151 Sentences With "exalts" | Random Sentence Generator

It exalts less the urban revolutionary than the cottage artisan.

And above all, he exalts black heroism in the face of adversity.

Schopenhauer, whom Gray exalts above Hegel and Nietzsche, was a "mystical" atheist.

Rome exalts the furbo, or clever, and pities the fesso, or fool.

His latest studio album, "Pieces of Me," exalts his homeland with gentle grace.

The language of grief exalts and reduces the dead with larger-than-life words.

A reader who either dismisses or exalts this book too quickly is making a mistake.

She exalts her exceptional women but is often scathing toward ordinary ones, and toward feminists themselves.

SI: The film quietly exalts the nobility of disobeying laws in defense of a higher good.

I liked the clues for ALT, KEEL, TOLL, RNS and how the aforementioned PHONE SEX crosses EXALTS.

Lilith exalts in Scorpio, meaning she is at her most potent form in the sign of the scorpion.

Chief among them is the first lady, whom Mr. Binder exalts as a role model for ordinary American women.

But without much fuss, "Neon Bull" exalts carnal passion in beautiful, almost sculptural love scenes filmed from a middle distance.

Availability is part of the explanation, but jihadist ideology is also a blood cult that exalts beheading and throat slitting.

The superdelegate system exalts the ruling class above the voters and essentially gives the party veto power over the people.

His elegant writing applied to a game that can ruin men at the same time it exalts them is gripping.

It's tempting but too dismissive to say Ford (whose first film was 2009's "A Single Man") exalts style over substance.

Filling "What About Me" with soul-grinding encounters and galling trials, Amodeo nonetheless exalts Lisa's agonies with tender, transcendent passion. ♦

All this is fitting in a cultural moment that exalts superheroes, but the show's range of reference is expansive and often unexpected.

This is what Trump does: He exalts gossip and innuendo, which has the direct and opposite effect of degrading truth and honesty.

Instead, Tarrant exalts the pure-white past white supremacists have conjured up for Europe, and evokes the maudlin myths of nationalist agitprop.

" The wisdom that Americans need is to vote bearing in mind that "righteousness exalts a nation, but sin is a reproach to any people.

The right exalts and papers over America's past, the left acknowledges that past but enjoins Americans to take pride in what the country might become.

The ethereal vision of Fonny wreathed in smoke isn't only striking; it exalts this moment and communicates its evanesce, turning emotion and thought into image.

We're a city once again at odds with the White House and its random and regressive edicts — with what it exalts and what it ignores.

He exalts earthy labor that connects men to the land they live on, but he worked as an outside advisor to McKinsey: a consultant to consultants.

"I think it goes back to the fact that New Hampshire exalts time over money," said New Hampshire immigration attorney and Elizabeth Warren supporter Ron Abramson.

The remarks could easily offend officials in North Korea, where a cultlike autocracy exalts Mr. Kim as a deity who cannot be seen as servile and weak.

Writer-director Sofia Coppola has produced a small-scale movie that exalts old-fashioned movie-making qualities, yielding a refreshingly understated alternative to a sea of summer blockbusters.

But Atwood's book, and the film adaptation that followed, are expressly about the fury and despair bubbling under the surface of a country that exalts rape and forced surrogacy.

Collaborating with the late gallerist Colin De Land, Prince used the name Dogg for a body of work in the 1980s that exalts the vernacular of American car culture.

"I identify nontheistically with a Miltonic Satan that defies all subjugation, exalts scientific inquiry and promotes Humanistic, pluralistic values," Temple co-founder and spokesperson Lucien Greaves wrote in 2017.

The controversy taps into France's still unbroken connection to its agricultural past, its self-image as a place that exalts farm life and the perceived values of a simpler existence.

Mr. Blanchard said the next two films — which have not been completed yet — will look at Jack Veneno's ambition and accomplishments in a stylized way that also exalts Dominican culture.

While some are warmed by the shots, others are exhausted by a meme that exalts a Clinton whose candidacy helped torpedo the Democratic Party to its lowest political power in years.

In the various versions of "A Star Is Born," the husband assumes this victim role, a figure that Cooper — who also directed — exalts by turning a romantic melodrama into a male weepie.

But there's no argument that in an era that teems with choice, brims with niche marketing and exalts individualism to the extent that ours does, we're sorting ourselves with a chillingly ruthless efficiency.

Danielle is mid-sentence in a discussion of the band's hit new album, Something to Tell You — which exalts both rock and pop traditions with equal relish — when the conversation momentarily goes off the rails.

"Critics rating:Critics consensus: "'Tuca and Bertie' skips right past Bojack Horseman's shadow with its chipper sensibility and madcap sight gags, bringing plenty of laughs as it addresses adulting anxiety and exalts the joys of friendship.

If fascism is, by definition, a view that exalts "the toxic combination of strong government and strong corporations," why would someone who is supposed to be a fascist attack and presumably weaken a corporation such as Carrier?

Henrik Ibsen, the country's most celebrated playwright, described the ridge at length in his fantastical "Peer Gynt": "Nigh on four miles long it stretches sharp before you like a scythe," exalts the main character riding a reindeer over it.

It scapegoats migrants, instills fear, glorifies an illusory past (what the Polish sociologist Zygmunt Bauman called "retrotopia"), exalts machismo, mocks do-gooder liberalism and turns the angry drumbeat of social media into its hypnotic minute-by-minute mass rally.

With grand cinematic flourishes—a gyrating camera on a factory floor and at a café table, rapturously colorful visions of romance, and hair-trigger comedy of pratfalls and narrow escapes—Fassbinder exalts the exploits of the hidden heroes of daily life.

It's a cheerful, familial moment realized as a sort of theatre of ordinariness that exalts the simple pleasures of a life in safety as an elusive paradise, one that's brutally threatened by the hands-on violence concealed in France's administrative indifference.

There are two main political traditions in America: liberalism, which exalts the liberty of the individual, and civic republicanism, which advocates what Benjamin Barber has called "communal liberty," a tradition requiring citizen participation in the political life of the community.

READ: Why young girls volunteer to kill 'Agent of death' The world obviously exalts the girls from Chibok above the other thousands of girls who have been kidnapped by Boko Haram from other parts of northeast Nigeria, and the Islamist militants must have noticed.

Operation Streamline has not only torn apart families and punished the hard work that Mr. Flake exalts, but it has also subjected those fleeing violence and persecution to the same punishment as other immigrants, despite United States treaty obligations that prohibit penalizing asylum seekers for their manner of entry.

Here is Merriam-Webster's primary definition of fascism: [A] political philosophy, movement, or regime (as that of the Fascisti) that exalts nation and often race above the individual and that stands for a centralized, autocratic government headed by a dictatorial leader, severe economic and social regimentation, and forcible suppression of opposition.

Usually that fed-up-ness comes later in life and a career, when a woman has had enough time to see exactly how both Hollywood, and society at large, sucks up desirable women, briefly exalts them, then spits them out once they become too demanding, too old, too obvious in their attempts to counter the effects of age.

