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"demystification" Definitions
  1. the act of making something easier to understand and less complicated by explaining it in a clear and simple way

61 Sentences With "demystification"

How to use demystification in a sentence? Find typical usage patterns (collocations)/phrases/context for "demystification" and check conjugation/comparative form for "demystification". Mastering all the usages of "demystification" from sentence examples published by news publications.

They reject modernity's demystification project and instead construct meaning in the supernatural.
It's barely even a demystification of them (though that's closer to the mark).
We crave demystification, even when the topic is interesting only because of its mystique.
This demystification will eventually result in a more diverse, more modest pool of leaders.
They're nothing more than a demystification process that leaves the listener feeling used and grubby.
NJ: It seems like there is a demystification of the studio space and the persona of the artist in your work.
But yeah, I mean there was a bit of the demystification of New Order, the myth that was built up, mainly our own proving.
Part of the demystification I am after is showing the mundane and ordinary things that an artist does — I eat pretzel sticks and cookies.
Part of "Impulso" is a demystification of the artistic process, in which Molina and her collaborators resort to generalities to explain their essentially intuitive choices.
It helps to understand Mercy Hospital as both a demystification of sickness and a lesson in the power of interpreting one's internal experience, however complicated, for oneself.
For producer Michael Uslan, creator of Dinosaucers, the demystification of these wild theories about Mars and Venus was central to his inspiration to remould the exodinosaur trope in fiction.
It's hard to overstate the pleasure and the comfort that such demystification provides the scientifically uninitiated; it does indeed make the world feel larger, more expansive, more alive to the touch.
Andrew Revkin's introduction to "How to Fake a Moon Landing" I was happy to discover Darryl Cunningham's book because he takes a long tradition of demystification and truth seeking to a new generation in a new way.
The secular culture welcomed the church's Protestantization and demystification and even secularization, praised the bishops and theologians who pursued it, and then simply pocketed the concessions and ignored the religious ideas those concessions were supposed to advance.
Such demystification, a return to the old familiar Clintonian seediness, might be a better cure for some of the impulses behind Trumpism than the kind of landslide-cum-apotheosis that a more appealing Democratic nominee might have achieved.
Of the 19 people with sickle-cell disease the Thomson Reuters Foundation interviewed for this story, 16 said they were called "sorcerers" and "devils" as children, abandoned by their fathers and subjected to "demystification" rituals that could have killed them.
"I embrace the idea there's a demystification process going on between the artist and the audience," he says, describing the internet as "a communal power" that was helping media become more and more about the audience and less about monolithic era-defining artists like The Beatles.
You'll learn how to build a Berlese-Tullgren funnel (a simple ­century-old tool "for luring out and identifying ground-dwelling insects"); you can decide whether Bokashi composting is for you (speedy but smelly, as it's anaerobic); and you can even learn the names of the various parts of your roof (a useful demystification for many homeowners).
The other view is that in fact inculturation has not gone far enough, that the church may have changed its liturgy and costumes, but it's still held back by its abstract dogmas and arid legalisms, and that one final great leap into modernity, a renewed commitment to accompaniment and understanding and adaptation, is necessary for the church to gain what it sought when it began its great demystification project 50 years ago.
Emphasis is placed on demystification of technologies and establishing adequate technical support systems. Training and hand holding are given high priority. IKM has taken out extensive pilot deployment of its application suites.
These columns satirized the way self-effacing net.artists (himself included) took themselves too seriously. In response, European net.artists impersonated Amerika in faux emails to deconstruct his demystification of the marketing schemes most net.
Because of the immediacy of information to the common citizen about all issues of society, they are now able to closely inspect the image of our leaders, creating a demystification of their presence.
Is it now legalization's time? The Washington Post. Retrieved August 3, 2016. Throughout the 1960s he took an active role in the demystification of LSD, and, with Timothy Leary, worked to promote its common use.
Momentum transfer to a free floating double slit: realization of a thought experiment from the Einstein-Bohr debates, Physical Review Letters 111: 103201, 1–5.Wennerstrom, H. (2014). Scattering and diffraction described using the momentum representation, Advances in Colloid and Interface Science, 205: 105–112. this demystification is not recognized or emphasized in many textbooks and journal articles.
