147 Sentences With "chaise longue" | Random Sentence Generator

It's possible, but a chaise longue usually looks best alone.

No piece of furniture says "me time" quite like a chaise longue.

There's a low stage where the girls dance, and a solitary chaise longue.

From left: Jeffrey Bernett for B&B Italia Landscape chaise longue, $5,165, bebitalia.com.

The street art depicts a bathrobe-clad Harvey Weinstein sitting on a chaise longue.

I fall asleep there on the chaise longue, probably around 2 or 3 a.m.

She wants to get her hands on one piece in particular: a furry chaise longue.

There's this fetishizing of a woman on a chaise longue, downing pills and being dramatic.

I curl up on the chaise longue in our family room and find a romantic comedy.

There was another setup with me laying on a chaise longue with a black smoking jacket.

Mr. Geffen was a regular, photographed by Andy Warhol reclining on a chaise longue in a Speedo.

Plough in won every time, whether on a velvet chaise longue or a pile of horse blankets.

The young girl, thin and pale and blank, lays prone on a chaise longue, drenched in blood.

On the plus side, he's so outgoing he can start an animated conversation with a chaise longue.

Were you laying on a chaise longue with a chambermaid bringing flowers and a cat by your feet?

He showed her how to pose across a chaise longue, and made small talk about her summer plans.

On the plus side, he's so outgoing that he can start an animated conversation with a chaise longue.

Lauren of course has her own Big Gray Sofa (a huge corner couch with chaise longue style arms).

"I went backstage during the interval and she was just lying down on a chaise longue," Ms. Jaffe recalled.

Mr. McCormack, who was congratulated at every step, took a break on a chaise longue to answer some questions.

The only sign of life was a pair of slippers next to an uncomfortable-looking lime-green chaise longue.

Upstairs is a master with a walk-in closet and space for a chaise longue and a writing table.

Lift-Bit can endlessly reconfigure into a traditional sofa, a series of sofa-nodes, a chaise longue, or a bed.

One orange-and-pistachio chaise longue, he said was sure to thrill any youngster who climbed on — or through — it.

Gazelle is famous and spends her days draped over a chaise longue, answering fan mail and preening in the mirror.

But for those who do have time to relax, Mr. Amoia offered a few tips on choosing an outdoor chaise longue.

Home is the usual Russian affair—chaise longue: check; samovar: check—but the women's clothes, and their language, are jarringly modern.

I have wedged my face into a chaise longue in a remote British manor full of topiaries, exquisite food and calm.

In general, a low chaise longue works well with a lower table, while an upright sofa pairs nicely with higher tables.

A chaise longue is ideal in a library, a corner of the master bedroom or an alcove off the living room.

Once triggered, Lift-Bit will endlessly reconfigure into a traditional sofa, a series of sofa-nodes, a chaise longue, or a bed.

There were also round marble-top tables, a settee here, a chaise longue there, and a deep blue circular couch in the lobby.

To make his "Growth Chaise Longue" (2017), Mr. Bengtsson used software to "plant" a digital seed in his design program that simulated organic growth.

In a 1928 sketch, she accommodated the lounging posture in the famous "chaise longue basculante," drawing a movable chaise rocking in a steel cradle.

For all I know, as I write these words, Nathan Lane is lying dead on a chaise longue on the stage of the Westside Theater.

The conversation took place in her unadorned bedroom, with a metal-framed bed at one end and a paint-stained chaise longue at the other.

The main entrance is in an airy living room furnished with a designer sofa, chaise longue and pillows, along with a pendant lamp from Bocci.

And so here we are, having put down $85 each — which seems to us a bargain, relatively speaking — for a few hours in a reserved chaise longue.

Why, for instance, would I tweet about my crippling period pains when I could post a photo of myself, reclining in the sun on an outdoor chaise longue?

There was a living room decorated with red-and-gold, Ethan-Allen-ish chairs and couches and a chaise longue meant to invoke a degree of midcentury splendor.

You can't sit on them — but you can chill out on "La Déclive," from 1966, a chaise longue consisting of nearly two dozen planks upholstered in Oscar-night red.

You can't sit on them — but you can chill out on "La Déclive," from 2570, a chaise longue consisting of nearly two dozen planks upholstered in Oscar-night red.

One morning last week, Ms. Huffington was stretched out in a napping pod by Restworks, a device that looked like a giant football helmet grafted onto a chaise longue.

But Mr. Laarman has mainly applied the new technology to reinterpret classics like the Eames chair, vintage Louis-something tables and contemporary pieces like the luxurious Marc Newson chaise longue.

The aluminum chair is part of Mr. Laarman's series of Bone Furniture, which includes a long table and an inviting chaise longue, all with branching legs strengthened where support is needed.

Most guests rarely venture off its 230 acres, whiling away their day poolside or reading on a chaise longue in their walled off patio or taking high tea in the inn's library.

Watch her NBA Awards performance below, and get mad that you don't have some guys dressed as Roman soldiers carrying you around on a chaise longue, to be honest: Follow Lauren on Twitter.

You never quite know what you will get with a Piotr Anderszewski recital: Before a London appearance some years ago, he reclined on a chaise longue near the piano as the audience entered.

It was as grand as the first bedroom but with a sweet golden bumblebee-print wallpaper, and a leopard-print chaise-longue by the window, which I imagine would be a lovely reading spot.

CAROL Call me bougie, but I have nursed a lifelong dream of signing to my club account the bill for a Cobb salad and glass of Chablis, as I sink back onto my chaise longue.

This week Mr Rees-Mogg chose to listen to an era-defining debate while lying prone across the Commons benches, as if on a chaise longue, providing the Labour Party with an ideal election poster.

He may be on the chaise longue on his patio, at his computer in the house, or tending to his orange and lemon trees in the garden when the powerful, nauseating stench descends on him.

