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"chorus girl" Definitions
  1. a girl or young woman who is a member of the chorus in a musical show, etc.
"chorus girl" Synonyms
chorine chorus line coryphée showgirl dancer hoofer ballerina danseur danseuse belly-dancer bopper coryphee line-dancer tap-dancer terpsichorean Terpsichorean ballet dancer go-go dancer prima ballerina professional dancer show girl woman ballet dancer figurante More

423 Sentences With "chorus girl"

How to use chorus girl in a sentence? Find typical usage patterns (collocations)/phrases/context for "chorus girl" and check conjugation/comparative form for "chorus girl". Mastering all the usages of "chorus girl" from sentence examples published by news publications.

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She was a chorus girl, a "dancing pick" (a "pickaninny," in blackface).
Not ten years prior, Stanwyck had been a chorus girl just entering show business.
Neither did Kathy Selden, Reynolds chorus girl turned movie star in Singin' in the Rain.
Grinning, he points at a painting of a Ziegfeld Follies chorus girl holding what looks like a hula hoop.
Having wandered into the first theater she spotted, apparently, Ruby is recruited to take over from a just-married chorus girl.
One is a re-creation of the bump-and-grind routine that the brothers learned as boys from their ex-chorus-girl grandmother.
Adam Kantor plays Harry, a composer, with Emily Walton as the chorus girl he loves and Jay Armstrong Johnson as a loyal friend.
The chorus girl and actress who was the model for the original "Gibson girl" had even appeared on the cover of Vanity Fair.
Adam Kantor plays Harry, a composer, with Emily Walton as the chorus girl he loves and Jay Armstrong Johnson as a loyal friend.
We have this thing where, if we shoot in the hallway, we have a llama, Abe Lincoln in a top hat, and a chorus girl.
He had genius, he had charm, but coercion and scapegoating colored his rehearsals, and he rarely met a chorus girl he didn't try to bed.
His father, Abraham, was a dentist; his mother, Florence (Leder) Ditchik, was a chorus girl and beauty queen before her marriage and later an interior designer.
At some point during her travels, Rainey became acquainted with a young Bessie Smith, who was then performing as a chorus girl, and became Smith's mentor.
" Thomas was a one-time Ziegfeld Follies chorus girl whose ghost is said to haunt the New Amsterdam Theatre, current home of the Broadway musical "Aladdin.
Barbara sang at Elks and U.S.O. clubs, danced at amateur-night performances in theaters and later got a job as a chorus girl and sang on the radio.
His shows like "Be More Chill" and "Broadway Bounty Hunter" turn minor characters — the teen loser, the superannuated chorus girl — into main ones, shoving outcasts into the spotlight.
The continual parade of oddities includes a talking dog, an androgynous actor slinking around near-naked like a Vegas chorus girl, bits from Pasolini's "Teorema," simulated necrophilia and more.
It tells the story of a chorus girl, played by Wanda Richert, who becomes the star of a Broadway show after its lead actress, played by Tammy Grimes, is injured.
The film, choreographed by Busby Berkeley, ignored most of the Ropes novel, using just its final chapters to tell a classic tale of the chorus girl who gets the big break.
The 20013 musical-comedy about the death of silent films and rise of the talkies starred Reynolds as Kathy Selden, a chorus girl who meets cute with silent movie star Don Lockwood (Gene Kelly).
With razor-sharp wit, Megan Fairchild, puffing away on a cigarette and then clearing the air with the silky wave of a hand, brought the glamour of a 1940s chorus girl to her debut.
At age 19, Reynolds stole the show playing a chorus girl with a voice of gold, who dubs over the voice of actress Jean Hagen's character, Lina, while stealing the heart of Kelly's Don Lockwood.
After gaining fame onstage, where she sang a duet with Evelyn Nesbit (the chorus girl whose husband killed the architect Stanford White, setting off a media circus), she moved to radio, film and most notably television.
Watch: Brazilian Plastic Surgery: Beauty on a Budget When Nesbit grew tired of modeling, she took to the stage to be a chorus girl—a job with a somewhat disreputable reputation for risqué costumes and late night parties.
Born in Rochester, New York, on June 8, 1891, Munson went to New York to become a chorus girl at age 17 and was discovered while window-shopping on Fifth Avenue by a photographer who introduced her to his artist friends.
" One of her four brothers, Frank Gould, married a chorus girl, Florence Lacaze, who is the subject of a new book by the historian Susan Ronald, "A Dangerous Woman — American Beauty, Noted Philanthropist, Nazi Collaborator: The Life of Florence Gould.
Hujar, who rarely revealed much about his background and sometimes said that he had been born in Hollywood to a Busby Berkeley chorus girl, was actually born in New Jersey, where he was brought up on a farm by his mother's Ukrainian-immigrant parents.
Popping out of (and then throwing) a cake in Singin' in the Rain (1952) After making fun of popular silent film star Don Lockwood (Gene Kelly), Kathy Selden (Debbie Reynolds) later runs into him at a party—where she pops out of a cake, singing and dancing as a chorus girl.
Like the sweaty, shirtless laborers, the "Negro…with a / toothpick," and the "blonde chorus girl" mentioned earlier on in the poem, these Puerto Ricans are — I was almost going to say decorative, in the sense that they are part of the décor of the city, visually appreciated but not interacted with, but that description probably wouldn't be quite fair to O'Hara.
Joined by a Juilliard graduate whose career is on the wane and a jaded chorus girl — she has quit "Chicago" after 20 years because the producers won't give her a shot at playing Roxie Hart — they end up in Indiana, where a school has announced it will cancel the prom instead of allowing a gay student to attend with her girlfriend.
"The Chorus Girl" () is an 1886 short story by Anton Chekhov.
The plot focuses on a famous sculptor, Gustaf Borgstrom (played by Jean Hersholt). He hires a chorus girl, Ardell Kendall (played by Lillian Rich). When Donald Dillingham (played by Cullen Landis) marries the chorus girl, his wealthy parents disown him.
A lawyer defends his own wife, a former chorus girl, who has been accused of murder.
Rennold Wolf. "The Little Father of the Chorus Girl." The Green Book Magazine c. 1925, pp. 281-291.
In the early 1930s, she appeared as a chorus girl in a couple of early, minor musical films.
Mabel Frenyear (August 25, 1880 – died after 1921) was an actress and chorus girl on stage and in three silent films.
She began dancing in burlesque as a chorus girl in the 1924 Columbia burlesque show "Town Scandals".The Billboard. Oct 25, 1924.
With the assistance of a chorus girl, an aspiring young newspaperman takes over his colleagues investigation into a theatrical producer heading a bootlegging operation.
Ann Hovey (August 29, 1911 - August 25, 2007) was an American chorus girl and minor film actress of the 1930s, primarily in B-movies.
He also preyed upon local chorus girls, specifically being charged with stealing $22,000 from chorus girl Betty Brown in 1922; however this charge was dismissed.
Moore plays the "dual" role of a French singer in America who was originally an American chorus girl in France to acquire a new persona.
The novel tells the story of ex-chorus girl Rita Aanson who goes into the second- hand furniture trade in the Sydney suburb of Paddington.
She was born Violet Mary Tipton in Kentish Town, London, in 1886 and went on the stage as a chorus girl at the age of sixteen.
Prono 2008, p. 241. For the next several years, she worked as a chorus girl, performing from midnight to seven a.m. at nightclubs owned by Texas Guinan.
She attended "Indiana High School", and after graduation she pursued a career as a chorus girl. On a minor contract with Warner Bros., Hovey began appearing in films in 1933, her first being as an uncredited chorus girl in 42nd Street with Ginger Rogers and Warner Baxter, which would be Ginger Rogers' breakthrough movie. Hovey's first credited role was in the 1933 film Private Detective, starring William Powell.
"Lydia Yeamans Titus" New York Dramatic Mirror, 10 March 1900, p. 19; retrieved 5 November 2013."Edna May, the American Chorus Girl". The Deseret News, 29 April 1899, p.
The production "elevated the chorus girl into ... an attraction in its own right." Evelyn Nesbit was a chorus girl in the show in 1901. Over the decades, the theatre also became known for its free Christmas presentations for New York children. Over the next decade, the theatre continued to present musicals and operettas, some of the most successful being A Chinese Honeymoon (1902), The Earl and the Girl (1905) and The Chocolate Soldier (1909).
While out on leave he met a New York chorus girl named Laura Cohn; he later married Laura and relocated to Los Angeles where they had two children; Phyllis and Robert.
As Hurstwood lounges about, overwhelmed by apathy and foolishly gambling away most of his savings, Carrie turns to New York's theaters for employment and becomes a chorus girl. Once again, her aptitude for theatre serves her well, and, as the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from chorus girl to small speaking roles, and establishes a friendship with another chorus girl, Lola Osborne, who begins to urge Carrie to move in with her. In a final attempt to prove himself useful, Hurstwood becomes a scab, driving a Brooklyn streetcar during a streetcar operator's strike. His ill-fated venture, which lasts only two days, prompts Carrie to leave him; in her farewell note, she encloses twenty dollars.
Hilda Perleno, 1926 Hilda Perleno was an American blues and jazz singer and actress, known for her Broadway appearances in the 1920s and 1930s. Hilda Eugeana Perleno was a native of East St. Louis, Illinois and attended the music conservatory at Howard University between 1918 and 1922. Her first role as a performer was as a chorus girl in the 1924 production In Bamville. In September 1924, Perleno appeared on Broadway as a chorus girl in The Chocolate Dandie.
Upon seeing the chorus girl who was brought in as her body double, an outraged Colbert told the director, "Get her out of here. I'll do it. That's not my leg!"Pace, Eric.
The heroines were independent young women who often earned their own livings. The stories followed a familiar plot line - a chorus girl breaks into high society, a shop girl makes a good marriage.
The ensuing struggle between Flakfizer and Lazlo leads to comic hijinks, including a badger game involving a chorus girl (Teri Copley), and an opening-night performance ludicrously sabotaged by Flakfizer and his cohorts.
Gloria Joyce is a chorus girl who has an affair with a delivery boy, David, when she realizes that her long-time affair with a nightclub comedian, Joey Jordan, is not going anywhere.
Stephen Lee is a wealthy man who is convinced that the chorus girl engaged to his nephew is a "gold digger" who only wants his nephew's money. Lee asks Jerry Lamar, another chorus girl that he knows, to convince his nephew to break off the engagement. She takes the opposite tack, trying to convince Lee that not all chorus girls are out for money. Unfortunately for her effort, several of her friends demonstrate that they are as money hungry as Lee fears.
Daisy Gertrude Fisher was born in 1888 to William Edgar Fisher (an accountant) and Emma Louisa Beasley. After Brampton Park burned down (circa 1907) she turned to the theatre and joined as a chorus girl.
A novelist brings a wild chorus girl home, hoping to study her for inspiration for his new novel. His snobby upper-class family is upset by her presence, but soon she has changed their lives forever.
Her voice attracted the attention of Broadway theatrical scouts who enticed her to become a performer on the stage. In 1915, she first appeared as a chorus girl in the Victor Herbert operetta The Princess Pat.
The earliest reference to the sandwich in published fiction is from Conversations of a Chorus Girl, a 1903 book by Ray Cardell. Historically, club sandwiches featured slices of chicken, but with time, turkey has become increasingly common.
Reggaeton is such an important factor to the hip hop culture that unshockingly also forces women to be more masculine or use their body in music videos especially in reggaeton videos to make a statement. There are not many women in the reggaeton family, due to the thought the stereotype that men dominant. Reggaetonera and a Chorus Girl are two different things in the Reggaeton culture. Ivy Queen is considered to be a Reggaetonera and Glory Castro is very well known for being a Chorus Girl within the Reggaeton culture.
The King and the Chorus Girl is a 1937 American romantic comedy film directed by Mervyn LeRoy and starring Fernand Gravey, Joan Blondell and Edward Everett Horton. Fernand Gravey plays Alfred VII, a young and rich deposed King in exile in Paris, monumentally bored. When he becomes involved with a chorus girl whom he accidentally insults (by falling asleep), her indignation provides an opportunity for his loyal courtiers to bring him back to life. Gravey (billed as "Gravet") was at the time the subject of a significant studio publicity campaign to build his image.
Early in his career, Harrington romanced a chorus girl named Edna Murray. That relationship produced a son. Not long after, Harrington toured with Maude Mills, a vaudeville actress, whom he married in 1916. Their marriage lasted five years.
Mack was casting his play The Noose, and LaHiff suggested that the part of the chorus girl be played by a real one. Mack agreed, and after a successful audition gave the part to Ruby.Madsen 1994, p. 22.
The dance was featured in the 1927 Austrian silent film Café Elektric. Judy Garland repeats vocal refrains from the song while hoofing in some chorus girl lines in a montage sequence from A Star Is Born (1954 film).
Geneva Doris Mitchell (February 3, 1908 – March 10, 1949) was an American actress. After beginning her entertainment career as a chorus girl at the age of twelve, she became more well known for her roles in several Hollywood films.
The chorus girl line, and their "harem-girl" costume, during an execution is frowned on. The men in the serial do not remove their hats whether inside or out. However, in South America "Tiger" refers to any big cat.
Mizejewski, Linda. (1999) Ziegfeld Girl: Image and Icon in Culture and Cinema. Durham: Duke University Press, p. 95. Thus was invented the Show Girl, whose job, unlike the Chorus Girl, was simply to be beautiful and to model clothes.
Born in New York City, Redfield was the son of Henry C. Redfield and the former Mareta A. George. His father was a conductor and arranger of music, and his mother was a chorus girl with the Ziegfeld Follies.
After thirty-three previews, the Broadway production opened on May 1, 1991, at the Palace Theatre, and closed on September 5, 1993 after 981 performances. Directed and choreographed by Tommy Tune, the original cast included Keith Carradine as Rogers, Dee Hoty as Betty Blake, Dick Latessa as Will's father Clem, and Cady Huffman as Ziegfeld's favorite chorus girl. Replacements later in the run included Mac Davis Witchel, Alex. "On Stage, and Off" The New York Times, April 24, 1992 and Larry Gatlin as Rogers, Mickey Rooney as Clem, and Susan Anton and Marla Maples as Ziegfeld's favorite chorus girl.
A wrist injury curtailed her dreams of becoming a concert violinist, but by 1922 she had her first job, playing violin in a pit orchestra for silent films at a Berlin cinema. She was fired after only four weeks. The earliest professional stage appearances by Dietrich were as a chorus girl on tour with Guido Thielscher's Girl-Kabarett vaudeville-style entertainments, and in Rudolf Nelson revues in Berlin. In 1922, Dietrich auditioned unsuccessfully for theatrical director and impresario Max Reinhardt's drama academy; however, she soon found herself working in his theatres as a chorus girl and playing small roles in dramas.
A chorus girl by the name of Peggy Harper (Betty Hutton) quits her job as a chorus girl to get a daytime job to see her lawyer boyfriend Oliver Clark (Sonny Tufts) more often. She gets a job as a private secretary for a Mr. Wallace Brent. One day at the office, he keeps pawing Peggy and trying to "neck" with her, and so she flees the office, all to come back the same night to get her coat, purse, and hat, and also run into the police. Peggy Harper is accused of murdering her boss.
DeRita was married twice. His first marriage was to a chorus girl named Bonnie Brooks (real name Esther M. Hartenstine) from July 13, 1935, until her death on September 6, 1965; they had no children.Reighter, Frank. The Three Stooges Journal #133 (2010) p.
I Want to Be a Chorus Girl (Spanish:Yo quiero ser bataclana) is a 1941 Argentine musical comedy film directed by Manuel Romero and starring Niní Marshall, Juan Carlos Thorry and Alicia Barrié.Melgosa p.43 The film's art direction was by Ricardo J. Conord.
McLeod was born in Santa Monica, California. Her schooling came in an Alhambra convent. She acted in a Los Angeles little theater and studied in the Bliss-Hayden drama workshop. She worked in a movie theater in Reno and later became a chorus girl in musicals.
Abbott and Costello both married performers they met in burlesque. Abbott wed Betty Smith, a dancer and comedienne, in 1918, and Costello married a chorus girl, Anne Battler, in 1934. The Costellos had four children; the Abbotts adopted two. Abbott and Costello faced personal demons at times.
When chorus girl Marjorie (Anna Neagle) discovers singer Bob (Arthur Tracy) busking in the streets, and the star of her show falls ill, she persuades her producer to give him a break. Sure enough, Bob becomes an overnight sensation, but success unfortunately goes to his head.
The times we had: Life with William Randolph Hearst. New York: NY: Random House Publishing. Educated in a New York convent, Davies left school to pursue a career. She worked as a chorus girl in Broadway revues and modeled for illustrators Harrison Fisher and Howard Chandler Christy.
Flynn was born in Greenwich, Connecticut on May 26, 1892. He later attended Yale University starting in 1910. He was expelled from Yale in January 1913 after he married Irene Leary, a chorus girl. They separated after 11 days, and their divorce became final in 1914.
Her younger sister, Pat Wing Gill (1916–2002), was also an actress and chorus girl who largely worked for Warner Bros. Her brother, Paul Reuben Wing (1926–1998), was a billionaire real estate mogul who led a quiet life away from the Hollywood limelight in Lake Elsinore, California.
The heroines were independent young women who often earned their own livings. The stories followed a familiar plot line – a chorus girl breaks into high society, a shop girl makes a good marriage. There was always a misunderstanding during act one and an engagement at the end.Coward, Noel.
Marie Dressler, Ethel Barrymore & others during the 1919 strike The Chorus Equity Association was created on August 12, 1919, in New York City during the strike by the Actors' Equity Association. After Florenz Ziegfeld revealed that he was joining the Producing Managers' Association, the chorus girls in his Ziegfeld Follies created their own union, with the help of a substantial donation from the superstar actress and former chorus girl Lillian Russell. Marie Dressler, another former chorus girl who had gone on to be a major star on the stage, was elected the association's first president. She led them to join the strike, spearheading a march down Broadway in solidarity with Actors' Equity.
Irène Bordoni is cast as Vivienne Rolland, a Parisian chorus girl in love with Massachusetts boy Andrew Sabbot (Jason Robards Sr.) Andrew's snobbish mother Cora (Louise Closser Hale) tries to break up the romance. Jack Buchanan likewise makes his talking-picture debut as Guy Pennell, the leading man in Vivienne's revue.
When Prividi uses the song anyway, Fred and his friend Johnny Dolan become drunk and show up at a nightclub. In a raid, the police discover Fred with chorus girl Ruthie. Jill is disgusted with his behavior and dumps him. She is soon courted by Prividi, who is very overprotective.
Rosenthal was married twice. His first marriage was to a chorus girl, Mlle. Troussier, in 1927. He had begun a relationship with soprano Claudine Verneuil while still married to his first wife, but during his tenure in Seattle presented Claudine as his wife even though he had not divorced Troussier.
Bertie stammers, and only manages to mention a gambling tip and a story about a stockbroker and a chorus girl, which upsets Miss Tomlinson. Jeeves leaves to ready the car. Soon, Bertie comes to ask if the car is ready. Jeeves replies that he has just finished fixing the car.
Casán in the 1970s. Casán was born in Buenos Aires. Following in the footsteps of Argentine revue diva Nélida Roca, Moria Casán became a stage sex symbol and chorus girl. She started as a dancer but immediately acquired major roles due to her versatility, powerful voice and on-screen presence.
After he was discharged, he returned to New York where he joined the orchestra of José Curbelo. On one occasion, the band performed at the China Doll Cabaret. There he met a young Japanese chorus girl by the name of Tobi Kei (b. Takeko Kunimatsu), who eventually became his wife.
In the end the man supposedly murdered makes his appearance and the sleuth uncovers the robbery culprit in an ex- convict guest of the resort. Pinky (Westover), a chorus girl in cahoots with the "murdered" man, gives William a lively time in keeping faith in her, but proves her trust in the end.
Kiki (Mary Pickford) is a hapless French chorus girl who has just been fired from her job. She doesn't accept it and goes to see producer Victor Randall (Reginald Denny). He, however, is really busy and is annoyed by her presence. To get her out of his office, he promises her job back.
"Fashions and Fancy." Chicago Tribune, 18 April 1954. Among those who played in the chorus during the New York run was future star Shirley MacLaine; Shirley Jones was a chorus girl in the Chicago performances, and she at least once substituted for an indisposed Isabel Bigby, "downed with a virus."Cassidy, Claudia.
Nolan was the daughter of ex-Head Constable Nolan of the Royal Irish Constabulary. She had two sisters, who became nurses, and three brothers, one of whom died in World War I. The family resided at Ringsend, Dublin. As a teenager, Nolan appeared as a chorus girl at the Gaiety Theatre, Dublin.
In 1933, he married Doris Blumenfeld, a Broadway chorus girl and the child of vaudeville actors of the German Blumenfeld circus family. He studied music with noted composer and music theorist Joseph Schillinger. He worked in radio, as a staff arranger for Paul Whiteman (1938–39), Andre Kostelanetz, Fred Waring, and for CBS Radio.Rayno, Don.
It's Love Again is a 1936 British musical film directed by Victor Saville and starring Jessie Matthews, Robert Young and Sonnie Hale. In the film, a chorus girl masquerades as a big game hunter to try to boost her showbiz career.MacNab p.79 The film was made at the Lime Grove Studios,Wood p.
Jill Deverne is a chorus girl married to alcoholic composer Fred. She wants to show Fred's latest song, "A Year From Today", to racketeer Joe Prividi. Prividi is the producer of the musical show in which she is working, and agrees to use his song. Fred, however, refuses any favors and rejects Prividi's offer.
She had uncredited roles in an additional eight movies. Her first uncredited role was in 1932's A Kid From Spain. Her second un-credited role was in what was likely the most famous motion picture in which she ever appeared; she was a Chorus Girl in the famed 1933 release, 42nd Street (film).
