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"floating light" Definitions
  1. a light shown at the masthead of a ship moored over dangerous waters (as those above sunken rocks or shoals) to warn mariners : LIGHTSHIP

34 Sentences With "floating light"

How to use floating light in a sentence? Find typical usage patterns (collocations)/phrases/context for "floating light" and check conjugation/comparative form for "floating light". Mastering all the usages of "floating light" from sentence examples published by news publications.

But I was drawn to an effortless, thrilling abstraction full of floating light that I couldn't identify.
Dancers wore bejeweled high-neck bodysuits, accessorized with satin opera gloves and floating light orbs carefully situated around their necks.
Outside of Hollywood, Aiello was also a stage actor, performing in multiple Broadway plays including Gemini, The Floating Light Bulb and The House of Blue Leaves.
Flyte rose to popularity after crowdfunding a floating light bulb that, at least in photos, appears to be a surprisingly elegant mixture of modern and retro design.
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In 1981, Weston appeared on Broadway in Woody Allen's comedy The Floating Light Bulb, for which he was nominated for a Tony Award as Best Actor."'The Floating Light Bulb' Broadway" playbill.
Then in early 1842 a flashing light replaced the fixed light, and a lightship was towed to a station of the Knobben, off Anholt. Around the mid-19th century there was also a floating light stationed several miles out from the lighthouse, near the end of the several miles long reef. This floating light operated from May to December. Today's tower dates to 1881, at which time an oil lamp replaced the fire.
The Floating Light Bulb is a 1981 Broadway play by Woody Allen. Semi- autobiographical, it focuses on a lower middle class family living in Canarsie, Brooklyn, New York City, in 1945.
Lloyd's List, n°4500. Accessed 14 August 2016. On 10 January 1805 Jackal sailed from Deal with a pilot, Mr Kercaldie, on board to replace the floating light on the Galloper Sand.Naval Chronicle, Vol.
He also appeared in the 1986 comedy film, Willy/Milly. Gurry's theatre credits include the off-Broadway comedy, Table Settings (1980); and Woody Allen's Broadway play, The Floating Light Bulb (1981), with Beatrice Arthur, Danny Aiello and Jack Weston. Gurry also appeared in a handful of TV series and TV movies throughout his career.
In 1985, on the 100th anniversary of his father's birth, Harry Blackstone, Jr. donated to the Smithsonian Institution in Washington D.C. the original floating light bulb - Thomas Edison designed and built it - and the original Casadega Cabinet, used in the "Dancing Handkerchief" illusion. This was the first ever donation accepted by the Smithsonian in the field of magic.
Congress next appropriated $10,000 for the construction of a "floating light for Middle Ground, Long Island Sound". Built in Norfolk, Virginia 1837, the lightship constructed was long and weighed 100 tons. It carried a lantern on each of its two masts, plus a hand-operated bell and a foghorn as fog signals. The lightship was anchored off the southeastern edge of Stratford Shoal on January 12, 1838; just eight days later, it drifted off its station.
Harry Blackstone, Sr. was famous for performing a "Floating Light Bulb" illusion, in which an illuminated lightbulb – supposedly made by Thomas Edison – was produced and illuminated in Blackstone's hands with no visible means of power. The bulb would then be extinguished and levitated into the air, where it would be illuminated again, before being floated out over the audience, still lit. Dutch magician Hans Klok became the custodian of the illusion after the death of Blackstone, Jr.
Arthur accepted the supporting role of Vera Charles, for which she won great acclaim, winning a Tony Award for Best Featured Actress in a Musical the same year. She reprised the role in the unsuccessful 1974 film version opposite Lucille Ball. In 1981, she appeared in Woody Allen's The Floating Light Bulb. She made her debut at the Metropolitan Opera in 1994 portraying the Duchess of Krakenthorp, a speaking role, in Gaetano Donizetti's La fille du régiment.
The Nore lightship was established as the world's first floating light in 1732. After the reforms of the Lighthouse Act 1836 by which Trinity House accepted powers to levy out the last private lighthouse owners and began refurbishing and upgrading its lighthouse estate, owners still managed to collect large dues, of which the largest were for the Smalls Lighthouse which collected £23,000 in 1852 and Trinity House was forced to spend over £1m in buying back leases, including £444,000 for the Skerries Lighthouse.