The definition at the online dictionary is on-point for what we're witnessing in the U.S.:a political philosophy, movement, or regime (such as that of the Fascisti) that exalts nation and often race above the individual and that stands for a centralized autocratic government headed by a dictatorial leader, severe economic and social regimentation, and forcible suppression of oppositionThe term "concentration camp" was the fourth most popular search last night, referring to the system of camps that the U.S. government is currently operating for asylum seekers at the southern border.

All horrent the cobra exalts his hooded head, and the spanning jaws fly open.

But any novel that dwells sedulously upon non-essentials and exalts the unsignificant obscures the truth.

Through her personal touches and combination of media, Schorr exalts the underrepresented to find her own place in society.

In that sense, lesbians suffer much the same treatment as other women in a society that so exalts the masculine over the feminine.Reding, p. 17.

The Blue Marble, the Earth seen from Apollo 17 An Earth anthem is a celebratory song or a musical composition that eulogizes, extols or exalts the planet Earth.

MacGregor (2005), p. 65. Manilius exalts Plato, Socrates, and Pythagoras;MacGregor (2005), pp. 4749.MacGregor (2005), p. 51. proposes a Platonic proof for the existence of God,MacGregor 2005, p. 52.

Offering is encountered in the form of a material gift, a robe, to Athene. The priestess lifts the hands to the sky, home of gods, and exalts Athena as “shining among the goddesses”.

According to Alex Mendelssohn, God was at the epitome of creativity with the creation of Woman. Married three times, Alex Mendelssohn exalts in the feminine figure that features in a large extent of his artwork.

In recent years, the Butler program has also received national attention for its philosophy to the game, which it calls "The Butler Way". At its core, The Butler Way calls for complete commitment and exalts teamwork above self.

Johann Sebastian Bach composed the church cantata ' (Whoever exalts himself, will be abased / KJV: For whosoever exalteth himself shall be abased), 47', in Leipzig for the 17th Sunday after Trinity and first performed it on 13 October 1726.

There is often a dualism within a religion that exalts women on the one hand, while demanding more rigorous displays of devotion on the other. This leads some feminists to see religion as the last barrier for female emancipation.

Iconographic explanations from the Louvre website. The elaborate painting may have a moral justifying some of the virtues of reveling, or perhaps it is a melancholic work which exalts as virtuous, only Nicaea, the one character oblivious to the orgies around her.

Kallias then addressed Lykon saying that he was the richest man in the world, a fact which Lykon admits. Finally Hermogenes says that he exalts most in the virtue and power of his friends because they can take care of him (3.14).

Canutus receives a letter from Edricus describing his insinuation into Ironside's confidences. Canutus exalts in this, and his soldiers look forward to battle. The drums sound. Edricus meets Canutus and tells him he plans to be absent when Ironside needs him most.

In addition to the protection of rights, SEWA educates, mobilizes, finances, and exalts their members' trades. Multiple other organizations represent workers. These organizations are formed upon different political groups. These different groups allow different groups of people with different political views to join a Union.

The second movement is in C major, based on the final episode of the ballet. The serene, glowing theme contains the most memorable melody in the work. Prokofiev exalts the moment with the simplest of the flute melodies (ex.3), blending itself with the strings.

The latter writing, which deals with niti (morals), bhakti (devotion) and vairagya (renunciation) has become popular as a standard book of learning for children.Rice E.P. (1921), p. 80 Kanaka Dasa authored a unique allegorical poem titled Ramadhanya Charitre ("Story of Rama's Chosen Grain"), which exalts ragi over rice.

The church contains at least nine inscriptions, executed in the medieval Georgian asomtavruli script. One of these, placed at the south portal, exalts King Bagrat and his mother, Mariam. Two other inscriptions commemorate Parsman, eristavt-eristavi, a prominent nobleman in Bagrat's reign, and George "the Abkhaz", probably Bagrat's son George II.

One way to rise is to study, to be smarter than your oppressor. The concept of rising against oppression through physical contact is stupid and self-defeating. It exalts brawn over brain. And the most enduring contributions made to civilization have not been made by brawn, they have been made by brain.

The Hino de Pernambuco (Anthem of Pernambuco), composed in 1908, is the official anthem of the Brazilian state of Pernambuco. Pernambuco is located in the Northeast region of Brazil. The state includes Olinda, the second oldest city in Brazil. The state's anthem exalts its beauty, historical achievements, and the past of the people of Pernambuco.

In the Duchy of Saxony, the aristocrat Earl Lassingbergh masquerades as the humble painter Cornelius, to be near his love Lucilia. The opening scene shows the two of them together. Lassingbergh exalts her beauty as he paints; Lucilia modestly demurs. They are interrupted by the clown character Haunce, who is followed by Lucilia's elder sister Cornelia.

The collar of the order was made of a succession of broom-cods and gold fleur-de-lis and a cross – with the motto of the Order, "Exaltat Humulis" (It exalts the humble), in black letters – hanging from a short necklace made of golden hearts. Ackermann mentions this chivalric order as the historical order of France.

The German nation will one day have no other choice but to resort to Turkish methods as well.” > "The German nation will one day have no other choice but to resort to > Turkish methods as well." A Nazi publication of 1925 exalts the new Turkish state for its "cleansing" policy, which "threw the Greek element to the sea".

In Haitian Vodou, Saint Brigid (along with the goddess Brigid and Mary Magdalene) is worshipped as the death loa Maman Brigitte, the consort of Baron Samedi. An 11th century hymn (Brigit Bé Bithmaith) exalts the character of St. Brigid.Howlett, David. (2011). The Old-Irish Hymn ‘Brigit Bé Bithmaith’. Peritia. 22-23. 182-187. 10.1484/J.PERIT.1.103285.

Subsequently, Major von Lützow appears, surrounded by a large crowd, reading a declaration by the king of Prussia that incites all citizens to enlist. Körner, one of the people encircling the major, starts to publicly support the appeal to deliver Germany from its enemies. Recognised by one of the three citizens from the beginning of the scene, Körner frenetically exalts liberty and joins the Freikorps.

Spare elegance is evident in darkling serenity with a hint of sparkle. Implicity allows depth of feeling to be visible through spare surface design thereby manifesting the invisible core that offers new meanings with each encounter. The person of shibui modesty exalts excellence via taking time to learn, watch, read, understand, develop, think, and merges into understatement and silence concerning oneself. Naturalness conveys spontaneity in unforced growth.

The concept gained further attention and acceptance in his seminal book The Design of Everyday Things (originally called The Psychology of Everyday Things). In this book, Norman describes the psychology behind what he deems 'good' and 'bad' design through examples. He exalts the importance of design in our everyday lives, and the consequences of errors caused by bad designs. The two books include principles for building well-designed products.

