539 Sentences With "ecce" | Random Sentence Generator

A drawing called "Ecce Homo Sterbender Krieger" (Ecce Homo Dying Warrior, 1949).

" In "Ecce Homo," Nietzsche writes, "I attack only a winner.

Remember Elias Garcia Martinez's 18th century Ecce Homo fresco in Borja, Spain?

There were children's books that explained how "Ecce Homo" became Monkey Jesus.

You're probably more familiar with its Ecce Mono designation after its botched restoration.

"Ecce Homo" — "Behold the man," in Latin — became Monkey Jesus, aka Beast Jesus.

"Ecce Kosti," from 1996, is a collection of favorable reviews of his work.

"It's a work about perception," Ms. Lam said of "Ecce Homo Trilogy" in an interview.

There had been signs of trouble in his letters, and arguably in his boastful autobiography, "Ecce Homo".

"Ecce homo erectus" isn't even the first artwork to controversially juxtapose images of erections and religious officials.

Monkey Jesus looks like "Ecce Homo" got into a car crash, suffering a slight brain injury and partial paralysis.

But the new version of "Ecce Homo" became known as the "Monkey Christ" and inspired memes and even a comic opera.

He resumed his career as a solo artist in 1995 with Ecce Homo and, four years later, Good News for Modern Man.

Like the Ecce Mono, San Jorge de Estella was reportedly restored in the absence of discussion with cultural institutions or restoration experts.

Post-Giménez makeover (and with it, internet virality), Elias Garcia Martinez's "Ecce Homo" swiftly began attracting thousands of tourists and their money.

Hogre's poster "Ecce homo erectus" depicts Jesus with a conspicuous erection, resting one hand on the head of a praying, kneeling child.

Beast Jesus — the "Ecce Homo" fresco that now resembles a primate thanks to octonagerian restorer Cecilia Giménez — will make its stage debut this month.

Born in 1858, Elías, the artist who made "Ecce Homo," went to art school and taught at the Provincial School of Fine Arts of Zaragoza.

The life rights of Cecilia Giménez, the Spanish artist who notoriously botched an attempted restoration of Elías García Martínez's "Ecce Homo," should be a zillion dollars.

The first sculpture to be shown there was Mark Wallinger's "Ecce Homo" in 1999; other commissioned artists have included Antony Gormley, Marc Quinn and Rachel Whiteread.

His "Ecce Homo" print of 1634 is faithfully copied by Jan Van Vliet in 1635–6, in monochrome, with evidence of corrections by Rembrandt as quality control.

"Ecce homo," he announced from the governor's mansion, echoing the words of Pontius Pilate in the Gospel of John when he recognizes that Jesus is the Messiah.

Arguably the first botched restoration project to gain public infamy was the 2012 "ecce homo" fresco fiasco that occurred in yet another sleepy town of Spain, called Borja.

This Geneva hardcore/grindcore outfit achieved cult status in the late 90s and early 00s with albums like Eyesore (20183), Ecce Lex (2002) and the acoustic Hysteron-Proteron (2004).

While "Ecce Homo" had his gaze averted from the viewer, Monkey Jesus looks you right in the eyes, which makes the encounter a bit uncomfortable, considering his tragic condition.

It's not that I revisited it, it's that I recorded it in a proper studio, which is something I've been doing with all of the songs from Ecce Homo.

The image in the altered fresco, "Ecce Homo" ("Behold the Man"), was likened to a monkey or a hedgehog, and it was mocked in memes widely shared on social media.

In "Ecce Homo", which depicts the moment Christ is condemned to death, in the background a man and a woman peer over a bridge, oblivious to what is going on near them.

The artist, who resides in Minnesota and is represented by Ecce Gallery in nearby Fargo, North Dakota, reveals that she knew, since she five years old, that she would be an artist.

The revamped "ecce homo" fresco ended up giving a significant boost to tourism in Borja, as visitors flocked to see what was described as the worst art restoration project of all time.

The New Testament story of Pilate presenting a scourged Jesus to an angry crowd with the words "behold the man" — "ecce homo" in Latin — was a central theme of religious art for centuries.

Since Cecilia Giménez Zueco transformed Elías García Martínez's "Ecce Homo" into the viral sensation "Monkey Jesus," the Santuario de Misericordia has been turned into an interactive tribute to the two artists' improbable collaboration.

" The opera begins with a fairly traditional aria sung by the Cecilia character, "It's Faith That Guides My Brush," and shifts to a song that evokes the style of Lady Gaga, "Come Getcho Ecce.

Dolci's particular gift is to make a conventional scene more intense, like the "Ecce Homo" (date) with Christ's blood rendered as bright carmine globules and his beard and hair heightened with glimmers of shell gold.

So too with one of the workshop editions of "Ecce Homo": Bosch presents a Christ who is bowed and lacerated with whippings and dripping with blood, whereas his follower presents Christ standing upright, seemingly unhurt.

The studio drawing of "Ecce homo erectus" was sold in the WAR Gallery show, and Hogre is planning to show the receipt for this sale in court, to establish the artistic value of the work.

Mr. Tsang created "Ecce Homo Trilogy" for that show, a large multimedia installation that recalls the phrase said to have been uttered by Pontius Pilate at the last judgment, and the title of a book by Nietzsche.

Seeing Ecce homo in person is an act of witnessing a singular piece of Internet culture in its native, spiritual habitat, but it's also, oddly, an act of faith in the predictable human trait of screwing up.

Within the 4,000 square foot gallery space of Ecce Gallery, Fletschock has shown one of her more expansive collage works, which takes the form of a curtain-like installation comprised of multiple patterned paper strips that appear black from the outside.

In 2012, the botched restoration of an "ecce homo" fresco of Jesus in a Roman Catholic church in Borja, in northeastern Spain, was of such poor quality that it was initially treated by the local authorities as an act of vandalism.

His anti-elitist tendencies have seen him engage with the British public on its own territory, with works that have included a vulnerable marble figure with a crown of thorns on the "fourth plinth" in London's Trafalgar Square ("Ecce Homo," 1999) and a series of 270 labyrinth paintings, one commissioned for every station on the London Underground ("Labyrinth," 2013).

I was slightly surprised that my first realization of the ideal male form, and my appreciation for it, were conjured up by this Ecce Homo, but perhaps it had something to do with the fact that within a few weeks I would be ripping my shirt off as the cameras were rolling on the set of the first major motion picture that I had been cast in.

The botched project was another in a line of art restoration projects gone bad, such as the 2012 defacing of a century-old "Ecce Homo" fresco of Jesus with a crown of thorns that was altered beyond recognition in Spain, leaving the statue with a half-beard and, some say, a monkeylike appearance; and the 2016 restoration of a landmark Spanish castle that made it more closely resemble a multilevel parking garage.

' Answer: 'First you take a "lence," and then put "ecce" before it.'" He is punning on "ecce," the Latin word for "behold.

1570-1571, Keter Publishing House, Jerusalem, 1972 The site includes the Church of Ecce Homo, also known as the Basilica of Ecce Homo, named for Pontius Pilate's Ecce homo speech which is traditionally thought to have taken place on the pavement below the church.

Later Ecce Homo toured around the world. An Ecce Homo exhibition opened on 3 October 2012 in Belgrade, Serbia, currently the only city in this part of Europe in which an exhibition of Ecce Homo is being held. The exhibit had to be protected by 24/7 security guards.Anderson-Minshall, Diane.

Inspired by Highways’ previous Ecce Lesbo-Ecce Homo Festival, it has expanded to a summer-long series of new LGBTQ performance, dance, spoken word, theater, multi-media, and ritual.

Fortescue, p. 338Herbert Thurston, The Elevation in Catholic Encyclopedia (1909). Retrieved 6 March 2010 In the Roman Rite of Mass, this elevation is accompanied by the words Ecce Agnus Dei. Ecce qui tollit peccata mundi (Behold the Lamb of God.

There is also a triptych, an Ecce Homo, by him in the Bruges cathedral.

The small incision size used in phacoemulsification (2-3mm) often allows "sutureless" incision closure. ECCE utilises a larger incision (10-12mm) and therefore usually requires stitching, and this in part led to the modification of ECCE known as manual small incision cataract surgery (MSICS). Cataract extraction using intracapsular cataract extraction (ICCE) has been superseded by phacoemulsification & ECCE, and is rarely performed. Phacoemulsification is the most commonly performed cataract procedure in the developed world.

Cadwal has three major continents: Deucas, Ecce and Throy. The remainder of the planet is covered in oceans with only a few small islands. Deucas is temperate and most suited to human settlement. Ecce is dominated by jungles and swamps and is baking hot.

Ecce Homo is an allusion to Christ's trial under Pontious Pilate. The phrase "Ecce Homo" translate to "Behold the Man," which is used to ridicule Jesus' claim of divinity. In a similar sense, the red cape and crown of thorns satirizes Jesus' royal claim to Israel.

As a result, his compositions became more lively and agitated. He also introduced a greater emotional involvement in his works through the use of lights and colours that reveal the knowledge of the Venetian school. His Ecce Homo (1640s),Ecce Homo was auctioned at Sotheby's on 10 December 2015, London, lot 174. shows in the broad and phlegmatic figure of Christ the influence of the Ecce Homo painted by Anthony van Dyck in Genoa circa 1625.

Nuestro Padre Jesús del Calvario 32\. Ecce Mater Tua 33\. El Sagrado Descendimiento 34\. La Piedad 35\.

From the start ECCE would endeavour to buffer as much of the file as memory allowed while earlier editors could only buffer one line of the file at a time. ECCE became the default text editor for computers at the University of Edinburgh and remained almost unchanged for a period of almost 25 years. The editors survival is attributed to the fact that thousands of undergraduates and postgraduates would have used the tool in their higher education and wherever in the world they settled the benefits of ECCE were promoted and local implementations created from Hamish Dewar's source code. ECCE became one of the most popular and well respected text editors of the 1970's.

Rembrandt van Rijn, Ecce Homo, state viii, c.1665, Rijksmuseum Lucas van Leyden, Ecce Homo, 1510, Metropolitan Museum of Art Christ Presented to the People, also known as Ostentatio Christi or Ecce Homo, is a drypoint print by Rembrandt van Rijn which exists in eight states, all c.1655. It is one of the two largest prints made by Rembrandt, about , similar to his 1653 engraving of The Three Crosses. It has been described by Christie's as "at the summit of the western printmaking tradition".

Tibi soli peccavi, et malum coram te feci: ut justificeris in sermonibus tuis, et vincas cum judicaris. Ecce enim in iniquitatibus conceptus sum: et in peccatis concepit me mater mea. Ecce enim veritatem dilexisti: incerta et occulta sapientiae tuae manifestasti mihi. Asperges me hyssopo, et mundabor: lavabis me, et super nivem dealbabor.

Ecce Homo by Titian, between c. 1570 and c. 1576 Depictions of Western Christianity in the Middle Ages, e.g. the Egbert Codex and the Codex Aureus Epternacensis, seem to depict the ecce homo scene (and are usually interpreted as such), but more often than not only show the Crowning of thorns and the Mocking of Christ, which precede the actual ecce homo scene in the Bible. The independent image only developed around 1400, probably in Burgundy, but then rapidly became extremely popular, especially in Northern Europe. Ecce Homo and Mater Dolorosa Diptych, c. 1491–1520. Aelbrecht Bouts The motif found increasing currency as the Passion became a central theme in Western piety in the 15th and 16th centuries. The ecce homo theme was included not only in the passion plays of medieval theatre, but also in cycles of illustrations of the story of the Passion, as in the Great Passion of Albrecht Dürer or the ' of Martin Schongauer.

Curricula in early childhood care and education (ECCE) is the driving force behind any ECCE programme. It is ‘an integral part of the engine that, together with the energy and motivation of staff, provides the momentum that makes programmes live’.Epstein, A, Larner, M and Halpern, R. 1995. A Guide to Developing Community-Based Family Support Programs.

See Morna, Escultura: Gregory, no. 38 (p. 82); Our Lady, no. 77 (p. 112); Brigid, no. 37 (p. 81), Ecce Homo, no. 12(p. 56).

Ecce Homo was a Catholic Church in Alcamo, in the province of Trapani, Sicily. It was built in 1753 and used by the Congregation of the Most Holy Ecce Homo until 1968, when it was damaged by an earthquake. Extensively restored in 1992, it is now a multi-use venue space. Ecco Homo refers to the suffering of Jesus Christ, as depicted in many religious artworks.

Ecce Homo (c. 1605/6 or 1609 according to John Gash) is a painting by the Italian master Caravaggio. It is housed in the Palazzo Bianco, Genoa. According to Giambatista Cardi, nephew of the Florentine artist Cigoli, Cardinal Massimo Massimi commissioned paintings on the theme of Ecce Homo from three artists, Cigoli, Caravaggio, and Domenico Passignano, without informing the artists of the multiple commissions.

Antonio Ciseri's 1871 Ecce Homo portrayal presents a semi-photographic view of a balcony seen from behind the central figures of a scourged Christ and Pilate (whose face is not visible). The crowd forms a distant mass, almost without individuality, and much of the detailed focus is on the normally secondary figures of Pilate's aides, guards, secretary and wife. Ecce Homo by Mihály Munkácsy 1896.

Ecce Homo can be found at Loyola University in Chicago, Illinois Ecce Homo was donated to the Loyola University Museum of Art by a private collector named Janet Relos (1916-1981). Currently, the statue is part of the museum's Martin D'Arcy, S.J. Collection of Baroque Art. Although Loyola University is a Jesuit institution, the D'Arcy collection contains secular pieces in addition to its Christian collections.

Ecce Homo before the attempted restoration One of the frescos painted by García Martínez in the Santuario de Misericordia of Borja (Zaragoza), his Ecce Homo, accidentally rose to international attention in August 2012 when it was destroyed in good faith by a local octogenarian woman, Cecilia Giménez, who had wished to restore the painting which had deteriorated from humidity. Giménez insisted she had permission from the local priest to perform the work. As she lacked any kind of professional skill or experience, her attempt resulted in major damage to the painting, although the result enjoyed ironic fame and popularity.Restauradores profesionales tratarán de recuperar el ‘Ecce homo’, in elpais.com.

Ecce Homo and Mater Dolorosa Diptych. Each panel 45.5 x 31 cm. Suermondt- Ludwig-Museum, Aachen, Germany The Ecce Homo and Mater Dolorosa Diptych consisted of two small oil-on-panel paintings usually attributed to the Early Netherlandish artist Aelbrecht BoutsDresser, 198 produced between 1491 – 1520. For many years they formed the wings of a hinged devotional diptych, but are now broken apart. Although their exact dating is unknown, the Ecce Homo (Behold the Man) panel, portraying Jesus bound and crowned with thorns, is thought to have been painted after 1491, while the Mater Dolorosa panel presents the Virgin Mary as Our Lady of Sorrows, and was painted after 1517.

Bouts painted many versions of the Ecce Homo during his career."Blood and Tears. Albrecht Bouts and the Image of the Passion". Suermondt-Ludwig-Museum, 2016.

Ecce completa sunt omnia, quae dicta sunt per Angelum de Virgine Maria. :Behold, all things are fulfilled, which were spoken by the Angel to the Virgin Mary.

Research continues to document the multifaceted development benefits of ECCE for health, education, social and emotional well-being, social equity and cohesion, the economy, employment and earnings.

Curricula in early childhood care and education (ECCE) address the role and importance of curricula in the education of young children, and is the driving force behind any ECCE programme. It is ‘an integral part of the engine that, together with the energy and motivation of staff, provides the momentum that makes programmes live’.Epstein, A, Larner, M and Halpern, R. 1995. A Guide to Developing Community-Based Family Support Programs.

The company now exists as a charitable institution and supports education in oil-related fields. The company ranks 21st in the Precedence of Livery Companies in the City of London. Its motto is Ecce Agnus Dei, Ecce Qui Tollit Peccata Mundi: Latin for "Behold the Lamb of God, Who Takes Away the Sins of the World", words of St John the Baptist (Patron Saint of the Company) in reference to Jesus.

Along with eight other British composers, Paul contributed to the choral album A Garland for Linda, and he dedicated his classical album Ecce Cor Meum (1999) to Linda.

However, his style became more "modern" during his time at Stuttgart. Orlande de Lassus' mass number 40 Ecce nunc benedicite was directly modeled on a work by Daser.

He also painted architectural and perspective views, and sacred subjects. His works are principally at Pisa and Livorno. An 'Ecce Homo' by him is in the Pitti Palace, Florence.

Following the Holocaust of World War II, Otto Dix portrayed himself, in Ecce Homo with self-likeness behind barbed wire (1948), as the suffering Christ in a concentration camp.

The Latin title of the Psalm is Ecce Quam Bonum. The first lines, Ecce quam bonum et quam jucundum habitare fratres in unum ("Behold how good and how pleasant it is for brethren to dwell together in unity"), constitute the motto of Sewanee: The University of the South, the Royal Borough of Kensington and Chelsea, Morrissey Hall of the University of Notre Dame, and the Immaculate Heart of Mary Seminary in Winona, Minnesota.

As an actor, he took part to La terrazza by Ettore Scola (screenplay by Age & Scarpelli, of course) and Ecce Bombo by Nanni Moretti. He died in Rome in 2005.

Ecce Homo is a painting by the Renaissance painter Andrea Mantegna. It is conserved at Musée Jacquemart-André in Paris. It depicts the presentation of Jesus Christ crowned with thorns.

News of the EFCE is published in Chemical Engineering Research and Design. Official meetings are usually held in association with the two series of European congresses known as ECCE and CHISA .

The second boost to the development of ECCE was the adoption of the World Declaration on Education for All (EFA) in March 1990 in Jomtien, Thailand. Reflecting General Comment 7, the Jomtien Declaration explicitly stated that 'learning begins at birth', and called for 'early childhood care and initial education' (Article 5). This novel recognition of ECCE as an integral part of basic education featured again in the major goals adopted at the 1990 UN World Summit for Children. Ten years later, in 2000, this expanded vision of basic education was rearmed in the Dakar Framework for Action on EFA, adopted at the World Education Forum as the first of the six EFA goals: 'Expanding and improving comprehensive ECCE especially for the most vulnerable and disadvantaged children'.

From 1853 to 1858 he was pastor at Banbury. His next charge was at Cavendish Street, Manchester, where he rapidly made himself felt as a power in English Nonconformity. While here he published a volume of lectures entitled Church Questions, and, anonymously, Ecce Deus (1868), a work provoked by Seeley's Ecce Homo. The University of Chicago conferred on him the degree of D.D. In 1869, he returned to London as minister of the Poultry church, founded by Thomas Goodwin.

On the calvary's upper surface (the platform) southeast corner is the scene depicting the "Ecce Homo" with Pontius Pilate wearing a Phylactery inscribed "ECCE HOMO" and pointing to Jesus and one of Jesus' accusers whose Phylactery reads "TOLLE TOLLE CRVCIFIGE EVM". He asks that Jesus be crucified. On the northeast corner of the platform, Pontius Pilate is depicted washing his hands. On the north face part of the platform is the scene showing Christ carrying the cross.

Ecce Homo, Caravaggio, 1605 Ecce homo (, , ; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original , is rendered by most English Bible translations, e.g. Douay-Rheims Bible and King James Version, as "behold the man". The scene has been widely depicted in Christian art.

Especially in the 19th and 20th centuries, the meaning of ecce homo motif has been extended to the portrayal of suffering and the degradation of humans through violence and war. Notable 20th-century depictions are George Grosz's (1922–1923) and Lovis Corinth's Ecce Homo (1925). The 84 drawings and 16 watercolors of Grosz criticize the socio-political conditions of the Weimar Republic. Corinth shows, from the perspective of the crowd, Jesus, a soldier, and Pilate dressed as a physician.

Ecce sacerdos magnus is an antiphon and a responsory from the common of confessor bishops in the Liturgy of the Hours and in the Graduale Romanum, and the Epistle in their proper Mass. It belongs to Sir 50,1. The responsory Ecce sacerdos magnus for the festival of a confessor bishop, from the Liber Responsorialis juxta Ritum Monasticum, Solesmes, 1895, page 194. Since it is the second responsory of its nocturn, it doesn't have a half-doxology.

In St. Germanus's description a form very like the Pax formula of the Stowe was said here by a priest, instead of a longer (and variable) benediction by a bishop. These were not in any way associated with the Pax, which in the Gallican, as now in the Mozarabic, came just before Sursum corda. The two ideas are mixed up here, as in the Roman and Ambrosian. The Communion: Ecce Agnus Dei, ecce qui tollis [sic] peccata mundi.

ARNEC Connections: Working Together for Early Childhood. Special edition: Noteworthy Early Childhood Care and Development (ECCD) Practices. This is an important ingredient in high-quality ECCE programmes for pre-school-aged children.

Ecce sacerdos magnus (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title.

His choral works have been sung at (amongst others) King's College, Cambridge, Westminster Abbey and Gloucester Cathedral; and include: Our Blessed Lady's Lullaby (1988), Ecce Puer (1994), Mayenziwe Magnificat (2000) and Diptych (2006).

Ecce Bombo is a 1978 Italian comedy film, written and directed by and starring Nanni Moretti. It was filmed in 16 mm but released in 35 mm. It was Moretti's first commercial success.

Vox clara ecce intonat > 1 VOX clara ecce intonat, obscura quaeque increpat: procul fugentur somnia; > ab aethere Christus promicat. 2 Mens iam resurgat torpida quae sorde exstat > saucia; sidus refulget iam novum, ut tollat omne noxium. 3 E sursum Agnus > mittitur laxare gratis debitum; omnes pro indulgentia vocem demus cum > lacrimis, 4 Secundo ut cum fulserit mundumque horror cinxerit, non pro reatu > puniat, sed nos pius tunc protegat. 5 Summo Parenti gloria Natoque sit > victoria, et Flamini laus debita per saeculorum saecula. Amen.

ECCE was further reinforced by the Millennium Development Goals (MDGs), albeit only partially. Adopted at the UN Millennium Summit in 2000, two of the MDGs had direct relevance to early childhood development: (i) improving maternal health, with the targets of reducing the maternal mortality rates by three-quarters and providing universal access to reproductive health (MDG4), and (ii) reducing the under-five mortality rate by two-thirds between 1990 and 2015 (MDG5). Thus, the child and maternal health aspects of ECCE became part and parcel of a global 'effort to meet the needs of the world's poorest' while childcare and early education aspects were left out. In recent decades, ECCE has further received attention from diverse stakeholders including research communities, civil society and intergovernmental organizations which furthered understanding of its holistic and multisectoral nature.

390px Ecce Homo or Christ Wearing the Crown of Thorns is a c.1612 oil on oak panel painting of the ecce homo subject by Peter Paul Rubens, now in the Hermitage Museum. The Hermitage also houses an oil study for its figure of Pilate. Originally commissioned by cardinal Massimego, Christ's pose was influenced by the statue of a centaur in the Borghese Gallery in Rome and the work may even have been produced as a pendant to the 1616-1617 Drunken Silenus (Alte Pinakothek).

Kin-Wah Tsang's most recent work explores topics in philosophy, religion, and popular culture through immersive multimedia installations. One of the first such installations was "Ecce Homo Trilogy”. The installation's idea is centered upon "Ecce Homo", a phrase that was both used by Pontius Pilate at the last judgment and as the title of a book by Nietzsche. By placing these two references together, Tsang questions the impartialness of judgment. The next major installation was "The Infinite Nothing,” a phrase also coming from Nietzsche.

The official motto of Immaculate Heart of Mary Seminary is the Latin text of Psalm 133:1: Ecce quam bonum et quam iucundum habitare fratres, fratres in unum (Behold how good and how splendid where brothers dwell as one.) The Latin motto is often shortened to simply Ecce Quam Bonum (Behold How Good) as seen on the seminary crest, which was designed by the ninth rector of IHM Seminary, Father James Steffes. The English translation of Psalm 133:1 is not used for the motto.

Included in the storytelling ensemble is the ghost of the fresco's original painter, Elías García Martínez, a local priest, a financially strapped young couple, Borja's mayor, and Cecilia's son and new wife, who is also the granddaughter of Martinéz. In the eight years since the 2012 “Ecce Homo” incident, it's estimated more than 250,000 visitors have made the pilgrimage to Borja to see Cecilia's “Ecce Homo” first-hand. Composer Paul Fowler and librettist Andrew Flack began researching and writing Behold The Man in September, 2012, shortly after learning of Cecilia's restoration-gone-wrong. From first reports, it was clear the story had captured the imagination of the international press and was taking social media by storm, quickly achieving the status of “internet sensation.” Almost immediately visitors from around the world began to arrive, posting selfies to Facebook while celebrating the “Ecce Homo” phenomenon.

The history of early childhood care and education (ECCE) refers to the development of care and education of children from birth through eight years old throughout history. ECCE has a global scope, and caring for and educating young children has always been an integral part of human societies. Arrangements for fulfilling these societal roles have evolved over time and remain varied across cultures, often reflecting family and community structures as well as the social and economic roles of women and men. Historically, such arrangements have largely been informal, involving family, household and community members.

Act I begins as Cecilia recounts a dream in which the Lord has come to her requesting that she restore the “Ecce Homo” fresco. Beatriz, Cecilia's sister, doubts her ability to do the work because of poor eyesight and questionable skill. The mayor explains to the townspeople the details of the financial crisis they're facing and possible ways to improve tourism. Marcos, Cecilia's son, decides to commission the restoration of “Ecce Homo” as a gift to his wife, who also happens to be the granddaughter of Elías García Martínez, the original artist.

The History of early childhood care and education (ECCE) refers to the development of care and education of children between birth and eight years old throughout history. ECCE has a global scope, and caring for and educating young children has always been an integral part of human societies. Arrangements for fulfilling these societal roles have evolved over time and remain varied across cultures, often reflecting family and community structures as well as the social and economic roles of women and men. Historically, such arrangements have largely been informal, involving family, household and community members.

Nietzsche, Friedrich, Ecce Homo, tr. W. Kaufmann, p. 251 As an amanuensis, however, Köselitz really was invaluable; writing apropos Human, All Too Human, Nietzsche claimed that Gast 'wrote and also corrected: fundamentally, he was really the writer whereas I was merely the author'.Nietzsche, Friedrich, Ecce Homo, tr. W. Kaufmann, p. 288 All the while, Köselitz worshipped his teacher, assisting him to the point of self-denial. Köselitz would "correct" Nietzsche's writings even after the philosopher's breakdown and did so without his approval - something heavily criticized by today's Nietzsche scholarship.

Notable works include his pastel series on The Temptations of St. Anthony, his religious paintings (Ecce Homo and Dolorosa) and the posters he designed for the Feria de Agosto, especially the one he painted for the 1895 edition.

The Cadwal Chronicles are a trilogy of science fiction novels by American writer Jack Vance set in his Gaean Reach fictional universe. The three novels are called Araminta Station (1987), Ecce and Old Earth (1991) and Throy (1992).

Ecce Homo is the title of a series of paintings by the Italian Renaissance master Antonello da Messina. They date from 1470The date formerly visible on the ex-coll. Olivares painting at the Metropolitan Museum of Art. to 1475.

Vattimo asserts the continuity of his new choices with the "weak thought," thus having changed "many of his ideas." He namely refers to a "weakened Marx,"Gianni Vattimo. Ecce comu. Come si ri- diventa ciò che si era. Fazi.

He is also depicted wearing anachronistic clothing which was more contemporary to Caravaggio's time. Ecce Homo, Cigoli, 1607. Pitti Palace, Florence. Cigoli, in his most famous painting, has deliberately adapted his own lyrical style to Caravaggio's more dramatic realism.

Mann died on 7 January 1980, aged 68, after suffering years of mental instability and heart disease. His last self-portrait, entitled "Ecce Homo" (or "Behold The Mann"), shows the artist defiantly posing nude, between two earlier self-portraits.

Ecce Homo, 1650 Mary Magdalene Saint Thomas of Villanova Giving Alms Mateo Cerezo, sometimes referred to as The Younger (19 April 1637, Burgos – 29 June 1666, Madrid) was a Spanish Baroque painter; known primarily for religious works and still-lifes.

Façade of the basilica. Giovanni d' Enrico, Ecce Homo (detail of the crowd calling for crucifixion), 1608-9. Tabacchetti and Giovanni d'Enrico, Christ on the Road to Calvary, 1599-1600. Unknown Master, Last Supper (detail); wood statues, ca. 1500-1505.

The first performance of this arrangement was in Radnor PA on 2 December 2012. For Tokyo DisneySea, he composed the score for "BraviSEAmo!", the pyrotechnics and water nightly show in 2004. He also conducted in Paul McCartney's oratorio Ecce Cor Meum.

390px Ecce Homo is a c.1500-1550 oil on panel painting by Bernardino Luini, now in the Wallraf-Richartz Museum in Cologne. Kurl Badt previously misattributed it to Andrea Solario, but Federico Zeri restored the correct attribution in 1971.

This altarpiece includes a statue of the Virgin Mary with child and on the pedestal is a sign reading "Notre Dame du Mont Carmel". There is also a statue of Saint Joseph, also holding a baby and an "Ecce Homo".

Among the hymns which are based on Psalm 134 is "Come, all you servants of the Lord", which Arlo D. Duba wrote in 1984 to the melody Old Hundredth. Tomás Luis de Victoria set the psalm in Latin, Ecce nunc benedicite, for double choir. Flemish composer Orlande de Lassus wrote the motet Ecce nunc benedicite Dominum for seven voices a cappella, using a wide range from low bass to very high soprano. John Dowland supplied a setting in English, "Behold and have regard", to the collection The Whole Booke of Psalmes with works by ten composers, published in 1592 by Thomas Este.

Early childhood care and education (ECCE) is a multisectoral field that holistically addresses children's multiple needs. During emergencies ECCE supportive services may address a range of issues including prenatal care, immunization, nutrition, education, psychosocial support and community engagement. Coordinated services of health and nutrition, water sanitation and hygiene, early learning, mental health and protection are considered essential in supporting young children living under emergencies and conflicts. Many programmes and strategies, whether in the formal or non-formal education sector, have proved to be very supportive to the well-being and recovery of young children living in areas of conflict.

Krén & Marx. He returned to the subject in 1490 to paint in a characteristically Netherlandish style, with deep perspective and a surreal ghostly image of praying monks in the lower left-hand corner. In 1498, Albrecht Dürer depicted the suffering of Christ in the Ecce Homo of his Great Passion in unusually close relation with his self- portrait, leading to a reinterpretation of the motif as a metaphor for the suffering of the artist. James Ensor used the ecce homo motif in his ironic painting Christ and the Critics (1891), in which he portrayed himself as Christ.

In 2020, OneSky opened the P. C. Lee OneSky Global Centre for Early Childhood Development in Sham Shui Po, Hong Kong. The center is a training hub for early childhood care and education (ECCE) for childcare professionals and paraprofessionals locally and across Asia.