The writing was developed with each member's contributions until the summer of 2015, when the five members were able to be in the same place. The band decided to record what they could in those five days together. These recordings became known as 'The Lightship recordings' after the name of the studio, Lightship 95, a floating light-house moored at Trinity Buoy Wharf, East London. The recordings are being released in their entirety during 2016 with a limited edition physical release planned.
British engineers constructed the present lighthouse, reinforcing the building by placing it on a foundation of 49 greenheart piles, making it durable nearly 200 years later. A floating light was placed at the Demerara bar in March 1838 and a system of signalling to the lighthouse was established. On 27 February 1838 a Committee of Pilotage was formed and entrusted with the signalling. Before establishment of the System of Signalling, a beacon had been erected on the East Coast Demerara and vessels entering had to contribute to the cost of constructing the beacon.
He came up with ideas on how to provide inexpensive fuel for the poor, a floating light to save those lost in the sea (for which he received an award), a way to establish new species of fish in ponds around England, and perhaps strangest of all, a method of lining your shoes with tinfoil to keep them dry. Shipley died in Maidstone, aged 89, on 28 December 1803. A monument was erected to his memory in the north-west corner of churchyard of All Saints Church, Maidstone.Churchyard of All Saint's, Maidstone, Flickr.
In 2012, Blink Art was commissioned by advertising agency Saatchi & Saatchi to create a monument representing the history of Guinness from 1759 to the present day. The sculpture was designed and directed by Blink Art's David Wilson and consists of a carved wooden plinth and floating light sculpture suggesting the recognisable form of a dark pint of Guinness topped with white foam. A team of carpenters, illustrators, designers and artists spent a month creating the monument, which is on display at the Guinness Storehouse in Dublin, Republic of Ireland.
The lightship would display a chronic inability to hold its station in future years, even after its single anchor chain was supplemented with second and third anchors. It was dragged from its station by ice more than half a dozen times, most notably in 1875 when it ran aground at Orient Point, and in 1876 when it drifted to Faulkner Island. When standard hull numbers were assigned to lightships in 1867, the Stratford Shoals lightship was named LV-15; previously it had been known as "Middle Ground floating light", "Stratford Shoal Light Vessel," or "Stratford Point Light Vessel".
In a darkened theatre, Blackstone would take a lighted bulb from a lamp and float it, still glowing, through a small hoop. He would then come down from the stage and the lamp would float out over the heads of the audience. Dutch illusionist Hans Klok became the custodian of Blackstone Sr.'s famous "floating light bulb" illusion after the death of Blackstone Jr. When not on tour, Blackstone lived on an island he called Blackstone Island. It was near Colon, Michigan, where he had a brief stint as co-owner of the Blackstone Magic Company.
Elwood Walter, No. 7 On May 16, 1853, a feature article appeared in the New York Morning Courier reporting that: "The Pilot-Boat Elwood Walter, No. 7, belonging to the Merchants' Pilot Associations, went down the bay on Friday afternoon, with a large party of guests on board, and after proceeding out as far as the floating light, returned to the city in the evening, after an unusually pleasant excursion." The article also talks about the construction and service of the Elwood Walter and who were the pilots and owners. It used an abbreviation for the boat as the "E.W.".
Dutch illusionist Hans Klok and Darren Romeo perform the famous "Blackstone Floating Light Bulb" illusion under a licensing agreement with Blackstone Magik Enterprises Inc. (It is one of only two magic illusions to have intellectual properties.) The Performing Arts Theater at Redlands East Valley High School is named in his honor. His widow, Gay Blackstone, is the former president of The Magic Castle in Hollywood. Gay Blackstone appeared in the season 10 episode 14 Pawn Stars episode "Tricky Ricky," in 2014, and sold a vanishing birdcage prop used by both Harry Sr. and Harry Jr. to Rick Harrison for $2,600.