Their "Con-Paul Theatre" company opened in 1931, with them headlining a variety show. In 1932, she was "ballet mistress and star" at the Sydney Theatre Royal."In Defense of Chorus Girl: Queenie Paul Speaks" Arrow (12 February 1932): 21. via Trove The Connors took a touring company to New Zealand in the mid-1930s.
The Kid Sister is a 1927 American silent drama film directed by Ralph Graves and starring Marguerite De La Motte, Ann Christy and Malcolm McGregor.Munden p.404 A small-town girl goes to join her elder sister who is working as a chorus girl in New York City, but soon becomes disillusioned with city life.
Joan Plowright appears briefly as a feisty chorus girl and Lois Maxwell, who played Miss Moneypenny in the first 14 James Bond films, also has a stand-out scene as a girl who can be bought. The screenplay was written by fellow blacklisted writer Ben Barzman, adapted from the play Someone Waiting by Emlyn Williams.
Uggams was born in Harlem, the daughter of Juanita Ernestine (Smith), a Cotton Club chorus girl/dancer, and Harold Coyden Uggams, an elevator operator and maintenance man, who was a singer with the Hall Johnson choir."Leslie Uggams Biography" AllMusic. Retrieved July 15, 2015. She attended the Professional Children's School of New York and Juilliard.
As a chorus girl named Bubbles, she appeared with Bert Lahr in the Broadway comedy Burlesque, which ran for 439 performances from December 25, 1946, until January 10, 1948. The play was set in the basement dressing- room of a midwest burlesque theater, a New York hotel suite, and a theater in Paterson, New Jersey.
Kennedy was noticed by Ginger Rogers when she performed as a chorus girl in Shall We Dance? She did some comedy dances for Rogers offstage, which impressed the other actress. This relationship led to her being cast as a maid in Stage Door with Rogers and Katharine Hepburn. She was eventually signed onto RKO Radio.
Smith (who was unrelated to Mamie Smith) had toured on the T.O.B.A. circuit since 1912, originally as a chorus girl; by 1918 she was appearing in her own revue in Atlantic City, New Jersey.Harris 1994, pp. 462–463. She struggled initially to be recorded—three companies turned her down before she was signed by Columbia.
Renat was born in the Port of Veracruz, Mexico. At fourteen, she ran away from home with her first boyfriend. It was precisely her sisters, who convinced her to enter the world of entertainment by supplanting a chorus girl from a set where they danced. With this group, Renat undertook a tour through all Mexico.
In the early 1930s, a Broadway musical is in rehearsal. Mona Kent is its temperamental diva star, Joan a wise-cracking chorus girl, and Hennesy the producer/manager/director. The naive Ruby arrives from Utah, with "nothing but tap shoes in her suitcase and a prayer in her heart",Kerr, Walter. The New York Times, January 5, 1969, p.
Sadhana aspired to be an actress since childhood. Her father helped her enter films. In 1955 she played a chorus girl in the song "Mur mur ke na dekh mur mur ke" in Raj Kapoor's Shree 420. When she was 15 years old, she was approached by some producers who had seen her act in a college play.
At the age of nine she won her first dance contest doing the Charleston. Her first professional engagement was in a Broadway musical revue Black Birds of 1928 where she started out as chorus girl. Boisseau was married to Frederick D. Ramseur, who died in 2000. Her son is Sterling Bough, a dancer, singer, actor and choreographer.
Ann was once a chorus girl, involved with wealthy Gordon Crossley, who spurned her after she became pregnant. Scorned, Ann bludgeoned him to death, and served five years in prison for manslaughter, giving up the baby. The boy appears to be hers, but she believes Susan is better qualified to give the child a good home.
The Case of Lady Camber is a 1920 British silent mystery film directed by Walter West and starring Violet Hopson, Stewart Rome and Gregory Scott. Lord Camber comes under suspicion of murdering his wife, an ex-chorus girl. It was adapted from a 1915 play of the same title by Horace Annesley Vachell. It was made at Walthamstow Studios.
She appeared in theatrical productions at the Gate Theatre Studio directed by Peter Godfrey and, in need of money, she modelled the latest Paris fashions by French designer Jean Patou in Tatler magazine. It is also possible, although unlikely, that she obtained a bit role as a chorus girl in Paramount Studios' musical drama film Rumba.
Dressler described the troupe as a "wonderful school in many ways. Often a bill was changed on an hour's notice or less. Every member of the cast had to be a quick study". Dressler made her professional debut as a chorus girl named Cigarette in the play Under Two Flags, a dramatization of life in the Foreign Legion.
A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold-digger. But she assumes he is after "one thing" and is holding out for marriage. After meeting his mother, she learns that her beau is engaged to a society girl. He loses his money and they drift apart.
Fredi Washington's performing career began in 1921 when she got a chance to work in New York City, where she was living with her grandmother and aunt. She was a chorus girl in the hit Broadway musical Shuffle Along. She was hired by dancer Josephine Baker as a member of the "Happy Honeysuckles," a cabaret group.Sheila Rule.
Lynn Fontanne was born in 1887 in England. From childhood she wanted to be an actress, starting as a chorus girl in Cinderella in 1905. In 1916 she came to the U.S., and hit real success playing in Dulcy in 1921. With Alfred Lunt, Jr. was born in 1892 in Milwaukee, the son of a Wisconsin lumberman.
Susie (Helen Ware), who runs a house for gangsters, is raising Dick Rollins, the son (Douglas Fairbanks Jr.) of a dead convict. Susie has raised Dick well, making sure that he was not influenced by her gangster friends. She even gets him a job as press agent. Dick falls in love with Mary, a chorus girl, (Billie Dove).
Alice Jeanne Leppert was born on May 5, 1915, in Hell's Kitchen, Manhattan, the daughter of Alice (née Moffit; 1886–1959), who worked for the Mirror Chocolate Company, and Charles Leppert (1886–1935), a police officer. She had an older brother, Charles (1909–1977). Faye was raised an Episcopalian. Faye's entertainment career began in vaudeville as a chorus girl.
Ivón, a chorus girl, and Hugo, a failed writer, turn up at a provincial hotel on a stormy night. They have come from Madrid with Carlos, Hugo's son, born nineteen years earlier after a casual affair. They decide to lean over the cliffs to look at the angry waves down below – and Carlos falls to his death.
" Los Angeles Times, October 1, 2000. into a troubled family in Los Angeles. His mother, Sarah (née Johnston), was a chorus girl from Vancouver, and his father, Edward N. Bunker, a stage hand.Edward Bunker Biography (1933–) His first clear memories were of his alcoholic parents screaming at each other, and police arriving to "keep the peace.
The Era, 23 April 1892, p. 13 Pounds (left) with Kate Cutler and Marie Studholme in A Gaiety Girl, 1894 Pounds made her first professional stage appearance in 1890 as a chorus girl under the management of George Edwardes. After three months he gave her a small role in Joan of Arc at the Opera Comique in January 1891.
In the early 1950s she found employment as a chorus girl at Bimbo's 365 Club in San Francisco, while developing her professional modelling career. As the decade progressed she modeled for many professional photographers, including Peter Gowland, Bunny Yeager and Keith Bernard, appearing in a multiplicity of men's magazines such as Esquire, and commercial advertising imagery.
William Tudor has a huge debt and is forced to give up his family castle. He sells it to war millionaire John Kershaw and goes to London to visit his granddaughter Irene. Meanwhile, Tudor's nephew and Irene's sweetheart Owen travels to South Africa to oversee his father's mines. Irene becomes a chorus girl at the Gaiety Theatre.
The title character was discovered unconscious and adrift in a lifeboat. With no memory of her name or past, she called herself Claire Voyant. After several years, Claire was revealed to be Lyn Hall, a chorus girl. Lynn had been touring with the USO when the ship she was on was torpedoed by a U-boat.
Rubens as "Felice" in I Love You (1918) Her first stage opportunity came when a chorus girl in a musical comedy theater troupe became ill. Rubens was chosen to take her place and joined the troupe as a regular performer. There she met Franklyn Farnum who was also a member. He later convinced Rubens to leave the troupe and try film acting.
It turns out the glove belongs to Rita Morgan, wife of a local newspaper columnist. Don tells Rita that he has her glove, and she meets with Don and Lila. Rita, it turns out, is a former chorus girl who also worked for Carl and was being blackmailed by him. Rita says a blind man named Mr. Winters can exonerate her.
Gadd was born on a ranch in Bahía Blanca, Argentina in 1908 to immigrants from Jersey.Sweet p.87 Her father Talbot Gadd was a railway executive who abandoned the family, after which they moved to England in 1913. Gadd lived with her aunt and began to study dancing, working as a chorus girl in Brighton by the age of fourteen.
She met Roscoe Arbuckle when he was attempting to get started in theater, and the two married in August 1908. Durfee entered show business in local companies as a chorus girl at the age of 17. She was the first leading lady of Charlie Chaplin. Durfee and Arbuckle separated in 1921, just prior to a scandal involving the death of starlet Virginia Rappe.
Olcott was one of many women who performed Salome dances in vaudeville venues in New York City. Among them were La Sylphe, Eva Tanguay, Lotta Faust and Gertrude Hoffman.Behind The Scenes With Five Salomes, Syracuse Herald, Sunday Morning, August 30, 1908, pg. 18. Olcott ran away from home at the age of sixteen and found work as a Broadway chorus girl.
He is Carl Hastings, her former husband, once rational, but now consumed with bitterness as the result of his accident. Cleva enters the dressing room to find Lon with his hands on Hazel's shoulders. Cleva screams that she will not go back to being a "nurse maid" so that he can play around with a chorus girl. Cleva leaves home and vanishes.
White was born to French and Italian parents. Her mother was Catherine "Kate" Alexander, a chorus girl, and her father was Audley White, a paper salesman. Audley abandoned the family when she was a baby and Catherine died in 1915. Alice was raised by her maternal grandparents in Paterson, New Jersey, and she attended schools in Paterson and East Orange, New Jersey.
Both the plays also starred Felix Aylmer and Frank Clewlow. Mason was an Officer in the Royal Warwickshire Regiment from 1914 and then in the Machine Gun Corps during the First World War. He joined the army about two months after marrying a chorus girl Daisy Fisher. On 17 November 1914 he received his commission as a temporary Second Lieutenant.
Her mother's death in 1915 required Nonna to care for her two younger siblings. To support them and herself she took several jobs, including work as an artist's model and a cloak model. She soon entered vaudeville with her brother Frank, and by 1918 she was performing as a chorus girl at the Winter Garden Theatre in The Passing Show of 1918.
The reporter gets involved in the strip scene while writing a story on the clubs, and in the end he has quite a lot to write about. The competition between the two clubs heats up. Johnny becomes an unknowing instrument in the death of the chorus girl. Midnight informs on him to save his life from the violent blackmailers after him.
Questel styled Olive's voice and delivery after those of actress ZaSu Pitts. In 1938, Margie Hines took over as the voice of Olive Oyl, starting with the cartoon Bulldozing the Bull. Questel returned as her voice in 1944, starting with the cartoon The Anvil Chorus Girl. Questel would remain so until after the King Features Syndicate made-for-TV Popeye shorts in 1960.
Gretchen Franklin was born into a theatrical family. Her father had a song-and-dance act, while her grandfather was a well- known music-hall entertainer at the turn of the 20th century. Her younger cousin was the comedian Clive Dunn (1920-2012). She entered show business as a teenager, making her début as a pantomime chorus girl in Bournemouth.
In 1934, Accardo met Clarice Pordzany, a Polish-American chorus girl. They later married and had two daughters, Marie Judith and Linda Lee, and adopted two sons, Joseph Frank and Anthony Ross. Several of Accardo's family members had careers in the National Football League. His daughter Marie married Palmer Pyle, who played guard for the Baltimore Colts, Minnesota Vikings, and Oakland Raiders.
The two saw great potential in Jones. She became the first and only singer to be put under personal contract with the songwriters. They first cast her in a minor role in South Pacific. For her second Broadway show, Me and Juliet, she started as a chorus girl, and then an understudy for the lead role, earning rave reviews in Chicago.
She performed as a chorus girl in Memphis, Tennessee, and in various minstrel shows during the 1920s and 1930s, including Irvin C. Miller's Brown Skin Models, the Davis S. Bell Medicine Show, and F. S. Wolcott's Rabbit Foot Minstrels.Michael Lipton, "Mary McClain", The West Virginia Encyclopedia, 19 December 2011. Retrieved 11 July 2014 "Diamond Teeth Mary McClain", FolkStreams.net. Retrieved 11 July 2014.
After the raid is over, Roy escorts her to her apartment, and the two have dinner there. Describing herself simply as an unemployed chorus girl, Myra gains Roy's sympathy, and he offers to pay her overdue rent. After she rejects his offer and he departs, Myra returns to the streets. The following morning, Roy returns to visit her, and landlady Mrs.
Another sister, Harriet, was a chorus girl who danced in Earl Carroll's Vanities. She changed her name to Jeanne Morgan. Marsh attended Le Conte Junior High School and Hollywood High School. In 1928 she was approached by silent screen actress Nance O'Neil, who offered her speech and movement lessons, and with her sister Jean's help, she soon entered the movies.
She was educated in the United States, and later in Germany, ending her education at age 15. She then joined the Broadway production of Erminie. Next she worked as a chorus girl in traveling productions of La Marquise and Madelon. Her superior work came to the attention of manager John Russel and she was rewarded with a bit part in Natural Gas.
Doto soon assumed the role of a gentleman bootlegger, socializing with the theater elite. In the early 1920s, Doto started calling himself "Joe Adonis" (Adonis was the Greek god of beauty and desire). It is uncertain as to what inspired his nickname. One story states that Adonis received this nickname from a Ziegfeld Follies chorus girl who was dating him.
Advertising poster for Ricksha Bistro in San Francisco She had an association with clubs that goes back to the 1940s as a chorus girl,These Nightclub Entertainers Paved The Way For Asian-Americans In Showbiz by Heidi Chang, WPSU.org, March 17, 2015. she would eventually end up in management. One of the clubs that she ran was The Rickshaw in San Francisco.
In New York City, chorus girl Flo slips into a speakeasy saying she is being followed and orders a drink. A man is buzzed into the speakeasy and it turns out he was following Flo. The two know each other and the man tells Flo must return with him to South America. Flashback to Sadie's Place in South America a few years ago.
Unable to train as an actress and refusing to return to the Caribbean as her parents wished, Williams worked with varied success as a chorus girl, adopting the names Vivienne, Emma, or Ella Gray. She toured Britain's small towns and returned to rooming or boarding houses in rundown neighbourhoods of London.Carr, Helen (2004). "Williams, Ella Gwendoline Rees (1890–1979)," Oxford Dictionary of National Biography, Oxford University Press.
Tiffany was brought up in Marsden, near Huddersfield, England. His mother was a nurse, also a chorus girl; his father was an engineer, and also played in a brass band. As a youth, he participated in the Huddersfield Choral Society Youth Choir and held jobs at Boots UK and a restaurant. He initially studied biology at Glasgow University, but switched to classics and drama.
Universal Studios signed Whale to a five-year contract in 1931 and his first project was Waterloo Bridge. Based on the Broadway play by Robert E. Sherwood, the film stars Mae Clarke as Myra, a chorus girl in World War I London who becomes a prostitute. It too was a critical and popular success. At around this time, Whale and Lewis began living together.Anger, p. 210.
Nevada is a Las Vegas chorus girl with a pet performing ostrich named "Bolero". One day, reality begins to change; while investigating, she finds herself fighting against a mobster with a lava lamp for a head. The character also appeared in Vertigo: Winter's Edge #1 (January 1998) and #2 (January 1999), and was parodied by Gerber as "Utah" in Howard the Duck vol. 2, #4 (June 2002).
19 However, Smith did court Daisy Dixon, an aspiring actress and chorus girl from Chicago, in 1896. The courtship turned sour after he caught her cavorting with his jockey and notorious ladies man Tod Sloan. Dixon later married fellow gambler, Riley Grannan, who eventually died broke in Rawhide, Nevada in 1908. According to McGill, Smith never had an interest in another woman after Dixon's betrayal.
Jane Withers Takes Fling as Amateur. The Tampa Tribune (Tampa, Florida) 24 May 1938, page 11 Over her career, Lacy starred in musicals and westerns, and she was also a pinup girl and chorus girl. While in films, she worked with Tex Ritter, Hoot Gibson, and Eddie Cantor. By 1938, with her last uncredited movie being back in 1936, her career had taken a different path.
Born in Santa Monica, California. His father, Charles Robert Hardy Douglas Andrews, born in Effingham, Kansas, was a newspaperman, pioneering radio soap opera writer, novelist, and screenwriter. Andrews' mother was Irene Colman (née Bressette), an actress of French- Canadian descent born in Nashua, New Hampshire. She played a chorus girl in several Gold Diggers movies and had ingenue roles in a number of other movies.
Karlov's character was a chorus girl in this production that co-starred Enid Markey and Edna Hibbard. She was a part of the cast of Love On Approval, which was staged at The Playhouse in Chicago, Illinois, in June 1932. Karlov turned to writing film scenarios, of which she had produced six by December 1934. Two of these were accepted and produced by MGM.
Born in New York City, Elsie Ferguson was the only child of Hiram and Amelia Ferguson. Her father was a successful attorney.Great Stars of the American Stage by Daniel Blum, 2nd edit. c.1954 Profile #64 Raised and educated in Manhattan, she became interested in the theater at a young age and made her stage debut at 17 as a chorus girl in a musical comedy.
Willows calms down and tries to make it up to her, visiting the apartment Gloria shares with Sally Long, another chorus girl. While there, Willows offers Gloria her job back, in which she accepts. Gloria and Willow continue to advance both their professional and personal relationships, both in and out of the office. Randy starts to see the chemistry forming between the two and gets jealous.
Chorus girl Delight "Dee" Foster (Alice White) is in love with stage manager Billy Buvanny (Charles Delaney) and he also loves her. They plan to marry until bootlegger Perc Gessant (Fred Kohler) steps in. Dee is led to believe that Billy is in love with another girl, so she agrees to play around with Gessant when he becomes interested in her. When Gessant proposes marriage, Dee accepts.
Tread Softly is a 1952 British crime film with music, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. A chorus girl investigates a series of mysterious happenings at a derelict theatre. It was made at Marylebone Studios and at the Granville Theatre in Fulham. While made as a second feature it also had aspirations to top the bill in some cinemas.
Gibby immediately begins to fleece Bud out of small amounts of his cash to buy things. He also introduces him to chorus girl Vida Fleet (Joan Blondell) and her friend Faun (Inez Courtney). Bud quickly falls in love with Vida. Trouble soon starts when Gibby purchases a large amount of liquor and champagne from a local bootlegger and arranges a party in Bud's room.
Thoma was born in Memphis, Tennessee and was raised in Houston, Texas. At age 15 she moved to Las Vegas and became a chorus girl at the Sahara Hotel. A year later, she returned to Memphis to finish school and worked as one of eight summer stock theatre dancers. She pursued a dancer career on Broadway where she worked as such for 10 years.
Barr was born at Regent's Park Barracks, London on 17 January 1882. Her father, William Barlow, is believed to have been a soldier, although Maud described him as a retired civil servant on her marriage certificate.Marriage of Maud Barlow and Samuel Harris, 15 January 1910, Fulham Register Office. She made her stage debut in 1898 as a chorus girl at the Theatre Royal, Belfast.
Nan DeVere is a chorus girl who is romanced by Mr. Lany, a married man of considerable wealth. She agrees to marry him, but Mrs. Lany meets her at the theatre and begs her to stay away from her husband. She tells her of their former life of poverty, how he made a lucky mining strike, and then left her behind as he entered high society.
Originally played by Dorothy Cantwell. Nikki is considered a typical chorus girl-but she is eventually revealed to be Ensign Nicole Crandall, of United States Naval Intelligence. Her secret mission was to find the Germans who were sent over to sabotage the American war efforts. She is also interested in solving the mystery of the Stage Door Slasher, and helps to break the code in Bebe's notebook.
Meek, aging, hypochondriac stage producer J.J. Hobart (Victor Moore), who always thinks he is about to die, is going to mount a new show, but his partners Morty Wethered (Osgood Perkins) and Tom Hugo (Charles D. Brown) lost the money for the show in the stock market. On the advice of chorus girl Genevieve Larkin (Glenda Farrell), they insure J.J. for a million dollars, so that when he dies, they will have the money they need to produce the show. Genevieve's friend, ex-chorus girl Norma Perry (Joan Blondell) is sweet on insurance salesman Rosmer "Rossi" Peek (Dick Powell), and he writes the policy. When Rosmer's boss, Andy Callahan (William B. Davidson) finds out how old J.J. is, he is afraid he wil not pass the physical, but when Hobart does, Rosmer decides he has to keep J.J. alive as long as possible, to reap the rewards of his sale.
Ellye Marshall was born in 1930. She graduated high school in Connecticut and then enrolled at the Barbizon Modeling and Acting School in Manhattan. To support herself between modeling jobs, she worked as a waitress and salesgirl in many establishments. She won a spot as a chorus girl at the Copacabana nightclub and was recognized as "Ideal Copacabana Girl", which came with a film contract with 20th Century Fox.
Pauline Frederick as Potiphar's wife from the play Joseph and His Brethren (1910). She made her stage debut at the age of 17 as a chorus girl in the farce The Rogers Brothers at Harvard, but was fired shortly thereafter. She won other small roles on the stage before being discovered by illustrator Harrison Fisher who called her "the purest American beauty." With Fisher's help, she landed more substantial stage roles.
