It was this really dubby 808 music, and it's just so good.
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" Brown also reckons it "has a dubby 1080p flavor to my ear.
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The first song, "2353A8," establishes its moody presence through VVV's dubby atmospherics, guided gently along by Holly's rolling hi-hats.
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Check out an exclusive stream of the dubby and crackling stand-out track from the album, "Poisoned By Sweet Things" below.
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It looks like Dubby wanted to put the entire situation behind him and hoped everyone would forget about his racist tendencies. Nope.
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Like on "Line It Up"—there's a Prince-ly funk to those guitars, but also some dubby-womps woven in there too.
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Some string-like samples come in approximating dubby rhythms, but even its presences is unpredictable, an untrustworthy flicker in an unfamiliar landscape.
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The crew comes through with a dubby, sinsemilla-soaked ode to evading weed-hating police, Rizla rolling papers, and BMW sports cars.
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My top pick is "3 Balls," a dubby tune with great chord progressions that can definitely rock dance floors all over the world.
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Building discordance into banging techno, they made it easy for Lakker to carry the crowd with their dubby, dark yet hook-laden techno.
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Dubby won $75,000 for his first-place finish at the Madden Bowl 2017 tournament in February and was fined $3,000 after tweeting multiple offensive messages.
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A deep and dubby number, "Shinkansen" powers forward with the smoothness of a well-oiled machine through sparkling chimes and an onslaught of fraying acid.
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But Martin has long been a sculptor of sound, continuing to work the same dubby, noisy source materials into increasingly intricate, refined and affecting shapes.
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After people went back through his timeline and found a handful of racist tweets, Dubby decided the best course of action would be to write more.
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A dubby bass line provides a guidepost — at times, it feels like everything else is fading in and out of consciousness or awareness; awake, but lost.
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DJ Harvey was a regular guest at their festival stages, and dubby disco-not-disco dudes Idjut Boys and Faze Action were close allies of the label.
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In its original form on Nightmares on Wax's January album Shape the Future, "Deep Shadows" was a dubby chiming cover of the Little Ann's late 60s soul curioof the same name.
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Featuring some of the swampy, cascading forms you might hear in a M.E.S.H. track, the track peters along in a heavily dubby imbalance until it hits full swing in its latter half.
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" Given that the concept for Gorillaz came as a riff on Massive Attack (2D, 3D, get it?), velvet-voiced Tricky collaborator Martina Topley-Bird is a welcome and fitting presence on the dubby "All Alone.
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They give a healthy amount of their own material both solo and collectively, before delivering music from the dubby loudness of 808INK, the strange and uncomfortable sounds of Milkavelli, and the cool rhymes of Denzel Himself.
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The resulting 12 tracks combine the impulsiveness of free jazz (despite being fully composed over a three-year period), the vastness of chamber music, the tactile aura of musique concrete, and the dubby throb of dancefloor jams.
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One of the players featured in their supercut of pro sports game players was Chris "Dubby" McFarland, a Madden player who was fined and forced to apologize after EA Sports noticed his habit of tweeting out racist messages.
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But from the dubby blips of his first love letter to his hometown South London Boroughs to the rave refractions of Pre-Dawn / Indoors released just last week, each of his releases offers the possibility of transportation to other realms.
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Even before Brexit underscored these concerns, Blunt and his cohorts (Gassman D and DJ Escrow) used this dark, dubby, delirious, and deeply British album as a way of questioning the nature of nationalism and what it means to be "from" anywhere.
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While they would wait until Kid A to fully indulge their Warp Records fandom, "Meeting in the Aisle" blends swelling strings and guitar work alongside sleepwalking beats, a delirious, dubby bassline, and a pre-natural understanding of the late 90s electronic music's sterile atmosphere.
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The music of Vril, known for his dubby, dense techno, washed over the speakers with a ferocity outmatching the DJs' gently bobbing heads and content grins as they rocked to the mutated daydream of "Torus XXXII" and later, "Otolith"'s heaving half-time crawl.