A Love Trilogy uses the first side for one long disco track in three distinct movements 'Try Me', 'I Know', 'We Can Make It', and coalescing into the "love trilogy" of the title – "Try Me, I Know We Can Make It". Side two contained three additional erotic disco songs, including a cover of Barry Manilow's "Could It Be Magic". The album's artwork showed Summer floating light-heartedly through the clouds, again adding to the image of her as a fantasy figure. The album sold well across the world, (it was her second, consecutive album to be certified Gold in the United States) and again topped the national US Disco charts.
Matriarch Enid Pollack, who once aspired to be a dancer in George White's Scandals, spends her days hounding neighbors with telephone business schemes in order to support the family. Her philandering husband Max is a gambler, furtively planning his escape from his marriage. Stuttering teenaged son Paul is a frail, bright, shy boy who tries to perfect magic tricks — including a floating light bulb illusion — in his bedroom. When talent agent Jerry Wexler arrives at the house, seemingly to audition Paul, Enid seizes the opportunity for Paul to shine in the spotlight that eluded her, only to have her hopes dashed when she realizes Wexler is more interested in wooing her than signing her son as a client.
Jitters was founded by school friends Konstantin Karman, Syargey Kondratenka, and Eugene Vial in Minsk, Belarus, in 1998. Inspired by the works of world- famous grunge and alternative rock groups Soundgarden, The Smashing Pumpkins, Pearl Jam, Alice in Chains, Nirvana, and Mudhoney, the trio acquired their first musical instruments and decided to learn how to play melodic, solemn, and psychedelic rock tunes. Their first performance was held at the Minsk club Alternative (later known as the A-Club) in 1999. Their debut promo CD included two English-language compositions, "Floating Light" and "Consumed". Oleg “О’К” Klimov from the Muzykalnaya Gazeta reviewed the disc and said the songs were written by "new romantics who have been down with Britpop".
VIDEO: Harry Blackstone Sr. performing the "Sawing a Woman in Half" illusion in 1934 – "YouTube Vintage Magic Archives" Accessed 2015-07-21 In a gentler turn was his "Vanishing bird cage", an effect in which a score or more of children were invited to join him on the stage and all "put their hands on" a tiny cage holding a canary. Blackstone lowered the cage and then seemed to toss it into the air: bird and cage "disappearing" in the process to the astonishment and delight of the surprised children. Among his lovelier effects was "The Enchanted Garden", in which countless bouquets of brilliant feather flowers appeared from under a foulard and on tables and stands until the stage was a riot of color. "The Floating Light Bulb", was perhaps his signature piece.
In 2013, Clark was presented with the Art Institute of Chicago's Legends and Legacy Award, in recognition of what it called his "pioneering paintings." In 2014, upon viewing an exhibit of Clark's work at the Tilton Gallery, New York critic Barry Schwabsky wrote in The Nation, "He is, simply, one of the best living painters." He continued, "Paint as a literal, physical presence and as a trace of the artist's mental and physical activity becomes inseparable from the evocation of the glory of light." Reviewing a Museum of Modern Art show in 2017, New York Times critic Roberta Smith wrote that in a gallery that also included paintings by Willem de Kooning, Elizabeth Murray, Alma Thomas and others, she was most taken by "an effortless, thrilling abstraction full of floating light," an untitled work by Clark.
5, line 10-13 Mary Wroth refers to Goodwin Sands as a place of shipwreck in her sonnet sequence Pamphilia to Amphilanthus (1621): :Like to a Ship on Goodwins cast by winde, / The more shee strive, more deepe in Sand is prest... (Sonnet 6, 5-6). Herman Melville mentions them in Moby-Dick, Chapter VII, The Chapel: :In what census of living creatures, the dead of mankind are included; why it is that a universal proverb says of them, that they tell no tales, though containing more secrets than the Goodwin Sands... R. M. Ballantyne, the Scottish writer of adventure stories, published The Floating Light of the Goodwin Sands in 1870. W. H. Auden quotes the phrase "to set up shop on Goodwin Sands" in his poem In Sickness and in Health. This is a proverbial expression meaning to be shipwrecked.