Truman Capote's first novel, "Other Voices, Other Rooms" (1948), created a stir as much for its suggestive Harold Halma dust jacket portrait of the young writer reclining on a chaise longue as for its contents.

Classical Music You never quite know what you will get with a Piotr Anderszewski recital: Before a London appearance some years ago, he reclined on a chaise longue near the piano as the audience entered.

So relax on a chaise longue beside the large swimming pool or head out on the private terraces to take in the sweeping views of the Ebro River and the terra-cotta-roofed houses of the sleepy old town.

Sherrie Webber, 64, and her husband, who live in nearby Pinellas Park, arrived at the school with a chaise longue to sleep on and the heart medication she has been taking since her open-heart surgery a year ago.

The design of the Glass House is undeniably influenced by the open and pared-down architecture of the European modernists Le Corbusier and Mies van der Rohe; Bo Bardi kept Le Corbusier's famous black chaise longue in her living room.

Mr. Paulin's La Déclive, designed in 1966, is a recliner made with about two dozen wooden boards covered in foam and upholstered in Oscar-night red; the planks are fastened to two undulating parallel spines, creating an organic chaise longue.

Jonathan Fredrickson and Julie Shanahan glower and bicker incessantly on a chaise longue; Breanna O'Mara giggles and apologizes; Oleg Stepanov dances, entranced, to a jukebox tune; Julian Stierle keeps reappearing, a Banquo phantom at windows with one finger in the air, testing the winds of change.

She didn't just design the now world-famous chaise longue basculante, an easy chair on a movable crescent-shaped steel armature — Charlotte Perriand even modeled it for promotional photography, lazing on the ultra-modern-for-1928 recliner while sporting a necklace strung with industrial ball bearings.

It also takes a swipe at hotels, depicting a family having lunch poolside caught in the crossfire of a water-gun fight and a woman trying to relax on a chaise longue while a wild-haired fellow guest plays air guitar and loudly jams to the music playing in his earbuds.

There is something of a west-of-the-Mississippi flavor to the objects, such as 913 furniture from Frank Lloyd Wright's Price Tower in Bartlesville, Oklahoma, and a woven oak chaise longue by Edward Durell Stone from the 1950s, created at an Arkansas wagon and tool factory that was on the decline.

The thought of the iconic Turner flipping channels while reclining on her chaise longue, accidentally landing on TBS, then throwing a rare bone-in rib-eye at the star of, say, Miss Congeniality 290: Armed and Fabulous warms the heart — and the lingering mystery around that imagined scenario tears at the soul.

All pool-goers at this rooftop pool with expansive views of the city skyline can use a chaise longue and get bottled water, unlimited towels, one alcoholic drink such as a frozen Moscow mule or frozen rosé wine; a day pass also includes Popsicles in three flavors — rosé, orange Pinot Gris and sangria.

Imperioli's fondness for primary colors and luxe textures found an outlet in the bedroom: The damask curtains, the draped fabric above the headboard, the covering on the chaise longue, the tassels on the lampshades, the geometric pattern on the cushion in front of the Buddha shrine where Mr. Imperioli mediates daily — all sunny yellow.

Having recorded music together for Del Rey's new album Lust For Life (release date still unknown), they discussed sharing a producer in Rick Nowels (Lana tells Stevie, "he loves you so much, you know" I imagine while lying on a pink velvet chaise longue, having her toenails painted) and the overarching theme of evolution and the passage of time.

While Perriand may be best known for the Chaise Longue Basculante B218 — an adjustable steel lounge chair that she created in 1928 while working at Le Corbusier's studio in her 20s — her contributions also include a prefabricated mountain resort in Savoie, France, asymmetrical wooden bookcases that call to mind paintings by Piet Mondrian and a necklace made of oversize ball bearings.

The Brebners pointed out rock formations venerated by the Ndebele ethnic group: a towering cliff face called Mount Ififi, named after the Ndebele word for the lilac-breasted roller, a small bird whose colors resemble those of the cliff's quartz striations; the iconic Mother and Child, an impossibly balanced boulder tower said to look like a woman with a baby in her lap; and an intricate assemblage of granite blocks, resembling a chaise longue, known as Rhodes's Armchair.

Many of her works remain influential reference points today: her colorful Nuage cabinet (imagine a 212-D version of a Mondrian painting); the sleek chaise longue she designed with the cousins Charles-Edouard Jeanneret (better known as Le Corbusier) and Pierre Jeanneret, which was covered in a chic pony skin; her later collaborations with the architect Jean Prouvé; and the lodgings she created in the 1960s and '70s for the Les Arcs ski resort in Savoie, France.

Much of the couple's furniture was also purchased from or created by people they know: A five-foot-long turquoise chaise longue in the shape of a foot, a 1969 work by the late French Pop artist Nicola L — whose son and grandson are friends of the couple, and about whom Sosa is publishing a book with Apartamento — dominates the front room, and a molten-looking amber-and-chartreuse resin Open Sky Crosby chair (1995-99) by the Italian architect Gaetano Pesce (which formerly belonged to another friend, the New York interior designer Jim Walrod) animates the dining space.

A chaise lounge sofa An 18th-century rococo chaise longue A late 19th-century chaise longue A chaise longue (; , "long chair") is an upholstered sofa in the shape of a chair that is long enough to support the legs. In modern French the term chaise longue can refer to any long reclining chair such as a deckchair. A literal translation in English is "long chair". In the United States the term lounge chair is also used to refer to any long reclining chair.

Sigmund Freud's chaise longue at the Freud Museum The chaise longue has traditionally been associated with psychoanalysis. Sigmund Freud initiated the use of the chaise longue for this purpose, with the idea being that the patient would recline on a couch, with the analyst seated beyond the head of the couch, so that the client would not see the analyst. Reclining and not having to face the analyst was thought to be disinhibiting and to encourage free association. At the time Freud began to use the chaise longue, it was considered daring in Vienna to recline on a chaise in the presence of non- intimates.