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While, for most of The Prefix, that was a pretty straightforward proposition, with "Lucifer," Wayne decided to lean more into the dubby sound of the Max Romeo sample, chopping it up to emphasize the reggae roots and then rapping over it in Jamaican patois.
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There's some legible forms and shapes (you'll catch the vague gestures toward dubby structures and noise rock, among other genres), but the brilliance is that on each side of the tape—Bokeh on the A, Jay on the flip—they abstract familiar sounds into something different.
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Tracklist: Vloyd - StampCharlotte de Witte - ... (Unreleased)Dinamite - Eternal PresentNicolas Martos - MODCharlotte de Witte - TripAvion - Sin (Distant Echoes Remix)Fixon - MDCharlotte de Witte - TripCharlotte de Witte - ... (Unreleased)Dustin Zahn - Miss You (Truncate Remix)Monoloc - Phoenix Luke Hess - Believe and Receive (Shed's Deep & Dubby Dub Mix) Charlotte de Witte is on Facebook // SoundClound // Twitter
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Contemporaries like Basic Channel and Porter Ricks were doing other fascinating things on the fringes of dubby, deep club music at the time, but the insular Voigt carved out a path that was uniquely his; with subtle differences, everything from 1997's Zauberberg to 2000's Pop more or less cleaves to the same template.
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Footsie's one contribution to the production, "Detox", is a burner of a rhythm, plumbing the Newham General's trademark dubby depths—and threading BBK in 2016 back to the FWD>> sound, when Skepta would spit over Plastician's or Skream's grimey dubstep sets to a room full of weed smoke (a hybrid crystallized on 2008's "Intensive Snare").
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TropicanTrops is m.o.v.e's sixth remix album. All the tracks were remixed by Puertronic (Dubby Budda and Charlie K).
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Additionally, on October 17, 2008, a dub remix album with versions of tracks from "V" Is for Vagina was released, entitled "D" Is for Dubby – The Lustmord Dub Mixes.
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Kobol is a duo from Ensenada, Baja California, Mexico. It is formed by Ignacio Chávez and Argel Cota. They define their music as "a mixture of jazzy natural low tempo beats, freestyle DSP jams, sly acoustic impressions with dubby vibes".
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Tinkle and Chumley enjoy the attention given to them by the tribal women, and Tinkle and Chumley are stunned to find that their elusive Oozlum Bird is in fact a sacred animal to the Lubby-Dubby females. It transpires that the Lubby-Dubbies need the menfolk to save themselves from extinction, as no males have been born in Aphrodisia for over a century. The men think their dreams have come true....until Leda makes it clear that the Lubby-Dubby women have no intention of letting them go. Tonka implies that the last man who tried to escape Aphrodisia was murdered by the tribe.
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"Saturdays (Again)" was noted as being somewhat similar to the sound of Eucalyptus in that it is acoustic, but "within a lush and dubby mix, atop melodic synth bass, [and] accompanied by peals of lead guitar", according to Spin. It was also considered "low-key" with few vocal effects.
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Ottawa played an exhibition game prior to the season with the Toronto Professionals on January 2 in Toronto. Ottawa lost to Toronto 5–4. Dubby Kerr played for Toronto, and signed with Ottawa a week later. Kerr had been the subject of a dispute between the Toronto and Berlin teams.
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Retrieved on 2008-01-20. On October 17, 2008, an official music video for the song "Momma Sed" was released online via the official Puscifer YouTube channel. A dub remix album completely by Lustmord, entitled "D" Is for Dubby – The Lustmord Dub Mixes, also appeared at the official website's store., official release on Puscifer account.
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Ripatti has been involved in the ambient music, glitch, house, and techno genres. His method of track production involves a mixture of synthesizing, vocal recording and live reprocessing. Many tracks have an organic feeling, conjured through rolling, dubby basslines and processed vocal snippets, often from his wife Antye Greie aka AGF. Their daughter was born in 2006.
