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"frontierswoman" Definitions
  1. a woman living on the frontier, especially one who lived in the western US during the 19th century
"frontierswoman" Antonyms

22 Sentences With "frontierswoman"

How to use frontierswoman in a sentence? Find typical usage patterns (collocations)/phrases/context for "frontierswoman" and check conjugation/comparative form for "frontierswoman". Mastering all the usages of "frontierswoman" from sentence examples published by news publications.

Dakota Fanning plays Liz, a frontierswoman in America who lives on her family farm and serves as a midwife for the locals.
The two existing statues of women on state property are of Civil War surgeon Dr. Mary Walker, in Oswego, and frontierswoman Mary Jemison, in Letchworth State Park.
Maeve Millay (Thandie Newton) is both the badass insurgent murdering people in the Delos offices and that terrified frontierswoman mom protecting her child, whom we see in flashbacks.
The story — the script is credited to Nic Pizzolatto and Richard Wenk — pretty much follows the line of the 1960 film, with some tweaks that speak to contemporary mores, including a gun-toting frontierswoman, Emma (Haley Bennett).
Erdem has long designed prairie looks, citing Laura Ashley as inspiration for its flutter-sleeved, floral pre-fall offerings (the cornflower blue taffeta worn by Evan Rachel Wood's frontierswoman robot on "Westworld" would have looked right at home).
Early in " Inland ," Téa Obreht's new novel, we find the frontierswoman Nora Lark in the drought-stricken Arizona Territory, managing the fears of her seven-year-old son, Toby, who has discovered strange disturbances in the scrubland surrounding their homestead.
A frontierswoman turns her family into a band of bank robbers.
Calamity Jane was a notorious frontierswoman who was the subject of many wild stories- many of which she made up herself. In the show, she was a skilled horsewoman and expert rifle and revolver handler. Calamity Jane appeared in Wild West shows until 1902, when she was reportedly fired for drinking and fighting.Griske (2005), pp. 87–88.
She successfully reared the five children of her sister Fanny after they were orphaned in 1883. In the late 1880s, Cashman set up several restaurants and boardinghouses in Arizona. In 1898 she went to the Yukon during the Klondike Gold Rush for gold prospecting, working there until 1905. She became nationally known as a frontierswoman, with the Associated Press covering a later trip.
A post office called Terry was established in 1892, and remained in operation until it was discontinued in 1929. The community took its name from nearby Terry Peak. Martha Jane Cannary or Cannary, the frontierswoman better known as Calamity Jane, died in Terry on Saturday, August 1, 1903, from inflammation of the bowels and pneumonia, at the age of 51.
Firearms became readily identifiable symbols of westward expansion. American attitudes on gun ownership date back to the American Revolutionary War, and also arise from traditions of hunting, militias, and frontier living. Justifying the unique attitude toward gun ownership in the United States, James Madison wrote in Federalist No. 46, in 1788, that: Calamity Jane, notable pioneer frontierswoman and scout, at age 43. Photo by H.R. Locke.
Martha Jane Cannary (May 1, 1852 – August 1, 1903), better known as Calamity Jane, was an American frontierswoman. In addition to many exploits she was known for being an acquaintance of Wild Bill Hickok. Late in her life, she appeared in Buffalo Bill's Wild West show and at the 1901 Pan-American Exposition. She is said to have exhibited compassion to others, especially to the sick and needy.
Calamity Jane, notable pioneer frontierswoman and scout, at age 43. Photo by H.R. Locke. The American hunting tradition comes from a time when the United States was an agrarian, subsistence nation where hunting was a profession for some, an auxiliary source of food for some settlers, and also a deterrence to animal predators. A connection between shooting skills and survival among rural American men was in many cases a necessity and a 'rite of passage' for those entering manhood.
Calamity Jane (A Musical Western) is a stage musical based on the historical figure of frontierswoman Calamity Jane. The non-historical, somewhat farcical plot involves the authentic Calamity Jane's professional associate Wild Bill Hickok, and presents the two as having a contentious relationship that ultimately proves to be a facade for mutually amorous feelings. The Calamity Jane stage musical was an adaption of a 1953 Warner Bros. movie musical of the same name that starred Doris Day.
