are a number of people that enjoy fishing for these species and eating them, despite their limitations.
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In 1950, Chaloff returned to Boston, where he played in small groups in clubs like the High Hat, Petty Lounge and Red Fox Cafe. A 1950 performance at the Celebrity Club in Providence Rhode Island, was broadcast by WRIV, and has been released on CD as Boston 1950. Playing in small groups gave Chaloff the space to develop a new style of playing. In 1951, he talked about 'getting away from the fireworks that don't mean anything' that had been a part of his style up to that point and 'adding more colour and flexibility to his work.
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Creelman worked for RKO studios from 1929 and contributed to the storyline of many of the studios' early adventure and thriller films including The Untamed Lady, The Most Dangerous Game, King Kong, Dancers in the Dark and The Last Days of Pompeii. Creelman began working in Hollywood in 1924 and wrote for 30 films before stopping in 1935. He also directed the 1927 film High Hat. On September 18, 1941, three days before his 47th birthday, Creelman committed suicide by jumping off the roof garden at the top of a building on 325 E. 72nd Street in Manhattan, New York City, New York.
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With Moreland, Miller would perform old comedy routines he had done with Lyles. The two would paired together for a one-reel short That’s the Spirit (1933) as a pair of night watchmen and for stage productions by Miller, Dixie Goes High Hat (1938) and Hollywood Revue (1939). Moreland would appeared in low-budget "race movies" aimed at African American audiences, including One Dark Night (1939) with Bette Treadville and Lucky Ghost (1941), Mr. Washington Goes to Town (1941) and Mantan Runs for Mayor (1946), again with Miller. As his comedic talents became recognized, Moreland appeared in larger productions.
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On 14 January 1857, a 222-strong Kent County Constabulary was formed under Chief Constable John Henry Hay Ruxton. The first headquarters was at Wrens Cross, Stone Street, Maidstone, and was rented for use by the police until 23 November 1860 when the force purchased it for £1,200. It was responsible for policing those parts of the county not already under the jurisdiction of local Borough police forces. In 1860, the initial uniform of a frock coat and a high hat was replaced by a long uniform tunic and shako hat and constables were issued with a rattle and truncheon.
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In 1928, Santley directed his first motion picture, a short talkie for Paramount Pictures that featured singer Ruth Etting. The next year, Paramount had Santley direct three more films that were short singing productions, one with Etting, another with crooner Rudy Vallee, plus a third titled High Hat with Broadway singing star Alice Boulden. Also, he directed A Ziegfeld Midnight Frolic, a musical film featuring Eddie Cantor along with Eddie Elkins and his orchestra. In 1929, Joseph Santley co-directed, with Robert Florey, the first Marx Brothers feature film The Cocoanuts, a musical comedy for which he is most famous.
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Malört makes up half of the beer cocktail called the Chicago Handshake; the other half is an Old Style beer. In August 2015, the High-Hat Club was voted "Best Malört Bar in Chicago" and was awarded the Carl Cup, a perpetual trophy that is passed from past to future champions in a manner similar to the Stanley Cup. While "Malört" is sometimes mistaken for the common name of the style of liquor, Malört is the trademarked brand name owned by Carl Jeppson Company."Associate IP Director McGrath Details Malort's Challenging Road to Trademark Protection", The John Marshall Law School, January 6, 2016.
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Writing for Rolling Stone in 2002, David Fricke described the Beatles' version of "Something" as "actually two moods in one: the pillowy yearning of the verses ... and the golden thunder of the bridge, the latter driven by Ringo Starr's military flourish on a high-hat cymbal". Leng highlights Harrison's guitar solo on the recording as "a performance that is widely regarded as one of the great guitar solos", and one in which Harrison incorporates the gamaks associated with Indian classical music, following his study of the sitar in 1965–68, while also foreshadowing the expressive style he would adopt on slide guitar as a solo artist.
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Cloonagh was a compact, medium-sized brown mare with no white markings bred in Ireland by the Tally Ho Stud which was managed by her owner Arthur Boyd-Rochfort, the son of the leading trainer Cecil Boyd-Rochfort. During her racing career, she was trained by Arthur Boyd-Rochfort's younger step-brother Henry Cecil at the Marriott Stables in Newmarket, Suffolk. She was sired by High Hat, who won several races (including an upset victory over Petite Etoile) for his owner Sir Winston Churchill, and whose other progeny included the 1000 Guineas winner Glad Rags. She was the eighth foal and seventh winner produced by her dam Zoom.
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The fotdella was a musical instrument of Fuller's own creation and construction. He built at least two of them, in slightly different patterns, as evidenced in photographs and film footage of his performances. As a one-man band, Fuller wanted to supply a more substantial accompaniment than the typical high-hat (cymbal) or bass drum used by other street musicians. His solution was the fotdella, a foot-operated percussion bass, consisting of an upright wood box, shaped like the top of a double bass, with a short neck at the top, and six piano bass strings attached to the neck and stretched down over the body.