A cinematographic essay, without dialogues, about the months Friedrich Nietzsche spent in Turin, Italy, with narration quoted by his original writings. It was there that the philosopher wrote some of his most known books such as Ecce Homo and Twilight of the Idols .

Brescia version Warsaw version Ecce Homo is a subject of a series of oil on panel paintings by Andrea Solari, dating to between 1505 and 1510. Its hands show the influence of Solari's master Leonardo da Vinci and particularly his Lady with an Ermine.

Ecce comu. Come si ri-diventa ciò che si era. Fazi. Rome, 2007 as ideological basis capable of showing the real nature of communism. The new Marxist approach, therefore, emerges as a practical development of the "weak thought" into the frame of a political perspective.

A cross-sector approach is not without challenges. Divergent expectations of key stakeholders, competing demands on their time, lack of trust, inexperience with ECCE and lack of prior experience in working across sectors can demand immense efforts to build a workable platform for collaboration.

15th-century Portuguese painting depicting Ecce Homo. Sometime before the siege, a figure had been seen in the streets of Galle crying out "Woe to thee O Gale".Queyroz p 852. Portuguese writer Queiroz considered it as a divine warning to the citizens of Galle.

In the end there is the painting Ecce Homo. Organ In the hall of Nuns there is an organ of 1554 by Giovan Giacomo Antegnati entirely by mechanical transmission, consisting of a keyboard of 50 notes and a pedal 20, constantly united to the keyboard.

J. W. Kelly et al., "Evaluation of real-time emulators for future development of fire control applications", NDIA Intelligent Vehicle Systems Symposium, Paper IVSS-2004-MAS-05."Applied Dynamics selected by Rolls-Royce for next generation FADEC Test Systems", August 10, 2001 Recent ADvantage real-time applications involved research and development of power systems applications including microgrid/smartgrid controlCrolla, P.; Roscoe, A.J.; Dysko, A.; Burt, Graeme M., "Methodology for testing loss of mains detection algorithms for microgrids and distributed generation using real-time power hardware-in-the-loop based technique," Power Electronics and ECCE Asia (ICPE & ECCE), 2011 IEEE 8th International Conference on , vol.

Ecce Homo Jan van Wechelen painted a number of religious compositions. His Ecce Homo (Indianapolis Museum of Art) reprises a theme and setting that had become popular in Flemish art from the 15th century. Placing this subject matter of Jesus being shown to the people in a contemporary setting was not uncommon as is demonstrated by a work of Gillis Mostaert, which places the scene on the main square of Antwerp.Buyck Jean F., Gillis Mostaert - Christus door Pilatus aan het volk getoond at tento By staging the dramatic scene on the square of a Flemish town an accusation of sinfulness and culpability is directed at the contemporary crowd witnessing the event.

Tenor voice part of Jacob Handl's Ecce quomodo moritur iustus: over a century after its publication "for use in the Catholic Church" ("Catholicae Ecclesiae vsv") it was a well-known Protestant funeral motet. The righteous perishes are the words with which the 57th chapter of the Book of Isaiah starts.Isaiah 57:1–2 in WEB In Christianity, is associated with the death of Christ, leading to liturgical use of the text at Tenebrae: the 24th responsory for Holy Week, "Ecce quomodo moritur justus" (See how the just dies), is based on this text. More generally, the text is associated with the death of loved ones and is used at burials.

Apart from the general forms inspired from Bosch's paintings, the prominent figures in the video are the human-eating monster from The Garden of Earthly Delights, the fall of Adam and Eve from Haywain and Christ in the Crucifige Eum (Crucify Him) scene of Ecce Homo.

First edition (published by Underwood-Miller). Cover art by Vincent Di Fate. Ecce and Old Earth is a 1991 science fiction novel by American writer Jack Vance, the second novel in the Cadwal Chronicles trilogy, set in Vance's Gaean Reach. It follows Araminta Station and precedes Throy.

These included Man of arms; Turkish Corsair; Ecce Homo; Young Woman Reading; Lady Norreys; The Naturalist Verreaux. Young Woman Reading was a portrait of his 19-year-old daughter, Louise. It was later acquired by the Ministry of Fine Arts for the Élysée Palace in Paris.

Ecce Homo (1480-1500). Pannel by Niccolò di Liberatore (São Paulo Museum of Art, São Paulo). Niccolò di Liberatore, known as L'Alunno (also Niccolò di Liberatore and Niccolò da Foligno; the name is sometimes spelled Nicolò) (1430–1502) was an Italian painter of the Umbrian school.

The Extensible Computational Chemistry Environment (ECCE, pronounced "etch-ā") provides a sophisticated graphical user interface, scientific visualization tools, and the underlying data management framework enabling scientists to efficiently set up calculations and store, retrieve, and analyze the rapidly growing volumes of data produced by computational chemistry studies.

Timothy Stansfeld Engleheart (1803–1879), was an English engraver. He engraved some of the plates in ‘The British Museum Marbles,’ but seems to have removed to Darmstadt, as there is a fine engraving by him of ‘Ecce Homo,’ after Guido Reni, executed at Darmstadt in 1840.

He started interactive distance learning within ECE organizing, designing, and developing electronics classrooms and writing software to ease development of electronic presentations. He obtained the contract to develop and deliver the first ECE Course (ECE 562) to ECCE Master’s Program students at Ford Motor Company by Distance Learning methods.

But Drews had some quality supporters, like the famous Orientalist Peter Jensen. Coincidentally, M. M. Mangasarian also published in 1909 The Truth About Jesus, Is He A Myth?. In 1912, William Benjamin Smith published Ecce Deus: Studies of Primitive Christianity, (with an introduction by Paul Wilhelm Schmiedel (1912).

First edition published by Underwood-Miller. Cover art by Vincent Di Fate. Throy is a 1992 science fiction novel by American writer Jack Vance, the final work in the Cadwal Chronicles, a trilogy set in Vance's Gaean Reach. The preceding novels are Araminta Station and Ecce and Old Earth.

De Rohan Arch is built in the neoclassical style. The archway is flanked by rusticated Doric pilasters set on a plain pedestal. The arch is topped by a triangular pediment having moulded edges. A Gothic designed niche, containing a portrait of the Ecce homo, is located within the arch.

According to Guatemalan historian Rafael Arévalo Martínez in his book ¡Ecce Pericles!, Macías del Real -a pharmacist graduated from Universidad Central de Madrid and later incorporated in Guatemala\- was the one that gave Estrada Cabrera a potent venom that the latter used to get rid of his opponents.

This is made from Kersanton stone and stands in the cemetery. The depiction of Christ on the cross faces to the east and on the reverse side is a Pietà. The "reversed" figures (géminées) are the Virgin Mary and Saint Guévroc and Saint John backing to a "Ecce Homo".

And where is this good God?In Ecce Homo, "Why I am so wise", 3, tr. Duncan Large he repeated after Stendhal: "God's only excuse is that he doesn't exist." Due to the lack of free will the theodicee (defence of divine goodness) based on indeterminism becomes void.

Mary as a temple virgin Gerard de la Vallée was a landscape and history painter. His landscapes show the influence of Abraham Govaerts and of Jan Brueghel the Elder.Gerard de la Vallée, Pieter van Avont, Wooded Landscape with the Virgin, Christ Child and Saint John' at Lempertz A series of signed works by the artist is preserved in Bogotá. Gerard de la Vallée's works are often derived from, or inspired by, the works of the great masters of the Antwerp school. For instance in his Ecce Homo (At Jan de Maere), the figure of the Christ is inspired by Anthony van Dyck’s Ecce Homo in the Barber Institute of Fine Arts in Birmingham, England.

If one accepts Loyola University's estimate for this piece's time of creation, then Ecce Homo is contemporary with the Council of Trent. In response to the Protestant Reformation the Catholic Church made many amendments to Church policy. In addition to trying to stamp out Protestantism through claims of heresy, the council also implemented new mandates in regards to artistic depictions of Christ; when shown in his final days, Christ was only allowed to be depicted as suffering. By assuming that Ecce Homo was created within the artistic jurisdiction of the Council of Trent, one can infer that the creator was a devout Christian, and that this piece was created with religious, and not secular, intent.

In September, he released the rock album Chaos and Creation in the Backyard, for which he provided most of the instrumentation. In 2006, McCartney released the classical work Ecce Cor Meum. The rock album Memory Almost Full followed in 2007. In 2008, he released his third Fireman album, Electric Arguments.

In the nave are statues of Saint Yves and Saint Roch. The north wall is decorated with statues of Saint Catherine of Alexandria, the Virgin Mary and Saint Bernard. In the south aisle there is an "Ecce Homo" and near the church entrance there is a statue of John the Evangelist.

Jacob Handl's Ecce quomodo moritur justus motet was sung at Protestant burials in the 16th century.Jeż 2007, p. 40 In 1682, Gottfried Vopelius published Handl's motet with a singable German translation ("Siehe, wie dahin stirbt der Gerechte") on p. 263 of the Neu Leipziger Gesangbuch, for performance on Good Friday.

In the altar belonging to the Gonzaga family is an Ecce Homo (1575) painted by Bernardino Campi. An Annunciation, colloquially referred to as the Madonna del Gatto, was painted by Altobello Melone. A wooden statue of the Virgin is attributed to the sculptor Bertesi. The Organ is from the studio of Montesanti.

Servius Ad Aen. 7, 678: "...ut ecce Laurentum a Pico factum est, ut Laurentis regia Pici...". He was known for his skill at augury and horsemanship. According to Festus he got his name as a consequence of the fact that he used to rely on a woodpecker for the purpose of divination.

The Ecce Homo (Behold the Man) in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art."Un hecho incalificable" (in Spanish). Noticias y actividades.

Ecce Homo, oil on panel, Bilbao Fine Arts Museum. Pablo Esquert (active 1559 - 1575) was a Flemish painter summoned to Zaragoza in Spain by Martín de Gurrea y Aragón, duke of Villahermosa. He was also known as Pablo Schepers, Scheppers, Eschepers, Paul Esquarte, Pablo de Ezchepers, Paulo de Ezchepers and Micer Pablo.

Ecce Homo. Ivory relief by Magnus Berg, possibly from 1721 He is particularly known for his ivory sculptures. Among his 42 works located at the Rosenborg Castle in Copenhagen is the vase Vannets element. He is also represented at the National Gallery of Norway and in museums in Hamburg, Vienna and Stockholm.

Paul McCartney's Working Classical was another success in that genre, even though this time it failed to dent the regular US album charts, and was better received critically than his previous effort, Standing Stone. His subsequent forays into the classical realm are 2006's Ecce Cor Meum and 2011's Ocean's Kingdom.

For this church and apart from the pulpit mentioned earlier, Valentin completed thirteen statues in 1863. Those in the nave depicted a "Mère des Douleurs", an "Ecce Homo", John the Evangelist, Francis de Sales, saintes Cecilia and Barbe, and saints Étienne and Godefroy, whilst those in the choir included Aaron and Melchisédech.

The central Ecce homo arch, now partially hidden by subsequent construction The first and second stations commemorate the events of Jesus' encounter with Pontius Pilate, the former in memorial of the biblical account of the trial and Jesus' subsequent scourging, and the latter in memorial of the Ecce homo speech, attributed by the Gospel of John to Pilate. On the site are three early 19th-century Roman Catholic churches, taking their names from these events; the Church of the Condemnation and Imposition of the Cross, the Church of the Flagellation, and the Church of Ecce Homo; a large area of Roman paving, beneath these structures, was traditionally regarded as Gabbatha or 'the pavement' described in the Bible as the location of Pilate's judgment of Jesus. However, scholars are now fairly certain that Pilate carried out his judgements at Herod's Palace at the southwest side of the city, rather than at this point in the city's northeast corner. Archaeological studies have confirmed that an arch at these two traditional stations was built by Hadrian as the triple-arched gateway of the eastern of two forums.

By his own account in 1980 he briefly worked at an Isuzu plant, in 1982 in a Subaru plant.Kikai, Ōtachi no shōzō / Ecce homo, n.p. (for details see "Books by Kikai"). Kikai taught for some time at Musashino Art University, but he was disappointed by the students' lack of sustained effort and therefore quit.

Once a bustling and fashionable area, Asakusa long ago lost this status. If it were as popular and crowded as it was before the war, Kikai said, he would go somewhere else."Watakushi no naka no 'Persona' ", p. 150. Published in 1987, Ōtachi no shōzō / Ecce Homo was the first collection of these portraits.

During this process Overbeck and Gast contemplated what to do with Nietzsche's unpublished works. In February, they ordered a fifty-copy private edition of Nietzsche contra Wagner, but the publisher C. G. Naumann secretly printed one hundred. Overbeck and Gast decided to withhold publishing The Antichrist and Ecce Homo because of their more radical content.

Cover of the first edition, published by Underwood-Miller. Cover art by Vincent Di Fate. Araminta Station is a science fiction novel by the American writer Jack Vance. It is the first part of the Cadwal Chronicles, a trilogy set in the Gaean Reach, the other two novels being Ecce and Old Earth and Throy.

1490-1495, tempera/wood), The Virgin and Child (c. 1480-1489, tempera/wood) - Ashmolean Museum of Art and Archaeology - University of Oxford, Oxford Ecce Homo (c. 1500, oil/wood); Three Children Playing Musical Instruments - Louvre, Paris Adoration of the Child Jesus - Strasbourg Landscape with Castle (c. 1495-1505, oil/wood) Landscape with Castle (c.

Deunov eventually settled in Sofia, the capital of Bulgaria, and began giving lectures. In 1914 he gave his first public lecture, Behold, the Man! (Ecce Homo in Latin), published later in the series Power and Life. Deunov began to give regular Sunday lectures which were based on the elaboration and explanation of a Biblical passage.

This made it easier to export them from Antwerp to Spain where Forchondt had a trading post. From Seville a portion of the artworks where shipped to south America.Geeraert De LAVALLEE, Antwerp (?), before 1605 - After 1667 (?), Ecce Homo at Jan de Maere He married Catharina Coppens and they had one daughter called Maria-Catharina.

This concept suggested by Carillo. In Tombeau de Carillo he exploited 1/2, 1/3rd, 1/5th and 1/6 tone scales simultaneously. He also tried to apply serialism to these scales. In 1972 he wrote a serial and polytempered piece Ecce Ancilla Domini, where he uses rows in 1/4, 1/5th and 1/6th tone.

Thus, according to Hegel, a great man does not create historical reality himself but only uncovers the inevitable future. In Untimely Meditations, Nietzsche writes that "the goal of humanity lies in its highest specimens". Although Nietzsche's body of work shows some overlap with Carlyle's line of thought Nietzsche expressly rejected Carlyle's hero cult in Ecce Homo.

Later, in 1992 the Department completed the works by repairing the stuccoes, replacing the frames the gilt work, and repainted the Church. Today the Church of the Most Holy Ecce Homo is no longer a temple but a monument rescued from decay. It is now used as an auditorium and as a meeting place for cultural events.

And yet, in ECCE HOMO Nietzsche calls himself a halkioner. I think that Nietzsche borrowed the word "halkioner" from Ancient Greek, which he knew brilliantly. In ancient Greek "halkeyo" means "to be a blacksmith, to forge." A halkion element is a kind of a forging element, not just chthonic, underground, but forging, where metal melts and is forged.

The artist, a professor at the School of Art of Zaragoza, gave the painting to the village where he used to spend his holidays, painting it directly on the wall of the church in about 1930.Albarium Conservación y Restauración. Informe sobre el Ecce Homo de la iglesia del Santuario de la Misericordia de Borja (Zaragoza). September 2012.

In 1852, together the Ratisbonne brothers established the Congregation of the Fathers of Our Lady of Sion. In 1858, Alphonse opened an orphanage and vocational school down the thoroughfare of Via Dolorosa, in Jerusalem, Israel, establishing the Convent of the Sisters of Zion. He purchased many surrounding Arab houses and incorporated the Church of Ecce Homo.

Cardi claimed the cardinal liked Cigoli's version best. The scene is taken from the Gospel of (John 19): Pontius Pilate displays Christ to the crowd with the words, "Ecce homo!" ("Behold the man"). Caravaggio's version of the scene combined Pilate's display with the earlier moment of Christ, already crowned with thorns, mockingly robed like a king by his tormentors.

The photos portrayed Jesus among homosexuals, transgender people, leatherpeople and people with AIDS. The exhibition toured Scandinavia and continental Europe between 1998 and 2004. An Ecce Homo exhibition opened in October 2012 in the Belgrade Pride festival in Belgrade, Serbia, and was guarded by a number of riot police, due to rioting in the ensuing controversy.

Christ in front of Pilate, 1881 Sedelmeyer wanted Munkácsy to paint large-scale pictures which could be exhibited on their own. They decided that a subject taken from the Bible would be most suitable. In 1882 Munkácsy painted Christ in front of Pilate, followed by Golgotha in 1884. The trilogy was completed with Ecce Homo in 1896.

52, No. 3 (May, 1979), pp. 303-318 He also admired Pascal and, most of all, Stendhal.See for example Ecce Homo, "Why I am So Clever", §3 He also read Eduard von Hartmann's "Philosophy of the Unconscious", and alludes to it in some of his works. Philipp Mainländer's The Philosophy of Redemption, can still be found in the library.

This work is to be found in the Saint-Urbain Basilica in Troyes. An example of a " Christ de pitié" in Montreuil sur Barse. Also shown in the "Le Beau XVIe siècle" exhibition. The works entitled "Ecce homo" or "Christ au roseau" refer to one specific episode and that is the episode described in John 19-1 to 19.5.

This brick church was erected in the late 19th century, and has a portal with fragments of a mural depicting Ecce Homo. The mouldings and the cross atop the tympanum are stone. Above the entrance is the crest of the Della Gherardesca family; the church contains family tombs. The interior apse is frescoed with a Madonna and child.

The choir records regularly. In 2005, it was nominated for a Grammy Award for its CD, With a Merrie Noyse, of music by Orlando Gibbons. Other recent works include the BBC's The Blue Planet and Paul McCartney's classical piece Ecce Cor Meum. The choir has numerous college duties as well as a recording and touring schedule.

On his second try Merton laid his finger on a verse reading "ecce eris tacens" (Luke 1:20 DR.LV.NVUL; ). Immediately Merton thought of the Cistercians. In August 1941, Merton attended a talk at the school given by Catherine de Hueck. Hueck had founded the Friendship House in Toronto and its sister house in Harlem, which Merton visited.

The 16th-century calvary stands near the church's south porch. On the reverse side of the depiction of the crucified Jesus is an "Ecce Homo" composition and below Saint Michael is depicted slaying the dragon and there is a pietà with the Virgin Mary and two female saints supporting Jesus' body which has been brought down from the cross.

Much of this was due to Joseph Parker. R. J. Campbell preaching in the City Temple in about 1903 As age began to tell on Parker, Rev. Reginald John Campbell, a Congregational minister in Brighton, was called in 1902 to act as his assistant.R. J. Campbell, 'A Spiritual Pilgrimage' (London, Williams and Norgate, 1917) Pp. 83–4 Shortly after his agreeing to this arrangement, Dr Parker died suddenly.Campbell: 'A Spiritual Pilgrimage', P. 85 Parker had made it clear that it was his wish for Campbell to be his successor, and so Campbell was called.Campbell: 'A Spiritual Pilgrimage', Pp. 85–6 While Parker was theologically conservative, publishing an anonymous reply to John Robert Seeley's Ecce Homo under the truculent title Ecce Deus,American Edition Boston, Roberts Brothers, 1879 Campbell was emphatically not.

The tabernacle at the entrance to the Fürstenstuhl dates to 1536 and is the only Renaissance-style tabernacle in Hesse. It is closed with a wrought-iron grating, framed by pilasters and topped by a curved roof. Shallow reliefs depict scenes from the Old Testament. The gable bears the Latin inscription "ECCE PANIS ANGELORUM" (Behold, the bread of the angels!).marienstiftskirche.

In addition to numerous contributions to denominational literature, he is the author of Ecce Deus Homo, published anonymously (Philadelphia, 1867); Christ, Teacher of Men (1877); and The New Life not the Higher Life (1878); The Origin and Work of the Central Presbyterian Church, Washington, D.C.: A Discourse (1880); The Manifold Ministry of the Holy Spirit (1894); Why Believers Should "Not Fear" (1896).

Simone told her that Bay and Daphne did not tell her what happened. Regina assures her that she knows what happened and Simone is frustrated that everyone hates her. Later on she lends Bay money to replace the money Bay got from her dad's safe to try to make amends. In the alternate reality episode "Ecce Mono", Simone appears as Daphne's best friend.

Two main types of surgical procedures are in common use throughout the world. The first procedure is phacoemulsification (phaco) and the second involves two different types of extracapsular cataract extraction (ECCE). In most surgeries, an intraocular lens is inserted. Foldable lenses are generally used for the 2-3mm phaco incision, while non-foldable lenses are placed through the larger extracapsular incision.

However, the high cost of a phacoemulsification machine and of the associated disposable equipment means that ECCE and MSICS remain the most commonly performed procedure in developing countries. Cataract surgery is commonly done as day care rather than in-patient procedure as there is some evidence that day surgery has similar outcomes and is cheaper than hospitalisation and overnight stay.

Gioacchino Assereto, Ecce homo at Sotheby's His late works often depict figures at three-quarter- length and are characterised by a sober realism, a delicate psychological tension between the figures and the grave beauty of the still lifes. These works have been compared to works by Velázquez and Murillo. An example is Esau sells his birthright (c. 1645; Palazzo Bianco, Genoa).

The Targa Florio cars took part in many races, i.e. in Stuttgart, Ecce Homo, or the Great Russian contest of reliability. In 1925 debuting Tatra 12s took part in the Sicilian Targa Florio race, after which the race models were later named. The two cars driven by Fritz Huckel and Karel Sponer took both first and second position in the under-1100cc category.

The following year with the completion of ACT II, a second reading was produced in Boulder. In 2016, Fowler began orchestrations while Flack worked with translator H.F. Pascual on the Spanish version, La Ópera del Ecce Homo. In 2016, the town of Borja hosted a concert of selected material attended by 700 locals and tourists. The mayor declared it a historic evening.

Artist Martinez: Adam Ewing, Cecilia: Marjorie Fowler, Beatriz: Eve Orenstein, Marcos: Anthony Weber, Adriana: Amanda Raddatz, Silvia: Amy Maples, Arturo: Jeremy Rill, Alcade: Dean Fowler, Old Priest: Philip Judge, Music Direction: Paul Fowler, Stage Direction: Amanda Berg Wilson, Accompanist: Sara Parkinson, Video Projection: Andrew Flack Pictured the cast of the Borja production performing La Ópera del Ecce Homo. Photographed by Enrique Lafuente.

The planet Cadwal is discovered by a member of the "Naturalist Society of Earth". To preserve its natural beauty, the society sets up a Charter to minimize human exploitation. Six bureaus are established, each with a staff of 20 women and 20 men under the leadership of the Conservator, to maintain the Conservancy. There are three major continents: Ecce, Deucas and Throy.

The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic of the right index finger of John the Baptist (and 200 florins for an appropriate reliquary) to the Baptistry.Caplow, 1977, pp. 101–102; Strocchia, 1992, p. 138. With this finger John was believed to have pointed to Jesus, saying "Ecce Agnus Dei" ("Behold the lamb of God") in .

On the western side of the pedestal it says: Sic Deus dilexit Mundum ut suum Filium unigenitum daret pro nobis. On the eastern side: Ecce nomen super omne nomen et omne and genuflectatur and on the northern side: Hic quem videtis true solus Dominus Noster est et our glory. Branda Scotus fecit. This monument is also known as Brugherio Cross, or House Scotti.

According to the medical staff, Kaleth entered the hospital showing little signs of stabilisation, already in an unresponsive coma, and extreme hypothermia. The next day, more than 10,000 peopleElVallenato.com Apostéico Recibimiento a Kaleth Morales, 25 August 2005; retrieved 12 August 2006. walked beside his body to Valledupar, where he was buried in the Ecce Homo Gardens, among his family, friends, and fans.

The OE is a member of many international engineering organizations, including general engineering ones (e.g. FEANI) and those for specific engineering disciplines (e.g. ECCE, EUREL, EFCE). The OE's mission is to contribute to the progress of engineering by supporting the efforts of its members in scientific, professional and social areas, as well as to ensure compliance with professional regulations and ethics.

Ecce Homo: How One Becomes What One Is () is the last original book written by philosopher Friedrich Nietzsche before his death in 1900. It was written in 1888 and was not published until 1908. According to one of Nietzsche's most prominent English translators, Walter Kaufmann, the book offers "Nietzsche's own interpretation of his development, his works, and his significance."Kaufmann, p. 201.

Guglielmo Embriaco (Latin Guillermus Embriacus,Cafari, Annales, De liberatione civitatum orientis: ecce Guillermus ianuensis Embriacus, et Primus frater eius Genoese Ghigærmo de ri Embrieghi,Gaitan Gallin, Ra Gerusalemme deliverâ, 1755, XVIII-43 English William the Drunkard; born c. 1040), was a Genoese merchant and military leader who came to the assistance of the Crusader States in the aftermath of the First Crusade.

The principal work of art in Cabredo is the James the Greater church. It dates back to the 16th century and its magnificent wooden wall was built in the 17th century. In the church there are also two valuable altarpieces, one dedicated to the Ecce Homo and the other one to Our Lady of the Rosary. Cabredo is shaped as a transitory town.

This calvary dates to the 16th/17th-century. On the shaft of the crucifixion cross there is a sculpture depicting Saint Edern riding a deer. Apart from Jesus and the two robbers, the calvary also includes an 'Ecce-Homo' composition and back to back (adossées) depictions of the Virgin Mary and Saint Peter and John the Evangelist and Mary Magdalene.

Bender regularly conducts Spanish orchestras, including the Spanish National Orchestra. With the Orchestre régional de Cannes-Provence-Alpes-Côte d’Azur Bender went to Japan, MoroccoVe Festival international des musiques sacrées de Fès: l'orchestre de Cannes a inauguré la soirée, 29 May 1999, in www.maroc-hebdo.press.ma in the United States, Germany, Austria, Brazil and China for major tours that have taken him to New York, Washington, Tokyo, Osaka, São Paulo, Berlin and Vienna, Shanghai and Beijing. On November 4, 2007, as part of the C'est pas classique event, he conducted the Orchestre de Cannes for the Première in France of Paul McCartney's Oratorio Ecce Cor Meum, composed in 2001André Peyregne, Succès de participation pour l'oratorio contemporain - mais de facture classique - Ecce Cor Meum de l'ex-Beatle Paul McCartney, in Nice-Matin, 5 November 2007, online on maville.

The Ecce Homo is an 1896 painting by award-winning Filipino painter and revolutionary activist Juan Luna. It is a "sensitive portrayal" of Jesus Christ. The portrait is one of several canvasses that Luna created while he and his brother Antonio Luna were imprisoned for eighth months by the Spanish authorities in the Philippines in 1896 because of sedition charges.Ecce Homo by Juan Luna , worldtourist.

ECCE was originally written in Imp (a language created at Edinburgh University) the second implementation was coded in PDP-8 assembler and was ported to numerous other platforms. Sources are known to exist in Imp, Fortran, BCPL, Pascal, BBC Basic, LC, C, and various assembly languages. further ports to CORAL66, ICL VME, and Babbage were known to once exist but may have become extinct.

The two brothers, with several other priests drawn to their mission, formed the male branch of the Congregation in 1852. Alphonse moved to Palestine in 1855 to open a convent for the Sisters of the congregation. He would spend the rest of his life there. In 1858 Ratisbonne established the Convent of Ecce Homo in the Old City of Jerusalem for the Sisters of Sion.

On the larger copper specimens St Patrick is seen preaching to a crowd gathered round him. To his right is a shield with devices of several towers usually interpreted as three, suggesting the city shield of Dublin. The legend reads ECCE GREX (Behold the Flock). The majority of these St Patrick halfpennies are copper coins with a splash of brass minted in two sizes, large and small.

In this chapel in the centre of the altarpiece is an oil painting depicting the martyrdom of a young woman. On the wall opposite is a painting entitled "Ecce Homo" ("Behold the man") echoing the words of Pontius Pilate when describing Jesus at that moment when, humiliated and ridiculed, he stands in purple robe and wearing a crown of thorns to be led off to his death.

He returned to Florence to work with Domenico Passignani. He painted a St Vincent Ferrer for the church of San Marco, Florence; and an Adoration of the Magi for the church of the Carmine. He painted the altarpiece for the chapel of the Holy Sacrament in the cathedral of Colle Val d'Elsa. He painted a Tancred and Erminia and an Ecce Homo now in the Palazzo Pitti.

Ecce signum! Inside the shop, the barber, who may be drunk,Shesgreen p.45 haphazardly shaves a customer, holding his nose like that of a pig, while spots of blood darken the cloth under his chin. The surgeons and barbers had been a single profession since 1540 and would not finally separate until 1745, when the surgeons broke away to form the Company of Surgeons.

Paris, UNESCO. France was another early starter having integrated pre-school into its education system as early as 1886 and expanded its provision in the 1950s. In real terms, the significant expansion of ECCE services began in the 1960s with the considerable growth in women's participation in the labour market and extensive developments in child and family policies in Europe and the United States of America.

He returned briefly to Antwerp in 1583, buying goods with borrowed money for his second trip to Italy. He is mentioned again in Naples in 1588. In 1591 he allied himself with another compatriot, the painter Jacob Franckaert the elder (before 1551–1601). The entombment (1605) Ecce Homo He moved to Rome in 1597 (as attested in a letter to Peter Paul Rubens by Jacques Cools).

With her works, Ohlson has wanted to remind people that Jesus worked with and helped the outcasts of the society. She had the idea when one of her friends died of AIDS in the early 1990s. The first Ecce Homo exhibition was held in Stockholm in 1998. Later an exhibition was held in the Uppsala Cathedral which the archbishop K. G. Hammar had approved.

Ecce Homo was a controversial exhibition of 12 photographs of different biblical situations, in modern surroundings, taken by the Swedish photographer Elisabeth Ohlson Wallin. The first vernissage of the exhibition was in Stockholm, July 1998 and attracted much attention. When the exhibition was shown in the cathedral of Uppsala in September it caused a national debate. The reactions was often very emotional, and both positive and negative.

Inside the church is a west gallery carried on a four- bay arcade with slender columns. On the sides of the chancel are two large niches, each with a crocketed gable containing a statue by Thomas Duckett. The statue on the left depicts Ecce Homo, and that on the right Saint George. The chancel rail is in cast iron and contains panels with pierced trefoil heads.

The Antichrist () is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content made Franz Overbeck and Heinrich Köselitz delay its publication, along with Ecce Homo.Nietzsche Chronicle: 1889 The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated.Nietzsche, Friedrich. 1990.

After Josquin des Prez, Brumel is considered one of the greatest composers of his generation. During his life, Ottaviano Petrucci published a book of his masses, and a number of other composers wrote pieces commemorating him after his death. His impressive 12-voice Missa et ecce terræ motus survives from a part-book in Munich of 1570, long after his death, evidently used for performances by Lassus.

