Doors with English brass hardware open to a powder room and a coatroom.
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Remember to tip baristas, hair salon shampooers and coatroom attendants, too — they are often forgotten.
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The coatroom there, on the second floor, was jammed, and someone came late to the party that was going on.
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A windowed coatroom with built-ins for clothing and gear is immediately to the right of the front door, and there is a small study with built-in bookshelves off the living room.
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In the case of Obsessed, where Knowles and Elba seethe with a sexual heat largely and regrettably absent from Unforgettable (excepting one sweltering montage of coatroom coitus cross-cut with laptop-assisted masturbation), the white intrusion feels especially conspicuous.
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All of us of a certain age, especially John Yau (see his "Please Wait by the Coatroom: Wifredo Lam in the Museum of Modern Art," Arts Magazine, December 1988), remember seeing it weirdly tucked next to the coat room at the old MoMA.
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Back in the late 1980s, when I criticized the museum's relegation of Wifredo Lam's "The Jungle" to the lobby coat check in an article called, "Please Wait by the Coatroom" (Arts Magazine, December 1988), the response was to take down the painting and put it in storage.
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One of MoMA's enduring strengths is its commitment to Latin American art, even if it doesn't always know what to do with it (see John Yau's well-known essay, "Please Wait by the Coatroom: Wifredo Lam in the Museum of Modern Art," Arts Magazine, 1988), and Kirstein was present at the creation of that, too.
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The depot restaurant (pictured in 1951) became a coatroom which became the 7th St. Entry.
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On Halloween 1962, 9-year-old Frankie Scarlatti is tricked and locked inside his classroom coatroom by schoolmates Donald and Louie at the end of the day. Trapped well after dark, he witnesses the apparition of a young girl being murdered in the coatroom, though her assailant is invisible. Moments later, a man enters the coatroom and attempts to open a vent grate on the floor, but notices Frankie. He strangles him to unconsciousness.
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In 1998 it was purchased by Edward DeVincenzo, who began working in the coatroom years before.
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Over her objections, Birns entered the coatroom, shoving her aside in the process, and retrieved some cigars from his coat. He then returned to the table, had two more drinks, and smoked one cigar. The coatroom girl ran outside and summoned Rudy Duncan, the bouncer who also happened to be her live-in boyfriend. She told him about the incident with Birns.
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Inside are two rooms, both 27 feet by 33 feet. A small kitchenette is in the rear, and the building contains bathrooms and a coatroom.
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In addition, the DDP has parking areas, dispensaries, a feeding room, a coatroom, a cafe, and other facilities and they are operated and managed by the Seoul Design Foundation of the city of Seoul.
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One of Birns's most serious arrests was for the 1934 murder of Rudy Duncan, a 36-year-old night club bouncer at Euclid Avenue's Keystone Club. Birns was sitting at Keystone with two of his fellow gang members when he rose to retrieve some cigars from his overcoat which he had checked in the coat room. Birns had misplaced his cheque and could not produce it when asked for it by the coatroom girl. The coatroom girl subsequently refused to give Birns access to his coat.
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Each classroom was provided with a coatroom. Windows were concentrated on the front and rear of the building with sparsely fenestrated ends. A central stairway serves all levels. The classrooms retain their original wood wainscoting and much of their original character.
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Maxwell and Lillie, dressed as a beturbaned maharajah from India and a harem girl, arrived with brooms and buckets, following an elephant. The coatroom charge was a surprise to the guests; instead of the usual two bits, it was raised to US$0.35 per item.
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A single-room, central projecting gable-front with a belfry forms the T's upright. The front section was used an entryway/coatroom, while the two-room back section housed the classrooms. The frame structure rests on a limestone basement. An entrance ramp replaces the original entrance steps.
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A coatroom attendant shows up and states Drake checked his briefcase at the club where he works. Chan and Vance wait to see who will claim it. It is Boggs, Kirby's butler. He claims that Kirby left him a note instructing him to get the briefcase.
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The interior has a small coatroom, which is separated from the class room by a reproduction of an original divider wall. The interior walls are all finished in beadboard with a chair rail, painted in latex paint. A 19th-century wood stove stands in the center of the classroom. with The school was built sometime between 1802 and 1818, and served Newbury's District 8.
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Opened in 1982 as Upstairs at the Pudding, they had a small dining room three flights above the Hasty Pudding Club. A favorite of the locals, they also attracted many celebrities. Ella Fitzgerald sang ‘Happy Birthday’ to one of the sous chefs. Julia Roberts smoked a cigarette in the coatroom ”and turned to (the staff) and said, ‘Shhh, don’t tell.’” In 2002, they relocated to Winthrop Street, also in Harvard Square.
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To the right of the main hall was a bathroom and coatroom. To its right was the reception room, a room with stained-glass windows, dark mahogany woodwork with inlaid maple, a mosaic-faced fireplace with a mantle of African onyx, and a carved mahogany mantelpiece with carved cherubs supporting a round mirror. The ceiling was gold and the walls were frescoed. Seven electric chandeliers lit the space.
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The 7th St Entry The 7th St Entry is a smaller stage (capacity 250) attached to the historic First Avenue (capacity 1500).Music: 7th St Entry; Minneapolis Star Tribune article; retrieved . This space was once a restaurant (the "Greyhound Cafe") and later a coatroom, before staffer Danny Flies and McClellan spent $1,500 to turn it into a barebones music venue as part of Sam's. Meyers donated his own Bose speakers for stage monitors.