Inspired by Marcel Breuer's use of chrome plated tubular steel in his Wassily Chair, in 1928, Le Corbusier creates a sleek steel support for the back and seat of his Chaise Longue. The Chaise Longue features a movable seat section and an adjustable headrest, which is an early example of ergonomic design. With the tubular steel frames and leather or skin upholstery, the sleek Chaise Longue was initially manufactured for private French house commissions including the Villa Savoye, Poissy (1929–31) and the Ville-d'Avray. This piece epitomizes the mass production of the industrial age through the use of materials and structure.

Trade Mark Registration 1957-8 became a household word in Australia. He also set up and produced the chaise longue in Los Angeles in 1961.

Freud's own chaise longue, given to him by a patient, may be seen today at the Freud Museum in London. Today, psychoanalysts continue to invite clients to recline on couches in their offices during psychotherapy, and may use chaises longues rather than more conventional styles of couch out of tradition. The chaise longue is used to suggest a generic psychotherapist's office in cartoons and other works.

In the United States, chaise longue is often written "chaise lounge" and pronounced , the first constituent a spelling pronunciation, the second a 19th-century folk-anagrammatic adaptation of French longue.

Persephone Books reprinted The Victorian Chaise-longue in 1999, Little Boy Lost in 2001, The Village in 2004, To Bed with Grand Music in 2009 and Tory Heaven in 2018.

Chaise Longue by Charlotte Perriand and Le Corbusier Perriand was familiar with Thonet's bentwood chairs and used them often not only for inspiration but also in her designs. Their chaise longue, for this reason, bears some similarity to Thonet's bentwood rocker although it doesn't appear to rock when sitting on the 4-legged base. But when the chaise is removed from the base and set on a flat surface, it rocks very smoothly. The chair has double tubing at the sides and a lacquered sheet metal base.

Beyoncé, reclining in a paddling pool, as seen in the music video for "Party". Once outside the pool, Beyoncé, now in a ruffled blue and white bikini, is sitting on a chaise longue and licking a lollipop. Beyoncé then shifts to another chaise longue where she relaxes with a bowl of snack food in her hand. Now wearing sunglasses, a black butterfly turban, and a furry green vest, Beyoncé lounges on a plastic chair around an inflatable pool toys next to lawn flamingos and beer bottle-filled kiddie pools.

She also used some handcrafted techniques which she displayed at the 1935 Brussels International Exposition.From Tubular Steel to Bamboo: Charlotte Perriand, the Migrating Chaise-longue and Japan by Charlotte Benton. Journal of Design History VOL.11, No.1 (1998).

A type of sofa or chaise longue on which she liked to recline, the récamier, was named after her. She was the subject of two silent films. A 1920 German film Madame Récamier starring Fern Andra and a 1928 French film Madame Récamier.

Mohinder arrives at Angela Petrelli's house, informing her that Peter is dead. He lays Peter's corpse on a chaise longue and Nathan arrives and immediately comes to Peter's side, clutching him and weeping. Nathan says "He wasn't supposed to die this way.", referencing the atomic prediction.

The film poster artwork depicts Alma reclining on a chaise longue attended by a lover, with a field of flowers in the background. Alma's dress, her hair, the chaise, the field of flowers and even the air are replete with many of the stylistic elements of paintings by Gustav Klimt.

Nonetheless, the Model B3 Chair (dubbed the Wassily Chair by the manufacturing company, Gavina after learning of the anecdote involving the painter Wassily Kandinsky) inspired many artists and designers to include the use of chrome plated steel, including Le Corbusier, who includes it as a structure for his Chaise Longue.

In both 1957 and 1960 he won the Grand Prize at the Milan Triennale. In 1959 he became assistant at the Royal Danish Academy of Fine Arts in Copenhagen and lecturer. In 1965 his PK24 Chaise Longue typified his mature style. Its simple flowing lines combine steel and woven cane.

After he leaves, her ex-con husband Tony Bruzzi shows up. He wants her to take him back, but she has him thrown out, though she keeps his gun; she guesses from the red snow that Tony killed someone. Later, she takes Jim home. He falls asleep on her chaise longue.

A long-lashed woman, Yvonne Marquis, dresses in the purple puce gown and walks to her vanity to apply perfume. She lies on a chaise longue which then begins to move around the room and eventually out to a patio. Borzois appear and she prepares to take them for a walk.

Camille and Jean met up with him in England in October 1870. They lived at Bath Place, now Kensington High Street, London, by early 1871. It was here that Monet made the only painting of Camille that he made in London. Entitled Repose, she sat in a chaise longue with a book on her lap.

Ross Lovegrove was born in Wales in 1958. In 1980 he graduated from the Royal College of Art in London with a master's degree in Industrial Design, showing seminal works; Kodak Digital Camera and Equestrian Chaise longue. In April 2017 a major exhibition of his work entitled CONVERGENCE was featured at the Centre Georges Pompidou in Paris.

Garden furniture is often sold as a patio set consisting of a table, four or six chairs, and a parasol. A picnic table is used for the purpose of eating a meal outdoors. Long chairs, referred to as chaise longue, are also common items. Recently seating furniture has been used for conversation areas using items like couches.

Elsewhere are windows by Lavers, Barraud and Westlake, and by A. L. Moore, the latter dating from 1921. The monuments include one by Sievier dating from 1826 depicting a lady lying on a chaise longue. The original organ was built by Samuel Renn in 1827 and situated in the west gallery. It was moved in 1880 to the north aisle.