They are also known for their historic animist pieces of artwork. Known for their beauty and sophistication, these have been displayed and held at many major museums of the world. After independence, a totalitarian Marxist government took over Guinea in 1958. Its program of "demystification" lasted till 1984, destroying the traditional beliefs and ritual arts of the Baga people.
Gigon was one of the most important historians of philosophy of the 20th century and dealt with the whole range of ancient philosophy. His books have been translated into many languages. An example of his work is the demystification of the figure of Socrates. Gigon pointed out that the Socrates, as represented by his student Plato, is a medium of Plato's own worldview.
Melbourne: Penguin. p. 468. Capitalism continued to grow throughout the post- war period despite predictions from Marxist scholars that it would soon collapse under its own contradictions, yet anarchism gained a surprising surge in popular interest during the 1960s. Reasons for this were believed to be the gradual demystification of the Soviet Union and tensions at the climax of the Cold War.Thomas, Paul (1985).
Crohmălniceanu (1972), p.424; Cubleșan, p.80-81 Henri Zalis, for whom the text is more a novella than a novel, sees another hidden, "subversive" intent: "the suaveness in unhappiness, authenticity bursting from the burning core of alienation." Zalis further noted that Aderca subscribed to the "demystification" of the mahala quarters, where migrant peasants tended to resettle, and which earlier literature had elevated into an idyllic environment.
After Speer's death, Matthias Schmidt published a book that demonstrated that he had ordered the eviction of Jews from their Berlin homes. By 1999 historians had amply demonstrated that he had lied extensively. Even so, public perceptions of Speer did not change substantially until Heinrich Breloer aired a biographical film on TV in 2004. The film began a process of demystification and critical reappraisal.
When Guinea became independent in 1958, the Marxist government implemented a policy of "forced demystification," confiscating and destroying all Baga traditional animist religious icons. After the 1984 overthrow of the former regime, the new government made Islam the state religion and outlawed non-Muslim religious practices. Only after the death of Sekou Toure in 1984 did Baga culture began to reemerge as an affirmation of tribal identity.
Heting Chu (2010) classified the history and development of information representation and retrieval (IRR) in four phases. "The history of IRR is not long. A retrospective look at the field identifies increased demand, rapid growth, the demystification phase, and the networked era as the four major stages IRR has experienced in its development:" Chu, Heting (2010).’’ Information Representation and Retrieval in the Digital Age’’, Second Edition.
Shripad A. Dabholkar was an educationist. He aimed to shape education as a tool for total change in the life situation of an average worker in rural areas. Dabholkar realized the limitation of conventional academic system in which he played a part as a teacher for 25 years. He left it to undertake the task of educating farmers through demystification of science, adopting non-formal methods of knowledge communication.
Courses like "Demystification of Tools in Relation to Design" taught by Katrin Adam, emphasized practical skills, and courses such as "Women and the Built Environment: Personal, Social, and Professional Perceptions," taught by Birkby and others, encouraging women to consider broader issues of significance to women in built and symbolic environments. The participants who brought children to the two-week program where provided with childcare arranged through a work study program on each campus.
This issue featured responses to Staples from prominent black scholars and activists including June Jordan, Maulana Karenga, and Audre Lorde. Opponents of Black Macho disputed the severity of sexism in the black community and the priority it should have in black liberation, citing racism as a more serious concern. Despite the overwhelming hostility it initially faced, Black Macho has been celebrated, especially in contemporary times, for its fearless demystification of stereotypes and critical feminist analysis of black nationalism.
The Jordan River Basin and the Mountain Aquifer: The Transboundary Freshwater Disputes between Israel, Jordan, Syria, Lebanon and the Palestinians. Rose M. Mukhar, 12(1) Annual Survey of International & Comparative Law (2006)Factsheet: Water in the West Bank . COGAT, The Civil Administration of Judea and Samaria (2012)The Clash Over Water: an Attempt at Demystification. Gershon Baskin, 1(3) Palestine-Israel Journal of Politics, Economics and Culture (1994)The Israeli 'watergate' scandal: The facts about Palestinian water.
