Up to Mougins and to Picasso at 3.30 for 2nd envoi.
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"Envoi de mon iPhone," if you want to be fancy (and French).
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An environmental envoi, perhaps, with Buzz washed up on a beach alongside other jetsam, or clogging the gullet of a whale?
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Davis's reinventions reminded me of the challenges presented by a sestina, a strict poetic form comprised of six stanzas of six lines each, followed by an envoi of three lines, in which the poet must adhere to a strict pattern that repeats the initial stanzas six end-words in a staggered sequence through the remaining five stanzas and the envoi.
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But on the opposing page, as a kind of envoi, we're told that the storm has subsided and "That which had been lightning / became the zigzag of my steps"—the finality of the book's last poem has now been transmuted into new, animated movement, leading to an unknown beyond.
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Rouse, Christopher (1995). Envoi: Program Note by the Composer. Retrieved July 24, 2015.
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The envoi is relatively fluid in form. In ballades and chant royal, envois have fewer lines than the main stanzas of the poem. They may also repeat the rhyme words or sounds used in the main body of the poem, or even whole lines. The envoi can also be a short lyric poem of any form, usually placed at the end of a poetry collection.
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The envoi first appears in medieval French, in the songs of the trouvères and troubadours. It developed as an address to the poet's beloved or to a friend or patron, and typically expresses the poet's hope that the poem may bring them some benefit (the beloved's favours, increased patronage, and so on). In the 14th century, the two main forms used in the new literary French poetry were the ballade, which employed a refrain at first but evolved to include an envoi, and the chant royal, which used an envoi from the beginning. The main exponents of these forms were Christine de Pizan and Charles d'Orléans.
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In the work of these poets, the nature of the envoi changed significantly. They occasionally retained the invocation of the Prince or abstract entities such as Hope or Love as a cryptonym for an authority figure the protagonists(s) of the poem could appeal to, or, in the some poems by d'Orléans, to address actual royalty. However, more frequently in the works of these poets the envoi served as a commentary on the preceding stanzas, either reinforcing or ironically undercutting the message of the poem. Jean Froissart, in his adaptation of the troubadour pastourelle genre to the chant royal form, also employed the envoi.
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In English, poems with envoi have been written by poets as diverse as Austin Dobson, Algernon Charles Swinburne and Ezra Pound. G. K. Chesterton and Hilaire Belloc went through a period of adding envois to their humorous and satirical poems. Using an envoi as a 'sending-out' poem was already quite typical by the eighteenth and nineteenth century, with poets like Henry Longfellow using the form in the 1890s, and Johann Wolfgang von Goethe writing his 'L'envoi' which he addressed to the reader. Ezra Pound's 'Envoi' to his longer poem Hugh Selwyn Mauberley (1920) begins "Go, dumb-born book", and thus explicitly gives the 'Envoi' title to the long-standing genre of writing a farewell poem addressed to the book of poems itself, previously used for example by Edmund Spenser in The Shepheardes Calender (1579) or Anne Bradstreet in 'The Author to Her Book' (1650s).
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The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme and a five-line envoi rhyming or a seven-line envoi (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twiceJones, William Caswell. Elements and Science of English Versification. Peter Paul book company (1897) p.
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To this is attached an envoi to Wolsey, but it surely was misplaced, for both satires on the cardinal are of earlier date. Skelton also wrote three plays, only one of which survives.
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The pentina is an accentual-syllabic poetic form, characterized by the use of five verses of five lines each, with a two-line envoi, for a total of 27 lines. It is similar to the French form, the sestina, which is characterized by six verses of six lines each, with a final 3-line envoi. Its creation in 1995 by American poet and songwriter Leigh Harrison was documented in an article, "The Joys of the Pentina" (Medicinal Purposes Literary Review, Vol. II, No. XII, published in 2005).
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Sending of Flowers (French: Envoi de fleurs) is a 1950 French historical drama film directed by Jean Stelli and starring Tino Rossi, Micheline Francey and Jean Brochard.Rège p.939 The film portrays the life of the composer Paul Delmet.
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He dines with his friend, the old Duchess Tu. But she is known to have been long dead. The novel ends with an Envoi; it provides a list of who begat whom throughout the novel, but without a final resolution.