Christ Presented to the People is a mid 16th century painting by Giovanni Antonio Bazzi, an Italian artist commonly known as Il Sodoma. Done in oil on canvas, the work depicts the biblical scene in which Jesus Christ is presented to the people by Pontius Pilate with the phrase "Ecce homo" (behold the man). The painting is in the collection of the Metropolitan Museum of Art.

The original oratory was commissioned by the Oratorian Order of Philip Neri. It was decorated in the early 18th century (1723-1733) by a series of artists including Alfonso Torreggiani (architect); Angelo Piò (sculptor), and Francesco Monti (painter). Other artists involved included the quadratura painter Fernando Galli Bibiena (1657-1743) and the stuccoist Carlo Nessi. The oratory now contains the altarpiece of Ecce Homo by Ludovico Carracci.

St. Paul's Campus was originally established as 'St. Paul's College' in 1965, under the auspices of the American Order of the Society of Marianists. The order had been invited to establish this Catholic Secondary Boys' College by the then Archbishop of Melbourne, Daniel Mannix. The college's colours were then red, white and blue and its motto was Ecce Mater Tua (Latin:"Behold Thy Mother").

Mark Wallinger (born 1959) is a British artist, best known for his sculpture for the empty fourth plinth in Trafalgar Square, Ecce Homo (1999), and State Britain (2007), a recreation at Tate Britain of Brian Haw's protest display outside parliament. He won the Turner Prize in 2007 for his work State Britain. He is a studio holder at The Bomb Factory Art Foundation in Archway, North London.

She is the author of many screenplays, including Anche gli angeli mangiano fagioli (1973), Il portiere di notte (1974) and Melissa P. (2005), as well as plays Ecce Homo. Since 2009, she has written a weekly column, "La posta di Barbara Alberti" in Il Fatto Quotidiano. Alberti worked as commentator/pundit on television talk shows, including Pomeriggio 5, Italia sul 2 and La guardiana del faro.

Neither novel evokes any demi-mondaines (although a character named Flossie appears) and Chalon compares the novels to texts by the Countess of Ségur, the author of several tales destined for children. The Catalogue général of the French National Library also lists Pougy as the author of L'enlizement, a one-act play (1900), and Ecce homo! D'ici et de là, a collection of short stories from 1903.

The tracery on the window at the south of the nave replicates the Fleur de Lis. This is unusual in Léon. The pulpit has medallions depicting the four evangelists. There are many statues in the church including a 1.25 metre stone depiction of a bishop or abbot possibly Saint Guévroc, a seated Saint Anne teaching the Virgin Mary to read and an "Ecce Homo".

In 1470 he restored some works of Stefano da Ferrara, and in the same year he contracted to work with Jacopo Montagnana and Matteo del Pozzo at the decorations of the Cappella Gattamelata in the Basilica of Saint Anthony of Padua. Up till the year 1500, he was still employed in that church, where he also painted an Ecce Homo for another of the chapels.

In 1882 Munkácsy painted Christ before Pilate which was followed by Golgotha in 1884. The trilogy was completed by Ecce Homo in 1896. These huge paintings were taken on a tour and exhibited in many European cities and also in the US. All three were bought by American millionaire John Wanamaker.David Morgan, Protestants and Pictures; The Milton hangs in the New York Public Library.

Ecce Homo is an unfinished painting produced in 1850 by the French painter and caricaturist Honoré Daumier which is in the collection of the Museum Folkwang in Essen, Germany. The painting, executed in undertones of various shades of brown, depicts a scene in the Good Friday trial of Jesus when Christ is presented to the mob as a figure of ridicule by Pontius Pilate with the words "Ecce Homo", translated in the Bible as "Behold the Man", but more appropriately as an accusatory "Look at this man". The viewer is situated in the crowd in a position where he can observe Christ standing still and resolute, silhouetted against a sacred light, and asked to decide whether to sympathise with Him or with his tormentors. The work is one of only a few that Daumier undertook on religious subjects, as distinct from his several depictions of contemporary French social inequalities.

He carries a small cross on a long staff, and holds a banderole inscribed Ecce Agnus Dei ("Behold the Lamb of God"). However, he is shown as perhaps five or six years old, a much bigger age difference with the newborn Jesus than the church taught.Hartt, 219–220; Solum The signature on the axe handle Above John the Baptist is the praying figure of Saint Romuald (c.951 – c.

In the right wing is the Ballarin Chapel, built in 1506 after the death of the eponymous glassmaker from Murano. Other paintings include a St. Jerome in the Desert by Paolo Veronese (also from Santa Maria degli Angeli), the Barcaioli Altarpiece by Giovanni Agostino da Lodi (c. 1500), a Deposition from the Cross by Giuseppe Porta, a 1495 Ecce Homo (perhaps from the destroyed church of Santo Stefano in Murano).

He also hosted a college radio show at CFRE-FM in Mississauga, Ontario."University of Toronto Mississauga: Student Life", University of Toronto Mississauga. Retrieved 4 July 2010. At the same time, he was writing his own songs and, in 2001, he released some of his recordings under the name The Hidden Cameras on his own independent record label EvilEvil, a CD entitled Ecce Homo.Stosuy, Brandon (17 April 2003).

In 1884, Nietzsche wrote to Gast: "This time, 'music' will reach you. I want to have a song made that could also be performed in public in order to seduce people to my philosophy." With this request, Gast reworked Lebensgebet into Friendship, and it was orchestrated by Pietro Gasti,Ecce Homo, trans. Walter Kaufmann who modestly denied any reference in publication to his alterations to what Nietzsche had done previously.

The richly decorated interior follows the descriptions in the historic inventories of the 1830s. The crystal chandeliers are copies of period pieces similar to ones listed in the old church inventories. Two of the original statues have been placed on the two side altars. Ecce Homo, a figure of Christ clothed in a scarlet robe and crowned with thorns, stands on a balcony above one of the side altars.

The patron of the dead, Saint Michael the Archangel, trampling the Devil, is shown on the facade. The archangels Raphael and Gabriel are on his sides. In the interior, there is a nice stone tabernacle, the ornamental sculpture Ecce Homo and rests of wall paintings from the Middle Ages. The first municipal coat of arms in Europe (dated back to 1369) is situated above the door leading to the vestry.

In the shrine area you can see the combined relics of Ss. Francis, Anthony and Clare positioned centrally within the Franciscan altar. In the little niche beneath the ecce homo statue on the altar of the Passion is the reliquary, brought up from the lower church, containing relics of Ss. George, Gerard, James, Ignatius of Loyola, Julian, Ivan, Joseph of Leonessa, Lawrence, Louis, Nicasius, Sebastian, Theodosius and Thérèse of Lisieux.

In 1916, he returned to his position in the university. In 1918 he was nominated as Archbishop of the Santiago archdiocese by president Juan Luis Sanfuentes. Monsignor Errázuriz was considered a peace offering in preparation for the heated presidential campaign of 1920, even though he was already 71 years old. Pope Benedict XV named him on December 30, 1918, adopting the motto: Cruz et Evangelium ecce arma mea.

Centro de Estudios Borjanos (Institución Fernando El Católico). 7 August 2012. While press accounts agree that the original painting was artistically unremarkable, its fame derives from a good faith attempt to restore the fresco by Cecilia Giménez, an untrained amateur, in 2012. The intervention transformed the painting and made it look similar to a monkey, and for this reason it is sometimes known as Ecce Mono (Behold the Monkey).

The second story was rebuilt after a fire in 1442.H. Saalman, page 17. Its two arched bays are richly decorated with bas-reliefs of prophets, angels, the Virtues, a Christ giving the benediction and an Ecce Homo. In 1697, the arches were walled-up in order to provide more space for the oratory that is attached to the loggia; the masonry was removed in 1889, revealing the long-hidden decoration.

In Sloterdijk's account, Nietzsche engages in narcissism to an embarrassing degree, particularly in Ecce Homo, promoting a form of individualism and presenting himself and his philosophy as a brand. However just as the Christian Gospels were appropriated by the above editors, so too was Nietzsche's thought appropriated and misinterpreted by the Nazis. Sloterdijk concludes the work by comparing Nietzsche's individualism with that of Ralph Waldo Emerson, as in Self-Reliance.

Canavesio follows Israhel's print to present Christ as naked on this panel. The prominent wound on his body could allude to a second time Flagellation which though does not follow the Gospel of John (19:4-7). The Pharisee with the pink hood reappears in this panel, who demand Christ's death, and the inclusion of the monkey sitting in the foreground is also a derivation from Israhel's Ecce Homo.

Wyggeston is one of the figures honoured by Leicester's Clock Tower (which spells his name 'Wigston'). A Freemasons' meeting in Leicester named a Lodge after William Wyggeston which was consecrated on 1 July 1910. The Wyggeston Lodge, No.3448 also takes William Wyggeston's motto, "Date eleemosynam et ecce omnia munda sunt vobis"/"Give freely of yourself and behold all Worlds are yours". There is a pub in Wigston named after him.

The LPFers are caught while trying to leave the planet, and are sentenced to death. Smonny, Namour and Spanchetta Clattuc (guilty of harboring the other two and also of having Glawen's mother murdered many years before) are also found. The trio are marooned in Smonny's own isolated compound on the dangerous, uninhabited continent of Ecce. Barduys resettles the surviving Yips on another planet, finally ending the threat to the Conservancy.

Very few works remain by Dirk van Hoogstraten. Houbraken claims he made a print from his own drawing called "Ecce Homo" that was quite good. Though little work remains that is attributed to him, he is known for prints, drawings and paintings, as well as some gold- and silver-smith work. Besides his sons Samuel and Jan, he was the teacher of the painters Nicolaes Couwenbergh and Ossewaert.

New York: Oxford University Press. 2005 Baron d'Holbach (1723–1789) who had no interest in recovering a historical Jesus but to criticize religion wrote "Ecce Homo -The History of Jesus of Nazareth" and published it anonymously in Amsterdam in 1769.Resurrecting Jesus: The Earliest Christian Tradition and Its Interpreters by Dale C. Allison Jr., Bloomsbury T&T; Clark 2005 pp. 109, 201The Enlightenment World by Martin Fitzpatrick, Peter Jones et al.

Since 2010, he teaches literature at the Academy of Dramatic Art in Zagreb. He edited several books on Croatian writers, authored many literary anthologies, and was the creator of multimedial projects, such as the theater shows Ecce homo and Kako bratja prodaše Jozefa at Dubrovnik Summer Festival in 1995. He worked on a grand exhibition "Gundulićev san" ("Gundulić's dream") in 1989 in the museum space of the city of Zagreb.

Stature of Christ in wood from the fifteenth century. ECCE HOMO chapel: Built in 1728, situated in the center of the lower village. Wells: The village has underground chambers that were reinforced but damaged and filled in due to earth movements. It is said that the 100 wells or "cent-puits" in French that gave access to some of these chambers was the origin of the name of the village.

Musical historian and Handel's first biographer, Charles Burney, ranked "The Funeral Anthem of Queen Caroline" as the finest of all Handel's compositions. The chorus "Their bodies are buried in peace" quotes the music of Jacob Handl's setting of Ecce quomodo moritur justus.Ecce quomodo moritur justus by Jacob Handl at Choral Public Domain Library (ChoralWiki)Clifford Bartlett (editor). George Frideric Handel: Israel in Egypt Part I – The Ways of Zion do Mourn.

Daniel Nijs was "a strange, shadowy, Flemish dealer who knew Italy well". In 1621 he facilitated the purchase of Titian's Ecce Homo by Gerbier for the Duke of Buckingham. Nijs was involved in a transaction by which a collection of paintings and sculptures went via Sir Dudley Carleton to the Earl of Arundel. Along with Nicholas Lanier, he also acted as agent for Charles I when he acquired the Garganza collection.

Among the items confiscated from the ship was a painting depicting the Ecce Homo. The painting was given to St. James Church, Wilmington by the North Carolina General Assembly and remains there today. The town was able to sell the Spanish slaves and goods from the abandoned ship. The funds that were obtained from the sales were used to build St. Philip's Church, Brunswick Town and St. James Church, Wilmington.

For the Roman patron, Massimo Massimi, he painted an Ecce HomoEcce Homo by CIGOLI (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. This work was afterwards taken by Napoleon to the Louvre, and was restored to Florence in 1815. One of his early paintings was of Cain slaying Abel.

Matamoros' forces were utterly defeated at Puruarán and Matamoros himself was captured by a loyalist cadet named Leoncio Rodríguez. He was taken prisoner by the Spanish forces and sentences to death on 23 January. Morelos attempted to save his life by offering the exchange of 200 Spanish royalist captured soldiers for Matamoros. The viceroy refused this offer and Matamoros was executed at the Portal del Ecce Homo on 3 February 1814.

George Eliot, John Henry Newman, William Ewart Gladstone and Napoleon III were some of the more well-known figures believed to have written the book. Seeley was eventually discovered as the author, and from November 1866, his authorship became an open secret. However, Seeley declined to acknowledge his authorship publicly of Ecce Homo, which was first officially stated only in a posthumous edition, which was published in 1895.

The "jewel-like" painting, showing the influence of Byzantine art and of Giotto, comprises four scenes in an unusual iconographic combination that likely reflects the donor's wishes. Of the four scenes, the top two are of a double height, the bottom two separated by the edge of the throne in place of a decorative band. They depict, from left to right, top to bottom, the Apotheosis of Saint Augustine, above a Gothic temple standing over the saint's empty tomb, the Coronation of the Virgin, above a crowd of onlooking saints and angels, Saint Catherine disputing with the philosophers before Emperor Maxentius, and a pairing of the episodes of Saint Francis receiving the stigmata and Saint John the Baptist in the wilderness, proclaiming the coming of the Messiah, with a winged cherub in-between. John the Baptist's scroll reads ECCE / AGN(us) / DEI / ECCE / Q(u)I TO(l) / LIT (peccata mundi) Behold the Lambe of God, which taketh away the sinne of the world (John 1.29, KJV).

A number of his works were based on James Joyce texts, including "Tapioca Pudding," "Winter Canticle" and "Ecce puer" from Joyce's poem of the same name.Grayson, David. His famous Concerto for Violoncello and Orchestra started out as a request by the Baltimore Symphony in 1987 for a 15-minute orchestral piece. In 1988 the commission was changed to a concerto for Yo-Yo Ma. The composer credited Ma with his help completing the work.

He also acquired La Donna Della Finestra (1880) from the artist. Graham began to buy from Rossetti in the mid-1860s. When they came on the market in 1874 and 1885, Graham bought his two Pre-Raphaelite Brotherhood oils, Ecce Ancilla Domini (1850) and The Girlhood of Mary Virgin (1849) both now in the Tate Gallery. He also commissioned the large Dante's Dream, although this was found to be too big for his London house.

A copy of a statue displayed in the Basilica of Jesus de Medinaceli in Madrid, it is the most prominent example of Spanish Baroque in Lithuania. It depicts the scene of Ecce homo: flogged Christ with a crown of thorns facing an angry mob. The sculpture's hands and head were ordered by Jan Kazimierz Sapieha the Younger from Roman artists in 1700. They were attached to a locally made torso and can be rotated.

The 1652 calvary in the Saint Divy cemetery. Note skull at Jesus' feet and the inscription "MATER ECCE FILIVS TVVS. FRANCOIS TONCQVES" The calvary forming part of the entrance to the Saint Divy enclos paroissial. Note the "Vierge de Pitié" The church has two calvaries, but firstly and situated east of the enclos paroissial's grass enclosure ("placître"), there is an octagonal pedestal with the inscription in gothic letters "LE PREMIER IOR DAOUEST L’AN MIL VCV".

Elisabeth Ohlson (born 28 May 1961) is a Swedish photographer and an artist. In her works she often photographs representatives of sexual minorities. Ohlson, a lesbian, is most noted for her exhibition Ecce homo which portrayed Jesus among homosexuals and transvestites. The scenes were modern versions of stories of the New Testament, such as Jesus riding a bicycle in a gay parade like in the Triumphal entry he rode to town with a donkey.

The arms' motto is Ecce Cor Meum, Latin for "Behold My Heart". In 2003, the McCartneys had a child, Beatrice Milly. Starr and McCartney promoting The Beatles: Rock Band in 2009 In July 2005, he performed at the Live 8 event in Hyde Park, London, opening the show with "Sgt. Pepper's Lonely Hearts Club Band" (with U2) and closing it with "Drive My Car" (with George Michael), "Helter Skelter", and "The Long and Winding Road".

There is also a skylight at the pinnacle of the dome. Given its location on the peak of Gospel Hill, the cathedral is a visual landmark for the city of Altoona. Forty-eight stone steps rise in sections along a broad terrace from the street to the main entrance. A Latin phrase is etched onto the stone wall along the staircase: Ecce tabernaculum Dei cum hominibus (Behold the dwelling place of God with men).

Depiction of Ecce Homo, as Pontius Pilate delivers Jesus to the crowd. Antonio Ciseri, 1862 Jesus was crucified by Pontius Pilate, the Prefect of Iudaea province (26 to 36 AD). Some scholars suggest that Pilate executed Jesus as a public nuisance, perhaps with the cooperation of the Jewish authorities. Jesus' cleansing of the Temple may well have seriously offended his Jewish audience, leading to his death;Sanders, E. P. The historical figure of Jesus.

The exhibition was "free" in the sense that any artist was welcome to exhibit. Dante Gabriel Rossetti exhibited his first major oil painting, The Girlhood of Mary Virgin, at the Free Exhibition in March 1849, and in April 1850 Ecce Ancilla Domini at the National Institution.D G Rossetti (Southgate Green Association). Ford Madox Brown also exhibited there in 1848 with Wycliffe reading his Translation of the New Testament to John of GauntFrank Rutter.

Jesus holds a Roseau, a palm or wears the crown of thorns and a robe. The work " Ecce Homo" in Troyes Cathedral came originally from an altarpiece in the chapel of the "Cordeliers" in Troyes. It comprises a life-size depiction of Christ. Arnhold attributes the work to the Maître de Chaource and dates it to 1518 to 1520 and compares the style of the work to the depiction of the apostles in Saint Pouange.

Bramantino, Madonna and Child, probably before 1508 In 1508 he was engaged in Rome. Donato Bramante taught Bramantino architecture, and the pupil assisted the master in the execution of the interior of the church of Santa Maria presso San Satiro, Milan. In painting, he executed a number portraits of celebrated personages for the Vatican. His earliest known works are a Nativity (1490s, Brera) and an Ecce Homo (circa 1495, Thyssen-Bornemisza Collection).

The work of Turcaut and Le Prohon has been preserved intact. The medallions of Ecce Homo and La Vierge de douleur by unknown artists were installed in 1828 at the same time as the altarpiece. "The Miracle St. Anthony" and the "Baptism of Christ" in the transept are also by unknown artists. The transept also has a painting of "Christ in pain", painted in 1881 by Joseph Dynes (1825–97) of Quebec.

Waltersheid was appointed auxiliary bishop of the Diocese of Pittsburgh with the titular see of California on February 25, 2011. On March 11, 2011, the Diocese of Pittsburgh announced that Bishop David Zubik would appoint him Episcopal Vicar for Clergy and Secretary for Clergy. Waltersheid was consecrated on Easter Monday, April 25, 2011, at St. Paul's Cathedral in Pittsburgh. His episcopal motto is Ecce Mater Tua (Latin for Behold thy mother, from ).

In the 2000s, he created works in various media including murals, sculpted murals and sculptures. During his entire career, he has had numerous showing of his non mural/monumental works in the states of Veracruz, Aguascalientes, Mexico City and abroad in San Francisco and Japan . Book illustrations include “Cuentos para ser contados” in 1985, “ECCE PEUR” in 1986, “Cantares Huastecos y otros Ensayos” in 1991, “Brisas Huastecas” in 1996 and “Memoria del Totonacapan” in 1999.

The most important type of these are nominal sentences.Concerning nominal sentences in old Indo- European languages, see Fortson (2004:143). Another type are sentence fragments described as phrases or minor sentences. In Latin and some Romance languages, there are a few words that can be used to form sentences without verbs, such as Latin ecce, Portuguese eis, French voici and voilà, and Italian ecco, all of these translatable as here ... is or here ... are.

The interior is paved in tiles with remnants of wall murals towards the vaulted ceiling. The fascia, consisting of a false retable, includes a niche carved into the wall, moulded into an arch, over an altar covered in azulejo tile. The azulejos (monochromatic blue-on-white) include representations of two angels holdings scrolls, with a central inscription. The Chapel of Senhor Crucificado (or Chapel of the Ecce Homo), with rectangular plan is covered in tiles.

In June 2020, it was reported that a copy of the Immaculate Conception of uncertain origin had been handed to a furniture restorer for restoration, at a cost of €1,200 ($1,355; £1,087). The restoration was botched, with the face of Mary left unrecognisable after two attempts. Spain's Professional Association of Restorers and Conservators (Acre) called the attempted restoration vandalism. Comparisons were made to the 2012 'Monkey Christ' incident, a similarly botched restoration of Ecce Homo.

In 1812 the French troops under General Soult burned the town in their retreat from Murcia. Tobarra had to begin again from zero. In the 20th century, the destruction that occurred in Spanish Civil War did away with much of the local cultural inheritance, with the exception of the head of the "Ecce Homo" image and the "Virgen de los Dolores" sculpture by Francisco Salzillo. Around 1950, Tobarra reached its peak population of nearly 14,000.

"Ecce gratum" (English: "Behold, the pleasant") is a medieval Latin Goliardic poem written early in the 13th century, part of the collection known as the Carmina Burana. It was set to music in 1935/36 by German composer Carl Orff as part of his Carmina Burana which premiered at Frankfurt Opera on 8 June 1937. Within Orff's Carmina Burana, this song is the 5th movement in section 1, Primo vere (In Spring).

He received the honorary degree of Doctor of Divinity from Amherst College in 1868. Of some twenty separate volumes, including sermons, verse, and fiction, his first, "The Neptunian Theory of Uranus", was published in 1848. His "Ecce Coelum, or Parish Astronomy", which was probably his best-known book, appeared in 1867, and was followed by other astronomical works. Burr died at his home in Lyme at the age of 89, survived by his wife, son, and daughter.

Psalm 134 is the 134th psalm from the Book of Psalms, generally known in English by its first verse in the King James Version, "Behold, bless ye the LORD, all ye servants of the LORD". The Book of Psalms is part of the Hebrew Bible and the Christian Old Testament. It is Psalm 133 in the slightly different numbering system of the Greek Septuagint and Latin Vulgate versions of the Bible. Its Latin title is "Ecce nunc benedicite Dominum".

The music is transposed half a tone down to E minor.Der Gerechte kömmt um BWV deest; BC C 8 (= BC D 10/3) at The German text of the chorus, ' (The righteous perishes), is translated from . Ecce quomodo moritur justus, a Latin version of that text, is another responsory for Holy Week.Ecce quomodo moritur at Choral Public Domain Library The arrangement with the German text may have been a stand-alone (funeral?) motet performed in Leipzig in Bach's time.

Having been left fatherless at a young age, Healy helped to support his mother. At sixteen years of age he began drawing, and at developed an ambition to be an artist. Jane Stuart, daughter of Gilbert Stuart, aided him, loaning him a Guido's "Ecce Homo", which he copied in color and sold to a country priest. Later, she introduced him to Thomas Sully, by whose advice Healy profited, and gratefully repaid Sully in the days of the latter's adversity.

The wording of this narrative poem is both scholastic and emotional. The Latin Vulgate translation of Luke is provided as a refrain after each verse: Ecce ancilla Domini; fiat mihi secundum verbum tuum! ("Behold the handmaid of the Lord; be it unto me according to thy word" in the KJV). Arnau's final religious poem, Un novell fruyt, exit de la rabaça, is a gloss on the Nativity as described in the first chapter of the Gospel of John.

Holy Family Holy Family with Saints Elizabeth and John the Baptist is a fragment of fresco from the Basilica of Sant'Andrea, Mantua, now held in Mantua's Diocesan Museum. It was painted around 1509-1511 by Correggio and is 1.5m in diameter.Giuseppe Adani, Correggio pittore universale, Silvana Editoriale, Correggio 2007. It shows the Virgin Mary, the Christ Child, St Joseph (right), St Elizabeth (left) and the infant John the Baptist (centre, holding a banner inscribed Ecce Agnus Dei).

Massimi already possessed a Crowning with Thorns, by Caravaggio, and Ecce Homo may have been intended as a companion piece. Stylistically, the painting displays characteristics of Caravaggio's mature Roman-period style. The forms are visible close-up and modelled by dramatic light, the absence of depth or background, and the psychological realism of, the torturer, who seems to mix sadism with pity. Pilate, in keeping with tradition, is shown as a rather neutral and perhaps almost sympathetic figure.

In some detail treatment, Canavesio also heavily borrowed ideas from minor sources. Due to limitations of wall paintings, Canavesio encompasses number of figures and settings from detailed engraving from his sources selectively. For example, he left out the fruits in front of the monkey in Ecce Homo, changed props like book and walking sticks of apostles, and modified architecture settings in several traditional motifs. The scale of figures often appears larger in Canavesio's printing than the original engravings.

Salamis island has eleven primary schools (ten public and one private), four high schools, and four lycees. The majority of students are proficient in school, and the pupils (above 13 years) usually have acquired diplomas and certificates in English, in French, or in German such as ECCE, FCE, CPE, and ECPE. Many students from Salamis island also possess many computer skills. Many students also study abroad in countries such as the United States, the United Kingdom, Germany, and France.

Glawen Clattuc has learned that his father, Scharde, is being held prisoner by an old enemy, Smonny Clattuc. Scharde and others who have earned Smonny's wrath are trapped on the unsettled continent of Ecce, which is teeming with very dangerous animals. Glawen rescues Scharde, Eustace Chilke and another prisoner who proves to be a treasure trove of very important information. Bureau B, the security arm of the Conservancy government, then liberates the rest of the inmates.

Under Robson's aegis, the Workshop was able to broadcast a number of notable shows. Known more as a film director, Pare Lorentz wrote and directed Ecce Homo, a story concerning the relationship of man and technology. Both Irwin Shaw and Archibald MacLeish were invited back to write and direct shows as they had done under Reis's leadership. The Workshop extended its experimental mode by preceding the new MacLeish play, Air Raid with a broadcast of its rehearsal.

The booty from the Spanish privateers made Brunswick Town one of the richest towns in British North America. The town was able to sell the Spanish slaves and goods from the abandoned ship. The funds that were obtained from the sales were used to build Saint Phillips Church in Brunswick Town and Saint James Church in Wilmington. Among the items confiscated from the ship was a painting titled, Ecce Homo salvaged from Spanish captain Lopez's cabin.

There are other small, rectangular openings as well; whether these are for documents or other smaller relics is unknown. The following inscription runs around the sides: :ECCE : CRVCEM : DOMINI : FVGIAT : PARS : HOSTIS : INIQVI : † HINC : CHVONRADI : TIBI : CEDANT : OMNES : INIMICI : :Lo! May the hostile faction of evil flee the cross of the Lord † Thus may all of the evil ones surrender to you, Chuonrad. "Chuonrad" refers to Conrad II, in whose reign the cross was probably made.

In a celebration of Stadlmair's 80th birthday, the MKO, conducted by , played this work along with Stadlmair's Adagietto Ecce homo, Magnus Lindberg's violin concerto, Arnold Schoenberg's Notturno and Thomas Larcher's L'homme au chapeau mou. In 2011 Christian Thielemann conducted the Münchner Philharmoniker at the Gasteig in the premiere of Stadlmair's Miró, an Entrada for Orchestra, composed in 2006, inspired by sculptures of Joan Miró. Stadlmair died on 13 February 2019, aged 89 at his home in Munich.

A few grammatically peculiar words are difficult to categorize; these include cadê ("where is"—Braz., colloq.), tomara ("let's hope"), oxalá ("let's hope that"), and eis ("here is"; cf. Latin ecce and French voilà). Within the four main classes there are many semi-regular mechanisms that can be used to derive new words from existing words, sometimes with change of class; for example, veloz ("fast") → velocíssimo ("very fast"), medir ("to measure") → medição ("measurement"), piloto ("pilot") → pilotar ("to pilot").

Some of the mansions of the city's noble families still exist, such as the gunsmith's house sculpted in stone. Religious buildings include the monastery of the Concepcion, which was founded by María das Alas Pumariño (died 1601), and the chapel of Ecce Homo, also called the chapel of Pity, which Rodrigo Alonso Alfeirán (died 1608) paid for. The city is home to several Romanesque historical buildings. These include the churches of San Pedro, Santa María, and San Francisco.

Andrews was appointed Minister of State for Children in May 2008. As Minister, he framed the Government response to the Ryan Report on Institutional Abuse. This included an Implementation Plan that delivered an additional 200 social workers for the HSE Child and Family Services. In April 2009, Andrews introduced the Early Childhood Care and Education (ECCE) Scheme, which provided, for the first time, free universal access to pre-school education. The scheme benefited 65,000 children in 2013.

Distinguishing between their work at this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, with little traffic the other way. One of the earliest known Titian works, Christ Carrying the Cross in the Scuola Grande di San Rocco, depicting the Ecce Homo scene, was long regarded as by Giorgione.Charles Hope, in Jaffé, pp. 11–14 Portrait of a Man in a Red Cap, c. 1510.

Twala takes them to see the entrance of the mines, guarded by the feared witch doctor Gagool (an uncredited Sydney Fairbrother). That night, Umbopa reveals that he is the son of the former chief, who was treacherously killed by the usurper Twala. He meets with dissidents, led by Infadoos (Ecce Homo Toto), who are fed up with Twala's cruel reign. Together, they plot an uprising for the next day, during the ceremony of the "smelling out of the evildoers".

Gallus represented the Counter-Reformation in Bohemia, mixing the polyphonic style of the High Renaissance Franco-Flemish School with the style of the Venetian School. His output was both sacred and secular, and hugely prolific: over 500 works have been attributed to him. Some are for large forces, with multiple choirs of up to 24 independent parts.Reese, pp. 736–738 Tenor voice part of Gallus' Ecce quomodo moritur iustus, published in his Opus Musicum II (1587).

Eemans, 24 The scroll at the end of the frame bears another later addition, the text of which refers to Mary with the words ECCE BESTIA CONCVLCABERIS, GIGNETVR D(OMI)NUS IN ORBEM TERRARVM ET CREATUM VIRGINIS ERIT SALVS GENTIVM, INVISIBILE VERBV PALPABITVR (Here let the serpent be trampled under your talon, let the Lord be born in the earthly realm, and the Virgin's creation will become the world's salvation: the invisible word will be made palpable).

The first videos were made by film-maker Fred Anderson. The official release of the album was held at the Royal Vauxhall Tavern in London, UK, in April 2012. 17 August 2012 Thomaz represented Sweden in the Copenhagen Pride alternative music competition "Pride MGP" at Rådhuspladsen, Copenhagen, Denmark with the Östen Warnerbring-song "Som En Dröm" and ended up shared 5th. Thomaz is also one of the models in photographer Elisabeth Ohlson Wallins famous exhibition "Ecce homo" (1998).