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Both entries have double wooden doors inside of which is a vestibule adorned with stone piers with concrete arches. The schoolhouse architecture is of no particular singular style. American Craftsman and Bungalow style can be seen in the decorative wooden shingles below the gable ends, three-light panel doors, and knee braces; Romanesque Revival style is seen in the rounded arches of the two entries. Originally, the interior consisted of two classrooms and a coatroom.
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Later, as the party ends and guests begin to leave, Mrs. Malins asks Gabriel to look after Freddy when she returns to Scotland. Gabriel awakens Dan Brown in the coatroom and puts him in a carriage with the Malins. The remaining guests become still as D'Arcy sings “The Lass of Aughrim,” and Gabriel watches his wife, Gretta, standing transfixed on the stairs. She is pensive in the carriage on the way to their hotel, dismissing Gabriel’s attempt to cheer her.
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A projecting one- story gabled vestibule in the center of the facade contains a double-door entrance. Inside, staircases lead up to the main level and down to the basement. When built, the school included two classrooms, two restrooms, a coatroom, and a library upstairs. The lower level contained a large open space was used as a gymnasium, auditorium, and cafeteria, as well as a kitchen, a mechanical room; and a small room used by the maintenance man as an apartment.
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Sarah and Ellie Woodcomb discuss on what types of flowers she should have for the wedding. Sarah confesses that she is not used to the "girl stuff", and asks Ellie to make the decisions for her completely. Ellie, being a good bridesmaid, contacts Sarah to ensure that all of her decisions are to Sarah's liking. Ellie later calls Sarah with the epiphany that a wedding should be based around the bride's wedding dress, leading Sarah to try on several dresses in the recently expanded Castle "coatroom", which contains dozens of outfits and a holographic representation of the user wearing said outfit.
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Entertainer May Daly's nightclub act includes her portrayal of Madame Du Barry of days of yore. Equally smitten with her are coatroom attendant Louis Blore and master of ceremonies Alec Howe, but unfortunately for both, May persists in holding out for a wealthy husband, her current interest being rich, haughty Willie. A telegram arrives notifying Louis that in the Irish Sweepstakes he is the winner of a prize of $150,000. Louis immediately and publicly declares his love for May, who is teased by Alec that she now has no reason to stay with Willie and avoid Louis, who is a sweeter fellow.
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This served mainly as an entrance for guests during large social gatherings, when it was necessary to accommodate many cars and carriages—as well as many cloaks and hats. Its primary feature was the long cloak room with spots for coats and hats of the ladies and gentlemen. The White House Complex – East Wing at right The East Wing as it exists today was added to the White House in 1942 primarily to cover the construction of an underground bunker, now known as the Presidential Emergency Operations Center (PEOC). Around the same time, Theodore Roosevelt's coatroom became the movie theater.
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The main house comprises 11 bedrooms and more than 6 baths. It includes among other features: a marble entrance before magnificent mosaic work; grand cherry staircase; elevated ballroom with bandstand and walk-in cedar coatroom; wine-bar with cellars; a walk-in safe used during prohibition to store various alcohols; atrium; Baroque ornamentation on the ceilings and walls; rich hardwood floors; and a full driveway circling the main building providing access to the coach house. The house also stored several exceptional stained glass windows by Louis Tiffany. One of the windows is prominently on display in the Chicago History Museum.
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Perched atop the porch roof for most of the building's history but no longer extant was a small room serving as the projection booth. The east and west walls are divided into six bays, most of which have pairs of six-over-six sash windows topped by three-pane fixed windows on the main floor, and glass block windows for the basement level. Inside, the vestibule provides a staircase to the basement, a coatroom on the left, and an office on the right. A small storage room next to the office contained a ladder up to the projection booth.
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The church proper, located on the northeastern corner of the property, is set on a platform reached from the street by a set of nine steps. The entrance leads to the narthex, to the right of which is a coatroom and to the left of which are stairs that lead to the gallery. Three doors connect the narthex to the church nave, one to the central aisle, the second to the side aisle, and the last to a low passage that connects the church with the Bible school. The church proper was designed to create a serene, spatial atmosphere and thus has a unique asymmetrical design.
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Ann finds the ruse difficult because of Tom's stupidity, such as putting glitter into the laundry and butter. Ben invites Leslie to a cocktail party, but she is intimidated by the numerous beautiful and powerful women (Lauren White and Jessica Hansen) whom Ben must work with every day and feels that her being elected to city council is feeble compared to their positions of power. Leslie feels so inferior that she barely reacts when meeting two of her idols, Senator Barbara Boxer and Senator Olympia Snowe. She sulks in the coatroom and rebuffs words of comfort from a concerned man, not realizing it was Senator John McCain.
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View of museum from the West Room of Remembrance View of museum from the East The building was designed by Stanley Tigerman. The Interior and Exhibition was co-designed by Yitzchak Mais, a former director of Yad Vashem. The Holocaust exhibition occupies the first floor, beside the auditorium, the main entrance hall, the information and membership desks, the coatroom, the gift shop, and library. The upper floor contains the remembrance areas, the art gallery, the upper part of the auditorium, and offices. The basement contains classrooms, exhibition for children, an exhibition on the building’s history, and a conference area. The building’s main front is divided into two halves.
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Later, Frankie overhears the chief of police telling his father that the case against the janitor is crumbling and that the coatroom is also the scene of Melissa's murder. After considering this new information, Frankie confides in Phil Terragarossa, a family friend, that the class ring likely belongs to the killer and that he thinks the killer returned to the cloakroom to retrieve it as the school's heating system was being replaced. Unbeknownst to Frankie, the ring, which had accidentally fallen out of his pocket earlier, was found by Geno and hidden away again. Later, Donald and Louie lure Frankie out to the nearby cliffs where they encounter a ghostly lady dressed in white.
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