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London, J M Dent & Sons, 1978. Composition was sporadic over the winter of 1858–59; Bizet confessed that he was still trying to find his voice, although he intentionally aimed at an Italian style for this piece. The report from the Prix de Rome judges noted advances, but a later report signed by Ambroise Thomas criticised Bizet for sending an opéra bouffe as his first envoi and suggested he divert his attention away from this toward sacred music (although Bizet failed to submit a religious envoi of any sort from Rome).Curtiss, Mina Bizet and His World.
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The company closed a seed round of $3.1 million in 2011 backed by vFormation, Silicon Valley based Band of Angels, Envoi Ventures, Richard Chino] formerly of Overture, Wayne Goodrich formerly of Apple, Deena Burnett-Bailey of Angels of Hope and additional investors.
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Under the terms of his prize, Bizet's first envoi was supposed to be a mass, but after his Te Deum experience, he was averse to writing religious music. He was apprehensive about how this breach of the rules would be received at the Académie, but their response to Don Procopio was initially positive, with praise for the composer's "easy and brilliant touch" and "youthful and bold style".Dean (1965), p. 24 Georges Bizet photographed in about 1860 For his second envoi, not wishing to test the Académie's tolerance too far, Bizet proposed to submit a quasi-religious work in the form of a secular mass on a text by Horace.
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Sonnet 126 has been dubbed the envoi to the "Fair Youth" sonnets. An envoy or envoi, as defined by the Oxford English Dictionary is "The action of sending forth a poem; hence, the concluding part of a poetical or prose composition; the author's parting words; a dedication, postscript. Now chiefly the short stanza which concludes a poem written in certain archaic metrical forms." Sethna has argued that Sonnet 126 was handed to William Herbert (the "Fair Youth" in his view) just before his 27th birthday, completing the period of their 9-year friendship with words that were clear, allusive, highly emotional and deeply pensive.
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He was literary advisor to the Leek, Staffordshire Arts Festival, for whom he organised an International Poetry Competition (1982–1992); the co-editor (with J.C.R. Green) of Prospice, the international literary quarterly, from issues 17-25 inclusive; and the sole editor of poetry magazine Envoi 1991-2006, (issues 101-145).
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The Dutch commanders did not perceive the breaches as practicable and had taken no particular cautionary measures. The city garrison consisted of nine battalions: two Scots battalions, Colyear and Majoribanks; Waldeck and Saxe-Gotha, Lewe, Evertsen, Holstein-Gottorp, Deutz and van Rechteren.SHAT,A4 86 envoi Wagner, piece 9c -Copie des archive de la Haye.
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"Envoi: David Gatten." The Garden In the Machine Berkeley: University of California Press, Fall 2001. Gatten's previous film, Hardwood Process, takes the shape of a diary and also explored the "secret writing" of nature, combined with hand- processing of the 16mm film stock, use of natural dyes, toners, chemical treatments, optical and contact printing.Eisenstein, Kenneth.
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The incident was covered in the American Journalism Review. In 2001, Neri and political operative John Verbanac founded NeriVerbanac Public Affairs, a Harrisburg-based political and media consulting organization. The two also founded The Insider, a subscription-based newsletter reporting on Pennsylvania politics. Verbanac left the organization in 2005 and Neri continued with a new consulting firm, Envoi Communications.
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Envoi is a single-movement orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Atlanta Symphony Orchestra with additional contributions from Thurmond Smithgall. It was first performed May 9, 1996 in Atlanta Symphony Hall, Atlanta by the Atlanta Symphony Orchestra under conductor Yoel Levi. The piece is dedicated to Rouse's mother, who died in the summer of 1993.
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35 In 1998 he was the joint owner of a herd of Alpine goats. His poems have been published in Orbis, Envoi, Green's Magazine, Onionhead Literary Quarterly, Poetry Motel, Lilliput Review, Psychopoetica, and Pegasus Review. In 2004 Pringle’s poem "Ricardo Klement Speaks of Border Wars" won the First Prize in the Scottish International Open Poetry Competition.Contributors to Poetry Salzburg Review at poetrysalzburg.
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His use, however, is less innovative than that of de Pizan or d'Orléans. Froissart's envois are invariably addressed to the Prince and are used to summarise the content of the preceding stanzas. Since the 14th century, the envoi has been seen as an integral part of a number of traditional poetic forms, including, in addition to the ballade and chant royal, the virelai nouveau and the sestina.
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Later writers such as William Meredith and Meg Bateman have also written envois of this kind. The envoi is also often written as a postscript or farewell from the poet as they face death, even if that death might be some distance away. Poets who have written envois in this style include Rudyard Kipling, Willa Cather, James McAuley, the suffragist Emily Davison , and Wyn Griffith.