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"White Nights" is the fourth single and is lyrically about dreaming. As described by Leahey from AllMusic, the track blends Motown, synth-pop, and Tropicália into one song. "Helicopter" is the ninth track and is a collaboration between Oh Land and songwriter/producer Lester Mendez. It is reminiscent of Feist's work and features "skittish electronics and dubby beats".
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The league added two new teams in Toronto, the Torontos and the Tecumsehs. Former Ottawa player Bruce Ridpath became Toronto's first manager. The new teams recruited their own players and no players moved from other NHA teams to Toronto. However, the PCHA went after NHA players and Ottawa's Cyclone Taylor and Dubby Kerr moved west to play in the PCHA.
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Romeo tells him he is working undercover as a dancer and is really Anil Sharma, CBI officer in charge of Ragini murder case. Inspector Dubby confirms this information. Anil Sharma/Romeo decides to accept the assistance of Chand in the investigation. They pursue the one vital clue in the murder case, a matchbox of a club, found on the dead body of Ragini.
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The Remixes. Lustmord eventually generated a collection of dub remixes of several tracks from "V" is for Vagina known as "D" Is for Dubby - The Lustmord Dub Mixes. The nine track LP was released as a digital download on 17 October 2008, available directly from the Puscifer website. He also did some additional music including the track "The Western Approaches" feat.
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Ottawa would replace these players with Edgar Dey, Billy Gilmour and Albert 'Dubby' Kerr from the Toronto Professionals. Alf Smith would organize the Ottawa Senators of the Federal Hockey League. Shamrocks added Harry Hyland, and Quebec saw the start of the career of Joe Malone. Ottawa played an exhibition game prior to the season with the Toronto professionals on January 2 in Toronto.
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Toronto defeated Ottawa 5–4. Dubby Kerr played in the game for Toronto, and signed with Ottawa a week later. On January 25, Wanderers played an exhibition game in Cobalt, Ontario, versus the Cobalt Silver Kings, betting $500 on themselves to win, but lost 6–4. After the game Harry Smith would leave the Wanderers to join Haileybury of the Timiskaming League.
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The venue was renamed in 1988 to honor Milton W. "Dubby" Holt (1914–2007), ISU's athletic director from 1967 to 1989. As assistant athletic director, Holt conceived the indoor arena in 1966 and it was designed by architect Cedric M. Allen. Although a controversial design proposal for the time, ISU students voted to appropriate not more than $2.8 million to the project two years later.
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It was another season of player turn-over for Ottawa. Besides Pulford, Ottawa lost Alf Smith, who formed a competing Ottawa Senators professional team in the Federal League, and Tommy Phillips, who joined Edmonton. The club picked up Bruce Stuart from the Wanderers, Fred Lake from Winnipeg and Dubby Kerr from Toronto. This lineup had a successful season, winning 10 out of 12 games.
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With the two competing leagues, competition for players was fierce. Renfrew wanted to get as many players from Ottawa as it could. While not signing Fred Lake, Dubby Kerr or Marty Walsh, Renfrew was able to sign Cyclone Taylor immediately before the season started. The club threatened Taylor with legal action after he accepted a $50 check from them, but then signed with Renfrew.
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2009, necessitating a lineup overhaul for Pocahaunted, including the addition of Brown's husband Britt Brown (a.k.a. Robedoor) on guitar, Diva Dompe (of Blackblack) on bass guitar and vocals, Leyna Noel Tilbor (Psychic Reality) on keyboards and vocals, and M. Geddes Gengras on drums. The band re-emerged in 2009 with a more upbeat, funk rock-based sound, while retaining dubby bass lines and a tribal overall sound.
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This was the first season that the Club played as professionals as the amateur clubs dropped out of the league. There was turnover in Ottawa as Harvey Pulford and Alf Smith retired and Tom Phillips left. Ottawa would replace these players with Edgar Dey, Billy Gilmour and Albert 'Dubby' Kerr from Toronto Professionals. Alf Smith would organize the Ottawa Senators of the Federal Hockey League.