The following is a complete text and translation of a different version, which may be used at the procession of a bishop at a solemn celebration of ordination: Ecce sacerdos magnus, qui in diébus suis plácuit Deo: Ideo jure jurando fecit illum Dóminus crescere in plebem suam. Benedictiónem ómnium géntium dedit illi, et testaméntum suum confirmávit super caput eius. Ideo jure jurando fecit illum Dóminus crescere in plebem suam. Gloria patri et filio et spiritui sancto. . .

The Chapelle Notre-Dame de Kergoat is a 16th century chapel in the hamlet Kergoat, in the commune Quéménéven, Finistère, northwestern France. It has various stained glass windows and contains statues of Sainte Marguerite, Sainte Barbe, Saint Joseph, Saint Francis, Saint Mathurin, John the Baptist with the Virgin Mary. Some other statues have been moved to the musée de Quimper. i.e.Saint Sébastien, Saint Roch, Sainte Marie Madeleine, Sainte Barbe, the Virgin Mary and an "Ecce Homo".

His motto "Ad Seminandum" (To Sow), from Mark 4:3, "Audite: Ecce exiit seminans ad seminandum" (Hear this! A sower went out to sow). This is from the many parables that Jesus used to teach to the people that present to them an imagery of everyday life that they could identify with. Jesus, Himself, said that the parables were the way by which He tries to make them understand the mystery of the Kingdom of God.

By 1857, Marie- Alphonse Ratisbonne, a French Jew and former atheist who converted to Catholicism and became a priest, decided to purchase the site and start a convent. Between 1858 and 1862, he built a basilica (the Church of Ecce Homo), which overlaps part of the gateway arch. He also built an orphanage for girls and other standard convent buildings. A school for girls has been added with boarders coming from all over the Arab world till 1967 .

One of the more famous modern versions of the Ecce Homo motif was that by the Polish artist Adam Chmielowski, who went on to found, as Brother Albert, the Albertine Brothers () and, a year later, the Albertine Sisters (), eventually becoming proclaimed a saint on 12 November 1989 by Pope John Paul II, the author of ', a play about Chmielowski, written between 1944–1950, when the future Pontiff and later himself a saint was a young priest. (146 cm x 96.5 cm, unsigned, painted between 1879 and 1881), was significant in Chmielowski's life, as it is in Act 1 of Wojtyła's play. Pope John Paul II is said to have kept a copy of this painting in his apartment at the Vatican. The original can be viewed in the Ecce Homo Sanctuary of the Albertine Sisters in Kraków.. It was painted at a time when the painter was going through an inner struggle, trying to decide whether to remain an artist, or to give up painting to pursue the calling to minister to the poor.

ECCE (the Edinburgh Compatible Context Editor) is a text editor for computing systems and operating environments that support a command line interface. It is an original command set which is logical and regular. It was written in the 1960s by Hamish Dewar, an experienced Compiler writer and used this skill to design a command-set which could be easily parsed and coded to allow complex commands to be built up. A technique similar to threaded code in the Forth environment.

The band's first album, Ecce Homo, was released independently in 2001 on EvilEvil. It was after this first release that Gibb assembled a band and they began to perform in venues varying from art galleries to churches to porn theatres to parks. Since these early days the Hidden Cameras have played host to a number of notable musicians, including Reg Vermue, Owen Pallett, Laura Barrett, Don Kerr, Magali Meagher (of the Phonemes), Mike Olsen (of the Arcade Fire) and Maggie MacDonald.

Mikhail Ippolitov-Ivanov set the psalm for choir, together with Psalm 132 as Two evening meal verses in 1899.Se nyne blagoslovite Gospoda / Behold, Now Bless the Lord / op.29,2 musicanet.org Leonard Bernstein, who chose verse 1 to conclude his 1965 Chichester Psalms Donald Wyndham Cremer Mossman (1913–2003) composed a setting for choir and organ titled Ecce, quam bonum! with the incipit "Behold, how good and joyful a thing it is", which became part of The Complete St Paul’s Cathedral Psalter.

Ecce Homo is a live album by Grant Hart, formerly of the alternative rock bands Hüsker Dü and Nova Mob. Recorded in October 1994, it was released in November 1995 on World Service. The album features Hart performing songs from Hüsker Dü, Nova Mob and his solo career on an acoustic guitar. Recorded the night of Nova Mob's demise, Grant Hart played an impromptu acoustic solo set to replace his old band's gig and it features a good selection of his best songs.

The ECCE formulates standards for a European Code of Conduct of the Civil Engineering Profession and disciplinary procedures applicable throughout the Union.ECCE Code of Professional Conduct Other activities include the preparation of a review of the civil engineering profession in Europe, covering, e.g., demand for liability insurance.ECCE book: Civil Engineering Profession in Europe 2005 The Council of European Geodetic Surveyors (CLGE) represents the interests of the geodetic surveying profession in the private and public sector from 31 countries of Europe.

Act II opens rife with rumors that the fresco's restoration has gone awry. Agitated townspeople gather in the church to find the priest nervously guarding the veiled fresco. With a deft touch, Arturo lifts the drape to the great horror of those assembled, revealing Cecilia's failed attempt, before taking a selfie with the new “Ecce” which he posts to Facebook. As a mob forms to find Cecilia, the priest slyly reminds her that she has sworn an oath to not divulge its authorship.

State-led expansion of ECCE services first emerged in the Russian Federation in the early twentieth century as part of the socialist project to foster equal participation of women and men in production and in public life, and to publicly provide education from the youngest possible age.Taratukhina, M. S., Polyakova, M. N., Berezina, T. A., Notkina, N. A., Sheraizina, R. M., Borovkov, M. I. 2006. Early childhood care and education in the Russian Federation. Background paper for EFA Global Monitoring Report 2007.

In the 1st chapel on the left is a St Tiburzio Martyr forced to burn before an idol by Clemente Ruta and a marble Ecce Homo by Giocondo Viglioli. In the 3rd chapel on the left is a Meeting of St Francis of Paola with King Louis XI of France at Ambois by Gaetano Callani. The altar in polychrome marble was designed by Pietro Righini, with statuary sculpted by Moggiani. The main altarpiece in the church now was painted Michele Plancher.

Ecce Homo by Antonio Ciseri (19th century). On Good Friday, Christians recall the passion and crucifixion of Jesus. In the Roman Catholic, Lutheran, and Anglo-Catholic rites, a cross or crucifix (not necessarily the one that stands on or near the altar on other days of the year) is ceremonially unveiled. (In pre-1955 services, other crucifixes were to be unveiled, without ceremony, after the Good Friday service.) In the Catholic ritual, clergy traditionally begin the service prostrate in front of the altar.

The pendant is a gold pendant with a blue sapphire stone set on one face. It measures approximately across. The obverse bears a representation of the Trinity, including the Crucifixion of Jesus, bordered by a Latin inscription "Ecce Agnus Dei qui tollis peccata mundi ... miserere nobis ... tetragramaton ... Ananyzapta" (Translation: "Behold the Lamb of God, that takest away the sins of the world. Have mercy upon us..."), the– the last possibly a magic word, intended to protect the user from epilepsy.

In 1490 he accompanied his brother to Venice, where he seems to have been strongly influenced by Antonello da Messina, who was then active in the city. The fine portrait of a Venetian Senator (currently at the National Gallery of London) displays Antonello's plastic conception of form and was probably painted about 1492. The two brothers returned to Milan in 1493. The Ecce Homo at the Poldi-Pezzoli Museum, notable for its strong modelling, may have been painted soon after his arrival.

Achenbach Foundation for Graphic Arts purchase 1987.2.32. His portrait bust of the painter and Director of the Academy, Jean-Auguste- Dominique Ingres, executed shortly after his return to Paris in 1840, in plaster, tinted terracotta, is conserved by the École nationale supérieure des Beaux-Arts, Paris. Ottin exhibited in 1841 a bust in marble, and afterward produced a group of "Hercules Presenting to Eurysthea the Apples of Hesperides," in marble; busts of Chaptal, Quesnault, Ingres, (1842); and Ecce Homo, in marble, (1844).

From 1907 to 1913, he remained in Costa Rica teaching music direction and instruments. During this period, he met María Elena Mora whom he married in 1912. Together, they had three sons and two daughters: Jimmy (1916), Harold (1920), Mercy, Molly y Julio (1924). Among his most important compositions at this time were the waltzes: El Enigma (1912) and Florita (1912); and the promenades Claudia (1912) and Brisas del Caribe (1912); the funeral march Ecce homo (1911) and the march El centenario (1911).

His brother is literary scholar Franco Moretti.Giampiero Mughini, «Moretti, il poeta organizzatore», Corriere della Sera, 21 November 2007Valerie Sanders, The Bourgeois: Between History and Literature by Franco Moretti, Times Higher Education, 27 June 2013 In 1976, Giovanni's first feature film Io sono un autarchico (I am Self- Sufficient) was released. In 1978 he wrote, directed and starred in the movie Ecce Bombo, which tells the story of a student having problems with his entourage. It was screened at the Cannes Festival.

Aumann's music was a large part of the repertoire at St. Florian in the 19th century, and Anton Bruckner availed himself of this resource for his studies of counterpoint.p. 98 (2007) Hawkshaw Bruckner focused a lot of his attention on Aumann's Christmas responsories and an Ave Maria in D major.p. 107 (2007) Hawkshaw Bruckner, who liked Aumann's coloured harmony, added in 1879 an accompaniment by three trombones to his settings of Ecce quomodo moritur justus and Tenebrae factae sunt.U. Harten, p.

After displaying an early talent for painting, he studied in Prague, Florence (1900-1901) and Antwerp (1901-1902), but remained largely self-taught.Libor Vykoupil, "Ecce Homo - Herbert Masaryk" Český rozhlas Brno He was influenced by Impressionism, Expressionism, the Vienna Secession and the fairy tale illustrations of Hanuš Schwaiger. His work consists primarily of portraits and landscapes. He was a good amateur hockey player in his youth, and played for HC Slavia Praha from 1900 to 1901, during its first season.

Pilate now frequently appears in illuminations for books of hours, as well as in the richly illuminated Bibles moralisées, which include many biographical scenes adopted from the legendary material, although Pilate's washing of hands remains the most frequently depicted scene. In the , Pilate is generally depicted as a Jew. In many other images, however, he is depicted as a king or with a mixture of attributes of a Jew and a king. Ecce Homo from the Legnica Polyptych by Nikolaus Obilman, Silesia, 1466.

The Judgment on the Gabbatha by James Tissot, c. 1890 Gabbatha (Aramaic גבתא) is the Aramaic name of a place in Jerusalem that is also referred to by the Greek name of Lithostrōtos (Greek λιθόστρωτος). It is thought by Christians to be the place of the trial of Jesus before his crucifixion 30/33 AD. The site of the Church of Ecce Homo is traditionally thought to be its location, but archaeological investigation has proven this unlikely. Herod's Palace is a more likely location.

"The canons of the Palatine Chapel in Aachen would bring the silver-gilt reliquary bust of Charlemagne with them to the entrance for the Emperor-elect to venerate as he enter the Palatine Chapel. Then the choir sings the antiphon, "Behold, I send my Angel...etc." (Ecce mitto Angelum meum...), as the Emperor-elect and then the Archbishops proceed into the church. The Archbishop of Cologne then said the prayers, "God, who knows the human race,...etc." and "Almighty and everlasting God of heaven and earth,...etc.

His paintings were often inscribed on the reverse with Hermenegildo Bustos de aficionado pintó (amateur painter). Some sculptures in the village are attributed to him; including an Ecce Homo and a Virgen de los Dolores. Following the Mexican Revolution, the nation's cultural heritage was reassessed and Bustos' work gained more notice, eventually receiving significant attention in the book Pintura Mexicana by Roberto Montenegro. In 1940, he was profiled in the catalog for the exhibition "Twenty Centuries of Mexican Art" at the Museum of Modern Art.

In Eswatini, early childhood care and education (ECCE) centers are in the form of preschools or neighborhood care points (NCPs). 21.6% of preschool-age children had access to early childhood education in 2015. Primary education in Eswatini begins at the age of six, and is a seven-year program that culminates with an end of primary school examination [SPC], in grade 7, which is a locally based assessment administered by the Examinations Council through schools. Primary education is from grade 1 to grade 7.

McCartney adopted her daughter from her first marriage, Heather, and had three children together: Mary, Stella, and James. McCartney taught Linda to play keyboards, and permanently included her in the line-up of Wings. Linda died of breast cancer at age 56 in Tucson, Arizona on 17 April 1998; McCartney denied rumours that her death was an assisted suicide. Along with eight other British composers, he contributed to the choral album A Garland for Linda, and dedicated his classical album Ecce Cor Meum to his late wife.

In 1608-1609 he completed the Flagellation chapel in the Sacro Monte of Varese then returned to Varallo for the Ecce Homo chapel (1610–13). Last of this serie is the Porziuncola chapel (1616–20) in the Sacro Monte di Orta. His other frescoes include the Cappella della Buona Morte in San Gaudenzio in Novara and the depiction of some of the Prophets frescoed for the nave of the Piacenza Cathedral, completed after his death by the Bolognese painter Guercino. The Martyrdom of Saints Secunda and Rufina.

The work was completed on 3 September 1885 and may have been intended for the celebration of the one-hundredth anniversary of the Linz diocese; however, like the Ecce sacerdos magnus that Bruckner composed A.M.D.G. for that event, it was not performed there. It was performed on 8 December 1885 in the Wiener Hofmusikkapelle for the Feast of the Immaculate Conception. The original manuscript is archived at the Österreichische Nationalbibliothek, and transcriptions of it at the Hofmusikkapelle and the Abbey of Kremsmünster.U. Harten, p.

The pulpit is decorated with a representation of the mysteries and was painted by Josep Sánchez Ocaria of Mallorca. Despite the damage to the churches artefacts the Patrimony Department and the Saint Joseph parish continue an ongoing program of restoration work to the works of art. Two such restored works are a statue of Saint Anne the mother of the Virgin Mary and a painting of the Ecce Homo by Sánchez de Ocaña. The church has a single Nave which has a barrel vaulted roof.

The piece of in total 106 bars is a six-part responsorium in A minor for eight-voice mixed choir, three trombones and organ:Uwe Harten, # Ecce sacerdos magnus (bars 1–22). As in Bruckner's Te Deum, the work begins with bare fifths.M. Auer, # Ideo jure jurando (bars 23–39). This second part the work, which is recalling the harmony of the previous Locus iste and Christus factus est WAB 11, is repeated two times as a ritornello on bars 64–80 and 90–106.

A Procession of Flagellants (Procesión de disciplinantes, or Procesión de flagelantes) is an oil-on-panel painting produced by Francisco de Goya between 1812 and 1819. In the foreground is a procession of Roman Catholic men dressed in white, wearing pointed hats and whipping their bared backs in penitence. Their backs are bleeding and they pull over-life-size statues of Nuestra Señora dela Soledad, the Ecce Homo and the Crucifixion of Christ. Other devotees, who are kneeling and wearing black hoods, line the route.

The realism is accentuated with the help of added false elements which boost the feeling of authenticity: eyes are made of glass, nails and teeth of ivory, blood clots of cork, sweat drops and tears of resin. Fernández created sculptures for altarpieces and “pasos procesionales”, like Camino del Calvario (Spanish for “the way to Calvary”). He made many iconographic images (Cristo Yacente, La Piedad, el Ecce Homo, Santa Teresa) which served as models for other artists for many years to come. He died in Valladolid.

Among them are a family portrait in Bern and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria.

Chadwick composed more stage works, notably Judith, based on the tale from the Aprocrypha. The piece is melodic and exotic, much like Camille Saint-Saëns's Samson et Delilah. In his Ecce jam noctis for chorus and orchestra composed for Yale University's 1897 commencement ceremony, Chadwick weaved in rhythmic twists like triple-meter strings against the static and homophonical chorus. Lochinvar is another distinctive choral piece with a Celtic flavor, featuring a baritone voice with a violin solo just before the "Introduction of Strathspey" section.

In these studies Christ is in all probability sitting at Golgotha awaiting his crucifixion and watching the executioners prepare the cross. All these works exude pathos and an overwhelming feeling of despair and hopelessness. The flagellation and the effort of carrying the Cross to Golgatha is over and the agony of the crucifixion itself is to come. An example of a " Christ de pitié" in Mussy- sur-Seine" This work was included in the exhibition "Le Beau XVIe An example of an "Ecce Homo".

The "U" is based on a cooperation of diverse users of the U-Tower building: the Museum Ostwall, the Hartware MedienKunstVerein, the Cultural Office of the City of Dortmund, the Dortmund University of Applied Sciences and Arts, the TU Dortmund University, the European centre for creative economy (ecce) and the association U Cinema, operating the RWE Forum. Culinary offerings are provided for on the U7 floor by the restaurant View. The Dortmunder U opened in the framework of RUHR.2010 – European Capital of Culture.

Baltens' work was also influential on the next generation of the Bruegel dynasty as Pieter Bruegel the Elder's son and imitator Pieter Bruegel the Younger copied a detail of Baltens' Ecce homo and turned it into an independent work. Landscape with two pilgrims walking along a road His highly coloured and energetically painted figures emphasize the farcical aspects of village life. His interest in the comical side of village life is evident in The performance of the farce of the phony water (c. 1550, Rijksmuseum).

Adam Chmielowski by Aleksander Gierymski, oil This was however short-lived and in 1870 he joined the Munich Art Academy, where he was befriended by some celebrated Polish artists, including, Stanisław Witkiewicz, Józef Chełmoński, Aleksander Gierymski, Leon Wyczółkowski. He was prolific and sent his work to exhibitions in Poland. He was for time a popular artist. Religious themes began to appear at this juncture such as his St. Margaret's vision and his most celebrated work, Ecce homo, currently in the chapel of the Albertine Sisters in Kraków.

He rarely used the cantus firmus technique, preferring the then-new Venetian polychoral manner, yet he was equally conversant with earlier imitative techniques. Some of his chromatic transitions foreshadowed the breakup of modality; his five-voice motet Mirabile mysterium contains chromaticism worthy of Carlo Gesualdo. He enjoyed word painting in the style of the madrigal, yet he could write the simple Ecce quomodo moritur justusJeż 2007, p. 40 later used by George Frideric Handel in his funeral anthem The Ways of Zion Do Mourn.

Ecce Homo and Mater Dolorosa Diptych, c. 1491–1520. Aelbrecht Bouts The formal feast of the Our Lady of Sorrows was originated by a provincial synod of Cologne in 1423. It was designated for the Friday after the third Sunday after Easter and had the title: Commemoratio angustiae et doloris B. Mariae V. Its object was the sorrow of Mary during the Crucifixion and Death of Christ. Before the sixteenth century this feast was limited to the dioceses of North Germany, Scandinavia, and Scotland.

And then you will > find every pain and every pleasure, every friend and every enemy, every hope > and every error, every blade of grass and every ray of sunshine once more, > and the whole fabric of things which make up your life. This ring in which > you are but a grain will glitter afresh forever. And in every one of these > cycles of human life there will be one hour where, for the first time one > man, and then many, will perceive the mighty thought of the eternal > recurrence of all things:– and for mankind this is always the hour of > Noon".Notes on the Eternal Recurrence – Vol. 16 of Oscar Levy Edition of > Nietzsche's Complete Works (in English) This thought is indeed also noted in a posthumous fragment.1881 (11 [143]) The origin of this thought is dated by Nietzsche himself, via posthumous fragments, to August 1881, at Sils-Maria. In Ecce Homo (1888), he wrote that he thought of the eternal return as the "fundamental conception" of Thus Spoke Zarathustra.Nietzsche, Ecce Homo, "Why I Write Such Good Books", "Thus Spoke Zarathustra", §1 Surlei".

Psalm 133 is the 133rd psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "Behold, how good and how pleasant it is for brethren to dwell together in unity!" The Book of Psalms is the third section of the Hebrew Bible and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 132 in a slightly different numbering system. In Latin, it is known as "Ecce quam bonum".

Institutions which have previously hosted solo shows of Wolfson's work include; the Kunstsammlung Nordrhein-Westfalen (2011); and the Kunsthalle Zürich (2004). His first solo exhibition in the United Kingdom was presented in 2013 at the Chisenhale Gallery in London. In 2013, Jordan Wolfson: Ecce Homo/le Poseur marked the most comprehensive survey of his work to date, organized by the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent. In 2014, a selection of Wolfson’s video work was exhibited as part of the 6th Glasgow International and he participated in 14 Rooms presented during Art Basel.

The Madonna and Child with Saints is a tempera on panel painting, attributed to Andrea Mantegna, dated to around 1500 and now in the Galleria Sabauda in Turin. Its top left hand corner is badly damaged Ettore Camesasca, Mantegna, in AA.VV., Pittori del Rinascimento, Scala, Firenze 2007. . At the Virgin's knee is the infant John the Baptist, with his cross, camel skin and a scroll reading Ecce Agnus Dei. In the right background are Catherine of Alexandria with her wheel, an old female saint (Anne or Elisabeth) and an old male saint (Joachim or Joseph).

The Book of Common Prayer translation of the psalm consists of four verses: #Behold now, praise the Lord: all ye servants of the Lord; #Ye that by night stand in the house of the Lord: even in the courts of the house of our God. #Lift up your hands in the sanctuary: and praise the Lord. #The Lord that made heaven and earth: give thee blessing out of Sion. In the Church of Ireland and other churches in the Anglican Communion, this psalm (listed as Ecce Nunc) is also listed as a canticle.

The authors explain the book as follows "Although the material published here has never been released before, there are two books that have determined the production of this text: Gianni’s Ecce Comu: Come si diventa cio che si era (2007) and Santiago’s The Remains of Being: Hermeneutic Ontology After Metaphysics (2009). In the former, Vattimo emphasized the political necessity of reevaluating communism; in the latter, Zabala insisted on the progressive nature of hermeneutics. Hermeneutic Communism can be considered a radical development of both."Gianni Vattimo and Santiago Zabala.

Works include Christ of the convent of Santo Ángel, several sculptures of Child Jesus, the Penitent Magdalene preserved in the Cathedral Museum, the Inmaculada on the altar of the Cathedral of Granada, the Virgin of the Rosary, Saint John the Baptist, and La Dolorosa and Ecce Homo of the Granada Charterhouse. The Victoria and Albert Museum in London houses a Saint Joseph with Child, of Flemish influence. His most significant and final work was the set of sixteen figures composing the Altarpiece of San Ildefonso. Risueño died in Granada.

Paul McCartney's Ecce Cor Meum was written especially for Magdalen College Choir and the subsequent EMI recording won the Classical BRIT Award for Album of the Year in 2007. Other recordings with Magdalen College Choir include Listen Sweet Dove, a selection of Grayston Ives' liturgical works, and Duruflé's Requiem. The choir developed a fruitful relationship with film composer, George Fenton, notably in Shadowlands (1993), directed by Richard Attenborough. Ives was a chorister at Ely Cathedral and later studied music at Selwyn College, Cambridge, where he held a choral scholarship.

In 2012, octogenarian amateur painter Cecilia Giménez botched a partial restoration of an unremarkable Ecce Homo fresco ( 1930) depicting Christ by Elías García Martínez. The spectacularly bad results garnered worldwide attention,Spanish fresco restoration botched by amateur and has been called one of "the worst art restoration projects of all time".Despite Good Intentions, a Fresco in Spain Is Ruined However, the interest from tourists has led to an economic upswing in the town. In the year following the failed restoration, tourist activity generated 40,000 visits and more than €50,000 for a local charity.

Gabriel tells Mary that she would bear a son to be called Jesus. As is often the case Mary is shown reading a book on which would be written "Ecce virgo concipiet et pariet filium" ("Behold, the Virgin will conceive and will give birth to a son" - Isaiah 7:14). At the back of the work Durst carved several reliefs including a representation of the turning water into wine. As the whole piece is close to a wall Durst's reliefs are not seen to their best advantage and are difficult to photograph.

After injuring a soldier, Cattaneo was forced to seek refuge to a monastery (San Francesco) where he was employed, in painting frescoes. One source says he excelled in painting scenes of soldiers and ruffians in combat. In 1654, he traveled briefly to Rome in the patronage of Cardinal Carlo Pio di Savoia (1622-1689). Among his works are paintings of the passion, an Ecce Homo and a Flagellation (1624), in the lateral altar of the chapel of the Crucifix of the church of San Giorgio, Ferrara, painted after an earthquake afflicted the town.

With ECCE as its starting point, Roboy was conceived in 2011 via project coordination between research institutions and industry partners. One of their first breakthroughs was the anthropomorphic tendon-driven arm (ANTHROB), which served as example for how the rest of Roboy's body should function. Unlike more traditional robots, which have motors in their joints, Roboy is tendon-driven, allowing for more fluent, human-like movements. The walking movements of humans were acutely studied and then tweaked to result in a walking behavior similar to that of a human being.

102Lavička R, 2008, p. 18 The hut is depicted from three different angles in an imperfect perspective that, even so, evokes the impression of spatial depth. In the landscape, which still recalls the work of the Master of the Třeboň Altarpiece, there are two pairs of shepherds on the right in different spatial planes that depict events of the past: the Annunciation and journeying to the stable in Bethlehem. In the top right-hand corner, we see the angel of the Annunciation with a ribbon bearing the inscription ‘Ecce ego annun[t]io vobis Gaudium’.

The contract for Ecce Homo was signed on 25 June 1605, with the painting to be delivered in August. Whether Caravaggio met his deadline is uncertain, as by July he was arrested for attacking the house of Laura della Vecchia and her daughter, Isabella. Friends stood bail for him, but on 29 July he was in far more serious trouble for assaulting the notary Mariano Pasqualone over a well- known courtesan Lena and Caravaggio's model who is referred to by Pasqualone in the police complaint as "Michelangelo's (i.e. Caravaggio's) girl".

He was the protégé of the protestant Seigneurs (Lords) de la Marck and in 1582 he worked for Charles III, Duke of Lorraine. In 1584 he was in the service of the Abbot of Valmont; also that year he won the harpe d'argent (the silver harp) on the musical competition (called a "Puy") at Evreux, for his five-voice motet Ecce quam bonum et quam jucundum. His works show that he belonged to the Huguenot circles of his days. His style of composing is considered to be quite innovative.

Before the limestone bildstock was created, a wooden column had stood at this site, first mentioned in a document from 1296. The stone tower is a tall yet elaborately structured tabernacle pillar on an octagonal cross-shaped floor plan. The tower is decorated with pinnacles plus baldachins, with groups of figures in the baldachins (The Crucifixion, The Scourging Of Christ, Christ Crowned With Thorns, Ecce Homo). The general area of Wienerberg hill had been used as a place of execution (mostly by hanging) until the year 1747 and during 1804-1868.

During this century, the fraternity also commissioned the best sculptures for the processions such as La Flagelación, Ecce Homo by Alejandro Carnicero or La Dolorosa by Felipe del Corral. This pasos still are some of the best examples of baroque art in Salamanca. In the 18th and 19th centuries other fraternities joined the processions of la Vera Cruz: Jesús Nazareno did so in 1715 thus was created in 1688, Jesús Rescatado in 1860 (created in 1689) and La Soledad in 1890 (origins in 1645). These processions were celebrated exclusively in Good Friday and Easter Sunday.

Prior to Hadrian's construction, the area had been a large open-air pool of water, the Struthion Pool mentioned by Josephus. When later building works narrowed the Via Dolorosa, the two arches on either side of the central arch became incorporated into a succession of buildings; the Church of Ecce Homo now preserves the northern arch. The three northern churches were gradually built after the site was partially acquired in 1857 by Marie-Alphonse Ratisbonne, a Jesuit who intended to use it as a base for proselytism against Judaism.Encyclopedia Judaica, Ratisbonne Brothers, Volume 13, pp.

The Cathedral of All Souls was designated as the cathedral of the Episcopal Diocese of Western North Carolina on January 1, 1995."Cathedral of All Souls", Romantic Asheville Website The Right Reverend José A. McLoughlin is the current bishop. Stained glass artists Maitland Armstrong and Helen Maitland Armstrong created three memorial stained glass windows for the south transept, honoring Maria Louisa Vanderbilt (George W. Vanderbilt's mother), architect Richard Morris Hunt, and Clarence Barker (Vanderbilt's cousin). They later created "Ecce Homo," a stained glass memorial at All Souls' Church in Biltmore, for Cornelius Vanderbilt, in 1900.

D. Aaron Riches (born 1974) is a Canadian theologian at Benedictine College in Atchison, Kansas. He was previously a theologian for the Seminario Mayor San Cecilio in Granada, Spain, and joint faculty member of the International Academy of Philosophy-Instituto de Filosofía "Edith Stein" and the Instituto de Teología "Lumen Gentium". He is widely published in the fields of systematic theology and Christology. His recent book, Ecce Homo: On the Divine Unity of Christ, questions the tendency to distinguish between the human and divine natures of Christ to such a degree as to oppose them.

Both Arnhold and Baudoin believe that the figure of Christ ("Christ de Pitié") in the church of can be attributed to the Maître de Chaource and was one of a series of such depictions of Christ which began with his "Ecce Homo" in Troyes Cathedral, undertaken around 1520. In the Saint-Julien-les-Villas work the Maître de Chaource adds a skull at Christ's feet reminding us of Golgotha. The figure of Christ is carved from limestone and then polychromed. It is 1.37 metres high by 0.61 metres in length.

16th-century Italian cycle of the Life of Christ in art in fresco with 21 scenes from Annunciation to Resurrection: Top row: Annunciation, Nativity, Visit of the Three Magi, Flight to Egypt, Baptism of Christ, Raising of Lazarus, Entry to Jerusalem, Last Supper. Middle row: Washing of feet, Agony in the Garden, Arrest of Christ, Trial before the Sanhedrin, Trial before Pilate, Flagellation. Bottom row: Ecce homo, Carrying the cross, Christ falls, Crucifixion, Deposition from the cross, Harrowing of Hell, Resurrection. Narratives occur in a space and unfold in time.

N.E.O.N. is the acronym for Nevada Encounters of New Music, a symposium and festival of contemporary music taking place yearly at the University of Nevada, Las Vegas. Directed by UNLV faculty composers Virko Baley and Jorge Villavicencio Grossmann, N.E.O.N. began in 2007. The objective of this symposium and festival is a pedagogical one: student composers from the U.S. and abroad gather in Las Vegas for three to four days of intensive activities, including masterclasses, lectures and concerts. The ensembles-in-residence participating in N.E.O.N. 2007 were ECCE (East Coast Composers Ensemble) and UNLV’s NEXTET.