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This piece failed to impress the judges, who awarded the prize to Adrien Barthe, the only other entrant.Dean (1965), pp. 15 and 21 Bizet was discouraged to the extent that he vowed to write no more religious music. His Te Deum remained forgotten and unpublished until 1971. Through the winter of 1858–59, Bizet worked on his first envoi, an opera buffa setting of Carlo Cambiaggio's libretto Don Procopio.
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The poems and pieces of the Chu Ci anthology vary, in formal poetic style. Chu Ci includes varying metrics, varying use of exclamatory particles, and the varying presence of the luan (or, envoi). The styles of the Chu Ci compare and contrast with the poems of the Shi Jing anthology (Book of Songs, or "Song" style), with the typical Han poetry styles, and with Qu Yuan's innovative Li Sao style.
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The first two singles from the album were the tracks "Envoi" and "Moodswing Baby". In February 2010 at the Flemish Music Industry Awards they won prizes for Hit of the Year, best album, best rock/alternative and best band. After the release of Absynthe Minded the band was signed by the French Label AZ (Universal) for releases outside Belgium and The Netherlands. The album As It Ever Was was released in 2012.
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He made his debut in Paris in 1948 and from 1954 appeared regularly in the concerts of the Domaine musical. Helffer gave many premières of new works and was the dedicatee of several notable works, including Erikhthon (Xenakis, 1974), Concerto (Boucourechliev, 1975), Stances (Betsy Jolas, 1978), Concerto no. 1 (Luis de Pablo, 1980), Envoi (Gilles Tremblay, 1982), and Modifications (Michael Jarrell, 1983). Conductors he collaborated with included Boulez, Bour, Gielen, Leibowitz, Maderna, Marriner, Martinon, Van Otterloo, Prêtre and Scherchen.
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Dean (1980), pp. 754–55 Bizet's fourth and final envoi, which occupied him for much of 1862, was a one-act opera, La guzla de l'émir. As a state-subsidised theatre, the Opéra-Comique was obliged from time to time to stage the works of Prix de Rome laureates, and La guzla duly went into rehearsal in 1863. However, in April Bizet received an offer, which originated from Count Walewski, to compose the music for a three-act opera.
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An independent version of L'envol d'Icare for two pianos and percussion, which Bartók heard, is believed to have influenced the latter's own Sonata for 2 Pianos and Percussion.Bennett, 1980, p. 4. Markevitch continued composing as war approached, but in October 1941, not long after completing his last original work, the Variations, Fugue and Envoi on a Theme of Handel for piano, he fell seriously ill. After recovering, he decided to give up the composition and focus exclusively on conducting.
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Philipp Albert Stapfer. Philipp Albert Stapfer (Bern, 23 September 1766 – Paris, 27 March 1840) was a Swiss politician and philosopher. He was the plenipotentiary envoi of the Helvetic Republic to the French consulate in Paris from 1801 till 1803. ( Act of Mediation ) He married and settled in France, at the Chateau de Talcy (Loir-et-Cher) and in Paris where he became the friend of Maine de Biran -in 1805 at informal gatherings of Cabanis circle at Auteuil.
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The canzone is typically hendecasyllabic (11 syllables). The congedo or commiato also forms the pattern of the Provençal tornado, known as the French envoi, addressing the poem itself or directing it to the mission of a character, originally a personage. Originally delivered at the Sicilian court of Emperor Frederick II during the 13th century of the Middle Ages, the lyrical form was later commanded by Dante, Petrarch, Boccaccio, and leading Renaissance writers such as Spenser (the marriage hymn in his Epithalamion).
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His prize-winning poetry has appeared in journals, literary magazines and periodicals, both nationally and internationally. He has reviewed for Stand, Outposts and Envoi and his critical articles on Ted Hughes's poetry have appeared in collections of essays edited by Keith Sagar (1995) and Joanny Moulin (1999); and also on the "Earth-Moon, Ted Hughes" and the "Ted Hughes Society" websites. He is an acknowledged critical authority on Ted Hughes's limited edition publication, Recklings (1966). He was Poetry Tutor at Wedgwood Memorial College, Barlaston.
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A canso usually consists of three parts. The first stanza is the exordium, where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the exordium; formally, aside from the envoi(s), which are not always present, a canso is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza.