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The Bengals play home games in Holt Arena, an indoor multi-purpose athletic stadium located on the north end of the ISU campus. Completed in September 1970, Holt Arena is the oldest enclosed stadium on a college campus in the United States and the second-oldest overall. Only the Houston Astrodome, completed in 1965, predates it. The indoor arena was conceived by ISU athletic director Milton W. "Dubby" Holt in 1966.
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After their initial success with "Dickes B", in the year 2000, they released their first full-length album a few months later, in 2001: New Dubby Conquerors. In September 2012, Seeed released their fourth studio album, Seeed, their first release in six years. In the meantime, members Peter Fox, Dellé and Demba Nabé (Boundzound) each released solo albums. The album Seeed went straight to number 1 in the German Albums Chart.
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Dreadzone recorded Second Light at their own Dubby Road Studios in West London, producing the record themselves. It was the second and final album by the group to be largely written by Roberts, as later albums featured more collaborative writing. Guest vocals throughout the album were contributed by Earl Sixteen and Donna McKevitt. In 1994, after the album was recorded, Dreadzone were signed to Virgin Records by A&R; executive Paul Kinder.
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Walsh led all scorers with 38 goals in 12 games, while Stuart had 22 and Kerr had 20. The season was clinched with a win against the Wanderers on March 3 in Ottawa, 8–3, as Ottawa won the league and Stanley Cup. Notable players of this time period include future Hall of Famers Percy LeSueur in goal, Dubby Kerr, Tommy Phillips, Harvey Pulford, Alf Smith, Bruce Stuart, Fred 'Cyclone' Taylor and Marty Walsh.
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David (Dave) D. N. "Dubby" Nantes2017 Brier Media Guide: Previous Rosters (born August 30, 1970) is a Canadian curler. Nantes played third for Dean Joanisse at the 1989 Canadian Junior Curling Championships, which they won. Nantes would later re-join with Joanisse at second position and Nantes would win his first provincial men's championship in 2007. At the 2007 Tim Hortons Brier, they finished out of the playoffs with a 4-7 record.
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They decide to team up to find the real killer of Ragini. Chand questions Charlie, the employee who diverted him on the night of the murder, who tells him he was acting under the instructions of Chander. Chand confronts Chander and, after a struggle, takes him to Inspector Dubby (Govind Namdev) and gets a confession out of him. Chander admits that he was the one who sent the note to Ragini that night.
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At that moment, a number of people – Kapoor, Acharyaji, Khanna, Chander, Sonu, Romeo, Inspector Dubby, and several policemen – emerge from around to witness the exposure of the crime ring. Acharyaji assumes his real name, Brigadier Bhavani Singh Chauhan of Army Intelligence, and reveals that he has been assigned by CBI to investigate the criminal gang. He is also the superior officer of Anil Sharma/Romeo. Chand explains to everyone how Ragini's murder occurred.
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His obituary in The Times states that "The record's dubby, echoing soundscapes have been claimed as the forerunner of the 'trip-hop' style that emerged in the 1990s." It included tracks such as "Small Hours" and "Big Muff", a collaboration with Lee "Scratch" Perry. Small Hours was recorded outside; the microphones picked up ambient sounds, such as geese from a nearby lake. In 1978, he played guitar on the album Harmony of the Spheres by Neil Ardley.
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Alexis Petridis from The Guardian deemed it the best song from the album, praising M.I.A.'s "incredible pop melody" and "off-kilter backing of squelching electronics and sub-bass" and observed how her instrumentation "has also uniquely managed to calm down Aguilera's usual attention-all-shipping vocal approach into something weirder: dead-eyed, thickly smeared with dubby echo". At the end of 2010, "Elastic Love" was listed at number 12 on the list of the year's best songs by Amazon.com.