It is possible that following its destruction, the Antonia Fortress's pavement tiles were brought to the cistern of Hadrian's plaza. When later constructions narrowed the Via Dolorosa, the two arches on either side of the central arch became incorporated into a succession of more modern buildings. The Basilica of Ecce Homo now preserves the northern arch. The southern arch was incorporated into a monastery for Uzbek dervishes belonging to the Order of the Golden Chain in the 16th century, but these were demolished in the 19th century in order to found a mosque.

20 Euro coin minted in 2016 to commemorate Dix's 125th birthday Dix eventually returned to Dresden and remained there until 1966. After the war most of his paintings were religious allegories or depictions of post-war suffering, including his 1948 Ecce homo with self-likeness behind barbed wire. In this period, Dix gained recognition in both parts of the then-divided Germany. In 1959 he was awarded the Grand Merit Cross of the Federal Republic of Germany (Großes Verdienstkreuz) and in 1950, he was unsuccessfully nominated for the National Prize of the GDR.

With each of these statues is a bas-relief depicting an event in the life of each saints. The first chapel on the right houses a Martyrdom of St Andrew by Antonio Ruggeri; the ceiling was decorated by Ottavio Vannini, who painted in the spandrels aa Ecce Homo and the Calling of Peter. The second chapel on the right houses a St Michael frees the Souls in Purgatory by Vignali, who also painted the canvases on the wall depicting the life of St Peter. The ceiling was frescoed by Michele Colonna and Agostino Metello.

" This possibility filled Pilate with fear, and he brought Jesus back inside the palace and demanded to know from where he came (). Antonio Ciseri's depiction of Ecce Homo with Jesus and Pontius Pilate, 19th century Coming before the crowd one last time, Pilate declared Jesus innocent and washed his own hands in water to show he had no part in this condemnation. Nevertheless, Pilate handed Jesus over to be crucified in order to forestall a riot () and ultimately to keep his job. The sentence written was "Jesus of Nazareth, King of the Jews.

Lovelock's book was one of the first to describe a novel method of warming Mars, where chlorofluorocarbons (CFCs) are added to the atmosphere. Motivated by Lovelock's book, biophysicist Robert Haynes worked behind the scenes to promote terraforming, and contributed the neologism Ecopoiesis,Haynes, RH (1990), "Ecce Ecopoiesis: Playing God on Mars", in MacNiven, D. (1990-07-13), Moral Expertise: studies in practical and professional ethics, Routledge. pp. 161–163. . forming the word from the Greek , oikos, "house",. and , poiesis, "production".. Ecopoiesis refers to the origin of an ecosystem.

In 2017 she received the Golden Nica award at the Ars Electronica festival for her K-9_topology series. In this opus, which consist of four projects ('Ecce Canis', 'I Hunt Nature and Culture Hunts Me', 'Hybrid Family', and 'ARTE_mis') she addressed the topics of parallel evolution of human and dog. From 2008 she is a featured artist and production partner of Kapelica Gallery in Ljubljana. In her artistic work she often employs biotechnological tools, meaning that her art works are often created in laboratory settings in which she collaborated with scientists and technologists.

In the Spring Canadian theatre icon Daniel MacIvor returned to Buddies with his darkly poetic play Arigato, Tokyo. The season also included Sky Gilbert's A Few Brittle Leaves, a partnership with performance company Ecce Homo to present Of a Monstrous Child: a gaga musical and Studio 180's The Normal Heart. Laura Nanni returned as the Rhubarb Festival Director and oversaw the return of the wildly successful One-To-One Performance Series and Mobile Works projects. The 34th Rhubarb Festival broke all previous attendance records and engaged almost 200 artists.

The preacher impersonates the Hebrew prophets whose Messianic utterances he works into an argument establishing the Divinity of Christ. Having confuted the Jews out of the mouths of their own teachers, the orator addresses himself to the unbelieving Gentiles— "Ecce, convertimur ad gentes." The testimony of Virgil, Nabuchodonosor, and the Erythraean Sibyl is eloquently set forth and interpreted in favour of the general thesis. As early as the eleventh century this sermon had taken the form of a metrical dramatic dialogue, the stage-arrangement adhering closely to the original.

The responsory ends with the repetition of the partial respond. Its words are, Ecce sacerdos magnus, qui in diebus suis, placuit Deo, which means "behold the great priest, who in his days, pleased God". In certain cases, those words are followed by: et inventus est iustus, meaning "and has been found just". In others, the response is: Non est inventus similis illi, qui conservaret legem excelsi (no one has been found to be like him in the keeping of the laws of the Most High)[Sir 44:20].

On a pedestal by the second column in the nave on the Evangelist side there is a 1527 Kersanton stone version of Ecce Homo, whilst in a corner of the choir on the Epistle side there is a wooden statue depicting Saint Pithère, one of many statues of the saint in the church. The friezes completing the decoration of the church's side porch date to 1610. Other statues include those of Saint Mélar, Saint Roch, Saint Sébastien and Saint Yves. There are also wooden statuettes of Saint Joseph, Saint Etienne, Saint Eloi and Saint Herbot.

That children also share culpability is implied by the prominent presence of children among the spectators. The cartload of crosses in the foreground on the right refers to the people's call for Christ's execution.Jan van Wechelen, Ecce Homo at the (Indianapolis Museum of Art) Jan van Wechelen painted at least two versions of the Road to Calvary, another theme popularized by Pieter Brueghel the Elder. One of the paintings is in the Museu Nacional d'Art de Catalunya and the other one in a private collection (previously Oppenheimer collection).

This is located on the north side of the church and came from the church at La Martyre in 1793. Six columns divide the altarpiece into three sections and niches hold statues of Saint Guillaume and Saint Francis of Assisi. Further niches a little higher up contain images of a female saint and an "Ecce Homo". At the front, Saint Anne is shown teaching the Virgin Mary to read and smaller niches hold images of Saint Peter and Saint Paul and the whole composition is crowned by a statue of the crowned Christ.

Seeley's first published book was Ecce Homo: A Survey in the Life and Work of Jesus Christ, which published anonymously in 1865. It was controversial because it focussed almost entirely on Jesus's moral character and his historical actions, as a founder and king of a theocracy, and it excluded discussion of the theological interpretations of his life. The work attempted to demonstrate the consequences that Christ's theocracy and its Church and society had upon the standard and active practice of morality of men. Seeley intended the book as an incomplete analysis of the subject.

His later essay on Natural Religion, signed "by the Author of Ecce Homo," which denied that supernaturalism is essential to religion and maintained that the negations of science tend to purify rather than destroy Christianity, satisfied few and excited far less interest than his earlier work. In 1869, he was appointed professor of modern history at the University of Cambridge. He was a popular instructor and prepared his lectures carefully, which were well attended. In historical work, he is distinguished as a thinker rather than as a scholar.

Butchart, 46 In 1567 the Medici sent him on a diplomatic mission to England. Throughout the 1560s Striggio composed numerous intermedi for the Medici, for weddings, visits, and other state occasions. In the 1570s he continued to work for the Medici, but there is some evidence he began to travel away from Florence. He had some connection to the Bavarian court in Munich, and may have gone there on more than one occasion (possibly for the performance of his 40-voice motet Ecce beatam lucem which he wrote for a royal marriage there).

The triangular/gabled pediment is traced by the lines of the frieze and cornices, also surmounted by a pinnacle. The lower part of the backrest includes a spout, that extends from an anthropomorphic figure, with undulating hair, while the figure is flanked by two serpents, with heads of dragons. Surmounting these figures is a concave niche sheltering an Agnus Dei, with the inscription ECCE AGNUS DEI, surrounded by phytomorphic elements extending vertically. The niche is flanked by inscription stones, with the left panel showing Latin text, while the side opposite in Portuguese, both without rounded corners and 1780 date.

Hamish Dewar in the early 1960s recognised a need for a more powerful text editor. At the time editing files was laborious as editors could only load into memory one code line at a time and insert, delete or replace only the whole line. Because of memory limitations (a large computer might have between 8k and 32k or memory) few editors could execute repeated commands or support macros for text processing.ECCE Description H Dewar used his talent as a compiler author to create ECCE as a much more capable command set but retain a small footprint.

From 1982 to 1987, he edited and published the science fiction fanzine Izzard with his wife Teresa Nielsen Hayden. He has worked on a number of other fanzines over the years, including Twibbet, Thangorodrim, Tweek, Ecce Fanno, Telos, Zed, and Flash Point. This entry has a much more detailed list of his fanzine publications. Through their small press, Ansatz Press, Patrick and Teresa Nielsen Hayden published Samuel R. Delany's Wagner/Artaud: A Play of 19th and 20th Century Critical Fictions From 1985 to 1989, he served on the editorial board of The Little Magazine, a poetry magazine.

Estrada Cabrera was immortalized in the dictator novel El Señor Presidente (1946), written by Nobel laureate Miguel Ángel Asturias. Although the most famous, this is not the only book written about him: Rafael Arevalo Martinez wrote a book on his life, government and overthrow called Ecce Pericles, and Oscar Wyld Ospina wrote El Autócrata, a bitter biography of the president. The role that UFCO played in Guatemala during the Estrada Cabrera and Jorge Ubico regimes is described in three novels from Miguel Ángel Asturias called The Banana Trilogy: Viento Fuerte, El Papa Verde, and Los Ojos de los Enterrados.

Next came Girolamo Romanino, author of the scenes from Jesus before Pilatus to Ecce Homo, who painted some of his masterworks here. The last scenes of the Passion were executed by Il Pordenone, who was also responsible of the large Crucifixion (1521), the Deposition (1521, counterfaçade) and the Schizzi Altarpiece (before 1523, on the first altar in the right aisles), the latter inspired by Giorgione's style. The complex was completed by Bernardino Gatti with the Resurrection (1529). Other frescoes were added in the mid-16th century by Mannerist painters, including Gatti himself, Bernardino Campi and others.

53) which she attempts to hold away from her son, the contents of which probably foretell his future sacrifice and his taking over himself the evil of the world. She looks over her left shoulder onto a scroll being read by a pair of angels; this is likely to be the scroll reading Ecce Agnus Dei ('Behold the Lamb of God'), usually an attribute of John the Baptist. The figures are arranged as if in a frieze, revealing Michelangelo's sculptor's mindset. The frieze becomes more convex at its centre with the figures of Virgin and Child, as in the later Pitti Tondo.

Nietzsche stated, after communicating the main idea of Zarathustra along with an aspect of his gaya scienza, in Ecce Homo: "...that Hymn to Life...—a scarcely trivial symptom of my condition during that year when the Yes-saying pathos par excellence, which I call the tragic pathos, was alive in me to the highest degree. The time will come when it will be sung in my memory" (trans. Walter Kaufmann). The composition Hymn to Life was partly done by Nietzsche in August and September 1882, supported by the second stanza of the poem Lebensgebet by Lou Andreas-Salome.

In 1843, together with his older brother Marie-Theodore, himself also a convert to Catholicism, Marie-Alphonse Ratisbonne founded the Congregation of Our Lady of Sion. The aim was to bring about a better understanding between Jews and Christians and to convert Jews. In 1855 he went to Palestine, where he spent the rest of his life working for the conversion of Jews and Muslims. In 1856 he established the Ecce Homo convent for the Sisters of Zion on Via Dolorosa in the Old City.“Ratisbonne Brothers,” Encyclopedia Judaica (Jerusalem: Keter Publishing House, 1974) 13:1570-1571.

The two sisters were supported by the supposed miraculous character of the image. Joana de Santo António, before being transferred to the Convent of Saint Andrew, alerted the locals to the miraculous character of one of the patterns that covered the visible breast of the image. Mother Teresa da Anunciada not only made efforts to exalt the image of the "Ecce Homo", but also called for religious vassalage and adherence in the name of Jesus Christ. Although impeded by the abadess of the convent, she was able to erect a chapel for the image and adorn it with regalia associated with a monarch.

The fourth altar on left has a canvas depicting an Enthroned Virgin with Shield and Angelic Musicians (1511) by Domenico Mancini. Another work is an Enthroned Madonna and child with St Lawrences and Anthony of Padua (16th- century) by Francesco Bissolo; an Ecce Homo (1615) by Domenico Fetti. In the first altar on the right is a Madonna and Child with souls of Purgatory (circa 1700) by Antonio Zanchi, commissioned by the Confraternity della Morte, the sponsors of the chapel. On the second altar on right is a canvas depicting the Descent of the Holy Spirit (circa 1765) by Domenico Maggiotto.

"I've never tried to do anything hidden." News of the disfigured painting spread around the globe in August 2012 on mainstream and social media, which promptly led to the status of an internet phenomenon. BBC Europe correspondent Christian Fraser said that the result resembled a "crayon sketch of a very hairy monkey in an ill-fitting tunic". The restored version has been jokingly dubbed "Ecce Mono" ('Behold the Monkey'; is Latin for 'behold', whereas is Spanish for 'monkey'; in Latin, it is ) in an "online rush of global hilarity", and the incident was compared to the plot of the 1997 film Bean.

He moved to Rome in 1871, where he executed his first important work. He returned to Memphis in 1873, painting portraits and figure pieces in oil and watercolors. In 1874 he moved to St. Louis, where he was connected with the art department of Washington University, and assisted Halsey Ives in the organization of the St. Louis School and Museum of Fine Arts where he taught the life class from 1876 until 1884. He sent his “Ecce Homo” and his “Awakening of Spring” to the Centennial Exposition at Philadelphia, receiving a medal and certificate for the latter work.

But when confronted by her son, Cecilia quickly confesses to the crime. Alerted to the growing controversy via the internet, swarms of curious tourists descend on Borja to experience “Potato Head Jesus,” for themselves. And as the town reels from the global humiliation, Arturo suggests they make the best of a bad situation and adapt the “Ecce Homo into a marketable brand. Factions form of those in agreement with this strategy and those opposed. Adriana is aghast at the crass, commercial proceedings, in conflict with her husband, Marcos, who’s delighted to see his hotel fully booked.

Slovenian Ministry of Culture register of national heritage reference number ešd 2025 The middle church is called Ecce Homo and was built in the early 16th century. It was restyled in the Baroque in the 17th and 18th centuries.Slovenian Ministry of Culture register of national heritage reference number ešd 2026 The third church is dedicated to Our Lady of Lourdes and has a Late Romanesque nave with a 15th-century Gothic sanctuary, but was extensively rebuilt in the following centuries. On the exterior wall of the sanctuary some wall paintings dating to the 16th century, depicting the crucifixion and Saint Christopher, are preserved.

The altar of the chapel of Saint Anne is made in Carrara marble and behind rise Corinthian columns of gray-violet African breach, holding a curved pediment surmounted by two statues with a coat of arms in the center. The altarpiece depicts The Education of the Virgin Mary with Anne, Joachim and the child Mary, with Saint Joachim in the act of instructing the girl Mary about the prophecy of Isaiah: "Ecce virgo concipiet" ("a virgin shall conceive"). According to some scholars, the work is attributed to either Lodovico Buffetti (1722-1782) pr Gaetano Scabri (1741-1820).

Within this work, Nietzsche is self-consciously striving to present a new image of the philosopher and of himself, for example, a philosopher "who is not an Alexandrian academic nor an Apollonian sage, but Dionysian."Kaufmann, p. 202. On these grounds, Kaufmann considers Ecce Homo a literary work comparable in its artistry to Vincent van Gogh's paintings. Nietzsche argues that he is a great philosopher because of his withering assessment of the pious fraud of the entirety of Philosophy which he considered as a retreat from honesty when most necessary, and a cowardly failure to pursue its stated aim to its reasonable end.

Reda is regarded as one of the most active forces in the renewal of Protestant church music after the Second World War. Accordingly, he mainly wrote music with liturgical references, including three Choral concertos for organ (1946-1952), Psalmbuch for solos and choir a cappella (1948-1949), Die Weihnachtsgeschichte for tenor solo, speaker and 5-part choir (1949), Ecce homo for 4 voices choir (1950), Easter story for solos and choir a cappella (1951), MarienbilderMarienbilder on DNB for organ (1955), OrgelsonateReda's OrgelSonate on JPc (1960), and Requiem vel vivorum consolatioRequiem vel vivorum consolatio for solos, choir and orchestra (1963).

The statuary decorating the calvary, placed either on the platform or on the corniche, is carved from kersanton stone or in some cases from grey arkos, a stone less resilient to erosion. The calvary should be read anti-clockwise starting with the Annunciation on the corniche of the southwest buttress and ending with the Crown of thorns episode, whereas on the platform, one's reading should start with the "Ecce Homo" scene and finish with the "Descent into Hell". The "Mise au tombeau" is placed in the centre. The sculptures on the lower level (the corniche) are smaller than those on the platform.

After combating demons and monsters from the video game Doom, Klebold reunites with Harris, and they profess their enthusiasm for the opportunity to live out their favorite video game. The pair find themselves at the "Isle of Lost Souls", where they meet fictional characters such as Pikachu, Bart Simpson, Mega Man, Mario and real personalities including J. Robert Oppenheimer, JonBenét Ramsey, Malcolm X, Ronald Reagan, and John Lennon. Next, they deliver a copy of Ecce Homo to Friedrich Nietzsche before fighting the South Park design of Satan. Upon their victory, Satan congratulates them for their deeds.

It was Titian's most important attempt at a tumultuous and heroic scene of movement to rival Raphael's Battle of Constantine, Michelangelo's equally ill-fated Battle of Cascina, and Leonardo da Vinci's The Battle of Anghiari (these last two unfinished). There remains only a poor, incomplete copy at the Uffizi, and a mediocre engraving by Fontana. The Speech of the Marquis del Vasto (Madrid, 1541) was also partly destroyed by fire. But this period of the master's work is still represented by the Presentation of the Blessed Virgin (Venice, 1539), one of his most popular canvasses, and by the Ecce Homo (Vienna, 1541).

Lorenzetti chose for his painting an unusual moment of the Annunciation of Mary: the moment in which the angel (according to the Gospel of Luke) explains her how the conception could happen, and in which the conception itself occurs. The angel, in fact, is saying the Latin words: Non est (erit) impossibile apud Deum omne verbum ("Nothing is impossible for God's word"), which are visible between his mouth and the Virgin's chest. The Virgin, looking upwards, replies: Ecce Ancilla Domini ("Here Is God's Maid"). The style is that of late Lorenzetti's works (after 1335) executed in Siena.

Kelman began a novel business relationship with the manufacturer to produce the device. After publishing "Phaco-emulsification and Aspiration—A New Technique for Cataract Removal: A Preliminary Report" in the American Journal of Ophthalmology, he began teaching courses to surgeons interested in learning this new technique. One of his students was Eric Arnott, a British ophthalmologist who introduced the procedure to the UK. Kelman's developments allowed the incision necessary for ECCE to be reduced from to and minimized recovery time. This new surgery method removed the need for an extended hospital stay and made the surgery less painful.

In his early years, Masona was not on poor terms with the Arian king Leovigild. According to his early biographer Paul of Mérida, he even preached a sermon to compare Leovigild to God, the true King, in that both are to be feared: Si regem, ecce regem quem timere oportet; nam non talem qualis tu es.Paul of Mérida, (Joseph N. Garvin, ed.) The Vitas sanctorum patrum Emeritensium, 1946:216. Later Leovigild tried by persuasion and argumentation as well as by threats and bribes to convert Masona back to Arianism, but unsuccessfully.Collins, Mérida and Toledo, 211. Thompson,The Goths in Spain, 78.

The scene was (especially in France) often depicted as a sculpture or group of sculptures; even altarpieces and other paintings with the motif were produced (e.g. by Hieronymus Bosch or Hans Holbein). Like the passion plays, the visual depictions of the ecce homo scene, it has been argued, often, and increasingly, portray the people of Jerusalem in a highly critical light, bordering perhaps on antisemitic caricatures. Equally, this style of art has been read as a kind of simplistic externalisation of the inner hatred of the angry crowd towards Jesus, not necessarily implying any racial judgment.

The motif of the lone figure of a suffering Christ who seems to be staring directly at the observer, enabling him/her to personally identify with the events of the Passion, arose in the late Middle Ages. At the same time similar motifs of the Man of Sorrow and Christ at rest increased in importance. The subject was used repeatedly in later so-called old master prints (e.g. by Jacques Callot and Rembrandt), in the paintings of the Renaissance and the Baroque, as well as in Baroque sculptures. Hieronymus Bosch painted his first Ecce Homo during the 1470s.

The lunettes are frescoed with Saints Agnes & Lucy face the storm and St. Stephen and the Deacon St. Lawrence. The altarpiece depicts the Martyrdom of St Andrew. Detail of ceiling showing the trompe l'oeil effect The second chapel to the right is the Cappella della Passione, with lunette frescoes depicting scenes of the Passion: Jesus in Gethsemane, Kiss of Judas, and six canvases on the pilasters: Christ at the column Christ before the guards, Christ before Herod, Ecce Homo, Exit to Calvary, and Crucifixion. The altarpiece of the Madonna with child and beatified Jesuits replaces the original altarpiece by Scipione Pulzone.

The first three terraces of Purgatory relate to sins caused by a perverted love directed towards actual harm of others. The first of the sins is Pride. Dante and Virgil begin to ascend this terrace shortly after 9 AM.Purgatorio X.14–15 On the terrace where proud souls purge their sin, Dante and Virgil see beautiful sculptures expressing humility, the opposite virtue. The first example is of the Annunciation to the Virgin Mary, where she responds to the angel Gabriel with the words Ecce ancilla Dei ("Behold the handmaid of the Lord," Luke 1:38Luke 1:38, KJV.).

Bezetha (), also called by Josephus the New CityJosephus, De Bello Judaico (Wars of the Jews) v.iv.§ 2 was a suburb of Jerusalem, north and north-west of the Temple, built opposite the tower Antonia (now in proximity to the Convent of the Sisters of Zion and Ecce Homo on Via Dolorosa Street) and extending as far as Herod's Gate westward and beyond. Originally, this part of the city was outside the area enclosed by the second wall, but during the reign of Agrippa I, had been enclosed by the newer third wall.Josephus, De Bello Judaico (Wars of the Jews) v.iv.

From 1890 to 1915, the painter Augusto Valli frescoes a number of works in the church including a Battle of Lepanto for the Chapel of the Rosary; a Vision of the Apocalypse for the cupola; a Communion of the Apostles for the half-dome of the apse; an Annunciation and angels for the nave ceiling; as well as Popes and Saints linked to Spilamberto. He also painted five altarpieces including a Glory of St Josephy, Ecce Agnus Dei, St Anne and the Virgin Mary as a Girl, Sacred Heart of Jesus, and St Anthony of Padua.Comune of Spilamberto, historic and artistic itinerary.

Worth visiting in Pego are the Arciprestal Church of Our Lady of the Assumption (16th century) built in the Renaissance style, built on the ruins of an earlier church, the Chapel of Ecce Homo (18th century) in the Baroque style and designed by the Valencian architect Fray Francisco Cabezas, the Church of the Sagrada Família, the hermitage of San José (19th century), the hermitage of San Miguel (17th century), the Castillo de Ambra (Castle Ambra) thought to originate from the early 13th century and the Parque Natural de la Marjal de Pego-Oliva (Natural Park of the Pego-Oliva Marshes).

His first full- length poetry collection, Chamber Music (1907; referring, Joyce joked, to the sound of urine hitting the side of a chamber pot), consisted of 36 short lyrics. This publication led to his inclusion in the Imagist Anthology, edited by Ezra Pound, who was a champion of Joyce's work. Other poetry Joyce published in his lifetime include "Gas from a Burner" (1912), Pomes Penyeach (1927) and "Ecce Puer" (written in 1932 to mark the birth of his grandson and the recent death of his father). It was published by the Black Sun Press in Collected Poems (1936).

The pool still survives under vaulting added by Hadrian so that the forum could be built over it, and can be accessed from the portion of Roman paving under the Convent of the Sisters of Zion, and from the Western Wall Tunnel. A triple-arched gateway built by Hadrian as an entrance to the eastern forum of Aelia Capitolina was traditionally, but as archaeological investigation shows, mistakenly,Benoit, Pierre, The Antonia of Herod the Great, and the East Forum of Aelia Capitolina (1971) said to have been part of the gate of Herod's Antonia Fortress. This was alleged to be the location of Jesus' trial and Pilate's Ecce homo speech.

It may be the earliest in the series and takes a more traditional approach, with the infant Christ and John the Baptist standing on a simple parapet and a black background, rather than the curved parapet and more nuanced background in the London example. John holds a scroll bearing Ecce Agnus Dei and points to Christ, who is shown as 'imperator mundi' or 'emperor of the world', holding a cross and an orb. There are gold highlights on the Virgin's veil, whilst behind her is a female saint, most probably her mother saint Anne or perhaps John's mother saint Elisabeth. Unusually, saint Joseph is absent.

His compositions of 1810 are the Matinas de S. João, – Matins of St. John, the Mass and the Te Deum in thanksgiving for the successful trip of the royal family, the antiphon Ecce Sacerdos (CPM 5), and the Magnificat for the Vespers of St. Joseph (CPM 17). By the end of the year he had finished the motet Praecursor Domini (CPM 55), for the farm of Santa Cruz, and the Missa de N. Srª da Conceição (CPM 106) – Mass of the Conception of Our Lady, a turning point in his musical career. This work reflects clearly what he had learned with the royal music files.

In 1824 he published his first plate, after a portrait of Prince Frederick, Duke of York and Albany by Thomas Lawrence. The Combat Portrait of Georges Cuvier after the painting by Henry William Pickersgill Doo's more well-known works include his 1848 line-engraving The Combat after William Etty's painting from 1825. He is also known for his engraving of "Knox preaching before the Lords of the Congregation," after David Wilkie, "Italian Pilgrims coming in sight of Rome" after Eastlake, the "Infant Christ" after Raphael and the "Ecce Homo" after Correggio. His 1864 engraving of the "Raising of Lazarus" by Sebastiano del Piombo took him eight years.

Friedrich Nietzsche greatly admired the building, associating it with the figure Zarathushthra and wrote “Earlier I walked past the Mole Antonelliana, perhaps the most brilliant work of architecture ever built—strangely, it has no name—as a result of an absolute drive into the heights—it recalls nothing so much as my Zarathustra. I baptized it Ecce homo and in that spirit placed an enormous free space around it.” The Mole was featured in the fourth leg of the American reality competition show The Amazing Race 20. The building (including the interior with its Museum of Cinema) was used extensively in the 2004 Italian film Dopo Mezzanotte (After Midnight).

Recently, Highways has received funding from the California Arts Council, California Community Foundation, The James Irvine Foundation, the National Endowment for the Arts (NEA), the City of Santa Monica Cultural Affairs Division, The L.A. County Department of Cultural Affairs, The Getty Grant Program and the City of West Hollywood, among others. However, due to the controversial nature of many of their projects, they have faced difficulties regarding funding in the past, including a 1995 incident regarding their Ecce Lesbo/Ecco Homo festival, which caused the NEA to revoke all their funding towards the institution and left them dependent on fund- raisers and ticket sales.

As of 2015, The Tallis Scholars have given more than two-thirds of their 2000 concerts outside the UK. Phillips subsequently worked with the Finnish Radio Choir, Markell's Voices (Novosibirsk) and the Collegium Vocale of Gent (again at the invitation of Philippe Herreweghe). He started a collaboration with the BBC Singers in 2003, with whom he has now appeared in nearly 20 productions. He works regularly with The Tudor Choir of Seattle, the Choeur de Chambre de Namur, Intrada (Moscow), El Leon de Oro (Oviedo), and Musica Reservata (Barcelona). In 2013 he started a new collaboration with the Netherlands Chamber Choir, featuring Brumel's 12-voice Missa Et ecce terrae motus.

Most women protagonists in his paintings are illustrated with long and slender hands, slightly parted vermillion lips and the hair held in place by a ribbon, such as in the series of four Allegories dedicated to the Arts of the Quadrivium executed for the Rospigliosi family. Martinelli also dedicated a major part of his work to the painting of religious subjects and biblical stories, charging them with strong moral connotations. Among these, the extraordinary Feast of Balthasar and the Ecce Homo in the Uffizi or the Judgement of Solomon in the National Art Gallery in Karlsruhe. The artist's outstanding rendering of objects, regardless of the subject, reflects his interest for nature.

Above the three arches are medallions with prophets, of whom only the middle one (Isaiah) has been identified, thanks to the cartouche saying Ecce Virgo [concipiet]. Below, the scene is completed by a predella with four scenes: Visitation, Nativity, Adoration of the Magi and Flight into Egypt. These shows typical elements of the International Gothic style, such as the fine arabesques in the drapes and the delicate tonalities in contrast with the dark backgrounds. In the Adoration, the detail of the old king kneeling to kiss the Child is taken from a Ghiberti's tile, and was also used by Gentile da Fabriano in his Strozzi Altarpiece.

16th-century Italian cycle in fresco by Gaudenzio Ferrari with 21 scenes from Annunciation to Resurrection: Top row: Annunciation, Nativity, Visit of the Three Magi, Flight to Egypt, Baptism of Christ, Raising of Lazarus, Entry to Jerusalem, Last Supper. Middle row: Washing of feet, Agony in the Garden, Arrest of Christ, Trial before the Sanhedrin, Trial before Pilate, Flagellation. Bottom row: Ecce homo, Carrying the cross, Christ falls, Crucifixion, Deposition from the cross, Harrowing of Hell, Resurrection. The Life of Christ as a narrative cycle in Christian art comprises a number of different subjects narrating the events from the life of Jesus on Earth.

From his Paris period, Davis's prints put out by Chaveau included St. Cecilia after Van Dyck, Ecce Homo after Annibale Carracci, and The Infant Christ holding a cross (1671). His London engravings included portraits of: Charles II (later altered to William III); Catherine of Braganza after John Baptist Gaspers, the frontispiece to vol. ii. of Moses Pitt's English Atlas, 1681; James, Duke of York; the Prince and Princess of Orange, after Peter Lely; the Duchess of Portsmouth, after Lely; and Charles, Duke of Richmond, after Willem Wissing; also George Monck, Duke of Albemarle, and Bertram Ashburnham, both engraved for the 1679 edition of John Guillim's Heraldry.

For example, consecrated hosts might be stored in the cavity of the spear wound in a sculpted Pietà between Good Friday and Easter Sunday.Schiller, 180–181 Traditional subjects from the narrative of the Passion of Christ such as the Ecce Homo and the Crucifixion of Jesus were also treated in the same way. Though the Crucifix had been treated as an intense, isolated image for centuries, at least as far back as the 10th century Gero Cross in Cologne, many images showed a new emphasis on graphically depicted streaming blood, wounds and contorted poses. This process started around 1300, so the influence appears to be from the Crucifixion to other subjects.

Schiller, 146–148 The traditional Ecce Homo is a very crowded scene, in which the figure of Christ is often less prominent than those of his captors, but in the andachtsbilder versions the other figures and complex architectural background have vanished, leaving only Christ, with a plain background in most painted versions (see the example by Antonello da Messina in the gallery below).Schiller, 75–76. There are other small types with just two or three figures - see the Mantegna in the gallery. Early Bohemian Pietà of 1390–1400 Andachtsbilder have a strong emphasis on the grief and suffering of Christ and the figures close to him.

