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"galoot" Definitions
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20 Sentences With "galoot"

How to use galoot in a sentence? Find typical usage patterns (collocations)/phrases/context for "galoot" and check conjugation/comparative form for "galoot". Mastering all the usages of "galoot" from sentence examples published by news publications.

What makes Duvall different is that he is a galoot.
But it is not 1998 and Duvall is instead the one true galoot.
After this photo of a large and thoughtful home run galoot, I will run down my preliminary findings.
But Judge, his uncommon size notwithstanding, is not just a musclebound galoot who clubs baseballs over the wall with brute strength.
There's a running gag that Sting was a dumb galoot who kept getting in bad situations because he could never say no.
Bradley is the closest thing the show had to a Trumpian figure, and he ends up as a mildly lovable galoot by the series's end.
Manny Machado has been fantastic on both sides of the ball, which is to be expected, but Mark Trumbo—the Mark Trumbo, proven galoot and journeyman tater specialist—has been the difference.
To be a Son is to be defined by your failures, and to have those failures loom larger than any success; it's a blundering kind of energy that tends toward the Lawful — a doofus, say, or a galoot.
Blassie broke through working for Jack Pfefer, the promoter widely credited for first exposing the business in the 19833s; Pfefer would later popularize spectacles like future Ed Wood repertory galoot Tor Johnson and "World's Ugliest Man," The French Angel Maurice Tillet.
The father-daughter buddy concept is charming, but apparently not enough for Mr. Black or whoever it was who packaged this movie, since Holland is also paired with Jackson Healy, a shambling galoot played with impeccable grouchiness by Russell Crowe.
Ef a galoot with his reputation let an onery tenderfoot like you rope him, it brings him down in my estimation complete!
The Ramblin' Galoot is a 1926 American silent western film. Directed by Fred Bain at the Poverty Row studios of Action Pictures, the film stars Buddy Roosevelt, Violet La Plante, and Frederick Lee. It was released on November 21, 1926.
Mick Egan won the Australians Biggest Galoot Competition in 2016 against contestants Daryl Riley (Jamieson Victoria) and Ian Jones (Essendon Victoria) as the runners up on the nationwide event. Mick Egan also defeated Wayne ‘Spud’ Campbell in a golf tournament at the famous St Andrews golf club, Scotland, in May 2016.
Bugs smugly compliments Sam on "keeping your ship so spic and span." Realizing he's been tricked, Sam points a pistol at Bugs ("Ooh, belay there, ya long-eared galoot! Get aloft and furl the tatter-sole top gallants before I keelhauls you!"). Bugs immediately tricks Sam into thinking that the ship is sinking.
"No one hired [him] to sell the best products. The problems were [his] size ([he] had stopped growing at five feet, one inch), [his] accent, and [his] missing ear which now looked like a clump of cauliflower. Who would let such a galoot in the door?" In his desperation to sell the products, he starts to spout "nonsense" about the war.
In March 1954 Hamish Henderson invited the Traveller family to do a concert in Edinburgh alongside "Auld Galoot" (Davie Stewart), Jeannie Robertson and Jimmy MacBeath. Later in 1954 Douglas Kennedy and Peter Kennedy visited them and made recordings. So began their career performing in folk clubs: there the people treated them with respect, unlike the rest of urban society. Her most famous composition is "The Berry Fields o' Blair". In 1966 Peter Shepherd and Jimmy Hutchinson started the Blair Folk Festival.
TV Guide, December 6–12, 1969, pp A-63 – A-64 In 1970, Blocker portrayed a love-shy galoot in The Cockeyed Cowboys of Calico County, with Nanette Fabray as a love prospect and a supporting cast featuring Jim Backus, Jack Elam, Noah Beery Jr., and Mickey Rooney. Blocker also appeared on NBC's The Flip Wilson Show comedy hour. Director Robert Altman befriended Blocker while directing episodes of Bonanza. Years later, he cast Blocker as Roger Wade in The Long Goodbye, but Blocker died before filming began.
Right after Christmas, "I Yust Go Nuts at Christmas" reached number five, and the single became one of Capitol's permanent hits—being reissued virtually every year. Once Capitol saw that Yogi was going to be a star, they prepared the follow-up release, "The Bees and the Birds"/"Real Gone Galoot." That single was released in January (1950), just as sales of the Christmas single were starting to taper off. As Stewart toured, he found that audiences were beginning to prefer his singing comedy over his earlier crystal-ball act, so he began adding his songs to his live repertoire.
The Birch River flows into Lake Claire, the largest lake completely in Alberta, which is an important part of the delta. Other water bodies located in the delta are Baril Lake, Mamawi Lake, Hilda Lake, Otter Lake, French Lake, Pair Lakes, Welstead Lake, Four Forks Lake, Galoot Lake, Pushup Lake, Jemis Lake, Richardson Lake, Flett Lake, Blanche Lake and Limon Lake. Revillon Coupé, Rivière des Rochers and Chenal des Quatre Fourches are the main distributaries connecting Lake Athabasca and the point where Peace River flows into the Slave River. When the Peace River is in flood, the flow of these channels are reversed and water from the Peace flows into Lake Athabasca.
Asher Tlalim (; aka: Asher de Bentolila Tlalim) is an Israeli filmmaker, born in Tangier (then an international city, now part of Morocco), who grew up in Spain and since the beginning of the millennium is based in London. Tlalim is mostly known for his 1989-90 trilogy Kol ha’Anashim Ha’bodedim (All the Lonely People, recipient of the 1990 Wolgin Prize, Jerusalem Film Festival); for his 1994 film Don’t Touch My Holocaust (recipient of the Israeli Academy Award prize, currently named Ophir Award); his critically acclaimed film Galoot, exile in Hebrew as well as his children's videos, Dig-dig-dug 1,2 &3 and others. Tlalim's films have been shown in the Berlin Film Festival, Jerusalem Film Festival, Montreal Film Festival, Hamptons Film Festival, Chicago Film Festival, Sheffield Doc/Fest, and many others. Tlalim's work have received scholarly attention by academics such as Omer Bartov and others.

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