Around 1850, the French introduced a reclining camp bed that could serve as a chair, a bed and a chaise longue. It was portable and featured padded arm rests and a steel frame. In the late 1800s, many designs were found for motion chairs that were made of wood with a padded seat and back. Designs from France and America included a document or book holder.

First edition (publ. Cresset Press) The Victorian Chaise-Longue (1953) is a novella by the English novelist Marghanita Laski. Published in 1953, the book describes the experience of an invalided young woman who wakes up in the body of her alter-ego eighty years previously. Described by Anthony Boucher as 'relentlessly terrifying', and as 'disturbing and compulsive' by Penelope Lively, the novella plays on the fear of the unexpected and unknown.

Chinese daybed from the Ming Dynasty Daybeds are used as beds as well as for lounging, reclining and seating in common rooms. Their frames can be made out of wood, metal or a combination of wood and metal. They are a cross between chaise longue, couch and a bed. Daybeds typically feature a back and sides and come in twin size (39 in × 75 in = 99 cm × 191 cm).

Batchelor was a watercolour painter of many subjects. His studio was the entertainment room at the side of a detached house, a sparsely furnished, bow-windowed room with cocktail bar and steel shutters. He spent his last years mainly in one small room equipped with a chaise longue and two televisions, one colour, the other monochrome, rented from Granada TV Rental at Knowle, Bristol. His housekeeper communicated with visitors and tradesmen.

This tested the limits of how small voxels of color could be inside a 3D printed solid. Oxman has also premiered new printing tools and processes. In 2015, she designed Gemini, a large chaise longue combining a milled wood shell with a 3D-printed surface. Both the outer shell and the texture of the inner surface were designed to produce a soothing acoustical environment for someone reclining in it.

The Djinn chair is one element of a series of Djinn furniture designed by noted French designer Olivier Mourgue. In 1964 the first piece of the series, a chaise longue, was introduced by Airborne in Merignac Cedex, France. The rest of the series was released in 1965, and includes the iconic "Low fireside chair", a two seat sofa, and a foot stool. The set remained in production until 1976.

Values in Europe remain varied depending on condition, with professionally restored chairs selling for $1,000 or more, and sofas for more than $1,800. In the United States the chairs remain largely forgotten, and little effort at restoration has occurred. A 1964-1965 green Djinn Chaise Longue is in the permanent collection of the Museum of Modern Art in New York City. It was donated by George Tanier, Inc.

Another classic is his chaise longue in teak and beech covered in wickered patent leather and produced by Bovirke. Other pieces include tables, desks, sofas and hall furniture, inspired by nature with soft, organic, elegantly curved lines. From the 1950s, Vodder worked with the furniture company Sibast on several sets of office furniture which did particularly well on the American market, even arousing the interest of Jimmy Carter.Signe Brogaard, "Arne Vodder", Bo Bedre.

The Ruling Passion, sometimes called The Ornithologist, is a painting by John Everett Millais which was shown at the Royal Academy Exhibition in 1885. The painting depicts an old man lying on a chaise-longue. He is showing a stuffed bird, a king bird of paradise, to a group of children and a woman. The older girl on the left of the picture is holding a resplendent quetzal, and other specimens are scattered about.

While in Paris, Niemeyer began designing furniture that was produced by Mobilier International. He created an easy chair and ottoman composed of bent steel and leather in limited numbers for private clients. Later, in 1978, this chair and other designs, including the "Rio" chaise-longue were produced in Brazil by Tendo company, then Tendo Brasileira. The easy chairs and ottomans were made of bent wood and were placed in Communist party headquarters around the world.

The Ke-zu Chaise by Dakota Jackson In 1989, Jackson entered the mass-produced contract furniture market with the Ke-zu seating collection, which started with an "angular" chaise longue and grew to include a range of leather-covered arm chairs, side chairs, club chairs, ottomans, and sofas. Like the Saturn Stool, the Ke-zu Chaise came to define Jackson, earning a place in the permanent collection of the Brooklyn Museum and in fashion advertisements of the day.

The music video for "Hold Me" features the band in a surreal scenario set in a desert, based on several René Magritte paintings. In the video, Christine McVie is in a room surrounded by paintings, using a telescope to search for Lindsey Buckingham in the desert. Buckingham discovers Stevie Nicks lying on a chaise longue and paints a portrait of her. In other scenes, John McVie and Mick Fleetwood are archaeologists, dressed in khaki shorts and pith helmets.

There was also a yellow sofa or chaise-longue upon which Lennon would spend much of his time. This was a present from his aunt Elizabeth Smith (née Stanley), also known as Mimi. Behind the sunroom was the split-level kitchen where state-of-the-art appliances were installed, so complex that a tutor had to come and give the Lennons lessons in their use. Completing the ground floor was a smaller lounge, and a large garage.

The four crew, two pilots, a flight engineer and a radio operator, worked together in a well-glazed cockpit linked by a corridor to the passengers' cabin. Their accommodation was configurable but the Air-Afrique layout provided chaise- longues/couchettes for ten and armchairs for four. With a pair of armchairs in the place of each chaise-longue, twenty-four passenger might have been carried. At the rear of the cabin there was a bar, toilets and, behind them, a baggage compartment.

This style of platform bed, which might be more accurately described as a chaise longue or daybed were the basic building blocks leading to today's modern platform bed. This period provides the earliest representation of platform bed construction to survive. Tutankhamun's bed (in Cairo Museum) Platform beds that might be recognized as more accurate representations of today's platform beds were better defined as loft beds. The beds were originally situated high off the ground to allow for more living space below.

The shaped plywood was stained with black lacquer and the cylindrical headrest affixed by two cords was made of black leather. Tensioned wicker of woven natural cane stretched over the frame to form the seat of the rocker. The chair did not go into production until 1978, when it was made in Brazil at the Tendo plant. Chaise-longue "Rio" production began 1978 Niemeyer left Brasília in 1973 and in 1977, after returning to Rio de Janeiro opened the Galeria Anna Maria Niemeyer.