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Ottawa gained revenge for the previous loss to Renfrew by defeating Renfrew 19–5. The team went 13–3 to win the NHA and inherit the Stanley Cup; Marty Walsh and Dubby Kerr led the goal scoring with 37 and 32 goals in 16 games. After the season Ottawa played two challenges, against Galt, winning 7–4, and against Port Arthur, winning 13–4. In the Port Arthur game Marty Walsh came close to matching Frank McGee's total, scoring ten goals.
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Under the name CURRENT he has released several downtempo and ambient-techno albums on labels Origo Sound, a Norwegian label which also had Biosphere, Circular Circular and Erik Wøllo. In 2005 he started releasing his material on his own label CURRENTMUSIK. All his releases have been called extraordinary creative works by the critics. Lately his creativity has turned more towards electronic music for clubs and dance-floors with several deep/tech-house and dubby techno EPs release the last years.
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Scott composed all of his songs for the album on bass guitar, namely a Framus 5/150 Star Bass and Vox Teardrop from the 1950s and 1960s. In 2018, Scott stated that he has a personal preference of using older instruments and equipment, saying “I was against effects back then, to tell you the truth. I’m not into being retro for its own sake, but basically I just couldn’t be arsed pressing loads of pedals. My sound just needed to be dubby.
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The official name of the Ottawa Hockey Club remained in place until ownership changes in the 1930s. Star player Cyclone Taylor had defected to Renfrew, and despite a salary war with Renfrew, Ottawa managed to re-sign their other top players, Dubby Kerr, Fred Lake and Marty Walsh for the 1909–10 season. On Taylor's first return in February 1910, he made a promise to score a goal while making a rush backwards against Ottawa. This led to incredible interest, with over 7,000 in attendance.
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Muzik, 2001. "A playful sensibility prevails in the music - the 15 tracks here oscillating between wall-of-sound big beat ('Nobody Plays Guitar') and an abrasive minimalism ('Track 28') reminiscent of Autechre, between dubby ambience and classic acid house. This sonic catholicism can occasionally prove distracting but, in Bergen's defence, he takes a rough-hewn approach to the collision (and collusion) of sounds that prevents this collection from lapsing into the merely tasteful or clever." Shane Donaldson, reviewing the album for The Weekend Australian newspaper, in 2001.
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Media response to "Doomed" was generally positive. Gigwise's Amy Gravelle hailed the song as "an epic introduction to the album", praising the presence of synthesizers as well as Sykes's vocal delivery. Tom Bryant of Alternative Press also praised the song's vocals, writing that "The ambient, dubby squelches of "Doomed" create nervous tension ... Then, quite from nowhere, [Sykes] finds a gorgeous melody, hitting a sweet-spot falsetto that tingles the spine". Rock Sound writer Andy Biddulph identified the album's "delicate opener" as evidence that the band were "bursting with fresh ideas and executing them to perfection".
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The salary cap of $5000 per club caused a situation where Bruce Stuart of Ottawa threatened a mass defection to a new league. However, the players found that the Arena Company, owners of the Montreal Arena would not rent to the players. There was no other suitable arena in Montreal available for a new league and the players had no choice but to abandon the effort. Some players took a large cut in salary: Marty Walsh, Fred Lake and Dubby Kerr were paid $600 each where they had been paid $1200 each in 1910.
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Tinkle however delays and promises the witch doctor that their gods will bestow a sign of thanks upon them. Intending rescue, Ug accidentally catapults himself into the Nosha camp and starts a fire. In the chaos, Ug, June and Upsidasi manage to escape but the enraged Noshas apprehend the other travellers and prepare to kill them. As they wait to be put to death, they are suddenly rescued by the all-female Lubby-Dubby tribe led by the stunning Leda (Valerie Leon) from the Lost World of Aphrodisia.
