Mary's coquetry, which was so vexing to Edmund and Fanny in "Mansfield Park," here redeems her.
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Not how you wear your hair, or how you smell, or how well you've mastered the art of coquetry.
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Objectification, Valenti reveals, is not an occasional descent into flirtation and coquetry, but a foundation on which everything else is constructed.
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In "The Beguiled" she plays a significant role as Alicia, a flirtatious teenager who at last has an object for her coquetry when the injured McBurney arrives at her school.
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Trussed in corsets, jawbone-high collars and calicos that had seen better days, they have little enough to work with, their attempts at coquetry further constrained by their rigid mores of the day.
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That if a man could look at his paycheck and then gaze out through studio glass at those working under him and still believe he was permitted to partake of their jokes, their gripes and shared coquetry, then something was seriously not connecting.
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The fun of these things — and maybe even the point — is less the fashion show itself than the opportunity to ogle A-list people like Miley Cyrus (halter neck Tom Ford jumpsuit) inadvertently demonstrating the importance of bra tape and Anna Wintour practicing her underappreciated coquetry on Jeff Bezos (black Tom Ford Atticus suit).
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Dangers of Coquetry is Amelia Opie's first published novel, and deals with issues of female sexuality and the social construction of gender. It was published anonymously in 1790.
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The Father and Daughter is a novel by Amelia Opie that was published in 1801. It was Opie's first novel published under her own name (an earlier novel, Dangers of Coquetry, was published anonymously).
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The novel uses some standard tropes found in 'coquette narratives' written at the time (particularly in that the coquette dies tragically), but is also unusual in that Louisa is married. Pershing argues that Dangers of Coquetry therefore "reveals marriage’s inability to contain emotional and erotic desire".
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The Dangers of Coquetry attracted little attention when it was first published. Although the novel cautions readers about the dangers of flirting, Opie also depicted Louisa as a flawed yet ultimately sympathetic figure. One contemporary reviewer was far more critical of Henry's behaviour than hers, writing that: 'while it [the novel] attributes the most mischievous and dreadful consequences to a little innocent coquetry in the character of a wife, it shews them to have proceeded from an idle, ridiculous, and unfounded jealousy on the part of her husband. Teresa Pershing suggests that although Opie portrays Louisa as an example of failed femininity, she also shows that society's narrow notions of acceptable female behaviour are flawed.
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Horace Walpole wrote "her coquetry was so active, so varied and yet so habitual, that it was difficult not to see through it and yet as difficult to resist it."Horace Walpole, ed. Sir Denis Le Marchant, Memoirs of the Reign of King George the Third, vol. iv (London, 1845) p. 357.
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The novel follows the life of Louisa Conolly, a woman who enjoys flirting ('coquetry'). After she marries Henry Mortimer, she continues to flirt with other men. This causes her husband considerable anxiety, although Louisa remains physically faithful to him. Whilst Louisa is pregnant, Henry fights in a duel to defend her reputation.
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Delia Gaze. Dictionary of Women Artists: Artists, J-Z. Taylor & Francis; January 1997. . p. 200. She made a painting of legendary Daphnis and Phyllis, which was exhibited at the 1795 salon. In 1804, The First Sense of Coquetry was exhibited there.Delia Gaze. Dictionary of Women Artists: Artists, J-Z. Taylor & Francis; January 1997. . p. 201.
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The impoverishment of identity caused by the new technologies is suggested by sketchy physiognomies to which colour sometimes adds a touch of coquetry and frivolity. In a world in which communication is instantaneous and takes place in a network, the people imprisoned in the image seem to be terminals connected to a central computer which simply cannot establish a real communication.
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The bābā is an Arabic word that means 'father' and is also a term of endearment, while ġannūj could be a personal name. The word combination is also interpreted as "father of coquetry" or "indulged/pampered/flirtatious daddy" or "spoiled old daddy". It is not certain whether the word bābā refers to the eggplant, or to an actual person indulged by the dish.
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Comedy TV reality show Legally Blonde, which lasted 2 seasons and in 2009 her self-titled album Djamilya was released worldwide. Djamilya had confessed to being an admirer of the South Korean actor, Kwon Sang-woo on the Global Talk Show. At the invitation of the actor, she gained the opportunity to meet him on her birthday during the shooting of the TV Series Bad Love for the KBS Network. The report stated that Djamilya's coquetry is unmatched and incomparable. She ranked first ‘Coquetry Queen’ spring breeze the best female star’ No one can copy Jamila's individuality manners' 역시 교태퀸'… 자밀라 35.9％ – 표몰이 한예슬 29.8％- 현영 11.5％ 2–3위 On Saturday evening Talk Show Misuda Djamilya showed dance Wonder Girls "Tel Me" with other guests on the air and a small tattoo on her left shoulder was captured on camera.