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The canso usually ends with one or more envois (called Tornadas in Old Occitan). It takes the form of a shortened stanza, containing only a last part of the standard stanza used up to that point; a clear example is the same work by Arnaut Daniel quoted above: the (single) envoi is: Fez es l'acrotz: qu'el cor remir totz sers lieis cui dompnei, ses parsonier Arnaut, qu'en autr'albir n'esfort m'entent'a soma. whose syllable count (4, 4, 2, 4, 6, 4, 6) is the same as the last seven lines of the full stanzas.
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94–95 A tendency to conceive ambitious projects, only to quickly abandon them, became a feature of Bizet's Rome years; in addition to Carmen Saeculare, he considered and discarded at least five opera projects, two attempts at a symphony, and a symphonic ode on the theme of Ulysses and Circe.Dean (1965), pp. 20, 260–66, 270–71 After Don Procopio, Bizet completed only one further work in Rome, the symphonic poem Vasco da Gama. This replaced Carmen Saeculare as his second envoi, and was well received by the Académie, though swiftly forgotten thereafter.
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The poem alludes to the death in 1173 of Raimbaut of Orange; it was possibly first composed before that date and emended afterwards. The poem's envoi seems to mention Ermengarde of Narbonne (1143–1197), a well known patroness of troubadour poetry. As observed by Sakari, the third strophe of the poem seems to contribute to a poetical debate begun by Guilhem de Saint-Leidier as to whether a lady is dishonoured by taking a lover who is richer than herself. Raimbaut of Orange also comments in his poem A mon vers dirai chanso.
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He played with several tango ensembles. His classical work included performances with the Manhattan Chamber Orchestra, the Princeton Chamber Orchestra, and the Sirius String Quartet. Filiano has appeared on more than a dozen recordings since the start of the new decade, including on trumpeter Bill Dixon’s final recording, 'Envoi', and on albums with Anthony Braxton, Connie Crothers, Taylor Ho Bynum, Nate Wooley and Anders Nilsson, among others. Filiano has performed at festivals and clubs around the world, including in the United States, Canada, Slovenia, Italy, Germany, France, and Russia.
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Frontispiece of 1830 edition of Le Petit Jehan de Saintré, showing the author, as imagined at the time Little John of Saintré (), full title L'Hystoire et plaisante cronicque du petit Jehan de Saintré et de la jeune dame des Belles- Cousines sans aultre nom nommer, is a 1456 novel or romance written by Antoine de la Salle. It was the author's most successful work, written when he was nearly 70 years of age. He dedicated to it his former pupil, Jean de Calibre. An envoi in manuscript 10,057 (nouv. acq.
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The painting was begun in Rome, where Ingres had arrived belatedly in 1806 after winning the Grand Prix de Rome in 1801. Working in a studio on the grounds of the Villa Medici, Ingres continued his studies and, as required of every winner of the Prix, he sent works at regular intervals to Paris so his progress could be judged. As his envoi of 1808 Ingres sent a life-size Figure of Oedipus and The Valpinçon Bather, hoping by these two paintings to demonstrate his mastery of the male and female nude.Condon et al. 1983, p. 38.
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Reviews of his three books of poetry On Call, All Kinds Of Disorder, and The Unicycle Set praised the "richness and variety" and the "lyrical, personal voices". In a 3:AM Magazine feature, Richard Marshall wrote that "the compromised tenderness and strange wrongness" of the poems' subjects marked Burbridge as "a poet of dysfunctional sensibility" – while Helena Nelson commented in Ambit, that although Burbridge's poetry sometimes seemed prose- like, at the expense of cadence and rhythm, "I will remember him".Envoi Poets Publications, 1994. "A collection full of richness and variety – the poems are life-affirming and unafraid" (Ore).
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Jacques de Cysoing was a late thirteenth-century Franco-Flemish trouvère. He wrote nine songs that survive, all of them with their melodies. Probably born into a noble Flemish family in Cysoing, "messire" Jacques probably flourished during the reign of Guy of Dampierre as Count of Flanders (1251-1305), for he addresses his serventois Li nouviaus tans to the count. Other events that date Jacques are a reference to the Battle of Mansurah in 1250 in one of his songs and a reference in an envoi of Thomas Herier to "Jakemon" at "Cyson", probably in the third quarter of the century.
