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Teresa Landucci Bandettini (also known by her Arcadian name Amarilli Etrusca; 11 August 1763 – 6 April 1837) was an Italian dancer, composer of extemporaneous verse, and poet, who is remembered as the Figurante Poetesca ("literary ballerina").
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Bandettini's talents led to her finding a patron in Count Ludovico Savioli. He paid for an early poem concerning the "Death of Adonis" to be not only printed but to be illustrated by Francesco Rosaspina. Bandettini was a composer of extemporaneous verse, and a poet. Not surprisingly with her dancing background, she was known as the literary ballerina (Figurante Poetesca).
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Jacoba was the youngest of four children, with an older sister and two older brothers. Her father was often absent during her youth and her mother was a washerwoman. She only went to school until she was ten, but taught herself different languages. At age sixteen, she had already been associated with the company that would later be officially called Bouwmeester Revue for a few years as figurante and then in the dance ensemble.
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He was made a figurante in the ballet 1785, a coryfee in 1789 and premier dancer in 1791. He participated in the pantomime ballet Det dubbla giftermålet by Jean-Rémy Marcadet opposite Margaretha Christina Hallongren, Hedda Hjortsberg, Joseph Saint-Fauraux Raimond and Carlo Caspare Simone Uttini the 1790–91 season. He was admired for his beauty and grace and attracted the attention of King Gustav III of Sweden. The circumstances of his departure from the Swedish ballet are well known.
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Victor Koning succeeded Hopstein from December 1875 until 1882, and opéras-bouffes and opéras-comiques featured strongly : in 1877 La Marjolaine by Charles Lecocq, Le Tzigane by Johann Strauss, in 1878 Le petit duc by Lecocq, in 1879 La Petite Mademoiselle by Lecocq and in 1880 Belle Lurette by Jacques Offenbach. From 1882 to 1893 the theatre lacked direction although the period saw the creation of Fanfreluche, an opéra-comique by Gaston Serpette in 1883, La Parisienne and La Navette by Henry Becque in 1885, Tailleur pour dames by Feydeau in 1886, Isoline by André Messager in 1888, and Madame Chrysanthème also by Messager in 1893. Sarah Bernhardt took over the direction from 1893 to 1899, during which time Gismonda by Victorien Sardou in 1894, La Princesse Lointaine by Edmond Rostand in 1895, Les Amants by Maurice Donnay and La Figurante by François Curel in 1896, La Ville morte by Gabriele d'Annunzio, L'Affranchie by Maurice Donnay, Le Radeau de la Méduse by Romain Coolus in 1898, were all premiered. On 3 December 1896, Bernhardt created herself Lorenzaccio by Musset and the following year La Samaritaine by Edmond Rostand. The Milliaud brothers ran the theatre from 1899, followed by Firmin Gémier in 1901, until the arrival of Lucien Guitry from October 1902 until 1909.
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