Absent from Van Noten's three-decade career are stories of bankruptcy, strife, irresponsibility, overleverage, overexpansion, overspending or unhinged, dangerous effulgence.
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Because Loomis Todd is played by Kathleen Chalfant, an actress of rigor and effulgence, the play also provides a master class in how to take a shopworn form and make it nearly new.
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There's Boney, of course, the name English nannies had been using for years to frighten their charges into obedience, but also the Universal Demon, the Savage in Chief, the Grand Effulgence, my Grand Playmate, as well as O.G.F., for Our Great Friend, and simply Our Friend.
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This spiritual effulgence is the ultimate destination of the impersonalists known as Vedantists. The brahmajyoti is also described as anantaparam, unlimited and unfathomed. When Lord Krsna and Arjuna reached this region of the brahmajyoti, Arjuna could not tolerate the glaring effulgence, and he closed his eyes. Lord Krsna's and Arjuna's reaching the brahmajyoti region is described in Harivamsa.
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His body is the color of the sun at dawn. He wears > flaming effulgence and skulls as a garland. His nails are long and sharp; > his face shows a pair of bare tiger’s fangs. His hair is that of a burning > lion’s mane.
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Ginnungagap appears as the primordial void in the Norse creation account. The Gylfaginning states: In the northern part of Ginnungagap lay the intense cold of Niflheim, and in the southern part lay the equally intense heat of Muspelheim. The cosmogonic process began when the effulgence of the two met in the middle of Ginnungagap.
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His silver radiance was not so fair as the golden effulgence of his sister, the Sun Goddess.Frederick Hadland Davis, 2007 While both sit atop the heavens, they begin their sibling rivalry, quarreling and fighting, they decide they can no longer see each other face to face, thus creating day and night, separating the two.
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In that portion of the Vedic literature, Krsna informed Arjuna, "My dear Arjuna, the glaring effulgence, the transcendental light which you are seeing, is My bodily rays. O chief of the descendants of Bharata, this brahmajyoti is Myself." As the sun disc and the sunshine cannot be separated, similarly Krsna and His bodily rays, the brahmajyoti, cannot be separated. Thus Krsna claimed that the brahmajyoti is He Himself.
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Narayana, the Brahmanya (Lord of the city of Brahman), has effulgence and glows with light. He is called Vishnu, son of Devaki (an epithet of the god Krishna, avatar of Vishnu), Madhusudana (the slayer of the demon Madhu), Pundarikaksha (whose eyes are like lotuses) and Achyuta (infallible one), all of which are epithets of Vishnu. Narayana is identified with Parabrahman (Great Brahman), which resides in all beings. In the lotus-heart dwells Brahman.
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Thus Lord Krsna and Arjuna crossed over the great region of darkness covering the material universes. penetrated the darkness just as an arrow released from the Sarnga bow of Lord Ramachandra penetrated the army of Ravana. Arjuna then saw the effulgence of light known as the brahmajyoti. The brahmajyoti is situated outside the covering of the material universes, and because it cannot be seen with our present eyes, this brahmajyoti is sometimes called avyakta.
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In the Ramayana, Nila is described as the son of Vishwakarma, the architect of gods, and as the "Kapishreshtha (foremost among the monkeys) in effulgence, reputation and prowess". An important part of the epic describes the role played by the monkey army in the rescue of Sita, the wife of Rama who is kidnapped by Ravana, the rakshasa king of Lanka. The many stories forming the epic are retold in various adaptations.
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Chapter 4 states that the soul resides in the heart of a living being (dahara), in a ten petaled lotus. The heart feeds the 72,000 vessels in the body (nadis). The immortal soul, the innermost center of one's existence, is ever-present as the "resplendent effulgence", whether one is in an awake state of consciousness or dreaming in one's sleep. This section of the Subala Upanishad resonates with the doctrine presented in the much more ancient Chandogya Upanishad's section 8.1.
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One day Sage Atreya (son of Atri) came before Janamejaya and told him to take refuge under the feet of Krishna at Guruvayoor. Atreya told him that in the temple at Guruvayur the effulgence of Sri Hari is at its best and Vishnu showers his blessings on all devotees. He immediately rushed there and spent the next ten months worshipping the god of Guruvayur. At the end of ten months, he returned home healthy and took the astrologer to task for making a false prediction.
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126 He adds that the pure poet "bathes his nominal subject in the imaginative effulgence [that] Stevens called the 'poetry of the subject'".Bates, p. 153 The pure poet is distinguished from the local poet who defines himself as the intelligence of his soil, in that the former applies himself to what Stevens called "the idea of pure poetry: imagination, extended beyond local consciousness,...an idea to be held in common by South, West, North and East."Quoted from Stevens's letters by Bates, p.