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Symphony No. 1: Program Note by the Composer. 1986. Retrieved March 4, 2015. Rouse's oldest extant works are two brief pieces for percussion ensemble, both inspired by mythological subjects: Ogoun Badagris (1976, Haitian) and Ku-Ka-Ilimoku (1978, Polynesian); a later percussion score inspired by rock drumming, Bonham was composed in 1988. The death of Leonard Bernstein in 1990 was the first in a series of deaths that made a profound impression on Rouse, and his Trombone Concerto (1991) became the first score of his so-called "Death Cycle," a group of pieces that all served as reactions to these deaths. These scores memorialized William Schuman (Violoncello Concerto—1992), the James Bulger murder (Flute Concerto—1993), the composer Stephen Albert (Symphony No. 2—1994), and Rouse's mother (Envoi—1995). After Envoi he purposely set out to compose scores that were more "light infused", works intended to take on a less dark cast; pieces from this second half of the 1990s include Compline (1996), Kabir Padavali (1997), the Concert de Gaudí (1999), Seeing (1998), and Rapture (2000). Beginning in 2000, Rouse created works of varying moods, from his thorny Clarinet Concerto (2001) to his rock-infused The Nevill Feast (2003) to his romantic Oboe Concerto (2004). The most significant piece from these years was his ninety-minute Requiem, composed over 2001 and 2002.
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For his 1857 Prix de Rome entry, Bizet, with Gounod's enthusiastic approval, chose to set the cantata Clovis et Clotilde by Amédée Burion. Bizet was awarded the prize after a ballot of the members of the Académie des Beaux-Arts overturned the judges' initial decision, which was in favour of the oboist Charles Colin. Under the terms of the award, Bizet received a financial grant for five years, the first two to be spent in Rome, the third in Germany and the final two in Paris. The only other requirement was the submission each year of an "envoi", a piece of original work to the satisfaction of the Académie.
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The poems and pieces of the Chu Ci anthology vary in their formal poetic styles, including varying line metrics, varying use of exclamatory particles, the use or not of titles for individual pieces within a section, and the varying presence of the luan (or, envoi). Other Han period poets besides Wang Yi the librarian who are known or thought to be contributors of poems collected in the Chuci include the poet Wang Bao and the scholar Liu Xiang. Liu An, the Prince of Huainan, and his literary circle were involved with the Chuci material, but the attribution of authorship of any particular poems is uncertain.
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According to David Crook, writing in his 1994 book on the Lassus Magnificat settings: :Mode eight's conspicuous absence and thereby the incomplete representation of the eight- member system in the first twenty madrigals mirror the words of Saint Peter and symbolize all that is imperfect in the world just as surely as the adoption of another tone outside the system for the words of Christ in the Latin envoi serves as a symbol for the other world to come. Crook, p. 143 Musically, the Lagrime are a summation of Lassus's style throughout his career, and he himself indicated in his dedication that they were recently composed.
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Maddox, Brenda. Yeats's Ghosts: The Secret Life of W.B. Yeats HarperCollins (2000) Many versions of the text exist: the original typescript of May 1938, the first typescript with hand-written corrections dated August 12, 1938, as well as a final "Coole Edition" of the poem dated June 29, 1939, which was not published until it was included in Last Poems in 1939. Yeats intended for the poem to be printed last in the collection, as an envoi to "The Circus Animals' Desertion", and while a debate as to the true order of the poems has continued since 1939, "Politics" was the last lyric poem Yeats wrote and remains the final work printed in all posthumous editions.Finneran, Richard.
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Notre Dame de Paris had been banned in 1834. The work, a closet drama, depicts an unnamed pope falling asleep, and having a dream in which he participates in a pageant of scenes which represent generic situations in human history. Through a sequence of discussions and soliloquies, the Pope reevaluates his beliefs, and concludes by giving a speech in which he condemns war and capital punishment, endorses the Republican ideals of Liberté, Égalité, Fraternité, and, in instructing the people to love one another, asserts that he abandons Rome for Jerusalem and Caesar for Christ. The poem ends with an ironic envoi in which the Pope awakens and shakes off his momentary insight.
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Under the influence of the troubadours, related movements sprang up throughout medieval Europe: the Minnesang in Germany, trovadorismo in Galicia (northeastern Spain) and Portugal, and that of the trouvères in northern France. Because of this, the concept embodied in the tornada has been found in other Romance language literatures that can directly trace several of their techniques from the Occitan lyric tradition. The tornada appears in Old French literature as the envoi, in Galician-Portuguese literature as the finda, and in Italian literature as the congedo and commiato.Levin 1984 p. 297 The tornada has been used and developed by poets in the Renaissance such as Petrarch (1304–1374) and Dante Alighieri (c.