K. B. Sundarambal (left) as Nandanar and Maharajapuram Viswanatha Iyer as Vediyar in the 1935 film Nandanar. Bharati was an ardent devotee of Shiva and wrote three operas in honour of various Nayanar saints. Though Bharati was himself an upper caste Brahmin, he was a crusader for the rights of the Dalits. While Sekkizhar exalts Nandanar's devotion to Shiva, Bharati presents the grim reality of ostracization that the Nayanar suffered.

Another equivalence could be made regarding the other twins of the myth, Dalí's sister Ana María being the mortal Clytemnestra, while Gala would represent divine Helen. Salvador Dalí himself wrote: "I started to paint Leda Atómica which exalts Gala, the metaphysical goddess and succeeded to create the ‘suspended space’". Dalí's Catholicism enables also other interpretations of the painting. The painting can be conceived as Dalí's way of interpreting the Annunciation.

The text is structured as a single chapter in a prose form. It opens with verse 1 asserting that it describes the "Vajrasuchi doctrine", which destroys ignorance, condemns those who are ignorant and exalts those with the divine knowledge. The verse 2 of the text presents a series of questions, the possible answers analyzed in verses 3 through 8, the verse 9 presents its view, and then an epilogue concludes the Upanishad.

Genesis Rabbah 9:5 To Meir is attributed also a collection of three hundred fables, three of which are referred to in the Talmud.Sanhedrin 39a; see Æsop's Fables Among the Jews Meir exalts work and recommends parents to instruct their children in a clean trade.Kiddushin 82a Meir was noted for his hatred of ignorance. "He that gives his daughter to an am ha'aretz is as though he put her before a lion".

In a letter Robert Burns wrote, > Is not The Task a glorious poem? The religion of The Task, bating a few > scraps of Calvinistic divinity, is the religion of God and Nature: the > religion that exalts, that ennobles man. He is said to have loved the poem enough to have habitually walked about with a copy in his pocket. The Works of Robert Burns (London: James Cochrane, 1834) vol. 3, p. 252.

He was also a minister in the court of the Queen of Madurai. Well known among his writings in Kannada are Chikka Devaraja Saptapadi (1698), a musical treatise and a eulogy for his patron king rendered in seven sections with fifty-two songs. In this work, the poet exalts the king to the level of "God on Earth". It is, along with Geetha Gopala, considered one of the more important 17th century treatises on music.

That same year, also on the occasion of the twenty-five years of founding of the orchestra, the Departmental Assembly of Valle del Cauca, delivered a resolution by which it exalts Los Warahuaco "in recognition of its career path of service to the cultural development of the Valle del Cauca, and for its contribution to the good image of Colombia before the world". Currently Los Warahuaco continue in activity under the direction of Alejandro Rojas, son of Hernán Rojas.

80 A unique allegorical poem titled Ramadhanya Charitre ("Story of Rama's Chosen Grain") which exalts ragi over rice was authored by Kanaka Dasa. In this poem, a quarrel arises between ragi, the food grain of the poor, and rice, that of the rich, as to which is superior. Rama decides that ragi is superior because it does not rot when preserved. This is one of the earliest poetic expressions of class struggle in the Kannada language.

As a Reichsstand of the Holy Roman Empire Hamburg was affected by the Türkenkriege, wars against the expansion of the Ottoman empire. Several Kapitänsmusiken thus feature patriotic sentiments both with regard to Hamburg and Germany. In the Kapitänsmusik of 1738, the Kriegsgeist (Spirit of War) for example exalts the courage of the Germans at the beginning of the work: Ihr deutschen Söhne echter Art, die ihr euch nie der Trägheit aufgespart. Bekräftiget das Lob der unvergess'nen Taten.

The saint is sometimes described to chant the mantra eternally without stopping. Though calling Japa the simplest form of worship, Sivananda exalts it the "highest Yoga" and preaches that one should always recall the name of God, as the great saint did. Sirappuli Nayanar is compared to another Nayanar, Somasi Mara Nayanar, who also embarked on the similar path of bhakti (devotion), employing Hindu rituals like yajnas as well as the Panchakshara mantra to please Shiva.

This song was released in January 1982. It reflects changes to American lifestyle and society that corresponded with rural concerns of the negative impact from increasing urbanization, and exalts the self-reliance of 'country boys'. The second verse mentions the narrator's relationship with a New York City businessman; despite their differing backgrounds (urban vs. rural) the two had become good friends and exchanged gifts ("he'd send me pictures of the Broadway nights/And I'd send him some homemade wine").

The frescoes in the overdoors depict Merit and Abundance. This whole cycle is influenced by the neoclassical trend that conquered the whole city during that period, through its ornamental motives, ancient-looking sculptures, sarcophagi, amphorae and vases, together with the "Olympic grace" of its figures. The parlor is also known as "the room of Wisdom", since it exalts the commissioner's idea of the arts and sciences giving wealth and nobility. The central oil on canvas was painted by Tiepolo in 1744-1745.

Viriathus became an enduring symbol of Portuguese nationality and independence, portrayed by artists and celebrated by its people throughout the centuries. In 1572, Luís Vaz de Camões epic poem Os Lusíadas, the author exalts Viriathus' great deeds. The flag of the Spanish province of Zamora, called la seña bermeja, has eight red stripes, to honour the eight victories of Viriathus over the Romans. There is a street in Madrid named after him, in Chamberí neighborhood (near the metro station 'Iglesia').

Like most other versions of the story, Ahalya is turned into stone and advised to engross herself in meditation of Rama, "the Supreme Lord". When Rama touches the stone with his foot on Vishvamitra's advice, Ahalya rises as a beautiful maiden and sings a long panegyric dedicated to Rama. She describes his iconographic form and exalts him as an avatar of Vishnu and source of the universe to whom many divinities pay their respects. After worshipping him, she returns to Gautama.

It is not the first novel per se, as Kundalatha (a much inferior work) by Appu Nedungadi pre-dates it by two years. Indulekha throws light on the Nair community during the second half of the nineteenth century when it was undergoing a transformation following western influences and English education. It exalts education and satirizes the orthodox practices of marital alliances between Nair women and Namboodiri men. Indulekha was translated into English 1891 by the-then Collector of Malabar district.

While travelling in Germany he obtained many of the Aesthetic works of the brothers August Wilhelm Schlegel and Friedrich Schlegel concerning art, literature, and above all Pedro Calderón de la Barca. In 1814, he published an article entitled "Reflexiones de Schlegel sobre el teatro traducidas del alemán" (Schlegel's Reflections upon Theatre as Translated from German) in the newspaper El Mercurio Gaditano. This article identifies Romanticism with absolutism and argues for a return to traditional and Catholic thought. It totally condemns the Enlightenment and exalts Spanish nationalism.