Early in her career, Whittell performed as a chorus girl in Anna Held's theatrical company. Whittell began her film career during the silent era, debuting in a featured role in 1917's Alimony. She appeared in four silent films between 1917 and 1921, before taking a hiatus from the film industry. In 1931 Whittell returned to films, with supporting roles in two Wheeler and Woolsey comedies, Caught Plastered and Peach O'Reno.
Now penniless, the boy must find different ways to elude the landlady and bouncer. He finally escapes the menacing duo by hopping into a moving car. Later, the eager playwright sneaks into the theater where the girl works a chorus girl to try and sell his play to the manager. He is unsuccessful, and after being kicked out of the manager's office, he's physically thrown into the street.
Her family lived with body builder Charles Atlas, who trained the family in gymnastics, weight lifting, and jogging. Stallone was the first woman to have a daily television show on exercise and weight lifting in Washington, D.C., and later opened a women-only gym, named Barbella's. During her youth, Stallone was a trapeze artist in a circus and a chorus girl in a nightclub. She was also a hairdresser.
She studied acting and moved to New York City in 1929, where she became a Ziegfeld chorus girl in the Ziegfeld Follies revues. She later became a nurse after attending the Jersey School of Medicine from which she graduated cum laude in 1935. She was employed in the Park Avenue offices of an expatriate Nova Scotia otolaryngologist. In February 1937, Parsons' brother introduced her to millionaire Dutch businessman Willem Leonhardt.
They were named "outstanding personalities in television commercials" in 1953 and received more than 300 letters a week from fans. On television, Wroe portrayed Lorelei Kilbourne on Big Town (1954). She survived two months of competition from more than 100 actresses to become the fourth woman to play that role. Wroe worked as a chorus girl in Las Vegas, and in 1954, she was a contract actress with Columbia Pictures.
Soon she takes a job as a singer in a nightclub, dropping young Creighton off to his father backstage at his theater before being driven to work. Lon has developed a close but platonic friendship with chorus girl Hazel Hastings (Jane Greer). Hazel is happy to help look after young Creighton. After the child gets sick at the theater, Lon complains to Cleva's employer, who reluctantly agrees to terminate her.
Portrait of Shannon at the beginning of her career by John de Mirjian. Shannon was born in Pine Bluff, Arkansas in 1907 (some sources erroneously cite 1909 or 1910) to Edward and Nannie Sammon. She had a younger sister, Carol. She attended Annunciation Academy Catholic School and Pine Bluff High School and then was hired as a chorus girl by Florenz Ziegfeld while visiting her aunt in New York in 1923.
Walter was born to a German father in what is now Sorsogon City, Sorsogon. As a teen, Walter appeared on the Manila bodabil circuit as a chorus girl in the stage shows of Katy de la Cruz. She began her film career as a bit player. Walter first came into fame in 1927, when she starred in Ang Lumang Simbahan, staged from the popular novel by Florentino Collantes.
Barnes was born in Islington, London, the daughter of Rosa Enoyce and George Barnes, a policeman. There were 16 children in her family. Before moving to Hollywood to become an actress, Barnes worked a series of jobs, such as chorus girl, nurse, and dance hostess. She began her acting career in films in 1923, appearing in a short film made by Lee De Forest in his Phonofilm sound-on-film process.
As described in a film magazine, chorus girl Peggy Malone (Hawley) marries the press agent of her company Jimmy Parsons (Barnes) and, after it disbands, retires to domestic life. She returns to the stage when her constantly visiting relatives cause a drifting apart of husband and wife. She subsequently joins a motion picture company, wins fame, is injured, and by the end of the film regains her husband and happiness.
At Yale, Bud flunks every class. He meets a waitress, Angelina, at an Italian restaurant and they develop a friendship. His father comes to town to try and talk the dean into letting Bud stay at Yale. Bud and his father stay at a hotel and mostly enjoy an evening at dinner, but his father hasn't changed since Bud left Kansas - he tries to set up Bud with a chorus girl.
Queenie Paul was on stage as a chorus girl by age 15. In her early 20s she was "principal boy" in a production of a pantomime, The Bunyip."Miss Queenie Paul" Critic (6 June 1917): 11. via Trove In 1917 she co-starred with an American actor at the National Theatre; she and Mike Connors were soon wed, and worked in shows together for most of the next twelve years.
Myrt was the elder, experienced chorus girl taking the young, inexperienced, and innocent Marge under her wing. The sponsor, Wrigley liked the idea and Myrt and Marge debuted in 1932. In 1933, Vail was injured seriously in an automobile accident. This forced her to turn the show's writing over to a colleague named Charles Thomas, who wrote a storyline in which Myrt was kidnapped by gangsters, allowing Vail to recuperate completely.
A half-hour remains before the show is to begin. Electrician Sidney and chorus girl Jeanie are irritated at Sidney's fellow electrician, Bob, for not being there. Sidney needs Bob's help; Jeanie, Bob's girlfriend, is annoyed at being stood up. Sidney warns Jeanie that Bob may not be the right man for her; these are doubts she has too (Musical numbers: "A Very Special Day"/"That's the Way it Happens").
One night he dropped in on Eddie Cantor backstage to offer a comic song, but although Cantor didn't use the song, he began encouraging Mercer's career.Lees, 2004, p. 58. Mercer's first lyric, for the song "Out of Breath (and Scared to Death of You)", composed by friend Everett Miller, appeared in a musical revue The Garrick Gaieties in 1930. Mercer met his future wife at the show, chorus girl Ginger Meehan.
She was born in New York City. There is some uncertainty over her year of birth. Most sources give 1907, but blues researchers Bob Eagle and Eric LeBlanc give 1892, based on 1900 and 1910 US census records, though the 1892 date would suggest that she died at the age of 104. Around 1919, she left school, purportedly to move to Cleveland, Ohio, but instead started working as a chorus girl.
Irish theatre manager George Edwardes moved chorus girl Rosie Boote to London in 1896, to appear The Runaway Girl. She was especially popular in The Messenger Boy. Rosie Boote married Geoffrey Taylour, 4th Marquess of Headfort in 1901, against his family's wishes and causing an international sensation."Young Lord Headford Headed Right for It" Los Angeles Times (February 27, 1901): 3."London's Newest Sensation" Washington Post (February 24, 1901): 3.
On the eve of their 10th anniversary, however, Martha finds out about Henry's continuing dalliances with other women and goes back to her parents. Henry and Grandpa follow her there. Sneaking into the Strable house, Henry begs her forgiveness and talks her into "eloping" a second time, much to Grandpa's delight. Fifteen years later, Henry meets chorus girl Peggy Nash in her dressing room shortly before her performance.
Old Mother Riley does the laundry for the dancers in the pantomime "Aladdin", where her daughter Kitty works as a chorus girl. Sneaking a peek at the show one day, Mother Riley accidentally pops up through a trap door onto the stage. Accosted by the angry star, Mother Riley’s belligerent responses have the audience in stitches. Outraged, the star walks out, leaving Kitty to take over the leading role, to great success.
Gangster Joe Daley marries a chorus girl named Sadie, and decides to give up the rackets and surrender $100,000 to the DA . For this she turns on him and goes in with Blackie Culver, a rival gang lord, and they set Joe up to take the rap for stealing it. Joe is sent to prison, still unaware of Sadie's betrayal. She makes Joe believe the DA wants her, and he must save her by escaping.
Saunders with his wife and family. Saunders met his wife, Ella, when she was working as a chorus girl and they were playing the same show in California. Saunders and his wife and their two children were the subject of a series of WPA photos taken in Chicago by photographer Jack Delano in April 1942 where their last name was mistakenly transcribed as "Sounders." Saunders died in Chicago in 1981, aged 69.
Audrey Marie Munson was born in Rochester, New York, on June 8, 1891, to Edgar Munson and Katherine "Kittie" Mahaney. Her father was from Mexico, New York, and she later lived there. Her parents divorced when she was eight, and Audrey and her mother moved to Providence, Rhode Island. In 1909 the pair moved to New York City, where the 17-year-old Audrey sought a career as an actress and chorus girl.
Spike and Nick own a speakeasy in New York, where the chief chorus girl is Floss. When native New Yorker Harry Wells is visited by his friend from out west, Bob Travers, he takes Bob to the club. At the club, Travers becomes entranced with Floss, which becomes an issue with Spike, who is also romantically interested in her. Travers goes back to the club the following night, where he runs into Wells.
A chorus girl, Gloria Winters (Joan Bennett), is overjoyed that wealthy young Randy Bradford (John Hubbard) is so eager to marry her, he's asked her to elope. Before they can leave, Randy is contacted by Mark Willows (Franchot Tone), a partner with the Wall Street financial organization that Randy's father founded, as well as Randy's financial advisor. Willows stipulates that Randy will be disinherited should he elope with this girl. Gloria is naturally upset.
On December 23, 2010, Maroulis and his then girlfriend, former Rock of Ages chorus girl co-star Angel Reed, welcomed the arrival of their daughter, Malena James Reed-Maroulis. Maroulis and Reed met on the show in 2008. On August 12, 2015, Maroulis was arrested for domestic violence after an altercation with Reed. He was then arrested a second time on August 16, 2015 for violating a restraining order, by sending her an email.
North made her film début as an uncredited extra in Excuse My Dust (1951). She was then spotted by a choreographer performing at the Macayo Club in Santa Monica, and was cast as a chorus girl in the film Here Come the Girls (1953), starring Bob Hope. Around that time, she adopted the stage name Sheree North. She made her Broadway début in the musical Hazel Flagg, for which she won a Theatre World Award.
Fanny Lucy Radmall was the daughter of Thomas Radmall, a woollen warehouseman and draper, and Maria Isabella Clark. She was born at 13 Lower Kennington Green, Lambeth, the ninth child of ten children. As a young woman, she was a professional dancer, a chorus girl known as "Poppy". At the age of sixteen, she took up with a wealthy man twice her age, Frederick "Freddy" Gretton, whose family were part-owners of the Bass Brewery.
He was an invalid until he died on September 20, 1955. Riskin directed only one entire film, When You're in Love (1937), a minor musical starring Grace Moore and Cary Grant. Unsuccessful at the box office, When You're in Love is now remembered (if at all) for an unusual publicity stunt: silent film-star Louise Brooks was given a chance at a comeback by appearing as a chorus girl in this movie.
In 1893, several members of the Sydell Company were arrested after the New England Watch and Ward Society cited them for indecency. At the trial, William S. Campbell explained that a chorus girl had broken a strap and accidentally bared her breast on stage. The judge ruled in favor of the Sydell Company and the Watch and Ward Society were forced to apologize. Sydell stopped performing with the London Belles in 1915 to focus her energies on women’s suffrage.
Jill, a young dancer, arrives in London with a letter of introduction to Mr. Hamilton, proprietor of the Pleasure Garden Theatre. The letter and all her money are stolen from her handbag as she waits to see him. Patsy, a chorus girl at the Pleasure Garden, sees her difficulty and offers to take her to her own lodgings and to try to get her a job. Next morning Jill is successful in getting a part in the show.
Boyhood friends and comrades in the Army, Ted Peters (Richard Attenborough) and Dave Robinson (Bill Owen) are back in civvies. Ted becomes a taxi driver and hopes to marry Joy Goodall (Sheila Sim), a pretty chorus girl. Dave, seeking easy money, joins a gang which has its headquarters in a suburban palais-de-danse. The gang is headed by a man called Gregory (Barry Jones), and includes Paul Baker (Barry K. Barnes), and petty crooks Sniffy and Pogson.
Leon's career started as a trainee fashion buyer at Harrods. In April 1965, Leon went to an audition which led to her becoming a chorus girl. Leon appeared in a touring production of The Belle of New York. When the tour in Britain was cancelled after some weeks, Valerie contacted Central Casting and started to work as an extra in movies - her first film was That Riviera Touch for which she was hired as a girl in bikini.
Also on the train is Anne Crowder, a chorus girl travelling to start work in a pantomime. Her fiancée, Mather, is the detective leading the hunt for Raven. At Nottwich, Raven uses Anne's ticket to get off the station and, since she has recognised him, he takes her to an empty house to kill her. Escaping, she does not report what has happened, out of sympathy for Raven, but instead goes to the theatre to work.
Maria da Conceição Martínez (Martins) de Sousa Bastos was born on 30 May 1875, in the municipality of Alenquer in the Lisbon District of Portugal. She was the third daughter of a couple of Spanish actors from a travelling company who were temporarily in Portugal. After being abandoned by her husband, her mother and her three daughters went to Lisbon, where the mother worked as a dressmaker by day and as a chorus girl at night.
The disagreeable man was Maud's brother Percy Marsh, Lord Belpher. At the castle, Percy mistakenly believes that George is the unsuitable man Maud is in love with, due to seeing her flee with him in a taxi, though Maud denies this. George, hoping to meet Maud again, rents a cottage near Belpher Castle. Meanwhile, George's friend and colleague Billie Dore, a chorus girl, visits the castle and bonds with Lord Marshmoreton over their shared love of roses.
Dixie Dugan first appeared in two slightly risqué novels written by J. P. McEvoy, serialized in 1928-29 in the pages of Liberty. McEvoy's novels were then published in book form by Simon & Schuster as Show Girl (1928) and Hollywood Girl (1929). In the first story, Dixie begins as a Broadway chorus girl, and in the second she moves to Hollywood. The stories combine romance, glamour and a bit of scandal as Dixie pursues a career in show business.
Mary Matthews is the elder sister of Helen, who is the favorite of their widowed mother. Growing up, she continually has to accede to Helen's wants and preferences. However, when the selfish Helen steals Mary's fiancé, Mary leaves home to try and make a life in New York City. She gets a part as a chorus girl in a Broadway production, but refuses to give in to the wanton lifestyle so prevalent among the other dancers.
Kong bursts through the gate to get Ann back, killing several sailors but is subdued when Carl knocks him out with chloroform. In New York City, Carl presents "Kong, the Eighth Wonder of the World" on Broadway, starring Baxter and an imprisoned Kong. Ann is played by an anonymous chorus girl, as she refused to take part in the performance. Agitated by the flashing of the cameras, Kong breaks free from his chains and wrecks the theater.
Gerald FitzGerald was the only child of Edward FitzGerald, 7th Duke of Leinster and his first wife, May Juanita Etheridge, a chorus girl. Relations between Gerald's parents became strained when he was still a toddler. In 1922, Gerald's father became 7th duke upon the death of the 6th duke, and Gerald inherited the courtesy title of Marquess of Kildare. His father took advantage of his new position as duke to secure a separation from Gerald's mother.
Marta Susana Yanni Paxot (born February 27, 1938), best known as Rosanna Yanni or Rossana Yanni, is an Argentine film actress. She debuted in her home town, working in revues as a chorus girl. After working two years as a fashion model in Italy, in 1963 she moved to Madrid and there began her film career. She starred in over 40 films between 1963 and 1980, and after a long pause resumed her career in the late nineties.
While the authorities determined that this was not Adler's fault, and the club was allowed to reopen, the crowds did not return; "the theater," he writes, "was so cold, dark, and empty you could hunt wolves in the gallery."[Adler 1999] pp.284–299. Adler does not refer to "Jennya" by name, but translator/commentator Rosenfeld does. Adler's affair with Jennya continued; he also took up with a young chorus girl from an Orthodox Jewish family, Dinah Shtettin.
Later she was a dancing girl in the 1940 Broadway production of Irving Berlin's Louisiana Purchase. and she was a chorus girl at the Beachcomber in Miami Beach in 1946 and/or 1947. In the late 1940s, she performed on the operatic stage in Philadelphia. Luster served as co-hostess of the 1950 CBS game show Sing It Again, a progenitor to Name That Tune, wherein contestants would attempt to identify songs from just a few notes.
Vesselovsky was born in Trieste in 1940. In her youth, she worked as a model in the local boutiques while attending school. She landed a part as a chorus girl in a Wanda Osiris revue, where she was discovered by Mario Mattoli, who cast her in her debut film role in the 1959 film Guardatele ma non toccatele [Look, But Don't Touch]. This was followed by a dozen films, culminating with a role in Fellini's 8½.
Jameson began work in the early 1950s with numerous uncredited roles in films and television. She made her film debut in 1951 playing a chorus girl dancer in the motion picture Show Boat. Other notable film credits of that early period included Problem Girls (1953), Tip on a Dead Jockey (1957) and The Apartment (1960). In 1962, she starred with Vincent Price and Peter Lorre in the Roger Corman horror film Tales of Terror as Annabel Herringbone.
Ed and Frank decide to pay Eddie's ex-wife, Lana Casales, a visit. Lana has not spoken to her husband since the two divorced, but says that he hangs around Club Flamingo a lot, with a chorus girl named Mimi Du Jour. That evening, Frank and Ed go to Club Flamingo to ask Du Jour some questions. She tells them that last night, during the courthouse bombing, Eddie was with her, at the movies to see On The Waterfront.
Recent Radcliffe graduate Anne Welles is hired as a secretary at a theatrical agency which represents Helen Lawson, a cutthroat Broadway diva. Helen fears newcomer Neely O'Hara will upstage her, so she has Anne's boss pressure Neely to quit their upcoming show. Anne sours on show business after seeing Helen's cruelty toward Neely, but her boss's business partner, Lyon Burke, dissuades her from quitting the agency. Anne and Neely meet Jennifer North, a beautiful chorus girl with limited talent.
The play was staged at the Rialto Theater in New York City with the ingenue role being the primary part in the cast. She graduated from drama school in New York before being sent to train under the Selwyns. The New York Times described Hibbard as a combination of Madge Kennedy and Marguerite Clark in appearance. One of her best-received roles was chorus girl Dot Miller in Ladies of the Evening, performed at the Lyceum Theater in 1924.
The party guests are scandalized, and feeling snubbed, Peggy and Mae decide to go home. Mrs. Carroll stops them, because, she declares, if they run away, it will only make things worse. Adele then asks Billy to help her sing something. Afterwards, she announces to her shocked friends that she too used to be a chorus girl, but later she secretly tells Mae and Billy that she made up that story to help Peggy and Randy.
Kiki (Norma Talmadge) ekes out a living selling newspapers on the streets of Paris. When she learns that a chorus girl has been fired from the Folies Barbes revue managed by Victor Renal (Ronald Colman), she sets out to fulfill her dream and apply for the job. Poverty stricken, she spends her rent money to buy suitable clothes. She gets kicked out the first time, as she was not sent by the Agency, but manages to sneak back in.
By the age of 14, Lux was a chorus girl and involved in various Yiddish radio programs. Working in the Catskills, she was teamed with a young Danny Kaye; the friendship that began from the working relationship was lifelong. She met her future husband, Polish-born Israeli Yiddish-language actor-director Pesach Burstein, in 1938 when he hired her for his theater company's South American tour. While on the tour, the couple was married in Montevideo, Uruguay.
The client and his female companion, chorus girl Olga, show up drunk. Olga accidentally falls overboard and drowns, and Fairchild is accused of her murder. He intends to keep Shelby out of the case although it looks bad for him, while Shelby is afraid of scandal. While the case is in progress, with one of the ship's officers saying that he saw Fairchild leaving the ship with a mysterious "woman in red," the Wyatt family talk about the case.
Ellen Hansen was born in Racine, Wisconsin, to immigrant parents from Denmark. She grew up in Philadelphia. An interest in amateur theater while in high school led her to Atlantic City in 1932, where she briefly worked as a chorus girl. She moved to Hollywood that same year and got a job as a script girl at RKO Studios and Hal Roach Studios, where she often worked on Our Gang comedies, alongside her future husband, cinematographer Francis Corby.
Perkins was born in Belzoni, Mississippi and raised on a plantation in Honey Island, Mississippi. He began his career as a guitarist but then injured the tendons in his left arm in a knife fight with a chorus girl in Helena, Arkansas. Unable to play the guitar, he switched to the piano at about 12 or 13 years old. He also moved from Robert Nighthawk's radio program on KFFA to Sonny Boy Williamson's King Biscuit Time.
As Rebecca escorts Margaret to a bedroom to change clothes, she tells her about the Femm family, which Rebecca says was sinful and godless. She accuses Margaret of being sinful as well. Rebecca reveals that her 102-year-old father, Sir Roderick Femm (Elspeth Dudgeon), still lives in the house. During dinner, the group are joined by Sir William Porterhouse (Charles Laughton) and a chorus girl with the stage name Gladys DuCane (Lilian Bond), who also seek refuge from the storm.
Brilliant Chang depicted as the "Limehouse Spider" in the American press, 1924 Chang's eventual downfall was caused by his association with Violet Payne, also known as Mary Deval or Ruby Duval. Payne was a chorus girl or actress and a drug addict living in Maple Street,"Drug in Coat Lining", The Daily Mirror, 4 March 1924, p. 2. near Tottenham Court Road. On 23 February 1924, police saw Payne in the Commercial Tavern, Pennyfields, with packets of an unknown substance.
In After Leaving Mr. Mackenzie (1931), the protagonist, Julia Martin, is a more unravelled version of Marya Zelli, romantically dumped and inhabiting the sidewalks, cafes and cheap hotel rooms of Paris. With Voyage in the Dark (1934), Rhys continued to portray a mistreated, rootless woman. Here the narrator, Anna, is a young chorus girl who grew up in the West Indies and feels alienated in England. Good Morning, Midnight (1939) is often considered a continuation of Rhys's first two novels.
Backstage, gambler Powell asks chorus girl Ruth Taylor (Mae Clarke) for a date and, after losing an impromptu bet, she agrees to go out with him. After the floor show, all the chorus girls are asked to stay late by their cruel dance master, Klauss (Russell Hopton), who is secretly having an affair with Happy's wife Jill. Edith Blair (Dorothy Petersen) spots a drunken Michael Rand sitting alone at a table. Edith was the 'other woman' in the murder of Michael's father.