Aware that in addition to the Kosovo issue, one of the biggest challenges for Serbia is the departure of young people abroad, Arnaud Gouillon founded the INOMS Association in Belgrade in 2016 (Initiative for Birthrate and Staying of the Young People in Serbia – in Serbian: Inicijativa za Natalitet i Ostanak Mladih u Srbiji). The aim of this association is to encourage young people to stay in Serbia through positive and successful examples from Serbia, as well as with the demystification of an idealized life abroad.
Much of the significance of his work arises from Kircher's rational approach towards the demystification of projected images.Musser, p 613 Previously such images had been used in Europe to mimic supernatural appearances (Kircher himself cites the use of displayed images by the rabbis in the court of King Solomon). Kircher stressed that exhibitors should take great care to inform spectators that such images were purely naturalistic, and not magical in origin. Kircher also constructed a magnetic clock, the mechanism of which he explained in his Magnes (1641).
COAC headquarters, where the action took place The curators of the exhibition, members of Studio PER, asked Joan Miró to do an art intervention for the exhibition at the headquarters of COAC, and he turned with enthusiasm, starting with the idea of painting a mural over all the windows of the ground floor of COAC Barcelona. The action was an ephemeral piece of art collective, and a demystification of the artist, in the spirit of Arte Povera,Malet, Rosa Maria. Joan Miró (Barcelona: Edicions Polígrafa, 1983) p. 22 ephemeral arts.
The EP was also an exercise in the demystification of the record- making process (for example, its title was taken from the music's being recorded literally as a spiral scratch on each side of the vinyl; also, the listing of take numbers and overdubs on the record sleeve). This was a landmark event for many, Reynolds adds. "People were buying Spiral Scratch [...] for the sheer fact of its existence, its existence as a cultural landmark and portent of revolution." Bob Last founded the Fast Product record label after Spiral Scratch came out.
Allen Edwardes and R.E.L Masters have been accused of orientalism. Orientalism is the patronizing, and often racist, Western thought surrounding the beliefs and practices of cultures located in India, Eastern Asia, or the Middle East. Joseph Boone uses orientalism as his weapon of demystification against Edwardes and Masters fictional portrayal of Eastern sexuality.Joseph A. Boone, Vacation Cruises; Or, the Homoerotics of Orientalism (New York: Modern Language Association, 1995), 90 Boone states that homosexuality is recognized and glorified in Eastern sexuality in order to make Western, white, civilization more pure and civilized.
In Australia, media education was influenced by developments in Britain related to the inoculation, popular arts, and demystification approaches. Key theorists who influenced Australian media education were Graeme Turner and John Hartley who helped develop Australian media and cultural studies. During the 1980s and 1990s, Western Australians Robyn Quin and Barrie MacMahon wrote seminal textbooks such as Real Images, translating many complex media theories into classroom appropriate learning frameworks. At the same time Carmen Luke connected media literacy with feminism promoting a more critical approach to media education.
The Little Sweep is the second part of a stage production entitled Let's Make an Opera!. The first part takes the form of a play in which the cast portray contemporary amateur performers conceiving, creating and rehearsing the opera. Intended as an introduction to and demystification of the operatic genre, the play also provides an opportunity to rehearse the audience in the four "Audience Songs" they will sing after the interval. The format of the play altered radically in the early months of its existence, passing through at least three versions (including one specially written for radio) utilising different approaches to the exposition.
Agnes's breaking of her vow is seen by the Prioress as an unforgivable crime, which drives her to punish Agnes so severely. Lewis also appears to mock Catholic superstition through use of iconoclasts repeatedly over the course of the novel, such as when Lorenzo moves a statue of the virgin St. Clare to reveal the chamber in which Agnes is being kept prisoner. This demystification of idols makes light of Catholic superstition in relation to statues and sacred objects. Lewis's treatment of the Catholic Church clearly shows that he harbours negative sentiments about the Church's activities.
