It is an orgy of creative destruction—in the glorious, goriest sense.
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It all leads to the grimmest discovery of the season, coupled with its goriest onscreen moments.
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On the other hand, this felt like the goriest season yet, which, of course, I was very happy about.
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There's a threadbare story, sure, but the point of "Doom " is to massacre demons, often in the goriest method possible.
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A Jacobean tragedy at its goriest and most amoral, this 27555 John Webster play is revived by Red Bull Theater.
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A Jacobean tragedy at its goriest and most amoral, this 71900 John Webster play is revived by Red Bull Theater.
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The bodies here are bloody but whole; written accounts say it was one of the goriest crimes investigators had ever seen.
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One of the world's goriest and most lucrative film franchises returns this October, along with a provocative marketing campaign: a blood drive.
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The gameplay appears to focus on well-timed counters and vicious sword attacks, and the trailer was among the goriest of E3 so far.
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But whatever the reason, he was motivated enough to slaughter his victim—the goriest details were later reported in the press for everyone to read.
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Academics from Bristol in southwest England have developed a mobile phone app that alerts walkers when they pass some of the goriest sites from the region's history.
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Heidi arrived for her 20th annual Halloween bash Thursday night at Cathédrale Restaurant at Moxy East Village in NYC where she arrived in her goriest costume to date.
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Scientists on Twitter have been sharing their grossest, goriest, and most striking photos of carcasses — a fun way to pass the time if you're into death and wildlife photography.
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It's no coincidence that the goriest scene in Brian de Palma's 1983 reboot of Scarface, which tells the tale of a Cuban drug kingpin, takes place on Ocean Drive.
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It's not an a fantastical escape, it's a mirror into the goriest parts of our shared history, along with the knowledge that the aftereffects of these stories still linger on today.
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The 90s gave us two beautiful gifts of technological advancement: A ridiculously overpriced calculator you could cheat with in math class, and one of gaming's earliest, goriest first-person shooters: Doom.
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This has to be the goriest dish the zombie franchise has put out since they hired Sharon Baker to carve out that brilliant meat sculpture of herself to promote Resident Evil 6.
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The goriest — and most satisfying — death of Game of Thrones might have to be when Ramsay Bolton, formerly known as Ramsay Snow and played by Iwan Rheon, was shredded to death by dogs.
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The scene was torn straight out of The Walking Dead comic in one of the goriest scenes on the show to date, with Negan's first blow making Glenn's eye pop out as Maggie screamed.
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The first 10 episodes of the series's planned 18-episode run have contained the goriest sequences of Lynch's work, but now, he's engaging with the notion of savagery on a deeper, almost spiritual level.
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Very little thumb dexterity was required to dispatch a staggered foe in the goriest manner possible—just line them up with a certain section of the stage, and give them a whack via fist or fireball.
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Guadagnino's concern with the effect of real-life horror on the body has led him toward a reinterpretation of Suspiria that doesn't recreate the goriest, most prominent visual aspects of Argent's film — that is, until it does.
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The other danger of reducing Mann's testimony to its goriest details is that it becomes easier for Weinstein's lawyers to ask the question that hangs over every survivor of abuse in a relationship: Why didn't she just leave?
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Many of the film's goriest moments are shown only in quick glimpses, or very low light, as if Green Room itself is somehow unwilling to look at its carnage for very long, preferring to play up its physical and emotional horror.
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These performers get to simulate the goriest of deaths, assume every position in the Kama Sutra and then some, and crib madly from sources like "The Wizard of Oz," classic melodrama, Jacobean revenge tragedy, doo-wop music and vintage burlesque.
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It's also arguably the goriest, most polarizing, most controversial, and most beautiful of the New Extreme — a film that stakes a place for itself among great cinema as shockingly and unmistakably as Hanya Yanagihara's similarly-themed novel A Little Life did within great modern literature.
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GameFan reviewer wrote The Punisher "proved to be everything I dreamed of in a traditional Final Fight-style game," having previously described it as "definitely the greatest side scrolling fighting game ever" as well as "the bloodiest, goriest fighting game since Mortal Kombat" in his preview.
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Reviewers praised the improved gameplay, twisted storyline and engine, while criticizing its voice acting and outdated graphics. It was ranked first in Gameranx' list of the "Top 25 Goriest Games of all Time", and was nominated for GameSpy's 2007 Game of the Year Award for the PS2.
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In 1957, Farrell and former Iger studio-mate Myron Fass attempted to re-enter the horror/fantasy field with a quartet of Comics Code-approved titles made up of pre-Code material with the goriest panels excised. This resulted in incoherent stories and flat sales. The company continued publishing until 1958, but never with the same success.
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A computer glitch causes jPod to be disbanded and the five must seek new positions within the company. They each begin to work in their 'ideal' sections but find they miss jPod. They decide to put together a farewell to jPod video, composed of all the goriest material they created. They insert the video into a company board meeting presentation and shock the administration of Neotronic Arts.
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When gore master Lucio Fulci required FX, for the goriest horror film in history Zombi 2, De Rossi arrived on set, and in the process created zombies, bite wounds and an exploding head. This film cemented his reputation as possibly the greatest special FX designer of all time. De Rossi would continue to help Fulci in two more films: The Beyond and The House by the Cemetery.
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The film was made into a video game of the same name by Gremlin Graphics for the ZX Spectrum, Commodore 64, MSX and Amstrad CPC. In the game, the player controls Paul Kersey in the streets and buildings in a free- roaming, all-out gunfight with gangsters. It was one of the goriest games of its time, featuring multiple weapons with detailed, different damage patterns and the possibility to kill civilians.
