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"disembody" Definitions
  1. to divest of a body, of corporeal existence, or of reality

11 Sentences With "disembody"

How to use disembody in a sentence? Find typical usage patterns (collocations)/phrases/context for "disembody" and check conjugation/comparative form for "disembody". Mastering all the usages of "disembody" from sentence examples published by news publications.

Will the Robotic crate feature a Bishop figure that you can fill with milk and disembody yourself?
When they leave office, recent Presidents like to disembody from their political selves and join in projects of do-gooderism on a transcendental plane that hovers somewhere above the political fray.
"Prima Luce" (1966) seems more visually solid at first, but its acid yellow-green color helps to disembody its distinct parts: a pleated, vertical "screen" and a large, low-lying disc, which lightly embraces a ground-skimming horizontal.
But then I thought if I remove myself, disembody myself from the story, and say this is a film about a woman and look at it as a separate entity to myself, I will be able to to do it.
17 (2); Godley, p.765 The Crown was able to issue a proclamation disembodying the whole Force,s.18 (1); Godley, p.765 and until such proclamation was issued the Army Council was permitted to embody or disembody such elements of the Force as they saw fit.s.
Gilda Goldstag is the daughter of the Golden Hind. She has short pink hair, large horns, and gold skin. Her clothes consist of a green shirt, brown jacket, red belt, and brown pants. Her doll first appeared as part of the Student Disembody Council 5-pack released in 2014.
Once it had landed at Weymouth it relieved an Irish militia regiment guarding Portland Harbour. After the presentation of new Regimental colours to the regiment it marched to Exeter on 18 July, arriving on 23 July. The order to disembody arrived the next day, and the process was concluded on 31 July.Walrond, pp. 336–58.
The novel is considered an anti-narrative work since it jumps in and out of narration and contains different narrators. The narrative of the story is disrupted with pornographic drawings, letters, and dream maps to further disembody the plot but place the reader in the narrative itself. “Acker’s novel incorporates at least three main threads of poststructuralist discourse into Janey’s narrative. The first is an exploration biopower; the second is a reading of the oedipal family as pathology; and the third is an analysis of the gender politics of language” (Muth 90).
Between the World and Me is a 2015 nonfiction book written by Ta-Nehisi Coates and published by Spiegel & Grau. It is written as a letter to the author's teenage son about the feelings, symbolism, and realities associated with being Black in the United States. Coates recapitulates American history and explains to his son the "racist violence that has been woven into American culture." Coates draws from an abridged, autobiographical account of his youth in Baltimore, detailing the ways in which institutions like the school, the police, and even "the streets" discipline, endanger, and threaten to disembody black men and women.
In December 1992, Sabbat were in the studio again in order to record their third album and on top of this Japan's number one underground metal magazine F.E.T.U. released its 13th issue in January 1993 which was dedicated to Sabbat; 33 out of the 36 pages of the magazine were full of Sabbat interviews, pictures and detailed information. The third album Disembody was released by Evil Records in early 1993 but already in the autumn Sabbat were back in the studio again. 1994 was to be the 10th anniversary for the band so a special anniversary album consisting of re-recorded versions of old songs was recorded in autumn 1993.
Gironella's combination of surrealism and baroque style can be seen in artworks which also contain favorite subject matters such as court portraiture and symbolic portrayals of death. This unique art is said to be Gironella's version of artistically piecing together Mexico's past and present with the colonization of Mexico by the Spaniard monarchy. The colonial approach is said to have been influenced by his favorite artist such as Francisco Goya, El Greco, and Diego Velázquez, all of whom were alive during the colonization of Mexico. Despite the fact that many did not perceive Gironella as an authentic Mexican artist, Gironella frequently pushed back on this perspective because to deny the effect of Spaniard and European influences on Mexico would be to disembody Mexico's cultural identity entirely.

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