McClain began working in the theater at a very young age. Her first professional production was as a chorus girl in The Music Man and Finian's Rainbow at Fullerton College. Other small California productions followed such as Wait Until Dark and Dames at Sea. She was cast in a workshop production of the then titled 40 starring Bonnie Franklin, and was brought to New York with the production as part of a pre-Broadway tryout at the John Drew Theater in East Hampton.
Evans was best known for a burlesque parody she performed as Marilyn Monroe. Evans entered show-business as a model and later chorus girl before becoming a star dancer. By the early 1950s she was a headlining burlesque star on the West Coast when approached by producer Harold Minsky with a promise of steady work in his chain of theaters if she adapted her stage persona to that of then-rising star Marilyn Monroe. At first Evans objected but soon agreed.
Gertie Maude is a dramatic play by the British writer John Van Druten. It is set before the First World War, the plot about a chorus girl who begins an affair with an upper-class man only to kill herself when he marries someone of his own class. It ran for 62 performances at St Martin's Theatre in London's West End between 17 August and 9 October 1937. The cast included Carol Goodner, Griffith Jones, Jill Esmond and Sebastian Smith.
As a young woman, Betty Meehan was a model, a professional swimmer, and a chorus girl with the Ziegfeld Follies, in the same sextet of dancers as Billie Dove and Alta King. "Oh yes, I know that chorines have the reputation of being beautiful but dumb," she explained in a 1928 interview, "And, perhaps, some of them are. But you'd be surprised at the girls you'll find in the choruses." Meehan credited James M. Barrie with helping her transition into screenwriting.
Born in New York City, Dowling was a model and chorus girl before moving to California in 1943. She had two brothers, Richard Dowling and Robert Smith Dowling, and was the elder sister of actress Doris Dowling. She attended Wadleigh High School for Girls in New York City. Dowling was a dancer at the Paradise nightclub in New York City, a job that she obtained by lying about her age to her employer and lying about the job to her mother.
Sobel Smith was born Helen Martin in Philadelphia, Pennsylvania to Cornelius and Ethel Martin (née Murphy).Philadelphia, Pennsylvania, Marriage Index, 1885-1951 Her father, whose own father had emigrated from England, was working as a machinist when Helen was born in 1909, joining a 5-year-old sister, Dorothy.1910 United States Census Helen was a chorus girl in her youth. At age 16, she was already performing with the Marx Brothers in shows including The Cocoanuts and Animal Crackers.
Harry is a frequent client of Kitty Cairns, and here he meets Fanny, and they fall in love. She is reluctant to marry him immediately, partly because their relationship is complicated by Fanny’s father being Harry’s superior at work. Whilst out on an evening with Lucy, who is now a chorus-girl, Harry and Fanny encounter Manderstoke, who makes a pass at Lucy before Harry knocks him out cold. They contrive to get Lucy away from London and out of Manderstoke’s reach.
Winthrop Putnam (Ray Bolger) is the Assistant Secretary to the Assistant to the Undersecretary of State, and was formerly Assistant Assistant Secretary to the Assistant to the Undersecretary of State. He sends an invitation to Ethel Barrymore to represent the American theatre at an art exposition in Paris. Instead, the invitation is received and accepted by Ethel "Dynamite" Jackson (Doris Day), an All-American Broadway chorus girl. Ethel and Winthrop meet on the way to Paris and fall in love.
His skill with makeup gained him many parts in the highly competitive casting atmosphere. During this time, Chaney befriended the husband-wife director team of Joe De Grasse and Ida May Park, who gave him substantial roles in their pictures, and further encouraged him to play macabre characters. Chaney married one of his former colleagues in the Kolb and Dill company, a chorus girl named Hazel Hastings. Little is known of Hazel, except that her marriage to Chaney was solid.
Velma Kelly is a vaudevillian who welcomes the audience to tonight's show ("All That Jazz"). Interplayed with the opening number, the scene cuts to February 14, 1928 in the bedroom of chorus girl Roxie Hart, where she murders Fred Casely as he attempts to break off an affair with her. Roxie convinces her husband Amos that the victim was a burglar, and Amos agrees to take the blame. Roxie expresses her appreciation of her husband's willingness to do anything for her ("Funny Honey").
In 1931, Mercer married Ginger Meehan, a chorus girl, later a seamstress; and in 1940, when he was 30, the Mercers adopted a daughter, Amanda ("Mandy"). In 1960, Mandy married Bob Corwin, pianist for Peggy Lee, Anita O'Day, Carmen McRae, and Mercer's long time accompanist. They had a son, Jim Corwin, in 1961. In 1941, shortly after the death of his father, Mercer began an affair with 19-year-old Judy Garland while she was engaged to composer David Rose.
Hull made her stage debut in stock in 1905, and after some years as a chorus girl and touring stock player, she married actor Shelley Hull (the elder brother of actor Henry Hull) in 1910. After her husband's death as a young man, the actress retired until 1923, when she returned to acting using her married name, Josephine Hull. The couple had no children. She had her first major stage success in George Kelly's Pulitzer-winning Craig's Wife in 1926.
Bruce was born in Prestwich, Lancashire in 1919, and started her acting career as a teenager on stage as a chorus girl. She appeared with the Birmingham Repertory Company (1936–39) and was a long-time actress with the Royal Shakespeare Company (RSC). She was the RSC's resident Mistress Page in The Merry Wives of Windsor, playing the role in 1964, 1968, 1975 and 1995. She appeared as Irma in the RSC's production of Jean Genet's The Balcony in 1971.
Soon they begin to drift apart, she becoming infatuated with Harrison Thomby, a man about town, and a break finally comes when they meet at a cabaret. John goes to his county home and, in a mix up of taxi cabs, takes a chorus girl home with him. Alice arrives on the scene and refuses to listen to his explanations. She accepts an invitation from her friend and, while accompanying him to a dance, their taxi is wrecked and she is badly hurt.
In 1940, when performing at Sydney's Tivoli Theatre, he met Dolly Mack (stage name for Thelma Phoebe McLean, (1921-2004), who was a Tivoli chorus girl. He proposed nine days after their meeting, and nine days after that they were married at St John's Church, Darlinghurst. The reception was held between shows on the last day of The Crazy Show. The next day the show went to Brisbane and they spent their honeymoon in Surfers Paradise in a borrowed car.
In 1975, Tony Perkins said he and Sondheim were working on another script, The Chorus Girl Murder Case. "It's a sort of stew based on all those Bob Hope wartime comedies, plus a little Lady of Burlesque and a little Orson Welles magic show, all cooked into a Last of Sheila-type plot", said Perkins. He later said other inspirations were They Got Me Covered, The Ipcress File and Cloak and Dagger. They had sold the synopsis in October 1974.
The music video premiered on October 9, 2015 and is directed by Luke Gilford. It depicts everyday events in the lives of four individuals in Las Vegas, Nevada: one employed as a singer in a nightclub, one as a chorus girl, one as a wedding officiant, and one as a male stripper. Each character performs for tourists but is depicted as lonely in their personal lives (though some have pets). One of the four individuals who star in the video is Gigi Gorgeous, a transgender actress.
Chorus girl Sally Rand (Love) cares for her crippled sister Mary (Lambert). She agrees to marry gangster Bill Reilly (Miley)—whom she believes to be a legitimate businessman—after he promises to pay for an operation for her sister. The lead in the show, Marian Duval (Quimby), is jealous of the attention that Steve Sinclair (Forrest), wealthy backer of the Broadway show, is showing Sally, and she wrongfully accuses Sally of theft. Steve learns of Marian's and Reilly's lies, and prevents Sally from marrying Reilly.
Daughter of the Civil Guard Laureano Vello Álvarez and the laundress Benita Cano Rodríguez. Her first notable appearances were as chorus girl in the Teatro de la Zarzuela in Madrid and her presence is also documented in the capital's Teatro Japonés around 1900. She apparently owed her nickname, "La Fornarina" (the baker girl) to the La Época journalist Javier Betegón. She already appeared under the name at the Teatro Romea in Madrid, the Teatro Nuevo Retiro in Barcelona and the Salon Novedades in Valencia.
The band was born at some stage during 1998 in Jorge Manuel's (a.k.a. "Piocha") house. Piocha was a talented guitarist with some exposure to the Salvadoran rock scene who often experiment musically with Ernesto Asecas ("Neto") and Enrique Salopino ("Pino") who both lacked musical background and had only recently been exposed to hip-hop music. With time the experiment took a more defined shape and added new recruits, including drummer Carlos Alfredo (alias "Kalimba"), Rafa, and chorus girl and dancing king Jose Manuel ("Lady").
In the 1930s, boxer Barney Ross wins the welterweight championship, then meets chorus girl Cathy Holland as he celebrates. Sam Pian, his trainer, learns that Barney placed a $10,000 bet on himself to win the fight. Cathy, a single mom of a young girl, Noreen, gets to know Barney, but is unaware of his gambling habit. When he loses to Henry Armstrong, he owes thousands to a bookie named Big Ralph and is forced to work in Ralph's bar to pay off the debt.
Joan Crawford (born Lucille Fay LeSueur; March 23, 190? – May 10, 1977) was an American film and television actress who began her career as a dancer in traveling theatrical companies before debuting as a chorus girl on Broadway. Crawford then signed a motion picture contract with Metro-Goldwyn-Mayer in 1925; her career spanned six decades, multiple studios, and controversies. At different stages of her career, she was noted for her diverse roles playing sympathetic and unsympathetic characters, and for realistic yet multi-layered performances.
Exhibitors Herald gave the picture a positive review, calling it "A rapidly moving and interesting story of a small town girl who has to give up everything for her more favored sister, and her adventures and misadventures after becoming a chorus girl." They called it one of Cabanne's best films, and praised the overall casting of the movie. They highlighted Billie Dove's acting as "brilliant", and also were impressed with Miriam Battista. They were less impressed by the cinematography, which they described as simply adequate.
The general later takes a fancy to a chorus girl (Marthe Keller), whom he quickly marries. His wife bears him a daughter, but is previously shown cheating on him with his younger aide-de- camp. The general kills her upon discovering her infidelity. (This scene is omitted, but flashed back to later on, in the U.S. release version.) On the same day as her death, the shooting of the Romanov family takes place, and a brief montage of the succeeding Russian leaders is shown.
Davis in Bostonians (1889) Jessie Bartlett Davis released the parlor songs collection It's Just Because I Love You So in 1900. The collection reflects the Gay Nineties attitude of the 1890s Victorian era. She helped Carrie Jacobs-Bond launch her songwriting career by volunteering to pay for the cost to publish Seven Songs: as Unpretentious as the Wild Rose, which included the classic wedding song "I Love You Truly." She was also an author and wrote Only a Chorus Girl, other stories, and a number of poems.
Chorus girl Hope Springfield, full of hope but not much talent, is inadvertently given the starring role in a new movie. When the error is discovered, heads roll and the completed film is shelved. But Rudolf, the nephew of studio head Lionel Z. Governor, takes a liking to the girl and arranges for a sneak preview. The movie is a success, Hope becomes a star ("Lila Tremaine"), and in true Hollywood happily-ever-after fashion she and Rudolf walk off into the sunset hand-in-hand.
The first: The Show is produced (allegedly) by "Murray the Furrier", a fictitious furrier who deals in used and discount furs. Included in the actual contract to produce the show are stipulations that credit be given to Murray the Furrier in all advertising media and program books. Second: The character Delores, a chorus girl with only one line, has no business being on stage. It is obvious that she has been cast as a favor to Murray the Furrier, who is revealed to be her sugar daddy.
By the next morning Abner has quarreled with her and wants Julian to replace her with his new girlfriend, Annie. She, however, tells him that she can't carry the show, but the inexperienced Peggy can. With 200 jobs and his future riding on the outcome, a desperate Julian rehearses Peggy mercilessly (vowing "I'll either have a live leading lady or a dead chorus girl") until an hour before the premiere. Billy finally gets up the nerve to tell Peggy he loves her; she enthusiastically kisses him.
A career-boosting break occurred for Gordon in 1908 when she was a chorus girl in A Knight for a Day. As the understudy for Sallie Fisher, Gordon went on stage when Fisher missed a performance. The next day's issue of The New York Times reported "Miss Gordon's performance was so satisfactory that she is to be engaged for an important role in a new Summer production to be offered at one of Mr. Whitney's theatres in Chicago." Gordon's Broadway credits include Up and Down Broadway (1910).
Norma Selbee is a chorus girl trying to make it in New York City. Her fortunes are not going well, and she is flat broke and on the verge of starvation when she meets Gordon Kent. Kent has spent the last several years in the back woods, utilizing his mining engineering acumen to accumulate a large fortune of approximately $20 million. He has come to the big city looking for a good time, hopefully among the "white shoulders" of the fair damsels of the Big Apple.
One of his most famous appearances was in the classic musical 42nd Street (1933), in which wiseguy Stone assesses a promiscuous chorus girl: "She only said 'no' once, and then she didn't hear the question!" His one starring film (as George E. Stone) was the Universal Pictures gangster comedy The Big Brain (1933). In 1939, comedy producer Hal Roach hired Stone for his film The Housekeeper's Daughter. It was a difficult role: Stone had to play a mentally retarded murderer in a sweet, sympathetic manner.
Lorella Cuccarini (2014) Born in Rome, at nine years old Cuccarini started to attend the dance school of (choreographer and husband of Carmen Russo). After some experiences as a chorus girl, Cuccarini made her television debut at twenty years old alongside Pippo Baudo in the sixth edition of Fantastico, then she worked for RAI and Mediaset in many successful variety shows, including Festivalbar, seven editions of Paperissima and of Trenta ore per la vita, three editions of Buona Domenica.Giorgio Dell'Arti, Massimo Parrini. Catalogo dei viventi.
Sarah Jane's rejection of her mother begins taking a physical and mental toll on Annie. When Lora returns from Italy, Sarah Jane has run away from home, leaving Annie a note that says if she truly does care about her, she will leave her alone and let her live her life. Lora asks Steve to hire a private detective to find Sarah Jane. The detective locates her living in California as a white woman under an assumed name and working as a chorus girl.
Lobby card Unable to find work in London at the height of World War I, American chorus girl Myra Deauville resorts to prostitution to support herself. She meets her clients on Waterloo Bridge, the primary entry point into the city for soldiers on military leave. During an air raid, she meets fellow American Roy Cronin, a member of the Canadian Army. Distracted from her original plans by an air raid, she makes no attempt to solicit Roy, and he remains naively unaware of her profession.
Contrasting this, Glory music does not yield to men, Glory yields to men by giving the attention they want in their music and she answers to their sexual pleasures. Glory has not made a name for herself and music because she always featured in a male reggaetonero song. As a Chorus girl you are considered to be more "slutty" and to be more around men to promote sex and appeal to the audience. Ivy Queen makes a statement with her clothes, fingernails, music and presence.
Slick lawyer Thomas Farrell (Robert Taylor) has made a career of defending Chicago mobsters in court. At a party for mob boss Rico Angelo (Lee J. Cobb), he meets chorus girl Vicki Gaye (Cyd Charisse), who accepted $100 to attend the party and another $400 from another gangster, Louis Canetto (John Ireland), from his gambling winnings. Farrell gives her a ride home, each expressing disapproval at the way the other makes money. Vicki finds her roommate Joy (Myrna Hansen) dead by suicide, pregnant by a married criminal.
Farmer Chris Lowe (Hartnell) meets and falls in love with Molly (Raye), a chorus-girl. Despite the fact that she is a city girl through and through, she accepts his proposal of marriage and after the wedding goes to live on the farm. Chris realises that the transition for Molly will be difficult, and in an attempt to ease her into farm life, buys her a strawberry roan calf to look after. Unfortunately Molly finds the adjustment to rural life extremely difficult and does not settle down.
In December 1917 the Marx brothers were noted in an advertisement playing in a musical comedy act "Home Again". By the 1920s, the Marx Brothers had become one of America's favorite theatrical acts, with their sharp and bizarre sense of humor. They satirized high society and human hypocrisy, and they became famous for their improvisational comedy in free-form scenarios. A famous early instance was when Harpo arranged to chase a fleeing chorus girl across the stage during the middle of a Groucho monologue to see if Groucho would be thrown off.
Gay first appeared on stage in 1903 as a chorus girl. She soon rose to more prominent roles, and from 1904 to 1907 she toured the British provinces as Nan, the title role in the musical A Country Girl, with a book by James T. Tanner. She made her West End debut in A Waltz King in 1908, and followed that with a role in The Girls of Gottenberg. After a successful run in Tanner's Our Miss Gibbs, Gay toured the United States in another Tanner show, The Quaker Girl.
Ellen Creed, a proud spinster fallen on hard times, has been housekeeper/companion to her old friend Miss Leonora Fiske, a wealthy retiree who in her youth had been a chorus girl "of easy virtue", for about two years. Lucy is a maid who has also been there for some time. Ellen gets a letter one day about her two sisters, both of whom are a bit peculiar. The letter says that unless she can get them under control, the police will be called and they will be evicted from their flat for outlandish behavior.
Placed under contract by Warner Brothers in 1932, Nagel secured a bit part as a ballet girl in Hypnotized, her "first documented feature credit". She was one of 14 young women "launched on the trail of film stardom" August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the company's training school. The contracts included a studio option for renewal for as long as seven years. Nagel spent the next few years making uncredited appearances as a dancer or chorus girl.
Ben is less enthused about her leaving for the big city, but supports her decision to take the job. Larry is pleased to discover that his new employee is an attractive woman and takes her out to dinner. Pat seizes an opportunity by taking photographs of Dolores Tucker (Jane Farrar), the wife of much-married millionaire Sonny Tucker (Charles Arnt), laying on the floor of the restaurant's ladies' room after a suicide attempt. For a followup, Pat disguises herself as a chorus girl to gain entrance to Sonny's apartment.
American chorus girl Myra Deauville is stuck in 1917 London at the height of World War I, unable to find work and book passage home. She resorts to prostitution to support herself. She meets her clients on Waterloo Bridge, the primary entry point into the city for soldiers on leave. There she meets fellow American Roy Cronin, a young soldier in the Canadian Army on convalescent leave after being wounded in France, and impressed by his innocence, invites him to her apartment for tea instead of soliciting his business.
Upperworld tells the story of Alexander Stream (Warren William), a wealthy railroad tycoon, who is devoted to his wife (Mary Astor), has an affair with a chorus girl (Ginger Rogers), which leads to blackmail and murder. Alexander (Alex) Stream is a multimillionaire. While he is devoted to his wife, Hettie (Astor) and son, Tommy (Dickie Moore), she is too busy playing attending and throwing society functions to pay much attention to her husband. While out in his yacht, he encounters a young woman, Lilly Linda (Rogers) who is drowning in the ocean.
That night in Jimmy's ritzy bedroom, Billie breaks in and tries to seduce him, badly ("Treat Me Rough"). Chief Berry, who has been pursuing Billie, barges in to arrest her. But Jimmy convinces him that Billie is actually his newest wife ("Let's Call the Whole Thing Off") and Billie and Jimmy are forced to spend the whole night together in his bedroom. The next morning, Jeannie, a happy-go-lucky chorus girl, comes upon Duke, a lug from New Jersey, and mistakes him for an actual English Duke.
The film follows the story of Midge O'Hara, a young woman living in the country, who leaves her home in order to perform on Broadway. She is able to get hired as a chorus girl, and, at her new job, meets Cherry Blow, a party girl and gold digger. Cherry dates one man, staying with him until his cash runs out, upon which she leaves for someone else wealthy. One of these men is Jack Chalvey, whom Cherry had dated until his expenses from buying her so many things left him in debt.
She also began working with the studio's head drama coach, Natasha Lytess, who would remain her mentor until 1955. Her only film at the studio was the low-budget musical Ladies of the Chorus (1948), in which she had her first starring role as a chorus girl who is courted by a wealthy man. She also screen-tested for the lead role in Born Yesterday (1950), but her contract was not renewed in September 1948. Ladies of the Chorus was released the following month but was not a success.
The Tranky Doo (also called Trunky Doo) is a jazz dance choreography. A source states it was choreographed by Frankie Manning himself and ″...named in tribute to the chorus girl who inspired it.″Frankie Manning - Ambassador of Lindy Hop At that time, it was danced to Tuxedo Junction, however many modern day performances of the dance use other swing jazz songs. It is most common these days to perform the dance with the song "Dipsy Doodle" by Ella Fitzgerald because the dance appears in the Spirit Moves documentary film with a playback of the song.
As described in a film magazine, the Brat (Nazimova), a chorus girl known by no other name, is discharged from the Summer Garden chorus when she refuses to submit to the advances of Stephen Forrester (Foss), a young waster. He follows her down the street and quarrel ensues, after which she is arrested. At court she is found by MacMillan Forrester (Bryant), her prosecutor's elder brother, who is a novelist in search of an underworld character to study. The judge allows her to go to his home to live for that purpose.
Suzanne Rogers first auditioned for the role on July 13, 1973, and garnered the attention of future daytime legend, Susan Flannery, who played Dr. Laura Horton. Maggie was introduced as a guest character in August 1973, by scriptwriter William J. Bell and executive producer Betty Corday. From the beginning, Bell considered the role ideal for Suzanne Rogers, a former Rockette from the Radio City Music Hall and Broadway chorus girl in such musicals as "Coco" and "Follies". Bell approached Rogers about taking the role of Maggie, and she agreed.
Nevada is the title of an American comic book limited series published by DC Comics under its Vertigo imprint in 1998. The series was written by Steve Gerber and with art from Phil Winslade, Steve Leialoha, and Dick Giordano. The origin of the character is to be found in a Howard the Duck story that contained a "mandatory fight scene" between a Las Vegas chorus girl, an ostrich and a standing lamp.Howard the Duck #16, 1977 Writing on the CompuServe comics forum, Neil Gaiman said he'd like to see that story.