Largely unknown by her husband, she had a vast spiritual correspondence for many years. She was concerned about the "poor" or the "least," but her deteriorating health restricted her ability to respond to this concern. In 1907 her health deteriorated to the extent that she was forced to lead a primarily sedentary life, receiving visitors and directing her household from a chaise longue. In 1911 she had surgery and radiation for a malignant tumor, recovered, and then was bedridden by July 1913.

On a Sunday morning, all Pettigrews are heading to church, except Fraser. Edward finds him relaxing in a chaise longue in the library, a cognac glass filled with milk in one hand and a lit cigar in the other, swaying his head and body to a gramophone recording of Louis Armstrong's "On the Sunny Side of the Street" (a secret gift from Heloise). Instead of being thrown into a fit of rage, he smiles and closes the door, leaving Fraser to enjoy himself.

This design had been granted a patent to the Eames for the wire chair produced by Herman Miller. Herman Miller eventually won and Bertoia & Knoll redesigned the seat edge, using a thicker, single wire, and grinding down the edge of the seat wires at a smooth angle—the same way the chairs are produced today. Nonetheless, the commercial success enjoyed by Bertoia's diamond chair was immediate. It was only in 2005 that Bertoia's asymmetrical chaise longue was introduced at the Milan Furniture Fair and sold out immediately.

"If This Is Love" is performed as a mash up with the Maroon 5 and Christina Aguilera's hit single "Moves like Jagger". They then perform the song "For Myself", before the doors shut in front of them. An extended intro of "Last Call" is played, before the girls rise back on stage on a white chaise longue, still in their silver theme, and perform the rest of the song. White fabrics then drop down onto the stage, and they perform 2010's "Missing You".

Peregrine Worsthorne (2004) In Defence of Aristocracy, Harper Collin. Worsthorne's biological father reverted his name to Koch de Gooreynd in 1937 and lived in Rhodesia for several years; Worsthorne discovered in the early 1960s that a half-brother was born during this period. Worsthorne was educated at Stowe School, where, he wrote, he was once seduced on the art room chaise-longue by George Melly, a fellow pupil who was later a jazz singer and writer,Worsthorne (1977) p.90-91 but Melly always denied it happened.

Taggart also checks out assorted Las Vegas bookmakers, including Leroy's. Taggart meets various Vegas gambling and business figures, including famed Las Vegas Sun publisher Hank Greenspun, for more insights into the Las Vegas gambling world. He is unaware that the Dutchman's tough guy enforcer, "Panama Hat" (William Smith), is following him, until "The Hat" confronts him at the hotel pool as Taggart attempts to relax on a chaise longue. Panama Hat orders Taggart to return to Los Angeles immediately, and settle up with the Dutchman, or there will be dire consequences.

Anagrams constructed without aid of a computer are noted as having been done "manually" or "by hand"; those made by utilizing a computer may be noted "by machine" or "by computer", or may indicate the name of the computer program (using Anagram Genius). There are also a few "natural" instances: English words unconsciously created by switching letters around. The French chaise longue ("long chair") became the American "chaise lounge" by metathesis (transposition of letters and/or sounds). It has also been speculated that the English "curd" comes from the Latin crudus ("raw").

He was ready to write about spirits as well as wine." He told Smith that his private idea of paradise would be to lie on a chaise-longue reading paperback thrillers and being brought Guinness every hour by nubile girls. He wrote books about the makers of great wine, including Bollinger champagne, and Châteaux Lafite and Mouton Rothschild. To those who asked how a socialist could be a wine connoisseur he replied, "There is no more virtue in not minding what you eat and drink than in not minding whom you go to bed with.

The company's transformation was bolstered further by commissions for cruise ships, top end hotels and restaurants which accounted for a great part of the company's activity right up to the mid-sixties and beyond. In 1964 the "Cassina I Maestri" (Cassina Masters) Collection was born, with the acquisition of the rights to products designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand, the most important names of 20th century design. These included the LC1, LC2, and LC3 armchairs, and the LC4 chaise longue. Today Cassina is the exclusive worldwide licensee of the Le Corbusier designs.

She wrote to Farjeon in the 1930s, while living in awful conditions in a Brixton basement, with a big mongrel dog. The last address recorded for her was 19, Tredown Road, Lewisham, at which time her room was empty except for a chaise longue, a few items of bric-à-brac, and her manuscripts. Gyles died in a nursing home at 69, Crystal Palace Park Road, Beckenham, Kent, on 23 January 1949. In Faith Compton Mackenzie's novel Tatting (1957), a character called Ariadne Berden is based on Gyles.

Memorial bust to Alexander II placed on the spot where he died in 1881. The Crimson Cabinet, the study of Maria Alexandrovna Tsar Alexander II died on the chaise longue by the columns This suite of rooms is at the centre and southern end of the private wing, overlooking the Admiralty and Palace Square. In the apartment of the Tsaritsa, originally rebuilt by Brullov, the hand of Andrei Stakenschneider is evident. His chief distinction was an ability to combine an eclectic mix of architectural styles, frequently combining Classical, Gothic and Oriental motifs in the same scheme.

It features scenes of Clarkson dressed in a gold gown and expensive jewelry while lying on a chaise longue in an apartment. Shots of floating objects intersperse a second scene in which Clarkson, wearing a black dress, sings in a rehearsal room while surrounded by the instruments of an invisible orchestra. Despite her dissatisfaction with the song's release as a single, Clarkson began promoting it in July 2009, performing it live on the Late Show with David Letterman and other talk shows. In the fall, she performed the song on VH1 Divas and at the American Music Awards.