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Shiva was an ascetic and his earlier marriage was conducted with great difficulty; his remarriage was out of the question. Hence Taraka believed that his boon of being killed by Shiva's son alone would give him invincibility. The Devas manage to get Shiva remarried to Parvati by having Kama, the God of love awaken him from his penance, incurring his wrath in the process. Shiva hands over his effulgence of the third eye used to destroy Kama to Agni, as he alone is capable of handling it until it becomes the desired offspring.
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Jathar-agni determines the production of hydrochloric acid in the stomach, Bhuta-agni determines the production of bile in the liver, Kloma-agni determines the production of sugar-digesting pancreatic enzymes and so forth. The nature and quality of these agnis depend on one's dosha which can be – vata, pitta or kapha. Agni is also known as Vaisvanara. Just as the illuminating power in the fire is a part of Agni's own effulgence, even so the heating power in the foods digestive and appetizing power is also a part of Agni's energy or potency.
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There were many thousands of pillars and columns made of valuable jewels, and the glaring effulgence of those columns was so beautiful that Arjuna became charmed by it. Within that palace, Arjuna and Krsna saw the gigantic form of Anantadeva, who is also known as Sesha. Lord Anantadeva or Sesa Naga was in the form of a great serpent with thousands of hoods, and each one of them was decorated with valuable, effulgent jewels, which were beautifully dazzling. Each of Anantadeva's hoods had two eyes which appeared very fearsome.
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The paintings were of a similar vein to his previous work, but many were nearly devoid of color and were a stark contrast to the effulgence of the originals. This was done deliberately, as the White Goblin had a more ecologically sinister plot than his brethren, one that involved habitat destruction and the subjugation of natural resources for his own selfish ends. This book seems appropriate for an age group somewhat older than that of the first. The moral lessons (as well as the story, illustrations and language) are more complex and profound than before.
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A common mistake of spelling it wrongly as "Shyamantaka" has led to the incorrect idea that Syamantaka was a sapphire (Saturn's gem). Also according to Jyotish or Planetary Gemology, Ruby is the gem of the Sun in the Navaratna. Two verses from the Bhagavat Purana, which describe Satrajit wearing the gem given to him by Surya, the Sungod show that Syamantaka is a ruby. :“Wearing the jewel on his neck, Satrajit entered Dwaraka. He shone as brightly as the sun itself, O King, and thus he went unrecognized because of the jewel's effulgence”.
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A two-story building was constructed and the school opened in 1864, with 49 students already enrolled. In 1864, the board advertised their academy in a broadsheet, saying: > The School will be owned and managed by colored persons; but this does not > in our opinion make an argument against it. > The day has gone by for the colored man to be used as a mere machine. He > must now reflect the light of his own intellectual and moral development, > must either shine in the effulgence of his own wisdom, or sink to poverty > and wretchedness by his own ignorance.
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Hearst's color humor supplement was named The American Humorist and advertised as "eight pages of polychromatic effulgence that make the rainbow look like a lead pipe". It debuted on October 18, 1896, and an advertisement in the Journal the day before boasted: "The Yellow Kid—Tomorrow, Tomorrow!" The strip was titled McFadden's Row of Flats, as the World claimed the Hogan's Alley title. A week earlier, on October 11, Outcault's replacement at the World George Luks took over with his own version of Hogan's Alley; he had handled the strip earlier, the first time that May 31.
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According to the authors (Thomas Lewis, M.D, Fari Amini, M.D. and Richard Lannon, M.D.), our nervous systems are not self- contained, but rather demonstrably attuned to those around us with whom we share a close connection. "Within the effulgence of their new brain, mammals developed a capacity we call 'limbic resonance' — a symphony of mutual exchange and internal adaptation whereby two mammals become attuned to each other's inner states." This notion of limbic resonance builds on previous formulations and similar ideas. For example, the authors retell at length the notorious experiments of Harry Harlow establishing the importance of physical contact and affection in social and cognitive development of rhesus monkeys.
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The oak design predominates. Under the escutheon is a scroll bearing the Nagle motto: “Non Vox Votum”-Not a Voice but a Wish or more freely translated “NOT WORDS BUT DEEDS”. The Presentation Sister adopted the Nagle Coat of Arms with some modifications. The nightingale was replaced by a cross and effulgence as found on the ring worn by the Presentation Sisters-symbol of faith and strength. The motto on the Presentation Sisters can be seen in the Our Lady of Snows High School- “Laudute Dominum in Atrium Sancto Ejus” - “Adore the Lord in His Highest Court.” BCC has adopted the Presentation Crest with the motto “Monstra Te Esse Matrem” – “Show to us that you are a Mother.
