"Beyond our borders, the enemy is more furtive, more mobile, disappears into the vast Sahel desert and dissimulates himself amidst the civilian population," Parly said in a speech to the military.
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Alessandra Benedicty points out that Western scholars are led by their postmodern intellectual framework into trying to explain Vodou art in terms of "intellectual truths". Vodou is open-ended and sometimes purposely dissimulates. Benedicty writes that in "the Vodou/Haitian aesthetic system, the objet d'art nurtures ambivalence and demands that the reader or the spectator interpret and thus participate in the production of an artistic text's meaning." If there is a veve in the work, there is a possibility that the lwa the work was made for will possess the viewer.
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On 2 November 1942, Belperron was arrested at her office, due to a letter of denunciation indicating that "the Belperron house dissimulates a Jewish business". During her transfer to the Gestapo headquarters in Avenue Foch in Paris, Belperron swallowed all the pages of his address book, one by one. Bernard Herz was arrested the same day at his home and also underwent interrogation by the Gestapo. He was then driven straight to Drancy internment camp, where he stayed until 2 September 1943, when he was deported by the convoy n°59 to a concentration camp, Auschwitz, in Poland.
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'Salve, Patria' (Hail Fatherland) motivates to the nation to stand up, majestically, its 'now beaten head', 'Primavera' (Spring) is the poem of the nostalgic youth, far away from the country. The intense lyricism of Guanes don't dissimulates the 'patriotic passion' common in every novecentist". "Del viejo saber olvidado" reunites his production in prose and "De paso por la vida" the poethic. Hugo Rodríguez-Alcalá, in his “Paraguayan Literature” says: "His most representative poem, 'The Legends', is an impressive evocation of the ancient house of his ancestors that revives the most tragic moments of the history of his family.
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His early verse cleverly dissimulates his preoccupation with Immanuel Kant's philosophy. Its fabric includes striking alliterations, wild rhythmic combinations, day-to-day vocabulary, and hidden allusions to his favourite poets such as Rilke, Lermontov, Pushkin and German-language Romantic poets. Pasternak in the 1920s During World War I, Pasternak taught and worked at a chemical factory in Vsevolodovo-Vilve near Perm, which undoubtedly provided him with material for Dr. Zhivago many years later. Unlike the rest of his family and many of his closest friends, Pasternak chose not to leave Russia after the October Revolution of 1917.
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In The Country and the City, Raymond Williams analyzes images of the country and the city in English literature since the 16th century, and how these images become central symbols for conceptualizing the social and economic changes associated with capitalist development in England. Williams debunks the notion of rural life as simple, natural, and unadulterated, leaving an image of the country as a Golden age. This is, according to Williams, “a myth functioning as a memory” that dissimulates class conflict, enmity, and animosity present in the country since the 16th century. Williams shows how this imagery is embedded in the writings of English poets, novelists and essayists.
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The Boo Hoo Bible has been described as "requiring its reader to transcend the personal in an act that simultaneously simulates and dissimulates, establishing and overcoming the ironic.... present[ing] a cosmology of simultaneity, which Kleps considers essential to psychedelic experience. A radical solipsism emerges that sees all conscious and unconscious life as part of one dream where meaning-making becomes completely associative"; it also includes the declaration that the ultimate goal of mankind is (or should be) the bombardment and destruction of the planet Saturn (which hoped-for event was depicted on the book's cover). The Boo Hoo Bible was supplemented or superseded by Kleps' later book Millbrook: A Narrative of the Early Years of American Psychedelianism (1975, with new editions in 1977 and 2005) which provides an account of Kleps' founding of the organization along with a narrative of his experiences at the Hitchcock estate in Millbrook, New York, between 1963 and 1970, and describes the church's principles and doctrine as of the date of publication. Millbrook also includes philosophical interpretations of psychedelic experience and synchronicity and social and political commentary on aspects of the psychedelic movement.
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