The next day, Desiree talks with Elsa about what to do about Pepper. Elsa discloses the history of the freak show, starting with her days as a chorus girl in a carnival in Boston, Massachusetts, after she immigrated to America back in 1936. Noticing that freaks weren't treated as they should be, she decided to start a company of her own. She first recruited Pepper (then 18 years old), from an orphanage, and quickly befriended her. Pepper’s sister abandoned her because she did not want the responsibility of taking care of her.
Helen got her start on the stage quite early, working as a chorus girl at Kansas City's Empress Theater when she was only 13. An early supporter of her talent was Goodman Ace, drama critic for the Kansas City Journal who saw her performing in a Kansas City nightclub and wrote glowing reviews. After studying ballet and drama in Kansas City, the teenage Helen decided her future lay in Hollywood. For a short time as she worked her way to the west coast, she was employed as an acrobat in the Ringling Brothers Circus.
Rusty (Rita Hayworth) is a chorus girl at a nightclub run by her boyfriend Danny McGuire (Gene Kelly). Fellow showgirl Maurine Martin enters a contest to be on the cover of Vanity magazine, so Rusty tries out as well. When Maurine is given a lukewarm evaluation by Cornelia Jackson (Eve Arden), she sabotages Rusty's chances, giving her terrible advice on how to act toward Cornelia. Cornelia's boss, magazine editor John Coudair (Otto Kruger), decides to check out Maurine at Danny's nightclub, but his eye is immediately drawn to Rusty.
The San Diego Stock Company gave Cummings her initial acting opportunity in a "walk-on part" playing a prostitute in a 1926 production of Seventh Heaven. She debuted on Broadway as a chorus girl, a member of the ensemble in Treasure Girl (1928) by the age of 18. While appearing on Broadway, she was discovered by Samuel Goldwyn, who brought her to Hollywood in 1931. Between 1931 and 1934, Cummings appeared in more than 20 films, including Movie Crazy opposite Harold Lloyd, and American Madness, directed by Frank Capra.
Born in New London, Connecticut, she was the only child of Charles and Anna (née Hurley) Philips of New Haven, where she was educated at St. Mary's Academy, New Haven. In 1920 she made her stage debut as a chorus girl. During her stage career, she appeared in such shows as The Postman Always Rings Twice (1936) and Chicken Every Sunday (1944). She had a long working relationship with the New York theatre and as her own personal scrapbook shows, worked closely with such individuals as George M. Cohan.
Rooney was born Ninnian Joseph Yule Jr. in the Brooklyn borough of New York City on September 23, 1920, the only child of Nellie W. Carter and Joe Yule. His mother was an American former chorus girl and burlesque performer from Kansas City, Missouri, while his father was a Scottish vaudevillian who had emigrated to New York from Glasgow with his family at the age of three months. They lived in the Greenpoint neighborhood of Brooklyn. When Rooney was born, his parents were appearing together in a Brooklyn production of A Gaiety Girl.
To Don's amusement, Kathy pops out of a mock cake right in front of him, revealing herself to be a chorus girl. ("All I Do is Dream of You") Furious at Don's teasing, she throws a real cake at him, only to accidentally hit Lina in the face and flee. Don becomes smitten with Kathy and searches for her for weeks, with Cosmo trying to cheer him up. ("Make 'Em Laugh") While filming a romantic scene, a jealous Lina reveals that her influence is behind Kathy's loss of work and subsequent disappearance.
She only knew only how to play Pinochle and Casino until another chorus girl taught her bridge: she took to the game like a duck to water. From that moment on, there was no doubt about her future. She started earning a reputation in the mid-1930s, winning her first national championship in 1934. After a brief marriage to a Jack White that ended in 1930, she married bridge player Alexander M. Sobel (1901–1972), a former vaudeville performer who found better work in the Depression as a tournament director.
Her Variety reviews were good. She easily managed the transition to sound films, making a total of 28, and appeared in some of the very first, including United Artists's Bulldog Drummond (1929), The Trial of Mary Dugan (1929), the now-lost color musical Gold Diggers of Broadway (1929), and New York Nights (1930) with Norma Talmadge. She starred as a murderess in the melodrama Murder by the Clock, as a self-sacrificing mother in The Road to Reno (1931), and as a chorus girl in Wine, Women and Song (1933).
Christine is a chorus girl, who becomes the object of obsession, passion and love for the mysterious Phantom of the Opera. He becomes her mentor, and with his help, she is chosen to replace the company's prima donna, Carlotta. When she falls in love with her childhood sweetheart, Raoul, the Phantom kidnaps Christine in a jealous rage and drags her down to his lair. She is forced to choose between the Phantom and Raoul, but her compassion for the Phantom moves him to free them both and allow them to flee.
"Anna Fitzhugh" in The Wizard (1903) She was born as Anna Powell in Huntington, West Virginia, on April 1, 1887. Fitziu began her career as a chorus girl and concert soloist in New York City in 1902. At this point in her career she worked under the name "Anna Fitzhugh", taking the last name from an old Virginia family (a member of which included Continental Congress delegate William Fitzhugh) that she was related to. She went to Chicago in early 1903 to portray a number of smaller roles in the musical comedy The Wizard.
Hopkins and Herbert Marshall in a publicity photo for Trouble in Paradise (1932)Miriam Hopkins in the Broadway production of Jezebel (1933), an Owen Davis play. It was later adapted for a 1938 film but Hopkins lost the lead role to Bette Davis. At age 20, Hopkins became a chorus girl in New York City; she also acted regularly on the stage throughout the 1920s, including in the 1926 stage adaptation of Theodore Dreiser's An American Tragedy. In 1930 she starred on Broadway in the play Ritzy by Sidney Toler.
Gallop at home in 1951, where he also did his own decorating. In the mid 1940s, Frank Gallop met a beautiful chorus girl from Texas named Mary Lou Bentley (also Bently) who had been having a relationship with Walter Winchell. When her presence in the columnist's life became evident to his family and she realized he would not divorce his wife, she tried ending the relationship with Winchell and became Gallop's neighbor by moving into his Park Avenue apartment building. A romance developed between the pair, and at some point before 1946, they were married.
Johnny Solo (Leo Genn), the owner of the Pink Flamingo club in London's Soho area, battles with rival club owner Diamonds Dinelli (Sheldon Lawrence) and the police. When the tough entrepreneur starts getting threats and demands for protection, he fights back. Johnny's girlfriend Midnight Franklin (Jayne Mansfield), one of the club's headliners, wants to get him out of the business. In the background are a sadistic client, an underage chorus girl, a wisecracking siren who's not averse to rough trade, a visiting journalist, and a dancer who guards her past.
She Knew All the Answers is a 1941 romantic comedy film made by Columbia Pictures, directed by Richard Wallace, and starring by Joan Bennett and Franchot Tone. The film tells a story about a chorus girl who wants to marry a rich playboy, but first has to prove herself to his financial advisor. The screenplay was written by Kenneth Earl, Curtis Kenyon, and Harry Segall, adapted from a short story written by Jane Allen entitled "A Girl's Best Friend Is Wall Street," published in 1938 in Cosmopolitan Magazine.
Hepburn then performed on the British stage as a chorus girl in the musicals High Button Shoes (1948), and Sauce Tartare (1949). Two years later she made her Broadway debut as the title character in the play Gigi. Hepburn's Hollywood debut as a runaway princess in William Wyler's Roman Holiday (1953) opposite Gregory Peck made her a star. For her performance she received the Academy Award for Best Actress, the BAFTA Award for Best British Actress, and the Golden Globe Award for Best Actress in a Motion Picture – Drama.
Dixon was born on June 6, 1936 in Manhattan, New York. He was the fifth of seven children of Florence Leder, a beauty queen, chorus girl on Broadway, and interior decorator, and Abraham M. Ditchik. Dixon was nominated for the National Book Award twice, in 1991 for Frog and in 1995 for Interstate.Professor Dixon broke it down with Richard Nixon The Johns Hopkins Newsletter, October 4, 2002 He also was awarded a Guggenheim Fellowship, the American Academy of Arts and Letters Prize for Fiction, the O. Henry Award, and the Pushcart Prize.
It ran for 93 performances, closing on October 16, 1920. The cast headlined Charles Purcell and Andrew Tombes, and included Eugenie Blair, Ruth Hale, Eleanor Griffith, Lulu McConnell, Aileen Poe, and Florence Webber. The plot revolves around Annie “Sweetie” Farrell (Florence Webber), an honest but poor chorus girl who rented a furnished apartment on Riverside Drive during the run of a musical in which she was appearing. Late one night she learns that the apartment belongs to a rich young bachelor named William Pembroke (Charles Purcell), who had not given anyone permission to rent it.
Adrian was an only child, born in Los Angeles, California, to Florence (née Van Every) and Adrian Earl Hostetter, who wed in 1909 in Los Angeles. She was raised by her single mother in Los Angeles. She was a graduate of Hollywood High School. Adrian won a beauty pageant, worked with the Ziegfeld Follies, and performed with Fred Waring before she entered films at the end of the silent era in Chasing Husbands (1928) and appeared as an extra or chorus girl in early sound films like Paramount on Parade (1930).
Tolstoy was an early admirer of Chekhov's short stories and had a series that he deemed "first quality" and "second quality" bound into a book. In the first category were: Children, The Chorus Girl, A Play, Home, Misery, The Runaway, In Court, Vanka, Ladies, A Malefactor, The Boys, Darkness, Sleepy, The Helpmate, and The Darling; in the second: A Transgression, Sorrow, The Witch, Verochka, In a Strange Land, The Cook's Wedding, A Tedious Business, An Upheaval, Oh! The Public!, The Mask, A Woman's Luck, Nerves, The Wedding, A Defenceless Creature, and Peasant Wives.
In 1920 the duo travelled to Canada where they toured in a comedy tap dancing act, later also performing in vaudeville venues in the United States. By 1928 they were performing as 'The Bus Boys'Stafford, p.44 and in this year Kansas-born chorus girl Betty Knox (Alice Elizabeth Peden, 10 May 1906–25 January 1963) joined the act at Des Moines, Iowa. She is said to have married mechanic Donald Knox in 1923 and to have divorced him after a brief marriage, but there are no records to confirm either event.
Kahn began auditioning for professional acting roles shortly after her graduation from Hofstra; on the side, she briefly taught public school. Just before adopting the professional name Madeline Kahn (Kahn was her stepfather's surname), she made her stage debut as a chorus girl in a revival of Kiss Me, Kate,"Kahn Milestones" tcm.com, accessed February 13, 2015 which led her to join Actors' Equity. Her part in the flop How Now, Dow Jones was written out before the 1967 show reached Broadway, Mandelbaum, Ken. Not Since Carrie August 15, 1992, Macmillan,, p.
Jean Rhys's material for this novel was drawn partly from her late 1927 visit to London for her mother's last days and funeral at Golders Green Crematorium. There, aged thirty-seven, she encountered estranged relatives including her aunt and sisters. This humiliating funeral scene is depicted in After Leaving Mr. Mackenzie. Her family's disapproval extended back to Rhys's Edwardian chorus girl career, which she embarked on against parental wishes after exiting Cambridge's Perse School for Girls to enrol at the Royal Academy of Dramatic Art, where she lasted just two terms.
Voyage in the Dark was written in 1934 by Jean Rhys. It tells of the semi- tragic descent of its young protagonist Anna Morgan, who is moved from her Caribbean home to England by an uncaring stepmother, after the death of her father. Once she leaves school, and she is cut off financially by the stepmother, Hester, Anna tries to support herself as a chorus girl, then becomes involved with an older man named Walter who supports her financially. When he leaves her, she begins a downward spiral.
Broderick (left) in Honeymoon in Bali (1939) Broderick began on Broadway as a chorus girl in the Follies of 1907, the first of Florenz Ziegfeld's annual revues. She went on to perform in the vaudeville duo "Broderick & Crawford" (with her husband) until the entertainment form went out of style, moving to a solo career in her first play Nifties of 23. By the late 1920s, she was playing leads and featured roles, most notably in Fifty Million Frenchmen. In the early 1930s, she starred in the revues The Band Wagon and As Thousands Cheer.
Spanish Eyes is a 1930 British musical film directed by G. B. Samuelson and starring Anthony Ireland, Donald Calthrop and Dennis Noble.BFI.org It had a gypsy theme and was made at Twickenham Studios in West London. The film was made at night, to allow other more important productions to use the studio in the daytime - a common practice at Twickenham during the era. The film became known for the death of Nita Foy, a West End chorus girl who was working on the film, in what became known as "the Film Studio Horror".
Between 1929 and 1931, she starred in nine films, most notably the 1931 western Rider of the Plains with Tom Tyler. In 1932, she was named a WAMPAS Baby Star, along with, among others, Gloria Stuart and Ginger Rogers. From 1932 to 1953, she had roles in 39 films, some of which were uncredited, with others having her in the lead role. In James Whale's comedic thriller starring Boris Karloff titled The Old Dark House (1932), Bond played Gladys DuCane, a chorus girl who falls in love with Roger Penderel (played by Melvyn Douglas).
Krasna was sued for $500,000 in a breach of trust claim by writer Valentine Davies, who contended that Krasna incorporated material from Davies' work Love Must Go On. Davies died in 1961 but his widow continued the suit asking for $1.5 million. The case went to trial in 1962. Groucho Marx gave evidence where he said and Krasna worked on the themes of the play in their script The King and the Chorus Girl. The first trial ended in a deadlocked jury which was discharged after three days.
When Leona threatens to quit, Mike suggests Raoul start a romantic relationship with her, which he does, though he dislikes Leona's jealousy and wage demands. A former Ziegfeld chorus girl, Helen Hathaway, approaches Raoul, suggesting they team up, saying she is a better dancer than Leona. Raoul agrees and he quits his Paris nightclub to go to England with Helen, dumping Leona. Raoul is attracted to Helen but, not wanting a repeat of the Leona situation, makes her promise that if he ever makes a move on her, she should reject him.
Lawson was a professional model by her early twenties and was named Miss Miami Beach in 1935, after which she was employed as an Earl Carroll chorus girl at the Miami Casino. This gained her a contract with Universal Studios, which used her in a variety of small roles. However, in 1936 she was cast in the serial Flash Gordon as the voluptuous daughter of the villain, Ming the Merciless. Princess Aura's rivalry with Dale Arden for Flash Gordon's affection was one of the centerpieces of the serial and gained Lawson cult figure status.
Elsie Crofton, age eighteen, is a former chorus girl. She has given up the stage to elope with wealthy, spoiled, but good-hearted Harry Hammond, the son of a government contractor. Harry's parents, Phillip and Eleanor, his sister Margery and her fiancé Fred Blakely consider Elsie dangerous to their social position and oppose the marriage. They arrange for Harry to go to a family construction site, to interrupt the honeymoon, and send Elsie to stay at their summer home, where their family friends Alfie and Anne Westford are also staying.
June Card (born 10 April 1937) is an American soprano and stage director who had an active career in operas and concerts from 1959 through today. She began her career as a chorus girl on Broadway before moving into opera. She established herself as an operatic soprano in Germany during the mid to late 1960s, ultimately forging a more-than-30-year-long partnership with the Oper Frankfurt. She also appeared as a guest artist with major opera houses internationally and worked as a soloist in the oratorio repertoire.
When she arrived to Broadway she began as a chorus girl in musicals. She often appeared in uncredited roles in such plays as The Skin of Our Teeth, All My Sons, The Maids, The Heiress, The Shifting Heart, and The Mousetrap. After years of stage work she made her movie debut playing an army nurse in Loose Shoes. Later in the decade she landed a recurring role as Aunt Effie to Vicki Lawrence's character of Thelma Harper on Mama's Family; she appeared in seven episodes between 1983 and 1989.
The plot involves a wealthy society matron who leaves her considerable fortune to her nephew on condition he divorce his chorus girl wife. In order to collect his legacy, he decides to comply with the terms and then remarry her after he receives the money. Since divorces are granted only for adultery, a Philadelphia hotel employee named Lucille Jaynes-Smith arranges for him to be found with a woman who is not his wife. He registers at the property as John Smith, and comic complications ensue when he discovers there are more than three dozen other John Smiths registered there as well.
The hero, James ("Jim") Paradene (Geoffrey Gwyther) is the nephew of the Marchioness of Harrogate. He has been left a small fortune by his father, on condition that he must marry a lady who meets with the approval of the Marchioness and her son, the Marquis of Harrogate. Unfortunately, Jim wishes to marry Marilynn Morgan (Dorothy Dickson), but his trustees disapprove of her because she is a chorus girl. Act 1: The Showroom of Messrs Gripps & Gravvins, Music Publishers, Bond Street Jim comes to the offices of Gripps and Gravins looking for a song to sing at his local village concert.
Millionaire playboy Fred White is attempting to make chorus girl Evelyn his latest conquest. Evelyn, on to Fred's scheming, has some scheming of her own, attempting to maneuver Fred into marriage. In a last ditch effort to get Evelyn into bed, Fred purchases a diamond bracelet, to which he has attached a key to the apartment he has leased as their potential love nest. When he shows the bracelet to his friend, Howard, the friend warns Fred that Evelyn is simply a gold-digger, only interested in getting him to marry her so that she can gain access to his money.
Martin spends time at the club while Joan is free to attend several wild parties and conducts what she supposes is an innocent flirtation with Alice's husband, Gilbert (MacDonald). Toodles (Anderson), a chorus girl from the club, tempts Martin on his yacht, but he knows how to resist her. However, when Joan discovers that Toodles is visiting her husband at the country home, she flirts harder with Gilbert Palgrave. Gilbert, who is suffering from a medical condition ("brain fever"), gets Joan alone one night in a seaside cottage, and threatens to shoot himself unless she consents to his desires.
Parsons showered the former chorus girl with praise which led to a friendship between the two women and led to an offer from Hearst in 1923 for her to become the $200-a-week motion- picture editor of his New York American. Her perpetual praise of Davies did not go unnoticed by others as well. The phrase “Marion never looked lovelier” became a standard in her column and a tongue-in-cheek cultural catchphrase. There was persistent speculation that Parsons was elevated to her position as the Hearst chain's lead gossip columnist because of a scandal she did not write about.
Fredi Washington was a black stage and film actress who moved to Harlem during the Great Migration. Though her light skin and green eyes helped her "pass" as a white woman, she reveled in her heritage and chose to go against the barriers of stereotypical roles in film for African Americans. Washington was a talented singer and dancer; she became a chorus girl, then an actress, where she traveled all through Europe for her stage productions. She eventually landed a major role in the film Imitation of Life, which ironically, was about a "passing" white woman.
Shy bank clerk Norman B. Good comes into a big inheritance and uses it to realise his ambition to be a theatre impresario. Falling for chorus girl April Dawne, he invests most of his money in an expensive show designed to make her a star. When the production is a disaster, Norman takes to the stage in a desperate bid to improve the play by playing the lead. His monocle and toothy grin win him raves as a comic genius (despite the fact that he was playing the role straight), and the show becomes a hit as a comedy.
Novak also starred as Las Vegas chorus girl Gloria Joyce, a character with whom she could identify, in the made-for-TV movie, The Third Girl From the Left (1973), with her real-life boyfriend at the time, Michael Brandon. Novak admitted a preference for TV films as she thought they were faster to shoot than features. She described movie scripts of that time as offensive, saying she disliked the unnecessary sex she found in most of them. In 1975, Novak took part in the ABC movie Satan's Triangle because she liked the story which dealt in the supernatural.
In 1924 she made her stage debut as a dancer in a show called Dixie to Broadway. She won a beauty contest at the Savoy Hotel in 1926."Ethel Moses Chosen the Most Beautiful Girl in The Savoy Beauty Contest" New York Age (August 28, 1926): 7. via Newspapers.com In 1929 Ethel Moses was voted the "Shapeliest Chorus Girl" on the New York stage; her sister Lucia placed second in the same poll. She was in the company of a Broadway revival of Showboat in 1932."Three's a Crowd" Pittsburgh Courier (December 24, 1932): 16. via Newspapers.
Paramount on Parade featured in a 1930 advertisement for Technicolor The film, including some of its Technicolor sequences, has been restored by the UCLA Film and Television Archive. The original title sequence and chorus girl number immediately following it, however, are still lost. The sound for two of the Technicolor sequences ("Gallows Song" and "Dream Girl") are also missing. According to Robert Gitt, film archivist now retired from UCLA, in a lecture at Pacific Film Archive at UC Berkeley, the film was also released with sound- on-disc for those theaters not equipped for sound-on-film.
She was born June Francis Hoffman on June 19, 1916, in Minneapolis, Minnesota to Francis T. and Ebba V. Hoffman. She lived in Portland and Los Angeles, attending John Marshall High School. She began her career modeling and being a chorus girl in 1939 and was signed under contract to Paramount Pictures in 1941 under the name Katharine Booth. After changing her screen name to Karin Booth in 1942, she would go onto appear in such feature films as The Unfinished Dance (1947), Big City (1948), The Cariboo Trail (1950), Tobor the Great (1955) and The World Was His Jury (1958).
Wagner, who was driving between 50 and 70 miles an hour, died six hours later in a hospital. It has been claimed that she was engaged to Wagner, but this was dismissed by different sources, who believed that she was to be married to caricaturist Nat Carson, whom she met while performing as a chorus girl in Earl Carroll's Vanities."What Never Was Told About the Tragic Crash Of Lovely Dorothy Dell", The Salt Lake Tribune, August 12, 1934, p. 7 A week before her death, Carson left for work in London and proposed over the telephone.
Cover Girl is a 1944 American comedy musical film starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. The film was directed by Charles Vidor, and was one of the most popular musicals of the war years. Primarily a showcase for Rita Hayworth, the film has lavish modern and 1890s costumes, eight dance routines for Hayworth, and songs by Jerome Kern and Ira Gershwin, including the classic "Long Ago (and Far Away)".