In 1766 he wrote Lettere inglesi where he proposes good taste in modern literature. In the enthusiasm of fine arts or Dell'entusiasmo delle belle arti, from 1769, where he exalts enthusiasm as a source of inspiration for fantasy in art according to a tendency that was pre-romantic. Among his main works is a sketch of the progress of literature, science, fine arts, industry, and customs in Italy, originally title Risorgimento negli studi, nelle, Arti e ne' Costumi dopo di Mille. In 1797 he returned to Mantua.

Scene 1: Montforte's palace Montforte reads a paper from the woman whom he abducted, which reveals that Arrigo is his son: Si, m'abboriva ed a ragion! / "Yes, she despised me, and rightly!". Bethune tells him that Arrigo has been brought by force, but Montforte exalts in the fact that his son is close by: In braccio alle dovizie / "Given over to riches, surrounded by honors, an immense, horrid void...". The two men confront one another and Arrigo is somewhat puzzled by the way he is being treated.

He was a mature environmentalist and visionary. He initiated tree plantation drives, organised talks and lectures on various issues concerning the environment and social life, and also wrote a large number of books regarding the same. Some of his famous works include "Education of man","Righteousness alone exalts a nation","Plant or Perish", "The Way," "The Increasing Population", and many others. He distributed free pamphlets and books to make the people aware of the impending dangers to the environment and society through the Pingalwara Society.

Totalitarianism is that which prefers a maximum, all-encompassing state. Authoritarian philosophies view a strong, authoritative state as required to legislate or enforce morality and cultural practices. The ideology of statism holds that sovereignty is not vested in the people, but in the nation state and that all individuals and associations exist only to enhance the power, prestige and well-being of the state. It repudiates individualism and exalts the nation as an organic body headed by the supreme leader and nurtured by unity, force and discipline.

He exalts genuine discoveries (calendar, printing press, medicine) and bemoans media-driven ones of the modern age. His works, therefore, emphasize such "pre-image" concepts as the importance of the individuals, family, tradition, religion, capitalism and democracy. right Some people have alleged that the book's cover which has a colorized version of an image by Flammarion (made in the style of a woodcut), is used to promote the view that medieval Christianity was anti-scientific. The jacket credits the Bettman Archive for the picture, which describes it as "based on a 16th Century Woodcut".

62 He summarizes the ethic as "conservative realism....It exalts obedience as the highest virtue of military men. The military ethic is thus pessimistic, collectivist, historically inclined, power-oriented, nationalistic, militaristic, pacifist, and instrumentalist in its view of the military profession." pg. 79 Chapter four is a discussion of civil-military relations in theory. He defines subjective civilian control (where military professionalism is reduced due to co-opting of the military by civilian political groups) and objective civilian control - where military professional thrives as it is far removed from politics.

The Al-Sirah Al Hilaliyyah exalts courage and heroism and has in it themes of honour and revenge and of war and romance. It places events from a recalled and orally transferred history in their social and historical contexts and is a record of customs and practices and the food, clothing and lifestyles of these communities across time. This crude political act had two major effects, one cultural, and the other literary. As a result of Arabic- speaking tribes settling Tunisia, this region's countryside became mainly Arabic speaking, and not Berber.

At last, the demon transforms into a radiant divine being as he was telling the truth and plunges into the sky. Kamba Ramayana concurs with the Ramayana account about the counsel, but adds a panegyric on Rama by the celestial Danu. Danu exalts Rama as an incarnation of Vishnu and even compares him to baby Krishna, another incarnation of Vishnu. Raghuvamsa, which is a summary of the lives of ancestors of Rama and his own, does not mention the details of the killing of Kabandha, however it acknowledges the counsel.

BANA's website includes "long-winded blog posts predicting the imminent collapse of multicultural liberalism" and "carries notes of high praise for neo-Confederate secessionist groups like the League of the South and the Republic of South Carolina. Some of the site's content is unintentionally comical. For example, BANA exalts the lily-white town of Mayberry in the 1960s TV sitcom The Andy Griffith Show as 'a realized anarchist society'". Writing for the Southern Poverty Law Center, Casey Sanchez argues that national-anarchism "is really just another white nationalist project".

Whoever leaves or enters the prison camp without escort, whoever follows a work column marching out of the camp, unauthorized, 2\. whoever in letters or other communication makes derogatory remarks about National Socialist leaders, the state and government, authorities and establishments, exalts Marxist or liberal leaders or "November parties","November parties" referred to left-wing political parties that had fomented the German Revolution of 1918–1919, which began in November. See Theodor Heuss and Ernst Wolfgang Becker, Theodor Heuss – In der Defensive, Briefe 1933-1945, p. 136. Edited by Elke Seefried.

It appears, however, that the Fair Youth's return yielded a happier series of poems, in which Shakespeare describes the return of his muse and speaks of the youth with "a lighter heart, and once more exalts his virtues, truth and constancy" Massey, Gerald. Shakespeare's Sonnets Never Before Interpreted. New York, N.Y.: AMS, 1866 (reprinted 1973) For historians like Massey, the sonnet is mainly an honest expression of happiness and joy at the chance to return to the lofty romance language that defined his more melancholy period. Religious themes are also prevalent in this sonnet.

In 1835 he went to Frankfurt, where he founded the Deutsche Revue. While Gutzkow started out as a collaborator of Wolfgang Menzel, he ended up his adversary. Also in 1835, his novel Wally die Zweiflerin appeared. News of the 1830 July Revolution at Paris had moved him deeply, and the general atmosphere of radicalism pervading Europe at that time, and perhaps more specifically a reading of the Life of Jesus by David Friedrich Strauss, influenced Gutzkow in the composition of this first novel, which exalts the agnosticism and emancipated views of the heroine, Wally.

Alexandrian's initiation to Dada and surrealism came in the summer of 1943 when, aged 16, he met Raoul Hausmann who was staying in Peyrat-le-Château near Limoges as a refugee. From 1947, he served as the last secretary of André Breton and became an essential figure of the surrealist current. Alexandrian was an advocate of the philosophy Nietzsche advanced in The Gay Science (Die fröhliche Wissenschaft). He headed the journal Supérieur Inconnu (a title provided by Breton), which exalts four values shared by the surrealists and Alexandrian: dreams, love, knowledge, and revolution.

His body is as of 2013 missing, having been thrown into a dumpster following looting of his tomb. The Huang Zun Xian Foundation, based in Hong Kong, has listed finding the body of Huang as one of its missions. One source credits Huang as "the first Chinese diplomat and scholar who championed for human rights for the early Chinese migrants", whilst another exalts him as "one of the most famous authors of late nineteenth-century China". An exhibition honoring the achievements of Huang was held in January 1991.

"But the commandment to suffer clearly pertains to the Son only in His human nature. (...) "And the way in which Christ was raised up is like the way He suffered and died, that is, in the flesh. For it says in 1 Peter (4:1): "Christ having suffered in the flesh" (...) then, the fact that the Father glorifies, raises up, and exalts the Son does not show that the Son is less than the Father, except in His human nature. For, in the divine nature by which He is equal to the Father.