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Drum maker William Ludwig developed the "sock" or early low- mounted high-hat after observing Dodd's drumming. Ludwig noticed that Dodd tapped his left foot all the time. Dodds asked Ludwig to raise the newly produced low hats nine inches higher to make it easier to play, thus creating the modern hi-hat cymbal.Information on Dodds is found in his own contemporary journals/biography "The Baby Dodds Story" -Louisiana State University Press, 1992, and by contemporary witness- drummer Gearge Wettling, who confirms Dodds was the first drummer to also keep the now-famous broken-triplet beat that became the standard pulse/roll of what we call ride cymbal playing.
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Soon after he began singing and playing in front of small crowds at blues jam nights across Melbourne, initially as a folk singer before developing a feel for the blues music. Over the years he has matured his performance and now accompanies his guitar with harmonica, stomp box, tambourine, high hat, cymbal, kick and snare drum. In January 2010, Kirk launched his debut album, 'Cruisin', and shortly after embarked on his first national tour of Australia playing at many of the country's regional pubs, cafes and festivals. The album then went to win the 'Best Debut Album' award at the Melbourne Blues Appreciation Society's annual VIC/TAS Blues Music Awards.
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Chicago hip hop artists have never coalesced around an easily defined style or sound (with the exception of the recent drill scene). Instead, Chicago hip hop artists took inspiration from a variety of regional influences – initially the East Coast, with its jazz and soul based sampling and "conscious" lyricism. At the same time, other Chicago artists embraced West Coast production, with its funky, synth-driven instrumentation. Eventually, artists like Twista, Do or Die, Crucial Conflict, Triple Darkness, Snypaz and Psychodrama put their own twist on West Coast instrumentation, adding double-time high hat patterns, and, in what would become Chicago's first, home-grown, and immediately recognizable "style", rapping in double or triple time over the funky, synth-driven beats.
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Between December 2014 and March 2016, the band uploaded several YouTube videos featuring Martin Molin documenting the construction of a music box that uses marbles to play instruments. The machine is powered by a hand-crank, and works by raising steel marbles through the machine into multiple feeder tubes, where they are then released from height via programmable release gates, falling and striking a musical instrument below. Instruments played by marbles striking them include a vibraphone, bass guitar, cymbal, and emulated kick drum, high hat and snare drum sounds using contact microphones. The music score is stored on two programmable wheels that utilize Lego Technic beams and stud connectors to trigger armatures to release the marbles.
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A modern hi-hat A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium- sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal towards the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats").
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Born in Khedive, Pennsylvania, Cree was a small man at and 150 pounds. He threw and batted right-handed, and he also attended Penn State University. Prior to the major leagues, Cree played in the High Hat League, then went to play ball in Burlington, Vermont and Williamsport, Pennsylvania. Cree made his major league debut on September 17, 1908 at the age of 25. He was a solid outfielder until 1911, when he had an extraordinary season. He had or tied career highs in every major category, with the highlights being 22 triples (which tied him for 32nd all-time in a season and the most in a season for a right-hander in the American League), 48 stolen bases and a .
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He remarked the lyrics are "feminist rewriting of the public narrative—about a woman defined by, and perhaps even brought down by, men—pulled off with lightness. The vibe is sly and swinging; a high hat in the chorus makes like a drum crash during a stand- up roast. [...] classic pop romanticism, cut with shit happens realism, spiked with trendy swagger-as-empowerment." Brittany Spanos from Rolling Stone said despite what the title may suggest, the song is "surprisingly gracious, a balm and a sticky note reminder on the heart that sometimes it's not about life getting better; it's about wanting to better yourself" and praised Grande for delivering one of the very few pop songs to promote real, true self-love.
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This Moment is the Rest of Your Life was a four song sampler released by Artemis Records as a promotion for Lollipop Lust Kill's major label debut My So Called Knife. It is notable due to the alternate versions of two songs found on that album, which, ironically are billed as album versions. These tracks, "Father" and "Like a Disease" are each distinct from what appears on the LP. "Father" begins with a simple four count on the high-hat before beginning the song rather than the electronic build-up featured on the album (which is on the "Like a Disease" track). It also omits the background lyric 'kill my father, heal my father' at the end of the song.
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When he set out to make a career as a musician, he had difficulty finding reliable musicians to work with: thus his one-man band act was born, and he started calling himself "The Lone Cat." Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded his first album, released by Good Time Jazz Records. Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella.