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The literary Conan abhors magic, but Nihilistic reasoned that, in order to restore his armor to its original non-magical state, he is willing to use the magic it has been cursed with. The developers did, however, stay true to the physical depictions of the barbarian. Reflecting how fights are described in the stories, players can kill foes in the goriest manner—dismembering and disemboweling them. Nihilistic wanted to show that the brutal killings are considered natural by Conan and not executed out of a thirst for blood.
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Raymond Padilla of GameSpy said the gameplay is "excellent" and it has "some of the goriest, most exaggerated, and over-the-top violence I've ever seen". He praised the combo system for being generous, with players easily able to execute attack combinations, but added that it can challenge players who "throw themselves into the system". Chris Sell of PAL Gaming Network wrote that the most enjoyable aspect of the combat is its simplicity. He said the QTEs are "superbly enjoyable", "highly satisfying", and most entertaining during boss fights.
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In regards to the first anime, Anime News Network criticized the lack of explanation behind Manji's curse. On the other hand, Mania Beyond Entertainment felt that both protagonists were properly developed in the series in the early episodes though he did not comment about the curse. Commenting on the 2018 anime, UK Anime Network said that while the themes explored by Manji and Rin are interesting, the fight scenes the former has are predictable due to the abuse of Manji's healing skills. Scribd regarded Manji's fight sin the reboot as one of the goriest in animation history, comparing the ones with the Netflix anime Devilman Crybaby due to how they might disturb the audience.
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Mark Butler, of i, praised the episode's humour and word-play, calling it "a grisly yet gleefully amusing close to a series packed with grisly and gleefully amusing moments". Louisa Mellor, writing for Den of Geek, described "Private View" as "the goriest and crudest story of this series". Mulkern commended the cast as "enviable", the freelance journalist Dan Owen described them as the best of the series, and Mellor called them a "delightful collection". She praised Robinson as "never-not-brilliant" and Shaw as "similarly top-notch", while Rachel Cooke described Shearsmith and Pemberton as "fantastic actors", comparing them favourably to Dick Emery in the way they can reinvent themselves every episode.
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Luciano Pigozzi, also known professionally as Alan Collins (10 January 1927 - 14 June 2008), was an Italian character actor. A long-time staple of Italian genre cinema, Pigozzi was noted for his resemblance to Peter Lorre and appeared in such films as Human Cobras, Yor, the Hunter from the Future, Ivanhoe, the Norman Swordsman, Blood and Black Lace,The New York Times Libido and perhaps his goriest role in Baron Blood. Born in Novellara, province of Reggio Emilia, in Italy; he appeared in more than one hundred films between 1954 and 1989, including many 1960s Italian thrillers such as Terror-Creatures from the Grave, Werewolf in a Girls' Dormitory and The Whip and the Body. Pigozzi died in 2008, at age 81.
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Matt Donato from We Got This Covered awarded the film three and a half out of five stars, writing, "Poker Night is a "wild card" watch, but Greg Francis flashes a winning hand by making a memorable monster out of Michael Eklund." Matt Molgaard from HorrorFreakNews rated the film a similar three and a half out of five stars, writing, "Poker Night may not satisfy those in search of the goriest film of the year, but anyone up for a unique viewing experience, a strong cast and a damn sharp villain are going to find Poker Night to be more than simply adequate." Matt Boiselle of Dread Central gave the film four out of five stars, commending the film's performances, interwoven stories, and villain.
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" In the book The Official Splatter Movie Guide, Volumes: 1963-1992: Hundreds of the Goriest, Grossest, Most Outrageous Films Ever Made by John McCarty, he states "Writer–director Wes Craven must have thought we all suffer from amnesia, too, because he fills the sequel with clips from the first film to help us remember what happened in it. Either that or, because he really didn't have anything new up his sleeve, he was just trying pad out the running time. The movie is so bad that it was shelved for two years, never released theatrically, then sold to video and pay TV to help recoup some of the costs." DVD Talk writes in its review: "The story goes that Wes Craven quickly disowned The Hills Have Eyes Part 2, hammering out a quick-and-dirty sequel because he desperately needed the cash.
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Brode (2001, 187-189), Rosenthal (2007, 107-109) The unsettling film score, provided by the Third Ear Band, invoked "discord and dissonance."Sanders (2007, 147) While using Shakespeare's words, Polanski alters aspects of Shakespeare's story, turning the minor character Ross into a ruthless Machiavellian,Brode (2001, 191) and adding an epilogue to the play in which Donalbain (younger son of Duncan) arrives at the witches' lair, indicating that the cycle of violence will begin again.Guntner (2000, 126-127) In 1973, the Virginia Museum Theater (VMT, now the Leslie Cheek Theater), presented Macbeth, starring E.G. Marshall. Dubbed by the New York Times as the "'Fowler' Macbeth" after director Keith Fowler, it was described by Clive Barnes as "splendidly vigorous, forcefully immediate... probably the goriest Shakespearean production I have seen since Peter Brook's 'Titus Andronicus'." Trevor Nunn's RSC Other Place stage performance starring Ian McKellen and Judi Dench as the leading couple was adapted for TV and broadcast by Thames Television (see Macbeth (1978 film)).Willems (2000, 36); McKernan & Terris (1994, 99) William Reilly's 1991 Men of Respect, another film to set the Macbeth story among gangsters, has been praised for its accuracy in depicting Mafia rituals, said to be more authentic than those in The Godfather or GoodFellas.
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