Critical reception was largely positive. Record Collector Magazine was notably praiseworthy: "Butterfly House… continues to set the benchmark high. A thing of true wonderment, it’s shimmering, beatific multi- coloured coats of guitars and vocal harmonies – think The Everly Brothers, Byrds, Crosby, Stills & Nash – dress songs that primarily concern themselves with the demystification process… this is a genuine contender for 2010 album of the year." Six months after the release of Butterfly House, the Coral released Butterfly House Acoustic, a limited edition acoustic re-recording of the entire album which they completed in a single day, after positive reviews of their acoustic live performances.
The ballets combined rhythms and dances from widely different spiritual backgrounds in a single performance, which suited the aim of Touré's demystification program of "doing away with 'fetishist' ritual practices". Touré generously supported the ballets (to the point of building a special rehearsal and performance space in his palace for Ballet Djoliba) and, until his death in 1984, financed extensive world-wide performance tours, which brought the djembe to the attention of Western audiences. Other countries followed Touré's example and founded national ballets in the 1960s, including Ivory Coast (Ballet Koteba), Mali (Les Ballets Malien), and Senegal (Le Ballet National du Senegal), each with its own attached political agenda.
A Master's degree Case Study was conducted in 1995 in South Africa entitled: The Rudolf Steiner approach to education: A qualitative study with particular reference to the pre-primary and primary phase of a Waldorf school in KwaZulu- Natal. Abstract of thesis: The location of this work within the holistic world view or the symbolic science paradigm indicates that the case study approach will be most likely to maximize valid findings. The theoretical and evaluative demands of this study precluded the use of more quantitative methods. The aim was to attempt a demystification of Waldorf Education by means of in-depth interpretation and reconstruction, in other words, using descriptions which have contextual validity.
The following novels, Portrait de Zeus peinte par Minerve (1982) and Sara Sage (1986), make use of tragic classical and biblical myths, but are more developed structurally and linguistically. In Portrait de Zeus the poetic-prose style of recurrent waves of words and phrases combines with mixing of mythological and historical figures, literatures, and modern references to create a demystification of patriarchal values. Sara Sage takes on the biblical story of Sarah, casts it in France during the Second World War, and presents it from a first-person perspective in a lyrical, biblical style that expresses profound rage at male- dominant gender values. Bosco turned to the short-story form in the late 1980s and 1990s.
65 (Paperback ed. 2010) It was also an early example of sex exploitation, as music writer David Ewen has noted: "When Milly Cavendish stepped lightly in front of the footlights, wagged a provocative finger at the men in her audience, and sang in her high-pitched baby voice, 'You Naughty, Naughty Men' … the American musical theater and the American popular song both started their long and active careers in sex exploitation." Cavendish had played in British music hall for 15 years under the name Mrs. Lawrence.Gänzl, Kurt. "'The Black Crook: Demystification Part 2", Kurt of Gerolstein, October 8, 2016, accessed June 18, 2018 She died in New York on 23 January 1867(25 January 1867).
Barras's script of Faustian fairytale drama and romance included a full musical score consisting of adaptations of existing songs as well as new ones written for the show by various writers, all selected and arranged by Niblo's musical director, Thomas Baker. Popular songs from the show included "You Naughty, Naughty Men", with music credited to George Bickwell and lyrics credited to Theodore Kennick, although the song may really have been adapted from an English song or songs.Gänzl, Kurt. "'The Black Crook: Demystification Part 2", Kurt of Gerolstein, October 8, 2016, accessed June 18, 2018 The production included state-of-the-art special effects, including a pantomime-style transformation scene that converted a rocky grotto into a fairyland throne room in full view of the audience.
Following the end of the Spanish Revolution and World War II, the anarchist movement was a "ghost" of its former self, as proclaimed by anarchist historian George Woodcock. In his work Anarchism: A History of Libertarian Ideas and Movements published 1962, he wrote that after 1936 it was "a ghost that inspires neither fear among governments nor hope among peoples nor even interest among newspapermen". Capitalism continued to grow throughout the post-war period despite predictions from Marxist scholars that it would soon collapse under its own contradictions, yet anarchism gained a surprising surge in popular interest during the 1960s. Reasons for this were believed to be the gradual demystification of the Soviet Union and tensions at the climax of the Cold War.