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Ashtech (born Andrea Nicoletti, December 15, 1973, Italy) is an Italian producer, bass player and solo artist. His style combines original dub and urban electronica and it is characterised by the flavor of his heavy dubby bassline which features in all of his productions. Ashtech's recent work, primarily 'Walkin Target', released in 2007 on Interchill Records Involving input from fellow producer Gaudi and vocalist Cheshire Cat (Leftfield), was very well received by the UK and US electronica/dub scene. He has appeared at festivals such as Glade (UK) – Electric Picnic (Ireland) – Eclipse Festival – Waveform Festival (UK).
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Vini Reilly (pictured in 2007) was inspired by acid house on Obey the Time. For Obey the Time, Reilly aimed to combine acid house music with his trademark guitar approach. While drawing influence from contemporary dance music styles, in particular the aforementioned late 1980s popularity of acid house in his native Manchester, he also drew inspiration from "dubby world music" and "chilled-out electronica" styles. Characterised by its usage of drum machine, unobtrusive piano and gently reverberated guitars, the album is defined by how its synthesises contemporary styles that "create something distinctly different," according to Ned Raggett of AllMusic.
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The song "Run From Me" is featured in the Netflix documentary Wild Wild Country, in the sixth season of Netflix TV series Orange is the New Black, the second season of The Blacklist episode "The Mombasa Cartel" and the second season of Good Girls episode "The Dubby" Timber Timbre's sixth album, Sincerely, Future Pollution, was released on April 7, 2017, on City Slang Records. The album's first single, "Sewer Blues", was released in January 2017.Robin Hilton, "Timber Timbre's 'Sewer Blues' Is A Grim Take On America's Future," NPR, January 17, 2017. The second single, "Velvet Gloves & Spit", was released on February 15, 2017.
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Person Pitch is the third solo album by American recording artist Noah Lennox under his alias Panda Bear, released March 20, 2007 by Paw Tracks. Departing stylistically from his prior work as both a member of Animal Collective and a solo artist, the album was recorded using the Roland SP-303 sampler and is largely composed of manipulated samples, loops, and Lennox’s layered vocals. He described it as a collection of "super dubby and old sounding" songs inspired by his recent marriage, fatherhood, and move to Portugal.Interview , The Milk Factory, April 2005 The album was met with universal critical acclaim, and later ranked among various "top 10 albums of the 2000s" lists.
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Due to its sparse sound and minimalist production, music writers have compared it to singer-songwriter Johnny Cash's American Recordings albums with producer Rick Rubin. Crawdaddy!s David MacFadden- Elliott wrote that Richard Russell's production finds "deep electronic grooves that still contain hints of soul and gospel music", while critic Neil McCormick noted that the album's musical setting produced by Russell "blends dubby beats with spoken word and raw, confessional blues", describing the musical fusion as "like Massive Attack jamming with Robert Johnson and Allen Ginsberg". Scott-Heron's baritone vocals on the album stylistically range from spoken word to blues-oriented crooning. Music writers have noted that Scott- Heron's vocal ability has changed, perceiving it as rougher, slurred, and aged.
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1995 saw the third (and last proper) release, the two disc set Execution Ground (also released in Japan on Toy's Factory with a third, live disc), on the Subharmonic label. This release saw the trio spread out in three long tracks that retained some of the aggressiveness of the earlier albums, but added a much more spacious, dubby and (at times) ambient feel to the recordings, arguably much influenced by Laswell's production work at the time. The second disc contained ambient re-workings of two of the tracks. In the years since, some live recordings have been released and the trio tends to play a few shows a year, but since the later half of the '90s, different drummers have been behind the kit as Harris stopped drumming live.
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It has an E–Fm7–Cm chord progression and a verse-chorus structure. Sam Richards of NME and Ben Hogwood of musicOMH compared the sound and rhythm of the song to works by English band The Police, while Paul Lester of The Guardian likened lead singer Wyatt's vocals to those of The Police's lead singer Sting. Jason Lymangrover of AllMusic compared the hook to works by American band Vampire Weekend, and said that "dubby synths circulate around flighty vocals with heavy sentiments". Wyatt sings lyrics such as "But I'm still trying to make my mind up, am I free or am I tied up?" with "unassuming cheeriness", and the chorus contains the line "I change shapes just to hide in this place, but I'm still, I'm still an animal".