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Yaqoob Khan Bangash said that the film should have led all of us to take any kind of sexual violence seriously, "However, it ended up only highlighting the issue and then promoted entrapment, lies, and vigilante justice." For The Nation, Nida Tahseen said that this film wouldn't bag much appreciation, noting the reasons as "poor dialogues, bad locations" and "below average performances". Marryam Suleman said that "the direction, the dialogues, the technicalities and the unrealistic end of the movie" showed failure, however, between "a lot of loopholes," there are the "moments of sheer effulgence too." Khurram Sohail of Dawn News praised the actors, but commented as per the sensitivity of the overall topic, actors failed to express their influence.
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Statue of Washington outside the Federal Hall Memorial in lower Manhattan, site of Washington's first inauguration as President Congressman Henry "Light Horse Harry" Lee, a Revolutionary War comrade and father of the American Civil War general Robert E. Lee, famously eulogized Washington as: > First in war, first in peace, and first in the hearts of his countrymen, he > was second to none in humble and enduring scenes of private life. Pious, > just, humane, temperate, and sincere; uniform, dignified, and commanding; > his example was as edifying to all around him as were the effects of that > example lasting. ... Correct throughout, vice shuddered in his presence and > virtue always felt his fostering hand. The purity of his private character > gave effulgence to his public virtues.
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However, the artform combining words and pictures evolved gradually, and there are many examples of proto-comic strips. In 1995, King Features Syndicate president Joseph F. D'Angelo wrote: :It was in Joseph Pulitzer's New York World that cartoonist Richard Outcault's legendary Yellow Kid made his newspaper debut in 1895, but it was Hearst's New York Journal that cannily snatched the Kid away from the rival sheet and deployed him as a key weapon in the historic newspaper circulation wars. The Kid led the charge in Hearst's trailblazing American Humorist comic supplement, with its famous motto: "Eight Pages of Iridescent Polychromous Effulgence That Makes The Rainbow Look Like A Lead Pipe!" Pulitzer fought back by hiring another artist to draw Outcault's character for the World.
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Strong support was given by Adrienne Allen as Ruby (an ambitious musical comedy actress), Mary Robson as Olive (Sheila's flatmate) and Clare Greet as Burrage (the laconic cook-housekeeper). Coward later wrote: 'My first serious play, The Rat Trap, was produced at the Everyman Theatre while I was on the Olympic bound for New York, and so I never saw it...in spite of the effulgence of the cast, the play fizzled out at the end of its regulation two weeks. I was not particularly depressed about this; The Rat Trap was a dead love.' The play was published in London by Ernest Benn in 1924 in volume 13 of the Contemporary British Dramatists series, and was republished by Heinemann in 1934 in Coward's Play Parade, Volume III.
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It is, however, not an imprint or emanation of God's own essence (ousia), the essence He shares pre-eternally with His Word and Holy Spirit. Neither is it a directly literal outworking or effulgence of the divine, nor any other process which implies that creation is essentially God or a necessary part of God. The use of the term "panentheism" to describe the divine concept in Orthodox Christian theology is problematic for those who would insist that panentheism requires creation to be "part of" God. God is not merely Creator of the universe, as His dynamic presence is necessary to sustain the existence of every created thing, small and great, visible and invisible.St. Symeon in Practical & Theological Discourses, 1.1: “When men search for God with their bodily eyes they find Him nowhere, for He is invisible.
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When for their good, the Lord of the celestials begged of him his natural coat of mail and ear-rings, stupefied he gave away those precious possessions. Deprived of his armor and ear-rings, in consequence of Brahmana's curse as also of the illustrious Rama, of the boon granted to Kunti, of illusion practised on him by Indra, of his depreciation by Bhishma as only half a car-warrior, of destruction of his energy caused by Shalya keen speeches, of Vasudeva's policy, and lastly of the celestial weapons given to Arjuna of Rudra, Indra, Yama, Varuna, Kuvera, Drona and Kripa, with these the wielder of Gandiva succeeded in slaying, that tiger among men, Vikartana's son Karna, of effulgence like that of sun. Having said these words, the celestial Rishi Narada became silent. Yudhishthira griefs, shedding copious tears and Kunti consoles him.