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Sandolo earned notoriety by publishing a calendar in 2005, in which she posed semi-nude. She has continued to release the calendar every year since. On the topic of the calendar, Sandolo has said, "My first sexy calendar is intended to represent my love for golf, my desire for freedom and a touch of coquetry and I’m instinctively attracted by fashion, elegance and glamour." She is often invited on TV shows.
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Once healed, he begins to heal the Gascon, who, accepting sincerely that he was a liar, braggart and flatterer, also resumes his size. The Gascon, in turn, confesses and heals the maid. As for the doctor, who has become almost undetectable, he must promise to stop "curing" his patients and to let them die on their own to recover its size. The Countess must, in turn, has to correct her coquetry, her pride and feigned politeness.
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Gifted with a fine and delicate talent, Leray excelled at genre paintings, where coquetry and grace give a poetic character. Very meticulous in the details of his compositions, his canvases constitute a veritable museum of the costume of the Louis XV period, a period that he particularly liked.Union List of Artist Names (en) Leray died as a result of a stroke he had suffered four days earlier, while painting in his workshop on . He was 58 of age.
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He further wrote that Ms. Giocante's intoxicating mixture of gamine innocence and womanly knowingness is almost too much for the movie but her charisma.......give it a mood that is at once breathlessly romantic and cannily down to earth."Teenage Coquetry and Seduction, Across a Deep Divide". "FILM REVIEW", The New York Times, JUNE 24, 2005 In 2009 she appeared in Bellamy, the last film of celebrated French director Claude Chabrol."A Detective Who Solves Crimes for a Living, and as a Pastime".
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Pauline Auzou, The First Sense of Coquetry, 1804Archduchess Marie-Louise in Compiègne (with new husband Napoleon) Pauline Auzou, Louis-Benoît Picard and his family, shown at the 1808 Paris Salon. Within the painting is a portrait of Pickard Elder, for which she won a medal in the 1806 Paris Salon.Pauline Auzou, The Return of Charles X'' Pauline Auzou (March 24, 1775 - May 15, 1835) was a French painter and art instructor, who exhibited at the Paris Salon and was commissioned to make paintings of Napoleon and his wife Marie Louise, Duchess of Parma.
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708: "in L'épreuve villageoise, where the various folk elements – couplet form, simplicity of style, straightforward rhythm, drone bass in imitation of bagpipes – combine to express at once ingenuous coquetry and sincerity." Ambient music did not achieve large commercial success, being criticized as having a "boring" and "over-intellectual" sound. Nevertheless, it has attained a certain degree of acclaim throughout the years, especially in the Internet age. Due to its relatively open style, ambient music often takes influences from many other genres, ranging from classical, avant-garde music, folk, jazz, and world music, amongst others.
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In the latter year, she also published her most successful poem, "The Art of Coquetry" in Gentleman's Magazine. She met Samuel Johnson around that time and he held her in high regard. When her first novel, The Life of Harriot Stuart, Written by Herself, appeared, Johnson threw a lavish party for Lennox, with a laurel wreath and an apple pie that contained bay leaf. Johnson thought her superior to his other female literary friends, Elizabeth Carter, Hannah More, and Frances Burney, due to her efforts to professionalize her writing career, rather than write anonymously.
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Shelley King, Yaël Rachel Schlick, Refiguring the Coquette: Essays on Culture and Coquetry (Associated University Press, 2008), p. 152 Timbury’s The story of Le Fevre, from the works of Mr. Sterne (1787) attempted to increase the drama of Laurence Sterne's work by putting it into verse, but has been judged to “contort Tristram’s spontaneous profession of whimsicality into pedestrian metre and verse”.Mary-Celine Newbould, Adaptations of Laurence Sterne's Fiction: Sterneana, 1760–1840 (Routledge, 2016), p. 87 Her book of verse, The History of Tobit, self-published in 1787, included a long list of subscribers, among whom were Samuel Arnold and Jeremy Bentham.
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The duchess warns her against trying to conquer a man's heart through love, which will only allow the husband to tyrannize over the wife; instead a woman must use all the arts of coquetry that nature puts at her disposal. Augustine is shocked to learn that Madame de Carigliano sees marriage as a form of warfare. The duchess then returns to Augustine her own portrait, telling her that if she cannot conquer her husband with this weapon, she is not a woman. Augustine, however, does not understand how to turn such a weapon against her husband.