Martinez, the ghost of the original artist, reminiscences on his carefree holidays spent in Borja as a boy. And a young couple, Arturo and Silvia, members of “the jobless generation,” consider leaving Borja for greener pastures. Adriana, the town's diva and Marcos' wife, makes a grand entrance, revealing she's been diagnosed with “Affluenza,” the “disease of having too much money.” Marco tells her of the planned restoration of her grandfather's fresco, which leaves her nonplussed, except to say it must not be carried out by his mother. Meanwhile, in the church, Cecilia begins work on the “Ecce Homo” fresco as the ghost of Artist Martinez anxiously looks on.

Smith (2004), 134 They were usually near-miniature in scale, and some emulated medieval "treasury art" -small pieces made of gold or ivory. The tracery seen in works such as van der Weyden's Virgin and Child reflects ivory carving of the period.Borchert (2006), 175 The format was adapted by van Eyck and van der Weyden on commission from members of the House of Valois-Burgundy,Pearson (2000), 99 and refined by Hugo van der Goes, Hans Memling and later Jan van Scorel. Dieric Bouts, Mater Dolorosa/Ecce Homo, after 1450, a rare surviving diptych with intact frame and hinges Netherlandish diptychs tend to illustrate only a small range of religious scenes.

His Virgin and Christ, Ecce Homo and Mater Dolorosa (London and Antwerp) are known for their serene and dignified mastery, gaining in delicacy and nuance in the works of his maturity. It is believed that he had known the work of Leonardo da Vinci in the form of prints made and circulated among northern artists (his Madonna and Child with the Lamb, inspired by The Virgin and Child with St. Anne, reflects da Vinci's influences). This is largely regarded as proof that Matsys was greatly influenced by Italian Renaissance artists and that he most likely travelled to Italy for at least a brief period.

Panels in the lower tracery specifically depict the Annunciation: Gabriel addresses the Virgin with Ave Maria and she replies with Ecce ancilla Domini. The Holy Spirit is seen descending in the form of a dove. Emanations somewhat resembling ears of corn radiate from the dove, as from the Eucharistic Host placed at the centre of the 'rose'. At the lowest level of the window we find heraldic art and representations of St Michael and St George flanking three central panels which have been left blank because, originally, damask cloth stretched over a tall frame or board set behind the altar obscured the lower, central part of the window.

In developing nations, programmes for children under three are more likely to be embedded in community-based programmes in which parents are endorsed as the primary teachers of young children and given support to fulfill that role. These programmes generally cater for ages from pre-birth to school entry with the curriculum having goals for both parents and children. They are often accompanied by a training manual and delivered through participatory workshops and other negotiated and community-based activities. Apart from strengthening the role of parents, these programmes respond to gaps that have persisted in the developing world despite global attention to ECCE; i.e.

The similar delivery can be found in most of the panels, in which figures on the left would introduce the view to the right scene by their glance, gestures or postures. In some panels, figures are cut by the frame or under doorways to emphasize the flowing narration and encourage the viewer to image that action of connection. In the Crowning with Thorns, a man with a white beard and a red turban is standing under an arch with his head turned to the right. The scale and spatial location of the man and the opening are consistent with the next scene Ecce Homo.

Though lighting effect is not strong on objects depicted in conflicting perspectives, some panels of paintings still have a clear light definition such as the shadow cast on the wall by Christ and the apostles and most architectural elements in the Last Supper, and by figures and weapons in the Ecce Homo but with a different direction, and by Judas in his Remorse. The lighting follows a fifteenth century tradition in architectural space for the main light source comes from the entrance door on the west wall. The light depicted on the Last Supper which is displayed at the entrance also symbolically represents the light from the entrance.

The motets are more varied in character, ranging from four to twelve-part scoring. The brief "monster" motet Deo gratias (a12), which was perhaps composed for a state occasion, is a cantus firmus treatment of the plainsong (Liber Usualis Mass XI). A setting of the Dismissal at Mass, it may have been intended to follow a liturgical performance of Antoine Brumel's famous twelve-part Missa Et ecce terrae motus, perhaps during the Anglo-French conference held in Boulogne and Calais in late October 1532. Homo quidam fecit cenam magnam (a7), which sets the plainsong as a cantus firmus in canon, is partly modelled on the setting by Josquin.

Following their first meeting, Dante was so enthralled by Beatrice that he later wrote in La Vita Nuova: Ecce Deus fortior me, qui veniens dominabitur michi ("Behold, a deity stronger than I; who coming, shall rule over me"). Indeed, Dante frequented parts of Florence, his home city, where he thought he might catch even a glimpse of her. As he did so, he made great efforts to ensure his thoughts of Beatrice remained private, even writing poetry for another lady, so as to use her as a "screen for the truth". Dante's courtly love for Beatrice continued for nine years, before the pair finally met again.

In 1998 he criticised a sex-information film from the Department of Health as "solicitating to adultery", and filed charges against Christian Democratic cabinet minister Jon Lilletun. He also filed charges against a children's program by state broadcaster NRK that had arranged a "kissing school" for children. In 1999 he gathered 6,000 signatures demanding the government to dismiss bishop Rosemarie Köhn and capellan Siri Sunde from their positions due to their liberal positions on homosexual relations. The same year he also filed charges of blasphemy against the art exhibition "Ecce Homo", which displayed photographs by Swedish artist Elisabeth Ohlson imaging Jesus surrounded by gays and lesbians.

In the niche is an polychrome terracotta sculpture depicting Ecce Homo by Antonio Sbravati, and a Martyrdom of Saints Gervaso and Protaso (early 19th-century) by Biagio Martini. The main altarpiece is an Enthroned Madonna, Child and Saints Bernard, John Baptist, John Evangelist and Francis of Assisi (1776) by Antonio Brianti, is a copy of a work (1518) by Francesco Zaganelli for the church of the "Annunziata di fuori". In the fourth chapel to the left, there are depictions of Life of St Peter of Alcantara (early 18th-century) by Pier Ilario Spolverini. In the ninth chapel, there is a St Bonaventure genuflecting before the Virgin by Sebastiano Galeotti.

Finally, Ng quipped, "Here's hoping the replacement bust of Ronaldo won't be as terrifying as the original." Hayley Jones of The Daily Beast said fans were "thrown for a loop", the sculpture's "vaguely menacing visage now sneers at passersby", and quipped, "Bronzing never ends well for anyone." The Daily Telegraph Sean Gibson suggested that Ronaldo, "who prides himself so much on his winsome complexion cannot be best pleased with this particular artist's impression of him", but noted that he and his fans seemed pleased at the ceremony. The Guardian Elle Hunt said the bust resembles Kryten from the British comedy franchise Red Dwarf, and the botched Ecce Homo restoration.

"The Return of Mr. Bean" is the second episode of the British television series Mr. Bean, produced by Tiger Television for Thames Television. It was first broadcast on ITV on 5 November 1990. This was the first episode to be co-written by regular collaborator Robin Driscoll (alongside Richard Curtis and Rowan Atkinson) and the first to feature the familiar Howard Goodall choral Latin-dubbed theme (Ecce homo qui est faba, English for Behold the Man, Who is a Bean) performed by the choir of Southwark Cathedral. It is the first episode to also introduce the familiar title sequence, albeit in a black-and- white format.

Idou o anthropos (Greek: Ἰδοὺ ὁ ἄνθρωπος; Ecce homo or Behold the Man), written in 1886, is a work by the poet and writer Andreas Laskaratos. The main theme of the book is human characters and through a series of examples it tries to acquaint the reader with the different attributes of the human psyche in its different manifestations. The multitude of different characters portrayed in the book is an early attempt to categorize people according to their personality traits. Idou anthropos (Greek: Ἰδοὺ ἄνθρωπος) is also the words ironically uttered by Pilate, when condemning Jesus, Jesus being in the epitomal state of God becoming Man.

De Rohan Arch as viewed from the back The niche of the Ecce Homo, installed on the arch Although city status was granted, the two arches were not built due to several difficulties. De Rohan died on 14 July 1797, and the people decided to build a single arch at the entrance to the city, partially fulfilling the promise they had made twenty years earlier. The arch cost about 1000 scudi to build, and funds were raised through fundraising by the population of Żebbuġ, as well as a donation by the parish church. The arch was designed by the mason Giuseppe Xerri, who also supervised its construction.

A statue of John the Baptist as a boy is in the Bargello; also a delicate relief of the Madonna and Child, an Ecce Homo, and a bust of Francesco Sassetti. The so-called Madonna del Latte on a pillar in the Church of Santa Croce is a memorial to Francesco Nori, who fell by the stab intended for Lorenzo de' Medici. Other reliefs of the Madonna and Child are in the Via della Spada, Florence, and in the Victoria and Albert Museum, London. In the latter place is the bust of Giovanni di San Miniato, a doctor of arts and medicine, signed and dated 1456.

Interior view towards altar The Basilica of Bom Jesus (; Konkani: Borea Jezuchi Bajilika) is a Roman Catholic basilica located in Goa, India, and is part of the Churches and convents of Goa UNESCO World Heritage Site. The basilica is located in Old Goa, former capital of Portuguese India, and holds the mortal remains of St. Francis Xavier. 'Bom Jesus' (literally, 'Good (or Holy) Jesus') is the name used for the Ecce Homo in the countries of Portuguese colonization. The Jesuit church is India's first minor basilica, and is considered to be one of the best examples of baroque architecture and Portuguese Colonial architecture in India.

Near the Struthion Pool, Hadrian built a triple-arched gateway as an entrance to the eastern forum of Aelia Capitolina.Benoit, Pierre, The Antonia of Herod the Great, and the East Forum of Aelia Capitolina (1971) Traditionally, this was thought to be the gate of Herod's Antonia Fortress, which itself was alleged to be the location of Jesus' trial and Pontius Pilate's Ecce homo speech as described in . This was due in part to the 1864 discovery of a game etched on a flagstone of the pool. According to the nuns of the convent, the game was played by Roman soldiers and ended in the execution of a 'monk king'.

The Dallas Museum of Art's collection of European art starts in the 16th century. Some of the earlier works include paintings by Giulio Cesare Procaccini (Ecce Homo, 1615–18), Pietro Paolini (Bacchic Concert, 1630), and Nicolas Mignard (The Shepherd Faustulus Bringing Romulus and Remus to His Wife, 1654). Art of the 18th century is represented by artists like Canaletto (A View from the Fondamenta Nuova, 1772), Jean- Baptiste Marie Pierre (The Abduction of Europa, 1750), and Claude-Joseph Vernet (Mountain Landscape with Approaching Storm, 1775). The loan of the Michael L. Rosenberg collection brings an added depth to the museum's 18th- century French collection.

New York: Metropolitan Museum Journal, 1992 Jesus is pierced with thorns as blood streams across his face. That the panel is tightly cropped brings the viewer closer to his suffering. According to art historian Elliott D. Wise, "by fracturing the Ecce Homo narrative into a dramatically cropped view of Christ’s head, Bouts evokes the disembodied Holy Face that would soon be impressed on the cloth of the sudarium and that is already replicated with equal authenticity on the heart of the Lord’s co-suffering mother in the right pane". The Virgin is identifiable as the Mater Dolorosa by the tears that stream down her face.

The "most famous of nineteenth-century pictures" of Pilate is What is truth? () by the Russian painter Nikolai Ge, which was completed in 1890; the painting was banned from exhibition in Russia in part because the figure of Pilate was identified as representing the tsarist authorities. In 1893, Ge painted another another painting, Golgotha, in which Pilate is represented only by his commanding hand, sentencing Jesus to death. The Scala sancta, supposedly the staircase from Pilate's praetorium, now located in Rome, is flanked by a life-sized sculpture of Christ and Pilate in the Ecce homo scene made in the nineteenth century by the Italian sculptor Ignazio Jacometti.

On 28 November 1986, on his arrival in Melbourne, Pope John Paul II paid a visit to St Paul's Cathedral in recognition of the dialogue between the Anglican and Roman Catholic churches in Melbourne fostered by their respective former archbishops, the Most Reverend Sir Frank Woods (Anglican) and the Most Reverend Sir Frank Little (Roman Catholic). The cathedral choir sang "Ecce vicit Leo" as the Pope entered the cathedral. After this the Pope prayed for Christian unity and lit a metre-long candle. A memorial chapel (pictured right) commemorates this historic occasion: only the third time in four centuries when a reigning Pope had made an official visit to an Anglican cathedral.

In the pietà, there are depictions of Mary Magdalene and John the Evangelist on each side of Mary. They both touch Jesus' body On the calvary platform are three crosses. We see Jesus on the central cross with four angels collecting his blood and on the reverse an "Ecce Homo". Jesus has a horsed cavalier on either side of him and on the lower crosspiece there is a depiction of the Virgin Mary holding the baby Jesus, with St Peter on one side and John the Evangelist on the other, whilst on the reverse of these three figures there is a pietà in the centre with the Virgin Mary on one side and St Yves on the other.

In early 1893, his wife María Dolores died too. Martínez de la Vega would never recover from the loss of his family; however, the personal and financial collapse stirred him artistically to find new themes and styles. After the death of his wife he devoted to religious paintings, producing among others a series of Ecce Homo and paintings of the Virgin Mary (Dolorosas) that count as some of his master pieces. In 1894 and 1895 he was commissioned by the town council to create the posters for the Feria de Agosto festivals; the 1895 poster, titled Carmen, la más fea de mi tierra (Carmen, the Ugliest in my Hometown), is one of his most cited works.

The triptych the Martyrdom of St. Hippolytus (Groeningemuseum), Virgin Enthroned with Four Angels (Capilla Real, Granada), and an Annunciation (Museu Calouste Gulbenkian, Lisbon). The National Gallery holds 'The Entombment, the Virgin Enthroned with St. Peter and St. Paul, and The Virgin and Child. Others are Saint James the Greater (Museu de Arte Sacra do Funchal, Madeira, Portugal), Ecce Agnus Dei, (Alte Pinakothek), Moses before the Burning Bush (Philadelphia Museum of Art), Bust of Christ (Museum Boijmans Van Beuningen), Virgin and Child (National Gallery of Art, Washington), and a Resurrection in the Norton Simon Museum of Art. Two are in the Louvre – a Nativity fragment with St. Joseph and the Virgin and Child Enthroned in a Niche.

Surgery Encyclopedia - Phacoemulsification for cataracts A capsulotomy (rarely known as cystotomy) is a procedure to open a portion of the lens capsule, using an instrument called a cystotome.Capsulorhexis using a cystotome needle during cataract surgery An anterior capsulotomy refers to the opening of the front portion of the lens capsule, whereas a posterior capsulotomy refers to the opening of the back portion of the lens capsule. In phacoemulsification, the surgeon performs an anterior continuous curvilinear capsulorhexis, to create a round and smooth opening through which the lens nucleus can be emulsified and the intraocular lens implant inserted. Following cataract removal (via ECCE or phacoemulsification, as described above), an intraocular lens is usually inserted.

Longano Palace. ECCE HOMO of Barcellona. Barcellona Pozzo di Gotto lies in the plain that slopes to the north close to the lush hills and the chain of Peloritani mountains, overlooking the Gulf of Patti in the Tyrrhenian Sea on the part near the Aeolian Islands in a portion of coast between the Milazzo peninsula to the east and to the west promontory of Tindari. The most creditable hypothesis for the roots to its name lies in the domination of the Crown of Aragon (1282-1516) and then in the five hundred year history of Spanish Sicily (1516-1713), flowing together with the Kingdom of Naples under the jurisdiction of the Crown of Spain.

The veneration of this image of Christ came at the impulse of Venerable Mother Teresa da Anunciada. The nun entered the Convent of Esperança in the 17th century, along with her biological sister Joana de Santo António, both noble born and with strong personalities. Teresa da Anunciada was profoundly devout and, fed by her saintly character, inspired many to refer to her as "Mother", even as she was not a Reverend Mother Superior. From the moment of her entrance to the convent, Mother Teresa da Anunciada adopted an attitude of profound devotion to the image of the "Ecce Homo", building an intimate relationship and treating the image in honorifics, such as seu Senhor and seu Fidalgo.

The practice of changing the scenography of the High Altar was a Jesuit innovation. The throne at São Roque (usually not visible to the public) was one of the first permanent ones to be created in Portugal. It has six Corinthian columns and four arches, round geometric elements and two large carved and gilded side panels with symbolic trees in relief. The whole forms a sort of pyramid in several levels. The side walls supporting the vault over the altar are decorated (towards the front) with four niches containing statues, two on each side: St. Gregory Thaumaturgus (the Wonderworker) and Our Lady of the Conception, and St. Bridget and Ecce Homo (or “Our Lord of the Green Staff”).

The Impact of Sure Start Local Programmes on five-year-olds and their families National Evaluation of Sure Start team, November 2010 The Evaluation of Children's Centres in England (ECCE) project ran from 2009 until 2015. Results concerning the impact of (the subsequently termed) Sure Start Children's Centres (SSCCs) concluded that, "Children's Centres set up to support parents of young children can improve the mental health of mothers and functioning of families but that these benefits are being eroded by cuts.". In 2019, a study conducted by the Institute for Fiscal Studies concluded that Sure Start reduced the numbers of people taken to hospital, and saved millions of pounds for the National Health Service.

Curricula for pre-school children have long been a hotbed for debate. Much of this revolves around content and pedagogy; the extent to which academic content should be included in the curriculum and whether formal instruction or child-initiated exploration, supported by adults, is more effective. Proponents of an academic curriculum are likely to favour a focus on basic skills, especially literacy and numeracy, and structured pre-determined activities for achieving related goals. Internationally, there is strong opposition to this type of ECCE curriculum and defence of a broad-based curriculum that supports a child’s overall development including health and physical development, emotional and spiritual well-being, social competence, intellectual development and communication skills.

Consequently, Caravaggio fled to Genoa until the end of August. He continued to be in trouble with the law throughout the year, with a complaint against him in September for throwing stones at his landlady's house, and a mysterious incident in October in which he was wounded in the throat and ear (Caravaggio claimed he had fallen on his own sword). In May 1606 he fled Rome again after killing Ranuccio Tomassoni in a duel, and he was not settled in Naples until the latter part of that year. Cigoli's Ecce Homo was not painted until 1607, and clearly attempts to mimic Caravaggio's style, suggesting that Massimi had not yet received his Caravaggio and was turning elsewhere.

Julian Young (2010), "Friedrich Nietzsche: A Philosophical Biography", Cambridge University Press, , page 515Nietzsche: The Anti-Christ, Ecce Homo, Twilight of the Idols: And Other Writings, Aaron Ridley, Cambridge University Press, P.58 According to Nietzsche, states Julian Young, "Nature, not Manu, separates from each other: predominantly spiritual people, people characterized by muscular and temperamental strength, and a third group of people who are not distinguished in either way, the average". He wrote that 'To prepare a book of law in the style of Manu means to give a people the right to become master one day, to become perfect, - to aspire to the highest art of life.' :The Law of Manu was also criticised by Nietzsche.

Recent works include Requiem (2012) for equal voices, organ and improvising trumpet which was premiered in Trondheim and subsequently at three venues in the UK by Arve Henriksen, Ståle Storløkken and Choralia (dir. Christopher Finch). Gothic Voices (UK) commissioned Stond wel, Moder under Rode which was premiered in London in March 2015. Autumn/winter 2017 sees the premier performance of four new works: Spor for Det norske jentekor (The Norwegian Girls' Choir) to a commissioned text by Sarah Camille Ramin Osmundsen; Til Foraaret, a setting of a poem written by Norwegian poet Henrik Wergeland on his deathbed; LUX for Trio Mediaeval and Nils Økland; and Et ecce terrae motus II for Oslo Cathedral Choir and Gothic Voices.

He engraved the "Doctors Disputing on the Immaculateness of the Virgin" and "Ecce Homo" (after Guido Reni); "King Lear in the Storm" and "The Witch of Endor (after Benjaimin West); "The sortie from Gibralter" (after John Trumbull); the portrait of John Hunter and "The Holy Family (after Joshua Reynolds); "St Cecilia" (after Domenichino) and "Virgin and Child" (after Dolci). Sharp's style of engraving was original, the half- tints rich and full. He became an honorary member of the Imperial Academy in Vienna and the Royal Academy in Munich. Sharp's portrait was painted by George Francis Joseph (1764–1846) and engraved by Sharp himself, and a 3/4-length portrait was painted by James Lonsdale (illustrated).

In a series of books, beginning with Ecce Deus: The Pre-Christian Jesus, published in 1894, and ending with The Birth of the Gospel, published posthumously in 1954, Smith argued that the earliest Christian sources, particularly the Pauline epistles, stress Christ's divinity at the expense of any human personality, and that this would have been implausible, if there had been a human Jesus. Smith therefore argued that Christianity's origins lay in a pre-Christian Jesus cult—that is, a Jewish sect had worshipped a divine being Jesus in the centuries before the human Jesus was supposedly born.Case (1911) 627. Evidence for this cult was found in Hippolytus' mention of the NaassenesHippolytus Philosophumena 5.10.

Against this, the moonlit highlights draw attention to significant dramatic and emotional elements of the spectacle. In the late years of his life, in such works as the Ecce Homo (National Gallery of Ireland, Dublin), and the Saint Margaret and the Dragon (Museo del Prado, Madrid), Titian used this method of contrasting of light and colour as a key—or even pivotal—tool for rousing in the viewer a dominant emotion of one kind or another. With the Crucifixion, this method of generating a tragic sensibility is used almost to the exclusion of any other method. It is one of the earlier—possibly the earliest—and most direct uses of the technique in all of Titian's paintings.

Among the masterworks are: an Ecce Homo by Antonello da Messina, a diptych by Jan Provost, and paintings by Luca Giordano and Guido Reni) (in the Cardinal's apartment); as well as Giovanni Paolo Panini; Giovanni Battista Lenardi; Cristoforo Serra; Domenico Maria Viani; Sebastiano Conca; Sebastiano Martinez; and Italian genre artists. Among the latter are works by Bartolomeo Arbotori (1594–1676); Antonio Gianlisi junior (1677–1727); Marc’Antonio Rizzi (1648–1723); Ludovico Stern (1709–1777), Eberhart Keilhau (1624–1687); David de Coninck (1643–1701); Gaspard Dughet (1615–1675); Micco Spadaro (1609/10-1675); and Jacques Courtois, also called il Borgognone (1621–1670). The collection displays 18 large tapestries, including two 16th century Flemish tapestries.

Above there is a pyramidal pediment, made up of eighteen bone-shaped columns, which culminate in a large cross with a crown of thorns. Each of the four steeples is dedicated to an apostle (James, Thomas, Philip, and Bartholomew) and, like the Nativity Façade, there are three porticos, each representing the theological virtues, though in a much different light. The scenes sculpted into the façade may be divided into three levels, which ascend in an S form and reproduce the stations of the Cross (Via Crucis of Christ). The lowest level depicts scenes from Jesus' last night before the crucifixion, including the Last Supper, Kiss of Judas, Ecce homo, and the Sanhedrin trial of Jesus.

Señor de las Tribulaciones The Señor de las Tribulaciones (in english: Lord of Tribulations) is the name given to an image of Jesus Christ that is venerated in the Iglesia de San Francisco de Asís in the city of Santa Cruz de Tenerife (Canary Islands, Spain). This is a sculpture of made paste corn and cloth glued an "Ecce Homo" in the 18th century. The image is considered miraculous, is credited with saving the city of Santa Cruz de Tenerife during a cholera epidemic in 1893.El Toscal alaba al Señor de las Tribulaciones The chronicles relate that the image was carried in procession through the streets of the city and the epidemic was eradicated miraculously.

Prison of Christ before renovation In the northeast side of the complex there is the Prison of Christ, alleged to be where Jesus was held. The Greek Orthodox are showing pilgrims yet another place where Jesus was allegedly held, the similarly named Prison of Christ in their Monastery of the Praetorium, located near the Church of Ecce Homo between the Second and Third Stations of the Via Dolorosa. The Armenians regard a recess in the Monastery of the Flagellation at the Second Station of the Via Dolorosa as the Prison of Christ. A cistern among the ruins beneath the Church of St. Peter in Gallicantu on Mount Zion is also alleged to have been the Prison of Christ.

The several pieces which Verdelot wrote for Machiavelli's play, while called canzone, are considered to be the earliest madrigals.McClary, 38–56. In addition to siding with the Florentine Republic, Verdelot was most likely a supporter of martyred reformer Girolamo Savonarola. This is shown by several of his works: his setting of In te domine speravi, based on the psalm which was the subject of that man's last writing before he was burned at the stake; and the use of the tune most closely associated with the monk, Ecce quam bonum, the song which unified his followers during his final conflict, and which appears in the inner voices in Verdelot's motet Letamini in domino.

21-24, Statius complains that he lacks the motivation to make progress upon his "Achilles" without the company of his friend C. Vibius Maximus who was travelling in Dalmatia (and to whom poem is addressed).Silv. 4.7.21-24: > torpor est nostris sine te Camenis, tardius sueto venit ipse Thymbraee > rector et primis meus ecce metis haeret Achillles. Translation: "Sluggishness is upon my Muse without you. The commander himself goes rather slowly to his usual Troy and, lo, my Achilles is stuck in the starting gate." Statius apparently overcame this self-described writer's block, for in a poem from the posthumously published fifth book of the Silvae he refers to an upcoming recitation of a section from the Achilleid.Silv. 5.2.

In 1890, the fraternity was dissolved and its property confiscated by the state. The building on Via del Gonfalone 32a (near corner of Via Giulia and Vicolo della Scimmia) has a modest façade (designed by Domenico Castelli) resembling a simple church. Inside, a team of prominent Mannerist painters were recruited between 1569–1576 to complete elaborate wall fresco decoration of scenes of the passion. Artists included Giacomo Zanguidi (il Bertoia) (Entry of Christ to Jerusalem); Livio Agresti (Last Supper); Marco Pino (Crown of Thorns), Marcantonio dal Forno; Federico Zuccari (Flagellation of Christ); Raffaellino Motta da Reggio (Christ before Pontius Pilate and Prophet and Sibyls); and Cesare Nebbia (Crown of Thorns and Ecce Homo).

Opinions differ as to the dating and origin of the pavement. Originally thought to be contemporary with the construction of the pool and thus to belong to the Antonia Fortress, reexamination of archaeological data by Father Pierre Benoit has prompted a revision of its dating. The vaults and pavement are rather thought to be contemporary with the nearby Ecce homo arch, originally a triumphal arch constructed by Emperor Hadrian, and thus assigned to the 2nd century CE. This reasoning seems to be supported by Josephus' account of the siege of the Antonia, although whether Josephus had meant a ramp had been built in, over or opposite the middle of the pool remains unclear.

In April 1988, the serial vandal Hans-Joachim Bohlmann splashed acid on three paintings by Albrecht Dürer, namely Lamentation for Christ, Paumgartner Altar and Mater Dolarosa inflicting damage estimated at 35 million euros. In 1990 Dierick Bouts' Ecce agnus dei was acquired. On 5 August 2014, the museum rejected a request by a descendant of the banker Carl Hagen for the repatriation of Jacob Ochtervelt's Das Zitronenscheibchen (The Lemon Slice) on the grounds that it had been unlawfully acquired as a result of Nazi persecution. An investigation by the museum established that it had been lawfully purchased at the time for a fair price and that the Hagen family's interest extended only to a security on the painting.

The metre of this poem is no less remarkable than its diction; it is a dactylic hexameter in three sections, with mostly bucolic caesura alone, with tailed rhymes and a feminine leonine rhyme between the two first sections; the verses are technically known as leonini cristati trilices dactylici, and are so difficult to construct in great numbers that the writer claims divine inspiration (the impulse and inflow of the Spirit of Wisdom and Understanding) as the chief agency in the execution of so long an effort of this kind. The poem begins: :Hora novissima, tempora pessima sunt -- vigilemus. Ecce minaciter imminet arbiter ille supremus. Imminet imminet ut mala terminet, æqua coronet, Recta remuneret, anxia liberet, æthera donet.

The Church of Our Lady of Sorrows (),«Church of Our Lady of Suffering – Armenian catholic – Jerusalem Articles». or the Church of Sorrows of Mary also called the Armenian Chapel of Our Lady of the Spasm, is an Armenian Catholic church building in the Old City of Jerusalem erected in 1881. Located at the fourth station on the Via Dolorosa, under the Arc Ecce Homo, not far from the Austrian Hospice in the Muslim Quarter of the Old City of Jerusalem, it commemorates Jesus' encounter on the way to his crucifixion with his mother. The building includes a chapel dedicated to the Virgin Mary, and is thus named in dedicated to her under the title Our Lady of Sorrows.

The print depicts an episode from the Passion of Jesus in which Pontius Pilate presents Jesus to the people, saying "ecce homo" ("behold the man"), offering to free either Jesus or the notorious criminal Barabbas, and asks the crowd to choose between them. The scene echoes contemporary judicial practice in the Netherlands, in which magistrates bearing a staff of office would present a condemned criminal to the public from a raised balcony or platform. The building in the background resembles the new Town Hall in Amsterdam by Jacob van Campen, completed in 1655 and now the Royal Palace of Amsterdam. The main figures are on a platform above the crowd, in front of a dark archway.

The album was written during 2016 and 2017 in Shanghai and Los Angeles and "formed" in Kraków. Different versions of tracks 4-6 previously appeared on felicita's 2017 EP Ecce Homo, although tracks 4 and 5 were originally titled “Soft Power” and “People don’t change (they die)”, respectively. “Night Soil (Fade Out)” had been played live by felicita since early 2016, and a studio demo was premiered in his mix for NTS Radio under the title “Religioso” in January 2017. The music video for “Hej!” was released on December 6, 2017 to promote the London debut of felicita's collaborative performance “Soft Power” with Śląsk Dance Ensemble at the Barbican Center a couple of days later.

Among the works attributed to them are several outstanding and varied Ecce Homos, all executed with careful technique and deep emotion. Some of these are quite small, finely modeled, and polychromatic; in contrast, one the charterhouse is larger than life, combining noble, muscular forms with well-observed, realistic detail, fitting for popular devotion. Similar to this last, and thus attributed to the brothers, is the Crucifixion in the sacristy of the Granada Cathedral, which strongly influenced Montañés's Cristo de la Clemencia in the sacristy of the Seville Cathedral. With echoes of these artists, but with a direct and strong link to the art of de Rojas, the sculptor Alonso de Mena, was a naturalistic observer, albeit his was an external realism of static, impassive gestures.

Botticelli's Venus, stored in the Uffizi Florence was the birthplace of High Renaissance art, which lasted from 1450–1527. While Medieval art focused on basic story telling of the Bible, Renaissance art focused on naturalism and human emotion. Medieval art was abstract, formulaic, and largely produced by monks whereas Renaissance art was rational, mathematical, individualistic, consisted of linear perspective and shading (Chiaroscuro) and produced by specialists (Leonardo da Vinci, Donatello, Michelangelo, and Raphael). Religion was important, but with this new age came the humanization of religious figures in art, such as Expulsion from the Garden of Eden, Ecce Homo (Bosch, 1470s), and Madonna Della Seggiola; People of this age began to understand themselves as human beings, which reflected in art.