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Before her obituary was published, The New York Times wrote about her only once in a paragraph-long review about a 1949 Song Recital at New York's Town Hall. Dr. Kernodle also said that Snow's legacy is important as she helped "shift the context of jazz away from the early Dixieland style" and "she [was] important in terms of helping us gain an understanding of the spread of jazz to Europe, particularly after World War I." On June 25, 2019, The New York Times Magazine listed Valaida Snow among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. Her biography "High Hat, Trumpet and Rhythm: The Life and Music of Valaida Snow" was written by Mark Miller in 2007.
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Iris giganticaerulea can easily hybridize with other Louisiana irises to create new variants. Several American garden nurseries and plant breeders have created many Iris giganticaerulea cultivars including, 'Angel Wings', 'Atrocyanea', 'Barbara Elaine Taylor', 'Bayou Barataria', 'Bayou Boeuf', 'Bayou St John', 'Bette Lee', 'Billy Mac', 'Biloxi', 'Cameron White', 'China Blue', 'Citricristata', 'Citricristata Alba', 'Citriviola', 'Coteau Holmes', 'Creole Can-Can', 'Easter Surprise', 'Elephantina', 'Excitement', 'Florence Zacharie', 'Gentilly Road', 'Gheen's White', 'Giganticaerulea Alba', 'Giganticaerulea Royal', 'Gulf Mist', 'Her Highness', 'High Hat', 'Iberville', 'Isle Bonne', 'Joe Mac', 'Kildea', 'La Bahia ', 'Lafitte', 'La Premiere', 'Laughing Water', 'Lazy Day', 'Longfellow's Gabriel', 'Mandeville', 'Miraculosa', 'Paludicola', 'Ruth Holleyman', 'Silverblu ', 'Snow Flag', 'Snow Goose', 'Southern Accent','Spanish Fort', 'Trixie'. Other crosses include with Iris fulva to produce 'Iris × vinicolor' Small.
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On the 1997 coin minted by National Bank of Ukraine, Cossack Mamay is dressed in a rich coat with fur and sits with his legs crossed, smoking a pipe and playing a kobza. Traditional elements of Cossack military life are around Mamay: a horse with rich harness, tied to a spear with a flag planted into the ground; a green oak tree with a sabre hanging from it; a pistol and a stone powder case; Turkish kalpak (high hat), and a bottle of okovyta (Ukrainian for aqua vitae). The coin edge has the inscriptions: (, Cossack Mamay) – at the left and (, Knight of Freedom and Honor) – at the right. On top, these inscriptions are separated with a small flag at the spear point and, underneath, a conventionalized guelder-rose spray.
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During pre-war operations from an aircraft carrier off Hawaii, the VB-3 dive bombing squadron (bearing the "High Hat" emblem of Bombing Squadron 14) arrives in a wingover approach to Honolulu; one of its pilots blacks out during the high speed dive and crashes. At the base hospital in Honolulu, Lieutenant Commander Joe Blake (Fred MacMurray) is concerned that Lieutenant "Swede" Larson (Louis Jean Heydt) will not survive. U.S. Navy doctor, Lieutenant Doug Lee (Errol Flynn), convinces the Senior Surgeon, Commander Martin (Moroni Olsen), to operate, but the pilot dies on the operating table. After Blake blames Lee for rushing the surgery, the doctor decides to become a naval flight surgeon and winds up being trained at the U.S. Naval Air Station in San Diego by a number of instructors, including his nemesis, Blake.
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Jon Morris, writing for The High Hat, named All Star Batman & Robin one of the best superhero comics of 2006, finding All Star's take on the character "an intriguing alternative take on a character long reimagined to the point of incoherence. Surely the readers as a whole have seen Batman the tortured soul, Batman the awkward father figure, Batman the authoritarian and Batman the zillion-other-paternal character archetypes countless times before under the stewardship of a few dozen other authors; why not for a scant twelve issues have a book about a Batman who might just be what a control-obsessed, Kevlar-suited sadist would be like in real life — which is to say "distinctly unpleasant"? It’s unsavory, sure, but who buys Batman comics because he’s warm and cuddly?"Morris, Jon.
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4-on-the- floor on Roland TR-707 Programming of drum machines varies from product to product. On most products, it can be done in real time: the user creates drum patterns by pressing the trigger pads as though a drum kit were being played; or using step-sequencing: the pattern is built up over time by adding individual sounds at certain points by placing them, as with the TR-808 and TR-909, along a 16-step bar. For example, a generic 4-on-the-floor dance pattern could be made by placing a closed high hat on the 3rd, 7th, 11th, and 15th steps, then a kick drum on the 1st, 5th, 9th, and 13th steps, and a clap or snare on the 5th and 13th. This pattern could be varied in a multitude of ways to obtain fills, break-downs and other elements that the programmer sees fit, which in turn could be sequenced with song-sequence — essentially the drum machine plays back the programmed patterns from memory in an order the programmer has chosen.
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