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On 9 November 2011, a series of Azis' music videos were uploaded to Bilibili, a mainland Chinese video sharing website. The videos were numbered "av170001"(short for audio video) and have been popular, even one of the hottest videos on Bilibili since 2016. As of February 2020, the videos have been viewed over 21 million times and have received 788 thousand danmus (a special kind of comments) in all, and have been covered many times. Because of the wide spread of Hop, the first video of the series, Azis, known as "King of coquetry of Bulgaria (保加利亚妖王)", has become famous among some Chinese youths.
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The novel was republished in 1922 in an edition by The Macaulay Company which included "illustrations from the Paramount Photo-Play" of Valentino and Swanson. Publicity at the time described the film as: > :A flaming romance as only the author of Three Weeks could write it; as only > Gloria Swanson, with dashing Rodolph Valentino playing the lover, could make > it live in all its ardent splendor. :The story of a passionate young heart > bound by society's conventions, struggling and risking all for sadness: ::— > of gay nights of revelry in the Parisian world of fashion. ::— of intrigue > and coquetry in the gilded resorts of London high society.
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José Alfredo Bozzano Baglietto was born on December 7, 1895 in the Asunción neighborhood of San Jerónimo, "just fifty metres from the Dockyards", which at that time was located there. The birth date is contained in official documents and was confirmed by his grandson, engineer Luis Lamas Bozzano, curiously because he gave another date (1899) "to remove a few years; pure coquetry", as stated at times his wife, Mrs. Virginia Cardozo of Bozzano, who in turn was the daughter of educator Ramon Indalecio Cardozo and sister of politician Efraím Cardozo. His parents were the Genoese ship owner José Bozzano and the Argentine citizen Benedicta Baglietto.
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Warren, the chief clerk in the war office sadly realizes his job is in jeopardy with a new hood of convictions that leads him to follow the dictates of his heart, so he braves the wintry winds of a February storm to visit the fair Iñez at the Mexican embassy. He boldly tells her of his love—in spite of whatever the new powers may fatalize. The fair one with the coquetry of her sex, teases him, but leads him hopefully along by indirection. He starts to go, telling her that he will come for his answer "on the fourth of March", a notoriously busy day in Washington.
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Inspired by the then-fashionable style of sentimental cartography (as exemplified by the Carte de Tendre or Gulliver's Travels), in 1663 he published an imaginary allegorical travel-memoir Voyage de l'isle d'amour (Voyage to the isle of love), where the places are ruled by figures such as Respect, Concern, Pride, Warmth, Modesty and (in the second part) Coquetry and Gallantry. He also wrote divertissements, panegyrics and funeral elogies. He was elected a member of the Académie française in 1666 and of the Académie des inscriptions et belles-lettres in 1673. Claude Gros de Boze said Tallement was "more to be recommended for his virtues than for his talents".
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But in the second part this virtuous lady falls victim to a vulgar intrigue with Dame Abbé. One of La Sale's commentators, Joseph Neve, ingeniously maintains that the last section is simply to show how the hero, after passing through the other grades of education, learns at last by experience to arm himself against coquetry. The book may, however, be fairly regarded as satirizing the whole theory of "courteous" love, by the simple method of fastening a repulsive conclusion on an ideal case. The contention that the fabliau-like ending of a romance begun in idyllic fashion was due to the corrupt influences of the Dauphin's exiled court is inadmissible, for the last page was written when the prince arrived in Brabant in 1456.
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Subsequent years saw her appear as Miss Prue in Congreve's "Love for Love," Miss Hoyden in the "Relapse" of Vanbrugh, Melantha in "Marriage à la Mode," and other characters of which sauciness and coquetry are the chief features. Her name appears to a petition signed by Barton Booth and other actors of Drury Lane Theatre, presented apparently about 1710 to Queen Anne, complaming of the restrictions upon the performances of the petitioners imposed by the lord chamberlain. In 1713 she appeared in John Gay's comedy The Wife of Bath and two years later in The What D'Ye Call It. She remained at Druiy Lane from 1708 to 1721, on 14 February of which year she 'created' the character of Lady Wrangle in Cibber's comedy, the "Refusal." Her last recorded appearance was on 2 April 1723.