The emphasis of his art was the rendering and interpretation of biblical motifs. He painted mythological scenes (for example, "Phaeton", 1978,; "The three Graces", 1983), but this was of less importance that his historic and scriptural motifs. He painted the Christmas story ("In dulci jubilo", 1991, "The Adoration of the Magi") and the history of Jesus' suffering (for example "Man of Sorrows", "Stations of the Cross", 1994, "The body of Jesus taken off the cross", 1981 and 1992 and of particular importance "Ecce Homo") and his resurrection and the coronation of the Eucharist ("The doubting Thomas", 1993; "The path to the Light", 1998) The manner of painting shows the clear influence of such classical Dutch masters as Lucas van Leiden and Hieronymus Bosch.

The humour largely comes from his original (and often absurd) solutions to problems and his total disregard for others when solving them, and his pettiness and occasional malevolence. The beginning of episode two, Mr Bean falls from the sky in a beam of light accompanied by a choir singing Ecce homo qui est faba ("Behold the man who is a bean") which was sung by the Southwark Cathedral choir in 1990. The opening sequence was initially in black and white in episodes two and three, which was intended by the producers to show his status as an "ordinary man cast into the spotlight". However, later episodes showed Mr Bean dropping from the night sky in a deserted London street against the backdrop of St Paul's Cathedral.

The committee, known as the Ramamurti Review Committee, submitted the report on 9 January 1991 and recommended several changes which included the introduction of a common school system, promotion of women education, Early childhood care and education (ECCE), and Socially Useful Productive Work (SUPW), among others. He received the Jamnalal Bajaj Award in 1998 and the Government of India awarded him the civilian honour of the Padma Shri in 1999. Acharya Ram murti was the chairman of the Revised national Policy committee. Ramamurti was one of the founders of Mahila Shanti Sena (Women's Peace Corps), the women's wing of Shanti Sena, which was established in February 2002, at Vaishali, Bihar, at a conference jointly organized by Shrambharati and McMaster University.

A few of his altarpieces still survive: a Resurrection (San Domenico Maggiore, Naples), a Crucifixion (Santa Maria di Piedigrotta, Naples), a Birth of Christ (S Sebastiana) and a Holy Spirit (Santa Maria in Vallicella, Rome). One of his best known paintings is the Martyrdom of Saint Sebastian, originally in the Cathedral of Our Lady (Antwerp), but now in the Musée des Beaux-Arts in Nancy. This painting was commissioned by the De Jonge Handboog (archers guild) of Antwerp in 1598, while Cobergher was still in Rome. His Angels Supporting the Dead Lord, originally in the Sint-Antoniuskerk in Antwerp, can now also be found in the Musée des Beaux-Arts in Nancy, while his Ecce Homo is now in the museum of Toulouse.

Rosso maintained his studio in Paris, where he exhibited his sculptures and sold works to major collectors and museums. He established a friendship with Auguste Rodin, and the two artists exchanged works, although their relationship dissolved when, following a debate about artistic influence in the press, an embittered Rosso felt Rodin had failed to acknowledge his debt to him. In 1906, Rosso realized his last original subject with the work Ecce puer (Behold the Child); following series of unsuccessful attempts to create a portrait of a five-year-old Alfred William Mond, Rosso happened to glimpse him standing later behind a drawn curtain, inspiring the impression conveyed by the finished work.Margaret Scolari Barr, Medardo Rosso (New York: The Museum of Modern Art, 1963), 58-59.

His mythologic subjects are often as violent as his martyrdoms: for example, Apollo and Marsyas, with versions in Brussels and Naples, or the Tityos in the Prado. The Prado owns fifty six paintings and other six attributed to Ribera, algonside with eleven drawings, like Jacob’s Dream (1639); Louvre contain four of his painting and seven drawings; the National Gallery, London, three; The Real Academia de Bellas Artes de San Fernando owns a nice ensamble of five paintings including The Assumption of Mary Magdalene from El Escorial, an early Ecce Homo or The head of St. John the Baptist. He executed several fine male portraits and a self-portrait. Saint Jerome Writing in the Prado now has been credited to him by Gianni Papi, a Caravaggio expert.

Brumel wrote a Missa l'homme armé, as did so many other composers of the Renaissance: appropriately, he set it as a cantus firmus mass, with the popular song in long notes in the tenor, to make it easier to hear. All of his masses, with the exception of the highly unusual 12-voice Missa Et ecce terræ motus, are for four voices.Barton Hudson, Grove online During the 16th century the most famous of Brumel's masses was his Missa de beata virgine, a paraphrase mass using elaborations of various plainchant melodies. According to Heinrich Glarean, writing in 1547, it was written in competition with Josquin, who simultaneously wrote his own Missa de Beata Virgine, and the two works are similar in style.

There is no firm evidence for a more precise dating, but the figure of Christ has been clearly influenced by the Christ in Rubens' altarpiece of The Crowning with Thorns in the Church of Santa Croce in Gerusalemme, Rome, completed in April 1602. The recipient of both the Crowning with Thorns and the Ecce Homo — the painting to which the contract relates — was Massimo Massimi, a wealthy financier and art collector in the circle of Caravaggio's patron, marquis Vincenzo Giustiniani. The actual date is disputed — John Gash places it in 1601–1603. Stylistically the painting is based on Rubens's altarpiece for the pose of Christ and on Titian's treatment of the same subject (now in the Louvre) for the soldier with the staff behind Christ.

London: Burns and Oates, 1906. p. 50. Shop on the Via Dolorosa near Ecce Homo Arch, Jerusalem, 1891 This negotiation of stations, between the European imagination and the physical site would continue for the next six centuries. Only in the 19th century was there general accord on the position of the first, fourth, fifth, and eighth stations. Ironically, archaeological discoveries in the 20th century now indicate that the early route of the Via Dolorosa on the Western hill was actually a more realistic path.Pierre Benoit, "The Archaeological Reconstruction of the Antonia Fortress", in Jerusalem Revealed (edited by Yigael Yadin), (1976) The equation of the present Via Dolorosa with the biblical route is based on the assumption that the Praetorium was adjacent to the Antonia Fortress.

1570–1571, Keter Publishing House, Jerusalem, 1972 The most recent church of the three—the Church of the Flagellation—was built during the 1920s; above the high altar, under the central dome, is a mosaic on a golden ground showing The Crown of Thorns Pierced by Stars, and the church also contains modern stained-glass windows depicting Christ Scourged at the Pillar, Pilate Washing his Hands, and the Freeing of Barabbas. The Convent, which includes the Church of Ecce Homo, was the first part of the complex to be built, and contains the most extensive archaeological remains. Prior to Ratisbonne's purchase, the site had lain in ruins for many centuries; the Crusaders had previously constructed a set of buildings here, but they were later abandoned.

In 1607 Alabaster published at Antwerp Apparatus in Revelationem Jesu Christi, in which his study of the Kabbalah gave a mystical interpretation of Scripture. The book was placed on the Index Librorum Prohibitorum at Rome early in 1610. He went to Rome and was there imprisoned by the Inquisition, but succeeded in escaping to England and again embraced the Protestant faith. citing the preface to Alabaster's Ecce sponsus venit (1633), a treatise on the time of the second advent of Christ After returning to England Alabaster became a doctor of divinity at Cambridge University and chaplain to King James I. After his marriage in 1618 his life now became more settled and he devoted his later years to theological studies.

On the reverse of the crucifixion there is a "Ecce Homo". As part of the crucifixion, four angels are depicted collecting the blood from Jesus' wounds into chalices, On the second crosspiece below are some back-to-back statues ("statues géminées") of the Virgin Mary and John the Evangelist, these on either side of a pietà ("Notre Dame de Pitié" or "Vierge de Pitié") on one side and a depiction of the resurrected Jesus ("Christ ressuscité") on the other side, set between depictions of St Peter and Mary Magdalene. The calvary was the work of a sculptor called Fayet who worked for the Henry and Bastien Prigent workshop between 1552 and 1563. Fayet is not attributed with the pedestal and it's bas- reliefs.

Ecce Homo In the 1630s Cossiers became connected to Rubens and commenced to paint history subjects. Examples are the mythological scenes he painted after designs by Rubens for the Torre de la Parada such as the Prometheus carrying fire, Narcissus and Jupiter and Lycaon (Prado Museum).Recently discovered signature of Jan Cossiers ends debate on authorship in the Prado , at Codart, Tuesday, 15 September 2015 During this period his work underwent the influence of the monumentality and palette of Rubens, whom he assisted on large commissions. After the death of Rubens he was able to fill the gap left by Rubens' enormous studio and supplied Counter- Reformation altarpieces to the many churches in Catholic Flanders as well as to the open market.

Ecce Homo (Behold, the Man!), Antonio Ciseri, 19th century: Pontius Pilate presents a scourged Jesus of Nazareth to onlookers The priests however convince the crowd to ask for the release of Barabbas, a prisoner. Mark says he was in prison chained "with" insurrectionists who had committed murder during a recent στασισ (stasis, a riot), probably "one of ... numerous insurrections against the Roman power" Cambridge Bible for Schools and Colleges on Mark 15, accessed 11 December 2017 Theologian John Gill says he was "at the head" of the rebels.Gill's Exposition of Mark 15, accessed 11 December 2017 Both Luke and John say he was a revolutionary. Jesus seems to have already been declared guilty as this seems a choice between releasing two prisoners.

The small body of work of Baltens that has been preserved includes a number of religious compositions. In addition to his Ecce homo, which was later the source of inspiration for an independent work of Pieter Breughel the Younger, he created works on popular themes such as Christ on the Road to Calvary and The Tower of Babel. Christ on the Road to Calvary His Christ on the Road to Calvary (Auctioned at Sotheby's on 7 July 2005 in London, lot 7) may have drawn some inspiration of Pieter Brueghel the Elder's treatment of this subject (1564, Kunsthistorisches Museum, Vienna), which Baltens likely knew in Antwerp. Both pictures offer a depiction of the subject that had become an established tradition in Flemish art by the 1560s.

Andrea Mantegna, 1500 A scene of the Ecce Homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined: The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia).

An early philosophical discussion of self-awareness is that of John Locke. Locke was apparently influenced by René Descartes' statement normally translated 'I think, therefore I am' (Cogito ergo sum). In chapter XXVII "On Identity and Diversity" of Locke's An Essay Concerning Human Understanding (1689) he conceptualized consciousness as the repeated self-identification of oneself through which moral responsibility could be attributed to the subject—and therefore punishment and guiltiness justified, as critics such as Nietzsche would point out, affirming "...the psychology of conscience is not 'the voice of God in man'; it is the instinct of cruelty ... expressed, for the first time, as one of the oldest and most indispensable elements in the foundation of culture."Ecce Homo by Friedrich Wilhelm Nietzsche p.

On the left are the entry into > Jerusalem, the Betrayal of Judas and the Ecce Homo: on the right, the > Scourging, Christ bearing His Cross, the Crucifixion. The scenes are linked > with a pattern of leaves. Palm is used for the Entry into Jerusalem, and > among other plants represented are the Star of Bethlehem, the Passion Flower > and the Thorn. The lowest medallion on the right, portraying the > crucifixion, is darker than the others, suggesting the darkness that was > over the land. The uppermost tracery light depicts the Pelican in her Piety, > and the remaining tracery lights contain the symbols of the Passion; the > betrayal money, Peter’s lantern, pillar and scourges, dice, ladder and > nails, hammer and pincers, crown of thorns and chalice.

The National Library and Information System of Trinidad and Tobago (known as NALIS) is a corporate body established by the NALIS Act No. 18 of 1998 to administer the development and coordination of library and information services in Trinidad and Tobago. As a statutory authority under the Ministry of Communication NALIS is governed by a Board which ensures proper and efficient performance of the functions of the organisation. NALIS is managed by an Executive Director assisted by a Deputy Executive Director and Directors of its various divisions. NALIS provides library and information services at the Heritage Library (located in the National Library Building, Port-of- Spain), 23 public libraries, 4 mobile libraries, 66 special libraries, 133 secondary and 483 primary school libraries, 25 ECCE centres.

In the first century BC, Herod the Great built a large open-air pool.Josephus, Jewish War 5:11:4 In the second century, Roman Emperor Hadrian added arched vaulting to enable pavement to be placed over the pool, making it a large cuboid cistern to gather rainwater from guttering on the forum buildings. On the surface, Hadrian built a triple-arched gateway as an entrance to the eastern forum of the Aelia Capitolina in Jerusalem.Benoit, Pierre, The Archaeological Reconstruction of the Antonia Fortress, in Jerusalem Revealed (edited by Yigael Yadin), (1976)Benoit, Pierre, The Antonia of Herod the Great, and the East Forum of Aelia Capitolina (1971) The northern arch is preserved under the apse of the Basilica of Ecce Homo.

In 2014, SLUT was produced at the Hammer Museum in Los Angeles, CA; and at the ECCE Arts Gallery in Fargo, North Dakota. In 2015, performances were held at The Tischman Auditorium at New York City's The New School.; and at the Wong Auditorium and the Kresge Auditorium at the Massachusetts Institute of Technology Also in 2015, a performance of SLUT was held at the Warner Theatre in Washington, D.C.; the talkback following the performances featured guests including editor-in-chief of Glamour Magazine Cynthia Leive, Senator Kirsten Gillibrand, House of Cards creator Beau Willimon and Senator Mark Warner. In 2017, the play was produced as a fundraiser for Planned Parenthood, the ACLU and the Southern Poverty Law Center at Teatro LATEA in New York City, along with Cappiello's play Now That We're Men.

An illuminated opening from the Chigi codex featuring the Kyrie of Ockeghem's Missa Ecce ancilla Domini Ockeghem was not a prolific composer, given the length of his career and extent of his reputation, and some of his work was lost. Many works formerly attributed to him are now presumed to be by other composers; Ockeghem's total output of reliably attributed compositions, as with many of the most famous composers of the time (such as Josquin), has shrunk with time. Surviving reliably attributed works include some 14 masses (including a Requiem), an isolated Credo (Credo sine nomine), five motets, a motet-chanson (a deploration on the death of Binchois), and 21 chansons. Thirteen of Ockeghem's masses are preserved in the Chigi codex, a Flemish manuscript dating to around 1500.Brown & Stein, p70.

This development is generally taken to be the result of a need to translate Latin forms, but parallels in other Germanic languages (particularly Gothic, where the Biblical texts were translated from Greek, not Latin) raise the possibility that it was an independent development. Germanic also had no future tense, but again OHG created periphrastic forms, using an auxiliary verb skulan (Modern German sollen) and the infinitive, or werden and the present participle: > Thu scalt beran einan alawaltenden (Otfrid's Evangelienbuch I, 5,23) > "You will bear an almighty [one]" > Inti nu uuirdist thu suigenti' (Tatian 2,9) > "And now you will start to fall silent" > Latin: Et ecce eris tacens (Luke 1:20) The present tense continued to be used alongside these new forms to indicate future time (as it still is in Modern German).

Tomás Luis de Victoria, composer of the theme upon which the piece is based Both sections of the piece are based on a theme from a motet, Ecce sacerdos magnus ("Behold a great priest"), by the Spanish composer Tomás Luis de Victoria (or "Vittoria", 1548–1611). The theme, which comes from a plainchant melody used in Vittoria's day on the feast day of a saint and bishop, is nine notes long and does not range widely. The Prelude, which is in time (four minims to a bar), opens with a statement of the theme played on the pedals in quintuplets (five quavers played in the time of four), marked ff, (fortissimo, "very loud"). The theme is repeated frequently in the pedals during the prelude, which is marked "largamente" ("broadly").

The Council of Bars and Law Societies of Europe (CCBE) is the representative organisation of European lawyers through its member bars and law societies from 31 full member countries, and 11 further associate and observer countries. The CCBE has issued a Charter of core principles of the European legal profession and Code of Conduct for European lawyers.Charter of core principles of the European legal profession and Code of Conduct for European lawyers Activities include a committee on DeontologyCommittee on Deontology and a working group on Professional Indemnity Insurance.Working group on Professional Indemnity Insurance The European Council of Civil Engineers (ECCE) aims to promote the highest technical and ethical standards, to provide a source of impartial advice, and promote co-operation with other pan-European organisations in the construction industry.

Organized since ancient times by the confraternity of Mercy, this procession, in the night of Maundy Thursday or "Endoenças", evokes the trial of Jesus, while celebrating the mercy that He taught. Opens the procession the exotic group of “farricocos” with their “matracas” (noisemaker) and “fogaréus” (high pieces with fire). The image of the Lord “Ecce Homo” represents Christ who stated himself as King and who Pilate ridiculed by putting a sham sceptre in his hands and showing him to the crowd with the words “Behold the man!” Besides many allegorical figures of the supper and the trial of Jesus, since 2004 the procession incorporates floats of the fourteen works of mercy, as well as historical figures related to the foundation and history of Mercies, especially the Mercy of Braga.

The “farricocos” are exotic figures roughly dressed in black tunics, (“balandraus”) surrounded by a rope, wearing identical cloth hoods with two holes in front of the eyes, crowns of sisal encircling the head and barefooted. This dress is a sign of penitence, inspired by the Old Testament (cf. Jo 3,8) and comes from the old “processions of Penitence”. On Holy Thursday they roam the city streets shaking their wooden rattles or “ruge- ruge”, mounted on top of black sticks, and spinning. In the “Ecce Homo” procession the “farricocos” go ahead, opening the procession: some of them occasionally spin their rattles, while others wield the “fogaréus”. Thus, they recall times when their predecessors walked through the streets calling the public “sinners” to the “endoença”, that is, the Church's forgiveness.

A secular iconography in the Western and in the Eastern Churches reflect the belief of the presence of the Blessed Virgin Mary in day of Pentecost and her central role on the divine concession of the gift of the Holy Spirit God to the Apostles. confirms the presence of the mother of Jesus with the Twelve in a spiritual communion of daily prayer. It is the unique reference to the Mother of God after Jesus' entrusting to St. John the Evangelist and the Apostle at the feet of the cross, an episode known as Ecce homo. According to that iconographic tradition, the Latin encyclical Mystici Corporis Christi officially stated: The Roman Catholic and the Orthodox Church recognize to the Mother of God a special form of veneration called with the Greek word hyperdulia.

Brumel is best known for his masses, the most famous of which is the twelve-voice Missa Et ecce terræ motus. Techniques of composition varied throughout his life: he sometimes used the cantus firmus technique, already archaic by the end of the 15th century, and also the paraphrase technique, in which the source material appears elaborated, and in other voices than the tenor, often in imitation. He used paired imitation, like Josquin, but often in a freer manner than the more famous composer. A relatively unusual technique he used in an untitled mass was to use different source material for each of the sections (mass titles are taken from the pre-existing composition used as their basis: usually a plainchant, motet or chanson: hence the mass is without title).

First brotherhood leaving the El Carmen church The procession takes place on Good Friday, in the historical center of the city of San Luis Potosi, which is filled with churches and colonial era buildings. Illuminated with candles, the area has a church-like atmosphere and even though thousands of spectators line the streets, no one will speak during the hours of the procession, which gives it the name. The main participants of the procession are the members of various religious brotherhoods, who carry and accompany large platforms with religious images through the streets. In 2013, there were thirty such brotherhoods which included the Cofradía del Virgen del Carmen, the Cofradía del Santo Entierro, Cofradía del Descendimiento, Cofradía del Ecce Homo and the Cofradía de la Soledad, which carries an image of Our Lady of Solitude.

Connolly uses the theme to explore his feelings and review his situation as he approaches the age of forty presenting a very pessimistic and self-deprecating account. Into this he brings quotes from some of his favourite authors: Pascal, De Quincey, Chamfort and Flaubert as well as snatches from the Buddha, Chinese philosophy and Freud. The book's title is taken from an English folk song of the same name: :The twelvemonth and a day being up, :The dead began to speak: :'Oh who sits weeping on my grave, :And will not let me sleep?'"The Unquiet Grave" from Child's Collected Ballads The book is in four parts entitled Ecce Gubernator ("Here is the pilot"), Te Palinure Petens ("Looking for you, Palinurus") and La Clé des Chants ("The key of songs") and Who was Palinurus.

Modine has twice been nominated for an Emmy Award: first, for his performance in And the Band Played On (an HBO Emmy award-winning film about the early years of the HIV/AIDS epidemic), and then for the highly acclaimed Hallmark Hall of Fame film, What the Deaf Man Heard. In 2017, he and his Stranger Things castmates won the prestigious Screen Actors Guild Best Ensemble Award. In 1995, he appeared opposite Geena Davis in the romantic action-adventure film Cutthroat Island. Modine made his feature directorial debut with If... Dog... Rabbit..., which came after the success of three short films debuting at the Sundance Film Festival: When I Was a Boy (co-directed with Todd Field), Smoking written by David Sedaris, and Ecce Pirate written by Modine.

Monument honoring the Vallenata Siren Legend by the Guatapuri River in the outskirts of Valledupar. The Guatapurí River is one of the main attractions for tourists visiting the Department of Cesar. Tourism in Cesar Department refers to the tourism in the Colombian Department of Cesar. Tourism developed primarily in Valledupar during the middle of the 20th century after the creation of Cesar Department, but had its precedents in religious peregrination during the holy week, Catholic church tradition with peregrines going to Valledupar to celebrate processions, religious masses, saint of Ecce Homo veneration, the Virgen del Carmen, among others, these peregrinations were also popular in Atanquez a small village enclaved in the Sierra Nevada de Santa Marta, were the local culture inherited from the Spanish and Indigenous develop the "devil dancers" (La danza de los diablos).

The Holy Week in Viveiro is one of the most important Holy Week celebrations in Galicia and it is also considered as a Fiesta of International Tourist Interest of Spain since 2013. Vivero has a great number of cofradías such as the Virgin of the Rosario, the Christ of the Piety, the Seven Last Words and . The city is also home to processions such as the Encounter that show the Calvary of Christ with religious images, the Unnailed and St. Funeral that show the descent of the Cross to continue with the procession of St. Funeral, the Last Supper with the pasos of the supper, Horto, Ecce Homo, the Nazarene and Our Lady of Sorrows - Sufferings, the Passion, the Seven Words, the Piety and the Virgin at the foot of the Cross, a silent procession.

Ecce Agnus Dei ("Behold the Lamb of God") at Mass The Catholic Church declares that the presence of Christ in the Eucharist is true, real, and substantial.Council of Trent, Session XIII, Sacrament of the Eucharist By saying Christ is truly present in the Eucharist, it excludes any understanding of the presence as merely that of a sign or figure. By stating that his presence in the Eucharist is real, it defines it as objective and independent of the thoughts and feelings of the participants, whether they have faith or not: lack of faith may make reception of the sacrament fruitless for holiness, but it does not make his presence unreal. In the third place, the Catholic Church describes the presence of Christ in the Eucharist as substantial, that is, involving the underlying substance, not the appearances of bread and wine.

Born in Paris, the son of the organist of the same name, he studied at the Conservatoire de Paris with Alexandre Guilmant and Paul Vidal and won first prizes in counterpoint and fugue, piano accompaniment and harmony. He worked as a coach in the class of Louis Vierne, who dedicated the song from the Vingt-quatre pièces en style libre to him and was organist at the Église Saint-Pierre-de-Chaillot. From 1927, he taught harmony at the Conservatoire. Among his students were Jacques de La Presle, Georges Taconet and Lucien Caillet Fauchet composed a symphonic piece for organ and orchestra, a solennelle mass for four-part choir and orchestra, a mass for three-part choir and string quartet, Ecce sacerdos magnus for soloists, choir and orchestra, motets and other choral works as well as songs.

The Farricoco in the procession "Ecce Homo" on Maundy Thursday, in Braga, Portugal In Portugal, coca is a name for a hooded cloak; it was also the name of the traditional hooded black wedding gown still in use at the beginning of the 20th century.CÔCA OU MANTILHA - SÉCULO XIX In Portimão during the holy week celebrations, in the procissão dos Passos (Spanish: Procesión de los Pasos), a procession organized by the Catholic brotherhoods, the herald, a man dressed with a black hooded cloak that covered his face and had three holes for the eyes and mouth, led the procession and announced the death of Christ. This man was either named coca, farnicoco, (farricunco, farricoco from Latin far, farris and coco) or death. The name coca was given to the cloak and to the man who wore the cloak.

The Chapel of St James font made in 1914 The pulpit is typically 17th-century The stone and marble reredos made in 1878 The Chapel of St James in the South Transept is named after the demolished chapel at Torrington Castle, and was furnished as a memorial to Frank Emlyn Jones, Vicar 1894-1934 and latterly Archdeacon of Barnstaple. This is where the original tower stood before the rebuilding of the early 19th-century. The chapel altar is 17th-century, while the figures on the reredos are (from left to right): St Michael (for Great Torrington), St Giles (for Little Torrington), St Mary the Virgin, St James, St Mary Magdalene (for Taddiport), and St Gabriel (for St Gabriel's Mission in the town, which no longer exists). The oil painting above the altar is a copy of Caravaggio's 'Ecce Homo'.

Chavagnes en Paillers has a long history of association with England, and with a general attitude of welcoming outsiders. The motto on the official arms of the village comes from the 133rd Psalm (Ecce Quam Bonum): 'Habitare fratres in unum' (Behold how good it is for brethren to dwell together in unity.) Pope Clement V, the first of Four 'Chavagnes Popes' The land on which the college is built, near the site of a Roman villa, was given to a community of Benedictine monks in the thirteenth century by the Anglo- French family Harpedan de Belleville, who then ruled the area. The monastery built at that time was dedicated to St Anthony of Egypt (also called St Anthony the Great), the founder of monasticism. The monastery received a canonical visitation from a Papal Legate, Bertrand de Got in the late 12th century.

On the small screen, Serna is known for playing a Spanish guerrilla in the first four of ITV's Sharpe series of television films based on the novels of Bernard Cornwell, Anna Cellini in Falcon Crest and portraying Catherine of Aragon in Henry VIII opposite Helena Bonham Carter and Ray Winstone. She also acted on the popular Spanish TV series Aquí no hay quien viva. From 2011 to 2014, Serna played one of the female leads, Vannozza dei Cattanei, mistress of Cardinal Rodrigo Borgia, in Tom Fontana's historical drama Borgia. She co-produced with Wildcard UK a documentary called Fresco Fiasco and acted in the movie Behold the Monkey, two films about the famous restoration of the Ecce Homo which attracted more than 200,000 visitors from 170 countries to the little town of Borja to see the painting.

Interior of St. Hyacinth's Church The facade is baroque, although the interior is completely modern, because very few of the original furnishings of the church were preserved. Among them, the most interesting are the tomb monuments - the mannerist tomb of Katarzyna Ossolińska, constructed in 1607 (it was only partially reconstructed); the tomb of Anna Tarnowska, carved from brown Chęciny marble in about 1616, which depicts Anna in the typical Polish sepulchral art sleeping pose; the black marble epitaph of Regina Sroczyńska, a wealthy merchant from Kraków, originally adorned with a coffin portrait of Regina painted on tin plate. Next to the sanctuary there is a chapel for St. Dominic with the most valuable element of the church's furnishing - an 18th-century wooden statue of Ecce Homo by Antoni Osiński, with profuse stucco decorations, a black marble altar and a portal.

In the 1980s, with the ever-increasing popularity of the Kelman phacoemulsification technique that emphasized a small incision and extra-capsular cataract extraction (ECCE), the keratome-and-scissors, large incision surgery technique combined with intracapsular cataract extraction (ICCE) became obsolete, although the use of the von Graefe knife still continued in India. Sutures had limited if any use in routine cataract surgery for the high-volume most experienced and skilled eye surgeons in the world. Their experience and skill resulted in the outstanding rural cataract camps so common in India. Formally trained Indian ophthalmologists were and are among the deftest in the use of the von Graefe knife. Ultraviolet-rich India with its vast rural and underclass population afflicted with nutritional eye diseases combined with a multitude of public health problems was and still is the “Land of Eye Disease and Eye Surgery“.

He is the creator of the processional hammer and cross used in 2000 for the Great Jubilee, which is now conserved in the Treasures of the Vatican museum. He participated in a collective exhibit in 2000 to which he contributed the Angel of Light now displayed in the State Basilica of Saint Mary of the Angels in Rome. He contributed the sculpture of Ecce mater Dulcissima in the 2003 exhibit in Rome to celebrate the 25th anniversary of the pontificate of Pope John Paul II. Between 2004 and 2006, Lamagna created the sculptures for the Dehumanitat exhibit at the European Parliament in Brussels. In 2007, he presented the exhibit Ora Nona at Palazzo Venezia in Rome. As of early 2009 he is “embedded” with a contingent of the Italian military as an art instructor to Afghan civilians in Herat, Afghanistan.

Inagaki Manjiro dedicated his Japan and the Pacific and the Japanese View of the Eastern Question (1890) to Seeley, who had taught him at Caius College. Correspondence to and from Seeley, including that relating to the publication of and reactions to Ecce Homo, is held by the archives in Senate House Library.. In 1897, the history library of the University of Cambridge was named the Seeley Historical Library in his honour. In 1895 a memorial fund was raised to commemorate his services to the British Empire and to the University; the greater part of this fund was devoted to the endowment of the library. After moving from King's College and Caius College, in 1912, the collection relocated to the top floor of the newly reopened Arts School, Bene't Street, then in 1935 to the Old Schools.

Consequently, many of the sisters moved to the newer convents that became constituted in areas with more protection, including the Convent of Saint Andrew (in Vila Franca do Campo) and the Convent of Our Lady of Hope (in Ponta Delgada). It was in the latter that Mother Inês de Santa Iria, a nun originating from Galicia, moved with the image of the "Ecce Homo" in 1541, where it remained. The Convent was founded by Rui Gonçalves da Câmara and his wife Filipa Coutinho, who had stayed with a group of the sisters in Vale de Cabeças after the 1522 Vila Franca earthquake. The devotion to the image and what it represented began in the 17th and 18th centuries, following the principles adopted by the Catholic Church, following the Council of Trent, in the defense of the cult and veneration of images, following the Protestant Reformation.

The Baptism of Jesus Christ, by Piero della Francesca, 1449 St John the Baptist, from a medieval book of hours (mid-15th century) St. John the Baptist (c.1513–1516), Leonardo da Vinci Cristofano Allori (1577–1621), a late Mannerist John the Baptist in the desert A Baroque (17th century) John the Baptist by Michele Fabris. Pinacoteca Querini Stampalia Puvis de Chavannes, The Beheading of St John the Baptist, c. 1869 St John (right) in Christ in the House of His Parents by John Everett Millais, 1849–50 Wood sculpture of John the Baptist's head by Santiago Martinez Delgado, 1942 After the earliest images showing the Baptism of the Lord follow such with St John shown as an ascetic wearing camel hair, with a staff and scroll inscribed (in Western art) Ecce Agnus Dei, or bearing a book or dish with a lamb on it.