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Caravaggio's version is much more intimate and marks a sharp change of key: the saint, who has the features of Del Monte, seems to sink back peacefully into the arms of a boy (who bears a marked resemblance to the boy in Boy Peeling a Fruit and to the winged Cupid on the far left of The Musicians, and even more to the boy being cheated in Cardsharps) wearing a sheet and some stage-prop wings. There is very little to indicate the subject beyond the saint's Franciscan robe - no sign of the Stigmata, or blood, except the wound in his heart, nor of the fearsome seraph. Yet the atmosphere remains genuinely spiritual, the two figures lit by an unearthly effulgence in the dark night-time landscape where strange glimmerings flicker on the horizon. The scene is at once real and unreal.
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From around 1938, his devotees started recording and attributing various miracles to him like treating incurable diseases, blessing issueless couple with children, bringing back dead to life as the situation demanded, bilocation, mindreading, materialisation, helping people to see the deity of local shrines like Kheer Bhawani and Hari Parbat in human form and also in the form of their effulgence and many more, which have been meticulously documented primarily by his principal biographer and also by other devotees. His devotees have also reported miracles after his death. On 3 July 1999, an officer of the 18th Battalion of The Grenadiers regiment of Indian Army reportedly sighted him at the battle front during Kargil war, directing assault operation to recapture Tiger Hills. A similar sighting was reported by an officer of Indian Army during the 1947 war.
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On the mount Thou was (sic) transfigured, and Thy > disciples, as much as they could bear, beheld Thy glory, O Christ God; so > that when they should see Thee crucified, they would know Thy passion to be > willing, and would preach to the world that Thou, in truth, art the > Effulgence of the Father. Kontakion of the Sunday of the Prodigal Son (9th week before Easter, 2nd week of the triodion) The last example is not a model, but a kontakion-prosomoion which had been composed over the melody of Romanos the Melodist's Nativity kontakion Ἡ παρθένος σήμερον in echos tritos.For other kontakia-prosomoia of the same model, see the article idiomelon. > Τῆς πατρῴας, δόξης σου, ἀποσκιρτήσας ἀφρόνως, ἐν κακοῖς ἐσκόρπισα, ὅν μοι > παρέδωκας πλοῦτον· ὅθεν σοι τὴν τοῦ Ἀσώτου, φωνὴν κραυγάζω· Ἥμαρτον ἐνώπιόν > σου Πάτερ οἰκτίρμον, δέξαι με μετανοοῦντα, καὶ ποίησόν με, ὡς ἕνα τῶν > μισθίων σου.
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He therefore began to modify his design, convinced that, by doing so, he would be able to create an 'Atmospheric' Bude-Lamp: by substituting air for oxygen with little detrimental effect. To eliminate the need for maintaining a wick, he explored using coal gas in place of oil. He purified the gas, and impregnated it with vapours of naphtha, turpentine and India rubber; this was then fed through a set of concentric burners designed 'to communicate by conduction and radiation sufficient heat to raise the temperature of the gas to a given point, so as to effect the separation of its charcoal immediately on its leaving the burner, and then […] to bring fresh atmospheric air to the proper points of the flame'. The chemical changes brought about by this precision mechanical arrangement achieved 'an effulgence adequate to every purpose of internal and external illumination'.
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Male upperside: ground colour darker, plumbeous effulgence more striking. Underside: very dark purplish brown; markings in form and arrangement much as in the female of the typical form, but the transverse bands formed by the white lines much broader; on the hindwing the black subterminal spots in interspaces 1 and 2 much larger, conspicuously crowned inwardly and surrounded with ochraceous orange and with an outer bordering of metallic green scales; the anteciliary black line edged inwardly over the tornal area with white. Antennae, head, thorax and abdomen as in the typical form. Female closely resembles the typical form, but differs as follows: upperside: fuscous black, the ground colour much darker than in the typical form; the pale medial patch on the forewing shot in certain lights with iridescent blue, much larger, occupying the basal posterior two-thirds of the wing, and unlike the typical form the posterior two-thirds of the hindwing.
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The new ones included the quote "unquestionably the divine teachings must reveal themselves with a brighter effulgence… and the fragrances of holiness be diffused with swiftness and rapidity" comparing the situation with Gregory the Illuminator facing the Armenia of long ago but setting the context in seeking freeing the people from racial prejudice - a line of action he foresaw would have "a transforming impact on the United States and the world". The Baháʼís established a national committee to begin overseeing the work and Hannen coordinated the orientation to the South - following which Gregory made a circuit of trips in the winter of 1920 and 1921 between South Carolina and Georgia with the help of Roy Williams who spoke also at Black colleges Benedict College and Allen University. A Baháʼí's home was firebombed, two were jailed and Persian Baháʼí Dr Zia Bagdadi aided relief efforts. Another time Gregory and Harlan Ober discussed having "mass meetings" to alleviate racial tension.
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