The first edition of H.W. Fowler's Modern English Usage has the following definition: > A prig is a believer in red tape; that is, he exalts the method above the > work done. A prig, like the Pharisee, says: "God, I thank thee that I am not > as other men are"—except that he often substitutes Self for God. A prig is > one who works out his paltry accounts to the last farthing, while his > millionaire neighbour lets accounts take care of themselves. A prig expects > others to square themselves to his very inadequate measuring rod, and > condemns them with confidence if they do not.

He creates "a highly intelligent parody of nautical melodrama ... [though] controlled by the conventions it mocks". While nautical melodrama exalts the common sailor, in Pinafore Gilbert makes the proponent of equality, Sir Joseph, a pompous and misguided member of the ruling class who, hypocritically, cannot apply the idea of equality to himself. The hero, Ralph, is convinced of his equality by Sir Joseph's foolish pronouncements and declares his love for his Captain's daughter, throwing over the accepted "fabric of social order". At this point, Crowther suggests, the logic of Gilbert's satiric argument should result in Ralph's arrest.

Statue of Andrija Kačić Miošić in Makarska Using the ten-syllable verse of folk poetry and relying on Mavro Orbini and Pavao Ritter Vitezović, Kačić Miošić narrates and sings about the history of the Slavic peoples from the antiquity to his age. He, like Ivan Gundulić, describes the Slavic peoples from the Adriatic to the North Sea as one people. The book exalts many heroes from the famous Croatian families of the age of the Ottoman wars. His most important work also contained a lot of references and praise for the Bosniak nation and its historical events.

It is written in the Arabic style of poetry termed "tajnis," which consists in the repetition of words in every stanza, but with a different meaning in each repetition. The first chapter is dedicated to a certain Abraham (certainly not Abraham ibn Ezra), whose merits he exalts in Oriental fashion. In the nine remaining chapters he discusses wine, love, and song (chapter ii).; the beauty of country life (iii.); love-sickness and the separation of lovers (iv, v.); unfaithful friends (vi); old age (vii); vicissitudes of fortune and death (viii); confidence in God (ix) ; and the glory of poetry (x).

Since then, Postmodernism has involved theories that embrace and aim to create diversity. It exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007) and rejects utopianism while embracing a utopian way of thinking and acting. Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).

There are a number of songs or a musical composition that eulogizes, extols or exalts the planet Earth. One is "World Anthem" by the Mindshare Institute and Foundation. Other songs on the same theme include "Earth Anthem" by The Turtles (later covered by Dan Fogelberg,) "Mother Earth (Natural Anthem)" by Neil Young, "Earth Song" by Michael Jackson, "Earth Hour Anthem" by Andrew Huang and "Earth Anthem" by Abhay Kumar. The "Earth Day Anthem" lyrics by William Wallace (and sometimes the original lyrics by Barbara George) are widely sung to the tune of "Ode to Joy" by Ludwig van Beethoven to celebrate Earth Day.

In 1831, Leopardi wrote Il pensiero dominante ("The Dominating Thought"), which exalts love as a living or vitalizing force in itself, even when it is unrequited. The poem, however, features only the desire for love without the joy and the vitalizing spirit and, therefore, remaining thought, illusion. Leopardi destroys everything, condemns everything, but wishes to save love from the universal miasma and protect it at least within the profundity of his own soul. The more desolate the solitude which surrounds him, the more tightly he grasps onto love as the faith in his idealized, illusory, eternal woman ("sua donna") who placates suffering, disillusion and bitterness.

It stated that it would emphasise the teaching of British history to encourage patriotic sentiment, while expanding the place of science and technology in the curriculum at the expense of the social sciences, lambasting the latter as "a mere form of academic Marxism". In further education, it called for stronger emphasis on training in technology and industrial management. The Front exalts self-sufficiency, asserting that the individual should be willing to serve the state and that citizens' rights should be subordinate to their duties. During the 1970s, the Front expressed opposition to the UK's welfare state as it then existed, instead promoting a self-help ideology.

196 According to Brunnholzl, Dolpopa, basing himself on certain tathāgatagarbha sutras, argued that the buddha nature is "ultimately really established, everlasting, eternal, permanent, immutable (therzug), and being beyond dependent origination." This is the foundation of what is called the Shentong view. Moreover, the Buddhist tantric scripture entitled Chanting the Names of Mañjuśrī (), repeatedly exalts, as portrayed by Dolpopa, not the non-Self but the Self, and applies the following terms to this ultimate reality : 'The Buddha-Self, the beginningless Self, the solid Self, the diamond Self'. These terms are applied in a manner which reflects the cataphatic approach to Buddhism, typical of much of Dolpopa's writings.cf.

She is extremely narcissistic and constantly praises and exalts herself, such as claiming to be a better dancer than Britney Spears in the episode "Karen Peralta". As the only civilian in the precinct, Gina often uses her outsider's perspective to assist the other detectives. In the episode "The Party", to prevent the mostly working class detectives from embarrassing themselves in front of a crowd of academics, Rosa tricks Gina into talking to a group of psychology professors at Holt's birthday party, who then take copious notes about her narcissistic personality. They conclude that she has a complete overlap of ego and id, a condition previously thought to be purely theoretical.

Rather than relying on symbolism, allegory, and meditation on the religious and spiritual, like much of the poetry (especially English poetry) to come before it, Leaves of Grass (particularly the first edition) exalts the body and the material world instead. Much like Emerson, however, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise. With one exception, its poems do not rhyme or follow standard rules for meter and line length. Among the works in this collection are "Song of Myself", "I Sing the Body Electric", and "Out of the Cradle Endlessly Rocking".

The loss of other personal freedoms followed, and surveillance cameras now monitor private citizens' every move. In Boston, Franklyn Hart (Lee Majors), a former race car driver who lost his family to the plague, is a spokesman for the mass transit system. Publicly, he deplores the selfishness of private vehicle ownership and exalts the virtues of public transportation; privately, he is barely able to contain his contempt for the oppressive, autocratic bureaucracy and the dismal party line that he is compelled to promote. Years before, as private vehicles were being confiscated, Hart sequestered his race caran orange Porsche 917 CAN-AM roadsterin a secret compartment beneath his basement.

After moving to an academic career, he gained international attention from his article "The New Conceptualism in Contract Law". The article, according to Carl Bjerre, Hollis Professor of Law at the University of Oregon "forthrightly condemns and carefully documents the broad resurgence of a style of judicial reasoning that, throughout a range of issues in contract law, exalts wooden logic at the expense of factual and interpretive nuances, all with 'profoundly conservative political implications.'" Mooney is also a leading authority on 19th century Oregon legal history. His major work in progress is a biography of Matthew Deady, Oregon's first federal district judge, some of which has been already published.