The appearance of the crown of thorns in art, notably upon the head of Christ in representations of the Crucifixion or the subject Ecce Homo, arises after the time of St. Louis and the building of the Sainte- Chapelle. The Catholic Encyclopedia reported that some archaeologists had professed to discover a figure of the crown of thorns in the circle which sometimes surrounds the chi-rho emblem on early Christian sarcophagi, but the compilers considered that it seemed to be quite as probable that this was only meant for a laurel wreath. The image of the crown of thorns is often used symbolically to contrast with earthly monarchical crowns. In the symbolism of King Charles the Martyr, the executed English King Charles I is depicted putting aside his earthly crown to take up the crown of thorns, as in William Marshall's print Eikon Basilike.

Extending these methods, and published in 2014, are Tales from Shakespeare: Creative Collisions (Cambridge University Press, June 2014),Tales from Shakespeare: Creative Collisions (Cambridge University Press, June 2014) which includes a story about Shakespeare's Richard II being performed on board the ship the Red Dragon during the Third Voyage of the East India Company, and a re-writing of Coriolanus as a James Bond adventure; and Re-writing Jesus: Christ in 20th Century Fiction and Film (Bloomsbury, November 2014),Re-writing Jesus: Christ in 20th Century Fiction and Film (Bloomsbury, November 2014) which incorporates a new historical life of Jesus, Ecce Homo. May 2014 sees the publication of a historical fantasy novel on Shakespeare and the Gunpowder Plot, Black and Deep Desires: William Shakespeare Vampire Hunter (Top Hat Books, 2014). His most recent book is The Faith of William Shakespeare (Lion Hudson, November 2016).

It was also used in deliberately inverted form, by Thomas Carlyle in "the dismal science", to criticize the emerging discipline of economics by comparison with poetry. The book's title was first translated into English as The Joyful Wisdom, but The Gay Science has become the common translation since Walter Kaufmann's version in the 1960s. Kaufmann cites The Shorter Oxford English Dictionary (1955) that lists "The gay science (Provençal gai saber): the art of poetry." In Ecce Homo, Nietzsche refers to the poems in the Appendix of The Gay Science, saying they were This alludes to the birth of modern European poetry that occurred in Provence around the 11th century, whereupon, after the culture of the troubadours fell into almost complete desolation and destruction due to the Albigensian Crusade (1209–1229), other poets in the 14th century ameliorated and thus cultivated the gai saber or gaia scienza.

The painting itself depicts a bound, crowned, bleeding Christ (center) being presented to the people by Pontius Pilate (left from center). The painting captures the moment in which Pilate announces to the crowd "Ecce homo" (behold the man), a line in keeping with biblical text in the gospel of John 19:5. Pilate (a Roman governor) himself is depicted wearing Middle Eastern clothing in place of Roman garb, and is described by one source as having "vaguely orientalizing costume"; such depictions possibly are in reference to the-then expanding Ottoman Empire, a major geopolitical force that often clashed with Christian nations in Europe. To Christ's right is a black African, a possible reference to the Arab slave trade (which resulted in black slaves being present in the Middle East) and the Muslim domination of Africa.Paul H. D. Kaplan, “Isabella d’Este and Black African Women,” in Black Africans in Renaissance Europe, ed.

Nietzsche insists that his suffering is not noble but the expected result of hard inquiry into the deepest recesses of human self- deception, and that by overcoming one's agonies a person achieves more than any relaxation or accommodation to intellectual difficulties or literal threats. He proclaims the ultimate value of everything that has happened to him (including his father's early death and his near-blindness – an example of love of Fate or amor fati). Nietzsche's primary point is that to be "a man" alone is to be actually more than "a Christ": his position is that the very idea of "a Christ" is in truth an empty impossibility, that it is nothing more than a dangerous creation of the human imagination. One of the main purposes of Ecce Homo was to offer Nietzsche's own perspective on his work as a philosopher and human being.

Note 1: Apart from the Prigent brothers and their team of masons, a major contribution was made to the Pleyben calvary by a sculptor who is known as "Le compagnon de Pleyben". This third sculptor worked in grey sandstone rather than kersantite. The contributions were the heads of the soldiers and the Jewish priest in the "Ecce Homo" scene, Jesus and the devil in the scene depicting the devil tempting Jesus, Saint Peter in the scene depicting the agony in the garden of Gethsemane, all the figures in Jesus' arrest other than Jesus himself, the figures apart from Jesus in the scene depicting the appearance before Caiaphas, all the characters in the "Christ aux outrages" except for Jesus himself, the figures in the flagellation scene apart from Jesus and those in the scene depicting the crown of thorns being applied to Jesus' head again other than Jesus himself.

" In 1888, in Ecce Homo, Nietzsche was back on the attack. He defends The Birth of Tragedy by stating: "...It is indifferent toward politics,—'un-German,' to use the language of the present time—it smells offensively Hegelian, and the cadaverous perfume of Schopenhauer sticks only to a few formulas. An 'idea'—the antithesis of the Dionysian and the Apollinian—translated into the metaphysical; history itself as the development of this 'idea'; in tragedy this antithesis is sublimated into a unity; under this perspective things that had never before faced each other are suddenly juxtaposed, used to illuminate each other, and comprehended... Opera, for example, and the revolution.— The two decisive innovations of the book are, first, its understanding of the Dionysian phenomenon among the Greeks: for the first time, a psychological analysis of this phenomenon is offered, and it is considered as one root of the whole of Greek art.

Found (unfinished), by Dante Gabriel Rossetti, Delaware Art Museum Ecce Ancilla Domini, by Rossetti, Tate Britain, London (1850) Graham's father was the founder of a firm, and in 1810 W & J Graham & Co diversified its business interests when it began importing wines from Portugal. Graham's became one of Britain's most prominent port shippers. Graham was a moderate Liberal, who was elected on 14 July 1865 with Robert Dalglish (1808–1880) in Glasgow. He was re-elected in 1868 with Dalglish and George Anderson (1819–1896) in the party's great Glasgow triumph in the general election of 1868 when Glasgow's electoral representation was raised from two to three MPs. Graham was a friend and patron of Edward Burne-Jones since 1856.Pre-Raphaelite: 1856. See also Edward Burne-Jones (1833-1898). Graham bought several of Burne-Jones's works and the 1886 sale of his collection allowed new Burne-Jones enthusiasts to acquire coveted pieces.

The 1990s opened a new page in the history of the development of ECCE catalysed mainly by the rapid and successive ratification of the 1989 United Nations Convention on the Rights of the Child (CRC). By its explicit mention of 'the child' – meaning every human being under the age of eighteen or majority – the CRC reinforced the 1960 UNESCO Convention and Recommendation against Discrimination in Education which should have covered young children in any case. With its moral force and near universal ratification, the CRC formally recognized children as holders of rights to survival and development, to be heard and to participate in decisions affecting them in accordance with their evolving capacities with their best interests and non-discrimination as overarching principles. While the CRC in Article 18 also recognizes the primary role of parents and legal guardians in the upbringing and development of children, it obliges States Parties to help them carry out these duties.

Unknown remains the fate of a painting mentioned by ancient sources as existing at the Mantuan church of St. Catherine and representing the Virgin on the Throne with the Child, St. Giuseppe, St. Luigi Gonzaga and the Guardian Angel. Among the surviving works we can mention: the canvas, placed in the town church of St. Barnaba, depicting the Death of Saint Giuliana Falconieri (dated 1732, as shown in documents from the parish archives); the painting, in the parish church of Castelnuovo (Asola), representing a Madonna among the Saints Antonio and Imerio, signed and dated 1748; the canvas, located in the parish church of Acquanegra sul Chiese, depicting the Virgin among the Saints Luigi Gonzaga, Carlo Borromeo, Vincenzo Ferreri and Francesco Saverio, signed and dated 1751. He was an associate at the Academy of Fine Arts of Mantua since 1754. He painted an Ecce Homo for the former chapel of Sant'Ambrogio (destroyed in 1789).

Arnhold writes that the region's sculptors and their workshops,the article will use the French word "atelier" for workshop as was the case with painters, created, developed and maintained a regional and iconographical style which persisted until around 1540 and concentrated very much on themes linked to the Passion of Christ such as the "Pietà" or "Vierge de pitié" and "Christ de Pitié". The sculptures of 'Ecce Homo', the Entombment of Christ, the Descent from the Cross, but also the Virgin and Child, the Education of Mary as well as different Saints which were venerated in Champagne, are the most important and numerously represented subjects. The mood of the Passion is expressed in studies of suffering and sorrow all portrayed with an inordinate feeling of resignation. The Master of Chaource, so named because of his magisterial "Entombment" in Chaource of 1515, is the region's most important sculptor with a characteristic style which Arnhold explores in the first part of this work.

Rafael Arévalo Martínez (25 July 1884, Guatemala City –12 June 1975, Guatemala City) was a Guatemalan writer. He was a novelist, short-story writer, poet, diplomat, and director of Guatemala’s national library for more than 20 years. Though Arévalo Martínez’s fame has waned, he is still considered important because of his short stories, and one in particular: The man who resembled a horse and the biography of president Manuel Estrada Cabrera, ¡Ecce Pericles!. Arévalo Martínez was director of the Guatemalan National Library from 1926 until 1946, when he became for a year Guatemala’s representative before the Pan American Union in Washington, D.C. He was the political and literary counterpart of his more famous countryman, Nobel Prize winner Miguel Ángel Asturias; while Arévalo Martínez was an unapologetic admirer of the United States, Asturias was a bitter critic of the New Orleans-based United Fruit Company (now part of United Brands Company), which he felt had plundered his country.

"Just A Pretty Face? by Sean O'Hagan, The Observer, July 11, 2004 Eleven days after Guevara's execution, journalist I. F. Stone (who himself had interviewed Guevara), drew the comparison by noting that "with his curly reddish beard, he looked like a cross between a faun and a Sunday-school print of Jesus.""The spirit of Che Guevara" by I F Stone, October 20, 1967 (published September 20, 2007), The New Statesman That observation was followed by German artist and playwright Peter Weiss' remark that the post-mortem images of Guevara resembled a "Christ taken down from the cross."Second Coming by Jeremy Taylor, Caribbean Review of Books, Issue No 15, February 2008 Che's last moments and the connection to Christian iconography was also noted by David Kunzle, author of the book Che Guevara: Icon, Myth, and Message, who analogized the last photo of Guevara alive, with his hands bound, to an "Ecce Homo.

Many works by van Heemskerck survive. Adam and Eve and St. Luke painting the Likeness of the Virgin and Child in presence of a poet crowned with ivy leaves, and a parrot in a cage – an altar-piece in the gallery of Haarlem, and the Ecce Homo in the Museum of Fine Arts in Ghent, are characteristic works of the period preceding van Heemskerck's visit to Italy. An altar-piece executed for the St. Laurence Church of Alkmaar in 1539–1543, composed of at least a dozen large panels, which including portraits of historical figures, preserved in Linköping Cathedral, Sweden since the Reformation, shows his style after his return from Italy. He painted a crucifixion for the Riches Claires at Ghent (now in the Museum of Fine Arts, Ghent) in 1543, and an altar-piece for the Drapers' Company at Haarlem, finished in 1546 and now in the gallery of the Hague.

Following this longer period in which few depictions of Pilate were made, the increased religiosity of the mid- nineteenth century caused a slew of new depictions of Pontius Pilate to be created, now depicted as a Roman. In 1830, J. M. W. Turner painted Pilate Washing His Hands, in which the governor himself is not visible, but rather only the back of his chair, with lamenting women in the foreground. One famous nineteenth-century painting of Pilate is Christ before Pilate (1881) by Hungarian painter Mihály Munkácsy: the work brought Munkácsy great fame and celebrity in his lifetime, making his reputation and being popular in the United States in particular, where the painting was purchased. In 1896, Munkácsy painted a second painting featuring Christ and Pilate, Ecce homo, which however was never exhibited in the United States; both paintings portray Jesus's fate as in the hands of the crowd rather than Pilate.

Pilate has been depicted in a number of films, being included in portrayals of Christ's passion already in some of the earliest films produced. In the 1927 silent film The King of Kings, Pilate is played by Hungarian-American actor Victor Varconi, who is introduced seated under an enormous 37 feet high Roman eagle, which Christopher McDonough argues symbolizes "not power that he possesses but power that possesses him". During the Ecce homo scene, the eagle stands in the background between Jesus and Pilate, with a wing above each figure; after hesitantly condemning Jesus, Pilate passes back to the eagle, which is now framed beside him, showing his isolation in his decision and, McDonough suggests, causing the audience to question how well he has served the emperor. The film The Last Days of Pompeii (1935) portrays Pilate as "a representative of the gross materialism of the Roman empire", with the actor Basil Rathbone giving him long fingers and a long nose.

He condemned institutionalized Christianity for emphasizing a morality of pity (Mitleid), which assumes an inherent illness in society: In Ecce Homo Nietzsche called the establishment of moral systems based on a dichotomy of good and evil a "calamitous error", and wished to initiate a re-evaluation of the values of the Christian world. He indicated his desire to bring about a new, more naturalistic source of value in the vital impulses of life itself. While Nietzsche attacked the principles of Judaism, he was not antisemitic: in his work On the Genealogy of Morality, he explicitly condemned antisemitism and pointed out that his attack on Judaism was not an attack on contemporary Jewish people but specifically an attack upon the ancient Jewish priesthood who he claimed antisemitic Christians paradoxically based their views upon. An Israeli historian who performed a statistical analysis of everything Nietzsche wrote about Jews claims that cross-references and context make clear that 85% of the negative comments are attacks on Christian doctrine or, sarcastically, on Richard Wagner.

In 1869, Martínez de la Vega relocated to Málaga, where he rapidly befriended the painter José Denis and joined the local artistic circles; his recognition was boosted by the medal he obtained at the 1871 National Exhibition in Madrid, with the work A Beggar. In 1875 he started teaching drawing and color at the Málaga Lyceum, having among his pupils future painters such as Reyna Manescau and Xavier Cappa. Ecce Homo (1893), Málaga Museum. During the late 1870s and early 1880s he rose to local fame and became a popular portrait painter and private drawing teacher for the provincial aristocracy, at a time when Málaga was a prosperous industrial center; however, unlike other painters like Moreno Carbonero, the dandyish and flamboyant Martínez de la Vega did not seek international or even national fame and he would not again send his works to any national exhibitions, which some biographers connect to a dissolute and disordered lifestyle and others to the bad reviews received by a painting he sent to the 1871 exhibition.

The Cult of the Lord Holy Christ of the Miracles (), popularly known as Senhor Santo Cristo or Santo Cristo dos Milagres is a religious veneration associated with an image of Jesus Christ, depicted in the events of the New Testament (presented in Luke 23:1-25). The wooden image of Christ, by unknown artist, in a Renaissance-style representation of the Ecce Homo, represents the episode of Jesus of Nazareth's life when the martyred religious figure was presented to the crowd following his whipping, and includes a crown of thorns, uncovered torso and bruised/beaten body. Narrated in the New Testament, the artist represented in grande artistic style the contrast between violence on the body and the serenity of the expression, emphasized by the gaze from the image. Normally, this statue and piece of art is on display in the Sanctuary of the Lord Holy Christ, in the Convent of Our Lady of Hope (in Ponta Delgada, on the island of São Miguel in the Azores), but annually leads a procession through the streets of the city.

New stained-glass windows were fitted that cost 1,350 francs, that Saunière settled in three installments – April 1897, April 1899 and January 1900. In November 1896 Saunière commissioned prestigious sculptor and painter Giscard of Toulouse (established in 1855) to decorate his church with new statues of the saints, Stations of the Cross, Baptismal font with statues of John baptising Jesus (bearing Ecce Agnus Dei), a bas-relief of Jesus giving the Sermon on the Mount above the confessional, and a figure of a Devil supporting a Holy Water Stoup surmounted by Angels making the Sign of the Cross, bearing the inscriptions BS and Par Ce Signe Tu Le Vaincras ("By this sign you will conquer him"). All these items were chosen by Saunière from Giscard's catalogue. Although the 1896 edition of Giscard's catalogue has not survived, and later catalogues omit the statue of the Devil, its head bears a resemblance to the one found on the statue of the dragon being vanquished by Saint Michael that was also made by Giscard.

Below is the anagram, on the top line the words Gulielmus Bourchier ("William Bourchier"), below which is the indicator ana-: and the name's Latin anagram Luge (si ob lucrum heri) ("mourn if on account of the profit of yesterday"). Below is a Latin epigram with some words in capitals, which may relate to a chronogram or other word-game: Quid sibi vult tumulus quidve haec insignia luctus est comes in superos ecce locumo tenens quare fles Devonia vel Bathonia quare ("If you wish to know what is this pile or why this great mourning, the Earl behold is above as place-holder (lieutenant), as weeps Devon and Bath"). Below is a chronogram: "eXIIt en bon teMps nVnCo VIenDra patet" (exiit en bon temps nunc (o?) viendra patet) a mixture of limited sense in Latin and the French motto of Bourchier, meaning "he went in good time now he shall come he seeks". When the capital Roman numerals are added together individually they make 1,623, the year of his death.

The term was used frequently by Hitler and the Nazi regime to describe their idea of a biologically superior Aryan or Germanic master race; a racial version of Nietzsche's became a philosophical foundation for National Socialist ideas."Nietzsche inspired Hitler and other killers – Page 7", Court TV Crime Library The Nazi notion of the master race also spawned the idea of "inferior humans" (Untermenschen) who should be dominated and enslaved; this term does not originate with Nietzsche, who was critical of both antisemitism and German nationalism. In his final years, Nietzsche began to believe that he was in fact Polish, not German, and was quoted as saying, "I am a pure-blooded Polish nobleman, without a single drop of bad blood, certainly not German blood".Friedrich Nietzsche, "Ecce Homo: How One Becomes What One Is" In defiance of nationalist doctrines, he claimed that he and Germany were great only because of "Polish blood in their veins",Henry Louis Mencken, "The Philosophy of Friedrich Nietzsche", T. Fisher Unwin, 1908, reprinted by University of Michigan 2006, pg.

Associated with the Roman Catholic veneration of an Ecce Homo representing Jesus Christ following the Passion (retold in Luke 23:1–25 in the New Testament), a gift to the sisters of the Convent of Caloura in the mid-16th century, the event, as it paralyzes the streets of the city for a day. Following the images move to the Convent of Nossa Senhora da Esperança (Convent of Our Lady of Hope), under the inspiration of the Venerable Mother Teresa da Anunciada the figure was used in religious processions that snaked through the streets of the city, stopping at each convent (and former-convent) in the city. The cortege, which includes clergy, politicians and lay folk is a popular event, attracting both religious (to the procession, sanctuary and open-air mass) and secular participants (to view and see the procession, imagery and taste traditional foods from the barracas located along the main avenue). Following Pentecosts, many of the parishes within the municipality participate in feasts dedicated to the Holy Spirit.

Lloyd's List, no. 4348, - accessed 12 June 2014. Then on the 28th, six more Danish prizes arrived at Leith; these were prizes to Rover and several other Navy vessels.Lloyd's List, no. 4349, - accessed 12 June 2014. On 8 May the Dolphin, also a prize to Rover, arrived at Leith.Lloyd's List, no. 4352, - accessed 12 June 2014. At some point in 1809, Rover captured (or recaptured) the Ecce Homo, Eliza, Brothers, Pomona, and Ann. A more interesting event involving the colourful and erratic adventurer Jørgen Jørgensen occurred in June 1809. After the British attack on Copenhagen in 1807 and the outbreak of the Gunboat War between Britain and the Dano- Norwegian kingdom, he took a small Danish vessel, the Admiral Juul, and in the Action of 2 March 1808 engaged HMS Sappho; the British captured the Admiral Juul and treated Jørgensen as a privateer. In 1809, while in England on parole, he suggested to a merchant that a voyage to Iceland could be profitable as the island was suffering from food shortages at the time, due to the Danish monopoly on Icelandic trade.

Panel from the Magdeburg Ivories depicting Pilate at the Flagellation of Christ, German, tenth century The older Byzantine model of depicting Pilate washing his hands continues to appear on artwork into the tenth century; beginning in the seventh century, however, a new iconography of Pilate also emerges, which does not always show him washing his hands, includes him in additional scenes, and is based on contemporary medieval rather than Roman models. The majority of depictions from this time period come from France or Germany, belonging to Carolingian or later Ottonian art, and are mostly on ivory, with some in frescoes, but no longer on sculpture except in Ireland. New images of Pilate that appear in this period include depictions of the Ecce homo, Pilate's presentation of the scourged Jesus to the crowd in John 19:5, as well as scenes deriving from the apocryphal Acts of Pilate. Pilate also comes to feature in scenes such as the Flagellation of Christ, where he is not mentioned in the Bible.

Entertainments such as the madrigal comedy were not far different from other musical forms one could see at a contemporary intermedio. One of his most impressive works, and one of the most impressive achievements in Renaissance polyphony, is his motet Ecce beatam lucem for forty independent voices, which may have been performed in 1568 in Munich.Iain Fenlon, Grove online There is some evidence that he may have had the music for either this piece or his 40/60 voice mass, Missa sopra Ecco sì beato giorno, with him on his diplomatic visit to London in 1567, since Thomas Tallis seems to have been inspired and challenged by it, and shortly afterwards wrote his own 40-voice tour-de-force Spem in alium, commissioned by Thomas Howard, 4th Duke of Norfolk. Unlike the setting by Tallis, Striggio specifically indicates for the voices to be doubled by instruments. In the Bavarian performance in 1568 of Striggio's motet the forces included eight flutes, eight violas, eight trombones, harpsichord and bass lute.

161 (on-line) Leonine verses in the Basilica di Santa Maria Assunta in Torcello, around 1100 :Formula virtutis - Maris astrum, Porta salutis Prole Maria levat - quos conjuge subdidit Eva Sum deus atq(ue) caro - patris et sum matris imago non piger ad lapsum - set flentis p(ro)ximus adsum Renato Polacco, La cattedrale di Torcello, Venezia 1984, p. 52 Leonine verses in mosaic in the apse of the Cathedral of Cefalù, around 1150 :Factus homo Factor - hominis factique Redemptor Iudico corporeus - corpora corda DeusDemus O., The Mosaics of Norman Siciliy, London,1945, pp. 4-5 Leonine verses in the Portale dell'abbazia di Leno dell'abate Gunterio, in the year 1200 :HAEC NON LENENSIS - TELLUS FERTUR LEONENSIS CUI NON LENONES - NOMEN POSUERE LEONES FORMA LEONINA - SIGNANS BIS MARMORA BINA DICITUR OFFERRE - LOCA VOCE NON AUTEM RE FELIX EST NOMEN - FELIX EST NOMINIS OMEN QUOD NON LENONES - POSUERUNT IMMO LEONESFrancesco Antonio Zaccaria, Dell'antichissima badia di Leno, Venezia 1767, p. 35 Another very famous poem in a tripart Leonine rhyme is the De Contemptu Mundi of Bernard of Cluny, whose first book begins: :Hora novissima, tempora pessima, sunt vigilemus Ecce minaciter, imminet arbiter, ille supremus.

The scenes of the Passion start in the distance at the top left with Jesus's entry into Jerusalem on Palm Sunday, passes through the town and out again to the bottom left to the Garden of Gethsemane, through the Passion scenes in the centre of the city (judgment of Pilate, the Flagellation of Jesus, Crowning with Thorns, Ecce Homo), then follows the procession of the cross back out of the city to the bottom right, then up to the top for the crucifixion, and ending in the distance at the top right with the appearances at Emmaus and Galilee. It includes seven of the traditional 14 Stations of the Cross, but adds several scenes before and after them, and omits 7: Jesus being given his cross, two occasions when Jesus falls carrying the cross, Jesus meeting his mother, Veronica wiping the face of Jesus, Jesus meeting the daughters of Jerusalem, and Jesus being stripped of his garments. The scenes are distributed in and around an idealized Jerusalem, depicted as a walled medieval city with exotic towers topped by domes. The high "birds-eye" point of view makes Calvary visible behind the city.

There are two magnificently-carved reredoses by Deacon, one in the Lady Chapel (1913) and one in the sanctuary (1909). The Lady Chapel reredos features a Madonna and Child with the inscription "Magnificat anima mea Dominum, et exsultavit spiritus meus in Deum" from the Magnificat The Lady Chapel Altar has three carved panels featuring a pelican feeding her chicks with her own blood, a Lamb holding a Shepherd's staff with the inscription "Ecce Agnus Dei" and another carved panel depicting an Eagle in flight. Around the base of the Altar is carved the Inscription "I believe in the Communion of Saints" a quotation from the Nicene Creed. Permission was given by a Faculty dated 16 June 1913 to remove the tapestry hangings behind the communion table in the Lady chapel and erect in lieu a reredos of oak with the cost to be defrayed by Helen Catherine Tidswell of Northgate House, the reredos being intended to complete the memorial to her late husband Richard Thomas Tidswell.Faculty dated 16 June 1913 The Faculty also provided for a canopy of carved oak for the font as a memorial of the late mother of Jane Wright of 22 Chichester Street.

On his return to Belgium he was appointed professor at the Louvain Academy of Fine Arts. In 1885 he returned to sculpture and produced The Puddler, The Hammerer (1886), Firedamp (1889, Brussels Gallery), Le Débardeur (modeled 1885; many castings made 1889–1905), Ecce Homo (1891), The Old Mine-Horse (1891), The Mower (1892), The Glebe (1892), the monument to Father Damien at Louvain (1893), Puddler at the Furnace (1893), the scheme of decoration for the Botanical Garden of Brussels in collaboration with the sculptor Charles van der Stappen (1893), The Horse at the Pond, in the square in the north-east quarter of Brussels, and two unfinished works, the Monument to Labour and the Émile Zola monument, in collaboration with the French sculptor Alexandre Charpentier. The Monument to Labour, which was acquired by the State for the Brussels Gallery, comprises four stone bas-reliefs: Industry, The Mine, Harvest, and the Harbour; four bronze statues: The Sower, The Smith, The Miner, and the Ancestor; and a bronze group, Maternity. He was one of the co-founders of the Société Libre des Beaux-Arts of Brussels and was a member of the International Society of Sculptors, Painters and Gravers.

In 1969 Kukuck founded the chamber choir Kammerchor Blankenese, which participated in the premiere of many works with her, including the church opera The Man Moses (1986) and Ecce Homo (1991), the cantata "De Profundis" (1989), "Burning coals sung on" (1990), "And it was: Hiroshima", "Who was Nicholas of Myra?" and "Swords into plowshares" (1995), the motets "Death Fugue", "Psalm", "Oh, the crying children night" and "O the Chimneys" (1994), "It is you, O man", "The Beatitudes" and "Everything has its time" (1995) and "Ten songs against the war" (1996). The cantata "And there was Hiroshima: A collage of the beginning and end of creation" was launched on 11 August 1995 with a premiere during a peace week in Hamburg. The cantata "Who was Nicholas of Myra, how a bishop of his city saved them from famine and war" was also premiered in 1995 on the occasion of the 800th anniversary of the Hamburg Church of St. Nikolai. In 1996 she created "Seven Songs" for female voice and piano to the poems of a girl to her boyfriend of Selma Meerbaum-Eisinger, an eighteen-year-old girl who died in a concentration camp.

Augusto Minzolini was born on 3 August 1958 in Rome. During the 70s he participated as an appearance in two movies by Nanni Moretti, I Am Self Sufficient (1976) and Ecce bombo (1978). In 1977 he started working as a journalist and in 1980 he became a professional journalist. In the 80s he worked for the magazine Panorama, while in 1990 he became to work for La Stampa. On 20 May 2009 he was appointed director of TG1 by the majority of the Board of Directors of Rai, without the votes of three members of the centre-left, who had left the room, judging the appointment "inadmissible", but obtaining the favorable vote of Rai president Paolo Garimberti. Minzolini obtained the confidence of the majority of TG1 editors who voted for his editorial plan with 101 votes in favor and 40 against. On 13 December 2011, Augusto Minzolini was removed from the TG1 direction and replaced by Alberto Maccari: on 15 February 2013 he asked for reinstatement to TG1 direction but in September 2013 this appeal was rejected by the labor court. In 2013 Minzolini was elected Senator among the ranks of The People of Freedom.

It is a large- format book with portraits made in Asakusa in 1985 to '86. Kikai won the 1988 Newcomer's Award of the Photographic Society of Japan (PSJ) for this book and the third Ina Nobuo Award for the accompanying exhibition.PSJ award: PSJ, "Kako no jushōsha ichiran" (, List of past PSJ award-winners) (accessed 6 March 2006); PSJ, "2004-nen Nihon Shashin Kyōkai-shō jushōsha" (, PSJ prize- winners for 2004) (accessed 6 March 2006). Ina Nobuo Award: announcement of 13th Ina Nobuo award, 1988 (, 13th Ina Nobuo Award [1988], Hiroh Kikai, Ecce Homo), Nikon (accessed 5 March 2006.) Also see Ina Nobuo shō 20-nen: Nikon Saron ni miru gendai shashin no nenpu () / Ina Nobuo Award '76–'95, Nikon Salon Books 23 (Tokyo: Nikon, 1996), with a few pages devoted to the works of each of the winners of the Ina Nobuo Award to date (Kikai is on pp. 96–101), and also lists of the exhibitions at the Ginza and Shinjuku Nikon Salons. In 1995, a number of portraits from the series were shown together with the works of eleven other photographers in Tokyo/City of Photos, one of a pair of opening exhibitions for the purpose-made building of the Tokyo Metropolitan Museum of Photography.

Over the mantel-piece hung a painting of The prophet Elijah fed by the ravens, originally housed at the abbey of Talley, Carmarthenhire, and was, on the dissolution of that establishment, given by the superior to an ancestor of Johnes. Among numerous pictures on display within the mansion were, a portrait of Mr Johnes of Llanvair, by Sir Godfrey Kneller; of Robert Liston, by Wickstead; of Richard Gorges, of Eye, Herefordshire; and of Viganoni; a copy of Guido's Cupid Sleeping, landscapes by Both and Berghem, a painting of the ruined Alchymist by Salvator Rosa. In the drawing-room were, Hogarth's celebrated picture of Southwark Fair, a Descent from the Cross by Van Dyck, an Ecce Homo by Moralez, two landscapes by Claude, a Procession of the Doge of Venice by Canaletti; an Assumption by Bernardo Lonino, pupil of Leonardo da Vinci, which was originally an altar- piece at Lugano; a Holy Family by Rubens, a portrait of Lord Chancellor Thurlow by Gardener, and some beautiful miniatures by Mariamne Johnes. The hall was constructed of Mona marbleAnglesey Serpentine, Mona Marble embellished with a Grecian statue of Dionysus; in addition, six paintings of subjects from Froissart, in imitation of basso relievo, by Stothard.