These items were originally in brown plastic to represent wood, and then went on to be manufactured in a rich green, the doors of the wardrobe papered in a tiny flower print. The range also included a light pink chaise longue, a chevral dressing mirror and bentwood-style coat and hat stand, a Chesterfield-style arm chair with pedestal side table and an oil lamp. Daisy also had her own bike with a saddle bag, and a "Daisy mobile", rather like the "Mystery Machine" in Scooby-Doo. Later on she had a scooter which ran on battery power.

Cottage and garden The museum grounds are home to a reconstructed early-twentieth century Forester’s cottage, which was moved stone by stone from its original location. The cottage is furnished and decorated in authentic Victorian and Edwardian period style. Like many Forest cottages of the time, it is a two-up, two-down, with, on the ground floor, a well-appointed sitting room with a harmonium, Victorian chaise-longue and a collection of period china, and a kitchen with an authentic cast-iron range. Upstairs there can be found two bedrooms, a children’s room, and a master bedroom which also contains a cot.

Reproduction of a triclinium A triclinium (plural: triclinia) is a formal dining room in a Roman building. The word is adopted from the Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some household slaves served multiple courses rushed out of the culina, or kitchen, and others entertained guests with music, song, or dance. The triclinium was characterized by three lecti triclinaris on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees.

Monk quickly notices that Gruber was married, as she was wearing a ring. He also observes several clues that suggest murder: for one, the death coconut did not come from the palm tree shading the hot tub, but from the ground adjacent to a tree in the side yard. Additionally, he notices that Gruber was actually killed in the bungalow itself, not in the hot tub: for one, she is not wearing any suntan lotion. Also, there's a large print edition book on a chaise longue adjacent to the hot tub that indicates Gruber needed reading glasses, but there are none near the body.

An Evening of Long Goodbyes is about a 24-year-old wealthy layabout who prefers to watch Gene Tierney movies in his chaise longue, with a gimlet in hand, rather than go out and find a job. Charles Hythloday is a Trinity College dropout living with his sister, Christabel ("Bel"), in their parents' mansion, Amaurot (named after the capital city of More's Utopia). There are only two things that Charles loves more than the film actress, Gene Tierney; his home and his struggling actress sister. While Charles loves his childhood home, Bel notices it makes people become phony, and wants out of the mansion.

Until the assassination of Alexander II, this room was traditionally the Tsar's study, having been used for this purpose by both Alexander I and Nicholas I. Originally designed by Giacomo Quarenghi in 1791, the room contains a recessed alcove in the style of a Baroque state bedroom, indicative of its original use. Following the fire of 1837 it was redesigned by Alexander Brullov. It was here, in March 1881, that the fatally wounded Alexander II was carried to die (on the chaise longue to the right of the picture). Following his death a memorial bust was placed on the spot where he died; this remains in place today.

And, with the growing permissiveness of modern times, that might rather amount to notoriety for those adult films in which athletic stamina was more of a requirement than acting ability. Hans Makart's painting of Charlotte Wolter in Adolf Wilbrandt's tragedy, Arria und Messalina Wilbrandt's Arria und Messalina was specially written for Charlotte Wolter, who was painted in her role by Hans Makart in 1875. There she reclines on a chaise-longue with the city of Rome lit by fire in the background. As well as a preparatory photograph of her dressed as in the painting, there were also posed cabinet photos of her in a plainer dress.

Sour Cream was a Dutch recorder trio. The group was formed by Frans Brüggen in 1972 and consisted of Brüggen, Kees Boeke and Walter van Hauwe with the intent to perform avant-garde work for the recorder. They were involved in the Dutch counterculture movement, which resulted in some unusual performances: > The concluding piece of one of their Boston concerts featured a Keystone > Kops-style chase around the stage. A year or two later, with the ensemble > playing Telemann trios again in Boston, Brüggen wandered on to the stage, > donned a pair of dark sunglasses, stretched himself out on a chaise longue > and proceeded to read the newspaper.

The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier's 1929 Salon d'Automne installation, 'Equipment for the Home'. These chairs included the LC-1, LC-2, LC-3, and LC-4, originally titled "Basculant" (LC-1), "Fauteuil grand confort, petit modèle" (LC-2, "great comfort sofa, small model"), "Fauteuil grand confort, grand modèle" (LC-3, "great comfort sofa, large model"), and "Chaise longue" (LC-4, "Long chair").Le Corbusier Classics LC2, LC3 and LC4 Get Colorful, Courtesy Of Cassina.

Madonna was also seen reclining on a riveted aluminium chaise longue known as the Lockheed Lounge, designed by then unknown Marc Newson. The video begins with Madonna in a studio, lying on a sofa with headphones on her ears composing a song, following a sequence in which she sings in front of a microphone, which alternates with those of her receiving instructions from the director. She then appears in front of a background of bright lights, representing the sun-lit sky, and also in a scene of her kissing a man behind glass on which water falls. The video ends with an air view of open umbrellas covering the entire floor.

Having been interested in art since he was a child, he asked his family to let him attend classes at the Istanbul Academy of Fine Arts, but his request was denied and he graduated from the Academy in 1901. Lady in Pink on a Chaise Longue (1904) He did manage to obtain some private tutoring from Hoca Ali Riza then, following his father's death in 1902, he quietly enrolled at the Academy. He studied with the Italian Orientalist painter, Salvatore Valeri and the sculptor Osgan Efendi,Brief biography @ Turkish paintings. but had some difficulty adapting to the school's conservative teaching methods and came into conflict with Osman Hamdi Bey, the Director.