Sanchez's work has evolved since his earliest work in the early 1970s when his goal was to depict an Andean vision of men and their permanent relation with plants and animals of the countryside. Sanchez exalts the collective life, work, play, and ritual holidays of the peasants in an existence that seems unalterable and infinite. Beginning in the 1980s when Peru was convulsed with the fight with Sendero Luminoso, Sanchez's work began to emphasize death and violence and presented an allegory of the massacres and genocide of thousands of peasants murdered and forgotten in clandestine burials. Although Sanchez's later work reveals more social conscience, his techniques continue within the confines of magical realism.

2 Peter 1:16–18, echoes the same message: at the Transfiguration God assigns to Jesus a special "honor and glory" and it is the turning point at which God exalts Jesus above all other powers in creation, and positions him as ruler and judge. The transfiguration also echoes the teaching by Jesus (as in Matthew 22:32) that God is not "the God of the dead, but of the living". Although Moses had died and Elijah had been taken up to heaven centuries before (as in 2 Kings 2:11), they now live in the presence of the Son of God, implying that the same return to life applies to all who face death and have faith.

Okada Hankō wrote a poem referencing Wang Mian to complement his 1838 painting Village Among Plum Trees. Wang's painting Prunus in Moonlight was displayed at the June 1985 Bones of Jade, Soul of Ice exhibition at the Yale University Art Gallery. The New York Times commented that the moon and the flowering plum tree in Prunus in Moonlight "play out the kind of male- female, mind-body, moon-earth drama that is not unfamiliar in 20th-century Western art, particularly after Surrealism", going further to compare Wang with Caspar David Friedrich. In his 1976 book Hills Beyond a River, James Cahill exalts Wang Mian as the "most famous of Yuan plum painters".

His most famous work is the speech De origine successibusque Slavorum (On the Origin and Glory of the Slavs), where he exalts Illyrians and Slavs as the ancestors of the Dalmatian Slavs. His speech, most probably made in Venice in 1525, left a deep impression on the Venetians, who published it in Latin and Italian several times over the following years. Its passionate glorification of Slavs (in which the book includes Alexander the Great and Aristotle, Diocletian and Jerome) and its strong pathos played a major role in the birth of the pan-Slavic ideology. It was the first time that such ideology was formulated as a program, which was further developed by Mavro Orbini and Juraj Križanić.

There is a geographical and ethnological digression, taken not only from notes and memories of Agricola but also from the De Bello Gallico of Julius Caesar. The content is so varied as to go beyond the limits of a simple biography, but the narration, whatever its form, serves to exalt the subject of the biography. Tacitus exalts the character of his father-in-law, by showing how -- as governor of Roman Britain and commander of the army -- he attends to matters of state with fidelity, honesty, and competence, even under the government of the hated Emperor Domitian. Critiques of Domitian and of his regime of spying and repression come to the fore at the work's conclusion.

On 15 September, Clarke published draft clauses of the intended bill in a further letter to David Davis and Mark Oaten, writing that he would like their comments on them. He also announced further proposals for the bill, including a power to proscribe groups that glorify terrorism, and one to tackle dissemination of "radical written material by extremist bookshops". The draft clause 2 would make it illegal to publish a statement which "glorifies, exalts or celebrates the commission, preparation or instigation (whether in the past, in the future or generally) of acts of terrorism". This wording was criticised for being vague, and for potentially stifling legitimate debate about government policy and the causes of terrorism.

Künneth declines to embrace (fully) both Logos Christology (Christ the human as pre-existent) and Spirit Christology (Christ as a man divinized by his flawless good deeds and pure religious nature). Nor does he believe that the new, paradox Christology of his day does anything more than restate the problem more eloquently: "it does not take us beyond the balanced static relationship between the historic man and the reigning Christ, beyond the basic starting point of the two-nature doctrine" (p116). Nor does he appeal to the "faith-community" alone, which leaves Faith without a decisive content. He is acutely aware that, from a Christian standpoint, "heresy" is "that which exalts a partial truth into the thing that matters most" (p117).

Thus St. Augustine's "De bono conjugali" treats of the married state; his "De bono viduitatis" of widowhood. A frequent subject was the priesthood. Gregory of Nazianzus, in his "De fuga", treats of the dignity and responsibility of the priesthood; Chrysostom's "De sacerdotio" exalts the sublimity of this state with surpassing excellence; St. Ambrose in his "De officiis", while speaking of the four cardinal virtues, admonishes the clerics that their lives should be an illustrious example; St. Jerome's "Epistola ad Nepotianum" discusses the dangers to which priests are exposed; the "Regula pastoralis" of Gregory the Great inculcates the prudence indispensable to the pastor in his dealings with different classes of men. Of prime importance for the monastic life was the work "De institutis coenobiorum" of Cassian.

The ostensible purpose of this poem is to give instructions, in immense detail, about how to fill the "simple day" of a young aristocratic man. It clearly gives an ironic vision of this class, as Parini ostensibly exalts the aristocracy but in reality gives a critical vision of them. (When the young man visits the baths, he may feel some faint suspicion, swiftly dismissed, that he is the same type of creature as men of common clay.) The effect of the poem depends on the comic contrast between the banality and futility of the day of the young man and the exalted epic style of the writing used by the author to describe it, drawing heavily on Homer (ca. 8th century BC) and Vergil (70 BC19 BC).

Similarly, in his abstract pictures, Richter exalts spontaneous, intuitive mark-making to a level of spatial logic and believability. Firenze continues a cycle of 99 works conceived in the autumn of 1999 and executed in the same year and thereafter. The series of overpainted photographs, or übermalte Photographien, consists of small paintings bearing images of the city of Florence, created by the artist as a tribute to the music of Steve Reich and the work of Contempoartensemble, a Florence-based group of musicians.Gerhard Richter Firenze Marian Goodman Gallery, 21 June through 30 August 2002 After 2000, Richter made a number of works that dealt with scientific phenomena, in particular, with aspects of reality that cannot be seen by the naked eye.

A significant portion of the document is dedicated to discussing left-wing politics. Kaczynski says that "problems of our troubled society are particularly manifest in modern leftism." He defines leftists as "mainly socialists, collectivists, 'politically correct' types, feminists, gay and disability activists, animal rights activists and the like", states that leftism is driven primarily by "feelings of inferiority" and "oversocialization", and derides leftism as "one of the most widespread manifestations of the craziness of our world". He additionally states that "a movement that exalts nature and opposes technology must take a resolutely anti-leftist stance and must avoid all collaboration with leftists", as in his view "leftism is in the long run inconsistent with wild nature, with human freedom and with the elimination of modern technology".

Pope John Paul II introduced the Christmas tree custom to the Vatican in 1982. Although at first disapproved of by some as out of place at the centre of the Roman Catholic Church, the Vatican Christmas Tree has become an integral part of the Vatican Christmas celebrations, and in 2005 Pope Benedict XVI spoke of it as part of the normal Christmas decorations in Catholic homes. In 2004, Pope John Paul called the Christmas tree a symbol of Christ. This very ancient custom, he said, exalts the value of life, as in winter what is evergreen becomes a sign of undying life, and it reminds Christians of the "tree of life" of , an image of Christ, the supreme gift of God to humanity.

