Over the years, the machine produced clicks, clunks, groans and some Wagnerian-scale mishaps.
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Yeah we know, buddy, we noticed that you never eat because food just clunks up your face gears.
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At some point, the prospect of a baby clunks over from "horror" to "hope," and that changes everything.
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It clunks to a halt now and then for some heartfelt, badly handled material about pregnancy and abortion.
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He uses code to instruct the whirs and clunks of the machine to synchronize in a rhythmic way.
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Hacking and audio art are the jingling keys; even the artist's name, "Jean Tinguely," heterogeneously clinks, clatters, and clunks.
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The water runs and the hot water tank clunks as he washes the accumulated dirt of the day off himself.
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While they're walking away, the glass falls ever so perfectly and clunks the woman on the top of her head, which, you know, rules.
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Throughout its two seasons, HBO's Westworld has trotted out no shortage of bad guys, from robot gunslingers to mad inventors to dialog that sputters and clunks.
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To fix it, Mr. Mace said, the Met installed shims to restrict the freedom of movement within the two towers, eliminating the clunks during weight shifts.
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It's a throwback to the days of necessarily rugged metal bodies, optical viewfinders, and entirely physical control schemes replete with satisfying clicks and clunks from mechanical switches and dials.
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It thuds and clunks, while the pretty, delicate keys of surrounding arrangements warp and twist, like scraps of the prettiest silk being wrung taught, deformed, by hoary hands that mean to cause harm.
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But these clunks are essential to the Busch style, and not just because his plays, with the exception of his Broadway hit "The Tale of the Allergist's Wife," have usually been niche-taste, shoestring affairs.
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Some of his notable works include "Shilpi Sankula", "Kalakosha", "Kalavida Kanda France", "Horatgara Kenchappa", "Beledu Banda Bharatiya Chitrakale" etc. Because of his multiple talents he was known as " Chaturmukha Brahma"(four faced brahma). He has many followers and admirers of his works, especially the paintings. Many associations and fan clunks regularly organise seminars and exhibitions of his paintings.
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This was done with relay logic and discrete electronics. These voltage changes on the trunk circuit would cause pops or clicks that were audible to the subscriber as the electrical handshaking stepped through its protocol. Another handshake, to start timing for billing purposes, caused a second set of clunks when the called party answered. A second common form of signaling for supervision was called single-frequency or SF signaling.
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" Mick LaSalle of the San Francisco Chronicle was one of the few critics who gave the film a positive review, writing: "It's a crude, obvious comedy, which occasionally clunks, but it's often very funny, as well as being a really shrewd bit of popular entertainment. Its appeal resides in a lot of things, not the least of which is a sophisticated awareness of what an audience brings to it." The film ran 849 sneak preview screenings on Mother's Day at 4pm, the Sunday before release. New Line's president of domestic distribution David Tuckerman publicly stated his doubts about this strategy but the film achieved 90% attendance and he stated "the marketing department hit a home run.
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To continue accelerating the train, series resistors are switched out step by step, each step increasing the effective voltage and thus the current and torque for a little bit longer until the motor catches up. This can be heard and felt in older DC trains as a series of clunks under the floor, each accompanied by a jerk of acceleration as the torque suddenly increases in response to the new surge of current. When no resistors are left in the circuit, full line voltage is applied directly to the motor. The train's speed remains constant at the point where the torque of the motor, governed by the effective voltage, equals the drag - sometimes referred to as balancing speed.
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" The Daily Mail reviewer Peter Paterson was equally positive, commenting that: "There's nothing TV executives like less than having to field endless complaints by outraged viewers, and last night's proceedings will attract them in swarms. To invite such protest by screening something as provocative and out of the usual rut of ITV1's standard fare is certainly courageous." In The Times, Paul Hoggart's verdict on the first episode was that: "It is intelligent, often amusing, and, at times, passionate and provocative. It throws down a gauntlet to religion, especially in tonight's conclusion, and something happens at the end which is probably deeply blasphemous... There are some clunks and bumps in the script, but most are smoothed over by excellent acting.
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