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A drone consisting of two adjacent notes sounded alternately is also typical. Dr. Naylor, in his work An Elizabethan Virginal Book, has drawn attention to the fact that many early English melodies are founded on a drone consisting of two alternating notes, and that the Northumbrian Bagpipe had alternative drones and an arrangement for changing the note of the drones."George Grove, Stanley Sadie, The New Grove Dictionary of Music and Musicians, Macmillan Publishers, 1st ed., 1980 (), vol. 7 (Fuchs to Gyuzelev), "André-Ernest-Modeste Grétry", p. 708: "in L'épreuve villageoise, where the various folk elements – couplet form, simplicity of style, straightforward rhythm, drone bass in imitation of bagpipes – combine to express at once ingenuous coquetry and sincerity."Leroy Ostransky, Perspectives on Music, Prentice-Hall, 1963, p. 141: "GAVOTTE.
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Seeing her busy with her fan, I proposed the Fan as a subject. In > tracing its origin she followed Pignotti and in describing its use she acted > and analyzed to us all the coquetry of the thing. She allowed herself no > pause… So extensive is her reading, that she can challenge any theme. One > morning, after other classical subjects had been sung, a Venetian count gave > her the boundless field of Apollonius Rhodius, in which she displayed a > minute acquaintance with all the Argonautick [sic] fable.Joseph Forsyth, > Remarks on Antiquities, Arts, and Letters, During an Excursion in Italy, in > the Years 1802 and 1803. Boston, Wells and Lilly, 1818. Print. P. 59. This improvisatrice (Signora Fantastici) and her rival La Bandettini were street performers, who would frequently pass a hat around before, during, and after improvisations, into which appreciative listeners would make donations.
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One such guest, French author Colette, described being served coffee by Bernhardt: "The delicate and withered hand offering the brimming cup, the flowery azure of the eyes, so young still in their network of fine lines, the questioning and mocking coquetry of the tilted head, and that indescribable desire to charm, to charm still, to charm right up to the gates of death itself." In 1922, she began rehearsing a new play by Sacha Guitry, called Un Sujet de Roman. On the night of the dress rehearsal, she collapsed, going into a coma for an hour, then awakened with the words, "when do I go on?" She recuperated for several months, with her condition improving; she began preparing for a new role as Cleopatra in Rodogune by Corneille, and agreed to make a new film by Sasha Guitry called La Voyante, for a payment of 10,000 francs a day.
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Elsewhere, familiar lyrics and arrangements are turned inside out to generate frosty menace (The Clash's 'Guns of Brixton'), giggly coquetry ('Too Drunk To Fuck' by the Dead Kennedys) or haunting langour (The Cure's 'A Forest', teeming with birdsong)." The more negative reviews take issue with the concept of the album itself. AllMusics review begins: "The best compliment that can be paid to Nouvelle Vague's self- titled debut album: it isn't as arch and smirking as a collection of bossa nova versions of new wave classics by fetching French and Brazilian chanteuses would suggest." The NME gave the album a 1 out of 10 rating, writing, "the very concept of Nouvelle Vague - alternative '80s hits done in a deeply kitsch, sub-Bebel Gilberto sunset-samba style – is one that's so tired, so looooong past any imagined sell-by date that we're honestly astounded it exists.
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Armand seized this opportunity to outline his theses supporting revolutionary sexualism and "camaraderie amoureuse" that differed from the traditional views of the partisans of free love in several respects. Later Armand submitted that from an individualist perspective nothing was reprehensible about making "love", even if one did not have very strong feelings for one's partner. "The camaraderie amoureuse thesis", he explained, "entails a free contract of association (that may be annulled without notice, following prior agreement) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution." He also published Le Combat contre la jalousie et le sexualisme révolutionnaire (1926), followed over the years by Ce que nous entendons par liberté de l'amour (1928), La Camaraderie amoureuse ou “chiennerie sexuelle” (1930), and, finally, La Révolution sexuelle et la camaraderie amoureuse (1934), a book of nearly 350 pages comprising most of his writings on sexuality.
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"The camaraderie amoureuse thesis", he explained, "entails a free contract of association (that may be annulled without notice, following prior agreement) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution." He also published Le Combat contre la jalousie et le sexualisme révolutionnaire (1926), followed over the years by Ce que nous entendons par liberté de l'amour (1928), La Camaraderie amoureuse ou "chiennerie sexuelle" (1930), and, finally, La Révolution sexuelle et la camaraderie amoureuse (1934), a book of nearly 350 pages comprising most of his writings on sexuality. In a text from 1937, he mentioned among the individualist objectives the practice of forming voluntary associations for purely sexual purposes of heterosexual, homosexual, or bisexual nature or of a combination thereof. He also supported the right of individuals to change sex and stated his willingness to rehabilitate forbidden pleasures, non-conformist caresses (he was personally inclined toward voyeurism), as well as sodomy.
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