On December 15, 1941, she was part of the cast of Norman Corwin's We Hold These Truths radio program. She also performed in The Goldbergs. In 1958 Main appeared as a rugged frontierswoman, Cassie Tanner, in "The Cassie Tanner Story" and "The Sacramento Story" episodes of NBC's television series, Wagon Train. In the first segment she joins the wagon train, casts her romantic interest on Ward Bond as Major Adams, and helps the train locate needed horses despite a Paiute Indian threat.
The novel follows two parallel narratives in the American frontier. Living in the lawless, drought-ridden lands of the Arizona Territory in 1893, 37-year-old frontierswoman Nora Lark waits inside her home for the return of the men in her life. Nora's husband, Emmett, left in search of water for the household and their two elder sons left following an explosive argument. Nora lives with her youngest son, who is convinced that a mysterious beast is stalking the land surrounding their home.
Donen solidified his solo career and scored another hit with the musical Seven Brides for Seven Brothers (1954). Based on a short story by Stephen Vincent Benét, the film's music is by Saul Chaplin and Gene de Paul, with lyrics by Johnny Mercer and choreography by Michael Kidd. Jane Powell plays Milly, an 1850s frontierswoman who marries Adam (Howard Keel) only hours after meeting him. When she returns with Adam to his log cabin in the Oregon backwoods, Milly discovers that her husband's six brothers are uncivilized and oafish.
Nellie Neal Lawing (1874-1956), known as Alaska Nellie, was an Alaskan frontierswoman, roadhouse operator, and hunter. Born in Missouri, Lawing moved to Alaska in 1915 after leaving her first marriage. She worked as a camp cook until the next spring, when she won a government contract to open a roadhouse along the Alaska Railroad. Her first roadhouse was located at Mile 45 of the railroad, an area which she named Grandview; while at the roadhouse, she gained a reputation as a hunter and dog sled musher and became a local hero after saving a mail carrier in a blizzard.
Mary Jemison (Deh-he-wä-nis) (1743 – September 19, 1833) was a Scots-Irish colonial frontierswoman in Pennsylvania and New York, who became known as the "White Woman of the Genesee." She had been taken as a youth and adopted into a Seneca family, assimilating to their culture, marrying two Native American men in succession, and having children with them. In 1824 she published a memoir of her life, a form of captivity narrative. In 1755 during the French and Indian War, Jemison at age 12 was captured with most of her family in a Shawnee mourning raid in what is now Adams County, Pennsylvania.
Jane Canary (Robin Weigert), a frontierswoman and former scout for General George Armstrong Custer, first arrived in Deadwood with Wild Bill Hickok and Charlie Utter. She idolizes Hickok, is friends with Utter (albeit grudgingly), and forges a friendship with Doc Cochran, after their joint efforts in protecting Sofia Metz and the doctor's enlistment of her aid in fighting a smallpox epidemic. Known for her hard drinking and swearing, Jane is truculent and abrasive upon first impression, but her character has a loopy humor and an upright moral center that grows on people in the camp, and she is deeply compassionate to the ill and helpless. After Hickok's murder, she sinks into severe depression and alcoholism.
Mary Priestley's continuing ill-health would force the doctor to cancel planned excursions to New York and Boston, and return home early, at the end of May.Dr Priestley [at Philadelphia] to John Fellows [1759-1844, bookseller at New York], 11 April 1796, Bibliothèque municipale de Nantes, Ms 674-170. Joseph Priestley Jr.'s wife, Elizabeth Ryland-Priestley, a middle-class Englishwoman could offer little in the way of care; so, throughout 1796, Margaret Foulke- Priestley, a frontierswoman not slow to roll up her sleeves, nursed Mary Priestley, moving in, and eventually bringing her own sister, so that between the two of them they could nurse Mary Priestley twenty-four hours a day.Priestley to Lindsey, 19 September 1796, cit.
The title background is a sculpture of an American frontierswoman, a child on her left arm and the barrel of a flintlock in her right hand. The picture is dedicated to the women of the wilderness, “the wives and sweethearts who endured martyrdom for love’s sake [and] lie quiet and unsung in the great meadow.” The fortitude of women is the focus of most episodes in the film. In 1777, on their farm in Albemarle County in the Piedmont of Virginia, the Hall family go about their routine, drawing water, feeding chickens, forging tools, plowing rocky hillsides. In the evening, Thomas Hall (Russell Simpson) reads the latest war news to his family—his wife Molly (Sarah Padden), their grown son, Rubin (Guinn “Big Boy” Williams), their daughters Diony (Eleanor Boardman) and Betty (Anita Louise), and the youngest child, Samuel (Andy Shuford).

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