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Also in 1972, Byles began self-producing, and set up his Love Power label, releasing singles such as "Black Crisis" and "Our Mistakes". Byles was one of several reggae musicians to offer support to Michael Manley's 1972 general election campaign, releasing the singles "Joshua Desire" and "Pharaoh Hiding" ("Joshua" referring to Manley and "Pharaoh" to the ruling Jamaican Labour Party's leader Hugh Shearer).Greene, Jo-Anne, "[ Junior Byles Biography]", Allmusic Manley was elected, but improvements for Jamaica's poor were not immediately apparent, and Byles was one of several artists who had supported Manley who voiced dissent, releasing the scathing "When Will Better Come?".Katz, David (2003), Solid Foundation: An Oral History of Reggae, Bloomsbury, At the end of 1972, Byles had his biggest hit to date, with a cover version of Peggy Lee's "Fever", with a dubby rhythm produced by Perry.
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Liberation Movement has received many accolades for its live performances and they have performed at festivals throughout the Americas including Lightning in a Bottle, Symbiosis Gathering, Sonic Bloom, Joshua Tree Music Festival, Envision in Costa Rica, Atmosphere Gathering in Canada and many others. A review by Everest.com of their performance at the Oregon Eclipse Festival in 2017 stated that Liberation Movement, "shone brightest among the Earth Stage's magnificent programming... Resurrector himself, Grant Chambers, provided a veritable séance in deep dubby beat-science... This was a spiritualized journey that burrowed many thousands of leagues beneath the Earth's surface, penetrating the consciousness of all who had assembled." Liberation Movement live performances often feature a wide variety of collaborators and guests from varied genres including Peruvian shamans, champion Tuvan throat singer Soriah, Butoh dance troupe Bad Unkl Sista, SORNE and many others.
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Soul Food Taqueria was well received by music critics. Exclaim! editor Noel Dix observed an improvement in production and complexity of instrumentation by Guerrero from his earlier work, and stated, "This record pours so much heart and emotion into it that you’re bound to feel its warmth and splendor while it’s bumping in your walkman as you trek the city streets." Noting that A Little Bit of Somethin was criticized as a "lifeless piece of pop-trip-hop", Brian Ho of Dusted praised Guerrero's artistic growth and found "everything" to be "an improvement over its predecessor", writing that the album "is filled to the brim with body and life in a way that few albums can claim". XLR8R critic Liz Cordingley called the album a "nice case of dubby, electric guitar- driven downtempo", and called its music "dusty lo-fi soul that is seductively languid".
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In the 1960s, as popular music began to gain cultural importance and question its status as commercial entertainment, musicians began to look to the post-war avant-garde for inspiration. In 1959, music producer Joe Meek recorded I Hear a New World (1960), which Tiny Mix Tapes Jonathan Patrick calls a "seminal moment in both electronic music and avant-pop history [...] a collection of dreamy pop vignettes, adorned with dubby echoes and tape-warped sonic tendrils" which would be largely ignored at the time. Other early avant-pop productions included the Beatles's 1966 song "Tomorrow Never Knows", which incorporated techniques from musique concrète, avant-garde composition, Indian music, and electro-acoustic sound manipulation into a 3-minute pop format, and the Velvet Underground's integration of La Monte Young's minimalist and drone music ideas, beat poetry, and 1960s pop art. In late 1960s Germany, an experimental avant-pop scene dubbed "krautrock" saw influential artists such as Kraftwerk, Can, and Tangerine Dream draw inspiration from free jazz, German academic music, and Anglo-American pop- rock. According to The Quietus David McNamee, the 1968 album An Electric Storm, recorded by the electronic music group White Noise (featuring members from the U.K.’s BBC Radiophonic Workshop), is an "undisputed masterpiece of early avant-pop".
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