The office reflects Knights diverse interests and activities of work, hunting, as well as artistic draftsmanship. While comfortable, the space shows features of a working office equipped with a handsome desk, a cast iron Rococo-inspired safe, chair(s), as well as small drawings done by Edward Knight.Dunbar Second Floor: The second floor of the home contains separate master bedrooms for Mr. and Mrs. Knight. Louise Knight's bedroom suited her French heritage, featured with a large suite of blue-painted reproduction Louise XVI furniture, matching tables, side chairs, folding screen, and a chaise longue adapted to the French antique style popular in the 1920s.

One of McQueen's most celebrated and dramatic catwalk shows was his 2001 Spring/Summer collection, named VOSS. The centre piece tableau that dominated the room was an enormous glass box. But because the room outside the box was lit and the inside of the box was unlit, the glass walls appeared as large mirrors, so that the seated audience saw only their own reflection. When the show began, lights came on inside the enormous glass case and revealed the interior to be filled with moths and, at the centre, a naked model on a chaise longue with her face obscured by a gas mask.

Tom Raffield grew up in Exmoor, England - where the natural environment stimulated his imagination, and fed into his future designs. Raffield’s fascination with the traditional practice of steam bending began whilst studying at Falmouth College of Arts (now Falmouth University), where he discovered the traditional technique of using a chamber wouldn’t allow him to create the complex 3D bends he had envisaged. Years of research and experimentation allowed him to develop a new steaming method to turn his design visions into reality and create furniture designs such as the Chaise Longue, Arc Chair and Loop Chair and Lights including the Pendant Number 1, Cage Light and Butterfly Pendant which typically come in a choice of ash, oak or walnut.

The shoot took place in a "domestic environment" of the Haddon Hall living room, where Bowie reclined on a chaise longue in a cream and blue satin "man's dress", an early indication of his interest in exploiting his androgynous appearance. The dress was designed by British fashion designer Michael Fish. It has been said that his "bleached blond locks, falling below shoulder level" in the photo, were inspired by a Pre- Raphaelite painting by Dante Gabriel Rossetti. In the United States, Mercury rejected MacMillan's photo and released the album with Weller's design as its cover, much to the displeasure of Bowie, although he successfully lobbied the label to use the photo for the record's release in the United Kingdom.

Serbian history textbooks deny that Serbia or Princip were responsible for starting World War I, laying blame on the Central Powers instead. Milorad Dodik acknowledged that Bosnia is "still divided", but maintained that Princip was a "freedom fighter" and that Austria-Hungary had been an "occupier". Princip's weapon, along with the car in which the Archduke was riding, his bloodstained uniform and the chaise longue on which he died, are on permanent display in the Heeresgeschichtliches Museum in Vienna, Austria. The bullet fired by Gavrilo Princip, sometimes referred to as "the bullet that started World War I", is a museum exhibit in the Konopiště Castle near the town of Benešov in the Czech Republic.

Around this time, Micko approached numerous labels and several responded with offers. Ultimately, he decided on Blue Planet Recordings, a sub-label of Silver Planet Recordings, on the basis that Blue Planet promised Micko some studio time. Micko recalled, "So they lent me their studio and I used to go in there on Sundays and work for 23 hours and finish the mixes at about 8 in the morning, which is quite hellish really. The results of his studio time would be The Bowling Green's debut Mingle EP 12" in 1996. This was followed by the Chaise Longue EP in 1997, which featured a remix from Blue Planet and future Nothing Records label-mate Plug.

Niemeyers works were exhibited in many locations throughout the world, including among others, the Centre Georges Pompidou and the Salon in Paris, the Internationale Möbelmesse Fair in Cologne, the Milan Furniture Fair in Milan and the United Nations Building in New York City. The Niemeyers' most important design was the "Rio", a chaise longue designed in 1970 for her father's personal use. Using the curves favored by her father, reminiscent of the coastline of his native Brazil and the figure of a woman, the frame was made of three curved elements to give balance and create the structure of the chair. The main support allowed the chair to rock and provided balance, while the smaller elements braced the head and foot of the seat.

In a 19th-century whaling harbor, the peg-legged captain of the Komquot is obsessed with catching the great white whale, Dicky Moe, to the point of drawing cuts of meat on Dicky Moe's picture, then eating the paper out of insanity. His obsession frightens his crew so badly that they all desert the ship in fear, angering the captain for their cowardly behavior. Shortly afterward, the captain finds Tom searching for food in the harbor, knocks him out and takes him aboard. Tom thinks at first that he is going on a cruise, and sets himself up with a chaise longue and a drink, but the captain almost immediately slams him out of it and forces him to work scrubbing the deck.

The collection includes Eliel Saarinen's sideboard designed in 1929 for The Metropolitan Museum of Art exhibition The Architect and the Industrial Arts: An Exhibition of Contemporary American Design and the Bubbles chaise longue designed by Frank Gehry in 1979 for the Experimental Edges Series. In 2018, the museum added a Sevres lunch service to its decorative arts collection. In recent years the IMA has begun to focus on developing its contemporary art collection, which includes works such as Two White Dots in the Air by Alexander Calder and Light and Space III, a permanent installation by Robert Irwin located in the Pulliam Great Hall. Since 2007 the museum has featured site-specific contemporary installations in the Efroymson Pavilion, rotating the temporary works every six months.

This Rococo Revival canapé delivered to the Vermont State House in 1859 would have been called a "settee" A canapé is a piece of furniture similar to a couch, and is meant to describe an elegant sofa made out of elaborately carved wood with wooden legs, and upholstered seats, back, and armrests that seats three, that emerged from France in the 18th century. A style created during the Louis XV and Louis XVI periods, similar yet different from designs used by Thomas Chippendale, it later became popular in the United States during the 19th century. Its shape is distinct from other sofas of the period, including the divan and chaise longue, but does include several forms. Frequently matching chairs were made to go with it.