Some centres focus on providing services for particular segments of the population, such as women, refugees and asylum seekers, older persons, children and youth, people with disabilities or Aboriginal and Torres Strait Islander people. Centres provide various legal services, including legal advice and traditional casework, to individuals at little or no cost, as well as undertaking early intervention and preventative strategies, such as community education and development in legal skills, and engaging in advocacy for policy and law reform. They emphasise the demystification of the law and the empowerment of communities in their relation to the law, particularly by encouraging communities to be involved in their activities.Paula O'Brien, 'Changing Public Interest Law: Overcoming the law's barriers to social change lawyering' (2011) 32 AltLJ 80.
During his tenure as Governor of RBI, Dr Subbarao took initiatives for demystification of the Central Bank, including lucid presentation of terse macro economic concepts in the RBI publications and grassroots level interaction with the masses through various financial inclusion, financial literacy and village outreach programmes. He was instrumental in ensuring 100% meaningful financial inclusion in Ernakulam district of Kerala. In February 2012, Subbarao expounded his world-famous theory on the New Trilemma of Central Bankers, which he named as the "Holy Trinity" of price stability, financial stability and sovereign debt sustainability as against Mundell's well known "Impossible Trinity" of fixed exchange rate, free capital flows and independent monetary policy. Subbarao's erudite exposition on holy trinity firmly established the Indian perspective in the scholastic debate on the global central banking trilemma.
However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. The band released three more singles on Rough Trade, Demystification (a psychedelia- influenced track backed with "Great White Hunter"), Dancing and More Trouble Coming Every Day, as well Le Vache Qui Rit (initially intended for a split EP with The Mob for an anti-draft benefit in Belgium). The band split up in late 1982, Steve Lake disaffected with the anarchist music scene in general and the band worn out from touring. Bass player and vocalist Steve Lake and guitarist Laurence Wood continued to work together for a while as The World Service with original Zounds member Nick Godwin, whilst drummer Josef Porter joined The Mob and later Blyth Power.
Joan Salvato Wulff, also known as the "First Lady of Fly Fishing", is widely regarded as the architect of modern-day fly-casting mechanics and is revered within the sport for her pioneering and many accomplishments. Since learning to cast as a schoolgirl in 1937, she has left a legacy for new generations of fly anglers and taught countless people the art of fly-casting through the school she founded and books she has written. Her demystification of the fly cast, numerous career accolades, and many contributions to the sport have earned her induction into the International Game Fish Association Hall of Fame (2007) and American Casting Association Hall of Fame. She has garnered 20 awards, including the Lapis Lazuli and Lifetime Achievement Awards from the International Federation of Fly Fishers.
In Sartre's opinion, the "traditional bourgeois literary forms remain innately superior", but there is "a recognition that the new technological 'mass media' forms must be embraced" if Sartre's ethical and political goals as an authentic, committed intellectual are to be achieved: the demystification of bourgeois political practices and the raising of the consciousness, both political and cultural, of the working class. The struggle for Sartre was against the monopolising moguls who were beginning to take over the media and destroy the role of the intellectual. His attempts to reach a public were mediated by these powers, and it was often these powers he had to campaign against. He was skilled enough, however, to circumvent some of these issues by his interactive approach to the various forms of media, advertising his radio interviews in a newspaper column for example, and vice versa.
From the 11th century until around the 19th century, Muslim cultures used magic bowls, healing necklaces and other objects like amulets, talismanic shirt, and scrolls in hopes of warding off drought, famine, floods and even epidemic diseases. Anti-plague talismans known as the "Garden of Names", Quranic scrolls and amulets were worn around the neck or otherwise attached to the body, believing that physical contact with the object would unlock the enclosed blessings or life force, known as baraka in Arabic. According to Zadeh, the same is true about magic in its various manifestations, which explains a good deal about how the bounds of the licit and the illicit have historically been defined and negotiated. In the modern period,Muslim societies, faced with varied discourses of demystification, the domains of the magical and the enchanted went through substantial reconfiguration in the expressions of Islamic piety, devotion, and learning.