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Hill's early work appeared in magazines such as Envoi and The Frogmore Papers and published four collections,Year of the Dog (1995), Midnight in the City of Clocks (1996) (influenced by his experience of life in Japan) Zoo (1998) and Nocturne in Chrome & Sunset Yellow (2006). The last of these was described by The Guardian as "A vital, luminous collection... it is rare to come across a collection of poetry that you know with certainty you will still be reading years from now, but for me, this is such a book." Hill's collection of short stories, Skin (1997), was serialised on BBC Radio 4, was shortlisted for the 1998 John Llewellyn Rhys/Mail on Sunday Prize, and won the International PEN/Macmillan Silver Pen Award.
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Some verses tend towards the sao style, based on imitation of the "Li sao". The sao style features long line lengths optimized for poetic oral recitation, with a concluding luan (or, envoi). The scholar and translator David Hawkes divides the verses of what seem to be of the earlier (pre-Han era), into two types, each type being characterized by one of two characteristic metrical forms (with the exception of the mixed poetry and prose narratives of the "Divination" and of "The Fisherman").Hawkes, 38-39 Direct influences of the Chu Ci verses can be seen in the saoti () style of prosody as seen in the "Epilog" of the Cantong qi (the "Luanci", 亂辭), and in anthologies such as the Guwen Guanzhi.
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From 1945 to 1975, he was artistic director of Pathé-Marconi and ensured the career of the record company's classical artists. He also managed the rights and recordings of the great international composers in Pathé-Marconi's catalogue. Challan was made a chevalier de la Légion d'honneur in 1952. In addition to his numerous compositions of cantata, mélodies, symphonies, concertos and opéra bouffe, Challan made great recordings such as noëls variés by different authors with the Concerts Colonne which he conducted and the baritone Michel Dens, Chants patriotiques et cocardiers (1958) as director of the Orchestre de la Société des Concerts du Conservatoire and another disc with the Concerts Colonne and the Duclos ChoirsChoeurs Duclos on BNF on the theme Envoi de fleurs, containing pieces by Gustave Goublier, Paul Delmet and Pierre Codini.
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French by birth, Leroy spent his childhood in Odessa, where his father had a business. He lived in Odessa until age 17 years, which gave him interest in the East. In Paris, he studied at the École des Beaux-Arts. He first exhibited in 1882 and was awarded a medal. Les Peintres Orientalistes (1850-1914), Musée des beaux-arts, Pau (France). Musée des beaux-arts, Musée de Dunkerque - 1983 "Paul LEROY. (Paris 1860- 1942) Elève de Cabanel aux Beaux-Arts, dès son premier envoi au Salon en 1882 il obtient une médaille. Son enfance à Odessa lui avait donné le goût de l'Orient et , grâce à une bourse de voyage, il passe deux ..." At Beaux Artes, he met Georges Landelle (1860-1898), an Orientalist painter and the pair became life- long friends.
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He declared that Forster's tracks "are the catchiest and most fetching tracks on the album, taking up surfing dreams, a fond and funny envoi to Patti Smith, and a life- swapping fable that when you think about it may be a love song after all". All Tomorrow's Parties, Mt Buller, Victoria, on 10 January 2009. The Go-Betweens line-up of Forster, McLennan, Pickvance and Thompson (he had rejoined in 2001) issued two more studio albums, Bright Yellow Bright Orange (2003) and Oceans Apart (2005), Allmusic's Stewart Mason described Forster as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go- Betweens' albums, and his solo career has shown a healthy mix of the two styles". Grant McLennan died on 6 May 2006 of a heart attack, aged 48.
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In the television series Hex he played the regular character of Tom, who is secretly gay and in love with his best friend, and the role of King Zedekiah in the Emmy Award-winning drama The Bible. Other credits include The Last Czars, The Lost Pirate Kingdom (both Netflix), Outlander (Seasons 4 & 5), Shakespeare Uncovered, New Tricks, The Insiders, Envoi, Dr Faustus, School For Scandal, Bluebird, The Briefcase, Doctors and Holby City. Alongside screen acting, Collings has worked extensively in theater and radio drama, as well as featuring on audio books, recordings and in other media. He also appeared in verbatim theatre and staged readings for the companies Ice and Fire and Actors For Human Rights (née Actors For Refugees) in London and across the UK, as well as performances for charity organisations including Amnesty International and the NSPCC.
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