Grosbard gravitated towards theatre when he relocated to New York City in the early 1960s. After directing The Days and Nights of BeeBee Fenstermaker off-Broadway, he earned his first Broadway credit with The Subject Was Roses, for which he was nominated for the Tony Award for Best Direction of a Play in 1964. That same year he won the Obie Award for Best Direction and the Drama Desk Award for Outstanding Director of a Play for an off-Broadway revival of the Arthur Miller play A View from the Bridge, for which Dustin Hoffman served as stage manager and assistant director. Grosbard's additional Broadway credits include Miller's The Price; David Mamet's American Buffalo, which earned him Tony and Drama Desk Award nominations; Woody Allen's The Floating Light Bulb; and a revival of Paddy Chayefsky's The Tenth Man.
Rather than utilize the routines his father developed, Blackstone developed his own and modernized his performance, though onstage he would, on occasion, perform a sequence of his father's illusions in a period setting. Blackstone created four levels (beginner to advanced) of magic kits that were the best selling in the field.Houdini.org on Blackstone Jr. In the early 1970s, he promoted a "PF Magic Wedge Kit" on a television commercial for PF Flyers sneakers,PF FLYERS Harry Black Stone Jr Magician 1970 Tv Commercial, YouTube and he appeared on several commercials for Jiffy Pop popcorn. Harry Blackstone Jr., Pittsburgh, 1981 In 1985, on the 100th anniversary of his father's birth, Blackstone donated to the Smithsonian Institution in Washington, D.C. the original floating light bulb — designed and built by Thomas Edison — and the original Casadega Cabinet, used in the "Dancing Handkerchief" illusion.
Life-size statue of Allen in Oviedo, Spain While best known for his films, Allen has enjoyed a successful career in theatre, starting as early as 1960, when he wrote sketches for the revue From A to Z. His first great success was Don't Drink the Water, which opened in 1968, and ran for 598 performances for almost two years on Broadway. His success continued with Play It Again, Sam, which opened in 1969, starring Allen and Diane Keaton. The show played for 453 performances and was nominated for three Tony Awards, although none of the nominations were for Allen's writing or acting. In the 1970s Allen wrote a number of one-act plays, most notably God and Death, which were published in his 1975 collection Without Feathers. In 1981 Allen's play The Floating Light Bulb opened on Broadway.
She attended the Maryland Art Institute and Johns Hopkins University and George Washington University, graduating from Wayne State University. She made her Broadway debut in the 1959 production of The Miracle Worker as actress Anne Bancroft's understudy in the role of Annie Sullivan. She received a Tony Award nomination during the next season in 1961 for The Devil's Advocate, an adaptation by Dore Schary of the novel of the same name by Morris West. Hughes enjoyed a Broadway career which spanned more than 30 years. Her Broadway credits included Dear Me, the Sky is Falling in 1963, The Advocate in 1963, The Last Analysis in 1964, Spofford in 1967, The Man in the Glass Booth in 1968, Beggar on Horseback in 1970, The Prisoner of Second Avenue in 1971, Golda in 1977, Tribute in 1978, The American Clock in 1980, Lolita in 1981, Woody Allen's The Floating Light Bulb in 1981, and Cafe Crown in 1989.
The name of the guild derives from the Holy Trinity and St. Clement, the patron saint of mariners. As John Whormby, a Clerk to the Corporation, wrote in 1746, their general business was:Whormby, John (1746). An Account of the Corporation of Trinity House of Deptford Strond and of Sea Marks in General 1746-1861. Smith & Ebbs, 1761, reprint 1861. pp. 1–2. In 1566, Queen Elizabeth I's Seamarks Act enabled Trinity House: John Sebastian, Trinity House L.V. No 55 (1886 built as a batch order of three, LB54, LV55 and LV59) in Bathurst Basin With the increasing number of ships lost along the Newcastle to London coal route, Trinity House established the Lowestoft Lighthouse in 1609, a pair of wooden towers with candle illuminants. Until the late 18th century, candle, coal, or wood fires were used as lighthouse illuminants, improved in 1782 with the circular-wick oil-burning Argand lamp, the first ‘catoptric’ mirrored reflector in 1777, and Fresnel’s ‘dioptric’ lens system in 1823. The Nore lightship was established as the world's first floating light in 1732. Trinity House took over the management of all public buoys in the kingdom in 1594 from the Lord High Admiral.

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