There are two music videos for the single, one for the UK and one for the US. The UK video was filmed in the summer of 1992, once the band had been in the studio to record Man Smart and Excited. And features Heather with her hair tied up, for the first time in two different poses. Primarily she wears a grey trouser suit over a black vest, the other scenes she sings from a red chaise longue, wearing a purple suede figure-hugging gown, surrounded by flowers, and her face is decorated with small white beads around her eyes. Throughout the video there are shots and silhouettes of Mike Pickering and Paul Heard all getting photographed together; Heather is seen performing separately.

From their space boudoir, comprising as it does candelabras, a chaise longue, and some curtains, they summon Scott Shaw's Space Sheriff Jack B. Quick, and tell him they'll reward him with an action- hero franchise if he defeats Robert Z'Dar's Z-Man Lord Invader, who has unleashed the mythical monster the Chupacabra on earth. So far, so low-rent, but comprehensible, at least by the standards of Jackson and Shaw. Jack heads to earth and all sense goes out the window." Showgirls, Teen Wolves, and Astro Zombies: A Film Critic's Year-Long Quest to Find the Worst Movie Ever Made, Michael Adams Pages 301-302 The most interesting Shaw/Jackson collaboration is Guns of El Chupacabra (1997), a film that has been described as "Fellini meets the Coen Brothers.

He designed the Cu-Bed for Habitat's VIP Kids range (a cube made of eight smaller ones which can be made into a bed, chaise-longue or chair) with all the royalties from the sale of the bed going directly to his favourite charity, Demelza House Children's Hospice in Sittingbourne, Kent. Radcliffe has urged his fans to make donations to the charity's Candle for Care programme in lieu of giving him Christmas presents. In 2008, he was among several celebrities who donated their old glasses to an exhibit honouring victims of the Holocaust. During the Broadway run of Equus he auctioned off a pair of jeans and other items worn in the show, for New-York-based Broadway Cares/Equity Fights AIDS and was a presenter at the 2011 Gypsy of the Year competition.

Anthony Boucher described her novella The Victorian Chaise Longue as "an admirably written book, highly skilled in its economic evocation of time, place and character -- and a relentlessly terrifying one.""Recommended Reading," F&SF;, October 1954, p.95. Ecstasy: A Study of Some Secular and Religious Experiences has been compared to The Varieties of Religious Experience by William James in its importance. Tory Heaven, a counterfactual novel depicting a Britain ruled by a rigidly hierarchical Conservative dictatorship and satirising middle-class attitudes towards the Attlee ministry, was described as "wickedly amusing" by Ralph Straus of The Sunday Times, and as "an ingeniously contrived and wittily told tale" by Hugh Fausset of the Manchester Guardian: writing about the book in 2018, David Kynaston called it a "highly engaging, beautifully written novel".

Mies van der Rohe had begun making his own version in a sculptural curved form with a cane seat in 1927. The first results of the collaboration between Le Corbusier and Perriand were three types of chairs made with chrome-plated tubular steel frames: The LC4, Chaise Longue, (1927–28), with a covering of cowhide, which gave it a touch of exoticism; the Fauteuil Grand Confort (LC3) (1928–29), a club chair with a tubular frame which resembled the comfortable Art Deco club chairs that became popular in the 1920s; and the Fauteuil à dossier basculant (LC4) (1928–29), a low seat suspended in a tubular steel frame, also with a cowhide upholstery. These chairs were designed specifically for two of his projects, the Maison la Roche in Paris and a pavilion for Barbara and Henry Church. All three clearly showed the influence of Mies van der Rohe and Marcel Breuer.

The local people speak the Hunsrück dialect with a Moselle Franconian character. The village lies, along with the neighbouring ones, just north of a well known European language boundary, the so-called Das-Dat line, south of which people speak Rhine Franconian. One particular legacy from the High Middle Ages is a number of deviations from Standard High German in the realm of gender, with forms such as die Bach (feminine, but usually der Bach, masculine) and der Butter (masculine, but usually die Butter, feminine) cropping up, which have preserved the state of the language in Walther von der Vogelweide’s time. A number of French loanwords can also be found in the local speech, having been adopted in French Revolutionary and Napoleonic times. These include Scheeslong (“sofa”, from chaise longue), Trottwa (“sidewalk”, from trottoir) and Portmonnee (“wallet”, from porte-monnaie). Words with French elements include Bobbeschees (standard: Puppenwagen; “doll’s pram”) and Kinnerschees (standard: Kinderwagen; “pram”), with the last syllable from French chaise (“chair”) in each case.

On April 19, 2004, The Zürich Women's Guild Gesellschaft zu Fraumünster honored Emilie Kempin-Spyri as a Zürich citizen who, in spite of outstanding merit, has fallen into oblivion; the occasion took place under the patronage of the University of Zürich.Ehrung durch die Gesellschaft zu Fraumünster (2004) , Website der Universität Zürich, retrieved 28 June 2009Brigitte Blöchlinger: Postume Ehrung von Emilie Kempin-Spyri , 7 April 2004 The plaque that was unveiled at that time was replaced on May 28, 2009 by a definitive plaque in the foyer of the Bibliothek des Rechtswissenschaftlichen Instituts.Marita Fuchs: Ehrentafel für die erste Dozentin der Universität Zürich In a ceremony on January 22, 2008, a monument in the form of an oversized chaise longue created by Pipilotti Rist was unveiled in the atrium of the University of Zürich; with this, Kempin-Spyris's role was acknowledged as the first female university lecturer at the University of Zürich, and as a pioneer in equal rights for women.Denkmal von Pipilotti Rist zu Ehren von Emilie Kempin-Spyri (2008) , Website der Universität Zürich, retrieved 28 June 2009NZZ Eine Chaiselongue als Erinnerungsort Emily Kempin-Spyris's life was literarily portrayed in Eveline Hasler's book Die Wachsflügelfrau.