Later in her career she became manager and choreographer of the Gertrude Hoffmann Girls. Reminiscent of the Tiller Girls, her dancers used a type of athletic acrobatic transformation of the chorus girl with kicks, leaps, etc. The Gertrude Hoffmann Girls performed in the Shubert review Artists and Models that ran for the entire 1925-26 season at the Winter Garden and also had long runs over the following two seasons with A Night in Paris and A Night in Spain. In 1933 she resurrected the Hoffmann dancers and had some success touring America and Europe prior the outbreak of the Second World War.
Wally Saunders (Johnny Harron) wants to marry chorus girl Violet Dayne (Anne Cornwall), but his uncle, Stephen Lee (Wyndham Standing) thinks that all chorines are gold diggers (people who date others to get money from them) and refuses to give his approval. Violet's friend Jerry La Mar (Hope Hampton) is not a gold digger, but she agrees to go after Lee so aggressively that Violet will look tame by comparison. Of course, the uncle and the friend fall in love and get married, even after he knows the truth about her, and he gives permission for Wally and Violet to get hitched too.
Memory Lane by I. C. Brenner. Salt Lake Tribune, November 4, 1936, p. 22 Bergere first toured in Billie's First Love (1902) and then subsequent in productions such as Jimmie's Experiment (1903); His Japanese Wife (1904); The Chorus Girl in The Land of Nod (1905); A Bowery Camille (1906); The Morning After the Play (1907); A Prairie Flower (1908); The Lion Tamer (1908); The Sultan's Favorite (1909); Two Women (1911); She Wanted Affection (1911); Judgment(1912);Judgment, by Victdor H. Smalley. Orpheum. Oakland Tribune March 17, 1912, p. 41 Boston Baked Beans (1913);Plays and Players.
Brefni O'Rorke (26 June 1889 – 11 November 1946) was an Irish film actor.BFI Brefni O'Rorke He began studying acting with his mother, the actress Jane O'Rorke née Morgan who was born in 1858, and there was a brother, Frederic, twelve years old than him.Ireland Census 1901 Jane O'Rorke He made his professional début in 1912 at the Gaiety Theatre, Dublin in a production of Shaw's John Bull's Other Island. While still living in Dublin, he met and married in 1916 Alice Cole, a chorus-girl turned actress, who had divorced her first husband and immigrated from South Africa with her young son.
She appeared in six films that year, two of which were credited. In 1934 she appeared in three films, one of which was credited, but was selected as one of thirteen girls to be "WAMPAS Baby Stars", the last year that "WAMPAS" made those selections. In 1935, Hovey appeared in only one film, Circus Shadows, but was still receiving attention due to her "WAMPAS Baby Star" title. Dark haired and pretty, Hovey eventually caught the attention of studios after appearing in several films as a chorus girl and in minor acting roles, and in 1936 she signed a contract with RKO.
Many pre-Code films dealt with the economic realities of a country struggling to find its next meal. In Blonde Venus (1932), Marlene Dietrich's character resorts to prostitution to feed her child, and Claudette Colbert's character in It Happened One Night (1934) gets her comeuppance for throwing a tray of food onto the floor by later finding herself without food or financial resources.Doherty, pg. 56. Joan Blondell's character in Big City Blues (1932) reflects that, as a chorus girl, she regularly received diamonds and pearls as gifts, but now must content herself with a corned beef sandwich.
Set in Victorian London, the story concerns a music hall chorus girl, Belle Adair, aka Rose Lynton, who blackmails a gentleman, Michael Drego, after seeing him leave the house where another dancer, Daisy Arrow, was found murdered. Instead of accepting money she demands to be invited to the man's stately home to experience the life of a lady. The woman becomes friends with the man's mother, Lady Margaret Drego, his fiancée, Audrey Ashton, but her peace is disturbed when the police inspector, Deputy Inspector Evans, arrives to question them further about the murder. Then another murder is committed in similar circumstances.
At Oxford, he joined the Oxford University Mountaineering Club, and was also a member of the Oxford crew for the Oxford and Cambridge Boat Race in 1922 and a member of the winning crew in 1923, the only time Oxford won between 1913 and 1937. He had a relationship with a former chorus girl named Marjory Agnes Standish Summers (née Thompson), who at the age of 19 had married Harry Summers, then aged 52, in 1917. Summers was one of the founders of John Summers & Sons, a steel company. While Irvine was on Everest, Harry began divorce proceedings against Marjory.
In 1952, she hosted the short-lived, late Saturday evening Dagmar's Canteen (which aired on NBC at 12:15 am Eastern Time, unsponsored), in which she sang, danced, interviewed servicemen, and performed comedy routines. The basic premise of the show was that servicemen from the audience were given roles to act alongside Dagmar in sketches. One of Dagmar's sisters, Jean, was a member of the cast of Dagmar's Canteen. Jean, who had previously worked as a chorus girl on Broadway, also served as Dagmar's secretary, handling her sister's fan mail, which sometimes soared to 8,000 letters a month.
Theatrical and Musical Memoirs; McBride, Nast, and Company, 1913 It was as a sextet that Edna Goodrich became involved in the Harry Kendall Thaw murder trial, which was labeled Trial of the Century by William Randolph Hearst's newspapers. Thaw killed architect Stanford White during a performance at Madison Square Garden over Mr. White's relationship to Evelyn Nesbit. It was reported that Edna Goodrich had introduced fellow Florodora chorus girl Nesbit and White during an intimate meeting in White's apartment. Edna Goodrich was served with several subpoenas during the trial, reportedly tearing one apart in front of the serving agent.
The term "Trimalchio" has become shorthand for the worst excesses of the nouveau riche. His full name is "Gaius Pompeius Trimalchio Maecenatianus"; the references to Pompey and Maecenas in his name serve to enhance his ostentatious character. His wife's name is Fortunata, a former slave and chorus girl. Trimalchio is known for throwing lavish dinner parties, where his numerous servants bring course after course of exotic delicacies, such as live birds sewn up inside a pig, live birds inside fake eggs which the guests have to "collect" themselves, and a dish to represent every sign of the zodiac.
Based upon a summary in a film publication, a minister's son, David Marlowe (Frazer), gets drunk and marries chorus girl Ember (Nilsson), and then forges a check and flees. Ember then decides to leave the straight and narrow path and charges some gowns to Bunny Fish (Schable), the man her husband had robbed. When she hears that her husband has returned with money to repay his debt, she changes her mind and returns the clothing. Later, when she believes David has killed Bunny Fish because of his attentions towards her, but it turns out that Fish is only slightly hurt.
Thaw was the mentally unstable heir of a railroad baron, and he had killed a renowned architect, Stanford White, who had previously sexually assaulted Thaw's wife, Evelyn Nesbit, who was a famous fashion model and chorus girl. The trial was the subject of intense public interest and was highly sensationalized in the press, becoming one of the earliest examples of the "trial of the century" phenomenon. Fitzgerald ordered the jury to be sequestered, which was a highly unusual step at the time. In a contemporaneous report, the New York Times could only identify one specific previous case in which this had occurred.
Stahl became editor of the Trenton Herald. She made her début in Philadelphia in 1887, toured with Daniel E. Bandmann in 1888, and appeared in New York in 1897. In 1902–03 she starred as Janice Meredith in a road touring version of the play of that name. She first appeared in her rôle of Patricia O'Brien in 1904 in the sketch called The Chorus Girl, which she carried to London in 1906, and she reappeared in New York in the revised four-act play, The Chorus Lady, in which she made a sensation and which continued to be her vehicle until 1911.
After the couple returned to Chicago, Irvin Miller performed with Kid Brown's company and wrote a musical comedy, Mr. Ragtime, in which he performed. He then wrote a new show, Broadway Rastus, first performed in Philadelphia in 1915. It was highly successful, and brought Miller fame. The show moved to Atlantic City where it featured performers including Leigh Whipper and Lottie Grady, and included music by W. C. Handy. Productions of Broadway Rastus continued on a regular basis until the late 1920s. Miller and Bigeou divorced in 1918, and he married chorus girl Blanche Thompson the following year.
Harper began her show business career as a dancer and chorus girl on Broadway, and went on to perform in several Broadway shows, some choreographed by Michael Kidd, including Wildcat (starring Lucille Ball), Take Me Along (starring Jackie Gleason), and Subways Are for Sleeping. In between, she was also cast in the musical Destry Rides Again, but was forced to leave rehearsals due to illness. Her roommate, actress Arlene Golonka, introduced her to The Second City improvisation theater and to improv performer Dick Schaal, whom Harper later married in 1965. Harper was stepmother to Schaal's daughter, Wendy, an actress.
The actor became a naturalized United States citizen on May 8, 1942; by this act, he also legally changed his name from Samuel Grundy to Wallace Ford. He met his future wife Martha Haworth in 1922 while they were performing together on Broadway in Abie's Irish Rose, she being a chorus girl at the time. They had one child, a daughter named Patricia (1927-2005). After the death of his wife in February 1966, Ford moved into the Motion Picture & Television Country House and Hospital at Woodland Hills, California, and died in the hospital there of heart failure four months later.
In 1905, Hersh appeared on stage at Miner's Bowery Theatre (originators of “get the hook”) using the name Mollie Williams. Williams was subsequently signed as a chorus girl in Al Reeve's Big Beauty Show on the Eastern Burlesque Wheel. In 1907, while performing in the chorus of The Behman Show, Williams persuaded the producer to stage her impersonation of Anna Held. Williams' imitation of Held was a hit, one that led to principal roles in shows produced by Jack Singer and Robert Manchester. During this time, Williams was known for her wisecracking comedy and risqué dramatic scenes, such as the Dance L’Enticement.
During the 1920s, Berkeley was a dance director for nearly two dozen Broadway musicals, including such hits as A Connecticut Yankee. As a choreographer, Berkeley was less concerned with the dancing skill of his chorus girls as he was with their ability to form themselves into attractive geometric patterns. His musical numbers were among the largest and best-regimented on Broadway. His earliest film work was in Samuel Goldwyn's Eddie Cantor musicals, where he began developing such techniques as a "parade of faces" (individualizing each chorus girl with a loving close-up), and moving his dancers all over the stage (and often beyond) in as many kaleidoscopic patterns as possible.
In the original play and film, based on Sherwood's personal experiences, both characters are Americans, Myra an out- of-work chorus girl who has turned to prostitution and Roy a callow 19-year- old expatriate who does not realize what she is. In the 1940 version both are British, Myra a promising ballerina in a prestigious dance company who becomes a prostitute only after believing that her sweetheart has been killed, and Roy a mature officer of Scottish nobility. In the original film, Myra is accidentally killed after her situation with Roy has apparently been happily resolved; in the 1940 version, she commits suicide when her inner conflict becomes insoluble.
On her way to see Algy, Jane asks Bill to help a cat out of a tree, and Bill falls in love with her. Later, Jane has lunch with her fiancé Lionel Green, an interior decorator and antique furniture salesman, after six months of being apart, but Lionel is not enthusiastic to see her and annoys her by bringing his business partner Orlo Tarvin to join them. A wealthy American named J. Wendell Stickney lives in New York with his widowed aunt by marriage, former chorus girl Kelly Stickney. A distant relative of Henry Paradene, Wendell takes pride in being part of the Paradene family.
Jack Brewster, a pauper living in London and the heir to a fortune from his wealthy father, falls in love with Cynthia, a boarder in his boarding house "home." When Jack inherits his fortune, which includes £500,000 and the house, he falls prey to chorus girl Rosalie. His uncle then dies, leaving Jack six million pounds, on the condition that he become penniless in the next six months. At his house warming for his first inheritance, Jack learns of the second bequest, which require him not only to lose all his money, but to have no female entanglements and tell no one of its conditions.
At a St. Louis opera house in 1860, a singer in blackface named Jerry Barton, known as "King of the Minstrels", comes backstage and asks his sweetheart, Lettie Morgan (Ann Rutherford), to elope. Lettie's Aunt Hortense, fearing that Barton is a fortune hunter, tells Lettie she is not the heiress she thought she was and that she has been living off her aunt's charity. With no fortune to hunt, Barton informs Lettie that an artist cannot be burdened with the responsibility of a wife. Outside the opera house, Lettie meets a chorus girl named Honey (Barbara Pepper), who is preparing to leave with her theatrical troupe in a caravan heading West.
Now famous, Merrill thoroughly enjoyed his celebrity and loved the nightlife and hobnobbed with both the famous and infamous. Although earning a good salary, he habitually was broke due to gambling. He had become a fixture at the parties of the rich and famous, and it was at one of these that he met Toby Wing, a chorus girl who became a movie star, appearing in 52 features and shorts. The two married in Tijuana in 1938, but her parents objected to this sort of marriage, so they were married a second time at the home of Sidney Shannon, an early Eastern Air Lines investor.
Spelvin was 36 when she made the film. The Devil in Miss Jones was one of her first acting appearances following a career as a chorus girl on Broadway where she was featured in productions such as Cabaret, Guys and Dolls, Sweet Charity, and The Pajama Game.Georgina Spelvin: The Devil, Miss Jones, and the New York Years, The Rialto Report, May 19, 2013 Her role in The Devil In Miss Jones was typical of her career, as she often played celibate spinsters who have a sexual awakening, then become sex fiends (e.g. Sleepyhead). She also meets a tragic end in several of her other films.
As described in a film magazine, Emma McChesney (Barrymore), saleswoman for T. A. Buck & Co., plans to give up the "road" and settle down with her boy Jack (Lytell). She discovers that Jack has married a chorus girl while at college and also raised a check that she had sent him. Determined to make a man of him, she secures a position for him at T. A. Buck & Co. and sends the daughter-in-law to a boarding school. She designs a new skirt for the company that finds favor at a fashion show when modeled by Jack's wife, and saves the company from bankruptcy.
The plot of the film drops a blackmail attempt and two roles prominent on stage were changed: Melba (a reporter) was cut and Gladys became a minor character. Linda became a naive chorus girl instead of an innocent stenographer and some of the lyrics to "Bewitched, Bothered and Bewildered" were changed. Also in the film, Vera Prentice-Simpson is a wealthy widow and former stripper (billed as "Vanessa the Undresser") and thus gets to sing the classic song "Zip". (As that number required an authentic burlesque drummer to mime the bumps and grinds, the extra playing the drums is disconcertingly switched with a professional musician in a jump cut).
He became a member of the Hasty Pudding Club and appeared as a blond-wigged chorus girl in the 1892 student musical. He was also elected president of The Harvard Advocate, a student literary magazine.. Austin Hall at Harvard Law School, sometime 18941896 Hand's studious ways resulted in his election to Phi Beta Kappa, an elite society of scholarly students. He graduated with highest honors, was awarded an Artium Magister degree as well as an Artium Baccalaureus degree, and was chosen by his classmates to deliver the Class Day oration at the 1893 commencement. Family tradition and expectation suggested that he would study law after graduation.
Following Hannele, Lawrence reconnected with her father, who was living with a chorus girl. They agreed to let her tour with them in two successive revues, after which Arthur announced he had signed a year-long contract with a variety show in South Africa, leaving the two young women to fend for themselves. Lawrence, now aged sixteen, opted to live at the Theatrical Girls' Club in Soho rather than return to her mother and stepfather. She worked steadily with various touring companies until 1916, when she was hired by impresario André Charlot to understudy Beatrice Lillie and appear in the chorus of his latest production in London's West End.
Hugo Carmody, who became secretary to Lord Emsworth following the failure of The Hot Spot, the night club he ran with Ronnie Fish, is conducting a secret affair with Millicent Threepwood, Emsworth's niece. They hide this from Lady Constance, who is distracted with worries that the book of memoirs her brother Galahad is writing will bring shame to the family. Ronnie, meanwhile, is secretly engaged to Sue Brown, a chorus girl and an old friend of Hugo. When they run into Lady Constance in London one day, Ronnie introduces Sue as Myra Schoonmaker, an American heiress he and his mother Lady Julia recently met in Biarritz.
180px Bolton was "a dapper ladies' man, who, having divorced his first wife, became ensnared in a succession of entanglements with chorus girls and singers." He was married four times. With his first wife, Julia, née Currey, whom he married in 1908, he had one son, Richard M. Bolton (1909–1965) and one daughter, Katherine Louisa "Joan" Bolton (1911–1967). With his second wife, opera singer Marguerite Namara, to whom he was married from 1917 to 1926, he had a daughter, Marguerite Pamela "Peggy" Bolton (1916–2003), who was his only child to outlive him. His third wife was a chorus girl, Marion Redford, whom he married in 1926.
Gaskell and Chambers then purchased Mason's bar fitting trade however Harry Mason (Samuel Mason's son) who had been running Samuel Mason Ltd, restarted it under the name of Harry Mason Ltd from about 1910.Shill, 2006, ebook It can be assumed that Harry Mason took over Samuel Mason Ltd after his nephew left to begin his career in the theatre. Today Harry Mason Ltd specialises in cellar equipment and beer. In 1914, before the outbreak of the First World War, Mason married Daisy Fisher, a chorus girl, actress, lyricist and singer who also had a background in theatre and later became a novelist and playwright.
Joan Carmella Babbo was born to an Italian-American family in Chicago, Illinois, one of six children supported by her widowed mother. As an adolescent, she studied drama and ballet, and on graduating from Bowen High School, located in the South Chicago neighborhood, went with a local dance group on a tour of Canada. She then took a job as a chorus girl in the Edgewater Beach Hotel in Chicago. After doing a fill-in in Indiana, she decided to pursue a singing career. Some executives at Metro- Goldwyn-Mayer (MGM) spotted her in a television commercial, and she was signed by MGM in 1952.
Kent also finds out that Norma's first husband, who Kent knew about, never legally divorced Norma, so technically she is a bigamist. Deciding to teach the pair a lesson, he pairs the private investigators to follow them and ensure that they cannot part from one another. It soon becomes apparent to Norma that the only thing that Marchmont/Pierce was interested in was her jewels, and she has to resume her chorus girl activities in order to support Marchmont/Pierce's drinking habit. However, when either of the two attempts to leave, they are returned to each other, under threat of turning them over to the police for arrest.
In 1936, she left the endurance contests, determined to become a professional singer. She started out as a chorus girl in such Uptown venues as the Celebrity Club and the Vanity Fair and then found work as a singer and waitress at the Ball of Fire, the Vialago, and the Planet Mars. At the Vialago, O'Day met the drummer Don Carter, who introduced her to music theory; they wed in 1937. Her first big break came in 1938 when Down Beat editor Carl Cons hired her to work at his new club at 222 North State Street, the Off-Beat, which became a popular hangout for musicians.
Ellington, Calloway, and Louis Armstrong returned to perform at the club in later years. Lena Horne (Leona Laviscount) began at the Cotton Club as a chorus girl at the age of sixteen, and sang "Sweeter than Sweet" with Calloway. Dorothy Dandridge performed at the club while part of the Dandridge Sisters, and Coleman Hawkins and Don Redman played at the club as part of Henderson's band. Tap dancers Bill "Bojangles" Robinson, Sammy Davis Jr. (as part of the Will Mastin Trio), and the Nicholas Brothers performed at the club as well. Another notable "Cotton Club Parade" in 1933 featured Ethel Waters, and Duke Ellington performing Stormy Weather.
The gossip continues, exacerbated by Sylvia and their friend Edith, who turns the affair into a public scandal by recounting Sylvia's version of the story to a gossip columnist. Mary decides to divorce her husband despite his efforts to make her stay. As she packs to leave for Reno, Mary explains the divorce to Little Mary, who weeps alone in the bathroom. On the train to Reno, Mary meets three women with the same destination and purpose: the dramatic, extravagant Countess de Lave; Miriam Aarons, a tough-cookie chorus girl; and, to her surprise, her shy young friend Peggy Day, who has been pushed into divorce by Sylvia.
Scarface (1932) In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as: Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Joan Blondell and Bette Davis as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros.
A newsreel montage depicts turn-of-the-20th-century celebrities including Harry Houdini, Theodore Roosevelt, architect Stanford White (Norman Mailer), and life in New York City, accompanied by ragtime pianist Coalhouse Walker, Jr. (Howard E. Rollins, Jr.). Millionaire industrialist Harry Kendall Thaw (Robert Joy) makes a scene when White unveils a nude statue atop Madison Square Garden, modeled after former chorus girl Evelyn Nesbit (Elizabeth McGovern), Thaw's wife. Convinced White has corrupted Evelyn, Thaw publicly shoots him dead. An upper-class family resides in New Rochelle, New York, where Father (James Olson) owns a factory where his wife's Younger Brother (Brad Dourif) makes fireworks.
Melvyn Douglas originally was signed to play Sam Bailey, but the role ultimately went to Walter Pidgeon.The Shopworn Angel at Turner Classic Movies First-time screenwriter Salt had to adhere to the strict regulations of the Hays Code, which required him to dilute many of the sexually explicit elements of the preceding film versions of the story. This included transforming Daisy from a hard-edged chorus girl into a leading lady and Sam from her gangster lover into her wealthy, high society boyfriend. Although not deemed an official remake of The Shopworn Angel, the Paramount Pictures film That Kind of Woman (1959) shared a very similar plot.
She tells him that she is an out-of-work chorus girl, is broke, and desperate to raise the $64 train fare to Salt Lake City, where a job is waiting for her. Although she is telling him the truth, he thinks she is a prostitute, and he offers to take her to a nearby private "dining room" to treat her to dinner and to have an intimate time together drinking. There he becomes angry when she resists further advances after they kiss. He calls her a "phony" but begins to believe her story after she shows him a telegram with her job offer.