In his biography of Orwell, Michael Shelden called the article "his most important essay on style", while Bernard Crick made no reference to the work at all in his original biography, reserving his praise for Orwell's essays in Polemic, which cover a similar political theme. John Rodden asserts, given that much of Orwell's work was polemical, that he sometimes violated these rules and Orwell himself concedes that if you look back through his essay, "for certain you will find that I have again and again committed the very faults I am protesting against". Rodden also says that Terry Eagleton had praised the essay's demystification of political language but had later become disenchanted with Orwell.Quoted in Linguist Geoffrey Pullumdespite being an admirer of Orwell's writingcriticised the essay for "its insane and unfollowable insistence that good writing must avoid all phrases and word uses that are familiar".
Radical Tragedy (1984, 2nd edition 1989, 3rd edition 2004) In his first book, Dollimore argues that the humanist critical tradition has distorted for modern readers the actual radical function of Early Modern English drama, which had to do with 'a critique of ideology, the demystification of political and power relations and the decentring of "man"'. Political Shakespeare: Essays in Cultural Materialism, edited with Alan Sinfield (1985, 2nd edition 1994) Treading the same path as Radical Tragedy, this compendium of essays by leading writers on Shakespeare has as its goal to replace our idea of a timeless, humane and civilising Shakespeare with a Shakespeare anchored in the social, political and ideological conflicts of his historical moment. Included are essays by Stephen Greenblatt and Kathleen McLuskie. Sexual Dissidence (1991) In Sexual Dissidence, Dollimore sets out “to retrieve lost histories of perversion”, in part by tracing the term “perverse” back to its etymological origins in Latin and its epistemological origins in Augustine.
WSPA hosted a national women's symposium "Community-Based Alternatives and Women in the Eighties," on May 17–20, 1981, at American University, Washington, DC. The event focused on women in the areas of housing, employment, economic development, education and cooperative development. Despite ongoing efforts, WSPA's final project was a 1983-1984 Design Arts Grant from the National Endowment for the Arts (NEA) for "Architectural Quality in Urban Homesteading," a project with a stated aim to help urban homesteaders, many of whom where women, "achieve architectural quality in buildings rehabilitated and cooperatively owned and managed by homesteaders through a participatory design process." WSPA programming focused on reforming the design professions to include women. Courses like "Demystification of Tools in Relation to Design" taught by Katrin Adam, emphasized practical skills, and courses such as "Women and the Built Environment: Personal, Social, and Professional Perceptions," taught by Ms. Birkby and others, encouraging women to consider broader issues of significance to women in built and symbolic environments.
Pavement, one of several bands to name R.E.M. as an influence--they even wrote the song "Unseen Power of the Picket Fence" in honor of them. R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day."Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984.
Overview of the Fragments of East and the West, Hrvatsko glumiste, summer 2004. Croatian Theatre 2001-2003: Transformations, The World of Theatre, ITI UNESCO, Paris,10. 2004. Problems of Translating Contemporary Plays Outside of Their Native Cultural Environment, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist readings», Universite Paris IV Sorbonne/University of Montenegro, Paris/Podgorica, 10. 2004. Croatian Theatre Faced with the Challenges of European Integrations, Kazaliste, 19/20 2004. Demystification of the Market – Theatre and its Consumers, Scena, Novi Sad, 09. 2005. Croatian Drama of War Trauma, Kazaliste, Zagreb, 21/22 2005. Show Business in Croatian Theater, Kazaliste, Zagreb, 23/24 2005. 'Male Stuff' from the Female Point of View; War and Warriors in Plays of Croatian Contemporary Female Playwrights, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist Readings» Universite Paris IV Sorbonne/Faculty of Philosophy University of Zagreb, Paris/Zagreb, 10. 2005. Problem of Time in Drama, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist Readings» Universite Paris IV Sorbonne/Faculty of Philosophy University of Sarajevo, Paris/Sarajevo 12. 2006.

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