Maycon Santos became controversial on social media after casually telling a story about committing an act of animal cruelty, when he strapped firecrackers into a cat's tail and put tape on the animal so that it would walk in circles. The naturalness with which Maycon spoke about the act infuriated viewers and celebrities such as Tatá Werneck. Activist Luísa Mell even encouraged her followers to evict him from the house. During a Saturday party, after watching Rodrigo França and Gabriela Hebling dance to the song "Identidade" by Jorge Aragão (a samba that exalts blackness), Maycon told Diego Wantowsky that he had felt a shiver when he heard that "weird music" and that "several voices were talking to me saying 'do not be like them'".

While God rejects the horns of the haughty, he exalts the horns of the righteous. The Midrash Tehillim cites ten scriptural verses that mention horns to identify ten horns that God gave to the Israelites: the horns of Abraham, Isaac (the shofar or ram's horn), Moses, Samuel, Aaron, the Sanhedrin, Heman the Ezrahite, Jerusalem, the Jewish Messiah, and David in the future. When the Israelites sinned, these ten horns were removed from them and transferred to the wicked, as it is written, "Behold a fourth beast, dreadful and terrible, and it had ten horns" (). The Midrash teaches that as long as the horns of the wicked prevail, the horns of Israel will be cut off; but in future, when God elevates the horns of the righteous, the horns of the wicked will be cut off.

He is essentially homogenous with the divine image, which distinguishes him from man and connects him with God. But he does not share divine majesty until after the Resurrection, when the Father exalts the Son (later on in his treatise, Künneth discusses the aeon of aeons, in which the Son returns the dominion to the Father). Künneth goes so far as to say "we have to consider whether the post-Easter situation may not have led Paul to a profounder and more universal Christological knowledge than was possible to Jesus before his resurrection" (p120 - John 1:1, 8:58, 17:5,24; Phil 2:5ff). Pre-existence refers to the Sonship, not the archonic majesty of the Father [one might rightly note, in this, a sympathy towards the Orthodox rejection of Filioque in the Creed].

These "bounteous immortals" (amesha spentas) are the "all patrons" – the vispe ratavo – who apportion the bounty of creation. However, the Visperad ceremony itself is dedicated to Ahura Mazda, the ratūm berezem "high Master." The Visperad collection has no unity of its own, and is never recited separately from the Yasna. During a recital of the Visperad ceremony, the Visperad sections are not recited en bloc but are instead interleaved into the Yasna recital.. The Visperad itself exalts several texts of the Yasna collection, including the Ahuna Vairya and the Airyaman ishya, the Gathas, and the Yasna Haptanghaiti (Visperad 13-16, 18-21, 23-24.) Unlike in a regular Yasna recital, the Yasna Haptanghaiti is recited a second time between the 4th and 5th Gatha (the first time between the 1st and 2nd as in a standard Yasna).

A Marxist critique of the capitalist system, Gilles Groulx filmed Quebec society as he saw it in the fall of 1971. Shot only a year after the events of October 1970, while Quebec was still in turmoil, the film denounces the alienation of the masses and exalts the optimistic progressives who want to awaken the people of Quebec to their cultural and political oppression. Alternating between colour and black and white, the film combines actuality footage, graffiti, didactic texts, live sequences, various interviews, newspaper articles and television extracts, edited into a structure whose form and commentary offer both an analysis of society and the necessity and hope of social change. The political analysis made by Groulx and the political scientist/narrator Jean-Marc Piotte testifies to an unequivocal desire to make a real film of confrontation.

See also Flook, 437 U.S. at 590 ("The notion that post-solution activity, no matter how conventional or obvious in itself, can transform an unpatentable principle into a patentable process exalts form over substance."). The PTO Guidance Memo explains that "[t]his means reciting a specific machine or a particular transformation of a specific article in an insignificant step, such as data gathering or outputting, is not sufficient to pass the test." It is unclear whether this concept would apply to such acts as gathering temperature data from thermocouples inside a mold or opening the lid of a mold upon the completion of a curing process. It is reasonable to assume that whether a given step is insignificant or central to a claimed process will be a controversial issue in post-Bilski cases testing the meaning of the machine-or-transformation test.

Police face off against demonstrators in Cochabamba. On January 11, 2007 in an unsuccessful attempt to "force Reyes out of office and instill a 'revolutionary committee' headed by an ex-guerrilla leader once known as Comandante Loro -- Commander Parrot", demonstrators opposed to Reyes Villa "Wielding guns, sticks and machetes" fought with the prefect's supporters (who were "largely middle-class, mixed- race residents fed up with what many view as the president's snubbing of their needs as he exalts Bolivia's long-ignored indigenous masses"). Morales sent in police and soldiers to end the violence. Over 450 people were wounded and two were slain in the violence, while a third was mortally wounded and died in February. According to the Cochabamba Human Rights Commission (): at least 400 suffered blows from sticks, stones, fists, or other objects; 36 more suffered severe wounds from such blows; and 11 were wounded by gunshots.

For Paul, in describing Antichrist to the Thessalonians, calls him 2 Thess. 2, 3: an adversary of Christ, who opposeth and exalteth himself above all that is called God or that is worshiped, so that he as God sitteth in the temple of God. He speaks therefore of one ruling in the Church, not of heathen kings, and he calls this one the adversary of Christ, because he will devise doctrine conflicting with the Gospel, and will assume to himself divine authority...Treatise on the Power and in the Triglot translation of the Book of Concord Westminster Confession (1646) : 25.6. There is no other head of the Church but the Lord Jesus Christ: nor can the Pope of Rome in any sense be head thereof; but is that Antichrist, that man of sin and son of perdition, that exalts himself in the Church against Christ, and all that is called God.

Rice E.P. (1921), p. 90 Tirumalarya II, a native of Srirangapatna and a descendant of Tirumalarya I, was held in high esteem in the Mysore court. A childhood friend of the King Chikka Devaraja, he served as his minister.Rice E.P. (1921), p. 90; Pranesh (2003), p. 28 Tirumalarya II authored five notable writings: Chikka Devaraja Saptapadi (saptapadi metre, 1698), an important musical treatise rendered in seven sections comprising fifty-two songs which exalts the patron king to the level of "God on Earth";Pranesh (2003), pp. 28-30 Apratimavira Charite ("History of the Peerless Hero"), a rhetorical eulogy of the king and a treatise on poetics; Chikkadevaraja Vijaya, an account of the king's conquests, his life and his ancestors, in the champu metre comprising six chapters; Chikkadevaraya Yaso-bhushana; and the prose piece Chikkadevaraja Vamshavali, one of the earliest available contemporary historicals in Kannada language describing the king's ancestry.