A chorus girl by age 18, Keyes came out to Hollywood and was introduced to Cecil B. DeMille who in her own words “signed me to a personal contract without even making a test”.Interview with Johnny Carson, The Tonight Show, July 28, 1977 After a handful of B movies at Paramount Pictures, she landed a minor role in Gone with the Wind (1939), that of Scarlett O'Hara's sister Suellen. (She was later interviewed for the 1988 documentary The Making of a Legend: Gone with the Wind.) Columbia Pictures signed her to a contract. In 1941, she played an ingenue in Here Comes Mr. Jordan.
Brooks Atkinson, writing for The New York Times, gave this description of the play: > Somewhere in the northwest side of Chicago in the Polish district live the > Dzieszienewskis, the mother being an immigrant, the children being > assimilated Americans and ambitious. She is an unprincipled strumpet whose > blood boils in the Spring. Taking America as they have learned it from > notorious Americans, her children are versatile nincompoops. One son is a > melancholy baseball player in the Texas League, another is studying to be a > cheap politician, a third is president of the Killers Club in the State > penitentiary, and the daughter is a chorus girl who dreams of > Hollywood.
From 1959 to 1978, Andrsová worked with Josef Svoboda's avant-garde multimedia company Laterna Magika, initially as a chorus girl and later (beginning in 1973) as a prima ballerina. In Allen Hughes' review of the company's August 1964 Carnegie Hall debut of a presentation that gave 23 performances at that venue under the direction of Miloš Forman,Dietz, D., The Complete Book of 1970s Broadway Musicals (Lanham, MD: Rowman & Littlefield, 2015), p. 433. they are described as "a Czech theatrical spectacle that first came to international attention at the Brussels World's Fair."Hughes, A., "Theater: A Musical Spectacle From Czechoslovakia", New York Times, Aug 4, 1964.
Marie Downey (Patsy Ruth Miller), a trusting country girl falls in love with a touring stage-actor, Clifford Dudley (Clive Brook) as his touring troupe takes up residence in the hotel run by Marie's father. Both lovestruck and stagestruck, Marie follows Clifford to old Broadway, where she ends up getting a job as a chorus girl. She tries desperately to get in touch with Clifford, but he acts as if he does not even know she's alive as he becomes a matinée idol on Broadway. Thanks to a lucky break, Marie becomes the star of the show in which she is appearing, whereupon Clifford finally acknowledges her existence.
Millicent Hearst. In 1903, Hearst married Millicent Veronica Willson (1882–1974), a 21-year-old chorus girl, in New York City. Evidence in Louis Pizzitola's book, Hearst Over Hollywood, indicates that Millicent's mother Hannah Willson ran a Tammany-connected and protected brothel near the headquarters of political power in New York City at the turn of the 20th century. Millicent bore him five sons: George Randolph Hearst, born on April 23, 1904; William Randolph Hearst Jr., born on January 27, 1908; John Randolph Hearst, born in 1910; and twins Randolph Apperson Hearst and David Whitmire (née Elbert Willson) Hearst, born on December 2, 1915.
Latina groupies are also considered the most exotic and beautiful. Even though this beauty standard helps them obtain this position, it disables them from being taken seriously as women who want to pursue a career in hip hop or the music industry, as will be spoken more about in "Chorus Girl". Groupies are seen for their looks and not the talents they have to bring to the table. Also, since Latina women are over-represented as groupies it leads to the negative idea that majority of Latina women are gold diggers and do not have any intellect, talent, and ideals to offer except for their bodies.
Advertisement for the play with Rose Stahl Patricia O'Brian is engaged to Danny Mallory, a detective whose ambition is to own a farm and leave the Broadway life for the countryside. Patricia, on the other hand, is a chorus girl and, knowing the theater environment, tries to keep Nora, her younger sister, away from her. The girl, with a head full of crickets for the celebrity world, attracts the attention of Dicky Crawford, a patron of the womanizing arts who gets her a part in a show. Nora falls in love and Patricia tries to distract Crawford's interest from her sister by flirting with him.
Wilson, Keppel and Betty photographed in 1928 After several years working as a chorus girl in vaudeville, Knox met Liverpudlian Jack Wilson and Irishman Joe Keppel, a clog dancing double act. She joined the act in 1928 and the trio became known as Wilson, Keppel and Betty. Over the next couple of years they tried out various new routines, before coming up with the idea of wearing Egyptian costumes and performing eccentric dancing in a comic imitation of hieroglyphic wall paintings. This rapidly propelled them to the top of their profession and the trio moved to the UK in 1932, making their British début at the London Palladium.
Marie Doro (born Marie Katherine Stewart; May 25, 1882 – October 9, 1956) was an American stage and film actress of the early silent film era. She was first noticed as a chorus-girl by impresario Charles Frohman, who took her to Broadway, where she also worked for William Gillette of Sherlock Holmes fame, her early career being largely moulded by these two much-older mentors. Although generally typecast in lightweight feminine roles, she was in fact notably intelligent, cultivated and witty. On Frohman's death in the RMS Lusitania in 1915, she moved into films, initially under contract to Adolph Zukor; most of her early movies are lost.
Even in her youth, Blanche Calloway was a singer, starting in choir concerts given by the local Grace Presbyterian Church in Baltimore. By 1921, Calloway left home to tour with cabaret troops, specifically the Smarter Set Co., originally established in 1909 and led by brothers Salem Tutt Whitney and J. Homer Tutt. Calloway appeared in one of the brothers’ skits Up and Down as one of the featured ‘Bronze Beauties’ on December 5, 1921. From there, her roles expanded from chorus girl to bit parts, and eventually to featured singer. Calloway made her professional debut in Baltimore in 1921 with Eubie Blake and Noble Sissle's musical Shuffle Along.
Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The show has enjoyed a London run, a television adaptation and a number of revivals, before its Broadway premiere in October 2015.
Sherwood based his play on his own wartime experience of a chance meeting with an American chorus girl in London in November 1918. Recovering from wounds in battle, Sherwood had gone to Trafalgar Square to join the celebration of the armistice ending the war and found himself next to "a very short and very pretty girl" wearing a small silk American flag pinned to her blouse. The girl described her circumstances as similar to those later attributed to Myra and invited Sherwood to her flat, but he forgot her address and never met her again. Sherwood, through Roy, expressed his realization that Myra and others like her were civilian victims of war.
Broadway and Hollywood entertainment celebrities and the nightclub, music and crime cultures of prohibition were a bigger focus in the tabloids then civic affairs or international news. Many of the visual storytelling innovations were controversial. The Evening Graphic invented the "composograph," a composite news photo illustration created in a studio and art department to illustrate stories for which a real photograph could not be taken, such as actor Rudolph Valentino on a hospital operating table, or a private Broadway party featuring a nude chorus girl in a champagne-filled bathtub. When Valentino died in 1926, a composite was made of him in heaven standing next to opera singer Enrico Caruso, who had died in 1921.
12 a cut she adopted in the early 1890sSee Brooklyn Museum - Polaire from La Rire-Henri de Toulouse-Lautrec—the style was not considered generally respectableIn a 1906 American short story a woman desperate for cash is obliged to cut her hair in order to sell it. She fears her husband's reaction, however, believing he will consider the crop hairstyle makes her look vulgar: "'If Jim doesn't kill me,' she said to herself, 'before he takes a second look at me, he'll say I look like a Coney Island chorus girl.'" (O. Henry, The Gift of the Magi,1906) until given impetus by the inconvenience of long hair to girls engaged in war work.
In her late teens and early twenties, McRae played piano at a New York City club called Minton's Playhouse, Harlem's most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton's where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke, had her first important job as a pianist with Benny Carter's big band (1944), worked with Count Basie (1944) and under the name "Carmen Clarke" (having married Kenny Clarke) made her first recording as pianist with the Mercer Ellington Band (1946–47). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five-year association with Decca yielded 12 LPs.
Stage Door Johnnies waiting after A Gaiety Girl. The young ladies appearing in Edwardes's shows became so popular that wealthy gentlemen, termed "Stage Door Johnnies", would wait outside the stage door hoping to escort them to dinner. In some cases, a marriage into society and even the nobility resulted. For example, May Gates, a chorus girl in The Beauty of Bath, married a nobleman, Baron Von Ditton, of Norway.The New York Dramatic Mirror, 18 July 1908, p.3b Similarly, Sylvia Storey, another chorister in the same show, married William Poulett, 7th Earl Poulett.The New York Dramatic Mirror, 12 September 1908, p. 2bThe New York Times article about the marriage and other similar matches.
For the Threepwood family, and their friends, the castle is forever available for indefinite residence, and is occasionally used as a temporary prison--known as "Devil's Island" or "The Bastille"--for love-struck young men and ladies to calm down. Emsworth's sister Ann plays the role of châtelaine when we first visit the Castle, in Something Fresh. Following her reign, Lady Constance Keeble acts as châtelaine until she marries American millionaire James Schoonmaker. Lady Julia Fish is "the iron hand beneath the leather glove", whose son Ronald Fish ("Ronnie") marries a chorus girl named Sue Brown, who is the daughter of the only woman whom Gally ever loved--Dolly Henderson, though Gally insists Sue is not Ronnie's cousin.
Back in England after World War I, Rosalind decided that she wanted to go on the stage, and signed on as a chorus girl with a Paris troupe that she had never previously heard of, the Folies Bergère. Eight months later, she sailed for New York, having decided to try her chance as an actress there. Within weeks, she met the as yet unknown writer F. Scott Fitzgerald; he had just handed in the MS of The Other Side of Paradise (1920) to Scribner’s. During their affair, she inspired him with a short story (published as Head and Shoulders) which his agent sold to the Saturday Evening Post for $300 and then the film rights to it for $2500.
The cast consisted mostly of unknowns, though Isabel Bigley, who had just originated Sister Sarah Brown in Guys and Dolls, was given the leading role of chorus girl Jeanie. For Larry, the assistant stage manager who falls in love with Jeanie, they cast Bill Hayes, a well-known stage and television actor. William Tabbert, the original Lt. Joe Cable in South Pacific was considered for the part of Larry, but lost out because he was thought to be too tall to be afraid of Mark Dawson, hired as the towering bully Bob. Richard Rodgers Chorus auditions began March 10, 1953 at Broadway's Majestic Theatre; Rodgers, Hammerstein, and Abbott listened to more than 1,000 people.
Me and Juliet is a musical comedy by Richard Rodgers (music) and Oscar Hammerstein II (lyrics and book), and their sixth stage collaboration. The work tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob. Me and Juliet premiered in 1953 and was considered a modest success — it ran for much of a year on Broadway and had a limited run in Chicago (altogether nearly 500 performances), and returned a small profit to its backers.Bill Hayes Autobiography Like Sands Through the Hourglass 2005 Rodgers had long wanted to write a musical comedy about the cast and crew backstage at a theatre.
Graham, Majorie, Up in Lights: The Memoirs of a 1920s Chorus Girl Dobson Books Ltd, London (1980), p. 29.Wearing, J. P., The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014), p. 342. In 1927 he appeared alongside John Gielgud in The Great God Brown at the Strand Theatre,The Great God Brown on the University of Birmingham Cadbury Research Library Special Collections while in 1928 he played Taya in Contraband at the Q Theatre. In 1936 he appeared in Ivor Novello's Careless Rapture at the Theatre Royal, Drury Lane, and in 1938 he acted in Heaven and Charing Cross at the St Martin's Theatre and in The Ascent of F6 at The Old Vic.
By 1944, the Hatcher family had moved to California, and in August that year Paramount Pictures signed Mary to a seven-year contract. When she was 15, Hatcher was selected to play Laurey in a road production of Oklahoma! At the same time, she was already signed to the movie contract, but her film debut was delayed for a year while she toured with the play. In 1946, she made her first film appearance, an uncredited role as a chorus girl in M-G-M's Till the Clouds Roll By. Her first credited screen role came later that year when she played Dibs Downing in Our Hearts Were Growing Up. She had another uncredited role in the 1947 film, The Trouble with Women.
The first two films he made in Hollywood were for Warner Brothers: The King and the Chorus Girl (1937), with Joan Blondell and Jane Wyman, and Fools for Scandal (1938), with Carole Lombard and Ralph Bellamy. Gravey then signed with Metro-Goldwyn-Mayer and was cast as Johann Strauss in the expensive biopic The Great Waltz, with Luise Rainer and Miliza Korjus. MGM next planned to star Gravey in a film version of Rafael Sabatini's adventure novel Scaramouche, but instead he returned to France just before the Nazi occupation began. Although he had agreed to appear in German-approved French films, Gravey was an underminer of the invaders as a member of the French Secret Army and the Foreign Legion.
As described in a film magazine, Bill Bear (Dix), a cotton broker's clerk in the Mississippi river town of Cottonia, is in love with a chorus girl named Poppy (Chadwick). He learns that his crabbed employer Fraser (Lewis) is attempting to corner the market and uses this knowledge to enter into a partnership with Fraser's enemy Swift (Steppling). They grow rich and Bill becomes engaged to Swift's daughter. On the day of the wedding, however, Bill, Poppy, Fraser, Swift, a street preacher with a taste for alcohol, a plain drunk (King), stranded Swedish engineer Nordling (Orlamond), an out-at-elbows actor, corporate lawyer Sharpe (Davies), saloon keeper Stratton (Walling), and a bartender are imprisoned in Stratton's cafe by a sudden flood.
While Coward was generally supportive, suggesting only small alterations to his character's dialogue, Lillie had a manager who demanded that she play herself, in addition to numerous script changes that enlarged her role. Wise then asked Fairchild to find the name of another female performer Lawrence had worked with who was already dead. Billie Carleton became the composite character that replaced Lillie in the film. When Lawrence reconnects with her wayward father in the film, he is performing in music halls with a mature woman who joins him when he departs for a job in South Africa. In reality Lawrence’s father’s girlfriend was a chorus girl not much older than Lawrence, and she remained in the United Kingdom while he went overseas.
Following her selection, Olcott signed a contract which catapulted her from a chorus girl to one of the most well paid stars of the French stage. She also received as gifts more than one hundred pairs of shoes, especially made for her tiny feet."Cinderella of the Paris Stage", San Antonio Light, October 18, 1931, pg. 52. Olcott claimed a $100,000 prize in 1922 for having the most beautiful legs in Paris. She quickly had them insured for $100,000."$100,000 Legs", Frederick Post, September 20, 1922, pg. 5. In March 1923 she appeared at the Palace Theatre, London with Harry Pilcer in Toutes les Femmes (All The Ladies)."The Day's News In Pictures", Eau Claire, Wisconsin Leader, March 17, 1923, pg. 9.
The songs uses the term "bimbo" is used to describe an island girl of questionable virtue. The 1929 silent film Desert Nights uses it to describe a wealthy female crook, and in The Broadway Melody, an angry Bessie Love calls a chorus girl a bimbo. The first use of its female meaning cited in the Oxford English Dictionary is dated 1929, from the scholarly journal American Speech, where the definition was given simply as "a woman". In the 1940s, bimbo was still being used to refer to both men and women, as in, for example the comic novel Full Moon by P. G. Wodehouse who wrote of "bimbos who went about the place making passes at innocent girls after discarding their wives like old tubes of toothpaste".
Linda English (Kim Novak) The setting is San Francisco; Joey Evans (Frank Sinatra) is a second-rate singer, a heel known for his womanizing ways (calling women "mice"), but charming and funny. When Joey meets Linda English (Kim Novak), a naive chorus girl, he has stirrings of real feelings. However, that does not stop him from romancing a former flame and ex-stripper (Joey says, "She used to be 'Vera Vanessa the undresser...with the Vanishing Veils'"), now society matron Vera Prentice- Simpson (Rita Hayworth), a wealthy, willful, and lonely widow, in order to convince her to finance his dream, "Chez Joey", a night club of his own. Soon Joey is involved with Vera, each using the other for his/her own somewhat selfish purposes.
Doré began her career as a chorus girl in ENSA, before joining the wartime company of Phyllis Dixey at the Whitehall Theatre as a dancer. She later spent seventeen years in repertory theatre before becoming a member of the National Theatre for ten years, especially remembered for her roles in productions directed by Bill Bryden such as The Mysteries. She turned to television acting in 1960 and subsequently had parts in many successful series, including Dixon of Dock Green, Doctor in the House, The Liver Birds, Terry and June, Tenko, Z-Cars, and Open All Hours. In 1988 she starred in Mike Leigh's award-winning film High Hopes, for which she received the award for Best Supporting Player at the 1989 European Film Awards.
He takes the recovering Vera to clear out his grandmother's house, where it emerges that the young Matilde had been a whore in the same establishment as Lola, a Spanish chorus girl who had sunk into prostitution in a remote town in Patagonia. Ernesto takes Vera to the town, where his father reveals that it was the photographer Emilio who in 1934 bought Lola's freedom from Suárez, a blind composer of tangos. When the two boarded an aircraft to leave, Lola could not face the future and threw herself out over the sea, falling to her death beside a whale with a harpoon wound. When Vera and Ernesto visit the spot, they see the same whale, now very old, recognisable by the same wound.
And she returns the affection, being drawn to their connection as "infant prodigies", as she calls them. The story concludes as a role reversal of the two characters, for the better or for the worse, as Horace becomes a successful entertainer using gymnastics and Marcia becomes a successful writer. The title comes from Marcia's idea that she represents the shoulders as a "chorus girl" known for shaking her shoulders during her dance routine in order to support the couple, and Horace as the head for all the ideas and thinking. Towards the end of the story, this dynamic reverses: Horace's athletic shoulders financially supporting Marcia's writing, as she becomes the supposed "head" or thinker in the family, as an acclaimed writer.
One-time star Dorothy Brock, indignant at being asked to audition for a role, is reassured by Bert that he merely wants to make sure the songs are in her key ("Shadow Waltz"). Despite his feeling she is a prima donna past her prime, he agrees to cast her in order to get financial backing from her wealthy beau, Abner Dillon. Outside the theatre, writer Maggie and chorus girls Anytime Annie, Phyllis, and Lorraine take pity on Peggy and invite her to join them for lunch and some advice. They encourage her to show them a dance routine that is witnessed by Julian, who decides there might be room for one more chorus girl after all ("Go Into Your Dance").
The part of Audrey Paris—Joe's ex-wife and continuing muse, played by Leland Palmer—closely reflects that of Fosse's wife, the dancer and actress Gwen Verdon, who continued to work with him on projects including Chicago and All That Jazz itself. Gideon's rough handling of chorus girl Victoria Porter closely resembles Bob Fosse's own treatment of Jennifer Nairn-Smith during rehearsals for Pippin.All His Jazz: The Life & Death of Bob Fosse by Martin Gottfried, Da Capo Press, 1990 Nairn-Smith herself appears in the film as Jennifer, one of the NY/LA dancers. Ann Reinking was one of Fosse's sexual partners at the time and was more or less playing herself in the film, but nonetheless she was required to audition for the role as Gideon's girlfriend, Kate Jagger.
Cindy Lou Bethany was raised in the South, but is now a struggling actress and chorus girl in New York City, eager to find a starring role. An audition to portray a Southern belle in a big production is her big chance, but it ends before she gets a chance to show director Lloyd Lloyd what she can do. The show's financial backer Top Rumson and writer Bert Fisher would like to hire a newcomer, but Lloyd feels more comfortable with his old standby, Myra Stanhope, even though she seems all wrong for this part. The producers travel South to cast the role, so Cindy Lou follows them there, looking up her Aunt Lily Lou and Uncle Jefferson Davis Bethany and scheming to show the New Yorkers what she can do.
They team up with two other actors—Trent Oliver, a Juilliard School graduate down on his luck but who has just been cast in the non-Equity tour of Godspell, and Angie Dickinson, a life-long chorus girl who just quit her job of 20 years in the musical Chicago after the producers never let her go on for the role of Roxie Hart. After searching on Twitter for a cause, they find Emma, a teenager from Indiana whose prom was cancelled by the Parent-Teacher Association because she wanted to bring her girlfriend. Seeing the opportunity, and some personal connection, the actors decide to go to Indiana to help ("Changing Lives (Reprise)"). Back in Indiana, Emma faces severe bullying, but she reminds herself to breathe and that not everyone is this cruel ("Just Breathe").
Born in Germany (full name: Ralf Graessner), he studied at the Andy Geer theater school in Munich at age 19. His passion for the scenic arts led him to London where he joined the Philippe Gaulier Performing Arts Institute; and he continued his studies in the Lee Strasberg Theatre and Film Institute Theater Institute, where he graduated in Acting and Directing. In 1996 he took filming courses in the New York University Film School New York University. In 1995 he directed The Chorus Girl and The Donahue Sisters in the Marilyn Monroe Theater in New York. He worked as Director’s Assistant in plays like In Search of Strindberg at the Actor's Studios, (NY 1995), Flushed for Akika Productions, (NYC 1996) and As she walked through the fair, with the BBC London (NYC 1996).
"Elsie, Lily (1886?–1962)", Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 18 September 2008, Elsie then joined George Edwardes' company at Daly's Theatre in London as a chorus girl. In 1903, she took over the role of Princess Soo-Soo in the hit musical A Chinese Honeymoon and then starred in the flop, Madame Sherry, by Hugo Felix, at the Apollo Theatre. She next played the roles of Gwenny Holden in Lady Madcap, Lady Patricia Vereker in The Cingalee in 1904, Madame du Tertre in The Little Michus in 1905, and Lady Agnes Congress in The Little Cherub (during which, she was fired by Edwardes for giggling, but soon rehired), Humming Bird in See See and Lally in The New Aladdin at the Gaiety Theatre, all in 1906.
Joan Valentine and Ashe Marson, 1915 illustration by F. R. Gruger in The Saturday Evening Post Ashe Marson and his fellow lodger Joan Valentine discover that they both work as writers for the Mammoth Publishing Company. Joan urges Ashe to overcome his discontentment and take a fresh direction in life. Meanwhile, Freddie Threepwood, younger son of the Earl of Emsworth, is engaged to marry Aline Peters, the daughter of American millionaire J. Preston Peters. Freddie pays a visit to a shady fixer, R. Jones, hoping to recover letters he once sent to a certain chorus girl, feeling they might be used to make a breach of promise case against him. His father later calls on Aline's father to view his collection of scarabs and absent-mindedly puts Mr Peters’ prize exhibit in his pocket.