Cover of the first issue (October 1883) The Etude was an American print magazine dedicated to music founded by Theodore Presser (1848–1925) at Lynchburg, Virginia, and first published in October 1883. Presser, who had also founded the Music Teachers National Association, moved his publishing headquarters to Philadelphia, Pennsylvania in 1884, and his Theodore Presser Company continued the magazine until 1957. Aimed at all musicians, from the novice through the serious student to the professional, The Etude printed articles about both basic (or "popular") and more-involved musical subjects (including history, literature, gossip, and politics), contained write-in advice columns about musical pedagogy, and piano sheet music, of all performer ability levels, totaling over 10,000 works. James Francis Cooke, editor-in- chief from 1909 to 1949, added the phrase "Music Exalts Life!" to the magazine's masthead, and The Etude became a platform for Cooke's somewhat polemical and militantly optimistic editorials.

This stands in contrast to Leninist tactics, in which these rules, once power is taken, must be set aside. This 'Rossellian' synthesis is that "[parliamentary] liberalism is the method, Socialism is the aim". The Marxist–Leninist idea of revolution founded on the dictatorship of the proletariat (which he felt, as in the Russian case, was synonymous with the dictatorship of a single party) he rejected in favour of a revolution that—as famously put in the GL program—is a coherent system of structural reforms aimed at the construction of a Socialism; that does not limit, but indeed exalts, freedom of personality and of association. Writing in his final years, Rosselli became more radical in his libertarian positions, defending the social organization of the CNT-FAI he had seen in anarchist Catalonia and Barcelona during the civil war, and informed by the rise of Nazi Germany.

And thus his gentle ode has run, Since time his annual course begun; And thus shall pour his lucid wave To where old Ocean's billows lave; 'Till time shall cease his swift career, And man and being disappear; Immersed in the unfathomed sea, Of boundless, vast eternity. Now on his bank, lo beauty's form. With soul enshrined, and feelings warm, Delights the sparkling wave to trace, And catch each wild surrounding grace; O'er the clear tide behold her bend; While Naiads on her steps attend; And in the Mirror of the stream Sees all her blushing beauties beam; The rosy cheek, the sparkling eye; The lips where Loves in ambush lie; The snow white neck, the clustering hair, Each valued charm reflected there: Proud she exalts with conscious power And reigns the sovereign of the hour. Or haply in some pensive mood, She pauses o'er the chrystal flood.

Years later, in an untitled article whose validity was confirmed recently, published in La Iberia on the 6th of September, 1857, Calvo Asensio would dispense with "the renegades of all parties, both political fronts, the pharisees of every great idea" whose existence he blamed on the society that "admitted them...within it, rewards them, considers them, exalts them and respects them." As deputy in the Cortes Constituent Assembly in 1854, he shows great skills as an orator, two years after he organized in the Senate the coronation of Manuel José Quintana. He was the enemy of O'Donnell, who he attacked in the press and in parliament, so his newspaper was constantly persecuted by him, as well as by general Narváez. With the coup d'etat of General O'Donell's 56, the progressive period of Espartero ended and Asensio was forced to start a brief exile to France with Sagasta.

'" Historicists believe that the identity of the Antichrist is revealed in the prophecies which are found within the books of Daniel and the Revelation, as well as the Apostle Paul's second letter to the Thessalonian church, in which verses 2 and 3 describe the Antichrist as "the man of sin" and "son of perdition, who opposes and exalts himself above all that is called God, so that he sits as God in the temple of God, showing himself that he is God." In reference to this passage of the Bible, Martin Luther wrote: > "Oh Christ, my Master, look down upon us and bring upon us your day of > judgment, and destroy the brood of Satan in Rome! There sits the Man, of > whom the Apostle Paul wrote (2 Thess. 2:3,4) that he will oppose and exalt > himself above all that is called God – that man of sin, that Son of > Perdition.

The Doctor exalts the Boss' wickedness, goading him into dealing with the two, and the Boss sends his henchman Attila after them, spraying gasoline onto Ben's car and lighting it aflame, though they're able to put it out by driving into a nearby car wash. Feeling that he didn't get their point, Kid moves on to persuade the Boss to give them the dune buggy, with Ben reluctantly tagging along, partially due to him wanting to study his part for the choir. The first attempt ends with an all-out brawl in the fairgrounds' gym, where the two beat up Attila and his henchmen, which in turn infuriates the Boss enough to send a motorcycle gang after them. After a chase scene through a nearby forest area and the motorcycle gang being disposed of, the Doctor persuades the Boss to send Paganini, a highly skilled assassin from the Chicago Underworld, after them.

Peter was the emperor's amanuensis and wrote some mocking poems in his name. The following is an excerpt from a poem written by Peter, in the voice of Charlemagne, in ironical exaggeration of Paul's ability, and one of the first written manifestations of their rivalry: He sent you, Paul, most learned of poets and bards, to our back-water, as shining light with the various languages you know, to quicken the sluggish to life by sowing fine seeds. Poetry of the Carolingian Renaissance, 85 Paul replies in a way that downplays his ability and comically exalts Peter: But lest it be said that I am an ignoramus in languages, I shall repeat a few of the lines which were taught to me as a boy; the rest have slipped my mind as old age weighs upon me. Poetry of the Carolingian Renaissance, 89 One unique feature of Charlemagne court's writing, and Peter's, is “coterie poetry”.

Fernández called this "an unfortunate revisiting of the doctrine of the two demons" (purportedly claiming an equal moral ground for guerilla and State terrorism), since "there is nobody in Argentina who exalts the guerilla as the document says". Senator Miguel Ángel Pichetto (PJ) seconded the statement by Fernández, calling the above "a coup-calling (golpista) document that seems to have been written in the 1970s, at the time when some factions [of society] went knocking on [the doors of] military quarters". President Kirchner himself replied on November 16, commenting that the statements of the Church "look more like those of a political party, more like earthly affairs, than like the task they should be performing", and that the bishops were "absolutely wrong in their diagnosis of the situation of the country". On the issue of the 1970s, Kirchner called attention on the many bishops "who weren't there while children were disappearing" and who "gave [the sacrament of] confession to torturers" of the Dirty War.

The writing on Farquhar is full of contradictions, making it very difficult to sort through the legend, hagiography, and libel found in his biographies. Professor Francisco Foot Hardman in an interview with the newspaper O Estado de S. Paulo, stated: :One can't say that Farquhar was Satan, but we also cannot take an apologist stance, making him into a great icon of entrepreneurship. He was a typical example of old international capitalism.. A book which exalts his deeds—with a few passages that border on hagiography--is The Last Titan - An American Entrepreneur in Latin America--a dissertation by Charles A. Gauld for Stanford University, under the supervision of Professor Ronald Hilton. The Brazilian magazine Exame, in a review of the book, said: :Although his admiration of this character is excessive, always treating him as an enlightened capitalist and full of good intentions, Charles Gauld drew from an extraordinary variety of documents and sources.... In contrast, the Brazilian historian Edgard Carone, in his book A República Velha (The Old Republic) says that Farquhar's businesses "lived off government favors".