Zeta-Jones at the 2012 Tribeca Film Festival Catherine Zeta-Jones is a Welsh actress who, as of 2019, has appeared in 27 films, 11 television productions and 9 theatre productions. Her first stage appearance was at age nine as one of the orphan girls in a West End production of the musical Annie. She also played the title role in another production of the musical at the Swansea Grand Theatre in 1981. As a teenager, she played roles in the West End productions of Bugsy Malone and The Pajama Game, following which she had her stage breakthrough with the lead role of a chorus girl turned star in a 1987 production of 42nd Street. The French-Italian fantasy feature 1001 Nights (1990) marked Zeta-Jones' film debut.
A group of widely divergent characters meet up with a broken-down touring concert-party, throw in their lot with them, and eventually triumph after temporary setbacks. This British musical-comedy follows an unlikely trio as they try to revive the fortunes of the floundering theatrical troupe. School teacher Inigo Jolifant (John Gielgud) with his talent for songwriting, and recently unemployed Jess Oakroyd (Edmund Gwenn) with his theatrical ambitions, together persuade Miss Trant (Mary Glynne), an older single woman looking for adventure, to fund them as they attempt to bring "The Dinky Doos" back into the spotlight. Susie Dean (Jessie Matthews) is a chorus girl who dreams of stardom, and when she's made the new leader of the show, it looks as if her dreams may finally come true.
She made her stage debut in 1905 touring with Seymour Hicks in his musical Bluebell in Fairyland and was becoming a popular photographic model. In 1906, she appeared as Lady Swan in London in The Belle of Mayfair and then in the pantomime Babes in the Wood as Mavis. The following year she became a chorus girl at the Gaiety Theatre, creating the small role of Eva in The Girls of Gottenberg. That Christmas, she was Molly in Babes in the Wood. In 1908, she appeared in the musical Havana followed, the next year, by Our Miss Gibbs, in which she played Lady Connie; she was then on tour again with Hicks, in Papa's Wife, before playing Sadie von Tromp in the hit operetta The Dollar Princess at Daly's Theatre in 1909.
Madame Giry, the Opéra's ballet mistress, and her dancer daughter Meg inform Firmin and André that Christine Daaé, a chorus girl and orphaned daughter of a prominent violinist, has been "well taught" and can sing Carlotta's role. With cancellation of the sold-out show being their only other alternative, the managers reluctantly audition her and are surprised to discover that she is indeed talented. As Christine sings the aria during the evening performance, the Opéra's new patron, Raoul, the Vicomte de Chagny, recognizes her as his childhood friend and playmate ("Think of Me"). Michael Crawford and Sarah Brightman performing the title song Backstage after her triumphant début, Christine confesses to her friend Meg that her singing has been inspired by an unseen tutor she knows only as the "Angel of Music" ("Angel of Music").
She worked for many years as a chorus girl in the West End until her first break as an actress came along. At sixteen she danced at the Windsor Club with Danny La Rue and Barbara Windsor, changing her name before making her West End debut in 1961's Babes in the Wood. Throughout the 1960s, Barrie worked on many stage productions including Cabaret, Private Lives, Hobson's Choice and Aladdin, and continued to perform on stage until the mid-1980s. She is well known as Alma Sedgewick (later Baldwin), in Coronation Street. She was a bit-player in the early to mid-1980s before she was offered a contract in 1988, after which her character became high profile. She continued in the role until her retirement in 2001.
Carrión has performed voice-overs and music for advertising commercials including Santander Central Hispano (Alphaville's "Forever Young"), Caser Seguros, Canal Isabel II, IKEA, Orange, Jazztel and Viva La Resistencia, a multi-channel campaign against cervical cancer commissioned by Asociación Nacional para el desarrollo de la Salud en la Mujer, all of which aired on Spanish networks. She has also appeared on television, performing theme tunes and cover songs as a soloist, as a member of a group, and as a chorus girl for other artists. She has been the principal singer with the orchestra for the television series A La Carta,A la carta (2004) series de TV, IMDb.com, Accessed: 26 August 2011 presented by Agustín Bravo, broadcast on Antena 3 throughout 2004, and has also acted in film shoots for publicity films, promotional films and short films.
A chorus girl, Sue is the daughter of Dolly Henderson. A tiny thing, mostly large eyes and a wide smile, she has a dancer's figure and catches the eye of many a man, including Percy Pilbeam and in the past Monty Bodkin, to whom she was engaged for a spell, but when we first meet her in Summer Lightning she has been fiancée to Ronnie Fish for some nine months. Galahad Threepwood, who adored her mother in his youth, has a fatherly affection for her, and aids her considerably in her hopes of marrying Ronnie; although his sister Julia at one point accuses Gally of being her actual father, in fact Dolly Henderson married Jack Cotterleigh, an Irish Guardsman, while Gally was in South Africa. After her mother's death, they moved to America for a time.
Resolving to head back to America to seek her, he is amazed to find her arriving in London with his uncle; they proclaim their mutual love, but Aunt Francie takes Flick away to await her awful fate, of marriage to Roderick. Judson meets his old friend Prudence Stryker, a chorus-girl from the New York stage, who tells him she knows Slingsby's secret. Judson arranges for her to meet up with Bill at a nightclub, but they are seen there by Flick, being taken out by her uncle to cheer her up; she assumes he has fallen for this other girl, and writes to say she will be marrying Pyke on Wednesday. Bill gets the letter, after confronting Slingsby about his fraud and learning that the other cannot be stopped from fleeing to South America with his ill- gotten loot.
Mallet was born on 19 May 1941 in Blackpool, the daughter of Russian former chorus girl Olga (née Mironoff) and English millionaire car salesman Henry Mallet..Tania Mallett signed her name with the double “-tt” when giving autographs and her modelling card as a Lucie Clayton model in 1968 was as “Tania Mallett” Her half-brothers Paul and Peter both spell their names as ‘Mallett’.She was a cousin of actress Helen Mirren; her mother and Mirren's father were siblings. Her maternal grandfather, Pyotr Mironov, was a colonel in the Imperial Russian army, who was serving as a diplomat in London as the Russian Revolution was unfolding and decided to stay in the UK. Mallet was educated in both England and France. Her parents divorced and her mother later married conman George Dawson, who served three years in prison for committing fraud.
School spirit is high at Pelham University, which finally has a football team that can beat the rival school, Oglethorpe. What almost nobody knows is that Biff Bentley, the team captain, is planning to quit school to marry his chorus-girl fiancee, Barbara Pell. When, at the last minute, he's talked into staying for the good of the team, Barbara is furious that he's putting football ahead of his love for her. It has left her in an uncomfortable position as well: She had quit a good job in order to marry him and will not be able to get that job back. Tap-Tap Thompson, her fellow Broadway performer, manages to find her a new job in a chorus, but she is so upset over her relationship with Biff that she can’t learn the footwork, putting her job in jeopardy.
14 in Reginald Pound's view it was "to begin his career as a man of the world".Pound, p. 127 The 9th arrondissement of Paris was Bennett's home for the next five years, first in the rue de Calais, near the Place Pigalle, and then the more upmarket rue d'Aumale.Drabble, pp. 109 and 150; and Pound, p. 156 Life in Paris evidently helped Bennett overcome much of his remaining shyness with women. His journals for his early months in Paris mention a young woman identified as "C" or "Chichi", who was a chorus girl;Bennett (1954), pp. 71–72, 76, 81 and 84–86 the journals – or at least the cautiously selected extracts published since his death – do not record the precise nature of the relationship, but the two spent a considerable amount of time together.
Gold-digging chorus girl Mary (Carole Lombard) marries the head of a bootlegging syndicate, gangster "Shoots" Magiz (Nat Pendleton), but his illegal liquor business goes down the drain when Prohibition is repealed, and Shoots is knocked off by rival Daniel Dingle (Sam Hardy). Mary, looking for a new sugar daddy, hooks up with Dingle, and when Dingle is removed from the scene by Mickey "The Greek" Mikapopoulis (Leo Carrillo), transfers her attention to him in return for a "trust fund." All the time, fast-talking straight-shooter Jimmy "Office Boy" Burnham (Chester Morris), Shoots' former bodyguard and errand boy, has looked after Mary, passing her advice and snappy remarks whenever needed. In the end, Mary and Office Boy end up together but only after "Merry Widow Mary" gives away all the dirty money she was given.
In pursuit of the goal of getting Tom Fletcher out of the Army, Bix persuades his protege Jan Wilson (Doris Day), a chorus girl he discovered and turned into a movie star, to come to a "hop" (dance) thrown by the cast of the 100th Night Show as Tom's date. She finds herself very taken with Cadet Fletcher, and takes on the role of the Princess in the show (courtesy of Bix persuading the Commandant to break tradition and allow a woman to play a female role, West Point at the time being an all-male school; he later persuades the Commandant to allow Eve to play in the show as well). The two of them fall in love, but there are the problems of Tom's military obligation and Jan's Hollywood contracts to be resolved. Tom goes off the deep end and submits his resignation from the Military Academy.
During her time as a young adult, Roxanne dreamed of a career in vaudeville but, despite dating noted mobster Al Capelli and getting some press attention as a socialite, is never able to break into the business beyond some work as a chorus girl in a seedy nightclub on Chicago's South Side. Defeated, she falls for auto mechanic Amos Hart, a kind-hearted but meek and naïve man with a stable working-class income; his relationship with Roxie is more akin to that of a father figure (her own father disowned her three years before she met Amos) than a romantic partner. Seven years into the marriage, she and Amos have stopped having sex and she begins an affair with Fred Casely, a furniture salesman, while Amos is working his long hours. At the start of the show, Roxie shoots Fred after he attempts to break off the affair.
Jergens in 1945 Born in Brooklyn, New York, as Adele Louisa Jurgens (some sources say Jurgenson), she rose to prominence in the late 1930s when she was named "Miss World's Fairest" at the 1939 New York World's Fair. In the early 1940s, she briefly worked as a Rockette and was named the number-one showgirl in New York City. After a few years of working as a model and chorus girl, including being an understudy to Gypsy Rose Lee in the Broadway show Star and Garter in 1942, Jergens landed a movie contract with Columbia Pictures in 1944, with brunette Jergens becoming a blonde. At the beginning of her career, she had roles in movies in which she was usually cast as a blonde floozy or burlesque dancer, as in Down to Earth starring Rita Hayworth (1947) and The Dark Past starring William Holden (1948).
When World War I breaks out, Jack Clark (Walter Pidgeon), a Tin Pan Alley songwriter in love with chorus girl Flo Thompson (Jane Winton), enlists in the Army with his pal Lefty (Tom Dugan) and is sent to France, where they spend their time plunking out tunes while enemy shells whiz past their head. There, Jack meets Madelon (Mildred Harris), a little French singer who falls madly in love with him. Eventually, a stray bullet hits Jack during combat and loses the use of his right arm, rendering him unable to wield a pencil to write music or play a piano. He is sent home back to the United States, and upon his return, he is jilted by his former sweetheart Flo and when she senses that Jack isn't going to be much of a gravy train, she sends him packing and Jack becomes a derelict.
The heroine here, Jill Mariner, is a sweet-natured and wealthy young woman who, at the opening, is engaged to a knighted MP, Sir Derek Underhill. We follow her through financial disaster, an adventure with a parrot, a policeman and the colourful proletariat, a broken engagement, an awkward stay with some grasping relatives, employment as a chorus girl, and the finding of true love. Other characters include wealthy, dimwitted clubman Freddie Rooke, ruggedly attractive writer Wally Mason, both of these childhood friends of Jill's; her financially inept uncle Major Christopher Selby; and Sir Derek's domineering mother, Lady Underhill; Jill's unpleasant relatives on Long Island, New York; Elmer, Julia and Tibby Mariner; Drones Club member Algy Martyn, various chorus girls, composers and other theatrical types, and miscellaneous servants. George Bevan, composer hero of Wodehouse's previous work A Damsel in Distress, receives a passing mention, as does an unspecified member of the Threepwood family.
Sarris, 1966. p. 47:"... all the depravity [of Colton's play] could not be spelled out exactly ... Gene Tierney's nickname Poppy ... is the only clue of her degradation ..." Sternberg augmented the original story by inserting two compelling characters: Doctor Omar (Victor Mature) and Dixie Pomeroy (Phyllis Brooks). Dr. Omar – "Doctor of Nothing" – is a complacent sybarite impressive only to cynical casino regulars. His scholarly epithet has no more substance than Sternberg's "von" and the director humorously exposes the pretense.Sarris, 1966. p. 48-49: "Sternberg added two crucial characters ... Omar ... is an inspired comic creation, a languid sybarite ... was it possible [Sternberg] recognized something of himself in Omar [and saw] the humor and rendered it artistically." The figure of Dixie, a former Brooklyn chorus girl contrasts with Tierney's continental beauty and this all-American commoner takes the measure of the banal Omar. Poppy, lacking "the humor, intelligence and an appreciation of the absurd" succumbs to the voluptuous Omar – and Sternberg cinematically reveals the absurdity of the relationship.
Sadie Martinot c. 1878 In 1876 Martinot joined Manhattan's Eagle Theatre as a $5-a-week walk-on player. Her debut came about in late August of that year when an injury prevented chorus girl Maude Branscombe from performing Cupid in that evening's performance of F. C. Burnand's Ixion.Bernard, F. C. Ixion; or, the Man at the Wheel accessed 6.7.13 The next year she joined Adah Richmond's company at $18 a-week, touring in Chow Chow: or, A Tale of Pekin,Chow Chow: or, A Tale of Pekin, Internet Broadway Database accessed 6.14.13 in which she performed a popular imitation of Marie Aimee,Note: a well-known French prima donna singing Pretty as a Picture Daniel H. Morrison, The Treasury of Song for the Home Circle, 1892, p. 418 accessed 6.14.13 Later came a Christmas 1877 engagement at the Boylston Museum, Boston Music and the Drama. Boston Daily Advertiser (Boston, Massachusetts), December 24, 1877; Issue 150; col.
Motivated by the desire to provide more for her family and the responsibility she must have felt due to being the oldest of the three daughters, she auditioned for a chorus girl position in The Pearl of Pekin' (1889). She got the part but in order to avoid any embarrassment to her mother and family (stage careers for women were not considered reputable at the time) she opted to begin performing once the production moved up to Cleveland, Ohio. Her mother was inconsolable and devastated at her daughter's decision to take to the stage. She notified Cleveland authorities who brought Trixie before a Cleveland judge to justify her decision to work in theater. She presented such a compelling and rational case for this career move (she had to prove to the judge that she was neither “silly” nor “stage-struck”, that this was a business move) that the judge granted her clemency and telegraphed her mother saying that Trixie was doing the right thing.
Frederick Pope Stamper (20 November 1877 – 12 November 1950), usually credited as F. Pope Stamper or F. Pope-Stamper, less often as Pope Stamper, was an English stage and film actor who appeared mostly in Edwardian musical comedy. Born at Hammersmith in 1877,"Stamper, Frederick Pope", in Register of Births for the Fulham registration district, Oct-Dec 1877, volume 1a, p. 248 Stamper was a stage actor both before and after entering the world of silent movies. He had little screen work after the arrival of the "talkies". In 1902, at Lambeth, he married Daisy Leahy,"Stamper, Frederick Pope", in Register of Marriages for the Lambeth registration district, Aug-Sept 1902, volume 1d, p. 846 an Irish chorus girl and actress who used the stage name of Daisy Le Hay.Jack Dee, Thanks for Nothing (Doubleday, 2010), p. 161 In 1907 he opened in the musical comedy Miss Hook of Holland at the Prince of Wales Theatre, playing the Bandmaster, and enjoyed a run of 462 performances.
Next Meyer went from waiter to butler in a number of films in the 1930s; The Crime of the Century, John Ford's The World Moves On, Preview Murder Mystery starring Reginald Denny, Piccadilly Jim and The First Hundred Years both starring Robert Montgomery, and The King and the Chorus Girl starring Joan Blondell. However, he was again cast as a waiter in Reunion in Vienna starring Lionel Barrymore, in The Good Fairy starring Margaret Sullavan, in Break of Hearts starring Katharine Hepburn and Charles Boyer (in this one he was headwaiter at The Ritz), in Two for Tonight starring Bing Crosby, in The Gay Deception as a butler and in To Beat the Band. In 1935, Meyer was strangled by Boris Karloff's Frankenstein in James Whale's Bride of Frankenstein. Two years later, in 1937, Meyer had a number of bit parts; as a servant in Tovarich starring Claudette Colbert, Charles Boyer and Basil Rathbone, as Raymond Massey's servant in The Prisoner of Zenda starring Ronald Colman in the title role and as Tyrone Power's chauffeur in Sonja Henie's Thin Ice.
She also has a horror of anyone in her distinguished family marrying inappropriately, and spends much of her time trying to keep nieces and nephews away from unsavoury types. However, such matters pale in comparison to the embarrassment that could be caused by her brother Galahad Threepwood publishing his scandalous reminiscences; to prevent this, she is willing to allow the marriage of her nephew Ronnie to a chorus-girl, in Summer Lightning. She is good friends with Sir Gregory Parsloe-Parsloe, with whom she conspires to prevent the publication of Galahad's memoirs, and also with Rupert Baxter, a man she considers most capable and on whom she calls whenever she is in dire need of practical assistance. In her youth, she had a bit of a thing with Alaric, the Duke of Dunstable, with whom she was often found whispering in conservatories or being the last back from picnics, but she later questions his sanity, even calling in Sir Roderick Glossop on one occasion to have him analysed.
She began performing as a chorus girl in West End musical theatre productions and then had minor appearances in several films. Hepburn starred in the 1951 Broadway play Gigi after being spotted by French novelist Colette, on whose work the play was based. She rose to stardom in the romantic comedy Roman Holiday (1953), alongside Gregory Peck, for which she was the first actress to win an Oscar, a Golden Globe Award, and a BAFTA Award for a single performance. That same year Hepburn won a Tony Award for Best Lead Actress in a Play for her performance in Ondine. She went on to star in a number of successful films, such as: Sabrina (1954), in which Humphrey Bogart and William Holden compete for her affection; Funny Face (1957) a musical in which she sang her own song parts; the drama The Nun's Story (1959); the romantic comedy Breakfast at Tiffany's (1961); the thriller-romance Charade (1963), opposite Cary Grant; and the musical My Fair Lady (1964), which won the Academy Award and BAFTA for Best Picture.
A minor role in Alfred Hitchcock's 1949 British production Under Capricorn was followed the next year by her most widely admired and best-known screen performance in the critically acclaimed Boulting Brothers-directed Seven Days to Noon, as Goldie Phillips, the woman who helps the desperate Professor Willingdon (Barry Jones). The character of Goldie was written as an ageing ex-chorus girl - brassy, excessively made-up and cheaply and gaudily dressed, whiling away her days gossiping and tippling in local public houses. Although not explicitly stated, the script strongly implied that Goldie relied on casual prostitution to make ends meet. With the open and unquestioning way in which she offered assistance and shelter to Willingdon, and her devotion to her little dog Trixie, Goldie came across as a cheerful, good-hearted soul and Sloane's performance earned much praise from critics for the mixture of humour and pathos she brought to Goldie's character, in a way that a younger or more glamorous actress would have been unlikely to have been able to achieve.
She lived in the Palermo neighborhood until she was five in which, because it seemed that she had health problems and her parents were very poor, she was taken by some family members to live on Martín García island. On that island located in the middle of the Río de la Plata river, halfway between Argentina and Uruguay, she completed her grade school education and at 17, returned to Buenos Aires and began working as a seamstress in a shirt factory and in a fashion house. She liked singing and, according to Canaro, one night she went to Pigall where he acted and she convinced him to let her sing two tangos in public with his orchestra. If she did not get a job through this, it must have strengthened her in her artistic career, which began in 1922 in which she began as a chorus girl in the brothers César and Pepe Ratti's company which was putting on the piece, El bailarín del cabaret (The Cabaret Dancer) in the Apolo Theater, starring the singer Ignacio Corsini.
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, model, studio executive and producer. She was the star and producer of sitcoms I Love Lucy, The Lucy Show, Here's Lucy, and Life with Lucy, as well as comedy television specials aired under the title The Lucy- Desi Comedy Hour. Ball's career began in 1929 when she landed work as a model. Shortly thereafter, she began her performing career on Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in several minor film roles in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl or in similar roles. During this time, she met Cuban bandleader Desi Arnaz, and the two eloped in November 1940. In the 1950s, Ball ventured into television. In 1951, she and Arnaz created the sitcom I Love Lucy, a series that became one of the most beloved programs in television history. The same year, Ball gave birth to their first child, Lucie Arnaz, followed by Desi Arnaz Jr. in 1953. Ball and Arnaz divorced in May 1960, and she married comedian Gary Morton in 1961.
In 1926, a Natural Vision film of Niagara Falls was released. In 1927, the Natural Vision process was used in the production of The American The Flag Maker. It was directed by J. Stuart Blackton and starred Bessie Love and Charles Ray, but was never released theatrically. On May 26, 1929, Fox Film Corporation released Fox Grandeur News and Fox Movietone Follies of 1929 in New York City in the Fox Grandeur process. Other films shot in widescreen were the musical Happy Days (1929) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12-year-old Betty Grable as a chorus girl; Song o' My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage (Seventh Heaven, A Farewell to Arms), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger (the 35 mm version, however, debuted in New York on March 11, 1930); and the western The Big Trail (1930) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930, all of which were also made in the 70 mm Fox Grandeur process.

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